Chapter I: YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd (1)

Text size

Credits: Director, Dave Fleischer.

IBANEZ' TORRENT. Cosmopolitan. 1926. 6,769 ft. From the novel by
Vicente Blasco Ibanez.

Credits: Director, Monta Bell; adaptation, Dorothy Farnum; film
editor, Frank Sullivan.

ICE ANTICS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1939. 841
ft., sd., tinted.

Credits: Director, David Miller; music score, David Snell.

ICE BOX PIRATES. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, Scott Darling.

ICE BOXED. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould.

ICE COLD. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Directors, W. Scott Darling, C. Richard Wallace.

ICE CUT-UPS. (News World of Sports) 1936. 1 reel.

Credits: Narration, Jack Kofoed; described by Ford Bond.

THE ICE FLOOD. Jewel. 1926. 6 reels.

Credits: Director, George B. Seitz; story, Johnston McCully;
scenario, George B. Seitz, Gladys Lehman.

THE ICE FOLLIES OF 1939. Presented by Metro-Goldwyn-Mayer. 1939. 9
reels, sd., b&w, color sequences.

Credits: producer, Harry Rapf; director, Reinhold Schunzel; story,
Leonard Praskins; screenplay, Leonard Praskins, Florence Ryerson,
Edgar Allan Woolf; film editor, W. Donn Hayes; music directors,
Franz Waxman, Georgie Stoll.

ICE FROLIC. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Cyrus D. Wood, Eddie Forman.

ICE. THE FOOD DISTRIBUTOR. 1937. For Ice Refrigeration Bureau.
Filmstrip. 55 frames, sd.

ICEBOUND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.
1924. 6,471 ft. From the play by Owen Davis.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

ICELAND—LAND OF THE VIKINGS. (Fitzpatrick-M. G. M. Traveltalk) 1933. 1
reel, sd.

Credits: Compiled by James A. Fitzpatrick; music Nathaniel Shilkret;
photographer, Frank Goodliffe.

THE ICELESS ARCTIC. (Camera Adventures) 1932. 1 reel, sd.

Credits: Producers, Pat Dowling, Hobart Brownell; narrative, Tom J.
Geraghty.

THE ICE MAN. SEE Charles Rogers in The Ice Man.

THE ICEMAN'S BALL. 1932. 2 reels.

Credits: Director, Mark Sandrich; story, Ben Holmes, Tom Lennon;
adaptation and dialogue, Bobby Clark, Mark Sandrich.

ICE MAN'S LUCK. (Oswald Snappy) 1929. 1 reel.

Credits: R. C. Hamilton.

THE ICE MEN. (Bill Corum, no. 6) 1937. 1 reel, sd.

ICH WILL NICHT WISSEN WER DU BIST (I DON'T WANT TO KNOW WHO YOU ARE).
1933. 10 reels, sd.

Credits: Director, Geza von Bolvary; story, Ernest Marischka, Gustav
Holm; English titles, Michael L. Simmons; music, Robert Stolz.

ICY EYES. SEE Felix the Cat in Icy Eyes.

I'D CLIMB THE HIGHEST MOUNTAIN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

I'D GIVE MY LIFE. Presented by Adolph Zukor. 1936. 8 reels, sd. Based
on the play "The Noose" by H. H. Van Loan and Willard Mack.

Credits: Producer, Richard A. Rowland; director, Edwin L. Marin;
screenplay, George O'Neil; additional dialogue, Ben Ryan; music and
lyrics, Con Conrad, Herb Magidson; music director, Boris Morros.

I'D LOVE TO TAKE ORDERS FROM YOU. (Merrie Melodies) 1936. 7 min., sd.,
color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery;
animation, Bob Clampett, Cecil Surry; music, Norman Spencer.

I'D RATHER BE YOUR WIFE THAN YOUR WIDOW. Presented by Goodrich. 1938.
1 reel, sd.

IDA, QUEEN OF THE AIR. SEE The Circus Queen.

IDAHO. 1925. 2 reels each. © Pathe Exchange, Inc.

Credits: Story, Theodore Burrell; adaptation, Frank Leon Smith.

1. Road Agents. © 25Feb25; LP21163.

2. Hands Up. © 25Feb25; LP21164.

3. The Stampede. © 25Feb25; LP21177.

4. Forbidden Testimony. © 4Mar25; LP21222.

5. Lawless Laws. © 9Mar25; LP21223.

6. Aroused. © 24Mar25; LP21266.

7. The Trap. © 24Mar25; LP21267.

8. The White Streak. © 6Apr25; LP21332.

9. Unmasked. © 8Apr25; LP21343.

10. Vigilantes. © 15Apr25; LP21359.

IDAHO RED. 1929. 6 reels.

Credits: Director, Robert DeLacy; story and continuity, Frank Howard
Clark.

THE IDEA MAN. 1923. 1 reel.

Credits: Director, William Watson.

THE IDEAL LOVE. 1921. 5 reels. Title changed from "Dad's Girl."

IDENTIFIED. (Your True Adventures) 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Cyrus D. Wood.

IDIOT'S DELIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 12 reels,
sd., b&w. Based on the play by Robert E. Sherwood as produced by The
Theatre Guild, Inc.

Credits: Producer, Hunt Stromberg; director, Clarence Brown;
screenplay, Robert E. Sherwood; film editor, Robert J. Kern; music
score, Herbert Stothart.

IDLE CHATTER. SEE Kramer and Boyle in Idle Chatter. Lou Holtz in Idle
Chatter.

THE IDLE CLASS. 1921. 2 reels.

Credits: Written and directed by Charles Chaplin.

IDLE HANDS. SEE The Millionaire.

THE IDLE RICH. 1915. 1,000 ft.

Credits: Henry Beldon; director, Charles Ranson.

THE IDLE RICH. L-Ko. 1915. 2 reels.

THE IDLE RICH. 1922. 5 reels. Adapted from the story "Junk" by Kennett
Harris.

Credits: Producer and director, Maxwell Karger; scenario, June
Mathis.

THE IDLE RICH. 1929. 9 reels. From the play "White Collars" by Edith
Ellis, which was based on the novelette by Edgar Franklin [pseud. of
E. F. Stearns].

Credits: Director, William De Mille; film editor, Conrad A. Nervig.

AN IDLE ROOMER. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

AN IDLE ROOMER. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

IDLE ROOMERS. (Cameo Comedies) 1931. 9 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest
Pagano, Jack Townley.

IDLE TONGUES. First National. 1924. 6 reels. From the novel "Dr. Nye"
by Joseph C. Lincoln.

Credits: Supervision, Thomas H. Ince; director, Lambert Hillyer;
adaptation, C. Gardner Sullivan.

IDLE WIVES. Universal Special. 1916. 7 reels. From the novel by James
Oppenheim.

Credits: Producers, the Smalleys; directed and adapted by Lois
Weber, Phillips Smalley; scenario, Lois Weber.

IDLE WORKERS. (A Mirthquake Comedy) 1921. 2 reels.

Credits: Producer, Norman Manning.

THE IDLER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

THE IDLER. 1914. 5 reels. Adapted from the play by C. Haddon Chambers.

THE IDOL DANCER. 1920. 7 reels.

Credits: Story, Gordon Ray Young; scenario, S. E. Z. Taylor.

THE IDOL OF FATE. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Will M. Hough.

THE IDOL OF SEVILLE. Released by Educational Film Exchanges, Inc.
1932. 21 min., sd. Suggested by the opera "Carmen."

Credits: Supervision, Antoine De Vally; director, Howard Higgin.

IDOL OF THE CROWDS. 1937. 6 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original
story, George Waggner; screenplay, George Waggner, Harold Buckley;
film editor, Charles Craft.

THE IDOL OF THE NORTH. 1921. 6 reels.

Credits: Director, R. William Neill; story, Jack Clark Miller;
scenario, Frank S. Beresford.

Credits: Director, Webster Cullison.

IDOLS. SEE The Oath.

IDOLS OF CLAY. Gold Seal. 1915. 3 reels.

Credits: Scenario and production, Robert Leonard.

IDOLS OF CLAY. 1920. 6 reels.

Credits: Story, Onida Bergere.

THE IDYL OF RED GULCH. SEE The Man from Red Gulch.

AN IDYLL OF THE HILLS. Rex. 1915. 2 reels.

IF AT FIRST YOU DON'T SUCCEED. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

IF I HAD A MILLION. 1932. 9 reels, sd. Based on the novel "Windfall"
by Robert D. Andrews.

Credits: Directors, Ernst Lubitsch, Norman Taurog [and others];
screenplay, Claude Binyon [and others].

IF I MARRY AGAIN. 1924. 8 reels.

Credits: Director, John Francis Dillon; story, Gilbert Frankau.

IF I WERE FREE. 1933. 7 reels, sd. From the play "Behold We Live" by
John Druten.

Credits: Associate producer, Kenneth MacGowan; director, Elliott
Nugent; screenplay, Dwight Taylor; film editor, Arthur Roberts;
music director, Max Steiner.

IF I WERE KING. 1920. 8 reels. From the story and play by Justin
Huntly McCarthy.

Credits: Director, J. Gordon Edwards; scenario, E. Lloyd Sheldon.

IF I WERE KING. Presented by Adolph Zukor. 1938. 11 reels, sd. From
the play by Justin Huntly McCarthy.

Credits: Producer and director, Frank Lloyd; screenplay, Preston
Sturges; film editor, Hugh Bennett.

IF I WERE KING. SEE The Vagabond King.

IF I WERE QUEEN. Presented by P. A. Powers. Released by Film Booking
Offices of America, Inc. 1922. 6 reels. From the story "The Three
Cornered Kingdom" by Vernet Rabell.

Credits: Director, Wesley Ruggles; scenario, Carol Warren.

IF I WERE SINGLE. 1927. 7 reels.

Credits: Director, Roy Del Ruth; story and scenario, Robert Lord.

IF I WERE YOUNG AGAIN. 1914. 2,000 ft.

Credits: Producer, F. J. Grandon.

IF I'M ELECTED. 1932. 1 reel.

Credits: Director, Alf Goulding; story, A. Dorian Otvos, Jack
Henley.

IF IT HAD ONLY BEEN TRUE. SEE Bingle's Nightmare.

IF MARRIAGE FAILS. Released by F. B. O. 1925. 7 reels.

Credits: Director, John Ince; story and scenario, C. Gardner
Sullivan.

IF MEN PLAYED CARDS AS WOMEN DO. 1929. 1 reel.

Credits: Story, George S. Kaufman.

IF MY COUNTRY SHOULD CALL. Red Feather. 1916. 5 reels. Suggested by a
story by Virginia Terhune Van de Water.

Credits: Director, Joseph De Grasse; scenario, Ida May Park.

IF ONLY JIM. 1921. 5 reels.

Credits: Director, Jacques Jaccard; story, Philip V. Mighels;
scenario, George C. Hull.

IF THE GODS LAUGH. SEE Fighting Love.

IF THIS ISN'T LOVE. 1934. 2 reels, sd.

Credits; Producer, Lee Marcus; director, Leigh Jason; story, Leigh
Jason, John Clymer; additional dialogue, John Twist; film editor,
John Lockert; music director, Roy Webb.

IF WINTER COMES. 1923. 12 reels, b&w, tinted sequences. From the novel
by A. S. M. Hutchinson.

Credits: Director, Harry Millarde; scenario, Paul Sloane.

IF WOMEN ONLY KNEW. 1921. 6 reels. Based on "Meditations on Marriage"
by Balzac.

Credits: Director, E. H. Griffith; adaptation, Gardner Hunting.

IF YOU BELIEVE IT, IT'S SO. 1922. 7 reels.

Credits: Director, Tom Forman; adaptation, Waldemar Young; story,
Perley Poore Sheehan.

IF YOU COULD ONLY COOK. 1935. 7 reels, sd.

Credits: Director, William A. Seiter; story, F. Hugh Herbert;
screenplay, Gertrude Purcell, Howard J. Green; film editor, Gene
Havlick.

IGLOO. 1932. 6 reels.

Credits: Director, Ewing Scott; narrative by Edward T. Lowe, Wilfred
Lucas; narrator, Gayne Whitman.

IGNATZ'S ICY INJURY. 1916. 2 reels.

IHRE HOHEIT BEFIEHLT (HER HIGHNESS COMMANDS) 1931. 92 min., sd.

Credits: Supervision, Max Pfeiffer; director, Hanns Schwarz;
scenario, Paul Frank, Billie Wilder; music, Werner R. Heymann.

I'LL BE GLAD WHEN YOU'RE DEAD YOU RASCAL YOU. 1932. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Ralph
Somerville.

I'LL BE SUING YOU. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly
Comedy) 1934. 2 reels, sd.

Credits: Director, Gus Meins; film editor, Louis McManus.

I'LL FIX IT. Nestor. 1918. 1 reel.

I'LL FIX IT. 1934. 7 reels, sd.

Credits: Director, Roy William Neill; story, Leonard Spigelgass;
screenplay, Ethel Hill, Dorothy Howell.

I'LL GET HER YET. Imp. 1916. 2 reels.

Credits: Written and produced by Roy Clements.

I'LL GET HIM YET. Paramount. Presented by New Art Film Co. 1919. 5
reels.

Credits: Director, Elmer Clifton; story, Harry Carr.

I'LL GIVE A MILLION. 1938. 6,700 ft., sd.

Credits: Director, Walter Lang; story, Cesare Zavattini, Gaici
Mondaini; screenplay, Milton Sperling, Boris Ingster; music
director, Louis Silvers.

I'LL LOVE YOU ALWAYS. 1935. 7 reels, sd.

Credits: Director, Leo Bulgakov; story, Lawrence Hazard; screenplay,
Vera Caspary; film editor, Richard Cahoon.

I'LL NAME THE MURDERER. 1936. 7 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story
and screenplay, Philip Dunham; special dialogue, Edwin K. O'Brien;
editor, Charles Henkle; music and lyrics, Gene Johnston, C. Ward
Dudley; music director, Gene Johnston.

I'LL SAY SO. 1918. 5 reels.

Credits: Director, Raoul A. Walsh; scenario and editing, Ralph H.
Spence.

I'LL SHOW YOU THE TOWN. Jewel. 1925. 8 reels. From the novel by Elmer
Davis.

Credits: Director, Harry A. Pollard; scenario, Raymond L. Schrock.

I'LL TAKE ROMANCE. 1937. 9 reels, sd.

Credits: Producer, Everett Riskin; director, Edward H. Griffith;
story, Stephen Morehouse Avery; screenplay, George Oppenheimer, Jane
Murfin; film editors, Otto Meyer, William Lyon; music director,
Morris Stoloff.

I'LL TAKE THAT ONE. (Checker Comedies) 1930. 2 reels, sd.

Credits: Producer, Gordon Bostock; director, Monty Banks; film
editor, A. Knott.

I'LL TAKE VANILLA. (Hal Roach Comedy) (A Charley Chase Comedy) 1934. 2
reels, sd., b&w.

Credits: Director, Charles Parrott, Eddie Dunn; film editor, William
Terhune.

I'LL TELL THE WORLD. 1934. 9 reels.

Credits: Director, Edward Sedgwick; story, Lincoln Quarberg, Frank
Wead; screenplay, Dale Van Every, Ralph Spence.

AN ILL WIND. 1930. 2 reels.

ILLEGAL. 1932. 72 min., sd.

Credits: Director, William McGann; story, Irving Asher; screenplay
and dialogue, Roland Pertwee.

ILLEGAL TRAFFIC. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Director, Louis King; original story and screenplay, Robert
Yost, Lewis Foster, Stuart Anthony.

ILLICIT. Warner Bros, and Vitaphone. 1931. 8 reels, sd. Based on the
play by Edith Fitzgerald and Robert Riskin.

Credits: Director, Archie Mayo; screen adaptation, Harvey Thew.

ILLUMINATION. 1931. 997 ft.

ILLUSION. 1929. Si. & sd. From the novel by Arthur Train.

Credits: Director, Lothar Mendes; titles, Richard H. Digges, Jr.;
adaptation, E. Lloyd Sheldon.

ILLUSIONS. SEE Fred Keating in Illusions.

THE ILLUSTRIOUS CORPSE. SEE Strangers of the Evening.

I'M A BIG SHOT NOW. (Merrie Melody) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng;
animation, Jack Carr, Riley Thomson; music, Bernard Brown.

I'M A FATHER. 1935. 2 reels.

Credits: Director, James W. Horne; story and screenplay, Preston
Black; film editor, James Sweeney.

I'M A FUGITIVE FROM A CHAIN STORE. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Edmund
Joseph.

I'M A WILD WOMAN. 1930. 1 reel, sd.

Credits: Director, Jack Partington.

I'M AFRAID THAT'S ALL. SEE Red Corcoran—I'm Afraid That's All.

I'M AFRAID TO COME HOME IN THE DARK. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; arranged by Max Fleischer.

I'M CURED. 1924. 2 reels.

Credits: Director, Eugene De Rue.

I'M FOREVER BLOWING BUBBLES. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer.

I'M FROM MISSOURI. 1939. 9 reels, sd. Based on stories by Homer Croy
and Julian Street.

Credits: Producer, Paul Jones; director, Theodore Reed; screenplay,
John C. Moffitt, Duke Atteberry; film editor, Archie Marshek.

I'M FROM THE CITY. 1938. 66 min., sd.

Credits: Producer, William Sistrom; direction and original story,
Ben Holmes; screenplay, Nicholas T. Barrows, Robert St. Clair, John
Grey; editor, Ted Cheesman; music director, Roy Webb.

IM GEHEIMDIENST (SECRET SERVICE). 1931. 11 reels.

Credits: Director, Gustav Ucicky; scenario, Walter Reisch.

I'M GLAD MY BOY GREW UP TO BE A SOLDIER. 1915. 4 reels. A version of
the song "I Didn't Raise My Boy To Be a Soldier".

Credits: Director, Frank Beal; scenario, Gilson Willets.

I'M JUST A JITTERBUG. (A Walter Lantz Cartune) 1939. 1 reel.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, Merle
Gilson, Hicks Lokey.

I'M MUCH OBLIGED. (Broadway Brevity) 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

I'M NO ANGEL. 1933. 9 reels.

Credits: Director, Wesley Ruggles; story, screenplay, and dialogue,
Mae West; continuity, Harlan Thompson.

I'M TELLING YOU. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn; dialogue staged
by Max E. Hayes.

I'M YOUR HUSBAND. Nestor. 1916. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

IMA VAMP, FAIRYLAND, and MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd.,
b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor,
Richard Currier.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd.,
b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor,
Richard Currier.

IMAGINE MY EMBARRASSMENT. SEE Frank Orth and Ann Codee in Imagine My
Embarrassment.

IMITATION OF LIFE. Presented by Carl Laemmle. 1934. 12 reels, sd. From
the novel by Fannie Hurst.

Credits: Producer, Carl Laemmle, Jr.; director, John M. Stahl;
screenplay, William Hurlbut; film editor, Phil Cohn.

THE IMMIGRANT. 1917. 2 reels.

THE IMMORTAL BRUSH. 1938. 9 min., sd., color.

Credits: Commentator, Dwight West.

Credits: Written and directed by Ivan Abramson.

THE IMMORTAL VOICE. 1923. 1 reel.

Credits: Director, J. A. Norling.

THE IMMOVABLE GUEST. (Paramount-Flagg Comedy) 1919. 2 reels. Based on
the comedy by James Montgomery Flagg.

THE IMP. 1919. 5 reels.

Credits: Director, Robert Ellis; story, Elsie Janis, Edmund
Goulding.

IMPACT. (How to Break 90, no. 5) Presented by Warner Bros. Pictures
and the Vitaphone Corp. 1933. 1 reel.

Credits: Director, George E. Marshall; story, Andrew Bennison.

THE IMPATIENT MAIDEN. 1932. 9 reels. From the novel by Donald
Henderson Clarke.

Credits: Director, James Whale; screenplay, Richard Schayer,
Winifred Dunn.

AN IMPERFECT IMPOSTER. SEE Irish Luck.

THE IMPERFECT LOVER. Century. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

IMPERIAL DELHI. (A FitzPatrick Traveltalk) Presented by
Metro-Goldwyn-Mayer. 1938. 779 ft., sd., color.

Credits: Music, Jack Shilkret; photographer, Hone M. Glending.

IMPERIAL INDIA. © 1915. © United Photo Plays Co. (George A. Dorsey,
author).

1. © title & 46 prints, 3Nov15; descr., 22Nov15; MU456.

2. © title & 49 prints, 3Nov15; descr., 22Nov15; MU457.

3. © title & 29 prints, 3Nov15; descr., 22Nov15; MU458.

4. © title & 43 prints, 3Nov15; descr., 22Nov15; MU459.

IMPERIAL INDIA. Powers. (Dr. Dorsey's Travel Pictures) 1916. 1 reel
each. © Universal Film Mfg. Co., Inc.

1. Sports of the Rajahs. © 29Jun16; MP657.

2. The Devil Dancers of India. © 11Jul16; MP667.

4. The Rough Riders of India. © 21Jul16; MP677.

THE IMPERIAL RUSSIAN COSSACKS WITH CAPTAIN N. F. SANIN. 1928. 1 reel.

THE IMPERSONATION OF TOM. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Corneilius Shea.

THE IMPERSONATOR. 1914. 3 reels. Adapted from the novel by Mary Imlay
Taylor.

IMPORTANT NEWS. (A Miniature) 1936. 1 reel, sd., b&w.

Credits: Director, Edwin Lawrence.

IMPOSSIBLE CATHERINE. Presented by Virginia Pearson Photoplays, Inc. ©
1920.

Credits: Director, John B. O'Brien.

THE IMPOSSIBLE MRS. BELLEW. 1922. 7 reels. From the novel by David
Lisle [pseud.]

Credits: Director, Sam Wood; adaptation, Percy Heath, Monte M.
Katterjohn.

THE IMPOSTER. 1913. 3 reels.

THE IMPOSTER. SEE A Daughter of Luxury.

THE IMPOSTOR. Released by Mutual Film Corp. 1918. 5 reels.

Credits: Director, Dell Henderson; scenario, Anthony P. Kelly.

THE IMPOSTOR. Released by F. B. O. 1926. 6 reels.

Credits: Director, Chet Withey; story, Clifford Howard; screenplay,
Ewart Adamson.

THE IMPRACTICAL JOKER. (Betty Boop Cartoon) 1937. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank
Endres.

IMPRESSIONS. SEE Albert Carroll in Impressions.

IMPRESSIONS OF TSCHAIKOWSKY'S OVERTURE 1812. 1929. 1 reel.

IMPROPAGANDA. (Paramount-Flagg Comedy) 1919. 2 reels.

Credits: Director, Saul Harrison; story, James Montgomery Flagg.

IMPULSE. 1922. 5 reels. Adapted from the story "Her Unknown Knight" by
Maude Woodruff Newell.

IMPULSES. SEE A Sporting Chance.

IN A BLACKSMITH SHOP. 1927. 1 reel, sd.

Credits: Director, Bryan Foy.

IN A CAGE WITH POLAR BEARS. Powers. 1916. 1/2 reel.

IN A CLOCK STORE. (Silly Symphony, no. 22) 1931. 1 reel.

IN A GLASS DARKLY. SEE Vampire.

IN A JACKPOT. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

IN A JAPANESE TEA GARDEN. 1913. 1 reel.

IN A LOOKING GLASS. Black Cat. 1916. 33 min.

Credits: Charles Michelson; director, L. C. Windom.

IN A MERMAID LAIR. 1920. 1 reel.

IN A MOMENT OF TEMPTATION. 1927. 6 reels.

Credits: Director, Philip Carle; original story, Laura Jean Libbey.

IN A MONASTERY CELLAR. 1927. 1 reel.

Credits: Director, Bryan Foy.

IN A MONASTERY GARDEN. (Musical Moods) 1934. 1 reel, sd., color.

Credits: Music, Albert W. Ketelbey; director of orchestra, Rosario
Bourdon.

IN A MUSIC SHOPPE. 1928. 2 reels.

Credits: Written and directed by James A. Fitzpatrick.

IN A PIG'S EYE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnnie
Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film
editor, Edward Mann.

IN A PROHIBITION TOWN. 1914. 1 reel.

Credits: J. Edward Hungerford.

** © American Kineto Corp.; title, descr. & 44 prints, 28Aug13;
LU1162.

IN AGAIN. Century. 1921. 2 reels.

Credits: Story and direction, Tom Buckingham.

IN AGAIN—OUT AGAIN. 1917. 5 reels.

Credits: Producer, John Emerson; story, Anita Loos.

IN AGAIN, OUT AGAIN. Nestor. 1917. 1 reel.

IN AGAIN, OUT AGAIN. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

IN AGAIN, OUT AGAIN. 1930. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Paul Gerard Smith;
adaptation, E. K. Nadel; dialogue staged by Max E. Hayes.

IN AN ARABIAN NIGHT CLUB. 1929. 1 reel.

Credits: Story, Sam Jacobson.

IN AND AROUND KEY WEST, FLORIDA. 1918. Split reel.

IN AND OUT. 1929. 2 reels, sd. From the Wildcat stories by Hugh Wiley.

Credits: Production and adaptation, Monte Brice; director, Nat
Nazarro.

IN AND OUT LAWS. SEE Felix the Cat in In and Out Laws.

IN ARCADIA. 1916. 1 reel.

Credits: Director, Courtlandt Van Deusen.

IN BAD. 1924. 2 reels.

Credits: Director, Billy West.

IN BAD ALL AROUND. 1919. 2 reels.

Credits: Director, Billy Watson.

IN BARCELONA. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN BATIK LAND. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN BED—IN BAD. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

IN BORROWED PLUMES. 1926. 6 reels. From the Smart Set story by Leroy
Scott.

Credits: Director, Victor Hugo Halperin.

IN BRIDAL ATTIRE. 1914. 1 reel.

Credits: Director, Lee Beggs.

IN CALIENTE. First National. 1935. 9 reels, sd.

Credits: Director, Lloyd Bacon; story and adaptation, Ralph Block,
Warren Duff; screenplay, Jerry Wald, Julius Epstein; film editor,
Jimmy Gibbons; music and lyrics, Harry Warren, Al Dubin; music
director, Leo F. Forbstein.

IN CHRISTMAS CANYON. SEE Across the Burning Trestle.

IN CONFERENCE. (Educational's Comedies) (Mack Sennett Comedies) 1931.
21 min., sd.

Credits: Director, Eddie Cline.

IN DEEP. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Charles Lamont.

IN DEFIANCE OF THE LAW. 1914. 3 reels. Adapted from the novel "Isobel"
by James Oliver Curwood.

Credits: Producer, Colin Campbell.

IN DREAMY JUNGLE TOWN. Rex. 1916. 1 reel.

IN DUTCH. 1918. 2 reels.

Credits: Director, J. G. Blystone.

IN DUTCH. (Aesop's Fable) 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

IN EARLY ARIZONA. 1938. 5 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate
Gatzert; film editor, Dwight Caldwell.

IN EVERY WOMAN'S LIFE. 1924. 7 reels. From the novel "Belonging" by
Olive Wadsley.

Credits: Director, Irving Cummings; screenplay, Albert Shelby
LeVino.

IN FAR MANDALAY. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN FAST COMPANY. 1924. 6 reels.

Credits: Director, James W. Horne; story, Alfred A. Kohn; scenario,
Garrett Elsden Fort.

IN FINISTERE. (Paramount-Burton Holmes Travel Picture) 1920. 1 reel.

IN FOLLY'S TRAIL. 1920. 5 reels.

Credits: Director, Rollin Sturgeon; story, Katherine Leiser Robbins;
scenario, Doris Schroeder.

IN FOR LIFE. Bluebird. 1927. 1 reel.

Credits: Director, Jay Belasco.

IN FOR THIRTY DAYS. 1919. 5 reels.

Credits: Director, Webster Cullison; story, Luther A. Reed;
scenario, George D. Baker, Tom J. Geraghty.

IN GAY MADRID. 1930. 9 reels, sd., b&w. From the novel "La Casa de la
Troya" by Alejandro Perez Lugin.

Credits: Producer, Robert Z. Leonard; dialogue continuity, Bess
Meredyth, Salisbury Field, Edwin Justus Mayer; film editor, William
S. Gray; music, Fred E. Ahlert, Xavier Cugat, Herbert Stothart.

Credits: Producer, E. A. Martin.

IN HER MOTHER'S FOOTSTEPS. 1915. 2,000 ft.

IN HIS BROTHER'S PLACE. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Harry L. Franklin;
story, Hale Hamilton; scenario, A. S. LeVino.

IN HIS CUPS. (Fable, no. 421) 1929. 1 reel.

Credits: Paul Terry.

IN HIS FATHER'S FOOTSTEPS. Demonstrating the Danger of Insanitary Farm
Conditions. 1915. Produced under the auspices of the New York State
Department of Health.

Credits: Director, Eugene Rowland.

IN HIS MIND'S EYE. Big U. 1915. 1 reel.

Credits: Producer, Charles Giblyn; scenario, Bess Meredyth.

IN HIS OWN TRAP. Rex. 1916. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

IN HIS STEPS. (Presented by Edward L. Alperson) 1936. 8 reels, sd.
Suggested by the story by Charles M. Sheldon.

Credits: Producer, B. F. Zeidman; director, Karl Brown; screenplay,
Karl Brown, Hinton Smith; film editors, Edward Schroeder, Duncan
Mansfield; music supervision, Abe Meyer.

IN HIS STEPS. SEE The Martyrdom of Philip Strong. Sins of the
Children.

IN HOCK. 1923. 1 reel.

IN HOLLAND. 1929. 5 reels, b&w.

Credits: Director, Norman Taurog; story and scenario, Paul Gerald
Smith.

IN HOLLYWOOD WITH POTASH AND PERLMUTTER. First National. 1924. 7
reels. From the Broadway stage success "Business Before Pleasure" by
Montague Glass and Jules Eckert Goodman.

Credits: Director, Al Green; adaptation, Frances Marion.

IN HONOR'S WEB. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Perry N. Vekroff; scenario,
Sam Taylor.

IN HOT WEATHER. 1922. 1 reel.

IN JAVA SEA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN JUDGEMENT OF. 1918. 5 reels.

Credits: Director, Will S. Davis; story and scenario, George D.
Baker.

IN JUNGLE WILDS. 1916. 1 reel.

Credits: Director, L. W. Chaudet.

IN LEOPARD LAND. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, J. Edward Hungerford.

IN LIEU OF DAMAGES. 1914. 1 reel.

Credits: Hapsburg Liebe; director, Richard R. Ridgely.

IN LINE OF DUTY. (Western Featurette) 1929. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, William
Lester.

IN LOVE AT 40. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Arthur Ripley; story, Joe
Cunningham; film editor, Edward Mann.

IN LOVE WITH A FIREMAN. Joker. 1916. 1 reel.

Credits: Walter H. Newman; producer, William W. Beaudine.

IN LOVE WITH LIFE. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert
Ellis.

IN LOVE WITH LOVE. 1924. 6 reels.

Credits: Director, Rowland V. Lee; story, Vincent Lawrence;
adaptation and scenario, Robert N. Lee.

IN LOVE'S LABORATORY. 1917. 1 reel.

Credits: Story, Edward H. Griffith.

IN LOVE'S OWN WAY. 1915. 3 reels.

Credits: Producer, John E. Ince.

IN MIZZOURA. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5
reels. Based on the story by Augustus Thomas.

Credits: Director, Hugh Ford; scenario, Beulah Marie Dix.

IN MONKEYLAND. Powers. 1917. 1/2 reel.

IN MOROCCO. (A Columbia Tour) 1939. 1 reel, sd.

Credits: Producer, André de la Varre; narrator, Milton Cross.

IN MY GONDOLA. (A Color Rhapsody) (Scrappy) Released by Columbia
Pictures Corp. 1936. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art
Davis; music, Joe de Nat.

IN NACHT UND EIS. SEE Shipwrecked In Icebergs.

IN NAME ONLY. 1939. 94 min., sd. From the novel "Memory of Love" by
Bessie Breuer.

Credits: Pandro S. Berman in charge of production; producer, George
Haight; director, John Cromwell; screenplay, Richard Sherman;
editor, William Hamilton; music, Roy Webb.

IN NEW MADRID. (A Paramount-Burton Holmes Travel-Picture) 1921. 1
reel.

IN NORTH CHINA; AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

IN OLD ARIZONA. 1929. 7 reels, sd., b&w.

Credits: Directors, Raoul Walsh, Irving Cummings; scenario,
adaptation and dialogue, Tom Barry.

IN OLD CALIENTE. 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original
screenplay, Norman Houston, Gerald Geraghty; film editor, Edward
Mann; music director, Cy Feuer.

IN OLD CALIFORNY. SEE Faro Nell.

IN OLD CHEYENNE. Presented by George W. Weeks. 1931. 62 min., sd.

Credits: Supervision, Webb-Douglas; director, Stuart Payton; story,
Bennet Cohn; continuity and dialogue, Betty Burbridge.

IN OLD CHICAGO. 1938. 10,002 ft., sd. Based on the story "We the
O'Learys" by Niven Busch.

Credits: Director, Henry King; screenplay, Lamar Trotti, Sonya
Levien; music director, Louis Silvers.

IN OLD ENGLAND. 1917. 1 reel.

IN OLD GRANADA. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN OLD GUATEMALA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN OLD KENTUCKY. 1920. 7 reels. From the play by Charles T. Dazey.

Credits: Directors, Marshall Neilan and staff; scenario, Thomas J.
Geraghty.

IN OLD KENTUCKY. 1927. 7 reels, sd., b&w. Suggested by the play by
Charles Dazey.

Credits: Producer and director, John M. Stahl; screenplay, A. P.
Younger; adaptation, A. P. Younger, Lew Lipton; titles, Marion
Ainslee, Ruth Cummings; film editors, Basil Wrangell, Margaret
Booth.

IN OLD KENTUCKY. 1927. 7 reels. Suggested by the play by Charles
Dazey.

Credits: Produced and directed by John M. Stahl; screenplay, A. P.
Younger; adaptation, A. P. Younger, Lew Lipton; film editors, Basil
Wrangell, Margaret Booth.

IN OLD KENTUCKY. Presented by Fox Film Corp. 1935. 7,649 ft., sd. From
the play by Charles T. Dazey.

Credits: Producer, Edward Butcher; director, George Marshall;
screenplay, Sam Hellman, Gladys Lehman; additional dialogue, Henry
Johnson; music director, Arthur Lange.

IN OLD MAZUMA. 1931. 2 reels.

Credits: Director, Nat Ross; continuity and dialogue, Hampton Del
Ruth.

IN OLD MEXICO. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on
characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Edward D. Venturini;
screenplay, Harrison Jacobs; film editor, Robert Warwick.

IN OLD MONTEREY. 1939. 8 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Joseph Kane;
original story, Gerald Geraghty, George Sherman; screenplay, Gerald
Geraghty, Dorrell McGowan, Stuart McGowan; film editor, Edward Mann;
music supervision, Raoul Kraushaar.

IN OLD SANTA FE. Presented by Nat Levine. 1934. 7 reels, sd.

Credits: Supervision, Victor Zobel; director, David Howard; story,
Wallace MacDonald, John Rathmell; screenplay, Colbert Clark, James
Gruen; film editor, Thomas Scott.

IN OLD WYOMING. 1937. 1 reel, sd.

IN ONION THERE IS STRENGTH. Joker. 1916. 1 reel.

Credits: Director, Allen Curtis; scenario, William Warren Schoene.

IN PAYMENT OF THE PAST. 1916. 1 reel.

Credits: Marc E. Jones; director, Burton L. King.

Credits: Producer, George L. Tucker.

IN PERSON. 1935. 9 reels, sd. From the novel by Samuel Hopkins Adams.

Credits: Producer, Pandro S. Berman; director, William A. Seiter;
screenplay, Allan Scott; editor, Arthur Schmidt; music director, Roy
Webb; music and lyrics, Dorothy Fields, Oscar Levant.

IN PURSUIT OF POLLY. Paramount. Presented by Adolph Zukor. 1918. 5
reels.

Credits: Director, Chet Withey; story, Mann Page, Izola Forrester;
scenario, Eve Unsell.

IN QUEST OF A MINNIE. SEE Mother's Angel, In Quest of a Minnie, and
Memories.

IN QUEST OF A STORY. 1914. 1 reel.

IN QUEST OF THE LATCH STRING. SEE The Love Net.

Credits: Scenario, Alex Frank.

IN RED DOG TOWN. 1915. Split reel.

Credits: Director, David Kirkland; adaptation, John Emerson, Anita
Loos.

IN SEARCH OF A SINNER. 1920. 5 reels. From the story by Charlotte
Thompson.

Credits: Director, David Kirkland; adaptation, John Emerson, Anita
Loos.

IN SEARCH OF A SINNER. 1921. 5 reels.

Credits: Director, David Kirkland.

** Joseph M. Schenck; 5Dec21; LP17285.

IN SEARCH OF A THRILL. 1923. 5 reels.

Credits: Director, Oscar Apfel; story, Kate Jordan; screenplay,
Basil Dickey, Winifred Dunn.

IN SEARCH OF A WIFE. Gold Seal. 1915. 2 reels.

Credits: Producer, William Worthington; story, Robert McGowan;
scenario, F. McGrew Willis.

© Société Française des Films et Cinématographes Éclair (Eclair Film
Co., author); title, descr. & 60 prints, 28Mar14; LU2445.

IN SECRET. SEE The Black Secret.

IN SHANGHAI AND MACAO. (Paramount-Burton Holmes Travel Picture) 1921.
1 reel.

IN SOCIETY—AND OUT. 1916. 1 reel.

Credits: Thomas J. Gray; producer, Harry Jackson.

IN SPITE OF DANGER. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Anthony
Coldeway; film editor, Otto Meyer.

IN SPITE OF HIM. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

IN THE AIR. 1926. 2 reels.

Credits: Producer, Joe Rock.

IN THE AMAZON JUNGLE. 1915. 1 reel.

Credits: Producer, L. W. Chaudet.

© Scenograph Feature Film Co., Inc. (Captain Besley Motion Picture
Co., author); title, descr. & 12 prints, 13Nov15; MU451.

IN THE BACKGROUND. 1915.

IN THE BAG. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

IN THE BAG. (Slim Summerville Comedy) 1932. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin.

IN THE BAG. (Tom and Jerry Cartoon) 1932. 7-1/4 min.

Credits: John Foster, George Rufle.

IN THE BAG. 1934. 2 reels.

Credits: Direction and editing, Holbrook Todd; continuity, Howard
Christie; commentation and dialogue, Clif Howell.

IN THE BALANCE. 1917. 5 reels. Adapted from the novel "The Hillman" by
E. Phillips Oppenheim.

Credits: Director, Paul Scardon; scenario, Garfield Thompson.

IN THE BEGINNING—NEW ENGLAND. SEE The City.

IN THE BISHOP'S CARRIAGE. SEE She Couldn't Help It.

IN THE BOARDING HOUSE. 1915. Split reel.

IN THE CARQUINEZ WOODS. SEE Tongues of Flame.

IN THE CLAW OF THE LAW. L-Ko. 1915. 1 reel.

IN THE CLUTCHES OF DEATH. (The Great Hokum Mystery) (A Johnnie Walker
Novelty) Atlas Sound Studios. Educational Film Exchanges, Inc.
Presented by E. W. Hammons. 1932. 1,228 ft., sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator,
Lew Lehr; music director, Paul Vincent.

IN THE CLUTCHES OF MILK. Victor. 1917. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, C. B.
Hoadley.

IN THE DARK. 1915. 3,000 ft.

IN THE DAYS OF BUFFALO BILL. Universal Special. 1922. 2 reels each.

Credits; Director, Edward Laemmle; story and scenario, Robert
Dillon.

IN THE DAYS OF DANIEL BOONE. Universal Special. 1923. 2 reels each,
except no. 1 which is 3 reels. © Universal Pictures Corp.

Credits: Directors, Frank Messenger, William Craft, Jay Marchant;
scenario, Jefferson Moffitt; Story, Paul Bryan, Jefferson Moffitt.

IN THE DAYS OF FAMINE. 1915. 3 reels.

Credits: Producer, Theodore Marston.

IN THE DAYS OF SLAVERY. 1914. 1 reel.

Credits: Richard R. Ridgely.

IN THE DAYS OF THE MISSIONS. SEE A Yoke of Gold.

IN THE DAYS OF THE THUNDERING HERD. 1914. 5 reels.

Credits: Director, Colin Campbell.

Credits: Producer, Fred W. Huntley.

IN THE DEAD O' NIGHT. Imp. 1916. 2 reels.

Credits: Willis Woods; director, Douglas Gerrard.

IN THE DEVILDOG HOUSE. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Ben Holmes; story, Ben
Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, George
Crone.

IN THE DIPLOMATIC SERVICE. 1916. 5 reels.

Credits: John C. Clymer, Hamilton Smith; adapted and produced by
Francis X. Bushman.

IN THE DOG HOUSE. 1934. 2 reels, sd.

Credits: Director, Arthur Ripley; story and screenplay, Richard
Smith, Arthur Ripley; film editor, William A. Lyon.

IN THE DOUGH. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley.

IN THE DRAGON'S CLAWS. 1915. 2,000 feet.

IN THE FIRST DEGREE. Presented by Sterling Productions, Inc. 1927. 6
reels.

Credits: Director, Philip Rosen; story, Reginald Wright Kaufman.

IN THE GARDEN. 1913. 1 reel.

Credits: William Brede.

IN THE GARDEN OF CHARITY. SEE Tides of Passion.

IN THE GLASS HOUSE. 1926. 1 reel.

IN THE GOOD OLD DAYS. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

IN THE GOOD OLD SUMMER TIME. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

IN THE GRASP OF THE LAW. Laemmle. 1915. 1 reel.

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Comments

Motion pictures, 1912-1939Chapter I: YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd (1)

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