Chapter LXIV: Introduction (64)

He ended, and the Heavenly Audience loud
Sung Hallelujah, as the sound of Seas,
Through Multitude that sung: Just are thy Ways,
Righteous are thy Decrees in all thy Works,
Who can extenuate thee?--

Tho the Author in the whole Course of his Poem, and particularly in the Book we are now examining, has infinite Allusions to Places of Scripture, I have only taken notice in my Remarks of such as are of a Poetical Nature, and which are woven with great Beauty into the Body of this Fable. Of this kind is that Passage in the present Book, where describing Sin and Death as marching thro the Works of Nature he adds,

--Behind her Death
Close following pace for pace, not mounted yet
On his pale Horse--

Which alludes to that Passage in Scripture, so wonderfully poetical, and terrifying to the Imagination. And I look'd, and behold a pale Horse, and his Name that sat on him was Death, and Hell followed with him: and Power was given unto them over the fourth Part of the Earth, to kill with Sword, and with Hunger, and with Sickness, and with the Beasts of the Earth. [1] Under this first Head of Celestial Persons we must likewise take notice of the Command which the Angels receiv'd, to produce the several Changes in Nature, and sully the Beauty of the Creation. Accordingly they are represented as infecting the Stars and Planets with malignant Influences, weakning the Light of the Sun, bringing down the Winter into the milder Regions of Nature, planting Winds and Storms in several Quarters of the Sky, storing the Clouds with Thunder, and in short, perverting the Whole Frame of the Universe to the Condition of its criminal Inhabitants. As this is a noble Incident in the Poem, the following Lines, in which we see the Angels heaving up the Earth, and placing it in a different Posture to the Sun from what it had before the Fall of Man, is conceived with that sublime Imagination which was so peculiar to this great Author.

Some say he bid his Angels turn ascanse
The Poles of Earth twice ten Degrees and more
From the Suns Axle; they with Labour push'd
Oblique the Centrick Globe--

We are in the second place to consider the Infernal Agents under the view which Milton has given us of them in this Book. It is observed by those who would set forth the Greatness of Virgil's Plan, that he conducts his Reader thro all the Parts of the Earth which were discover'd in his time. Asia, Africk, and Europe are the several Scenes of his Fable. The Plan of Milton's Poem is of an infinitely greater Extent, and fills the Mind with many more astonishing Circumstances. Satan, having surrounded the Earth seven times, departs at length from Paradise. We then see him steering his Course among the Constellations, and after having traversed the whole Creation, pursuing his Voyage thro the Chaos, and entring into his own Infernal Dominions.

His first appearance in the Assembly of fallen Angels, is work'd up with Circumstances which give a delightful Surprize to the Reader; but there is no Incident in the whole Poem which does this more than the Transformation of the whole Audience, that follows the Account their Leader gives them of his Expedition. The gradual Change of Satan himself is describ'd after Ovid's manner, and may vie with any of those celebrated Transformations which are look'd upon as the most beautiful Parts in that Poets Works. Milton never fails of improving his own Hints, and bestowing the last finishing Touches to every Incident which is admitted into his Poem. The unexpected Hiss which rises in this Episode, the Dimensions and Bulk of Satan so much superior to those of the Infernal Spirits who lay under the same Transformation, with the annual Change which they are supposed to suffer, are Instances of this kind. The Beauty of the Diction is very remarkable in this whole Episode, as I have observed in the sixth Paper of these Remarks the great Judgment with which it was contrived.

The Parts of Adam and Eve, or the human Persons, come next under our Consideration. Milton's Art is no where more shewn than in his conducting the Parts of these our first Parents. The Representation he gives of them, without falsifying the Story, is wonderfully contriv'd to influence the Reader with Pity and Compassion towards them. Tho Adam involves the whole Species in Misery, his Crime proceeds from a Weakness which every Man is inclined to pardon and commiserate, as it seems rather the Frailty of Human Nature, than of the Person who offended. Every one is apt to excuse a Fault which he himself might have fallen into. It was the Excess of Love for Eve, that ruin'd Adam, and his Posterity. I need not add, that the Author is justify'd in this Particular by many of the Fathers, and the most orthodox Writers. Milton has by this means filled a great part of his Poem with that kind of Writing which the French Criticks call the Tender, and which is in a particular manner engaging to all sorts of Readers.

Adam and Eve, in the Book we are now considering, are likewise drawn with such Sentiments as do not only interest the Reader in their Afflictions, but raise in him the most melting Passions of Humanity and Commiseration. When Adam sees the several Changes in Nature produced about him, he appears in a Disorder of Mind suitable to one who had forfeited both his Innocence and his Happiness; he is filled with Horrour, Remorse, Despair; in the Anguish of his Heart he expostulates with his Creator for having given him an unasked Existence.

Did I request thee, Maker, from my Clay
To mould me Man? did I sollicite thee
From Darkness to promote me? or here place
In this delicious Garden? As my Will
Concurr'd not to my Being, twere but right
And equal to reduce me to my Dust,
Desirous to resign, and render back
All I received--

He immediately after recovers from his Presumption, owns his Doom to be just, and begs that the Death which is threatned him may be inflicted on him.

--Why delays
His Hand to execute, what his Decree
Fix'd on this day? Why do I overlive?
Why am I mock'd with Death, and lengthened out
To deathless Pain? how gladly would I meet
Mortality my Sentence, and be Earth
Insensible! how glad would lay me down,
As in my Mothers Lap? there should I rest
And sleep secure; his dreadful Voice no more
Would thunder in my Ears: no fear of worse
To me and to my Offspring, would torment me
With cruel Expectation--

This whole Speech is full of the like Emotion, and varied with all those Sentiments which we may suppose natural to a Mind so broken and disturb'd. I must not omit that generous Concern which our first Father shews in it for his Posterity, and which is so proper to affect the Reader.

--Hide me from the Face
Of God, whom to behold was then my heighth
Of Happiness! yet well, if here would end
The Misery, I deserved it, and would bear
My own Deservings: but this will not serve;
All that I eat, or drink, or shall beget
Is propagated Curse. O Voice once heard
Delightfully, Increase and Multiply;
Now Death to hear!--

--In me all
Posterity stands curst! Fair Patrimony,
That I must leave ye, Sons! O were I able
To waste it all my self, and leave you none!
So disinherited, how would you bless
Me, now your Curse! Ah, why should all Mankind,
For one Man's Fault, thus guiltless be condemn'd,
If guiltless? But from me what can proceed
But all corrupt--

Who can afterwards behold the Father of Mankind extended upon the Earth, uttering his midnight Complaints, bewailing his Existence, and wishing for Death, without sympathizing with him in his Distress?

Thus Adam to himself lamented loud,
Thro the still Night; not now, (as ere Man fell)
Wholesome, and cool, and mild, but with black Air
Accompanied, with Damps and dreadful Gloom;
Which to his evil Conscience represented
All things with double Terror. On the Ground
Outstretched he lay; on the cold Ground! and oft
Curs'd his Creation; Death as oft accusd
Of tardy Execution--

The Part of Eve in this Book is no less passionate, and apt to sway the Reader in her Favour. She is represented with great Tenderness as approaching Adam, but is spurn d from him with a Spirit of Upbraiding and Indignation, conformable to the Nature of Man, whose Passions had now gained the Dominion over him. The following Passage, wherein she is described as renewing her Addresses to him, with the whole Speech that follows it, have something in them exquisitely moving and pathetick.

He added not, and from her turned: But Eve
Not so repulst, with Tears that ceas'd not flowing,
And Tresses all disorderd, at his feet
Fell humble; and embracing them, besought
His Peace, and thus proceeding in her Plaint.
Forsake me not thus, Adam! Witness Heav'n
What Love sincere, and Reverence in my Heart
I bear thee, and unweeting have offended,
Unhappily deceived! Thy Suppliant
I beg, and clasp thy Knees; bereave me not
(Whereon I live!) thy gentle Looks, thy Aid,
Thy Counsel, in this uttermost Distress,
My only Strength, and Stay! Forlorn of thee,
Whither shall I betake me, where subsist?
While yet we live, (scarce one short Hour perhaps)
Between us two let there be Peace, &c.

Adams Reconcilement to her is workd up in the same Spirit of Tenderness. Eve afterwards proposes to her Husband, in the Blindness of her Despair, that to prevent their Guilt from descending upon Posterity they should resolve to live Childless; or, if that could not be done, they should seek their own Deaths by violent Methods. As those Sentiments naturally engage the Reader to regard the Mother of Mankind with more than ordinary Commiseration, they likewise contain a very fine Moral. The Resolution of dying to end our Miseries, does not shew such a degree of Magnanimity as a Resolution to bear them, and submit to the Dispensations of Providence. Our Author has therefore, with great Delicacy, represented Eve as entertaining this Thought, and Adam as disapproving it.

We are, in the last place, to consider the Imaginary Persons, or [Death and Sin [3]] who act a large Part in this Book. Such beautiful extended Allegories are certainly some of the finest Compositions of Genius: but, as, I have before observed, are not agreeable to the Nature of an Heroick Poem. This of Sin and Death is very exquisite in its Kind, if not considered as a Part of such a Work. The Truths contained in it are so clear and open, that I shall not lose time in explaining them; but shall only observe, that a Reader who knows the Strength of the English Tongue, will be amazed to think how the Poet could find such apt Words and Phrases to describe the Action[s] of those two imaginary Persons, and particularly in that Part where Death is exhibited as forming a Bridge over the Chaos; a Work suitable to the Genius of Milton.

Since the Subject I am upon, gives me an Opportunity of speaking more at large of such Shadowy and Imaginary Persons as may be introduced into Heroick Poems, I shall beg leave to explain my self in a Matter which is curious in its Kind, and which none of the Criticks have treated of. It is certain Homer and Virgil are full of imaginary Persons, who are very beautiful in Poetry when they are just shewn, without being engaged in any Series of Action. Homer indeed represents Sleep as a Person, and ascribes a short Part to him in his Iliad, [4] but we must consider that tho we now regard such a Person as entirely shadowy and unsubstantial, the Heathens made Statues of him, placed him in their Temples, and looked upon him as a real Deity. When Homer makes use of other such Allegorical Persons, it is only in short Expressions, which convey an ordinary Thought to the Mind in the most pleasing manner, and may rather be looked upon as Poetical Phrases than Allegorical Descriptions. Instead of telling us, that Men naturally fly when they are terrified, he introduces the Persons of Flight and Fear, who, he tells us, are inseparable Companions. Instead of saying that the time was come when Apollo ought to have received his Recompence, he tells us, that the Hours brought him his Reward. Instead of describing the Effects which Minervas Ægis produced in Battel, he tells us, that the Brims of it were encompassed by Terror, Rout, Discord, Fury, Pursuit, Massacre, and Death. In the same Figure of speaking, he represents Victory as following Diomedes; Discord as the Mother of Funerals and Mourning; Venus as dressed by the Graces; Bellona as wearing Terror and Consternation like a Garment. I might give several other Instances out of Homer, as well as a great many out of Virgil. Milton has likewise very often made use of the same way of Speaking, as where he tells us, that Victory sat on the right Hand of the Messiah when he marched forth against the Rebel Angels; that at the rising of the Sun the Hours unbarrd the Gates of Light; that Discord was the Daughter of Sin. Of the same nature are those Expressions, where describing the singing of the Nightingale, he adds, Silence was pleased; and upon the Messiahs bidding Peace to the Chaos, Confusion heard his Voice. I might add innumerable Instances of our Poets writing in this beautiful Figure. It is plain that these I have mentioned, in which Persons of an imaginary Nature are introduced, are such short Allegories as are not designed to be taken in the literal Sense, but only to convey particular Circumstances to the Reader after an unusual and entertaining Manner. But when such Persons are introduced as principal Actors, and engaged in a Series of Adventures, they take too much upon them, and are by no means proper for an Heroick Poem, which ought to appear credible in its principal Parts. I cannot forbear therefore thinking that Sin and Death are as improper Agents in a Work of this nature, as Strength and Necessity in one of the Tragedies of Eschylus, who represented those two Persons nailing down Prometheus to a Rock, [5] for which he has been justly censured by the greatest Criticks. I do not know any imaginary Person made use of in a more sublime manner of thinking than that in one of the Prophets, who describing God as descending from Heaven, and visiting the Sins of Mankind, adds that dreadful Circumstance, Before him went the Pestilence. [6] It is certain this imaginary Person might have been described in all her purple Spots. The Fever might have marched before her, Pain might have stood at her right Hand, Phrenzy on her Left, and Death in her Rear. She might have been introduced as gliding down from the Tail of a Comet, or darted upon the Earth in a Flash of Lightning: She might have tainted the Atmosphere with her Breath; the very glaring of her Eyes might have scattered Infection. But I believe every Reader will think, that in such sublime Writings the mentioning of her as it is done in Scripture, has something in it more just, as well as great, than all that the most fanciful Poet could have bestowed upon her in the Richness of his Imagination.

L.

[Footnote 1:

Reddere personæ scit convenientia cuique.

Hor.]

[Footnote 2: Revelation vi. 8.]

[Footnote 3: [Sin and Death]]

[Footnote 4: In the fourteenth Book, where Heré visits the home of Sleep, the brother of Death, and offers him the bribe of a gold chain if he will shut the eyes of Zeus, Sleep does not think it can be done. Heré then doubles her bribe, and offers Sleep a wife, the youngest of the Graces. Sleep makes her swear by Styx that she will hold to her word, and when she has done so flies off in her company, sits in the shape of a night-hawk in a pine tree upon the peak of Ida, whence when Zeus was subdued by love and sleep, Sleep went down to the ships to tell Poseidon that now was his time to help the Greeks.]

[Footnote 5: In the Prometheus Bound of Æschylus, the binding of Prometheus by pitiless Strength, who mocks at compassion in the god Hephaistos, charged to serve him in this office, opens the sublimest of the ancient dramas. Addison is wrong in saying that there is a personification here of Strength and Necessity; Hephaistos does indeed say that he obeys Necessity, but his personified companions are Strength and Force, and of these Force appears only as the dumb attendant of Strength. Addisons greatest critics had something to learn when they were blind to the significance of the contrast between Visible Strength at the opening of this poem, and the close with sublime prophecy of an unseen Power of the Future that disturbs Zeus on his throne, and gathers his thunders about the undaunted Prometheus.

Now let the shrivelling flame at me be driven,
Let him, with flaky snowstorms and the crash
Of subterraneous thunders, into ruins
And wild confusion hurl and mingle all:
For nought of these will bend me that I speak
Who is foredoomed to cast him from his throne.

(Mrs. Websters translation.)]

[Footnote 6: Habakkuk iii. 5.]

* * * * *

No. 358. Monday, April 21, 1702. Steele.

Desipere in loco.

Hor.

Charles Lillie attended me the other day, and made me a Present of a large Sheet of Paper, on which is delineated a Pavement of Mosaick Work, lately discovered at Stunsfield near Woodstock. [1] A Person who has so much the Gift of Speech as Mr. Lillie, and can carry on a Discourse without Reply, had great Opportunity on that Occasion to expatiate upon so fine a Piece of Antiquity. Among other things, I remember, he gave me his Opinion, which he drew from the Ornaments of the Work, That this was the Floor of a Room dedicated to Mirth and Concord. Viewing this Work, made my Fancy run over the many gay Expressions I had read in ancient Authors, which contained Invitations to lay aside Care and Anxiety, and give a Loose to that pleasing Forgetfulness wherein Men put off their Characters of Business, and enjoy their very Selves. These Hours were usually passed in Rooms adorned for that purpose, and set out in such a manner, as the Objects all around the Company gladdened their Hearts; which, joined to the cheerful Looks of well-chosen and agreeable Friends, gave new Vigour to the Airy, produced the latent Fire of the Modest, and gave Grace to the slow Humour of the Reserved. A judicious Mixture of such Company, crowned with Chaplets of Flowers, and the whole Apartment glittering with gay Lights, cheared with a Profusion of Roses, artificial Falls of Water, and Intervals of soft Notes to Songs of Love and Wine, suspended the Cares of human Life, and made a Festival of mutual Kindness. Such Parties of Pleasure as these, and the Reports of the agreeable Passages in their Jollities, have in all Ages awakened the dull Part of Mankind to pretend to Mirth and Good-Humour, without Capacity for such Entertainments; for if I may be allowed to say so, there are an hundred Men fit for any Employment, to one who is capable of passing a Night in the Company of the first Taste, without shocking any Member of the Society, over-rating his own Part of the Conversation, but equally receiving and contributing to the Pleasure of the whole Company. When one considers such Collections of Companions in past Times, and such as one might name in the present Age, with how much Spleen must a Man needs reflect upon the aukward Gayety of those who affect the Frolick with an ill Grace? I have a Letter from a Correspondent of mine, who desires me to admonish all loud, mischievous, airy, dull Companions, that they are mistaken in what they call a Frolick. Irregularity in its self is not what creates Pleasure and Mirth; but to see a Man who knows what Rule and Decency are, descend from them agreeably in our Company, is what denominates him a pleasant Companion. Instead of that, you find many whose Mirth consists only in doing Things which do not become them, with a secret Consciousness that all the World know they know better: To this is always added something mischievous to themselves or others. I have heard of some very merry Fellows, among whom the Frolick was started, and passed by a great Majority, that every Man should immediately draw a Tooth; after which they have gone in a Body and smoaked a Cobler. The same Company, at another Night, has each Man burned his Cravat; and one perhaps, whose Estate would bear it, has thrown a long Wigg and laced Hat into the same Fire. [2] Thus they have jested themselves stark naked, and ran into the Streets, and frighted Women very successfully. There is no Inhabitant of any standing in Covent-Garden, but can tell you a hundred good Humours, where People have come off with little Blood-shed, and yet scowered all the witty Hours of the Night. I know a Gentleman that has several Wounds in the Head by Watch Poles, and has been thrice run through the Body to carry on a good Jest: He is very old for a Man of so much Good-Humour; but to this day he is seldom merry, but he has occasion to be valiant at the same time. But by the Favour of these Gentlemen, I am humbly of Opinion, that a Man may be a very witty Man, and never offend one Statute of this Kingdom, not excepting even that of Stabbing.

The Writers of Plays have what they call Unity of Time and Place to give a Justness to their Representation; and it would not be amiss if all who pretend to be Companions, would confine their Action to the Place of Meeting: For a Frolick carried farther may be better performed by other Animals than Men. It is not to rid much Ground, or do much Mischief, that should denominate a pleasant Fellow; but that is truly Frolick which is the Play of the Mind, and consists of various and unforced Sallies of Imagination. Festivity of Spirit is a very uncommon Talent, and must proceed from an Assemblage of agreeable Qualities in the same Person: There are some few whom I think peculiarly happy in it; but it is a Talent one cannot name in a Man, especially when one considers that it is never very graceful but where it is regarded by him who possesses it in the second Place. The best Man that I know of for heightening the Revel-Gayety of a Company, is Estcourt, [3]--whose Jovial Humour diffuses itself from the highest Person at an Entertainment to the meanest Waiter. Merry Tales, accompanied with apt Gestures and lively Representations of Circumstances and Persons, beguile the gravest Mind into a Consent to be as humourous as himself. Add to this, that when a Man is in his good Grace, he has a Mimickry that does not debase the Person he represents; but which, taking from the Gravity of the Character, adds to the Agreeableness of it. This pleasant Fellow gives one some Idea of the ancient Pantomime, who is said to have given the Audience, in Dumb-show, an exact Idea of any Character or Passion, or an intelligible Relation of any publick Occurrence, with no other Expression than that of his Looks and Gestures. If all who have been obliged to these Talents in Estcourt, will be at Love for Love to-morrow Night, they will but pay him what they owe him, at so easy a Rate as being present at a Play which no body would omit seeing, that had, or had not ever seen it before.

[Footnote 1: In No. 353 and some following numbers of the Spectator appeared an advertisement of this plate, which was engraved by Vertue.

Whereas about nine weeks since there was accidentally discovered by
an Husbandman, at Stunsfield, near Woodstock, in Oxfordshire, (a large
Pavement of rich Mosaick Work of the Ancient Romans, which is adornd
with several Figures alluding to Mirth and Concord, in particular that
of Bacchus seated on a Panther.) This is to give Notice the Exact
Delineation of the same is Engraven and Imprinted on a large Elephant
sheet of Paper, which are to be sold at Mr. Charles Lillies,
Perfumer, at the corner of Beauford Buildings, in the Strand, at 1s.
N.B. There are to be had, at the same Place, at one Guinea each, on
superfine Atlas Paper, some painted with the same variety of Colours
that the said Pavement is beautified with; this piece of Antiquity is
esteemed by the Learned to be the most considerable ever found in
Britain.

The fine pavement discovered at Stonesfield in 1711 measures 35 feet by 60, and although by this time groundworks of more than a hundred Roman villas have been laid open in this country, the Stonesfield mosaic is still one of the most considerable of its kind.]

[Footnote 2: Said to have been one of the frolics of Sir Charles Sedley.]

[Footnote 3: See note on p. 204, ante [Footnote 1 of No. 264]. Congreves Love for Love was to be acted at Drury Lane on Tuesday night At the desire of several Ladies of Quality. For the Benefit of Mr. Estcourt.]

* * * * *

No. 359. Tuesday, April 22, 1712. Budgell.

Torva leæna lupum sequitur, lupus ipse capellam;
Florentem cytisum sequitur lusciva capella.

Virg.

As we were at the Club last Night, I observd that my Friend Sir ROGER, contrary to his usual Custom, sat very silent, and instead of minding what was said by the Company, was whistling to himself in a very thoughtful Mood, and playing with a Cork. I joggd Sir ANDREW FREEPORT who sat between us; and as we were both observing him, we saw the Knight shake his Head, and heard him say to himself, A foolish Woman! I cant believe it. Sir ANDREW gave him a gentle Pat upon the Shoulder, and offered to lay him a Bottle of Wine that he was thinking of the Widow. My old Friend started, and recovering out of his brown Study, told Sir ANDREW that once in his Life he had been in the right. In short, after some little Hesitation, Sir ROGER told us in the fulness of his Heart that he had just received a Letter from his Steward, which acquainted him that his old Rival and Antagonist in the County, Sir David Dundrum, had been making a Visit to the Widow. However, says Sir ROGER, I can never think that shell have a Man thats half a Year older than I am, and a noted Republican into the Bargain.

WILL. HONEYCOMB, who looks upon Love as his particular Province, interrupting our Friend with a janty Laugh; I thought, Knight, says he, thou hadst lived long enough in the World, not to pin thy Happiness upon one that is a Woman and a Widow. I think that without Vanity I may pretend to know as much of the Female World as any Man in Great-Britain, tho' the chief of my Knowledge consists in this, that they are not to be known. WILL, immediately, with his usual Fluency, rambled into an Account of his own Amours. I am now, says he, upon the Verge of Fifty, (tho' by the way we all knew he was turned of Threescore.) You may easily guess, continued WILL., that I have not lived so long in the World without having had some thoughts of settling in it, as the Phrase is. To tell you truly, I have several times tried my Fortune that way, though I can't much boast of my Success.

I made my first Addresses to a young Lady in the Country; but when I thought things were pretty well drawing to a Conclusion, her Father happening to hear that I had formerly boarded with a Surgeon, the old Put forbid me his House, and within a Fortnight after married his Daughter to a Fox-hunter in the Neighbourhood.

I made my next Applications to a Widow, and attacked her so briskly, that I thought myself within a Fortnight of her. As I waited upon her one Morning, she told me that she intended to keep her Ready-Money and Jointure in her own Hand, and desired me to call upon her Attorney in Lyons-Inn, who would adjust with me what it was proper for me to add to it. I was so rebuffed by this Overture, that I never enquired either for her or her Attorney afterwards.

A few Months after I addressed my self to a young Lady, who was an only Daughter, and of a good Family. I danced with her at several Balls, squeez'd her by the Hand, said soft things to her, and, in short, made no doubt of her Heart; and though my Fortune was not equal to hers, I was in hopes that her fond Father would not deny her the Man she had fixed her Affections upon. But as I went one day to the House in order to break the matter to him, I found the whole Family in Confusion, and heard to my unspeakable Surprize, that Miss Jenny was that very Morning run away with the Butler.

I then courted a second Widow, and am at a Loss to this day how I came to miss her, for she had often commended my Person and Behaviour. Her Maid indeed told me one Day, that her Mistress had said she never saw a Gentleman with such a Spindle Pair of Legs as Mr. HONEYCOMB.

After this I laid Siege to four Heiresses successively, and being a handsome young Dog in those Days, quickly made a Breach in their Hearts; but I don't know how it came to pass, tho I seldom failed of getting the Daughter's Consent, I could never in my Life get the old People on my side.

I could give you an Account of a thousand other unsuccessful Attempts, particularly of one which I made some Years since upon an old Woman, whom I had certainly borne away with flying Colours, if her Relations had not come pouring in to her Assistance from all Parts of England; nay, I believe I should have got her at last, had not she been carried off by an hard Frost.

As WILL'S Transitions are extremely quick, he turnd from Sir ROGER, and applying himself to me, told me there was a Passage in the Book I had considered last Saturday, which deserved to be writ in Letters of Gold; and taking out a Pocket-Milton read the following Lines, which are Part of one of Adam's Speeches to Eve after the Fall.

--O! why did our
Creator wise! that peopled highest Heav'n
With Spirits masculine, create at last
This Novelty on Earth, this fair Defect
Of Nature? and not fill the World at once
With Men, as Angels, without Feminine?
Or find some other way to generate
Mankind? This Mischief had not then befall'n,
And more that shall befall; innumerable
Disturbances on Earth through Female Snares,
And strait Conjunction with this Sex: for either
He never shall find out fit Mate, but such
As some misfortune brings him, or mistake;
Or, whom he wishes most, shall seldom gain
Through her perverseness; but shall see her gain'd
By a far worse; or if she love, with-held
By Parents; or his happiest Choice too late
Shall meet already link'd, and Wedlock bound
To a fell Adversary, his Hate or Shame;
Which infinite Calamity shall cause
To human Life, and Household Peace confound. [1]

Sir ROGER listened to this Passage with great Attention, and desiring Mr. HONEYCOMB to fold down a Leaf at the Place, and lend him his Book, the Knight put it up in his Pocket, and told us that he would read over those Verses again before he went to Bed.

X.

[Footnote 1: Paradise Lost, Bk x., ll 898-908.]

* * * * *

No. 360. Wednesday, April 23, 1712. Steele.

--De paupertate tacentes
Plus poscente ferent.

Hor.

I have nothing to do with the Business of this Day, any further than affixing the piece of Latin on the Head of my Paper; which I think a Motto not unsuitable, since if Silence of our Poverty is a Recommendation, still more commendable is his Modesty who conceals it by a decent Dress.

Mr. SPECTATOR,

There is an Evil under the Sun which has not yet come within your
Speculation; and is, the Censure, Disesteem, and Contempt which some
young Fellows meet with from particular Persons, for the reasonable
Methods they take to avoid them in general. This is by appearing in a
better Dress, than may seem to a Relation regularly consistent with a
small Fortune; and therefore may occasion a Judgment of a suitable
Extravagance in other Particulars: But the Disadvantage with which the
Man of narrow Circumstances acts and speaks, is so feelingly set forth
in a little Book called the Christian Hero, [1] that the appearing to
be otherwise is not only pardonable but necessary. Every one knows the
hurry of Conclusions that are made in contempt of a Person that
appears to be calamitous, which makes it very excusable to prepare
ones self for the Company of those that are of a superior Quality and
Fortune, by appearing to be in a better Condition than one is, so far
as such Appearance shall not make us really of worse.

It is a Justice due to the Character of one who suffers hard
Reflections from any particular Person upon this Account, that such
Persons would enquire into his manner of spending his Time; of which,
tho no further Information can be had than that he remains so many
Hours in his Chamber, yet if this is cleared, to imagine that a
reasonable Creature wrung with a narrow Fortune does not make the best
use of this Retirement, would be a Conclusion extremely uncharitable.
From what has, or will be said, I hope no Consequence can be extorted,
implying, that I would have any young Fellow spend more Time than the
common Leisure which his Studies require, or more Money than his
Fortune or Allowance may admit of, in the pursuit of an Acquaintance
with his Betters: For as to his Time, the gross of that ought to be
sacred to more substantial Acquisitions; for each irrevocable Moment
of which he ought to believe he stands religiously Accountable. And as
to his Dress, I shall engage myself no further than in the modest
Defence of two plain Suits a Year: For being perfectly satisfied in
Eutrapeluss Contrivance of making a Mohock of a Man, by presenting
him with lacd and embroiderd Suits, I would by no means be thought
to controvert that Conceit, by insinuating the Advantages of Foppery.
It is an Assertion which admits of much Proof, that a Stranger of
tolerable Sense dressd like a Gentleman, will be better received by
those of Quality above him, than one of much better Parts, whose Dress
is regulated by the rigid Notions of Frugality. A Man's Appearance
falls within the Censure of every one that sees him; his Parts and
Learning very few are Judges of; and even upon these few, they cant
at first be well intruded; for Policy and good Breeding will counsel
him to be reservd among Strangers, and to support himself only by the
common Spirit of Conversation. Indeed among the Injudicious, the Words
Delicacy, Idiom, fine Images, Structure of Periods, Genius, Fire, and
the rest, made use of with a frugal and comely Gravity, will maintain
the Figure of immense Reading, and Depth of Criticism.

All Gentlemen of Fortune, at least the young and middle-aged, are apt
to pride themselves a little too much upon their Dress, and
consequently to value others in some measure upon the same
Consideration. With what Confusion is a Man of Figure obliged to
return the Civilities of the Hat to a Person whose Air and Attire
hardly entitle him to it? For whom nevertheless the other has a
particular Esteem, tho he is ashamed to have it challenged in so
publick a Manner. It must be allowed, that any young Fellow that
affects to dress and appear genteelly, might with artificial
Management save ten Pound a Year; as instead of fine Holland he might
mourn in Sackcloth, and in other Particulars be proportionably shabby:
But of what great Service would this Sum be to avert any Misfortune,
whilst it would leave him deserted by the little good Acquaintance he
has, and prevent his gaining any other? As the Appearance of an easy
Fortune is necessary towards making one, I dont know but it might be
of advantage sometimes to throw into ones Discourse certain
Exclamations about Bank-Stock, and to shew a marvellous Surprize upon
its Fall, as well as the most affected Triumph upon its Rise. The
Veneration and Respect which the Practice of all Ages has preserved to
Appearances, without doubt suggested to our Tradesmen that wise and
Politick Custom, to apply and recommend themselves to the publick by
all those Decorations upon their Sign-posts and Houses, which the most
eminent Hands in the Neighbourhood can furnish them with. What can be
more attractive to a Man of Letters, than that immense Erudition of
all Ages and Languages which a skilful Bookseller, in conjunction with
a Painter, shall image upon his Column and the Extremities of his
Shop? The same Spirit of maintaining a handsome Appearance reigns
among the grave and solid Apprentices of the Law (here I could be
particularly dull in [proving [2]] the Word Apprentice to be
significant of a Barrister) and you may easily distinguish who has
most lately made his Pretensions to Business, by the whitest and most
ornamental Frame of his Window: If indeed the Chamber is a
Ground-Room, and has Rails before it, the Finery is of Necessity more
extended, and the Pomp of Business better maintaind. And what can be
a greater Indication of the Dignity of Dress, than that burdensome
Finery which is the regular Habit of our Judges, Nobles, and Bishops,
with which upon certain Days we see them incumbered? And though it may
be said this is awful, and necessary for the Dignity of the State, yet
the wisest of them have been remarkable, before they arrived at their
present Stations, for being very well dressed Persons. As to my own
Part, I am near Thirty; and since I left School have not been idle,
which is a modern Phrase for having studied hard. I brought off a
clean System of Moral Philosophy, and a tolerable Jargon of
Metaphysicks from the University; since that, I have been engaged in
the clearing Part of the perplexd Style and Matter of the Law, which
so hereditarily descends to all its Professors: To all which severe
Studies I have thrown in, at proper Interims, the pretty Learning of
the Classicks. Notwithstanding which, I am what Shakespear calls A
Fellow of no Mark or Likelihood; [3] which makes me understand the
more fully, that since the regular Methods of making Friends and a
Fortune by the mere Force of a Profession is so very slow and
uncertain, a Man should take all reasonable Opportunities, by
enlarging a good Acquaintance, to court that Time and Chance which is
said to happen to every Man.

T.

[Footnote 1: The passage is nearly at the beginning of Steeles third chapter,

It is in every bodys observation with what disadvantage a Poor Man
enters upon the most ordinary affairs, &c.]

[Footnote 2: [clearing]]

[Footnote 3: Henry IV. Pt. I. Act iii. sc. 2.]

* * * * *

No. 361. Thursday, April 24, 1712. Addison.

Tartaream intendit vocem, quâ protinus omnis
Contremuit domus--

Virg.

I have lately received the following Letter from a Country Gentleman.

Mr. SPECTATOR,

The Night before I left London I went to see a Play, called The
Humorous Lieutenant. [1] Upon the Rising of the Curtain I was very
much surprized with the great Consort of Cat-calls which was exhibited
that Evening, and began to think with myself that I had made a
Mistake, and gone to a Musick-Meeting, instead of the Play-house. It
appeared indeed a little odd to me to see so many Persons of Quality
of both Sexes assembled together at a kind of Catterwawling; for I
cannot look upon that Performance to have been any thing better,
whatever the Musicians themselves might think of it. As I had no
Acquaintance in the House to ask Questions of, and was forced to go
out of Town early the next Morning, I could not learn the Secret of
this Matter. What I would therefore desire of you, is, to give some
account of this strange Instrument, which I found the Company called a
Cat-call; and particularly to let me know whether it be a piece of
Musick lately come from Italy. For my own part, to be free with you, I
would rather hear an English Fiddle; though I durst not shew my
Dislike whilst I was in the Play-House, it being my Chance to sit the
very next Man to one of the Performers. I am, SIR,

Your most affectionate Friend
and Servant,
John Shallow, Esq.

In compliance with Esquire Shallows Request, I design this Paper as a Dissertation upon the Cat-call. In order to make myself a Master of the Subject, I purchased one the Beginning of last Week, though not without great difficulty, being informd at two or three Toyshops that the Players had lately bought them all up. I have since consulted many learned Antiquaries in relation to its Original, and find them very much divided among themselves upon that Particular. A Fellow of the Royal Society, who is my good Friend, and a great Proficient in the Mathematical Part of Musick, concludes from the Simplicity of its Make, and the Uniformity of its Sound, that the Cat-call is older than any of the Inventions of Jubal. He observes very well, that Musical Instruments took their first Rise from the Notes of Birds, and other melodious Animals; and what, says he, was more natural than for the first Ages of Mankind to imitate the Voice of a Cat that lived under the same Roof with them? He added, that the Cat had contributed more to Harmony than any other Animal; as we are not only beholden to her for this Wind-Instrument, but for our String Musick in general.

Another Virtuoso of my Acquaintance will not allow the Cat-call to be older than Thespis, and is apt to think it appeared in the World soon after the antient Comedy; for which reason it has still a place in our Dramatick Entertainments: Nor must I here omit what a very curious Gentleman, who is lately returned from his Travels, has more than once assured me, namely that there was lately dug up at Rome the Statue of Momus, who holds an Instrument in his Right-Hand very much resembling our Modern Cat-call.

There are others who ascribe this Invention to Orpheus, and look upon the Cat-call to be one of those Instruments which that famous Musician made use of to draw the Beasts about him. It is certain, that the Roasting of a Cat does not call together a greater Audience of that Species than this Instrument, if dexterously played upon in proper Time and Place.

But notwithstanding these various and learned Conjectures, I cannot forbear thinking that the Cat-call is originally a Piece of English Musick. Its Resemblance to the Voice of some of our British Songsters, as well as the Use of it, which is peculiar to our Nation, confirms me in this Opinion. It has at least received great Improvements among us, whether we consider the Instrument it self, or those several Quavers and Graces which are thrown into the playing of it. Every one might be sensible of this, who heard that remarkable overgrown Cat-call which was placed in the Center of the Pit, and presided over all the rest at [the [2]] celebrated Performance lately exhibited in Drury-Lane.

Having said thus much concerning the Original of the Cat-call, we are in the next place to consider the Use of it. The Cat-call exerts it self to most advantage in the British Theatre: It very much Improves the Sound of Nonsense, and often goes along with the Voice of the Actor who pronounces it, as the Violin or Harpsichord accompanies the Italian Recitativo.

It has often supplied the Place of the antient Chorus, in the Works of Mr.----In short, a bad Poet has as great an Antipathy to a Cat-call, as many People have to a real Cat.

Mr. Collier, in his ingenious Essay upon Musick [3] has the following Passage:

I believe tis possible to invent an Instrument that shall have a
quite contrary Effect to those Martial ones now in use: An Instrument
that shall sink the Spirits, and shake the Nerves, and curdle the
Blood, and inspire Despair, and Cowardice and Consternation, at a
surprizing rate. Tis probable the Roaring of Lions, the Warbling of
Cats and Scritch-Owls, together with a Mixture of the Howling of Dogs,
judiciously imitated and compounded, might go a great way in this
Invention. Whether such Anti-Musick as this might not be of Service in
a Camp, I shall leave to the Military Men to consider.

What this learned Gentleman supposes in Speculation, I have known actually verified in Practice. The Cat-call has struck a Damp into Generals, and frighted Heroes off the Stage. At the first sound of it I have seen a Crowned Head tremble, and a Princess fall into Fits. The Humorous Lieutenant himself could not stand it; nay, I am told that even Almanzor looked like a Mouse, and trembled at the Voice of this terrifying Instrument.

As it is of a Dramatick Nature, and peculiarly appropriated to the Stage, I can by no means approve the Thought of that angry Lover, who, after an unsuccessful Pursuit of some Years, took leave of his Mistress in a Serenade of Cat-calls.

I must conclude this Paper with the Account I have lately received of an ingenious Artist, who has long studied this Instrument, and is very well versed in all the Rules of the Drama. He teaches to play on it by Book, and to express by it the whole Art of Criticism. He has his Base and his Treble Cat-call; the former for Tragedy, the latter for Comedy; only in Tragy-Comedies they may both play together in Consort. He has a particular Squeak to denote the Violation of each of the Unities, and has different Sounds to shew whether he aims at the Poet or the Player. In short he teaches the Smut-note, the Fustian-note, the Stupid-note, and has composed a kind of Air that may serve as an Act-tune to an incorrigible Play, and which takes in the whole Compass of the Cat-call.

[L. [4]]

[Footnote 1: By Beaumont and Fletcher.]

[Footnote 2: [that]]

[Footnote 3: Essays upon several Moral Subjects, by Jeremy Collier, Part II. p. 30 (ed. 1732). Jeremy Collier published the first volume of these Essays in 1697, after he was safe from the danger brought on himself by attending Sir John Friend and Sir William Perkins when they were executed for the assassination plot. The other two volumes appeared successively in 1705 and 1709. It was in 1698 that Collier published his famous Short View of the Immorality and Profaneness of the English Stage.]

[Footnote 4: [Not being yet determined with whose Name to fill up the Gap in this Dissertation which is marked with----, I shall defer it till this Paper appears with others in a Volume. L.]]

* * * * *

No. 362. Friday, April 25, 1712. Steele.

Laudibus arguitur Vini vinosus--

Hor.

Temple, Apr. 24.

Mr. SPECTATOR,

Several of my Friends were this Morning got together over a Dish of
Tea in very good Health, though we had celebrated Yesterday with more
Glasses than we could have dispensed with, had we not been beholden to
Brooke and Hillier. In Gratitude therefore to those good Citizens, I
am, in the Name of the Company, to accuse you of great Negligence in
overlooking their Merit, who have imported true and generous Wine, and
taken care that it should not be adulterated by the Retailers before
it comes to the Tables of private Families, or the Clubs of honest
Fellows. I cannot imagine how a SPECTATOR can be supposed to do his
Duty, without frequent Resumption of such Subjects as concern our
Health, the first thing to be regarded, if we have a mind to relish
anything else. It would therefore very well become your Spectatorial
Vigilance, to give it in Orders to your Officer for inspecting Signs,
that in his March he would look into the Itinerants who deal in
Provisions, and enquire where they buy their several Wares. Ever since
the Decease of [Cully [1]]- Mully-Puff [2] of agreeable and noisy
Memory, I cannot say I have observed any thing sold in Carts, or
carried by Horse or Ass, or in fine, in any moving Market, which is
not perished or putrified; witness the Wheel-barrows of rotten
Raisins, Almonds, Figs, and Currants, which you see vended by a
Merchant dressed in a second-hand Suit of a Foot Soldier. You should
consider that a Child may be poisoned for the Worth of a Farthing; but
except his poor Parents send to one certain Doctor in Town, [3] they
can have no advice for him under a Guinea. When Poisons are thus
cheap, and Medicines thus dear, how can you be negligent in inspecting
what we eat and drink, or take no Notice of such as the
above-mentioned Citizens, who have been so serviceable to us of late
in that particular? It was a Custom among the old Romans, to do him
particular Honours who had saved the Life of a Citizen, how much more
does the World owe to those who prevent the Death of Multitudes? As
these Men deserve well of your Office, so such as act to the Detriment
of our Health, you ought to represent to themselves and their
Fellow-Subjects in the Colours which they deserve to wear. I think it
would be for the publick Good, that all who vend Wines should be under
oaths in that behalf. The Chairman at a Quarter Sessions should inform
the Country, that the Vintner who mixes Wine to his Customers, shall
(upon proof that the Drinker thereof died within a Year and a Day
after taking it) be deemed guilty of Wilful Murder: and the Jury shall
be instructed to enquire and present such Delinquents accordingly. It
is no Mitigation of the Crime, nor will it be conceived that it can be
brought in Chance-Medley or Man-Slaughter, upon Proof that it shall
appear Wine joined to Wine, or right Herefordshire poured into Port O
Port; but his selling it for one thing, knowing it to be another, must
justly bear the foresaid Guilt of wilful Murder: For that he, the said
Vintner, did an unlawful Act willingly in the false Mixture; and is
therefore with Equity liable to all the Pains to which a Man would be,
if it were proved he designed only to run a Man through the Arm, whom
he whipped through the Lungs. This is my third Year at the Temple, and
this is or should be Law. An ill Intention well proved should meet
with no Alleviation, because it [out-ran [4]] it self. There cannot be
too great Severity used against the Injustice as well as Cruelty of
those who play with Mens Lives, by preparing Liquors, whose Nature,
for ought they know, may be noxious when mixed, tho innocent when
apart: And Brooke and Hillier, [5] who have ensured our Safety at our
Meals, and driven Jealousy from our Cups in Conversation, deserve the
Custom and Thanks of the whole Town; and it is your Duty to remind
them of the Obligation. I am, SIR,
Your Humble Servant,
Tom. Pottle.

Mr. SPECTATOR,