Chapter CXXXVIII: Section II: Lear and his Daughters

Geoffrey of Monmouth made the eleventh of his kings, descended from Brute, to be called Leir, and live at Leircester, or Leicester, on the river Sore, somewhere about the time of the prophet Elisha.

He is one of the earliest authorities for the story of Lear and the ungrateful daughters, whom he calls Gonorilla and Regan. He gives the name of Cordeilla to the reserved but faithful daughter who could not pay lip service, but redeemed her father’s kingdom when he was exiled and misused by her flattering sisters. It was a very remarkable conception of character, even thus barely narrated, without the lovely endowments with which we have since learnt to invest the good daughter. The sequel in Geoffrey’s chronicle related, that after his kingdom was restored, old Leir died in peace at Leicester, and was buried by Cordeilla “in a certain vault which she ordered to be made for him under the river Sore, at Leicester, and which had been built originally under the ground to the honour of the god Janus; and here all the workmen of the city, upon the anniversary solemnity of that festival, used to begin their yearly labours.”

He further narrates that Cordeilla was dethroned by her nephews, and committed suicide in despair. To this story adhered both the old ballad-monger and Spenser, in the history studied by Sir Guyon; but Shakespeare loved his sweet Cordelia too well to stain her with self-murder, and, though omitting all allusion to Christianity, made her in all her ways and actions a true Christian, and never perhaps showed more consummate art than in producing so perfect an effect with a person so chary of her words.

Whence did Geoffrey get the story which has produced such fruits?

Lear (_gen._), Lir, is the sea. He is also a mythological personage, a god in the elder Irish belief, and father of Mănănnán, the Erse Neptune.

Afterwards, later ballads humanized Lear, and made him the father of Mănănnán, one of the Tuath De Danan, or early conquerors of Ireland, and Lord of the Isle of Man, which is said to be called after him. There is a tradition in Londonderry that his spirit lives in an enchanted castle in the waves of Magilligan, and that his magic ship appears every seventh year. Moreover, the daughters of Mănănnán, granddaughters of Lear, were called Ainè and Aoiffè, and had a desperate quarrel about their husbands' excellence in hunting.

Wales, on its side, shows in the Isle of Anglesea a cromlech, called the tomb of Bronwen, daughter of King Llyr or Leirus. The tomb was opened in 1813, and an ancient urn, once probably containing ashes, was found there. It seems that a somewhat more substantial Llyr lived about the time of the Roman conquest, and was the father of Bronwen, who married the king of Ireland, was ill-treated by him, and received a box on the ear, which was one of the three fatal insults of the Isle of Britain. This lady is very probably the Bronwen of the cromlech; but the conjecture of the Rev. Edward Davies is, that in the story of King Lear, we may have the remains of an ancient myth.

It is certainly remarkable that the notion of Lyr, in connection with turbulent daughters or granddaughters, should be common to both Britain and Ireland. Mr. Davies explains Cordelia to have been originally Creirdyddlydd, the token of the overflowing, also called Creirwy, or the token of the egg. _Creir_ is a token, the sacred article on which a man makes oath, whence it came to mean either a relic or a jewel. Creirdyddlydd might thus be the jewel of the sea, or the token of the flood. At any rate, Creirdyddlydd or Creirwy is a creation of ancient Welsh poetry, once mythical, the daughter of the sea, Llyr or Llud, on which Geoffrey seized for his history. Bronwen, or white bosom, is either another daughter of Lyr, or else Creirdyddlydd under another name, and is supposed to have been the British Proserpine. Both Bronwen and Creirwy are called Gwrvorwyn, man-maid, or virago, and it does not seem impossible that here we see the origin of Cordelia, Regan, and Goneril, as they have been adapted to English pronunciation, the token of the overflowing, the fair bosom, and the virago. Surely these are the daughters of the ocean, rebellious and peaceful. Dynwen, too, is the white wave, the patroness of lovers; and as we shall find by-and-by wave names are remarkably common among the Welsh.

Lear is also called Llwyd, the grey, or the extended, a fitting title for the sea, and which has passed on to form Lloyd, so common as a Welsh Christian and surname, and adopted in England as Floyd.

Creirdyddlydd has due justice done her in the _Mabinogion_, where we further learn that she remains with her father till the day of doom, and that in the mean time two kings, Gwyn ab Nudd and Gwythir mab Graidiawn, have a battle for her hand on every May-day.

Cordula is set down in Welsh and German calendars on the 22nd of October as one of the 11,000 virgins, her feast following that of St. Ursula. It may be remembered that St. Ursula was said to be Cornish; and that her only recorded companion should bear a Cymric name, is in favour of some shade of foundation for her story. Kordula is in consequence a German name. Kordula was a princess of Lingen in 1473; and Michel and Kordel are two children in German household tradition so constantly falling into mishaps as to have become a proverb for folly.

The Germans fancy Cordula is a diminutive of the Latin _cor_, a heart; others have wildly made it the feminine of _Cordeleo_, lion heart, and it has been confused with Delia, the epithet of Diana, from Delos, her birthplace; but Creirdyddlydd is certainly its origin, and remembering that in Welsh _d_ is softened and aspirated by being doubled, is not far from it in sound. Cordelia is hereditary in some Irish families; but is chiefly used for love of Shakespeare’s heroine of filial love.

Bronwen makes her appearance again in the romance of _Sir Tristram_, under the name of Brengwain, the maid of Yseulte. When the Lady Yseulte was sent from her home in Ireland, under the escort of Tristram, to be married to King Mark, of Cornwall, her mother entrusted a love potion to Brengwain to be given on the wedding night.

Unfortunately, a tempest arose on the voyage, and, in the consequent exhaustion, “Swete Ysonde, the fre, asked Brengwain a drink.” And Brengwain, bringing the magic cup by mistake, caused the fatal passion between Yseulte and the knight.

Even the “hound that was there biside, yclept Hodain,” who licked up the drops that were spilt of the philtre, became attached to the knight and lady with the same magic love.

Bronwen or Brengwain has since been in use as a Welsh female Christian name.

The names of the granddaughters of the Irish King Lear were Aine and Aoidheal, a spark, and their dispute was whose husband was the best hunter. Aine means joy or praise, and also fasting. Friday is Diah-Aoine, or fasting day in Irish. Aine, the daughter of Eogah-hal, was looked on as queen of the fairies of South Munster, and her abode was said to be Cnoc Aine or Knockany, the Hill of Aine, in county Limerick; Aoibhinn was queen of the fairies in Thomond or North Munster; Una, of those in Ormond.

Aine continued to be a favourite name in Ireland for many centuries; but in later times it has become the practice to Anglicize it as Anna and Hannah, and possibly Anastasia, though this may have come more directly from the Greek. In 705 reigned a Scottish king called Ainbhceallach the Good. He is turned by different authors into Arinchellar, Armkelleth, Amberkelletus, etc., and his right one is either joyful war, or agile war, or if with the _b_, ferocious war. He was too good for his savage people, and was dethroned at the end of a year, and is usually mentioned by the few historians, who name him, as Amberkelleth.

It is evident then that Aine had come to Scotland with other Gaelic names, and it is probable that this is the word that had come forth as Anaple or Annabell in Scotland long before the period of devotion to St. Anne. In 1158 Annabel Fitz Duncan, daughter to Duncan, Earl of Moray, carried the name into the Lucie family; Annabella of Strathern appears in 1244; Annaple Drummond was wife to King Robert III. of Scotland, about 1390; and thenceforth Anaple has been somewhat common in Scotland, while Anabla and Anabella are equally frequent in Ireland, and Annabella is occasionally used in England as Anna made a little finer.

Aoiffe was more generally used than Aine, but most likely is the origin of the Effie of Scotland, now always used as short for Euphemia, though the Highland version of this name is now Aoirig, or Oighrigh. In other places Aoiffe seems to have been turned into Affrica. In the beginning of the twelfth century ‘Affrica,’ daughter of Fergus of Galway, married ‘Olaus’ the Swarthy, King of Man, and her daughter ‘Effrica’ married Somerled, Thane of Argyle and Lord of the Isles, by whose genealogists she seems to have been translated into Rachel. Africa is still used as a female name in the Isle of Man and in Ireland. Aoiffe was the wife of Cuchullin in the Ossianic poetry, and Evir Allin and Evir Coma, properly Aoibhir Aluin and Aoibhir Caomha, the pleasantly excellent and pleasantly amiable, both appear there.

The recognized equivalent for Aoiffe was, however, Eva, beginning almost from the first Christian times, so that, until I found Aoiffe in such unquestionably heathen company as Lear and Mănănnán, I had made up my mind that she was the Gadhaelic pronunciation of our first mother.

Eva is found in the oldest documents extant in Scotland, and high in their genealogies: Eva O'Dwhine carried the blood of Diarmaid to the Anglo-Norman Campbells; Eva of Menteith married one of the first Earls of Lennox; and Alan, the first High Steward of Scotland, married Eve of Tippermuir, and made her the ancestress of the Stuarts; about the same time that the Irish Aoiffe or Eva, for she at least is known to have borne both names, was being wedded to stout Earl Strongbow.

Aevin, or Evin, is occasionally found in the house of Kennedy, but Eveleen is by far the most common form of both names in Ireland, and has held its ground unchanged. Eibhlin in Irish.

To our surprise, however, Aveline or Eveline make their appearance among the Normans long before the marriage of the Earl of Pembroke. Aveline was the name of the sister of Gunnar, the great-grandmother of William the Conqueror; and Aveline or Eveline was so favourite a Norman name that it well suits the Lady of the Garde Douloureuse in the _Betrothed_. Avelina de Longo-Campo, as the name is Latinized in old chronicles, married the last Earl of Lancaster, and was the mother of that heiress Avelina or Eveline, who, though short-lived and childless herself, carried to her husband, Edmund Crouchback, and the sons of his subsequent marriage, the great county of Lancaster, which made the power of the Red Rose formidable.

Eveline has never been frequent, but was never entirely forgotten in England, (for instance, an Eveline Elstove was baptized in 1539,) and was revived as an ornamental name by Miss Burney’s _Evelina_. At present it is one of those most in vogue, but it ought not to be spelt with a _y_, unless it be intended to imitate the surname Evelyn, the old French form of the Latin _avellana_, a hazel. It was well that the tree-loving author of the _Sylva_ should bear such a surname, and from him and his family, men have frequently been christened by it; but ladies do not follow the old Eveline of song and romance unless they use the true feminine termination.

It is curious that several Keltic names should have come to us with the Normans. They may either have been of the set interchanged with the Northmen at some pre-historical time, or old Keltic ones picked up from the Gallic inhabitants of Neustria, or from the Bretons on the border. In the present case, the latter supposition is the most likely, as the Scandinavians do not seem to have used Eveline. It may of course be after all a diminutive of Eve, but the alternate use of the initial _A_ and _E_ seems to contradict this, and identify it with Aoiffe, daughter of the Irish King Lear.