Chapter XXXVIII: Section V: Apollo and Artemis

The brother and sister deities, twin children of Zeus and Leto, are, with the exception of Athene, the purest and brightest creations of Greek mythology.

The sister’s name, Artemis, certainly meant the sound, whole, or vigorous; that of the brother, Apollōn, is not so certainly explained; though Æschylus considered it to come from ἀπόλλυμι, to destroy.

They both of them had many votaries in Greece; such names as Apollodorus (gift of Apollo), Apollonius, and the like, arising in plenty, but none of them have continued into Christian times, though Apollos was a companion of St. Paul. The sole exception is Apollonia, an Alexandrian maiden, whose martyrdom began by the extraction of all her teeth, thus establishing St. Apolline, as the French call her, as the favourite subject of invocation in the toothache. Abellona, the Danish form of this name, is a great favourite in Jutland and the isles, probably from some relic of the toothless maiden. The Slovaks use it as Polonija or Polona.

The votaries of Artemis did not leave a saint to perpetuate them; but Artemisia, the brave queen of Halicarnassus, had a name of sufficient stateliness to delight the _précieuses_. Thus Artémise was almost as useful in French romances as the still more magnificent Artémidore, the French version of Artemidorus (gift of Artemis).

It was a late fancy of mythology, when all was becoming confused, that made Apollo and Artemis into the sun and moon deities, partly in consequence of their epithets Phœbus, Phœbe, from φάω (to shine). The original Phœbe seems to have belonged to some elder myth, for she is said to have been daughter of Heaven and Earth, and to have been the original owner of the Delphic oracle. Afterwards she was said to have been the mother of Leto (the obscure), and thus grandmother of Apollo and Artemis, who thence took their epithet. This was probably a myth of the alternation of light and darkness; but as we have received our notions of Greek mythology through the dull Roman medium, it is almost impossible to disentangle our idea of Phœbus from the sun, or of Phœbe from the crescent moon. In like manner the exclusively modern Greek φωτεινή (bright), Photinee, comes from φώς phos (light), as does Photius, used in Russia as Fotie.

Strangely enough, we find Phœbus among the mediæval Counts of Foix, who, on the French side of their little Pyrenean county were Gaston Phœbus; on the Spanish, Gastone Febo. Some say that Phœbus was originally a soubriquet applied to one of the family on account of his personal beauty, though it certainly was afterwards given at baptism; others, that it was an imitation of an old Basque name.

Phœbe was a good deal in use among the women of Greek birth in the early Roman empire; and “Phœbe, our sister,” the deaconess of Cenchrea, is commended by St. Paul to the Romans; but she has had few namesakes, except in England; the Italian Febe only being used as a synonym for the moon.

Cynthia was a title belonging to Artemis, from Mount Cynthus, and has thence become a title of the moon, and a name of girls in America.

Delia, another title coming from Delos, the place of her nativity, has been preferred by the Arcadian taste, and flourished in shepherdess poems, so as to be occasionally used as a name in England, but more often as a contraction for Cordelia.

Delphinios and Delphinia were both of them epithets of Apollo and Artemis, of course from the shrine at Delphi. Some say that shrine and god were so called because the serpent Python was named Delphinè; others, that the epithet was derived from his having metamorphosed himself into a dolphin, or else ridden upon one, when showing the Cretan colonists the way to Delphi.

The meaning of _Delphys adelphus_ is the womb; and thus the Greeks believed Delphi to be the centre of the earth, just as the mediæval Christians thought Jerusalem was. It is from this word that delphis (a brother) is derived, and from one no doubt of the same root, that was first a mass, and afterwards a dolphin, the similarity of sound accounting for the confusion of derivatives from the temple and the fish. Again, the dolphin is said to be so called as being the fish of the Dolphièm god.

It was probably as an attribute of the god that Delphinos was used as a name by the Greeks; and it makes its first appearance in Christian times in two regions under Greek influence, namely, Venice and Southern France, which latter place was much beholden for civilization to the Greek colony of Massilia. Dolfino has always prevailed in the Republic of St. Mark; and Delphinus was a sainted bishop of Bourdeaux, in the fourth century, from whom many, both male and female, took the name, which to them was connected with the fish of Jonah, the emblem of the Resurrection.

In 1125, Delfine, heiress of Albon, married Guiges, Count of Viennois. She was his third wife; and to distinguish her son from the rest of the family, he was either called or christened, Guiges Delphin, and assumed the dolphin as his badge, whence badge and title passed to his descendants, the Counts Dauphins de Viennois. The last of these left his country and title to Charles, son of King Jean of France; and thence the heir-apparent was called the Dauphin.

Dalphin appears at Cambrai before 1200; and Delphine de Glandèves, sharing the saintly honours of her husband, Count Elzéar de St. Sabran, became the patroness of the many young ladies in compliment to _la dauphine_.

It is startling to meet with ‘Dolphin’ as a daughter of the unfortunate Waltheof, Earl of Mercia; but unless her mother, Judith, imported the French Delphine, it is probable that it is a mistake for one of the many forms of the Frank, Adel, which was displacing its congener the native Æthel. Indeed, Dolfine, which is very common among German girls now, is avowedly the contraction of Adolfine, their feminine for Adolf (noble wolf).