Chapter I: YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd (12)

Text size

Credits: Director, Norman Walker; film edited by S. Simmonds under
the supervision of Emile de Ruelle.

LOOSE LIONS. Century. 1920. 2 reels.

Credits: Written and directed by William H. Watson.

LOOSE LIONS AND FAST LOVERS. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

LOOSE NUTS. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal
Conklin.

LOOSE RELATIONS. 1933. 20 min.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest
Pagano, Ewart Adamson.

LOOSER THAN LOOSE. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor,
Richard Currier.

LOOT. 1919. 6 reels. Based on the story by Arthur Somers Roche.

Credits: Director, William C. Dowlan; scenario, Violet Clark;
editor, Frank Lawrence, Violo Mallory.

LOOT. SEE Gray Ghost.

THE LOOTERS. (Western Featurette) 1928. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Basil
Dickey.

LORD AND LADY ALGY. 1919. 6 reels. Founded on the play by R. C. Carton
[pseud. of Richard Claude Critchett].

Credits: Director, Harry Beaumont.

LORD BARRINGTON'S ESTATE. Victor. 1915. 3 reels.

Credits: Produced by William C. Dowlan; story by Leonora Dowlan;
scenario by James Dayton.

LORD BYRON ON BROADWAY. 1930. 9 reels, sd., b&w. From the novel by
Nell Martin.

Credits: Directors, William Nigh, Harry Beaumont; dialogue and
continuity, Crane Wilbur, Willard Mack; film editor, Anne Bauchens;
music, Nacio Herb Brown.

LORD CHUMLEY. 1914.

LORD CHUMLEY. SEE Forty Winks.

LORD JEFF. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., b&w.

Credits: Producer, Frank Davis; director, Sam Wood; story, Bradford
Ropes, Val Burton, Endre Bohem; screenplay, James Kelvin McGuinness;
film editor, Frank E. Hull; music score, Edward Ward.

LORD JIM. Paramount. 1925. 7 reels. From the story by Joseph Conrad.

Credits: Producer and director, Victor Fleming; screenplay, George
C. Hull.

LORD JOHN'S JOURNAL. Gold Seal. 1915-16. 3 reels each, except no. 1
which is 4 reels. © Universal Film Mfg. Co., Inc.

Credits: Robert Lusk; producer, Edward J. LeSaint; story, C. N.
Williamson, A. M. Williamson; scenario and adaptation, Harvey Gates.

1. Lord John in New York. © 6Dec15; LP7161.

2. The Gray Sisterhood. © 28Dec15; LP7308.

3. Three-Fingered Jenny. © 24Jan16; LP7492.

4. The Eye of Horus. © 21Feb16; LP7684.

5. The League of the Future. © 27Mar16; LP7927.

THE LORDS OF HIGH DECISION. Red Feather. 1916. 5 reels. Adapted from
the novel by Meredith Nicholson.

Credits: Adaptation, William H. Lippert.

THE LORD'S REFEREE. SEE The Blue Eagle.

THE LORELEI. 1913. 1 reel. Adapted from the song and legend.

THE LORELEI. (Paul Terry-Toons) 1931. 6 min., sd.

Credits: Frank Moser, Paul Terry.

LORELEI. SEE Sirens of the Sea.

THE LORELEI MADONNA. 1915. 3 reels.

Credits: Director, Rollin S. Sturgeon.

LORENZINO DE' MEDICI. 1935. 10 reels, sd.

Credits: Screenplay, G. Smith; music, U. Mancini.

LORNA DOONE. 1915. 2 reels.

LORNA DOONE. 1922. 8 reels. From the story by R. D. Blackmore.

Credits: Producer and director, Maurice Tourneur; adaptation,
Maurice Tourneur, Wyndham Gittens.

LORRAINE HOWARD AND FLORENCE NEWTON IN WEDDING BELLES. 1930. 1 reel,
sd.

LORRAINE OF THE LIONS. Jewel. 1925. 7 reels.

Credits: Director, Frank Sedgwick; story, Isadore Bernstein, Karl
Crusada.

© Pathe Exchange, Inc. (Robert North Bradbury and Frank Howard
Clark, authors); title, descr. & 40 prints, 12Oct21; LU17078.

LOS ANGELES EXAMINER. 1914. 1 reel.

LOS ANGELES—WONDER CITY OF THE WEST. (A FitzPatrick Traveltalk) 1935.
1 reel, sd.; color.

Credits: Compiler, James A. FitzPatrick; music, Nathaniel Shilkret;
photographer, Wilfred E. Cline.

THE LOSER WINS. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein;
continuity, Carl Krusada.

THE LOSING FIGHT. 1914. 1,000 ft.

Credits: Written and produced by Colin Campbell.

THE LOSING GAME. 1915. 3 reels.

LOSING WEIGHT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

LOSING WEIGHT. 1920. 1 reel.

Credits: Director, Lawrence Semon; scenario, Lawrence Semon, Graham
Baker.

THE LOSING WINNER. Victor. 1917. 2 reels.

Credits: Director, Carter De Haven; story, H. C. Warnack; scenario,
Charles J. Wilson, Jr.

LOST, A PAIR OF SHOES. 1914. 1 reel.

Credits: Harry Beaumont.

LOST—A WIFE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.
1925. 6,420 ft. From the adaptation by Clare Kummer of the play
"Banco" by Alfred Savoir.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

LOST AND FOUND. 1917. 2 reels.

Credits: Written and directed by Al Green.

LOST AND FOUND. SEE Dinky Doodle in Lost and Found.

LOST AND FOUND ON A SOUTH SEA ISLAND. 1923. 7 reels.

Credits: Director, R. A. Walsh; story, Carey Wilson; scenario, Paul
Bern.

LOST AND FOUNDERED. (H. C. Witwer Record Breaker Series) 1930. 2
reels.

Credits: Director, Phil Whitman; story, John Gray, Scott Darling.

LOST AND FOUNDRY. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner
Matthews.

LOST AND WON. Released by Paramount Pictures Corp. 1917. 5 reels.

Credits: Margaret Turnbull; producer, James Young; director general,
Cecil B. De Mille; story, Channing Pollock, Rennold Wolf.

THE LOST APPETITE. Nestor. 1917. 1 reel.

Credits: Frederick A. Palmer, C. B. Hoadley; director, Louis William
Chaudet.

THE LOST ART OF MINDING ONE'S BUSINESS. SEE The Reformers.

LOST AT SEA. 1926. 7 reels. Suggested by the story "The Mainspring" by
Louis Joseph Vance.

Credits: Producer, Phil Goldstone; director, L. J. Gasnier;
scenario, Esther Shulkin; film editor, James C. McKay.

LOST AT THE FRONT. Presented by John McCormick. 1927. 6 reels.

Credits: Director, Del Lord; story and production, Frank Griffin;
scenario, Hampton Del Ruth.

LOST ATLANTIS. Presented by International Road Shows, Inc. © 1939.
Sd., b&w., 35 mm. From the novel "L'Atlantide" by Pierre Benoit.

Credits: Director, G. W. Pabst; music director, Wolfgang Zeller.

THE LOST BATTALION. 1919. 8 reels.

Credits: Scenario, Charles Logue.

THE LOST CHICK. (Happy Harmonies) 1935. 932 ft., sd., b&w.

Credits: Hugh Harman, Rudolph Ising.

THE LOST CHORD. Clarendon Film Co. © 1917. 5 reels. Adapted from
Arthur Sullivan's song of the same name.

THE LOST CHORD. 1924. 7 reels. Based on the song by Sir Arthur
Sullivan.

Credits: Adapted and directed by Wilfred Noy.

THE LOST CITY. 1920. 2 reels each, except no. 1 which is 3 reels. ©
Warner Bros.

Credits: Producer, William N. Selig; director, E. A. Martin; story,
Frederic Chapin.

1. The Lost Princess. © 1Jun20; LP17042.

2. The City of Hanging Gourds. © 1Jun20; LP17043.

3. The Flaming Tower. © 1Jun20; LP17044.

4. Jungle Death. © 1Jun20; LP17045.

5. The Puma's Victim. © 1Jun20; LP17046.

6. The Man Eater's Prey. © 1Jun20; LP17047.

7. The Bride of Death. © 1Jun20; LP17048.

8. A Tragedy in the Sky. © 1Jun20; LP17049.

9. In the Palace of Black Walls. © 1Jun20; LP17050.

10. The Tug of War. © 1Jun20; LP17051.

11. In the Lion's Jaw. © 1Jun20; LP17052.

12. The Jungle Fire. © 1Jun20; LP17053.

13. In the Cave of Eternal Fire. © 1Jun20; LP17054.

14. The Eagle's Nest. © 1Jun20; LP17055.

15. The Lost City. © 1Jun20; LP17056.

LOST CONTROL. Century. 1924. 2 reels.

THE LOST CORD. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE LOST CORD. 1925. 1 reel.

Credits: Director, Dick Smith.

THE LOST DEED. 1913. 1 reel.

Credits: Alice M. Yolton.

LOST ECSTASY. SEE I Take This Woman.

THE LOST EMPRESS. SEE Secrets of the French Police.

THE LOST EXPRESS. Presented by S. S. Hutchinson. 1917. 2 reels each. ©
Signal Film Corp. (Frederick B. Bennett, author).

Credits: Story, Frederick B. Bennett; adaptation, J. P. McGowan.

1. The Lost Express. © 17Sep17; LP12508.

2. The Destroyed Document. © 17Sep17; LP12509.

3. The Wreck at the Crossing. © 17Sep17; LP12510.

4. The Oil Well Conspiracy. © 17Sep17; LP12544.

5. In Deep Waters. © 17Sep17; LP12511.

6. High Voltage. © 17Sep17; LP12545.

7. The Race with the Limited. © 17Sep17; LP12512.

8. The Mountain King. © 17Sep17; LP12546.

9. The Looters. © 17Sep17; LP12513.

10. The Secret of the Mine. © 17Sep17; LP12514.

11. A Fight for a Million. © 17Sep17; LP12547.

12. Law is Law. © 17Sep17; LP12556.

13. Disowned. © 17Sep17; LP12557.

14. Trapped. © 17Sep17; LP12558.

15. The Found Express. © 17Sep17; LP12559.

THE LOST GAME. SEE Law of the Underworld.

THE LOST GOD, SEE The Sea God.

LOST HORIZON. 1937. 14 reels, sd., b&w. From a novel by James Hilton.

Credits: Director, Frank Capra; screenplay, Robert Riskin; film
editor, Gene Havlick; music director, Morris Stoloff; music score,
Dimitri Tiomkin.

THE LOST HOUSE. SEE The Kid Sister.

LOST IN A BIG CITY. 1923. 8 reels.

Credits: Director, George Irving; story, N. S. Wood.

LOST IN A PULLMAN. 1927. 2 reels.

Credits: Director, Craig Hutchinson.

LOST IN BABYLON. Special Rex. 1916. 1 reel.

Credits: Harvey Gates; director, Millard K. Wilson.

** © Itala Film Co. of America; title & 113 prints, 10Jul14; descr.,
14Mar14; LU3095.

LOST IN LIMEHOUSE; or, LADY ESMERELDA'S PREDICAMENT. (A Masquers
Presentation) 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Otto Brower; story,
Walter Weems, Harrington Reynolds; film editor, Sam White.

LOST IN MID OCEAN. 1914. 1 reel.

Credits: Director, Ulysses Davis.

LOST IN THE ARCTIC; a Photographic Record of the H. A. and Sidney Snow
Expedition to the Far North. 1928. For Fox Film Corp. 6 reels,
color.

Credits: Editor, Kenneth N. Hawks; titles, Malcolm Stuart Boylan.

LOST IN THE JUNGLE. SEE Dreamy Dud in Lost in the Jungle.

LOST IN THE LURCH. Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Craig Hutchinson.

LOST IN THE STRATOSPHERE. 1934. 7 reels, sd.

Credits: Producer, W. T. Lackey; director, Melville Brown; original
story, Tristram Tupper; screenplay, Albert DeMond; editor, Carl
Pierson.

LOST IN THE STREETS OF PARIS. Rex. 1917. 1 reel.

LOST IN TRANSIT. 1917. 5 reels.

Credits: Director, Donald Crisp; story, Kathlyn Williams; scenario,
Gardiner Hunting.

THE LOST JUNGLE. Presented by Nat Levine. 1934. 7 reels, sd.

Credits: Directors, Armand Schaefer, David Howard; story, Sherman
Lowe, Al Martin; screenplay, Colbert Clark, John Rathwell; editor,
Earl Turner.

THE LOST JUNGLE. Presented by Nat Levine. 1934. 2 reels each, except
no. 1 which is 3 reels, sd.

Credits: Supervision, Nat Levine; directors, Armand Schaefer, David
Howard; story, Sherman Lowe, Al Martin; screenplay, Barney Sarecky,
David Howard, Armand Schaefer, Wyndham Gittens; film editor, Earl
Turner.

1. Noah's Ark Island.

2. Nature in the Raw.

3. The Hypnotic Eye.

4. The Pit of Crocodiles.

5. Gorilla Warfare.

6. The Battle of Beasts.

7. The Tiger's Prey.

8. The Lion's Brood.

9. Eyes of the Jungle.

10. Human Hyenas.

11. The Gorilla.

12. Take Them Back Alive.

A LOST LADY. 1924. 7 reels. Adapted from the novel by Willa Cather.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

A LOST LADY. Presented by Warner Bros. Productions Corp. and The
Vitaphone Corp. 1934. 7 reels, sd. From the story by Willa Cather.

Credits: Director, Alfred E. Green; screenplay, Gene Markey, Kathryn
Scola; editor, Owen Marks.

THE LOST LAUGH. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Stephen Roberts.

THE LOST LODE. Bison. 1916. 2 reels.

Credits: Director, Henry McRae; story, J. B. Rice; scenario, William
Parker.

THE LOST MELODY. 1914. 1 reel.

Credits: Director, Richard R. Ridgely.

THE LOST MESSENGER. 1915. 1 reel.

Credits: Producer, George O. Nicholls; story, Emma Bell.

THE LOST MILLIONAIRE. 1913. 1 reel.

Credits: Director, Ralph Ince.

LOST MONEY. 1919. 5 reels.

Credits: Director, E. Lawrence; story and scenario, Denison Clift.

LOST MOTION IN SELLING UNDER OLD TIME METHODS. 1917. 3 reels.

LOST ON DRESS PARADE. 1918. 2 reels. Based on a story by O. Henry
[pseud. of William Sydney Porter].

Credits: Director, Martin Justice, adaptation, Fred R. Buckley.

THE LOST PATROL. 1934. 8 reels, sd. From the story "Patrol" by Philip
MacDonald.

Credits: Associate producer, Cliff Reid; director, John Ford;
screenplay, Dudley Nichols; adaptation, Garrett Fort; editor, Paul
Weatherwax; music, Max Steiner.

THE LOST PRINCESS. 1919. 5 reels.

Credits: Scenario and direction, Scott Dunlap; story, J. Anthony
Roach.

THE LOST RACE. (Romantic Journeys) Educational Pictures. Presented by
E. W. Hammons. 1934. 765 ft., sd., color.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

THE LOST ROMANCE. 1921. 7 reels.

Credits: Edward Knoblock; director, William De Mille; scenario, Olga
Printzlau.

A LOST SOUL. Bluebird. 1926. 1 reel.

Credits: Director, Harry Sweet.

LOST SOULS. © 1916. Based upon the short story "La Terribula" by
George L. Knapp.

Credits: Scenario, Donald I. Buchanan.

THE LOST SPECIAL. 1932-33. 2 reels each. © Universal Pictures Corp.

Credits: Director, Henry MacRae; story, Arthur Conan Doyle;
screenplay, Ella O'Neill, George Plympton, Basil Dickey, George
Morgan.

1. The Lost Special. © 31Oct32; LP3377.

2. Racing Death. © 31Oct32; LP3378.

3. The Red Lantern. © 31Oct32; LP3379.

4. Devouring Flames. © 5Dec32; LP3456.

5. The Lightning Strikes. © 13Dec32; LP3488.

6. The House of Mystery. © 21Dec32; LP3520.

7. The Tank Room Terror. © 28Dec32; LP3521.

8. The Fatal Race. © 5Jan33; LP3538.

9. Into the Depths. © 9Jan33; LP3553.

10. The Jaws of Death. © 17Jan33; LP3574.

11. The Flaming Forest. © 24Jan33; LP3598.

12. Retribution. © 31Jan33; LP3619.

THE LOST SQUADRON. 1932. 9 reels.

Credits: Associate producer, Louis Sarecky; director, George
Archainbaud; story, Dick Grace; screenplay, Wallace Smith;
additional dialogue, Herman J. Mankiewicz, Robert S. Presnell; film
editor, William Hamilton.

Credits: Scenario, Chester De Vonde, Augustin MacHugh.

LOST—THREE TEETH. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Helen Jonas.

LOST TWENTY-FOUR HOURS. 1916. 3 reels.

Credits: W. A. Tremayne, Logan Fuller; director, L. C. Windom;
scenario, H. S. Sheldon.

THE LOST WHIRL. (A Skylark Comedy) Presented by J. R. Bray. 1928. 2
reels.

Credits: Director, Glen Lambert; story, Glen Lambert, Frank Terry.

THE LOST WORLD. 1925. 10 reels. Based on the story by Sir Arthur Conan
Doyle.

Credits: Director, Willis H. O'Brien.

A LOST WORLD. 1938. 1 reel. Scenes selected from the motion picture
"The Lost World" based on a story by A. Conan Doyle.

THE LOST ZEPPELIN. 1929. 8 reels, si. & sd.

Credits: Director, Edward Sloman; story, John Francis Natteford;
dialogue, Charles Kenyon; adaptation, Frances Hyland.

A LOT OF BOLONEY. (A McDougall Alley Comedy) Presented by J. R. Bray.
1928. 2 reels.

Credits: Director, Robert B. Wilcox.

A LOT OF BULL. (Star Comedy) 1922. 1 reel.

LOTS OF NERVE. Century. 1923. 2 reels.

THE LOTTERY BRIDE. United Artists. Presented by Joseph M. Schenck.
1930. 10 reels, sd.

Credits: Producer, Arthur Hammerstein; supervision, John W.
Considine, Jr.; director, Paul L. Stein; original story, Herbert
Stothart; adaptation, Horace Jackson; continuity and dialogue,
Howard Emmett Rogers; editor, Robert J. Kern; music, Rudolph Frimi.

LOTTERY LOVER. 1935. 7,890 ft., sd.

Credits: Director, William Thiele; story, Siegfried M. Herzig,
Maurice Hanline; screenplay, Franz Shulz, Billie Wilder; dialogue,
Sam Hellman; music, Arthur Lange.

THE LOTTERY MAN. Paramount-Artcraft. Presented by Jesse L. Lasky.
1919. 5 reels.

Credits: Rida Johnson Young; director, James Cruze; scenario, Elmer
Harris.

Credits: Original story, James B. Leong.

THE LOTUS EATER. First National. 1921. 7 reels.

Credits: Director, Marshall A. Neilan; story, Albert Payson Terhune;
scenario, Marion Fairfax.

LOU HOLTZ IN IDLE CHATTER. 1930. 1 reel, sd.

LOU SELLS PAINT. 1937. For National Chemical Productions. Filmstrip.

LOU TALKS PAINT. 1937. For National Chemical Production. Filmstrip.

THE LOUD MOUTH. 1932. 2 reels, sd.

Credits: Director, Del Lord.

LOUD SOUP. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lew Foster; story, Leo McCarey; editor, Richard
Currier.

THE LOUDSPEAKER. 1934. 8 reels, sd.

Credits: Producer, W. T. Lackey; director, Joseph Santley; story and
dialogue, Ralph Spence; screenplay, Albert E. DeMond; editor, Jack
Ogilvie.

LOUIE THE FOURTEENTH. SEE Wife Savers.

LOUIS BERETTI. SEE Born Reckless.

LOUISE KLOSS, HARPIST, JEANNETTE ROGERS, FLUTIST, ANNA TIMNER,
CELLIST, OFFER: A. SERENADE [and others]. 1927. 1 reel.

Credits: Director, Brian Foy.

LOUISE, QUEEN OF PRUSSIA (LUISE, KÖNIGIN VON PREUSSEN). 1931. 12
reels. From the novel "Luise" by Walter von Molo.

Credits: Director, Carl Froelich; scenario, Fred Hildenbrandt,
Friedrich Raff, Julius Urgiss.

LOUISIANA. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels.
Based on the novel by Frances Hodgson Burnett.

Credits: Director, Robert G. Vignola; scenario, Alice Eyton.

THE LOUISIANA PURCHASE AND THE LEWIS AND CLARK EXPEDITION. (Westward
Movement, no. 3) 1920. 1 reel.

LOVE. Paramount. Presented by Joseph M. Schenck. 1919. 2 reels.

Credits: Fatty Arbuckle, Vincent Bryant; director, Fatty Arbuckle.

LOVE. 1920. 7 reels. Adapted from a story by R. Carol Kapleau.

Credits: Director, Wesley Ruggles; scenario, Louis Joseph Vance.

LOVE. 1924. 2 reels.

Credits: Director, Jess Robbins.

LOVE. 1928. 8 reels. From the novel "Anna Karénina" by Lyof N.
Tolstoi.

Credits: Produced and directed by Edmund Goulding; continuity,
Frances Marion; film editor, Hugh Wynn.

LOVE A LA MODE. (Educational-Mermaid Talking Comedy) 1930. 20 min.,
sd.

Credits: Director, Stephen Roberts.

LOVE AFFAIR. 1932. 7 reels. From the story by Ursula Parrott.

Credits: Director, Thornton Freeland; adaptation and dialogue, Jo
Swerling; continuity, Dorothy Howell.

LOVE AFFAIR. 1939. 89 min., sd.

Credits: Producer and director, Leo McCarey; story, Mildred Cram,
Leo McCarey; screenplay, Delmar Daves, Donald Ogden Stewart;
editors, Edward Dmytryk, George Hively; music score, Roy Webb.

THE LOVE AFFAIR OF IMA KNUT. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Otz Messmer.

LOVE AFLAME. Red Feather. 1917. 5 reels.

Credits: Direction and story, Raymond Wells; scenario, Fred Myton.

LOVE AMONG THE GEYSERS. 1912. 1,000 ft.

LOVE AMONG THE MILLIONAIRES. 1930. 6,910 ft., sd.

Credits: Director, Frank Tuttle; story, Keene Thompson; adaptation,
Grover Jones, William Conselman; dialogue, Herman J. Mankiewicz;
music, J. Wolfe Gilbert, Abel Baer.

LOVE AND A LIAR. Nestor. 1916. 1 reel.

Credits: Producer, S. Chaudet; story, Tom Gibson.

LOVE AND A SAVAGE. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

LOVE AND BLAZES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

LOVE AND BRASS BUTTONS. Nestor. 1916 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

LOVE AND BULLETS. 1916. 1 reel.

Credits: Written and directed by Clay M. Greene.

LOVE AND CURSES. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway, Cal
Dalton; story, Melvin Miller; animation, Herman Cohen; music
director, Carl W. Stalling.

LOVE AND DOUGHNUTS. 1921. 2 reels.

Credits: Director, Roy Del Ruth.

LOVE AND GASOLINE. Century. 1920. 2 reels.

Credits: Director, Noel Smith.

LOVE AND GLORY. Universal Jewel. 1924. 7 reels.

Credits: Director, Rupert Julian; story, Perley Poore Sheehan,
Robert H. Davis; scenario, Elliott Clawson, Rupert Julian.

LOVE AND HANDCUFFS. Powers. 1915. 1 reel.

Credits: Written and produced by Sydney Ayres.

LOVE AND HASH. 1914. 1 reel.

LOVE AND HATE. 1916. For Fox Film Corp. 6 reels.

Credits: Director, James Vincent; story, James R. Garey; scenario,
Mary Murillo.

LOVE AND HISSES. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Ben
Holmes; film editor, John Lockert.

LOVE AND HISSES. 1937. 7,609 ft., sd.

Credits: Director, Sidney Lanfield; story, Art Arthur; screenplay,
Curtis Kenyon, Art Arthur; music, Louis Silvers.

Credits: Director, John Steppling.

LOVE AND LATHER. 1919. 2 reels.

Credits: Director, Gill Pratt; story, Montgomery and Rock.

LOVE AND LAVALIERES. 1918. 1 reel.

Credits: Montgomery, Rock; director, J. A. Howe.

LOVE AND LEARN. Presented by Adolph Zukor and Jesse L. Lasky. 1928.
5,737 ft.

Credits: Produced and directed by Frank Tuttle; story, Doris
Anderson; screenplay, Louise Long; adaptation, Florence Ryerson.

LOVE AND LIONS. 1925. 2 reels.

Credits: Director, Benjamin Stoloff; story, Murray Roth.

LOVE AND LOGS. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Walter Reed.

LOVE AND LOOT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

LOVE AND ONIONS. Presented by E. W. Hammons. 1938. 1,718 ft., sd.

Credits: Director, William Watson; story, Billy K. Wells.

LOVE AND SAND. (Horace in Hollywood Series) Snappy. 1928. 1 reel.

Credits: Story and direction, Edward I. Luddy.

LOVE AND SOUR NOTES. L-Ko. 1915. 1 reel.

LOVE AND SWORDS. 1915. 1 reel.

Credits: Written and produced by Edward McKim.

LOVE AND THE DEVIL. 1929. 7 reels.

Credits: Director, Alexander Korda; story, Josef Lazslo, Leo
Birinski.

LOVE AND THE DEVIL. Trailer. 1929. 1 reel, sd.

LOVE AND THE LAW. 1915. 1 reel.

Credits: Director, R. S. Sturgeon.

LOVE AND THE LAW. 1919. 6 reels. Based on the Saturday Evening Post
story "The Troop Train" by William Hamilton Osborne.

LOVE AND THE LEOPARD. 1915. 1 reel.

Credits: Director, E. A. Martin.

Credits: Director, Tefft Johnson; story, Philip Lonergan.

LOVE AND TROUBLE. 1915. 1 reel.

LOVE AND TROUT. 1916. 1 reel.

Credits: Producer, John Robertson.

LOVE AND VACCINATION. Nestor. 1916. 1 reel.

Credits: Producer, Al. E. Christie; story, H. Wendell Phillips.

LOVE AND WAR. 1921. 2 reels.

Credits: Director, Al Herman.

LOVE AT FIRST FLIGHT. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Eddie Cline; story,
Jefferson Moffitt, Earle Rodney; screen editor, William Hornbeck.

LOVE AT FIRST SIGHT. 1930. 1 reel.

THE LOVE AUCTION. 1919. 5 reels.

Credits: Director, E. Lawrence; story, May Edginton; scenario, Julia
Burnham, Edmund Lawrence.

THE LOVE BANDIT. 1923. 6 reels. From the stage play by Charles E.
Blaney and Norman Houston.

Credits: Director, Del Henderson; adaptation, Lewis Allen Browne.

THE LOVE BARGAIN. (Educational's Comedies) (Mermaid Comedies) 1931. 21
min., sd.

Credits: Director, Arvid E. Gillstrom; story, Florence Ryerson,
Colin Clements.

LOVE BEFORE BREAKFAST. Presented by Carl Laemmle. 1936. 8 reels, sd.
From the novel "Spinster Dinner" by Faith Baldwin.

Credits: Producer, Edmund Grainger; director, Walter Lang;
screenplay, Herbert Fields; film editor, Maurice Wright; music
director, Franz Waxman.

LOVE BEGINS AT TWENTY. First National Productions Corp. 1936. 58 min.
From the play by Martin Flavin.

Credits: Director, Frank McDonald; screenplay, Tom Reed, Dalton
Trumbo; film editor, Terry Morse.

THE LOVE BIRDS. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Arvid E. Gillstrom.

LOVE BIRDS. Century. 1924. 2 reels.

Credits: Written and directed by Edw. I. Luddy.

LOVE BIRDS. 1929. 2 reels.

Credits: Edgar Allen Woolf; director, Ben Holmes.

LOVE BIRDS. 1934. 6 reels.

Credits: Producer, Carl Laemmle, Jr.; director, William A. Seiter;
story, Clarence Marks, Dale Van Every; screenplay, Doris Anderson;
film editor, Daniel Mandell.

THE LOVE BOAT. SEE Herman Timberg in The Love Boat.

THE LOVE BRAND. Presented by Carl Laemmle. 1923. 5 reels.

Credits: Director, Stuart Paton; story and scenario, Adrian Johnson.

THE LOVE BURGLAR. Paramount. Presented by Jesse L. Lasky. 1919. 5
reels. From the play "One of Us" by Jack Lait.

Credits: Director, James Cruze; scenario, Walter Woods.

LOVE BUSINESS. (Our Gang Comedies) Presented by Hal Roach. 1930. 2
reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M.
Walker; editor, Richard Currier.

THE LOVE CAPTIVE. Presented by Carl Laemmle. 1934. 7 reels, sd. From
the play "The Humbug" by Max Marcin.

Credits: Associate producer, E. M. Asher; director, Max Marcin;
screenplay, Karen de Wolf; film editor, Ted Kent.

THE LOVE CHARM. 1921. 5 reels.

Credits: Director, Thomas N. Heffron; story, Harvey O'Higgins;
screenplay, Percy Heath.

LOVE COMES ALONG. 1930. 8 reels, sd. Based on the play "Conchita" by
Edward Knoblock.

Credits: Director, Rupert Julian; screenplay, Wallace Smith; music,
Oscar Levant, Sidney Clare; music director, Victor Baravalle.

LOVE COMES TO MOONEYVILLE. 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Ewart
Adamson.

THE LOVE CRAZE. Nestor. 1918. 1 reel.

Credits: Director, Tefft Johnson; story, Maravene Thompson;
scenario, George DuBois Proctor.

THE LOVE DEPARTMENT. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood.

THE LOVE DEPUTY. Mustang. 1926. 2 reels.

Credits: Director, Victor Nordlinger; story and scenario, William E.
Oliver.

LOVE DETECTIVES. 1934. 2 reels, sd.

Credits: Director, Archie Gottler; screenplay, Edward Eliscu, Archie
Gottler.

THE LOVE DOCTOR. 1917. 5 reels. From the story "Hashashin, the
Indifferent" by George P. Dillenback.

Credits: Director, Paul Scardon.

THE LOVE DOCTOR. 1929. Si., & 5,503 ft., sd. Based on the play "The
Boomerang" by Winchell Smith and Victor Mapes.

Credits: Director, Melville Brown; dialogue, Guy Bolton; adaptation,
Guy Bolton, J. Walter Ruben.

THE LOVE DOPE. Rolma Films, Inc. 1917. 1 reel.

Credits: Jack Gorman.

LOVE DROPS. (Star Comedy) 1922. 1 reel.

LOVE 'EM AND FEED 'EM. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde A. Bruckman;
editor, Richard Currier.

LOVE 'EM AND LEAVE 'EM. Paramount. Presented by Adolph Zukor and Jesse
L. Lasky. 1926. 6 reels. From the play by John Van Alstyne Weaver
and George Abbott.

Credits: Associate producer, William Le Baron; director, Frank
Tuttle; adaptation and screenplay, Townsend Martin.

Credits: Producers, John Emerson, Anita Loos; director, David
Kirkland; technical director, Willard M. Reineck.

© Joseph M. Schenck (Joseph M. Schenck, Gen'l. Mgr., Constance
Talmadge Film Co., author); title & descr., 8Jun20; 342 prints,
24Jun20; LU15320.

THE LOVE EXPERT. 1920. 6 reels.

Credits: Producers, John Emerson, Anita Loos; director, David
Kirkland.

LOVE FEVER. Presented by Hal Roach. 1931. 2 reels, sd., b&w.

Credits: Director, Robert McGowan; dialog, H. M. Walker.

LOVE FINDS ANDY HARDY. Presented by Metro-Goldwyn-Mayer. 1938. 9
reels, sd., b&w. From the stories by Vivien R. Bretherton, based
upon the characters created by Aurania Rouverol.

Credits: Director, George B. Seitz; screenplay, William Ludwig; film
editor, Ben Lewis; music score, David Snell.

LOVE FINDS THE WAY. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, Maud Durbin Skinner.

LOVE, FIREWORKS, AND THE JANITOR. Joker. 1915. 1 reel.

Credits: Scenario and production, Archer McMackin.

LOVE FLIES IN THE WINDOW. SEE This Man Is Mine.

THE LOVE FLOWER. 1920. 7 reels. From the story "Black Beach" by Ralph
Stock.

Credits: Producer and director, David Wark Griffith.

LOVE FROM A STRANGER. Released thru United Artists. 1937. 9 reels, sd.
Based on a short story by Agatha Christie, from the play by Frank
Vosper.

Credits: Producer, Max Schach; director, Rowland V. Lee; screenplay
and dialogue, Frances Marion; editor, Howard McNeil; music, Benjamin
Britten; music director, Boyd Neil.

THE LOVE GAMBLE. 1925. 6 reels. From the novel "Peggy of Beacon Hill"
by Maysie Greig.

Credits: Director, Edward J. Le Saint; adaptation, Harry O. Hoyt.

THE LOVE GAMBLER. 1922. 5 reels.

Credits: Director, Joseph Franz; story, Lilian Bennet Thompson,
George Hubbard; scenario, Jules Furthman.

THE LOVE GIRL. 1916. 5 reels.

Credits: Written and produced by Robert Z. Leonard.

LOVE GOES WEST. Presented by E. W. Hammons. 1938. 950 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy
Klauber.

LOVE GOOFY. Educational. 1925. 2 reels.

Credits: Robert Hall; director, Gil Pratt.

LOVE, HATE, AND A WOMAN. 1921. 6 reels.

Credits: Story and direction by Charles T. Horan.

LOVE, HONOR AND—? 1919. 5 reels.

Credits: Director, Henry McRae Webster; story, Julia Burnham.

LOVE, HONOR. AND BEHAVE. First National. 1921. 5 reels.

Credits: Directors, Richard Jones, Erle Kenton.

LOVE, HONOR, AND BEHAVE. 1938. 7 reels. Based on a Saturday Evening
Post story by Stephen Vincent Benet.

Credits: Director, Stanley Logan; screenplay, Clements Ripley,
Michel Jacoby, Robert Buckner, Lawrence Kimble.

LOVE, HONOR, AND HE PAYS. 1932. 1 reel, sd.

Credits: Director, Eddie Buzzell; story, William K. Wells; film
editor, James Sweeney.

LOVE, HONOR, AND OBEY. 1920. 6 reels. From the novel "The Tyranny of
Weakness" by Charles Neville Buck.

Credits: Producers, Arthur Sawyer, Herbert Lubin; supervision,
Maxwell Karger; director, Leander de Cordova; adaptation and
scenario, Eugene Walter.

LOVE, HONOR, AND OH! BABY. (Manhattan Comedy) 1930. 2 reels, sd.

Credits: Daniel Kusell; produced and directed by George Lemaire;
film editor, E. Pfitzenmeier.

LOVE, HONOR, AND OH BABY. 1933. 7 reels. From the play "Oh, Promise
Me" by Bertram Robinson and Howard Lindsay.

Credits: Director, Eddie Buzzell.

THE LOVE HOUR. 1925. 7 reels.

Credits: Gregory Rogers; scenario, Bess Meredyth.

LOVE HUNGRY. 1928. 6 reels, b&w.

Credits: Director, Victor Heerman; story and scenario, Randall H.
Faye.

LOVE IN A BUNGALOW. 1937. 7 reels, sd.

Credits: Associate producer, E. M. Asher; director, Raymond B.
McCarey; original story, Eleanore Griffin, William Rankin;
screenplay, Austin Parker, Karen DeWolf, James Mulhauser.

LOVE IN A HURRY. © 1919. From the story "A Huge, Black, One-Eyed Man"
and Kenyon Gambier [pseud. of Lorin Andrews Lathrop]. Title changed
from the titles "The Huge Black One-Eyed Man" and "Allies."

Credits: Director, Dell Henderson; scenario, Wallace C. Clifton.

LOVE IN A HURRY. (A Young Romance Comedy) Educational Films Corp. of
America. Distributed by Fox Film Corp. Presented by E. W. Hammons.
1935. 1,481 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett and William
Watson.

LOVE IN A POND. (Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Mannie Davis.

LOVE IN ARMOR. 1915.

Credits: Producer, Mack Sennett.

LOVE IN ARMS. Presented by E. W. Hammons. 1937. 1,644 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy
Klauber.

LOVE IN BLOOM. Presented by Adolph Zukor. 1935. 9 reels.

Credits: Producer, Benjamin Glazer; director, Elliott Nugent;
original screenplay, Frank R. Adams; adaptation, J. P. McEvoy, Keene
Thompson; additional dialogue, John P. Medbury; music and lyrics,
Mack Gordon, Harry Revel.

LOVE IN EXILE. Capitol. 1936. 6 reels, sd. Adapted from the novel "His
Majesty's Pyjamas" by Gene Markey.

Credits: Director, Alfred L. Werker; screenplay, Roger Burford,
Ernest Betts; dialogue, Herman Manciewitz; editor, E. B. Jarvis;
music, Benjamin Frankel; music director, Boyd Neel.

LOVE IN SEPTEMBER. Presented by E. W. Hammons. 1936. 1,842 ft., sd.

Credits: Director, Eddie Cline; story, Leon D'Usseau; music, Albert
von Tilzer; music director, Edward J. Kay.

LOVE IN SUSPENSE. Joker. 1916. 1 reel.

Credits: Karl Coolidge; director, William W. Beaudine.

LOVE IN TENTS. 1933. 2 reels, sd.

Credits: Director, Lynn Shores; story, David Freedman, Max Hayes.

LOVE IN THE DARK. 1922. 6 reels.

Credits: Producer, Harry Beaumont; story, John Moroso; scenario, J.
G. Hawkes.

LOVE IN THE DESERT. 1929. 6,365 ft.

Credits: Louis A. Sarecky; director, George Melford; screenplay,
Harvey Thew; film editor, Mildred Richter.

Credits: Producer, Oscar Eagle.

LOVE IN THE MUD. SEE Carnival Queen.

LOVE IN THE RING. SEE Liebe im Ring.

LOVE IN THE ROUGH. 1930. 10 reels, sd., b&w. From the play "Spring
Fever" by Vincent Lawrence.

Credits: Director, Charles F. Riesner; adaptation, Sarah Y. Mason;
dialogue, Joe Farnham, Robert E. Hopkins; film editor, Basil
Wrangell; lyrics and music, Dorothy Fields, Jimmy McHugh.

LOVE IN THE SUBURBS. 1931. 2 reels, sd.

Credits: Director, Ray Cozine; story, Paul Gerard Smith; adaptation,
E. K. Nadel; dialogue staged by Max E. Hayes.

LOVE INSURANCE. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Donald Crisp; story, Earl D. Biggars; scenario,
Marion Fairfax.

LOVE INSURANCE. SEE The Reckless Age.

LOVE IS A HEADACHE. 1938. 8 reels, sd., b&w.

Credits: Producer, Frederick Stephani; director, Richard Thorpe;
story, Lou Heifetz, Herbert Klein; screenplay, Marion Parsonnet,
Harry Ruskin, William R. Lipman; film editor, Conrad Nervig; music,
Edward Ward.

LOVE IS A RACKET. 1932. 7 reels, sd. Based on a novel by Rian James.

Credits: Director, William A. Wellman; adaptation, Courtenay
Terrett.

LOVE IS AN AWFUL THING. 1922. 7 reels.

Credits: Written and directed by Victor Heerman.

LOVE IS BLONDE. 1928. 2 reels.

Credits: Directors, Mark Sandrich, Zion Myers; story, Arthur
Greenlaw.

LOVE IS LOVE. 1919. 5 reels.

Credits: Director, Scott Dunlap; story, Richard Washburn Child;
adaptation, Scott Dunlap, Anthony Roach.

LOVE IS NEWS. 1937. 6,999 ft., sd.

Credits: Director, Tay Garnett; story, William R. Lipman, Frederick
Stephani; screenplay, Harry Tugend, Jack Yellen; music, David
Buttolph.

LOVE IS ON THE AIR. First National. 1937. 6 reels, sd.

Credits: Director, Nick Grinde; story, Roy Chanslor; screenplay,
Morton Grant.

THE LOVE KISS. 1930. 7 reels.

Credits: Written and directed by Robert A. Snody.

LOVE KRAZY. Presented by Columbia Pictures Corp. 1932. 1 reel. Adapted
from the cartoon character by George Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Al Rose;
musical score, Joe De Nat.

LOVE LAUGHS AT DYSPEPSIA. Imp. 1916. 1 reel.

Credits: Hal Clotworthy; producer, Roy Clements.

LOVE LAUGHS AT THE LAW. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

THE LOVE LETTER. 1923. 5 reels.

Credits: Director, King Baggot; story, Bradley King; scenario, Hugh
Hoffman.

LOVE LETTERS. 1917. 5 reels.

Credits: Supervision, Thomas H. Ince; director, R. William Neill;
story, Shannon Fife; picturized by Cora Stuart Carson.

LOVE LETTERS. 1924. 5 reels, b&w., tinted sequences.

Credits: Director, David Soloman; story, Fred Jackson; scenario,
Doty Hobart.

LOVE LETTERS OF A STAR. 1936. 8 reels, sd. From the story "The Case of
the Constant God" by Rufus King.

Credits: Associate producer, E. M. Asher; directors, Lewis R.
Foster, Milton Carruth; screenplay, Lewis R. Foster, Milton Carruth,
James Mulhauser; film editor, Frank Gross; music director, Herman
Heller.

LOVE LIFE OF A GORILLA. 1937. 6 reels, sd.

Credits: Assembled and edited by Samuel Cummins.

THE LOVE LIGHT. 1921. 8 reels.

Credits: Written and directed by Frances Marion.

LOVE, LIVE, AND LAUGH. 1929. 8,090 ft., sd. From the play "Hurdy Gurdy
Man" by Leroy Clemens and John B. Hymer.

Credits: Producer and director, William K. Howard; dialogue, Edwin
Burke, George Jessel; editor, Al De Gaetano.

LOVE LOOPS THE LOOP. 1918. 2 reels.

Credits: Directed by Walter Wright in collaboration with Hampton Del
Ruth.

LOVE, LOOT, AND CRASH. 1915.

Credits: Producer, Mack Sennett.

LOVE, LOOT, AND LIQUOR. 1914. 1 reel.

LOVE, LUCK, AND GASOLINE. 1914. 3 reels.

Credits: Director, Wilfrid North.

LOVE MAKES 'EM WILD. 1927. 6 reels.

Credits: Director, Albert Ray; story, Florence Ryerson; scenario,
Harold Shumate.

THE LOVE MART. Presented by Richard A. Rowland. 1927. 8 reels. From
the story "The Code of Victor Jallot" by Edward Childs Carpenter.

Credits: Producer, George Fitzmaurice; adaptation, Benjamin Glazer.

THE LOVE MASK. 1916. 5 reels.

Credits: Cecil B. De Mille, Jeanie Macpherson.

THE LOVE MASTER. First National. Presented by Laurence Trimble and
Jane Murfin. 1924. 7 reels.

Credits: Written and directed by Laurence Trimble.

LOVE ME. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, R. William Neill;
story, C. Gardner Sullivan.

LOVE ME AND THE WORLD IS MINE. Jewel. 1928. 6 reels. From the story
"The Affairs of Hannerl" by Rudolph Hans Bartsch.

Credits: Director, E. A. Dupont; adaptation and continuity, Imre
Fazekas.

LOVE ME FOR MYSELF ALONE. SEE The Square Deceiver.

LOVE ME FOREVER. 1935. 10 reels, sd.

Credits: Story and direction, Victor Schertzinger; screenplay, Jo
Swerling, Sidney Buchman; film editors, Gene Milford, Viola
Lawrence; thematic music, Victor Schertzinger, Gus Kahn; musical
treatment, Louis Silvers.

LOVE ME, LOVE MY BISCUITS. Joker. 1917. 1 reel.

Credits: Producer and director, William W. Beaudine; story and
scenario, Karl Coolidge.

LOVE ME, LOVE MY DOG. 1916. 1 reel.

Credits: Producer, Max Figman.

LOVE ME TONIGHT. 1932. 10 reels, sd. Based on the play by Leopold
Marchand and Paul Armont.

Credits: Produced and directed by Rouben Mamoulian; screenplay,
Samuel Hoffenstein, Waldemar Young, George Marion, Jr.

LOVE MY DOG. Bluebird. 1925. 1 reel.

Credits: Director, Z. Myers.

THE LOVE NEST. 1922. 5 reels.

Credits: Written and directed by Wray Physioc.

THE LOVE NEST. 1923. 2 reels.

Credits: Director, Buster Keaton.

THE LOVE NEST. 1931. 1 reel.

LOVE NEST ON WHEELS. Presented by E. W. Hammons. 1937. 1,604 ft., sd.

Credits: Director, Charles Lamont; story, William Hazlett Upson;
adaptation, Paul Gerard Smith.

Credits: Director, Tefft Johnson; story, Bertha A. Backus; scenario,
Clara S. Beranger.

LOVE NEVER DIES. 1916. 5 reels.

Credits: Producer and director, William Worthington; story, Harvey
Gates.

LOVE O' THE PARENT. Powers. 1915. 1 reel.

Credits: Scenario and production, Sydney Ayres.

THE LOVE OF CADDYING. 1925. 1 reel.

THE LOVE OF LOTI SAN. 1915. 3 reels.

Credits: Director, Lloyd B. Carleton.

THE LOVE OF MARY WEST. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Mary Bailey.

THE LOVE OF PIERRE LAROSSE. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE LOVE OF SUNYA. The Swanson Producing Corp. Presented by United
Artists Corp. 1927. 7,311 ft. Based on the play "Eyes of Youth" by
Charles Guernon and Max Marcin.

Credits: Director, Albert Parker; screen story, Earle Browne.

THE LOVE OF TOKIWA. 1914. 2 reels.

Credits: Director, U. David.

THE LOVE OF WOMEN. 1915. 3,000 ft.

LOVE OF WOMEN. 1924. 6 reels.

Credits: Director, Whitman Bennett; story, E. C. Holland.

LOVE ON A BET. 1936. 8 reels, sd.

Credits: Associate producer, Lee Marcus; director, Leigh Jason;
story, Kenneth Earl; screenplay, P. J. Wolfson, Philip G. Epstein;
editor, Desmond Marquette; music director, Alberto Colombo.

LOVE ON A BUDGET. 1938. 5,815 ft., sd. Based on the characters created
by Katharine Kavanaugh.

Credits: Director, Herbert I. Leeds; screenplay, Robert Ellis, Helen
Logan.

LOVE ON A LADDER. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Carroll
Graham, Arthur Ripley; film editor, Edward Mann.

LOVE ON A WEAK STOMACH. Bluebird. 1927. 1 reel.

Credits: Director, Jay Belasco.

LOVE ON AN EMPTY STOMACH. L-Ko. 1915. 1 reel.

LOVE ON CRUTCHES. 1917. 1 reel.

Credits: Director General, J. G. Blystone.

LOVE ON ROLLERS. National Film Corp. of America. Released through
Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine.

LOVE ON TAP. 1939. 1 reel, sd., sepia.

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Motion pictures, 1912-1939Chapter I: YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd (12)

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