Chapter D: Mackenzie Big Game Hunting in British East Africa. © 1917 (16)

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Credits: Director, Roy Mack.

GEORGE JESSEL AND THE RUSSIAN ART CHOIR. 1931. 1 reel.

GEORGE JESSEL IN A COMEDY MONOLOGUE, COMEDY MONOLOGUE AND SOLO: AT
PEACE WITH THE WORLD. 1927. 1 reel, sd.

GEORGE JESSEL IN A COMEDY SKIT, ASSISTED BY MURIEL GRAY, GLADYS KECK
AND CHARLES CANFIELD. 1927. 1 reel.

GEORGE LEAVES HOME. (Let George Do It Series) (Stern Brothers Comedy)
1927. 2 reels.

Credits: Director, Francis Corby.

GEORGE LYONS, THE SINGING HARPIST [Offers] BELOVED [and others].
(Movietone Act) 1929. 1 reel.

GEORGE LYONS, THE SINGING HARPIST SINGING MOTHER OF MINE [and others].
(Metro Movietone Act) 1929. 1 reel.

GEORGE MEETS GEORGE. (A Stern Brothers Comedy) (Let George Do It
Series) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

GEORGE ROSENER IN THE FALLEN STAR. 1929. 1 reel, sd.

GEORGE RUNS WILD. (Stern Brothers Comedy) (Let George Do It Series)
1926. 2 reels.

Credits: Director, Scott Pembroke.

GEORGE STEPS OUT. (Stern Brothers Comedy) (Let George Do It Series)
1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

GEORGE THE WINNER. (Let George Do It Series) (Stern Brothers Comedy)
1926. 2 reels.

Credits: Director, Francis Corby.

GEORGE WASHINGTON COHEN. 1928. 6 reels. From the play "The Cherry
Tree" by Aaron Hoffman.

Credits: Director, George Archainbaud; adaptation, continuity and
titles, Isadore Bernstein.

GEORGE WASHINGTON, HIS LIFE AND TIMES. 1931. 4,030 ft.

GEORGE WASHINGTON JONES. 1914. 1 reel.

Credits: Director, Charles H. France.

GEORGE WASHINGTON, JR. 1923. 6 reels. From the play by George M.
Cohan.

Credits: Director, Mal St. Clair; adaptation, Rex Taylor.

GEORGE WASHINGTON'S RAILROAD. Sound Pictures, Inc. 1935. 7 reels, sd.

Credits: Director, William O. Hurst; historical research, H. O.
Bishop; narrator, Basil Ruysdael; music score, Nathaniel Shilkret.

GEORGE WHITE'S 1935 SCANDALS. 1935. 7,887 ft., sd.

Credits: Director, George White; screenplay, Jack Yellen, Patterson
McNutt; music, Louis de Francesco.

GEORGE WHITE'S SCANDALS. 1934. 7,200 ft., sd.

Credits: George White; story director, Thornton Freeland; additional
dialogue, Jack Yellen; music director, Louis de Francesco; musical
numbers director, Harry Lachman; film editor, Paul Weatherwax.

GEORGE WHITING AND SADIE BURT IN SONG SAYINGS. 1929. 1 reel.

GEORGES CARPENTIER IN NAUGHTY, BUT NICE. 1930. 1 reel, sd.

GEORGE'S FALSE ALARM. (A Stern Brothers Comedy) (Let George Do It
Series) 1928. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

GEORGE'S IN LOVE. (Stern Brothers Comedy) (Let George Do It Series)
1926. 2 reels.

Credits: Director, Francis Corby.

GEORGE'S MANY LOVES. (Stern Brothers Comedy) (Let George Do It Series)
1927. 2 reels.

Credits: Director, Scott Pembroke.

GEORGE'S SCHOOL DAZE. (A Stern Bros. Comedy) 1927. 2 reels. From the
cartoons by George McManus.

Credits: Director, Samuel Newfield.

GEORGIA TECH. (The Spirit of the Campus) Presented by E. W. Hammons.
1933. 828 ft., sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil.

GEORGIE PRICE IN DON'T GET NERVOUS. 1929. 1 reel.

GEORGIE PRICE IN WHAT PRICE GEORGIE. (Metro Movietone Act) 1930. 1
reel, sd.

GERALD CRANSTON'S LADY. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Emmett J. Flynn; story, Gilbert Frankau;
scenario, Edmund Goulding.

GERALDINE. 1929. 7 reels. From the story by Booth Tarkington.

Credits: Supervision, Paul Bern; director, Melville Brown;
adaptation, Corey Wilson; continuity, George Dromgold, Peggy Prior;
film editor, Barbara Hunter.

GERM MANIA. SEE Felix the Cat in Germ Mania.

THE GERM OF MYSTERY. 1916. 3 reels.

Credits: Director, William Robert Daly.

Credits: Illica and Baron Franchetti.

© Pathé Frères (Compagnie Générale des Établissements Pathé Frères,
Phonographes et Cinématographes, author); title, descr. & 174
prints, 29Oct13; LU1488.

GERMS AND MICROBES. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

GERTIE'S AWFUL FIX. 1916. 1 reel.

GERTIE'S BUSY DAY. 1916. 1 reel.

GERTIE'S GASOLINE GLIDE. 1916. 2 reels.

GERTIE'S JOY RIDE. L-Ko. 1915. 1 reel.

GERTRUDE LAWRENCE IN EARLY MOURNING. 1929. 1 reel.

Credits: Noel Coward; director, George W. Lane.

GERTRUDE LAWRENCE SINGING, I DON'T KNOW. 1928. 1 reel.

Credits: Director, Earl I. Sponable.

GESCHAFTE MIT AMERIKA. SEE Yes, Mr. Brown.

GESCHWISTER. SEE The Sisters (Geschwister).

GESTERN UND HEUTE. SEE Mädchen in Uniform.

GET ALL THE ADVANTAGES OF HIGH COMPRESSION. (Socony Screen Talks, no.
2) Presented by Standard Oil Company of New York. 1930. Filmstrip.
113 frames.

GET ALONG LITTLE HUBBY. 1934. 2 reels, sd.

Credits: Director, Raymond McCarey; story, Jack Cluett.

Credits: Supervision, F. Richard Jones; director. Fred Guiol;
titles, H. M. Walker.

GET RICH QUICK. 1935. 2 reels, sd.

Credits: Director, Ralph Staub; story and screenplay, Joe Traub.

GET RICH QUICK PEGGY. 1921. 2 reels.

Credits: Written and directed by Alf T. Goulding.

GET RICH QUICK WALLINGFORD. 1921. 7 reels. From the play by George M.
Cohan.

Credits: Director, Frank Borzage; scenario, Luther Reed.

GET SET FOR SERVICE. 1936. 1 reel, sd.

GET THAT MAN. Mayfair. Scott-Bennet. 1935. 7 reels, sd.

Credits: Director, Spencer-Gordon Bennet; story, Robert Bridgewood;
continuity and dialogue, Betty Burbridge.

© Standard Brands, Inc. (Standard Brands, Inc., employer for hire of
Russell W. Varney, author); title, descr. & 52 prints, 26Jan35;
MU5341.

GET YOUR MAN. 1921. 5 reels.

Credits: Directors, William K. Howard, George W. Hill; story, Alan
Sullivan; scenario, John Montague.

Credits: Director, George Jeske.

GET YOUR MAN. Presented by Adolph Zukor and Jesse L. Lasky. 1927.
5,718 ft. From the play by Louis Verneuil.

Credits: Director, Dorothy Arzner; adaptation, Hope Loring.

THE GETAWAY. Bison. 1917. 2 reels.

Credits: Alice McGowan, Harriet Bacher Bradner; director, George
Cochrane; scenario, Douglas Bronston.

Credits: Director, George B. Seitz; scenario, Frank Leon Smith.

THE GETAWAY KID. 1928. 2 reels.

Credits: Director, Bruce Mitchell; story, Thomas Malloy; continuity,
Basil Dickey.

GETTING A BREAK. Presented by Adolph Zukor and Jesse L. Lasky, 1930. 1
reel, sd.

Credits: Director, Monte Brice.

GETTING A PATIENT. 1913. 1 reel.

Credits: H. S. Miller.

GETTING A START IN LIFE. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, James Oliver Curwood.

GETTING A TICKET. Presented by Adolph Zukor and Jesse L. Lasky. 1930.
1 reel, sd.

Credits: Director, Morton Blumenstock.

GETTING ACQUAINTED. 1914. 1 reel.

Credits: Producer, Mack Sennett.

GETTING ACQUAINTED WITH BEES. 1917. 1 reel.

GETTING AN EYEFUL. Presented by E. W. Hammons. 1938. 1,567 ft., sd.

Credits: Producer, Al Christie; story, Billy K. Wells.

GETTING BUSTER'S GOAT. (Stern Bros. Comedy) 1929. 2 reels. From the
Buster Brown cartoons by R. F. Outcault.

Credits: Director, Gus Meins.

GETTING BY. 1916. 1 reel.

Credits: Producer, John Robertson.

GETTING GERTIE'S GARTER. (Success Series) 1927. 7 reels. From the play
by Avery Hopwood and Wilson Collison.

Credits: Director, E. Mason Hopper.

GETTING GERTIE'S GARTER. SEE A Night of the Garter.

GETTING HIS GOAT. Imp. 1915. 1 reel.

Credits: Bernard P. Arons; producer, Jack Harvey.

GETTING HITCHED. (A McDougall Alley Comedy) 1926. 2 reels.

GETTING INTO A SCRAPE. 1915. Split reel.

GETTING MARY MARRIED. 1919. 5 reels.

Credits: Director, Allan Dwan; story, John Emerson, Anita Loos.

GETTING OFF TO A GOOD START. 1937. For the Charis Corp., 1 reel, sd.

GETTING ON THE GREEN. (Farrell Golf Series, no. 6) 1931. 1 reel.

Credits: Producer, Terry Ramsaye; director, Clyde Elliot.

GETTING RID OF AUNT KATE. 1915. 1 reel.

Credits: Director, C. Jay Williams.

GETTING RID OF NEPHEW. 1915. Split reel.

GETTING THE AIR. 1930. 2 reels.

Credits: Director, Gus Meins; story, T. Page Wright, Bill Weber.

Credits: Russell Taylor, William Louis, Horace G. Plimpton, James O.
Walsh, Rex Taylor.

GETTING THE GOODS ON GERTIE. 1916. 1 reel.

GETTING THE NAME ON THE LINE. 1937. For the Plymouth Division of
Chrysler Corp. Filmstrip, 101 frames, sd.

GETTING THE SACK. 1914. 1 reel.

GETTING TO THE BALL GAME. 1914. 1 reel.

Credits: Director, Charles H. France.

GETTING TOGETHER. (A Grantland Rice Sportlight) Presented by Amédée J.
Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

GETTING TRIMMED. Century. 1925. 2 reels.

Credits: Written and directed by Edward I. Luddy.

GEYSERS OF THE YELLOWSTONE. 1936. 1 reel, sd.

THE GHETTO. 1928. 7 reels, sd.

Credits: Director, Norman Taurog; original story, Viola Brothers
Shore; continuity, Isadore Bernstein; editor, Desmond O'Brien.

GHOSKS IN THE BUNK. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, William Henning, Abner
Matthews.

© Jesse L. Lasky Feature Play Co., Inc. (James Montgomery and Cecil
B. De Mille, authors); title, descr. & 34 prints, 20Nov14; LU3795.

THE GHOST BREAKER. 1922. 5 reels. From the play by Paul Dickey and
Charles W. Goddard.

Credits: Director, Alfred E. Green; adaptation, Jack Cunningham.

THE GHOST CITY. 1923-24. 2 reels each. © Universal Pictures Corp.

Credits: Director, Jay Marchant; story and scenario, Karl Coolidge,
George Pyper.

1. The Thundering Herd. © 9Nov23; LP19601.

2. The Bulldogger. © 9Nov23; LP19602.

3. The Maelstrom. © 22Nov23; LP19636.

4. The Water Trap. © 14Dec23; LP19723.

5. Foiling the Rustler. © 14Dec23; LP19727.

6. Death's Spectre. © 21Dec23; LP19741.

7. Stolen Gold. © 27Dec23; LP19779.

8. The Midnight Intruder. © 4Jan24; LP19792.

9. Talons of the Night. © 9Jan24; LP19818.

10. The Frame-up. © 18Jan24; LP19841.

11. Ambushed. © 24Jan24; LP19856.

12. The Betrayal. © 1Feb24; LP19884.

13. Man to Man. © 8Feb24; LP19906.

14. Flames of Vengeance. © 15Feb24; LP19912.

15. Face to Face. © 27Feb24; LP19958.

THE GHOST GIRL. 1919. 2 reels.

Credits: Story, Patricia Foulds; scenario, Charles J. Wilson, Jr.

THE GHOST GOES WEST. Released through United Artists. 1936. 10 reels,
sd. Based on a story by Eric Keown.

Credits: Producer, Alexander Korda; director, René Clair; filmplay,
Robert E. Sherwood; scenario, Geoffrey Kerr.

THE GHOST HOUSE. 1917. 5 reels.

Credits: Director, William C. De Mille; story, Beulah Marie Dix.

THE GHOST IN THE GARRET. 1920. 5 reels.

Credits: Director, F. Richard Jones; story, Wells Hastings;
scenario, Fred Chaston.

THE GHOST OF A CHANCE. Rolma Films, Inc. 1916. 1 reel.

Credits: Edwin Redway.

A GHOST OF A CHANCE. 1919. 2 reels. From the story by O. Henry [pseud.
of William Sydney Porter].

Credits: Director, Kenneth Webb; scenario, George H. Plympton.

THE GHOST OF GRANLEIGH. 1913. 1 reel.

Credits: Bannister Merwin.

THE GHOST OF JOHN HOLLING. SEE Mystery Liner.

THE GHOST OF OLD MORRO. 1917. 5 reels.

Credits: Director, Richard Ridgely; story, James Oppenheim.

THE GHOST OF THE JUNGLE. Bison. 1916. 2 reels.

Credits: Allen Watt, Rex de Rosselli; producer, Jay Hunt.

THE GHOST OF THE MANOR. SEE The Shadow Strikes.

Credits: Jack Cunningham; director, William Worthington; story,
Arthur Henry Gooden.

THE GHOST OF THE TWISTED OAKS. 1915. 3 reels.

Credits: Producer, Sidney Olcott.

GHOST PARADE. 1931. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A.
Waldron, Earle Rodney, Harry McCoy.

THE GHOST PATROL. 1923. 5 reels. Based on the short story by Sinclair
Lewis.

Credits: Director, Nat Ross; scenario, Raymond L. Schrock.

THE GHOST SPEAKS. 1937. For Bohn Refrigerator Co. Filmstrip. 60
frames, sd.

THE GHOST TALKS. 1928. 9 reels. From the play "Badges" by Max Marcin
and Edward Hammond.

Credits: Director, Lew Seiler; adaptation and continuity, Frederick
Hazlitt Brennan, Harlan Thompson.

THE GHOST TO GHOST HOOK-UP. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, Cyrus
Wood.

GHOST TOWN FROLICS. (Walter Lantz Cartoon) 1938. 1 reel, sd.

Credits: Director, Lester Kline; story, Victor McLeod.

GHOST-TOWN GOLD. 1936. 6 reels. Based on the book by William Colt
MacDonald.

Credits: Producer, Nat Levine; supervision, William Berke; director,
Joseph Kane; original story, Bernard McConville; screenplay, John
Rathmell, Oliver Drake.

GHOST TOWN RIDERS. 1938. 6 reels, sd.

Credits: Producer, Trem Carr; director, George Waggner; original
story and screenplay, Joseph West.

GHOST VALLEY. 1932. 6 reels, sd.

Credits: Associate producer, Harry Joe Brown; director, Fred Allen;
story and screenplay, Adele Buffington; film editor, William
Clemens.

THE GHOST WAGON. Bison. 1915. 3 reels.

Credits: Producer, Jos. Franz; scenario, Bess Meredyth.

THE GHOST WALKS. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue,
Charles S. Belden.

GHOSTS; or, WHO'S AFRAID. 1913. 1 reel.

Credits: Director, W. J. Bauman.

GHOSTS. 1929. 1 reel.

Credits: Director, Lester Bangsberg.

GHOSTS AND FLY PAPER. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE GHOSTS OF YESTERDAY. 1917. 6 reels. From the play "Two Women" by
Rupert Hughes.

Credits: Director, Charles Miller; adaptation, Mildred Considene.

A GIANT IN FAIRYLAND. 1924. 1 reel.

THE GIANT KILLER. (A Dinky Doodle Cartoon) 1924. 1 reel.

Credits: Written and directed by Walter Lantz.

THE GIANT OF NORWAY. (John Nesbitt's Passing Parade) Presented by
Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; screenplay, Doane Hoag; film editor,
Mildred Rich; music score, David Snell.

GIANT POWDER. Bison. 1916. 2 reels.

Credits: Maxwell Ryder; director, Henry McRae.

GIANTLAND. (Walt Disney's Mickey Mouse) 1933. 1 reel.

GIANTS OF THE AMERICAN FORREST. Powers. 1917. 1 reel.

Credits: Arranged by Lynn F. Reynolds.

GIANTS OF THE NORTH. (Bray's Naturgraphs) 1933. 7 min.

Credits: Francis McGlynn.

GIBRALTAR. (Vagabond Adventure Series) (Van Beuren Travelogue) RKO.
1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

GID-AP NAPOLEON. 1921. 2 reels.

Credits: Director, Mark Goldaine; story, Kingsley Benedict.

THE GIDDY AGE. 1932. 21 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A.
Waldron, Earle Rodney, Harry McCoy, Felix Adler.

GIDDY, GAY AND TICKLISH. 1915. 1 reel.

Credits: Producer, Mack Sennett.

GIDDY GOBBLERS. 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story, Hal Conklin.

GIERSDORF SISTERS. 1929. 1 reel.

THE GIFT GIRL. 1917. 5 reels. Story suggested by the play of the same
name.

Credits: Director, Rupert Julian; story, H. R. Durant; scenario, E.
J. Clawson.

GIFT O' GAB. 1917. 65 min. Adapted from Ainslee's Magazine.

Credits: Director, W. S. Van Dyke; adaptation, H. Tipton Steck.

GIFT OF GAB. 1934. 7 reels, sd.

Credits: Director, Karl Freund; original story, Jerry Wald, Philip
G. Epstein; screenplay, Rian James; adaptation, Lou Breslow.

THE GIFT OF LIFE. 1920. 4 reels.

THE GIFT OF THE FAIRIES. Rex. 1917. 1 reel.

THE GIFT OF THE MAGI. 1917. 2 reels. From a story by O. Henry [pseud.
of William Sydney Porter].

Credits: Director, Brinsley Shaw; adaptation, Katharine Reed.

THE GIFT SUPREME. Republic Pictures. © 1920. Adapted from the book by
George Allen England.

Credits: Director, Ollie L. Sellers.

GIFTS FROM THE AIR. (A Color Rhapsody) (Scrappy) Released by Columbia
Pictures Corp. 1936. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation,
Manny Gould; music, Joe De Nat.

GIFTS IN RHYTHM. (A Song Hit) Educational Films Corp. of America.
Presented by E. W. Hammons. 1936. 898 ft., sd.

Credits: Producer, Al Christie; story, Art Jarrett.

GIGGLE WATER. (Mr. Average Man Comedies) 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story and direction, Harry Sweet;
film editor, Fred Maguire.

GIGOLETTE. 1935. 7 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Gordon
Kahn; editor, William Thompson; music score, John Rochetti; music
and lyrics, Charles Williams, Marcy Klauber.

GIGOLETTES. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, William Goodrich; story,
Beatrice Van; film editor, Fred Maguire.

GIGOLO. De Mille Pictures Corp. Released by Producers Distributing
Corp. 1926. 7 reels. From the story by Edna Ferber.

Credits: Supervision, C. Gardner Sullivan; director, William K.
Howard; adaptation, Garrett Fort, Marion Orth.

GILBERT AND SULLIVAN, MALE ENSEMBLE. 1929. 1 reel, sd., amber.

GILBERT WELLS IN A BREEZE FROM THE SOUTH. 1928. 1 reel, sd.

THE GILDED BUTTERFLY. 1926. 6 reels, b&w, tinted sequences.

Credits: Director, John Griffith Wray; story, Evelyn Campbell;
scenario, Bradley King.

THE GILDED CAGE. 1915. 1 reel.

Credits: Edward T. Lowe, Jr.

THE GILDED CAGE. Peerless. Presented by William A. Brady in
association with World Pictures. © 1916. 71 min. Title changed from
"Her Majesty."

Credits: Director, Harley Knoles; story, J. I. C. Clarke; scenario,
Frances Marion.

THE GILDED DREAM. 1920. 5 reels.

Credits: Producer, Rollin Sturgeon; story, Lorne H. Fontaine, Lester
Robbins; scenario, Doris Schroeder.

A GILDED FOOL. 1915. For William Fox Vaudeville Co. 5 reels. Adapted
from the novel by Henry Guy Carlton.

Credits: Adapted and picturized by Edgar Lewis.

THE GILDED HIGHWAY. 1926. 7 reels. From the novel "A Little More" by
W. B. Maxwell.

Credits: Producer and director, J. Stuart Blackton; adaptation,
Marian Constance.

THE GILDED KIDD. 1914. 2 reels.

Credits: Mark Swan; director, C. Jay Williams.

GILDED LIES. 1921. 5 reels.

Credits: John Lynch; director, William P. S. Earle; scenario, R.
Cecil Smiths.

THE GILDED LIFE. Special Rex. 1916. 1 reel.

Credits: Directors, Lois Weber, Phillips Smalley.

THE GILDED LILY. Paramount. Presented by Adolph Zukor. 1921. 6 reels.

Credits: Clara Beranger; producer and director, Robert Z. Leonard.

THE GILDED LILY. Presented by Adolph Zukor. 1935. 9 reels, sd.

Credits: Producer, Albert Lewis; director, Wesley Ruggles; story,
Melville Baker, Jack Kirkland; screenplay, Claude Binyon; music,
Arthur Johnston; lyrics, Sam Coslow.

THE GILDED SPIDER. 1916. 5 reels. Title changed from "The Full Cup."

Credits: Producer, Jos. De Grasse; story, Ida May Park.

GILDED YOUTH. Laemmle. 1915. 3 reels.

Credits: Written and produced by Rupert Julian.

GILDING THE LILY. (A Pete Smith Specialty) 1937. 1 reel, sd.

Credits: Director, David Miller.

GIMME. 1923. 6 reels.

Credits: Director, Rupert Hughes.

GIMME MY QUARTERBACK. Educational Pictures. Presented by E. W.
Hammons. 1934. 792 ft., sd.

Credits: Producer and director, Jack Hays; film editor, Tom Persons;
musical director, David Broekman.

GIMME STRENGTH. (Jimmie Adams Comedies) Educational. 1926. 2 reels.

Credits: Sig Herzig; director, Harold Beaudine.

GINGER. 1935. 7,100 ft., sd.

Credits: Director, Lewis Seiler; story and screenplay, Arthur Kober;
music director, Samuel Kaylin.

Credits: Producer, John L. Hawkinson.

THE GINGER BREAD BOY. (An Oswald Comedy) Snappy. 1934. 1 reel.

GINGER FACE. Century. 1922. 2 reels.

Credits: Written and directed by Jimmy Adams.

GINGER SNAPS. (Big Boy Juvenile Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

Credits: Director, Burton George; scenario, Raymond Schrock.

GINGER'S REIGN. 1914. 1 reel.

Credits: Director, Burton King.

THE GINGHAM GIRL. 1920. 2 reels.

Credits: Director, James Davis.

THE GINGHAM GIRL. 1927. 7 reels. From the play by Daniel Kusell.

Credits: Director, David Kirkland; adaptation, David Kirkland, Rex
Taylor; continuity, Ewart Adamson.

GINSBERG THE GREAT. 1927. 6 reels.

Credits: Director, Byron Haskin; story and scenario, Anthony
Coldewey.

LA GIOCONDA. SEE The Devil's Daughter.

GIOVANNI MARTINELLI. 1930. 1 reel.

GIOVANNI MARTINELLI, ASSISTED BY JEANNE GORDON IN SELECTIONS FROM
CARMEN. 1927. 1 reel, sd.

GIOVANNI MARTINELLI IN THE PRISON SCENE FROM GOUNOD'S FAUST. 1930. 1
reel, sd.

GIOVANNI MARTINELLI IN THE SHIP'S CONCERT. (Martinelli, no. 1) 1931. 1
reel, sd.

GIOVANNI MARTINELLI SINGING ARIAS FROM VERDI'S IL TROVATORE, ASSISTED
BY LIVIA MARRACCI. 1930. 1 reel, sd.

GIOVANNI MARTINELLI SINGING CELESTE AIDA BY GIUSEPPE VERDI. 1930. 1
reel, sd.

GIOVANNI MARTINELLI SINGING M'APPARI FROM MARTHA, ASSISTED BY LIVIA
MARRACCI. 1929. 1 reel, sd.

GIOVANNI MARTINELLI, TENOR, ASSISTED BY LOUIS D'ANGELO, BASS, OF THE
METROPOLITAN OPERA COMPANY IN A DUET FROM ACT IV OF THE OPERA LA
JUIVE. 1927. 1 reel.

GIOVANNI MARTINELLI, TENOR OF THE METROPOLITAN OPERA COMPANY, SINGING
VA PRONONCER LA MORT FROM ACT 4 OF THE OPERA, LA JUIVE. 1927. 1
reel.

GIOVANNI MARTINELLI, TENOR OF THE METROPOLITAN OPERA, IN CELESTE AÏDA,
FROM THE OPERA AÏDA, BY VERDI. 1927. 1 reel, sd.

GIOVANNI MARTINELLI, TENOR, SINGS VESTI LA GIUBBA FROM THE OPERA I
PAGLIACCI, BY LEONCAVALLO. 1927. 1 reel, sd.

GIPSY BLOOD. 1921. 72 min. Based on "Carmen" by Prosper Mérimée.

Credits: Director, Ernst Lubitsch.

THE GIRL AND THE CRISIS. Red Feather. 1917. 5 reels.

Credits: Written and directed by William V. Mong.

THE GIRL AND THE GAMBLER. 1939. 7 reels, sd. From the David Belasco
production "The Dove" by Willard Mack which was based on the story
"The Blue Ribbon" by Gerald Beaumont.

Credits: Producer, Cliff Reid; director, Lew Landers; screenplay,
Joseph A. Fields, Clarence Upson Young; editor, Desmond Marquette;
music director, Roy Webb.

THE GIRL AND THE GRAFT. 1918. 2 reels. From a story by O. Henry
[pseud. of William Sydney Porter].

Credits: Director, William P. S. Earle; adaptation, Stanley Olmsted.

Credits: Producer, Lem B. Parker.

THE GIRL AND THE MAIL BAG. 1915. 1 reel. From the story by Cornelius
Shea.

Credits: Producer, Tom Mix.

THE GIRL AND THE MATINEE IDOL. 1915. 1 reel.

THE GIRL AND THE MISER. 1914. 1 reel.

THE GIRL AND THE OUTLAW. 1913. 1 reel.

Credits: Frank McGlynn.

THE GIRL AND THE REPORTER. 1915. 2 reels.

Credits: Director, Thomas Santschi.

A GIRL AT BAY. 1919. 5 reels.

Credits: Director, Tom Mills; story, Joseph Gollomb; scenario,
Katharine S. Reed.

THE GIRL AT HIS SIDE. 1914. 1 reel.

Credits: Producer, Oscar Eagle.

THE GIRL AT HOME. 1917. 5 reels.

Credits: Director, Marshall Neilan; story, George Middleton;
scenario, Beulah Marie Dix.

THE GIRL AT NOLAN'S. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE GIRL AT THE CURTAIN. 1916. 2 reels.

THE GIRL AT THE IRONING BOARD. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger.

THE GIRL AT THE LUNCH COUNTER. 1913. 1 reel.

Credits: Director, George D. Baker.

THE GIRL BEHIND THE BARRIER. 1914. 1 reel.

Credits: Producer, Edward J. LeSaint.

THE GIRL BY THE ROADSIDE. 1917. 5 reels. From the novel by Varick
Vanardy [pseud. of Frederic Van Rensselaer Dey].

Credits: Director, Theodore Marston; scenario, John C. Brownell.

GIRL CRAZY. (Educational-Mack Sennett Talking Comedy) 1929. 20 min.,
sd.

Credits: Director, Mack Sennett.

GIRL CRAZY. 1932. 8 reels. From the musical comedy by John McGowan and
Guy Bolton; music by George and Ira Gershwin.

Credits: Producer, William LeBaron; director, William A. Seiter;
screenplay, Tim Whelan; adaptation, Herman J. Mankiewicz; additional
dialogue, Edward Welch; film editor, Artie Roberts.

THE GIRL DETECTIVE. 1916. 1 reel.

Credits: Director, Burton L. King.

THE GIRL DODGER. Paramount. Presented by Thomas H. Ince. 1919. 5
reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Storm; story,
J. G. Hawks.

THE GIRL DOWNSTAIRS. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels,
sd., b&w. From a short story by Sandor Hunyady.

Credits: Producer, Harry Rapf; director, Norman Taurog; screenplay,
Harold Goldman, Felix Jackson, Karl Noti; film editor, Elmo Veron;
music score, William Axt.

THE GIRL FRIEND. 1935. 7 reels, sd.

Credits: Director, Edward N. Buzzell; story, Gene Towne, Graham
Baker; screenplay, Gertrude Purcell, Benny Rubin; film editor, John
Rawlins.

Credits: Hugo von Hofmannsthal; translated by M. Steele.

THE GIRL FROM BEYOND. 1918. 5 reels.

Credits: Director, William Wolbert; story, Cyrus Townsend Brady;
picturized by Donald I. Buchanan.

Credits: Director, L. B. McGill; story, Lois Zellner.

THE GIRL FROM CALGARY. 1932. 7 reels, sd.

Credits: Producer, I. E. Chadwick; directors, Phil Whitman, Leon
D'Usseau; story, Leon D'Usseau, Sig Schlager; continuity and
dialogue, Lee Chadwick.

THE GIRL FROM CHICAGO. 1927. 7 reels. Adapted from the story "Business
is Best" Arthur Somers Roche.

Credits: Director, Ray Enright; scenario, C. Graham Baker.

THE GIRL FROM EVERYWHERE. 1927. 2 reels.

Credits: Director, Eddie Cline; story, Harry McCoy, Vernon Smith.

THE GIRL FROM GAY PAREE. 1927. 6 reels.

Credits: Director, Phil Stone; story, Violet Clark.

THE GIRL FROM GOD'S COUNTRY. Released by The F. B. Warren Corp. 1921.
7 reels.

Credits: Directors, Nell Shipman, Bert Van Tuyle; story, Nell
Shipman.

THE GIRL FROM HAVANA. 1929. 5,975 ft.

Credits: Director, Benjamin Stoloff; story, John Stone; editor, Paul
Weatherwax.

THE GIRL FROM MANDALAY. 1936. 7 reels, sd. From the book "Tiger
Valley" by Reginald Campbell.

Credits: Producer, Nat Levine; supervision, Victor Zobel; director,
Howard Bretherton; screenplay, Wellyn Totman, Endre Bohem; film
editor, Ray Curtiss; music supervision, Harry Grey.

THE GIRL FROM MAXIM'S. © 1912. From the comedy by Georges León Jules
Marie Feydeau.

THE GIRL FROM MEXICO. 1939. 71 min., sd.

Credits: Producer, Robert Sisk; director, Leslie Goodwins; story,
Lionel Houser; screenplay, Lionel Houser, Joseph A. Fields; editor,
Desmond Marquette; music director, Roy Webb.

THE GIRL FROM MISSOURI. 1934. 8 reels, sd., b&w.

Credits: Producer, Bernard H. Hyman; director, Jack Conway; original
screenplay, Anita Loos, John Emerson; film editor, Tom Held; music
score, William Axt.

THE GIRL FROM MOBILE. SEE Amazing Mazie.

THE GIRL FROM MONTMARTRE. Sawyer-Lubin. Presented by Associated
Holding Corp. 1926. 8 reels. Adapted from the novel "Spanish
Sunlight" by Anthony Pryde [pseud. of Agnes Russell Weekes].

Credits: Director, Alfred E. Green; continuity, Eve Unsell.

Credits: Written and directed by Bess Meredyth and Wilfred Lucas.

THE GIRL FROM NOWHERE. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Bradley King; director, George Archainbaud; scenario, Sarah
Y. Mason.

THE GIRL FROM NOWHERE. 1928. 2 reels.

Credits: Director, Harry Edwards; story, Ewart Adamson, Jefferson
Moffitt.

THE GIRL FROM OUT YONDER. SEE Out Yonder.

THE GIRL FROM OUTSIDE. 1919. 7 reels. From the story "The Wag Lady" by
Rex Beach.

Credits: Director, Reginald Barker.

THE GIRL FROM PARADISE. Presented by E. W. Hammons. 1934. 1,970 ft.,
sd.

Credits: Producer, Al Christie; story, music and lyrics, Charlie
Williams, Marcy Klauber.

THE GIRL FROM PORCUPINE. 1921. 6 reels.

Credits: Director, Dell Henderson; scenario, James Oliver Curwood.

THE GIRL FROM PROSPERITY. 1914. 2 reels.

Credits: Director, Ralph Ince.

THE GIRL FROM RIO. 1927. 6 reels.

Credits: Supervision, Sam Bischoff; direction and adaptation, Tom
Terriss; story, Norman Kellogg; continuity, Pauline Forney.

GIRL FROM RIO. 1939. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; original
screenplay, Milton Raison, John T. Neville; film editor, Russell
Schoengarth.

THE GIRL FROM SCOTLAND YARD. 1937. 7 reels, sd.

Credits: Producer, Emanuel Cohen; director, Robert Vignola; story,
Coningsby Dawson; screenplay, Doris Anderson, Dore Schary.

THE GIRL FROM 10TH AVENUE. First National Productions Corp. Presented
by First National Productions Corp. and The Vitaphone Corp. 1935. 7
reels, sd. From a play by Hubert Henry Davies.

Credits: Director, Alfred E. Green; adaptation and screenplay,
Charles Kenyon.

THE GIRL FROM THE COUNTRY. (Screen Hits of Yesteryear) 1934. 1 reel,
sd.

THE GIRL FROM THE EAST. SEE The Heart of the Hills.

THE GIRL FROM WOOLWORTH'S. Presented by Richard A. Rowland. 1929. 7
reels.

Credits: Adele Comandini; director, William Beaudine.

THE GIRL FROM WOOLWORTH'S. Trailer. 1929. 1 reel, sd.

THE GIRL GOD MADE FOR JONES. 1916. 33 min.

Credits: H. Tipton Steck; director, Richard Foster Baker.

GIRL GRIEF. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels,
sd.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor,
Richard Currier.

THE GIRL HABIT. 1931. 8 reels, sd. Based on a play by A. E. Thomas and
Clayton Hamilton.

Credits: Director, Edward Cline; screenplay, Owen Davis, Gertrude
Purcell.

THE GIRL HATER. 1915. 1 reel.

THE GIRL HATER. 1924. 1 reel.

Credits: Director, Wm. H. Watson.

THE GIRL HE BROUGHT HOME. 1915. 1 reel.

THE GIRL I LEFT BEHIND ME. 1915. 5 reels. Adapted from the play by
David Belasco.

THE GIRL I LOVED. Released by United Artists Corp. 1923. 8 reels. From
the poem by James Whitcomb Riley.

Credits: Director, Joseph de Grasse; adaptation, Albert Ray;
continuity, Harry L. Decker.

A GIRL IN BOHEMIA. 1919. 5 reels.

Credits: Director, Howard M. Mitchell; story, H. B. Daniel;
scenario, Denison Clift.

GIRL IN DANGER. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold
Shumate; film editor, Otto Meyer.

A GIRL IN EVERY PORT. 1928. 6 reels.

Credits: Written and directed by Howard Hawks; scenario, Seton I.
Miller.

THE GIRL IN 419. 1933. 7 reels, sd.

Credits: Producer, B. P. Schulberg; directors, Alexander Hall,
George Somnes; story, Jules Furthman; screenplay, P. J. Wolfson,
Allen Rivkin, Manuel Seff; adaptation, J. P. Wolfson, Allen Rivkin.

THE GIRL IN HIS HOUSE. 1918. 5 reels. From the story by Harold
MacGrath.

Credits: Director, Thomas R. Mills; scenario, Katharine Reed.

THE GIRL IN HIS ROOM. 1922. 5 reels. Title changed from "Locked Out."

Credits: Director, Edward José; story, J. Raleigh Davies; scenario,
C. Graham Baker.

THE GIRL IN LOWER 9. Big U. 1916. 1 reel.

Credits: William B. Mong; producers, Cleo Madison, William V. Mong.

THE GIRL IN NO. 29. 1920. 5 reels.

Credits: Director, Jack Ford; story, Elizabeth Jordan; scenario,
Philip J. Hurn.

THE GIRL IN THE CASE. 1914. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE GIRL IN THE CHECKERED COAT. 1917. 5 reels.

Credits: Director, Joseph de Grasse; story, E. M. Ingleton;
scenario, Ida May Park.

THE GIRL IN THE DARK. 1918. 5 reels.

Credits: Charles Edmund Walk; director, Stuart Paton.

THE GIRL IN THE GARRET. Imp. 1917. 2 reels.

Credits: Director, George Cochrane; story, Ben Cohn; scenario,
Douglas Bronston.

THE GIRL IN THE GLASS CAGE. Presented by Richard A. Rowland. 1929. 8
reels. Based on the novel by George Kibbe Turner.

Credits: Director, Ralph Dawson; screen version, James Gruen; film
editor, Terry Morse.

THE GIRL IN THE GLASS CAGE. Trailer. 1929. 1 reel.

THE GIRL IN THE HOUSEBOAT. 1913. 1 reel. Based on "Mr. Leander" by
James F. Dwyer.

THE GIRL IN THE LIMOUSINE. Imp. 1917. 1 reel.

Credits: Director, George Cochrane; scenario, Maie Havey.

THE GIRL IN THE LIMOUSINE. 1924. 5,630 ft. Adapted from the A. H.
Wood's stage success by Avery Hopwood and Wilson Collison.

THE GIRL IN THE MIDDY. 1913. 1 reel.

Credits: Mark Swan.

THE GIRL IN THE PULLMAN. De Mille Pictures Corp. 1927. 6 reels. From
the play "The Girl in Upper C" by Wilson Collison.

Credits: Supervision, adaptation and continuity, F. McGrew Willis;
producer, Erie C. Kenton; film editor, James Morley.

THE GIRL IN THE RAIN, 1920. 5 reels.

Credits: Story, Varick Vanardy [pseud. of Frederic Van Rensselaer
Dey]; scenario, Doris Schroeder.

THE GIRL IN THE SADDLE. 1921. 2 reels.

Credits: Director, Edward Kull; story, George Morgan.

THE GIRL IN THE SHOW. 1929. 9 reels. From the play "Eva the Fifth" by
John Kenyon Nicholson and John Golden.

Credits: Adaptation, added dialogue, and direction, Edgar Selwyn;
film editor, Harry Reynolds.

THE GIRL IN THE TAXI. 1921. 66 min. From a play by Stanislaus Stange.

Credits: Director, Lloyd Ingraham; adaptation, Bob McGowan.

THE GIRL IN THE TONNEAU. (Educational-Mack Sennett Comedies) 1932. 20
min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A.
Waldron, Earle Rodney, Harry McCoy, Lew Foster.

THE GIRL IN UPPER C. SEE The Girl in the Pullman.

A GIRL LIKE THAT. Paramount. Presented by Daniel Frohman. 1917. 5
reels.

Credits: Roswell Dague, Paul West; director, Dell Henderson.

GIRL LOVES BOY. Presented by Edward L. Alperson. 1937. 8 reels, sd.

Credits: Producer, B. F. Zeidman; director, Duncan Mansfield; story,
Karl Brown, Hinton Smith; screenplay, Duncan Mansfield, Carroll
Graham.

GIRL MISSING. Presented by Warner Brothers, Inc. and The Vitaphone
Corp. 1933. 69 min., sd.

Credits: Director, Robert Florey; dialogue director, Ben Markson;
story and adaptation, Carl Erickson, Don Mullaly; film editor, Ralph
Dawson.

A GIRL NAMED MARY. 1919. 5 reels.

Credits: Director, Walter Edwards; story, Juliet Wilbor Tompkins;
scenario, Alice Eyton.

THE GIRL O' DREAMS. 1918. 5 reels.

Credits: William Pigott.

GIRL O' MY DREAMS. 1934. 7 reels, sd.

Credits: Producer, William T. Lackey; director, Raymond McCarey;
story, screenplay, and lyrics, George Waggner; editor, Jack Ogilvie;
music, Edward Ward.

THE GIRL OF GOLD. Released by Producers Distributing Corp. 1925. 6
reels. Based on the novel by Cleveland Moffett and Anna Chapin.

Credits: Producer and director, John Ince; scenario, Eve Unsell;
adaptation, Kate Corbaley.

THE GIRL OF GOLD GULCH. 1916. 1 reel.

Credits: Producer, Tom Mix.

THE GIRL OF LOST LAKE. 1916. 5 reels.

Credits: Directed and written by Lynn F. Reynolds.

THE GIRL OF MY HEART. 1920. 5 reels. From the story "Joan of Rainbow
Springs" by Frances Marian Mitchell.

Credits: Adaptation and direction, E. J. Le Saint.

Credits: Producer, Leon D. Kent.

THE GIRL OF THE DANCE HALL. Laemmle. 1915. 3 reels.

Credits: F. McGrew Willis; producer, Leon Kent.

© Jesse L. Lasky Feature Play Co., Inc. (David Belasco and Cecil B.
De Mille, authors); title, descr. & 35 prints, 30Dec14; LU4071.

THE GIRL OF THE GOLDEN WEST. First National. Presented by Edwin
Carewe. 1923. 7 reels. From the story by David Belasco.

Credits: Producer, Edwin Carewe; screen adaptation, Adelaide
Heilbron.

THE GIRL OF THE GOLDEN WEST. 1930. 10 reels, sd. Based on the play by
David Belasco.

Credits: Producer, John Francis Dillon.

GIRL OF THE GOLDEN WEST. Trailer. 1930. 1 reel.

THE GIRL OF THE GOLDEN WEST. 1938. 12 reels, sd., sepia. Based on the
play by David Belasco.

Credits: Producer, William Anthony McGuire; director, Robert Z.
Leonard; screenplay, Isabel Dawn, Boyce DeGaw; film editor, W. Donn
Hayes; music director, Herbert Stothart; music, Sigmund Romberg;
lyrics, Gus Kahn.

THE GIRL OF THE GYPSY CAMP. 1915. 3,000 ft.

Credits: Lee Arthur; director, Langdon West.

THE GIRL OF THE HOUR. Victor. 1917. 1 reel.

THE GIRL OF THE HOUR. SEE Fashions for Women.

A GIRL OF THE LIMBERLOST. 1924. 6 reels. Based on the novel by Gene
Stratton-Porter.

Credits: Director, James Leo Meehan.

A GIRL OF THE LIMBERLOST. 1934. 9 reels, sd. From the novel by Gene
Stratton-Porter.

Credits: Producer, Trem Carr; supervision, W. T. Lackey; director,
Christy Cabanne; adaptation, Adele Comandini; editor, Carl Pierson.

A GIRL OF THE LIMBERLOST. SEE Romance of the Limberlost.

THE GIRL OF THE NIGHT. Rex. 1915. 2 reels.

Credits: Producer, Joseph de Grasse; scenario, Ida May Park.

GIRL OF THE OZARKS. Presented by Adolph Zukor. 1936. 7 reels.

Credits: Director, William Shea; story, Maurine Babb, John Bright,
Robert Tasker; screenplay, Stuart Anthony, Michael L. Simmons.

GIRL OF THE PORT. 1930. 8 reels, sd. Based on "The Firewalker" by John
Russell.

Credits: Director, Bert Glennon; screenplay, Beulah Marie Dix.

GIRL OF THE RIO. 1932. 8 reels, sd. From the play by Willard Mack.

Credits: Associate producer, Louis Sarecky; director, Herbert
Brenon; adaptation and dialogue, Elizabeth Meehan; film editor,
Artie Roberts.

Credits: Supervision, J. E. Williamson; director, J. Winthrop
Kelley; scenario, E. Lloyd Sheldon.

THE GIRL OF TODAY. 1918. 5 reels.

Credits: Director, John Robertson; story, Robert W. Chambers.

THE GIRL ON THE BARGE. Jewel. 1928. 8 reels. Based on the story by
Rupert Hughes.

Credits: Director, Edward Sloman; story supervision, Edward J.
Montagne; adaptation and continuity, Charles Kenyon, Nan Cochrane.

THE GIRL ON THE FRONT PAGE. 1936. 8 reels, sd.

Credits: Associate producer, Robert Presnell; director, Harry
Beaumont; original story, Roy and Marjorie Chanslor; screenplay,
Austin Parker, Albert R. Perkins, Alice D. G. Miller; film editor,
Philip Cahn; music director, Herman Heller.

THE GIRL ON THE STAIRS. Presented by Elmer Harris. Released by
Producers Distributing Corp. 1924. 7 reels. From the story by
Winston Bouve.

Credits: Production, supervision, and adaptation, Elmer Harris;
director, William Worthington.

GIRL OVERBOARD. Jewel. 1929. 8 reels.

Credits: Director, Wesley Ruggles; story, John B. Clymer; adaptation
and continuity, Paul Schofield.

GIRL OVERBOARD. 1937. 6 reels, sd.

Credits: Associate producer, Robert Presnell; director, Sidney
Salkow; original story, Sarah Elizabeth Rodger; screenplay, Tristram
Tupper; film editor, Philip Cahn; music director, Charles Previn.

THE GIRL PHILIPPA. Blue Ribbon. 1917. 8 reels. From the novel by
Robert W. Chambers.

Credits: Adapted and directed by S. Rankin Drew.

THE GIRL PROBLEM. 1919. 5 reels.

Credits: Director, Kenneth Webb; story, Joseph Franklin Poland;
scenario, Graham Baker.

THE GIRL PROBLEM. 1925. 1 reel.

Credits: Director, William H. Watson.

THE GIRL REPORTER'S SCOOP. Imp. 1917. 2 reels.

Credits: Story and direction by Fred Kelsey; scenario, Maie Havey.

THE GIRL RUSH. (Vanity Comedies) 1931. 21 min., sd.

Credits: Producer, Al Christie; director, William Watson; story and
dialogue, Frank Roland Conklin; additional dialogue, James Madison.

THE GIRL SAID NO. 1930. 10 reels, sd., b&w. Adapted from a story by A.
P. Younger.

Credits: Producer and director, Sam Wood; adaptation, Sarah Y.
Mason; dialogue, Charles MacArthur; film editor, Frank Sullivan.

THE GIRL SAID NO. Presented by Edward L. Alperson. 1937. 8 reels, sd.

Credits: Story and direction, Andrew L. Stone; screenplay, Betty
Laidlaw, Robert Lively.

GIRL SHOCK. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James Horne; dialogue, H. M. Walker; editor,
Richard Currier.

© Pathe Exchange, Inc. (Sam Taylor, Ted Wilde, Tommy Gray, and Tim
Whelan, authors); title, descr. & 152 prints, 12Mar24; LU19987.

THE GIRL-SHY COWBOY. Presented by William Fox. 1928. 5 reels, b&w,
blue sequences.

Credits: Director, R. Lee Hough; story, Seton I. Miller; film
editor, J. Logan Pearson.

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