Chapter I: MAFIOSI ALLA VICARIA DI PALERMO; or, REDEMPTION; or, MAFIOSI DI (1)

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MAFIOSI DI PALERMO. SEE I Mafiosi alla Vicaria di Palermo.

MAGAZINE COOKING. 1914. 1 reel.

MAGDA. 1917. 6 reels. Based on the play by Hermann Sudermann.

Credits: Director, Emile Chautard; scenario, Margaret Turnbull.

A MAGDALENE OF THE HILLS. 1917. 5 reels.

Credits: Director, John W. Noble; story, Harry Chandlee; scenario,
June Mathis.

MAGGIE PEPPER. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels.
From the drama by Charles Klein.

Credits: Director, Chet Withey; scenario, Gardner Hunting.

MAGIC. (A Buster Brown Comedy) (Stern Bros. Comedy) 1929. 2 reels.
From the cartoons by R. F. Outcault.

MAGIC ART. (Aesop's Fables) 1932. 665 ft.

Credits: John Foster, Harry Bailey.

THE MAGIC BEANS. (A Walter Lantz Nertsery Rhyme) 1939. 1 reel.

Credits: Director, Lester Kline; story, Vic McLeod; animation,
George Dane, Fred Kopietz.

THE MAGIC BON-BONS. Victor. 1915. 1 reel.

THE MAGIC CARPET. (Dinkey Doodle Cartoon, no. 9) Bray. 1925. 1 reel.

THE MAGIC CHEST. 1924. 1 reel.

Credits: Directors, J. A. Norling, William Ganson Rose.

THE MAGIC CITY. (Our World Today) 1928. 1 reel.

THE MAGIC CUP. 1921. 5 reels.

Credits: Director, John S. Robertson; story and scenario, E. Lloyd
Sheldon.

THE MAGIC EYE. 1918. 5 reels.

Credits: Director, Rea Berger; story, Norris Shannon; scenario,
Frank H. Clark.

THE MAGIC FISH. (Paul Terry Toons) Educational. Presented by E. W.
Hammons. 1934. 520 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A.
Scheib.

THE MAGIC FLAME. 1927. 9 reels. From the stage play "King Harlequin"
by Rudolph Lothar.

Credits: Producer and director, Henry King; adaptation, Bess
Meredith; continuity, June Mathis; titles, George Marion, Jr.,
Nellie Revell.

THE MAGIC GAME. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Robert B. Wilcox.

THE MAGIC GARDEN. Released by F. B. O. 1927. 7 reels. From the story
by Gene Stratton-Porter.

Credits: Adaptation and direction, J. Leo Meehan; continuity,
Charles M. Kerr.

MAGIC INDIA; AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE MAGIC JAZZ-BO. Joker. 1917. 1 reel.

Credits: Story and direction, Albert A. Sautell; scenario, Arthur F.
Statler.

THE MAGIC LAMP. (A Dinky Doodle Cartoon) 1924. 1 reel.

Credits: Written and directed by Walter Lantz.

THE MAGIC MIRROR. (Is Marriage Sacred?) 1917. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

THE MAGIC MUMMY. (Tom and Jerry) The Van Beuren Corp. 1933. 645 ft.

Credits: John Foster, George Stallings.

MAGIC NIGHT. British & Dominions. 1932. 9 reels.

Credits: Holt Marvell, George Posford; producer and director,
Herbert Wilcox.

THE MAGIC OF MUSIC. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

THE MAGIC OF OIL. 1936. 4 reels, sd.

THE MAGIC OF SPRING. 1917. 1/2 reel.

MAGIC ON BROADWAY. (A Max Fleischer Screen Song) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

THE MAGIC SKIN. 1915. 5 reels.

Credits: James O. Walsh, Rex Taylor, Joseph A. Richmond.

THE MAGIC WORD. (An Educational Mirthquake Comedy) Presented by E. W.
Hammons. 1935. 1,500 ft., sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Charlie
Williams.

THE MAGICIAN. (Dinky Doodle Cartoon) 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

THE MAGICIAN. 1926. 8 reels. From the novel by W. Somerset Maugham.

Credits: Direction and adaptation, Rex Ingram; film editor, Grant
Whytock.

Credits: Producer, Charles H. France.

MAGICIAN MICKEY. (A Walt Disney Mickey Mouse) 1937. 1 reel, sd.

THE MAGICIAN'S DAUGHTER. Presented by Metro-Goldwyn-Mayer. 1938. 2
reels, sd., b&w.

Credits: Direction and original story, Felix E. Feist; screenplay,
Jack Woodford, Richard Goldstone; music score, David Snell.

THE MAGISTRATE'S STORY. 1915. 1,000 ft.

Credits: Allen Potter Crolius; director, Langdon West.

THE MAGNATE. 1930. 1 reel, sd.

Credits: Director, Dick Currier.

THE MAGNATE OF PARADISE. 1914. 2 reels. An adaptation of the novel by
Mary Imlay Taylor.

THE MAGNETIC BAT. 1928. 1 reel.

MAGNETIC EFFECTS OF ELECTRICITY. 1930. 976 ft., 16 mm.

THE MAGNIFICENT AMBERSONS. SEE Pampered Youth.

THE MAGNIFICENT BRUTE. 1921. 5 reels.

Credits: Producer, Robert Thornby; story, Malcolm Stuart Moylan;
scenario, Lucien Hubbard.

THE MAGNIFICENT BRUTE. 1936. 8 reels, sd. Based on the story "Big" by
Owen Francis.

Credits: Producer, Edmund Grainger; director, John Blystone;
screenplay, Lewis B. Foster, Owen Francis, Bertram Millhauser; film
editor, Ted Kent; music director, Charles Previn.

THE MAGNIFICENT FLIRT. 1928. 4,998 ft. Suggested by "Maman" by Germain
[pseud. of José Germain Drouilly] and Moncousin.

Credits: Director, H. D'Abbadie D'Arrast; screenplay, Jean de Limur,
H. D'Abbadie D'Arrast.

THE MAGNIFICENT FRAUD. 1939. 8 reels, sd. Based on the story "Caviare
for His Excellency" by Charles G. Booth.

Credits: Producer, Harlan Thompson; director, Robert Florey;
screenplay, Gilbert Gabriel, Walter Ferris; film editor, James
Smith.

THE MAGNIFICENT LIE. 1931. 8 reels. Based on "The Laurels and the
Lady" by Leonard Merrick.

Credits: Director, Berthold Viertel; screenplay, Vincent Laurence,
Samson Raphaelson.

THE MAGNIFICENT MEDDLER. 1917. 5 reels.

Credits: Director, William Wolbert; story, Lawrence McCloskey;
adaptation, Garfield Thompson.

MAGNIFICENT OBSESSION. 1935. 13 reels, sd. Based on the novel by Lloyd
C. Douglas.

Credits: Director, John M. Stahl; screenplay, Sarah Y. Mason, Victor
Heerman, George O'Neil.

MAGNOLIA. SEE

The Fighting Coward.

River of Romance.

THE MAGPIE. Gold Seal. 1917. 3 reels.

Credits: Director, Edwin Stevens; story, George Dana Smith.

A MAID AND A MAN. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

MAID FOR A DAY. 1936. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

THE MAID FROM SWEDEN. 1914. 1 reel.

Credits: Director, Lee Beggs.

MAID IN CHINA. (Terry Toons) Presented by E. W. Hammons. 1938. 619
ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

MAID IN HOLLYWOOD. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly
Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MAID IN MOROCCO. (Lupino Lane Comedies) 1925. 2 reels.

Credits: Director, Charles Lamont.

THE MAID O' THE MOUNTAINS. 1915. 2 reels.

A MAID OF BELGIUM. Presented by William A. Brady. © 1917. Title
changed from "The Refugee."

Credits: Director, George Archainbaud; story, Adrian Gil-Spear.

THE MAID OF HONOR. 1912. 1 reel.

Credits: Bannister Merwin.

A MAID OF MANDALAY. 1913.

Credits: Director, Maurice Costello.

THE MAID OF ROMANCE. 1915.

MAID OF SALEM. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Frank Lloyd; story, Bradley King;
screenplay, Walter Ferris, Bradley King, Durward Grinstead; editor,
Hugh Bennett; music, Victor Young; music director, Boris Morros.

THE MAID OF THE MIST. Rex. 1915. 1 reel.

Credits: Producer, Joseph DeGrasse; scenario, James Dayton.

MAID OF THE WEST. 1921. 5 reels.

Credits: Directors, Philo McCullough, C. R. Wallace; story, W. E.
Spencer.

MAID TO ORDER. (Star Comedy) 1923. 1 reel.

MAID TO ORDER. 1931. 1 reel, sd.

MAID TO ORDER. 1939. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story,
Charles Roberts, George Jeske; film editor, Les Millbrook.

MAID WANTED. (Star Comedy) 1918. 1 reel.

Credits: Directors, Lyons-Moran; story, Phil Le Noir; scenario,
Frank Howard Clark.

MAIDS A LA MODE. (Hal Roach Pitts-Todd Comedy) 1933. 2 reels, sd.,
b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MAIDS A-COURTING. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

MAIDS & MUSIC. (Nu-Atlas Musical) 1938. 1 reel.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Wilson;
orchestrations, Jack Schaindlin.

MAIDS AND MUSLIN. 1920. 2 reels.

Credits: Director, Noel M. Smith; story, Anthony W. Coldeway.

THE MAID'S NIGHT OUT. 1929. 1 reel, sd.

MAID'S NIGHT OUT. 1938. 7 reels, sd.

Credits: Producer, Robert Sisk; director, Ben Holmes; story,
Willoughby Speyers; screenplay, Bert Granet; editor, Ted Cheesman.

MAIL AND FEMALE. (Hal Roach Comedy) (Our Gang Comedy) 1937. 1 reel,
sd., b&w.

Credits: Director, Fred Newmeyer; film editor, William Ziegler.

MAIL AND FEMALE. (Broadway Brevity) 1937. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

THE MAIL PILOT. (Mickey Mouse, no. U. A. 13) 1933. 1 reel.

THE MAILMAN. Released by Film Booking Offices. 1923. 7 reels.

Credits: Director, Emory Johnson; story and adaptation, Emilie
Johnson.

THE MAIL MAN. (Fables, no. 395) 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

MAIMED IN THE HOSPITAL. Nestor. 1918. 1 reel.

Credits: Written and directed by Craig Hutchinson.

THE MAIN EVENT. De Mille Pictures Corp. 1927. 7 reels. From the story
"That Makes Us Even" by Paul Allison.

Credits: Director, William K. Howard; adaptation, Rochus Gliese;
film editor, Claude Berkeley.

THE MAIN EVENT. 1938. 6 reels, sd.

Credits: Director, Danny Dare; story, Harold Shumate; screenplay,
Lee Loeb.

MAIN 4400. Victor. 1916. 2 reels.

Credits: Producer, William Worthington; story, Willard Bradley;
scenario, Maie Havey.

MAIN 1-2-3. The Fay Tincher Comedy Co. Presented by World-Pictures. ©
1918.

Credits: Director, Al. Santell.

MAIN STREET. 1923. 9 reels. Adapted from the novel by Sinclair Lewis.

Credits: Director, Harry Beaumont; adaptation, Julien Josephson.

MAIN STREET. SEE I Married a Doctor.

MAIN STREET FOLLIES. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George
J. Bennett.

MAIN STREETS. (An E. M. Newman Traveltalk) 1933. 1 reel.

Credits: Editor, Bert Frank.

LES MAINS D'ORLAC. SEE Mad Love.

THE MAINSPRING. Red Feather. 1916. 5 reels.

Credits: Director, Jack Conway; story, Charles Agnew McLean;
scenario, William Parker.

THE MAINSPRING. Falcon Features. 1917. 4 reels. From the story by
Louis Joseph Vance.

Credits: Supervision, H. M. and E. D. Horkeimer; director, Henry
King.

THE MAINSPRING. SEE Lost at Sea.

MAISIE. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w.
From a book by Wilson Collison.

Credits: Producer, J. Walter Ruben; director, Edwin L. Marin;
screenplay, Mary C. McCall, Jr.; film editor, Frederick Y. Smith;
music score, Edward Ward.

LE MAITRE DE FORGES. SEE The Iron Master.

MAJESTIC CEYLON, AS SEEN BY DOCTOR DORSEY. Powers. 1916. 1/2 reel.

MAJOR BLUFF'S ADVENTURES. Nestor. 1916. 1/4 reel.

MAJOR BOWES AMATEUR PARADE. 1936. 1 reel each, sd. © RKO Radio
Pictures, Inc. (Biograph Pictures Corp., author);

1. © 1May36; LP6406.

2. © 5Jun36; LP6434.

3. © 3Jul36; LP6448.

4. © 19Jul36; LP6495.

5. © 31Aug36; MP6771.

6. © 2Oct36; LP6633.

MAJOR BOWES THEATRE OF THE AIR; Amateur Night. 1935. 2 reels each.

Series 1.

1. © 29Aug35; LP5771.

2. © 20Sep35; LP5809.

3. © 4Oct35; LP5870.

4. © 18Oct35; LP5871.

5. © 8Nov35; LP5982.

6. © 22Nov35; LP5983.

MAJOR DIFFICULTIES. 1938. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Louis Brock; story, George
Jeske, Jack Townley; film editor, Les Millbrook.

MAJOR GOOGLE. Released by Columbia Pictures Corporation. 1936. 753
ft., sd., color. From the King Features comic page by Billy De Beck.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art
Davis; music, Joe De Nat.

THE MAJOR LIED TILL DAWN. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin;
story, Richard Hogan; animation, Philip Monroe; music director, Carl
W. Stalling.

MAKE A MILLION. 1935. 7 reels, sd.

Credits: Director, Lewis D. Collins; original story, Emmett Anthony;
adaptation and screenplay, Charles Logue; editor, Jack Ogilvie.

MAKE BELIEVE REVUE. (Color Rhapsody) Presented by Columbia Pictures
Corp. 1935. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation,
Manny Gould, Harry Love; music, Joe De Nat.

THE MAKE-BELIEVE WIFE. Paramount. Presented by Adolph Zukor. 1918. 5
reels.

Credits: Director, John S. Robertson; story, Edward Childs
Carpenter; scenario, Adrian Gil-Spear.

MAKE BUYING PLEASANT. 1931. 1 reel.

MAKE IT SNAPPY. 1924. 2 reels.

Credits: Director, Charles Lamont.

MAKE IT SNAPPY. Snappy. 1929. 2 reels.

Credits: Director, Harry Edwards; story, T. Page Wright, Bill Weber.

MAKE ME A STAR. 1932. 9 reels, sd. From the novel "Merton of the
Movies" by Harry Leon Wilson, and the play by George S. Kaufman and
Marc Connelly.

Credits: Director, William Beaudine; screenplay, Sam Mintz, Walter
DeLeon, Arthur Kober.

MAKE OR BREAK. (Sport Pictorial, no. 15) 1921. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

MAKE UP YOUR MIND. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Walton Butterfield.

MAKE WAY FOR A LADY. 1936. 65 min., sd. From the novel "Daddy and I"
by Elizabeth Jordan.

Credits: Associate producer, Zion Myers; director, David Burton;
screenplay, Gertrude Purcell; editor, George Crone.

MAKE WAY FOR TOMORROW. Presented by Adolph Zukor. 1937. 10 reels, sd.
Based on a novel by Josephine Lawrence and a play by Helen and Nolan
Leary.

Credits: Producer and director, Leo McCarey; screenplay, Vina
Delmar; film editor, LeRoy Stone; original music, George Antheil;
music director, Boris Morros.

MAKE YOUR DEMONSTRATIONS AS IMPRESSIVE AS YOUR PRODUCTS. 1929. 1 reel.

MAKE YOUR EYES BEHAVE. Released through General Film. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

A MAKER OF GESTURES. SEE Too Many Kisses.

© Eclair Film Co., Inc. (Société Française des Films et
Cinematographs Éclair, author); title, descr. & 28 prints, 10Jun14;
LU2829.

MAKER OF MEN. 1931. 7 reels, sd.

Credits: Director, Edward Sedgwick; story, Howard J. Green, Edward
Sedgwick; screenplay, Howard J. Green; film editor, Gene Milford.

MAKERS OF MELODY. 1929. 2 reels.

Credits: Screen story and direction, S. Jay Kaufman.

MAKIN' EM MOVE. (Aesop Sound Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

MAKING A BOOK. 1931. 980 ft.

MAKING A CONVERT. 1914. 1 reel.

Credits: Epes Winthrop Sargent.

MAKING A MAN. 1922. 6 reels.

Credits: Director, Joseph Henabery; story, Peter B. Kyne.

MAKING A RUBBER TIRE. (Ford Educational Library. Industrial Geography
of the United States) Ford Motion Picture Laboratories. 1922. 1
reel.

MAKING A TABORET. 1929. 1 reel.

MAKING A U. S. SOLDIER. Powers. 1916.

MAKING AMERICA MUSICAL. 1932. 2 reels.

MAKING AN IMPRESSION. 1916. 1 reel.

Credits: Producer, Frank Currier.

MAKING FRIENDS. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks
Lokey.

MAKING GOOD. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

MAKING GOOD. 1931. 1 reel.

MAKING GOOD. (An Oswald Comedy) 1932. 1 reel.

Credits: Walter Lantz, Bill Nolan.

MAKING GOOD WITH GOOD HUMOR. 1937. For Good Humor Ice Cream Co.
Filmstrip, sd.

MAKING GOOD WITH HER FAMILY. 1914. 1 reel.

Credits: Producer, Harry Jackson.

MAKING MANHANDLERS. 1935. 1 reel, sd.

Credits: Producer, Jack Eaton.

MAKING MONEY IN YOUR OWN BUSINESS. 1936. For Goodrich. Filmstrip, sd.

MAKING MONKEY BUSINESS. Special Victor. 1917. 1 reel.

Credits: Tom Gibson; director, Allen Curtis.

MAKING MORE SALES FROM GOOD SERVICE. 1930. 1 reel.

THE MAKING OF A TOUPÉE. 1915. 1 reel.

THE MAKING OF BOB MASON'S WIFE. 1916. 1 reel.

Credits: Marie W. Fellner; director, Burton L. King.

THE MAKING OF CROOKS. 1915. 3 reels.

Credits: Director, William Robert Daly.

THE MAKING OF HIM. 1914. 2,000 ft.

THE MAKING OF HUNDRED-TON GUNS. 1917. 1 reel.

THE MAKING OF MADDALENA. 1916. 5 reels. From the story by Mary and
Samuel Lewis.

THE MAKING OF O'MALLEY. 1925. 8 reels.

Credits: Gerald Beaumont; supervision, Earl Hudson; director,
Lambert Hillyer.

THE MAKING OVER OF GEOFFREY MANNING. 1915. 4 reels.

Credits: Director, Harry Davenport.

MAKING ROOM FOR THE WHIPPET. 1928. 1 reel.

MAKING ROSA STYLISH. SEE The Apple.

MAKING STARS. (Betty Boop Cartoon) 1935. 1 reel.

Credits: Director, Dave Fleischer; animation, Edward Nolan, Herman
Cohen.

MAKING THE GRADE. 1929. 6 reels. Based on the story by George Ade.

Credits: Director, Alfred Green.

MAKING THE HEADLINES. 1938. 7 reels.

Credits: Director, Lewis D. Collins; story, Howard J. Green;
screenplay, Jefferson Parker, Howard J. Green.

MAKING THE LAST QUARTER COUNT. 1930. 1 reel.

MAKING THE ROUNDS. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story and
adaptation, James Mulhauser, Scott E. Cleethorpe; music, Abe Meyer;
editor, Francis Lyon.

MAKING THE VARSITY. Presented by Samuel Zierler. 1928. 6,400 ft.

Credits: Supervision, Burton King; director, Cliff Wheeler; story,
Elsie Werner, Bennett Southard; editor, Lee Anthony.

MAKING THE WILLYS SIX SPEAK FOR ITSELF. 1930. 1 reel.

MAKING THEM COUGH UP. 1914. Split reel.

MAKING WHOOPEE. (Tuxedo Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

MAL HALLETT AND HIS ENTERTAINING ORCHESTRA. 1929. 1 reel, sd.

MAL HALLETT AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Lloyd French.

MAL HALLETT AND HIS WAY DOWN EAST BAND. 1929. 1 reel, sd.

MALARIA. 1924. 3 reels.

Credits: Scenario, Samuel T. Darling, William B. Herms, E. H.
Kleinschmidt, Edward Stewart.

MALARIA AND THE MOSQUITO. 1922. 2,245 ft.

Credits: Planned and supervised by William B. Herms.

MALAY NIGHTS. Presented by George W. Weeks. 1932. 7 reels.

Credits: Supervision, Cliff Broughton; director, E. Mason Hopper;
story, Glenn Ellis; adaptation and dialogue, John Thomas Neville;
editor, Byron Robinson.

MALAYAN JUNGLES. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

MALAYAN MOTOR ROADS. (Paramount-Burton Holmes Travel Picture) 1920. 1
reel.

THE MALAYS OF SUMATRA. 1929. 1 reel.

Credits: Edited by the Dept. of Anthropology, Harvard University.

MALAYSIA. (Vagabond Adventure Series) 1932. 9 min.

MALE AND FEMALE. 1919. 9 reels. Founded on the play "The Admirable
Crichton" by J. M. Barrie.

Credits: Director, Cecil B. De Mille; adaptation, Jeanie MacPherson.

THE MALE MAN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

THE MALEFACTOR. SEE The Test of Honor.

MALIBU. SEE Sequoia.

MALLOY COMPEADOR. SEE The Scrapper.

THE MALTESE FALCON. 1931. 9 reels, sd. Based on the novel by Dashiell
Hammett.

Credits: Director, Roy Del Ruth; screenplay and dialogue, Maude
Fulton.

MAMA LOVES PAPA. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor,
Richard Currier.

MAMA LOVES PAPA. 1933. 7 reels, sd.

Credits: Director, Norman McLeod; story, Keene Thompson, Douglas
MacLean; screenplay, Nunnally Johnson, Arthur Kober.

MAMA RUNS WILD. 1938. 7 reels.

Credits: Associate producer and director, Ralph Staub; original
story, Gordon Kahn; screenplay, Gordon Kahn, Hal Yates; additional
dialogue, Paul Gerard Smith, Frank Rowan; film editor, Edward Mann;
music director, Alberto Colombo.

MAMA STEPS OUT. 1937. 8 reels, sd., b&w. From a play by John
Kirkpatrick.

Credits: Producer, John Emerson; director, George B. Seitz;
screenplay, Anita Loos; film editor, George Boemler; music score,
Edward Ward.

MAMAN. SEE The Magnificent Flirt.

MAMA'S AFFAIR. First National. 1921. 6 reels. From the play by Rachel
Barton Butler.

Credits: Director, Victor Fleming; adaptation, John Emerson, Anita
Loos.

MAMA'S BABY BOY. Presented by Samuel V. Grand. 1923. 2 reels.

Credits: Director, Archie Mayo.

MAMA'S COWPUNCHER. Century. 1921. 2 reels.

Credits: Written and directed by Alf T. Goulding.

MAMA'S LITTLE PIRATE. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2
reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

MAMA'S NEW HAT. (A Captain and the Kids Cartoon) Presented by
Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia. Based on the United
Features comic "The Captain and the Kids."

MAMBA. 1930. 9 reels, sd., color.

Credits: Director, Albert Rogell; story, F. Schumann-Heink, John
Reinhardt; continuity and dialogue, Tom Miranda, Winifred Dunn.

MAMMON AND THE ARCHER. Broadway Star Feature Co., Inc. 1918. 2 reels.

Credits: O. Henry [pseud. of William Sydney Porter]; director,
Kenneth Webb.

MAMMY. 1930. 84 min., sd., color. Story based on the play "Mr. Bones"
by Irving Berlin.

Credits: Director, Michael Curtiz; story and songs, Irving Berlin;
screenplay and dialogue, Gordon Rigby, Joseph Jackson.

MAMMY. Trailer. 1930. 1 reel, sd.

MAMMY'S BOY. SEE His Darker Self.

A MAN ABOUT TOWN. Presented by William Fox. 1927. 2 reels. Based on a
story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Eugene J. Forde;
scenario, Andrew Bennison, Frank Martin.

MAN ABOUT TOWN. 1932. 6,357 ft., sd. From the novel by Denison Clift.

Credits: Director, John Francis Dillon; screenplay, Leon Gordon;
editor, Frank Hull.

MAN ABOUT TOWN. 1939. 9 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, Mark Sandrich;
story, Morrie Ryskind, Allan Scott, Z. Myers; screenplay, Morrie
Ryskind; film editor, LeRoy Stone.

THE MAN ABOUT TOWN. SEE Frank X. Silk in The Man About Town.

THE MAN ACROSS THE STREET. Imp. 1916. 2 reels.

Credits: Scenario and production, Henry Otto; story, Robert Thomas.

A MAN AFRAID. 1915. 2 reels.

MAN AGAINST WOMAN. 1932. 7 reels, sd.

Credits: Director, Irving Cummings; story, Keene Thompson;
screenplay, Jo Swerling.

MAN AND BEAST. Butterfly. 1917. 5 reels.

Credits: Director, Henry McRae; scenario, Henry McRae, W. B.
Pearson.

MAN AND HIS ANGEL. 1916. 5 reels.

MAN AND HIS MASTER. 1915. 2 reels.

A MAN AND HIS MONEY. Rex. 1915. 1 reel.

Credits: Producer, Joseph De Grasse; scenario, Frances Willey, Ida
May Park.

A MAN AND HIS MONEY. Presented by Samuel Goldwyn. 1919. 5 reels. From
the story by Frederick S. Isham.

Credits: Director, Harry Beaumont.

Credits: Written and produced by Lem B. Parker.

MAN AND HIS SOUL. Quality Pictures Corp. 1916. 5 reels.

MAN AND MAID. Presented by Louis B. Mayer. 1925. 6 reels. From the
novel by Elinor Glyn.

Credits: Director, Victor Schertzinger; story, scenario, and
continuity, Elinor Glyn.

MAN AND MORALITY. Victor. 1916. 3 reels.

Credits: Written and produced by Harry C. Myers.

THE MAN AND THE DOLL. SEE L'Homme et la Poupée.

THE MAN AND THE MOMENT. Presented by Richard A. Rowland. 1929. 7
reels. From the story by Elinor Glyn.

Credits: Produced and directed by George Fitzmaurice; screen
version, Agnes Christine Johnston.

THE MAN AND THE MOMENT. Trailer. First National. 1929. 1 reel, sd.

THE MAN AND THE MOMENT. SEE Mad Hour.

THE MAN AND THE TEST. SEE The Lamb.

A MAN AND THE WOMAN. Art Drama. © 1917. An adaptation of the novel
"Nantas" by Émile Zola.

Credits: Adapted and directed by Alice Blaché.

MAN AND WIFE. 1923. 5 reels.

Credits: Director, John L. McCutcheon; story and adaptation, Leota
Morgan.

MAN BAIT. Presented by John C. Flinn. Released by Producers
Distributing Corp. 1926. 6 reels. From the play by Norman Houston.

Credits: Director, Donald Crisp; adaptation, Douglas Z. Doty.

THE MAN BEHIND THE CURTAIN. 1916. 5 reels.

Credits: Producer, and director, Courtlandt J. Van Deusen.

THE MAN BEHIND THE DOOR. 1914. 4 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

A MAN BETRAYED. 1936. 6 reels.

Credits: Producer, Nat Levine; director, John H. Auer; original
screenplay, Dorrell and Stuart McGowan.

MAN BITES LOVE BUG. 1937. 2 reels, sd.

Credits: Director, Del Lord; story, Al Giebler, Elwood Ullman.

THE MAN CALLED BACK. Quadruple Film Corp., Ltd. Presented by Tiffany
Productions, Inc. 1932. 8 reels. Adapted from the novel "Silent
Thunder" by Andrew Soutar.

Credits: Producer, Sam Bischoff; director, Robert Florey;
screenplay, continuity and dialogue, Robert Presnell.

MAN CRAZY. 1927. 6 reels. From the story "Clarissa and the Post Road"
by Grace Sartwell Mason.

Credits: Producers, Charles R. Rogers, John Francis Dillon;
adaptation and continuity, Perry Nathan.

A MAN FOR A' THAT. 1916. 2 reels. Reissue.

THE MAN FOUR-SQUARE. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, R. William Neill; story, William MacLeod Raine;
scenario, Charles Darnton.

THE MAN FROM ARGENTINE. Powers. 1915. 2 reels.

Credits: Harvey Gates; producer, Lynn Reynolds.

THE MAN FROM ARIZONA. 1932. 6 reels.

Credits: Producer, Trem Carr; director, Harry Frazer; story and
adaptation, Wellyn Totman.

MAN FROM BAR 20. SEE Partners of the Plains.

THE MAN FROM BEYOND. 1921. 7 reels.

Credits: Director, Burton King; original story, Harry Houdini;
adaptation, Coolidge Streeter.

THE MAN FROM BITTER ROOTS. 1916. For Fox Film Corp. 5 reels. From the
story by Caroline Lockhart.

Credits: Adapted and produced by Oscar C. Apfel.

THE MAN FROM BLANKLEYS. Warner Brothers Vitaphone. 1930. 8 reels. From
the play by F. Anstey [pseud. of Thomas Anstey Guthrie].

Credits: Director, Alfred E. Green; screenplay, Harvey Thew;
dialogue and titles, Joseph Jackson.

THE MAN FROM BLANKLEY'S. Trailer. 1930. 1 reel, sd.

THE MAN FROM BLANKLEY'S. SEE The Fourteenth Man.

THE MAN FROM BRODNEY'S. 1923. 8 reels. From the story by George Barr
McCutcheon.

Credits: Director, David Smith; adaptation, C. Graham Baker.

THE MAN FROM CHICAGO. 1931. 6 reels, sd. From the play by Reginald
Simpson.

Credits: Director, Walter Summers; adaptation, Walter Summers,
Walter Mycroft; film editor, Leslie Norman.

THE MAN FROM DOWNING STREET. 1922. 5 reels.

Credits: Director, Edward José; story, Clyde Westover, Lottie
Horner, Florine Williams; scenario, Bradley J. Smollen.

THE MAN FROM EGYPT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

THE MAN FROM EGYPT. 1920. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

THE MAN FROM FUNERAL RANGE. 1918. 5 reels. From the play "Broken
Threads" by W. E. Wilkes.

Credits: Director, Walter Edwards; screen adaptation, Monte M.
Katterjohn.

THE MAN FROM GUNTOWN. 1935. 6 reels, sd.

Credits: Producer, Nat Ross; direction, story, and continuity, Ford
Beebe; film editor, Robert Johns.

THE MAN FROM HELL'S EDGES. 1932. 6 reels.

Credits: Direction, story and adaptation, Robert N. Bradbury.

© Jesse L. Lasky Feature Play Co., Inc. (Booth Tarkington, Harry
Leon Wilson and Cecil B. De Mille, authors); title, descr. & 56
prints, 16Oct14; LU3538.

THE MAN FROM HOME. Presented by Jesse L. Lasky. 1914. 5 reels. From
the play by Booth Tarkington and Harry Leon Wilson.

Credits: Producer and director general, Cecil B. De Mille.

THE MAN FROM HOME. Paramount. 1922. 7 reels. From the play by Booth
Tarkington and Harry Leon Wilson.

Credits: Producer and director, George Fitzmaurice; scenario, Ouida
Bergere.

THE MAN FROM LONE MOUNTAIN. 1925. 5 reels.

Credits: Director, Ben Wilson; story, George W. Pyper.

THE MAN FROM LOST RIVER. 1921. 6 reels.

Credits: Director, Frank Lloyd; story, Katharine Newlin Burt;
scenario, Lambert Hillyer, Arthur F. Statter.

THE MAN FROM MEDICINE HAT. 1921. 5 reels. From the novel "The Manager
of the B. and A." by Vaughan Kester.

Credits: Director, J. P. McGowan.

THE MAN FROM MEXICO. SEE Let's Get Married.

THE MAN FROM MONTANA. Butterfly. 1917. 5 reels.

Credits: Director, George Marshall; story, George Marshall, Harvey
Gates.

THE MAN FROM MONTEREY. 1933. 57 min.

Credits: Producer, Leon Schlesinger; director, Mack V. Wright;
screenplay and dialogue, Lesley Mason.

MAN FROM MONTREAL. 1939. 7 reels.

Credits: Director, Christy Cabanne; original story, Ben Pivar;
screenplay, Owen Frances.

MAN FROM MUSIC MOUNTAIN. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane;
original story, Bernard McConville; screenplay, Betty Burbridge,
Luci Ward; film editor, Lester Orlebeck.

THE MAN FROM NOWHERE. Red Feather. 1916. 5 reels.

Credits: William H. Clifford; director, Henry Otto.

THE MAN FROM PAINTED POST. 1917. 5 reels.

Credits: Director, Joseph Henabery; story, Jackson Gregory;
scenario, Douglas Fairbanks.

THE MAN FROM RED GULCH. Presented by Hunt Stromberg. 1925. 6 reels.
From the story "The Idyl of Red Gulch" by Bret Harte.

Credits: Director, Edmund Mortimer; adaptation, Elliott J. Clawson.

THE MAN FROM SUNDOWN. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Paul Franklin;
film editor, William Lyon; music and lyrics, Bob Nolan, Ted Spencer;
music director, M. W. Stoloff.

THE MAN FROM TEXAS. 1915.

Credits: Director, Tom Mix.

THE MAN FROM TEXAS. 1939. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and
screenplay, Robert Emmett; film editor, Fred Bain.

THE MAN FROM THE DESERT. 1915. 3 reels.

Credits: Director, Ulysses Davis.

THE MAN FROM THE DESERT. SEE Desert Driven.

THE MAN FROM THE EAST. Released through General Film Co. 1914. 1 reel.

Credits: Written and directed by Tom Mix.

THE MAN FROM THE SEA. 1914. 2 reels. Adapted from a sketch by Paul
Dickey and Charles Goddard.

Credits: Adaptation, George W. Terwilliger.

THE MAN FROM THE WEST. 1913. 1 reel.

Credits: Frances M. Wright.

THE MAN FROM THE WEST. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Albert Rogell; story, Josephine Dodge; adaptation
and scenario, Harrison Jacobs.

THE MAN FROM TOWN. 1915. 1 reel.

THE MAN FROM UTAH. (Lone Star Western) 1934. 6 reels, sd.

Credits: Producer, Paul Malvern; director, Robert Bradbury; story
and screenplay, Lindsley Parsons; editor, Carl Pierson.

THE MAN FROM WYOMING. Universal Special. 1923. 5 reels. From the book
"Wyoming" by William McLeod Raine.

Credits: Director, Robert North Bradbury.

A MAN FROM WYOMING. 1930. 5,989 ft. From a story by Joseph Moncure
March and Lew Lipton.

Credits: Director, Rowland V. Lee; screenplay, John V. A. Weaver,
Albert Shelby LeVino.

THE MAN FROM YESTERDAY. 1932. 8 reels, sd. Based on a play by Nell
Blackwell and Rowland G. Edwards.

Credits: Director, Berthold Viertel; screenplay, Oliver H. P.
Garrett.

THE MAN-HATER. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

THE MAN HE MIGHT HAVE BEEN. 1913. Produced in cooperation with the
National Association of Manufacturers. 1 reel.

Credits: James Oppenheim.

THE MAN HE MIGHT HAVE BEEN. 1916. 1 reel.

Credits: Hettie Gray Baker; director, Burton L. King.

THE MAN HE USED TO BE. Broadway Star. 1916. 3 reels.

Credits: Producer, Eugene Mullin.

THE MAN HIGHER UP. 1929. 2 reels, sd., b&w.

Credits: Story, William De Mille.

THE MAN HUNT. 1916. 3 reels. From the novel by Arthur C. Train.

Credits: Director, Paul Scardon; adaptation, Joseph Gollomb.

Credits: Director, Travers Vale; story, Fred Jackson.

MAN HUNT. 1933. 7 reels, sd.

Credits: Producer, J. G. Bachmann; director, Irving Cummings; story
and screenplay, Sam Mintz, Leonard Praskins.

MAN HUNT. 1936. 7 reels, sd.

Credits: Director, William Clemens; original story, Earl Felton;
editor, Louis Hesse.

MAN HUNT. (An Oswald Cartoon) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele;
artists, Lester Kline, Ralph Somerville.

THE MAN HUNTER. 1919. 6 reels.

Credits: Story, scenario and direction, Frank Lloyd.

THE MAN HUNTER. Warner Brothers and Vitaphone. 1930. 6 reels, sd.

Credits: Director, Ross Lederman; original story, Lily Hayward;
screen adaptation and dialogue, James A. Starr.

THE MAN HUNTER. Trailer. 1930. 1 reel.

THE MAN HUNTERS. 1914. 1 reel.

THE MAN I KILLED. SEE Broken Lullaby.

THE MAN I LOVE. 1929. 7 reels, si., sd.

Credits: Director, William A. Wellman; story and dialogue, Herman J.
Mankiewicz; adaptation, Percy Heath.

THE MAN I MARRY. 1936. 8 reels, sd.

Credits: Producer, Val Paul; director, Ralph Murphy; original story,
M. Coates Webster; screenplay, Harry Clork; film editor, Bernard W.
Burton.

THE MAN IN BLACK. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

THE MAN IN BLUE. Jewel. 1925. 6 reels.

Credits: Director, Edward Laemmle; story, Gerald Beaumont; scenario,
E. Richard Schayer.

THE MAN IN BLUE. 1937. 7 reels, sd.

Credits: Associate producer and author of original story, Kubec
Glasmon; director, Milton Carruth; screenplay, Lester Cole; film
editor, Paul Landres; music director, Charles Previn.

THE MAN IN DRESS CLOTHES. SEE Evening Clothes.

THE MAN IN EVENING CLOTHES. SEE She Wolves.

THE MAN IN HIM. 1916. 2 reels.

THE MAN IN HOBBLES. 1928. 7 reels. Suggested by the story by Peter B.
Kyne.

Credits: Director, George Archainbaud; adaptation, John Francis
Natteford; titles, Frederic Hatton, Fanny Hatton; editor, Desmond
O'Brien.

THE MAN IN MOTLEY. 1915. 1 reel.

Credits: I. A. R. Wylie.

Credits: Producer, Ralph Dewsbury.

THE MAN IN POSSESSION. 1931. 9 reels, sd., b&w. From the play by H. M.
Harwood.

Credits: Producer, Sam Wood; screen adaptation, Sarah Y. Mason;
additional dialogue, Sarah Y. Mason, P. G. Wodehouse; film editor,
Ben Lewis.

THE MAN IN THE BARN. (An Historical Mystery) 1937. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, Morgan Coxe;
historical compilations, Charles E. Whittaker; narrator, Carey
Wilson.

THE MAN IN THE CHAIR. Imp. 1915. 2 reels.

Credits: Producer, Leon Kent; story, Hobart Henley; scenario, Harvey
Gates.

THE MAN IN THE DARK. 1914. 1 reel.

Credits: John H. Collins.

THE MAN IN THE IRON MASK. Presented by Edward Small. Released through
United Artists. 1939. 12 reels, sd. From the novel by Alexandre
Dumas.

Credits: Producer and director, James Whale; screenplay, George
Bruce; film editor, Grant Whytock; music, Lucien Moraweck; music
director, Lud Gluskin.

THE MAN IN THE IRON MASK. SEE The Iron Mask.

THE MAN IN THE MIRROR. Presented by Edward L. Alperson. 1937. 8 reels,
sd. From the novel by William Garrett.

Credits: Producer, Julius Hagen; director, Maurice Elvey; adaptation
and dialogue, F. McGrew Willis.

THE MAN IN THE MOONLIGHT. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elliott J. Clawson.

MAN IN THE ROUGH. 1928. 5 reels.

Credits: Director, Wallace Fox; original story, W. C. Tuttle;
screenplay, Frank Howard Clark.

THE MAN IN THE SADDLE. Universal-Jewel. 1926. 6 reels.

Credits: Director, Clifford S. Smith; story and scenario, Charles A.
Logue.

THE MAN IN THE SHADOW. David Hartford Productions. 1926. 5,632 ft.

Credits: Director, Bertram Bracken; story and adaptation, Frances
Nordstrom; editor, Walter L. Griffin.

Credits: Producer, Oscar Eagle.

THE MAN IN THE STREET. 1914. 3 reels. An adaptation from the novel by
Mary Imlay Taylor.

Credits: Director, Charles J. Brabin.

THE MAN IN THE TRUNK. (The Perils of the Secret Service, no. 5) Imp.
1917. 2 reels. Founded on the Yorke Norroy stories by George Bronson
Howard.

Credits: Director, George Bronson Howard.

THE MAN INSIDE. Broadway Universal. 1916. 5 reels. Adapted from the
novel.

Credits: Producer, J. S. Adolphi; adaptation, R. L. Schrock.

THE MAN LIFE PASSED BY. 1923. 7 reels.

Credits: Original story, Victor Schertzinger; screenplay, Winifred
Dunn.

MAN-MADE ISLAND. (A Columbia Tour) 1939. 1 reel, sd., color.

Credits: Associate producer, Hugh McCollum; narrative, Leonard
Zinberg, Peter Martin; narrator, Gayne Whitman; film editor, Arthur
Seid; photographer, Frank Good.

MAN-MADE WOMEN. 1928. For De Mille Pictures Corp. 6 reels.

Credits: Producer, Ralph Block; director, Paul L. Stein; story and
adaptation, Ernest Pascal; screenplay, Alice D. G. Miller; film
editor, Doane Harrison.

A MAN MUST LIVE. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1924. 6,116 ft. Based on "Jungle Law" by I. A. R. Wylie.

Credits: Director, Paul Sloane; screenplay, James Ashmore Creelman.

THE MAN NEXT DOOR. 1923. 7 reels. From the novel by Emerson Hough.

Credits: Director, Victor L. Schertzinger.

THE MAN NOBODY KNOWS. 1925. 6 reels. Based on the book by Bruce
Barton.

Credits: Produced and photographed by Erret LeRoy Kenepp; titles,
Bruce Barton; musical settings, Alexander Savine.

THE MAN OF A THOUSAND HITS. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery; continuity, A. Dorian Otvos.

A MAN OF ACTION. First National. 1923. 6 reels.

Credits: Director, James W. Horne; original story, Bradley King.

MAN OF ACTION. 1933. 6 reels, sd.

Credits: Director, George Melford; story, William Colt MacDonald;
screenplay, Robert Quigley; film editor, Otto Meyer.

A MAN OF ACTION. SEE

Rip Roarin' Roberts.

Walloping Wallace.

MAN OF AFFAIRS. 1936. 8 reels, sd. Adapted from the play "The Nelson
Touch" by Neil Grant. Released in England under the title "His
Lordship."

Credits: Director, Herbert Mason; screenplay, L. Du Garde Peach,
Edwin Greenwood; adaptation, Maude T. Howell; editor, M. Gordon;
music director, Louis Levy.

MAN OF ARAN. Gainsborough. 1934. 8 reels, sd.

Credits: Director, Robert Flaherty; editor and scenarist, John
Goldman; music score, John Greenwood; music director, Louis Levy.

MAN OF CONQUEST. 1939. 11 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, George
Nicholls, Jr.; original story, Harold Shumate, Wells Root;
screenplay, Wells Root, E. E. Paramore, Jr., Jan Fortune; film
editor, Edward Mann; music score, Victor Young.

THE MAN OF DESTINY. 1914. 1 reel.

Credits: Preston Kendall; director, Walter Edwin.

THE MAN OF GOD. 1915. 2,000 ft.

Credits: Written and produced by George W. Terwilliger.

A MAN OF HIS WORD. Falcon Features. 1917. 4 reels. From the play
"Jelf's" by Horace Annesley Vachell.

Credits: Adapted and produced by George L. Tucker.

A MAN OF IRON. 1925. 6 reels.

Credits: Director, Whitman Bennett; adaptation, Lawrence Marsten.

MAN OF IRON. First National Productions Corp. Presented by First
National Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels.

Credits: Director, William McGann; story, Dawn Powell; screenplay,
William Wister Haines.

MAN OF LETTERS. (Let George Do It Series) (Stern Brothers Comedy)
1927. 2 reels. From cartoons by George McManus.

Credits: Director, Samuel Newfield.

Credits: Director, William Duncan; story, Albert E. Smith, C. T.
Brady; scenario, Graham Baker.

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Motion pictures, 1912-1939Chapter I: MAFIOSI ALLA VICARIA DI PALERMO; or, REDEMPTION; or, MAFIOSI DI (1)

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