Chapter I: MAFIOSI ALLA VICARIA DI PALERMO; or, REDEMPTION; or, MAFIOSI DI (2)

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15. The Rescue. © 2May19; LP13668.

THE MAN OF MYSTERY. Imp. 1917. 2 reels.

THE MAN OF MYSTERY. 1917. 5 reels. Adapted from a novel by A. C.
Gunter.

Credits: Director, Frederick A. Thompson; adaptation, H. C. Bergman.

A MAN OF NERVE. Released by F. B. O. 1925. 5 reels.

Credits: Director, Lewis W. Chaudet; story, John H. Hamlin;
scenario, George Hively.

A MAN OF PARTS. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

A MAN OF PEACE. SEE Hobart Bosworth in A Man of Peace.

A MAN OF POSITION. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

A MAN OF QUALITY. 1926. 6 reels.

Credits: Director, Wesley Ruggles; story, H. H. Van Loan.

A MAN OF SENTIMENT. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Frederick Hazlitt Brennan;
screen story and dialogue, Robert Ellis.

THE MAN OF SHAME. 1915. 5 reels. Adapted from the French novel "Roger
La Honte" by Jules Mary.

Credits: Producer, Harry C. Myers; adaptation, M. B. Havey.

A MAN OF SORROW. 1916. 6 reels. From the play "Hoodman Blind."

Credits: Written and produced by Oscar C. Apfel.

THE MAN OF STONE. 1921. 5 reels.

Credits: Director, George Archainbaud; story, John Lynch, Edmund
Goulding; scenario, Lewis Allen Browne.

MAN OF THE FOREST. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1926. 6 reels. From the story by Zane Grey.

Credits: Associate producer, B. P. Schulberg; director, John Waters;
adaptation, Max Marcin; screenplay, Fred Myton.

MAN OF THE FOREST. 1933. 7 reels, sd. From a story by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham,
Harold Shumate.

THE MAN OF THE HOUR. Presented by William A. Brady Picture Play Co.,
Inc. © 1914. From the play by George Broadhurst.

Credits: Picturized by Morris Tourneur.

THE MAN OF THE HOUR. 1914. 3 reels.

MAN OF THE PEOPLE. 1937. 8 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, Edwin L. Marin;
original story and screenplay, Frank Dolan; film editor, William S.
Gray; music score, Edward Ward.

MAN OF THE WORLD. 1931. 6,364 ft., sd.

Credits: Director, Richard Wallace; story, Herman J. Mankiewicz.

MAN OF TWO WORLDS. 1934. 10 reels, sd. From the novel by Ainsworth
Morgan.

Credits: Producer, Pandro S. Berman; director, J. Walter Ruben;
screenplay, Howard J. Green, Ainsworth Morgan; editor, Jack Hively;
music director, Max Steiner.

Credits: Adaptation, Philip Hubbard.

THE MAN ON THE BOX. 1925. 7 reels. From the novel and stage play by
Harold MacGrath.

Credits: Director, Charles Reisner; scenario, Charles A. Logue.

THE MAN ON THE FLYING TRAPEZE. (A Popeye the Sailor Cartoon) 1934. 1
reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David
Tendlar.

MAN ON THE FLYING TRAPEZE. Presented by Adolph Zukor. 1935. 7 reels,
sd.

Credits: Producer, William LeBaron; director, Clyde Bruckman; story,
Charles Bogle, Sam Hardy; screenplay, Ray Harris, Sam Hardy; film
editor, Richard Currier.

THE MAN ON THE ROCK. (An Historical Mystery) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; original story, Pierre Artigue;
screenplay, Herman Boxer; narrator, Carey Wilson; music score, David
Snell.

MAN OR MONEY? Imp. 1915. 3 reels.

Credits: William Lippert; producer, Henry McRae Webster.

MAN OVERBOARD. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Cynthia Payne.

MAN-PROOF. 1937. 8 reels, sd., b&w. From a book by Fanny Heaslip Lea.

Credits: Producer, Louis D. Lighton; director, Richard Thorpe;
screenplay, Vincent Lawrence, Waldemar Young, George Oppenheimer;
film editor, George Boemler; music score, Franz Waxman.

MAN RUSTLIN'. Independent Picture Corp. Released by F. B. O. 1926. 5
reels.

Credits: Director, Del Andrews; story, Bill Branch; continuity, Burl
R. Tuttle, Jay Chapman.

THE MAN TAMER. 1921. 5 reels.

Credits: Story, John Barton Oxford; adaptation and scenario, A. P.
Younger.

THE MAN TAMER. Mustang. 1927. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, William
Lester.

THE MAN THAT MIGHT HAVE BEEN. 1914. 1 reel.

Credits: Director, William Humphrey.

THE MAN, THE MISSION, AND THE MAID. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE MAN THEY COULD NOT HANG. 1939. 7 reels, sd.

Credits: Producer, Wallace MacDonald; director, Nick Grinde; story,
Leslie T. White, George W. Sayre; screenplay, Karl Brown; film
editor, William Lyon.

MAN TO MAN. Universal Jewel. 1922. 6 reels.

Credits: Director, Stuart Paton; story, Jackson Gregory; scenario,
George C. Hull.

MAN TO MAN. 1930. 8 reels. Based on the story by Ben Ames Williams.

Credits: Director, Allan Dwan; screenplay and continuity, Joseph
Jackson.

MAN TO MAN. Presented by E. W. Hammons. 1937. 1,545 ft., sd.

Credits: Director, Raymond Kane; story, Marcy Klauber, Arthur
Jarrett.

A MAN TO REMEMBER. 1938. 79 min., sd. From the story "Failure" by
Katharine Haviland-Taylor.

Credits: Producer, Robert Sisk; director, Garson Kanin; screenplay,
Dalton Trumbo; editor, Jack Hively; music score, Roy Webb.

THE MAN TRACKERS. 1921. 5 reels.

Credits: Written and produced by Edward Kull; scenario, George
Plympton.

THE MAN TRAIL. 1915. 6 reels. Adapted from the novel by Henry Oyen.

Credits: Producer, E. H. Calvert.

THE MAN TRAILER. 1934. 6 reels, sd.

Credits: Direction and screenplay, Lambert Hillyer.

THE MAN TRAP. 1917. 5 reels.

Credits: Director, Elmer Clifton; scenario, Waldemar Young.

MANTRAP. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.
1926. 7 reels. From a novel by Sinclair Lewis.

Credits: Director, Victor Fleming; screenplay, Adelaide Heilbron,
Ethel Doherty.

MAN TROUBLE. 1930. 7,800 ft., sd.

Credits: Director, Berthold Viertel; story, Ben Ames Williams;
adaptation, George Manker Watters, Marion Orth; editor, J. Edwin
Robbins.

THE MAN UNCONQUERABLE. 1922. 6 reels.

Credits: Director, Joseph Henabery; story, Hamilton Smith; scenario,
Julien Josephson.

THE MAN UNDER COVER. 1922. 5 reels.

Credits: Director, Tod Browning; story, L. V. Eytinge; scenario,
Harvey Gates.

THE MAN UPSTAIRS. 1926. 7 reels.

Credits: Earl Derr Biggers; director, Roy Del Ruth; screenplay,
Edward T. Lowe, Jr.

MAN WANTED. Presented by Warner Bros. Pictures, Inc. and The Vitaphone
Corp. 1932. 7 reels, sd.

Credits: Director, William Dieterle; story, Robert Lord; adaptation,
Charles Kenyon.

THE MAN WHO. 1921. 6 reels. Adapted from the story in the Saturday
Evening Post by Lloyd Osbourne.

Credits: Producer and director, Maxwell Karger; adaptation, June
Mathis.

Credits: Producer, F. Martin Thornton.

THE MAN WHO BROKE THE BANK AT MONTE CARLO. 1935. 6,020 ft., sd. From
the play by Ilia Surgutchoff and Frederick Albert Swann.

Credits: Director, Stephen Roberts; screenplay, Howard Ellis Smith,
Nunnally Johnson; music director, Oscar Bradley.

THE MAN WHO CALLED AFTER DARK. 1916. 2 reels.

THE MAN WHO CAME BACK. 1924. 9 reels. Founded on the story by John
Fleming Wilson.

Credits: Producer and director, Emmett J. Flynn; scenario, Edmund
Goulding.

THE MAN WHO CAME BACK. 1930. 7,786 ft., sd. Based on the play and
story by Jules Eckhardt Goodwin and John Fleming Wilson.

Credits: Director, Raoul Walsh; screenplay, Edwin Burke; editor,
Harold Schuster.

THE MAN WHO COULD NOT LOSE. © 1914. From the book by Richard Harding
Davis.

THE MAN WHO COULD NOT SLEEP. 1915. 1,000 ft.

Credits: Mark Swan.

THE MAN WHO COULD WORK MIRACLES. 1937. 9 reels, sd. Based on the story
by H. G. Wells.

Credits: Producer, Alexander Korda; director, Lothar Mendes;
scenario and dialogue, H. G. Wells.

THE MAN WHO COULDN'T BEAT GOD. 1915. 5 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE MAN WHO CRIED WOLF. 1937. 7 reels, sd.

Credits: Arthur Rothafel; associate producer, E. M. Asher; director,
Lewis R. Foster; original screenplay, Charles Grayson, Sy Bartlett;
film editor, Frank Gross; music director, Frank Previn.

THE MAN WHO DARED. 1920. 6 reels.

Credits: Director, Emmett J. Flynn; story and scenario, Jules
Furthman.

THE MAN WHO DARED. 1933. 6,200 ft., sd.

Credits; Director, Hamilton McFadden; original screenplay, Dudley
Nichols, Lamar Trotti; editor, Al DeGaetano.

THE MAN WHO DARED. First National. 1939. 6 reels, sd.

Credits: Director, Crane Wilbur; original story, Lucian Hubbard;
screenplay, Lee Katz.

THE MAN WHO DARED. SEE When a Girl Loves.

THE MAN WHO DISAPPEARED. 1914. 1 reel each. © Thomas A. Edison, Inc.

Credits: Richard Washburn Child.

1. The Black Mask. © 21Mar14; LP2372.

2. The Hunted Animal. © 4Apr14; LP2463.

3. The Double Cross. © 18Apr14; LP2539.

4. The Light on the Wall. © 2May14; LP2631.

5. With His Hands. © 16May14; LP2721.

[6] The Gap. © 29May14; LP2773.

[7] Face to Face. © 22Jun14; LP2903.

[8] A Matter of Minutes. © 3Jul14; LP2962.

[9] The Living Dead. © 18Jul14; LP3060.

[10] By the Aid of a Film. © 1Aug14; LP3122.

THE MAN WHO FIGHTS ALONE. Presented by Adolph Zukor and Jesse L.
Lasky. 1924. 6,337 ft.

Credits: Producer and director, Wallace Worsley; story, William
Blacke, James Shelley Hamilton; screenplay, Jack Cunningham.

THE MAN WHO FORGOT. Paragon Films, Inc. © 1917. From the novel by
James Hay, Jr.

Credits: Directed and adapted by Emile Chautard.

THE MAN WHO FOUND HIMSELF. © 1915. Based on "The Mills of the Gods" by
George Broadhurst. Title changed from "The Coward."

THE MAN WHO FOUND HIMSELF. Paramount. Presented by Adolph Zukor and
Jesse L. Lasky. 1925. 7 reels.

Credits: Director, Alfred E. Green; original screen story, Booth
Tarkington; scenario, Tom J. Geraghty.

THE MAN WHO FOUND HIMSELF. 1937. 7 reels, sd. From the story "Wings of
Mercy" by Alice F. Curtis.

Credits: Producer, Cliff Reid; director, Lew Landers; screenplay, J.
Robert Bren, Edmund L. Hartmann, G. V. Atwater, Thomas Lennon;
editor, Jack Hively.

THE MAN WHO FOUND OUT. 1915. 1 reel.

THE MAN WHO HAD EVERYTHING. 1920. 6 reels.

Credits: Director, Alfred Green; story, Ben Ames Williams; scenario,
Arthur F. Statter.

THE MAN WHO KNEW. 1914. 1 reel.

Credits: Director, William Humphrey.

THE MAN WHO KNEW TOO MUCH. Gaumont British Picture Corp., Ltd.,
London. Released by Gaumont-British Distributors, Ltd. 1934. 8
reels, sd.

Credits: Charles Bennett, D. B. Wyndham Lewis; director, Alfred
Hitchcock; scenario, Edwin Greenwood, A. R. Rawlinson; additional
dialogue, Emlyn Williams; music, Arthur Benjamin; musical director,
Louis Levy.

THE MAN WHO LAUGHED LAST. SEE Sessue Hayakawa in The Man Who Laughed
Last.

THE MAN WHO LAUGHS. Universal Jewel. 1928. 10 reels. From the novel by
Victor Hugo.

Credits: Director, Paul Leni; adaptation and continuity, J. Grubb
Alexander.

THE MAN WHO LIVED AGAIN. 1936. 7 reels.

Credits: Director, Robert Stevenson; screenplay, L. du Garde Peach,
Sidney Gilliat, John L. Balderston.

THE MAN WHO LIVED TWICE. 1936. 8 reels, sd.

Credits: Director, Harry Lachman; story, Tom Van Dycke, Henry
Altimus; screenplay, Tom Van Dycke, Fred Niblo, Jr., Arthur Strawn;
film editor, Byron Robinson.

THE MAN WHO LOST HIMSELF. 1920. 6 reels. From the novel by H. de Vere
Stackpoole.

Credits: Scenario and direction by George D. Baker.

THE MAN WHO MARRIED HIS OWN WIFE. 1922. 5 reels.

Credits: Director, Stuart Paton; story, John Fleming Wilson, Mary
Ashe Miller; scenario, George Hively.

THE MAN WHO NEVER WAS CAUGHT. 1915. 1 reel.

THE MAN WHO PLAYED GOD. Released by United Artists Corp. 1922. 6
reels. From the play by Jules Eckert Goodman, based on the short
story by Gouverneur Morris.

Credits: Director, Harmon Weight; adaptation, Forrest Halsey.

THE MAN WHO PLAYED GOD. Presented by Warner Bros. Pictures, Inc. and
The Vitaphone Corp. 1932. 9 reels, sd. From the play by Jules Eckert
Goodman, based on the short story by Gouverneur Morris.

Credits: Director, John G. Adolfi; adaptation, Julian Josephson,
Maude Howell.

THE MAN WHO PLAYED SQUARE. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Al Santell; story, William Cook; scenario, John
Stone.

THE MAN WHO RECLAIMED HIS HEAD. Presented by Carl Laemmle. 1934. 9
reels, sd. From the play by Jean Bart [pseud. of Marie Antoinette
Sarlabous].

Credits: Associate producer, Henry Henigson; director, Edward
Ludwig; screenplay, Jean Bart, Samuel Ornitz; film editor, Murray
Seldeen.

THE MAN WHO SAVED THE DAY. Special Big U. 1917. 2 reels.

THE MAN WHO SAW TOMORROW. 1922. 7 reels.

Credits: Perley Poore Sheehan, Frank Condon; director, Alfred E.
Green; adaptation, Will Ritchey, Frank Condon.

THE MAN WHO STAYED AT HOME. Presented by Screen Classics, Inc. 1919. 6
reels. Adapted from the play by Lechmere Worrall and J. E. Harold
Terry.

Credits: Supervision, Maxwell Karger; director, Herbert Blache;
scenario, June Mathis.

THE MAN WHO STOOD STILL. Paragon Films, Inc. Presented by William A.
Brady in Association with World Pictures. © 1916. Adapted from the
stage play by Jules Eckert Goodman.

Credits: Director, Frank Hall Crane.

THE MAN WHO TOOK A CHANCE. 1917. 5 reels.

Credits: Ben Cohn; director, William Worthington.

THE MAN WHO TURNED WHITE. SEE The Sheik of Araby.

THE MAN WHO VANISHED. 1914. 1 reel. Adapted from the Felix Boyd series
"Below the Dead Line" by Scott Campbell [pseud. of Frederick William
Davis].

Credits: Director, Langdon West.

THE MAN WHO WAS AFRAID. 1917. 65 min. From the story by Mary Brecht
Pulver.

Credits: Director, Fred E. Wright; adaptation, H. Tipten Steck.

THE MAN WHO WENT SANE. 1916. 3 reels.

Credits: Paul West; director, Thomas R. Mills; picturized by Joseph
F. Poland.

THE MAN WHO WOKE UP. 1921. 2 reels.

Credits: Story, L. Underwood; scenario, Robert Dillon.

THE MAN WHO WON. 1919. 5 reels. Based on the book by Cyrus Townsend
Brady.

Credits: Director, Paul Scardon; scenario, Edward J. Montagne.

THE MAN WHO WON. 1923. 5 reels, b&w, tinted sequences. Based on "The
Twins of Suffering Creek" by Ridgwell Cullum.

Credits: Director, William A. Wellman; scenario, Ewart Adamson.

THE MAN WHO WOULDN'T LOVE. SEE Sinner or Saint.

THE MAN WHO WOULDN'T MARRY. 1913.

Credits: Annesley Burrowes.

THE MAN WHO WOULDN'T REMOVE HIS HAT. SEE The Devil's Bowl.

THE MAN WHO WOULDN'T TELL. 1918. 5 reels.

Credits: Director, James Young; story, Bess Meredyth.

THE MAN WITH A PACKAGE. Joker. 1917. 1 reel.

Credits: C. B. Hoadley; director, W. W. Beaudine.

THE MAN WITH THE BROODING EYES. SEE Brooding Eyes.

THE MAN WITH THE IRON HEART. 1915. 3 reels.

Credits: Director, George Nicholls.

THE MAN WITH THE MISSING FINGER. © 1915-17. © Nordisk Films Kompagni,
A/S.

1. The Murder in the Villa Falcon. © title, descr. & 126 prints,
18Oct15; LU6694.

2. Mystery of the Midnight Express. © title, descr. & 143 prints,
17Feb16; LU7658.

3. The Stolen Invention. © title, descr. & 142 prints, 12Jan17;
LU9953.

4. The Lonely House. © title, descr. & 120 prints, 12Jan17; LU9954.

THE MAN WITH THE PUNCH. 1920. 2 reels.

Credits: Story, W. C. Tuttle; scenario, Burl Armstrong.

THE MAN WITH THE SCAR. Mustang. 1926. 2 reels.

Credits: Director, William A. Crinley; story, and scenario, Basil
Dickey.

THE MAN WITH THE TWISTED LIP. © 1922. From "The Adventures of Sherlock
Holmes" by Sir Arthur Conan Doyle.

THE MAN WITH THE TWISTED LIP. 1922. 2 reels. From "The Adventures of
Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Director, Maurice Elvey.

THE MAN WITH TWO FACES. Presented by First National Pictures, Inc. and
The Vitaphone Corp. 1934. 7 reels. Based on the play "The Dark
Tower" by George S. Kaufman and Alexander Woollcott.

Credits: Director, Archie Mayo; screenplay, Tom Reed, Niven Busch.

THE MAN WITH TWO MOTHERS. 1922. 5 reels.

Credits: Director, Paul Bern; story, Alice Duer Miller; scenario,
Julien Josephson.

THE MAN WITHIN. 1916. 3 reels.

Credits: Director, Tom Mix.

© Excelsior Pictures Producing Co. (Akhoy Kumar Mozumdar, author);
title and 285 prints, 25Oct24; descr., 17Nov24; LU20783.

THE MAN WITHOUT A CONSCIENCE. 1925. 7 reels.

Credits: Director, James Flood; story, Max Kretzer; adaptation, Hope
Loring, Louis Duryea Lighton.

THE MAN WITHOUT A COUNTRY. 1917. 6 reels. Based on the story by Edward
Everett Hale.

Credits: Supervision, Edwin Tanhouser; director, Ernest C. Warde;
scenario, Lloyd Lonergan.

THE MAN WITHOUT A COUNTRY. 1925. 10 reels. Based on the story by
Edward Everett Hale.

Credits: Director, Rowland V. Lee; adaptation and scenario, Robert
N. Lee.

THE MAN WITHOUT A COUNTRY. 1938. 2 reels. From the story by Edward
Everett Hale.

Credits: Director, Crane Wilbur; screenplay, Forrest Barnes.

THE MAN WITHOUT A COUNTRY. SEE As No Man Has Loved.

THE MAN WITHOUT A FACE. 1927-28. 2 reels each. © Pathe Exchange, Inc.

Credits: Director, Spencer Gordon Bennet; screen version, Joseph
Anthony Roach.

1. A Perilous Mission. © 12Dec27; LP24762.

2. The Barrage. © 15Dec27; LP24763.

3. The Death Shell. © 22Dec27; LP24802.

4. The Abduction. © 24Dec27; LP24803.

5. The Mark of Crime. © 12Jan28; LP24871.

6. The Road of Peril. © 15Jan28; LP24872.

7. The Master Strikes. © 21Jan28; LP24908.

8. The Crime Craft. © 28Jan28; LP24930.

9. A Mysterious Visitor. © 6Feb28.

10. Unmasked. © 9Feb28; LP24969.

MAN WITHOUT A HEART. 1924. 6 reels. From the novel by Ruby M. Ayres.

Credits: Director, Burton King; screen adaptation, Harry Chandlee.

Credits: Adapted and produced by George L. Tucker.

MAN, WOMAN, AND SIN. 1927. 7 reels.

Credits: Produced, written and directed by Monta Bell; scenario,
Alice D. G. Miller; film editor, Blanche Sewell.

MAN, WOMAN, AND WIFE. 1928. 7 reels.

Credits: Director, Edward Laemmle; story, Charles A. Logue.

MAN, WOMAN, MARRIAGE. Presented by Allen A. Kaufman. 1921. 9 reels.

Credits: Story and direction, Allen Holubar.

MANAGED MONEY. (Frolics of Youth) Presented by E. W. Hammons. 1934. 2
reels, sd.

Credits: Producer, E. H. Allen; director, Charles Lamont; story and
dialogue, Ernest Pagano, Ewart Adamson.

THE MANAGER OF THE B. AND A. SEE The Man from Medicine Hat.

MANANA LAND. SEE An Uneven Match, Manana Land and Memories.

MANCHU LOVE. 1929. 2 reels, sd., color.

Credits: Aubrey Scotto; producer, Herbert T. Kalmus; director, Elmer
Clifton; story, Jack Cunningham.

MANCHUKUO. 1938. 1 reel.

MANDALAY. Presented by First National Pictures, Inc. and The Vitaphone
Corp. 1934. 7 reels.

Credits: Director, Michael Curtiz; story, Paul Henry Fox;
screenplay, Austin Parker, Charles Kenyon.

THE MANDARIN. 1924. 1 reel.

Credits: Director, William H. Watson; story, Richard Smith.

THE MANDARIN MYSTERY. 1936. 7 reels. Based on "The Chinese Orange
Mystery" by Ellery Queen [pseud.]

Credits: Producer, Nat Levine; director, Ralph Staub; screenplay,
John Francis Larkin, Rex Taylor, Gertrude Orr, Cortland Fitzsimmons.

Credits: Director, Oscar Apfel; story, Philip Lonergan; scenario,
Lucien Hubbard.

MANDRAKE THE MAGICIAN. 1939. 2 reels each, sd. Based on the newspaper
feature created by Lee Falk and Phil Davis.

Credits: Directors, Sam Nelson, Norman Deming; screenplay, Joseph F.
Poland, Basil Dickey, Ned Dandy.

1. Shadow on the Wall. © 2May39; LP8816.

2. Trap of the Wasp. © 8May39; LP8828.

3. City of Terror. © 11May39; LP8834.

4. The Secret Passage. © 15May39; LP8840.

5. The Devil's Playmate. © 22May39; LP8863.

6. The Fatal Crash. © 26May39; LP8867.

7. Gamble for Life. © 29May39; LP8873.

8. Across the Deadline. © 13Jun39; LP8912.

9. Terror Rides the Rails. © 13Jun39; LP8913.

10. The Unseen Monster. © 19Jun39; LP8917.

11. At the Stroke of Eight. © 26Jun39; LP8927.

12. The Reward of Treachery. © 5Jul39; LP8963.

THE MAN-EATER. (James Montgomery Flagg's Girls You Know) 1918. 1 reel,
color.

Credits: Director, Jack Eaton.

MAN-EATING SHARKS. (Cannibals of the Deep Series, no. 4) 1932. 770 ft.

Credits: Producer, Mack Sennett.

MAN EATING TIGER. SEE Spring Tonic.

MANHANDLED. 1924. 6,998 ft. From the Saturday Evening Post story by
Arthur Stringer.

Credits: Producer and director, Allan Dawn; screenplay, Frank W.
Tuttle.

MANHANDLING ETHEL. SEE Enchantment.

MANHATTAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.
1924. 6,415 ft. Based on "The Definite Object" by Jeffery Farnol.

Credits: Director, R. H. Burnside; adaptation, Paul Sloane, Frank
Tuttle.

MANHATTAN COCKTAIL. 1928. 6,051 ft.

Credits: Director, Dorothy Arzner; story, Ernest Vajda; screenplay,
Ethel Doherty.

A MANHATTAN KNIGHT. 1920. 5 reels, b&w, tinted sequences.

Credits: Director, George A. Beranger; story, Gelett Burgess;
scenario, Paul H. Sloane.

MANHATTAN KNIGHTS. 1928. 7 reels.

Credits: Director, Burton King; story and continuity, Adeline
Leitzbach.

MANHATTAN LOVE SONG. 1934. 8 reels, sd. Suggested by the novel by
Cornell Woolrich [pseud. of Cornell George Hopley-Woolrich].

Credits: Director, Leonard Fields; screenplay, David Silverstein,
Leonard Fields; editor, Carl Pierson.

MANHATTAN LOVE SONG. SEE Change of Heart.

MANHATTAN LULLABY. (Song Hit Stories) Educational Pictures. Presented
by E. W. Hammons. 1933. 9 min., sd.

Credits: Producer, Jack White; story and music, James F. Hanley.

MANHATTAN MADNESS. Fine Arts Pictures, Inc. Presented by Oscar Price.
© 1925.

Credits: Charles T. and Frank Dazey; director, John McDermott;
scenario, E. V. Durling.

MANHATTAN MARINERS. (Grantland Rice Sportlight) Van Beuren Corp. 1931.
1 reel.

MANHATTAN MARY. SEE Follow the Leader.

MANHATTAN MELODRAMA. Cosmopolitan. 1934. 9 reels, sd.

Credits: Producer, David O. Selznick; director, W. S. Van Dyke;
original story, Arthur Caesar; screenplay, Oliver H. P. Garrett,
Joseph L. Mankiewicz; film editor, Ben Lewis.

MANHATTAN MERRY-GO-ROUND. 1937. 10 reels, sd. Based on the musical
revue by Frank Hummert.

Credits: Associate producer, Harry Sauber; director, Charles F.
Riesner; original screenplay, Harry Sauber; editors, Murray Seldeen,
Ernest Nims; music director, Alberto Colombo.

MANHATTAN MONKEY BUSINESS. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Harold Law; film editor,
William Ziegler.

MANHATTAN MOON. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, Stanley Bergerman; director, Stuart Walker;
original story, Robert Harris; screenplay, Barry Trivers, Ben
Grauman Kohn; adaptation, Aben Kandel; film editor, Phil Cahn;
music, Karl Hajos.

MANHATTAN PARADE. Warner Bros, and Vitaphone Production. 1932. 8
reels, sd. Based on a play by Samuel Shipman.

Credits: Director, Lloyd Bacon.

MANHATTAN RHYTHM. Presented by Adolph Zukor. 1935. 1 reel, sd.

MANHATTAN SERENADE. (M. G. M. Colortone Revue) 1930. 2 reels, sd.,
color. Based upon an original composition by Louis Alter.

Credits: Director, Sammy Lee; dialogue, Joe Farnham; music, Louis
Alter, Howard Johnson, Charles F. Riesner; orchestral arrangement
and direction, Arthur Lange.

MANHATTAN SHAKEDOWN. 1939. 6 reels, sd.

Credits: Director, Leon Barsha; story, Theodore Tinsley; screenplay,
Edgar Edwards.

MANHATTAN TAPESTRY. Treasure Chest. Presented by E. W. Hammons. 1936.
906 ft., sd., color.

Credits: Producers, Palmer Miller, Curtis F. Nagel; editors, Richard
Fair, William M. Pizor.

MANHATTAN WATERFRONT. (World on Parade, no. 7) 1937. 1 reel.

Credits: Text, Harold McCracken; narrator, Alois Havrilla.

MANIAC. 1934. 6 reels, sd.

Credits: Director, Dwain Esper; story and continuity, Hildegarde
Stadie.

THE MANICURE GIRL. 1913. 1 reel.

Credits: George Randolph Chester.

THE MANICURE GIRL. (Chronicles of Bloom Center) 1915. 1 reel.

Credits: Producer, Burton L. King.

THE MANICURE GIRL. Paramount. 1925. 5,959 ft.

Credits: Frederic and Fanny Hatton; director, Frank Tuttle;
screenplay, Townsend Martin.

THE MANIFESTATIONS OF HENRY ORT. SEE Straight Is the Way.

MANNA. Gold Seal. 1915. 2 reels.

Credits: Producer, Henry Otto; scenario, Olga Printzlau.

MANNEQUIN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.
1926. 7 reels. From the story by Fannie Hurst.

Credits: Producer and director, James Cruze; screenplay, Frances
Agnew; adaptation, Walter Woods.

MANNEQUIN. A Frank Borzage production. 1938. 9 reels, sd., b&w.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage;
story, Katharine Brush; screenplay, Lawrence Hazard; film editor,
Frederick Y. Smith; music, Edward Ward.

MANNERS AND THE MAN. 1915. 1 reel.

MANON. SEE Hope Hampton in the Fourth Act of Manon.

MAN POWER. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,617
ft.

Credits: Associate producer, B. P. Schulberg; director, Clarence
Badger; story, Byron Morgan; adaptation, Ray Harris, Sam Mintz;
screenplay, Louise Long.

MAN'S BEST FRIEND, and THE STORY OF THE ROOSEVELT FAMILY IN AMERICA.
(The Human Side of the News) 1933. 1 reel.

MAN'S CASTLE. 1933. 8 reels, sd. From the play by Lawrence Hazard.

Credits: Director, Frank Borzage; screenplay, Jo Swerling; film
editor, Viola Lawrence.

MAN'S COUNTRY. 1938. 6 reels, sd.

Credits: Assistant producer, Robert Tansey; director, Robert Hill;
original screenplay, Robert Emmett; film editor, Russ Schoengarth.

MAN'S ENEMY. 1914.

A MAN'S GAME. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold
Shumate; film editor, Otto Meyer.

MAN'S GREATEST FRIEND. (A Pete Smith Specialty) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Joe Newman; screenplay, Barney Gerard, Richard
Goldstone; research compilations, Dr. Ryland R. Madison.

A MAN'S HARDEST FIGHT. Big U. 1916. 1 reel.

Credits: Ben Cohn; producer. Jay Hunt.

A MAN'S HOME. Presented by Lewis J. Selznick. 1921. 6 reels.

Credits: Producer and director, Ralph Ince; story, Anna S.
Richardson, Edmund Breese; scenario, Edward J. Montagne.

MAN'S LAW. 1915. 2 reels.

Credits: Written and directed by Colin Campbell.

MAN'S LAW AND GOD'S. 1922. 5 reels.

Credits: Written and directed by Finis Fox.

A MAN'S MAKING. 1915. 5 reels.

A MAN'S MAN. 1917. 7 reels. Adapted from the book by Peter B. Kyne.

Credits: Director, Oscar Apfel; scenario, Thomas Geraghty.

A MAN'S MAN. Released by Film Booking Offices of America. 1923. 5
reels. From the book by Peter B. Kyne.

Credits: Director, Oscar Apfel; scenario, Thomas C. Geraghty.

A MAN'S MAN. 1929. 8 reels. Based on the play by Patrick Kearney.

Credits: Produced and directed by James Cruze; continuity, Forrest
Halsey; film editor, George Hively.

MAN'S MANIA FOR SPEED. (Adventure of the Newsreel Cameraman) 1934. 1
reel, sd.

A MAN'S MATE. 1924. 6 reels.

Credits: Director, Edmund Mortimer; story and scenario, Charles
Kenyon.

A MAN'S PAST. Jewel. 1927. From the play "The Diploma" by Emerich
Foeldes.

Credits: Director, George Melford; continuity, Emil Forst.

MAN'S PLAYTHING. 1920. 6 reels.

Credits: Written and directed by Charles T. Horan.

A MAN'S SACRIFICE. 1915. 3 reels.

Credits: Director, George D. Baker.

© Eclectic Film Co. (Société Cinématographique d'Auteurs et Gens de
Lettres, author); title, descr. & 63 prints, 12Nov13; LU1565.

MAN'S SIZE. Fox Film Corp. 1923. 5 reels. Based on the novel by
William MacLeod Raine.

Credits: Director, Howard M. Mitchell; scenario, Joseph Franklin
Poland.

A MAN'S SIZE PET. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

MAN'S TRIUMPH OVER THE MIGHTY FOREST. 1917. 1 reel.

Credits: Director, Travers Vale; story, William Addison Lathrop.

A MAN'S WORK. 1916. 3 reels.

A MAN'S WORLD. 1918. 5 reels. From the play by Rachel Crothers.

Credits: Supervision, Maxwell Karger; director, Herbert Blache;
scenario, June Mathis.

THE MANSARD MYSTERY. Imp. 1916. 2 reels.

Credits: Director, Stuart Paton; story, Sylvester Jones; scenario,
Harvey Gates.

Credits: Written and produced by Lem B. Parker.

A MANSION OF TRAGEDY. 1915. 3 reels.

Credits; Director, Joseph Byron Totten.

MANSLAUGHTER. Paramount. Presented by Jesse L. Lasky. 1922. 10 reels.
From the Saturday Evening Post story by Alice Duer Miller.

Credits: Producer and director, Cecil B. De Mille; adaptation,
Jeanie Macpherson.

MANSLAUGHTER. 1930. 7,954 ft., sd. Based on the novel by Alice Duer
Miller.

Credits: Director, George Abbott; screenplay, George Abbott; film
editor. Otto Lovering.

THE MANTLE OF CHARITY. 1918. 5 reels.

Credits: Stephen Fox; director, Edward Sloman.

THE MANTLE OF DECEIT. Rex. 1916. 2 reels.

Credits: Written and directed by Robert F. Hill.

THE MANUFACTURE OF BIG GUNS. 1915. Split reel.

THE MANUFACTURE OF COIN. 1915. Produced by permission of the United
States Treasury Department. 1,000 ft.

MANUFACTURE OF WOOLENS. SEE Worsted Yarn Manufacture.

MANUFACTURING AN EIGHT INCH PROJECTILE AT THE BERTRAM WORKS OF THE
NILES-BEMENT-POND CO. © 1917.

THE MANXMAN. London Film Co., Ltd., Great Britain. © 1917. Based on
the work by Sir Hall Caine.

Credits: Producer, George Loane Tucker.

MANY A SIP. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story and
continuity, Ben Holmes, Nat Perrin, Mark Sandrich; film editor, Sam
White.

MANY A SLIP. Released by F.B.O. 1927. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story. Charley
Bowers, H. L. Muller, Ted Sears.

MANY A SLIP. 1931. 8 reels. From the stage play by Edith Fitzgerald
and Robert Riskin.

Credits: Associate producer, Albert De Mond; director, Vin Moore;
screenplay and added dialogue, Gladys Lehman.

MANY HAPPY RETURNS. Presented by Adolph Zukor. 1934. 7 reels, sd.
Based on the novel, "Mr. Dayton, Darling" by Lady Mary Cameron
[pseud.]

Credits: Producer, William LeBaron; director, Norman McLeod;
screenplay, J. P. McEvoy, Claude Binyon; adaptation, Keene Thompson,
Ray Harris; music, Arthur Johnston.

MANY MOONS. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

MANY SAPPY RETURNS. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Charley Chase.

MANY UNHAPPY RETURNS. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story.
Charles Roberts, Ewart Adamson; film editor, Les Millbrook.

MANY WINGS—BESIDE THE STILL WATERS. 1927. 1 reel.

Credits: Robert C. Bruce.

MAPLE SUGAR. (Ford Educational Library, Agriculture) Ford Motion
Picture Laboratories. 1922. 1 reel.

MAPLE SYRUP AND SUGAR. 1930. 1 reel.

Credits: Producer, Joseph W. Smiley.

MARATHON MANIACS. Victor. 1917. 1 reel.

Credits: Written and directed by Craig Hutchinson.

MARBLE HEADS. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE MARBLE HEART. Imp. 1915. 4 reels.

THE MARBLE HEART. 1916. For Fox Film Corp. 5 reels.

Credits: Producer, Keenan Buel; supervision, scenario, and
adaptation, Herbert Brenon.

THE MARCELLINI MILLIONS. 1917. 5 reels.

Credits: Director, Donald Crisp; story, Edith Kennedy; scenario,
Edith Kennedy, George Beban.

THE MARCH HARE. 1921. 5 reels.

Credits: Director, Maurice Campbell.

THE MARCH OF CHAMPIONS. (A Sportlight Picture) 1933. 1 reel, sd.

THE MARCH OF CRIME. 1936. 2 reels.

Credits: Narrative by Wedgewood Nowell.

THE MARCH OF FREEDOM. 1939. 2 reels, sd.

Credits: Producers, Joseph O'Brien, Thomas Mead; script, Henry Clay
Bate; narrator, Graham McNamee.

MARCH OF THE PRESIDENTS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Narrator, John B. Kennedy; commentary, Horace A.
Woodmansee; editors, Fred Waller, Milton Hocky.

MARCH OF THE YEARS. Columbia. Produced and dramatized by March of the
Years Associates. 1933-34. 1 reel each, except the first entry which
is 2 reels, sd.

MARCH OF TIME. Presented by the editors of Life and Time (Volume 1,
no. 1 to Volume 3, no. 5, editors of Time) 1935-39.

Volume 1, 1935/36.

Volume 2, 1936.

Volume 3, 1936/37.

Volume 4, 1937/38.

Volume 5, 1938/39.

Volume 6, 1939/40.

LA MARCHE AU SOLEIL. SEE Children of the Sun.

MARCHETA. 1936. 1 reel.

MARCHING ALONG. (The Little King) 1933. 1 reel. Based on the cartoon
by O. Soglow.

Credits: Animation, Jim Tyler.

MARCHING HOME. 1929. 1 reel, sd.

MARCHING ON. 1929. 3 reels, b&w.

Credits: Director, Marcel Silver; story, Ben Holmes.

MARCHING TO GEORGIE. 1929. 2 reels, sd.

Credits: Director, William Watson.

MARCHING WITH SCIENCE. (Adventures of the Newsreel Cameraman) 1934. 1
reel, sd.

MARCO HIMSELF. SEE The Social Lion.

MARE NOSTRUM. 1926. 10 reels. Based on the book by Vincente Blasco
Ibanez.

Credits: Director, Rex Ingram; scenario, Willis Goldbeck; film
editor, Grant Whytock.

MAREEA THE FOSTER MOTHER. 1914. 2 reels.

Credits: Director, Ulysses Davis.

MAREEA, THE HALF-BREED. 1914.

Credits: Director, Ulysses Davis.

MARGARET MCKEE, ASSISTED BY THE VITAPHONE SYMPHONY ORCHESTRA [WITH]
HERMAN HELLER CONDUCTING, IN A NURSERY SCENE, WHISTLES AND SINGS
WOOING HOUR [and others]. 1927. 1 reel, sd.

Credits: Producer, Lem B. Parker.

MARGIE OF THE UNDERWORLD. 1915. 2 reels.

Credits: Producer, Wilbert Melville.

MARGUERITE DE VALOIS. SEE Queen Margaret.

MARIA. 1923. 13 reels.

MARIA DEL CARMEN. SEE Serenade.

MARIA ROSA. 1916. 5 reels. Founded on the play by Guido Marburg and
Wallace Gillpatrick.

Credits: Producer, Cecil B. De Mille.

MARIAN, THE HOLY TERROR. 1914. 1 reel.

Credits: Producer, William Duncan.

MARIANNA. Laemmle. 1915. 1 reel.

Credits: Written and produced by Harry G. Stafford.

MARIANNE. A Marion Davies production. 1929. 7 reels.

Credits: Produced and directed by Robert Z. Leonard; story and
screenplay, Dale Van Every; film editor, Basil Wrangell.

MARIA'S SACRIFICE. 1914. From a Study in Sociology.

Credits: Director, William Humphrey.

MARIE ANTOINETTE. Presented by Metro-Goldwyn-Mayer. 1938. 17 reels,
sd., b&w. Based in part on the book by Stefan Zweig.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke II;
screenplay, Claudine West, Donald Ogden Stewart, Ernest Vajda; film
editor, Robert J. Kern; music score, Herbert Stothart.

MARIE GALANTE. 1934. 8,192 ft., sd. Based on the novel by Jacques
Deval.

Credits: Director, Henry King; screenplay, Reginald Berkeley; music
director, Arthur Lange.

MARIE, LTD. 1919. 5 reels.

Credits: Director, Kenneth Webb; story, Louise Winters; scenario,
Jane Murfin.

MARIHUANA. 1936. 6 reels, sd.

Credits: Director, Dwain Esper; story, Hildagarde Stadie;
continuity, Rex Elgin.

MARINE CIRCUS. (A Pete Smith Specialty) Presented by
Metro-Goldwyn-Mayer. 1939. 785 ft., sd., color.

Credits: Director, James A. FitzPatrick; film editor, Philip
Anderson.

MARINE FOLLIES. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

MARINE MARVELS. (Sportlight) 1934. 1 reel, sd.

THE MARINE PARADE. (A Bray Nature Special) Presented by the Bray
Studios. 1927. 1 reel.

Credits: Titled by Don Carlos Ellis.

THE MARINES ARE COMING. 1934. 8 reels, sd.

Credits: Supervision, Colbert Clark; director, David Howard;
original story, John Rathmell, Colbert Clark; screenplay, James
Gruen; film editor, Thomas Scott.

THE MARINES ARE HERE. 1938. 7 reels, sd.

Credits: Director, Phil Rosen; original story, Edwin L. Parsons,
Charles Logue; screenplay, Jack Knapp, J. Benton Cheney; film
editor, Russell Schoengarth; music director, Abe Meyers.

MARION HARRIS [IN] SONG: MINE ALL MINE. 1929. 1 reel, sd.

MARION HARRIS [IN] SONGS: AFRAID OF YOU AND WE LOVE IT. (Movietone
Act) 1928. 1 reel, sd.

MARION HARRIS [IN] SONGS: I WONDER AND I'M MORE THAN SATISFIED.
(Movietone Act) 1928. 1 reel.

MARION HARRIS [IN] SONGS: RAIN AND DOWN BY THE OLD FRONT GATE.
(Movietone Act) 1928. 1 reel, sd.

MARION TALLEY, SINGING CARO NOME, FROM [THE] OPERA RIGOLETTO. 1927. 1
reel, sd.

MARION TALLEY, SOPRANO, AND BENIAMINO GIGLI, TENOR, OF THE
METROPOLITAN OPERA COMPANY SINGING VERRANNO A TE SULL'AURA (BORNE ON
THE SIGHING BREEZE) FROM ACT 1 OF THE OPERA LUCIA DI LAMMERMOOR.
1927. 1 reel, sd.

THE MARIONETTES. 1917. 2 reels. Based on a story by O. Henry [pseud.
of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton
Bergman.

THE MARIONETTES. 1918. 5 reels. From the play by Pierre Wolff.

Credits: Director, Emile Chautard; scenario, Frederick Chapin.

MARIONETTES. 1926. 2 reels, color.

Credits: Director, Henri Diamant Berger.

THE MARIONETTES. 1929. 1 reel, sd.

Credits: Director, Hugh Croise.

THE MARIONETTES. SEE The Ransom.

MARIPOSA. SEE The Charmer.

MARIUTCH. 1930. 1 reel.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

MARK IT PAID. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Grover Jones.

THE MARK OF A GENTLEMAN. Gold Seal. 1916. 2 reels.

Credits: F. McGrew Willis; producer, William Worthington.

THE MARK OF CAIN. Red Feather. 1916. 5 reels.

Credits: Director, Joseph De Grasse; scenario, Stuart Paton.

Credits: Edgar Wallace; director, Arch B. Heath.

MARK OF THE VAMPIRE. 1935. 6 reels, sd., b&w.

Credits: Screenplay, Guy Endore, Bernard Schubert; film editor, Ben
Lewis.

THE MARK OF ZORRO. 1920. 8 reels. From the novel "The Curse of
Capistrano" by Johnston McCulley.

Credits: Director, Fred Niblo.

A MARKED MAN. Butterfly. 1917. 5 reels.

Credits: Director, Jack Ford; written by George Hively.

MARKED MEN. 1920. 5 reels. From the story "The Three Godfathers" by
Peter B. Kyne.

Credits: Director, Jack Ford; editors, Frank Lawrence, Frank
Atkinson.

MARKED MONEY. 1928. 6 reels.

Credits: Producer, Hector Turnbull; director, Spencer Bennet;
original story, Howard J. Green; adaptation, George Dromgold,
Sanford Hewitt; film editor, Harold McLernon.

MARKED WOMAN. First National. 1937. 10 reels, sd.

Credits: Director, Lloyd Bacon; original screenplay, Robert Rossen,
Abem Finkel; music and lyrics, Harry Warren, Al Dubin.

MARKET GARDENING. 1929. 1 reel.

THE MARKET OF SOULS. 1919. 6 reels.

Credits: Supervision, Thomas H. Ince; director, Joseph De Grasse;
story, John Lynch.

THE MARKET PRICE OF LOVE. 1915. 1 reel.

Credits: William Wright Farmer.

MARKING TIME. 1929. 2 reels.

Credits: Director, Ben Holmes; story, Emily Barry.

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Motion pictures, 1912-1939Chapter I: MAFIOSI ALLA VICARIA DI PALERMO; or, REDEMPTION; or, MAFIOSI DI (2)

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