Chapter VI: Part 6

Concerning the social organisation of the Todas, Mr. Breeks states that they are "divided into two classes, which cannot intermarry, viz., Dêvalyâl and Tarserzhâl. The first class consists of Peiki class, corresponding in some respects to Brahmans; the second of the four remaining classes the Pekkan, Kuttan, Kenna, and Todi. A Peiki woman may not go to the village of the Tarserzhâl, although the women of the latter may visit Peikis." The class names given by Mr. Breeks were readily recognised by the Todas whom I interviewed, but they gave Terthal (comprising superior Peikis) and Tarthal as the names of the divisions. They told me that, when a Terthal woman visits her friends at a Tarthal mand, she is not allowed to enter the mand, but must stop at a distance from it. Todas as a rule cook their rice in butter-milk, but, when a Terthal woman pays a visit to Tarthal mand, rice is cooked for her in water. When a Tarthal woman visits at a Terthal mand, she is permitted to enter into the mand, and food is cooked for her in buttermilk. The restrictions which are imposed on Terthal women are said to be due to the fact that on one occasion a Terthal woman, on a visit at a Tarthal mand, folded up a cloth, and placed it under her putkuli as if it was a baby. When food was served, she asked for some for the child, and on receiving it, exhibited the cloth. The Tarthals, not appreciating the mild joke, accordingly agreed to degrade all Terthal women. According to Dr. Rivers, "the fundamental feature of the social organisation is the division of the community into two perfectly distinct groups, the Tartharol and the Teivaliol [=Dêvalyâl of Breeks]. There is a certain amount of specialisation of function, certain grades of the priesthood being filled only by members of the Teivaliol. The Tartharol and Teivaliol are two endogamous divisions of the Toda people. Each of these primary divisions is sub-divided into a number of secondary divisions [clans]. These are exogamous. Each class possesses a group of villages, and takes its name from the chief of these villages, Etudmad. The Tartharol are divided into twelve clans, the Teivaliol into six clans or madol."

When a girl has reached the age of puberty, she goes through an initiatory ceremony, in which a Toda man of strong physique takes part. One of these splendid specimens of human muscularity was introduced to me on the occasion of a phonograph recital at the Paikara bungalow.

Concerning the system of polyandry as carried out by the Todas, Dr. Rivers writes as follows. "The Todas have long been noted as a polyandrous people, and the institution of polyandry is still in full working order among them. When the girl becomes the wife of a boy, it is usually understood that she becomes also the wife of his brothers. In nearly every case at the present time, and in recent generations, the husbands of a woman are own brothers. In a few cases, though not brothers, they are of the same clan. Very rarely do they belong to different clans. One of the most interesting features of Toda polyandry is the method by which it is arranged who shall be regarded as the father of a child. For all social and legal purposes, the father of a child is the man who performs a certain ceremony about the seventh month of pregnancy, in which an imitation bow and arrow are given to the woman. When the husbands are own brothers, the eldest brother usually gives the bow and arrow, and is the father of the child, though, so long as the brothers live together, the other brothers are also regarded as fathers. It is in the cases in which the husbands are not own brothers that the ceremony becomes of real social importance. In these cases, it is arranged that one of the husbands shall give the bow and arrow, and this man is the father, not only of the child born shortly afterwards, but also of all succeeding children, till another husband performs the essential ceremony. Fatherhood is determined so essentially by this ceremony that a man who has been dead for several years is regarded as the father of any children born by his widow, if no other man has given the bow and arrow. There is no doubt that, in former times, the polyandry of the Todas was associated with female infanticide, and it is probable that the latter custom still exists to some extent, though strenuously denied. There is reason to believe that women are now more plentiful than formerly, though they are still in a distinct minority. Any increase, however, in the number of women does not appear to have led to any great diminution of polyandrous marriages, but polyandry is often combined with polygyny. Two or more brothers may have two or more wives in common. In such marriages, however, it seems to be a growing custom that one brother should give the bow and arrow to one wife, and another brother to another wife."

The pregnancy ceremony referred to above is called pursutpimi, or bow (and arrow) we touch. According to the account given to me by several independent witnesses, the woman proceeds, accompanied by members of the tribe, on a new moon-day in the fifth or seventh month of her pregnancy, to a shola, where she sits with the man who is to become the father of her child near a kiaz tree (Eugenia Arnottiana). The man asks the father of the woman if he may bring the bow, and, on obtaining his consent, goes in search of a shrub (Sophora glauca), from a twig of which he makes a mimic bow. The arrow is represented by a blade of grass called nark (Andropogon Schoenanthus). Meanwhile a triangular niche has been cut in the kiaz tree, in which a lighted lamp is placed. The woman seats herself in front of the lamp, and, on the return of the man, asks thrice "Whose bow is it?" or "What is it?" meaning to whom, or to which mand does the child belong? The bow and arrow are handed to the woman, who raises them to her head, touches her forehead with them, and places them near the tree. From this moment the lawful father of the child is the man from whom she has received the bow and arrow. He places on the ground at the foot of the tree some rice, various kinds of grain, chillies, jaggery (crude sugar), and salt tied in a cloth. All those present then leave, except the man and woman, who remain near the tree till about six o'clock in the evening, when they return to the mand. The time is determined, in the vicinity of Ootacamund, by the opening of the flowers of Onothera tetraptera (evening primrose), a garden escape called by the Todas aru mani puv (six o'clock flower), which opens towards evening. [46] It may be noted that, at the second funeral of a male, a miniature bow and three arrows are burnt with various other articles within the stone circle (azaram).

A few years ago (1902), the Todas, in a petition to Government, prayed for special legislation to legalise their marriages on the lines of the Malabar Marriage Act. The Government was of opinion that legislation was unnecessary, and that it was open to such of the Todas as were willing to sign the declaration prescribed by section 10 of the Marriage Act III of 1872 to contract legal marriages under the provision of that Act. The Treasury Deputy Collector of the Nilgiris was appointed Registrar of Toda marriages. No marriage has been registered up to the present time.

The practice of infanticide among the Todas is best summed up in the words of an aged Toda during an interview with Colonel Marshall. [47] "I was a little boy when Mr. Sullivan (the first English pioneer of the Nilgiris) visited these mountains. In those days it was the custom to kill children, but the practice has long died out, and now one never hears of it. I don't know whether it was wrong or not to kill them, but we were very poor, and could not support our children. Now every one has a mantle (putkuli), but formerly there was only one for the whole family. We did not kill them to please any god, but because it was our custom. The mother never nursed the child, and the parents did not kill it. Do you think we could kill it ourselves? Those tell lies who say we laid it down before the opening of the buffalo-pen, so that it might be run over and killed by the animals. We never did such things, and it is all nonsense that we drowned it in buffalo's milk. Boys were never killed--only girls; not those who were sickly and deformed--that would be a sin; but, when we had one girl, or in some families two girls, those that followed were killed. An old woman (kelachi) used to take the child immediately it was born, and close its nostrils, ears, and mouth with a cloth thus--here pantomimic action. It would shortly droop its head, and go to sleep. We then buried it in the ground. The kelachi got a present of four annas for the deed." The old man's remark about the cattle-pen refers to the Malagasy custom of placing a new-born child at the entrance to a cattle-pen, and then driving the cattle over it, to see whether they would trample on it or not. [48] The Missionary Metz [49] bears out the statement that the Toda babies were killed by suffocation.

At the census, 1901, 453 male and 354 female Todas were returned. In a note on the proportion of the sexes among the Todas, Mr. R. C. Punnett states [50] that "all who have studied the Todas are agreed upon the frequency of the practice (of infanticide) in earlier times. Marshall, writing in 1872, refers to the large amount of female infanticide in former years, but expresses his conviction that the practice had by that time died out. Marshall's evidence is that of native assurance only. Dr. Rivers, who received the same assurance, is disinclined to place much confidence in native veracity with reference to this point, and, in view of the lack of encouragement which the practice receives from the Indian Government, this is not altogether surprising. The supposition of female infanticide, by accounting for the great disproportion in the numbers of the sexes, brings the Todas into harmony with what is known of the rest of mankind." In summarising his conclusions, Mr. Punnett notes that:--

(1) Among the Todas, males predominate greatly over females.

(2) This preponderance is doubtless due to the practice of female infanticide, which is probably still to some extent prevalent.

(3) The numerical preponderance of the males has been steadily sinking during recent years, owing probably to the check which foreign intercourse has imposed upon female infanticide.

In connection with the death ceremonies of the Todas, Dr. Rivers notes that "soon after death the body is burnt, and the general name for the ceremony on this occasion is etvainolkedr, the first day funeral. After an interval, which may vary greatly in length, a second ceremony is performed, connected with certain relics of the deceased which have been preserved from the first occasion. The Toda name for this second funeral ceremony is marvainolkedr, the second day funeral, or 'again which day funeral.' The funeral ceremonies are open to all, and visitors are often invited by the Todas. In consequence, the funeral rites are better known, and have been more frequently described than any other features of Toda ceremonial. Like nearly every institution of the Todas, however, they have become known to Europeans under their Badaga names. The first funeral is called by the Badagas hase kedu, the fresh or green funeral, and the term 'green funeral' has not only become the generally recognised name among the European inhabitants of the Nilgiri hills, but has been widely adopted in anthropological literature. The second funeral is called by the Badagas bara kedu, the 'dry funeral,' and this term also has been generally adopted." The various forms of the funeral ceremonies are discussed in detail by Dr. Rivers, and it must suffice to describe those at which we have been present as eye-witnesses.

I had the opportunity of witnessing the second funeral of a woman who had died from smallpox two months previously. On arrival at a mand on the open downs about five miles from Ootacamund, we were conducted by a Toda guide to the margin of a dense shola, where we found two groups seated apart, consisting of (a) women, girls, and brown-haired female babies, round a camp fire; (b) men, boys, and male babies, carried, with marked signs of paternal affection, by their fathers. In a few minutes a murmuring sound commenced in the centre of the female group. Working themselves up to the necessary pitch, some of the women (near relatives of the deceased) commenced to cry freely, and the wailing and lachrymation gradually spread round the circle, until all, except little girls and babies who were too young to be affected, were weeping and mourning, some for fashion, others from genuine grief. In carrying out the orthodox form of mourning, the women first had a good cry to themselves, and then, as their emotions became more intense, went round the circle, selecting partners with whom to share companionship in grief. Gradually the group resolved itself into couplets of mourners, each pair with their heads in contact, and giving expression to their emotions in unison. Before separating to select a new partner, each couple saluted by bowing the head, and raising thereto the feet of the other, covered by the putkuli. [I have seen women rapidly recover from the outward manifestations of grief, and clamour for money.] From time to time the company of mourners was reinforced by late arrivals from distant mands, and, as each detachment, now of men and now of women, came in view across the open downs, one could not fail to be reminded of the gathering of the clans on some Highland moor. The resemblance was heightened by the distant sound as of pipers, produced by the Kota band (with two police constables in attendance), composed of four Kotas, who made a weird noise with drums and flutes as they drew near the scene of action. The band, on arrival, took up a position close to the mourning women. As each detachment arrived, the women, recognising their relatives, came forward and saluted them in the manner customary among Todas by falling at their feet, and placing first the right and then the left foot on their head. Shortly after the arrival of the band, signals were exchanged, by waving of putkulis, between the assembled throng and a small detachment of men some distance off. A general move was made, and an impromptu procession formed, with men in front, band in the middle, and women bringing up the rear. A halt was made opposite a narrow gap leading into the shola; men and women sat apart as before; and the band walked round, discoursing unsweet music. A party of girls went off to bring fire from the spot just vacated for use in the coming ceremonial, but recourse was finally had to a box of matches lent by one of our party. At this stage we noticed a woman go up to the eldest son of the deceased, who was seated apart from the other men, and would not be comforted in spite of her efforts to console him. On receipt of a summons from within the shola, the assembled Toda men and ourselves swarmed into it by a narrow track leading to a small clear space round a big tree, from a hole cut at the base of which an elderly Toda produced a piece of the skull of the dead woman, wrapped round with long tresses of her hair. It now became the men's turn to exhibit active signs of grief, and all of one accord commenced to weep and mourn. Amid the scene of lamentation, the hair was slowly unwrapt from off the skull, and burned in an iron ladle, from which a smell as of incense arose. A bamboo pot of ghi was produced, with which the skull was reverently anointed, and placed in a cloth spread on the ground. To this relic of the deceased the throng of men, amid a scene of wild excitement, made obeisance by kneeling down before it, and touching it with their foreheads. The females were not permitted to witness this stage of the proceedings, with the exception of one or two near relatives of the departed one, who supported themselves sobbing against the tree. The ceremonial concluded, the fragment of skull, wrapt in the cloth, was carried into the open, where, as men and boys had previously done, women and girls made obeisance to it. A procession was then again formed, and marched on until a place was reached, where were two stone-walled kraals, large and small. Around the former the men, and within the latter the women, took up their position, the men engaging in chit-chat, and the women in mourning, which after a time ceased, and they too engaged in conversation. A party of men, carrying the skull, still in the cloth, set out for a neighbouring shola, where a kedu of several other dead Todas was being celebrated; and a long pause ensued, broken eventually by the arrival of the other funeral party, the men advancing in several lines, with arms linked, and crying out U, hah! U, hah, hah! in regular time. This party brought with it pieces of the skulls of a woman and two men, which were placed, wrapt in cloths, on the ground, saluted, and mourned over by the assembled multitude. At this stage a small party of Kotas arrived, and took up their position on a neighbouring hill, waiting, vulture-like, for the carcase of the buffalo which was shortly to be slain. Several young men now went off across the hill in search of buffaloes, and speedily re-appeared, driving five buffaloes before them with sticks. As soon as the beasts approached a swampy marsh at the foot of the hill on which the expectant crowd of men was gathered together, two young men of athletic build, throwing off their putkulis, made a rush down the hill, and tried to seize one of the buffaloes by the horns, with the result that one of them was promptly thrown. The buffalo escaping, one of the remaining four was quickly caught by the horns, and, with arms interlocked, the men brought it down on its knees, amid a general scuffle. In spite of marked objection and strenuous resistance on the part of the animal--a barren cow--it was, by means of sticks freely applied, slowly dragged up the hill, preceded by the Kota band, and with a Toda youth pulling at its tail. Arrived at the open space between the kraals, the buffalo, by this time thoroughly exasperated, and with blood pouring from its nostrils, had a cloth put on its back, and was despatched by a blow on the poll with an axe deftly wielded by a young and muscular man. On this occasion no one was badly hurt by the sacrificial cow, though one man was seen washing his legs in the swamp after the preliminary struggle with the beast. But Colonel Ross-King narrates how he saw a man receive a dangerous wound in the neck from a thrust of the horn, which ripped open a wide gash from the collar-bone to the ear. With the death of the buffalo, the last scene, which terminated the strange rites, commenced; men, women, and children pressing forward and jostling one another in their eagerness to salute the dead beast by placing their hands between its horns, and weeping and mourning in pairs; the facial expression of grief being mimicked when tears refused to flow spontaneously.

The ceremonial connected with the final burning of the relics and burial of the ashes at the stone circle (azaram) are described in detail by Dr. Rivers.

A few days after the ceremony just described, I was invited to be present at the funeral of a young girl who had died of smallpox five days previously. I proceeded accordingly to the scene of the recent ceremony, and there, in company with a small gathering of Todas from the neighbouring mands, awaited the arrival of the funeral cortége, the approach of which was announced by the advancing strains of Kota music. Slowly the procession came over the brow of the hill; the corpse, covered by a cloth, on a rude ladder-like bier, borne on the shoulders of four men, followed by two Kota musicians; the mother carried hidden within a sack; relatives and men carrying bags of rice and jaggery, and bundles of wood of the kiaz tree (Eugenia Arnottiana) for the funeral pyre. Arrived opposite a small hut, which had been specially built for the ceremonial, the corpse was removed from the bier, laid on the ground, face upwards, outside the hut, and saluted by men, women, and children, with the same manifestations of grief as on the previous occasion. Soon the men moved away to a short distance, and engaged in quiet conversation, leaving the females to continue mourning round the corpse, interrupted from time to time by the arrival of detachments from distant mands, whose first duty was to salute the dead body. Meanwhile a near female relative of the dead child was busily engaged inside the hut, collecting together in a basket small measures of rice, jaggery, sago, honey-comb, and the girl's simple toys, which were subsequently to be burned with the corpse. The mourning ceasing after a time, the corpse was placed inside the hut, and followed by the near relatives, who there continued to weep over it. A detachment of men and boys, who had set out in search of the buffaloes which were to be sacrificed, now returned driving before them three cows, which escaped from their pursuers to rejoin the main herd. A long pause ensued, and, after a very prolonged drive, three more cows were guided into a marshy swamp, where one of them was caught by the horns, and dragged reluctantly, but with little show of fight, to the strains of Kota drum and flute, in front of the hut, where it was promptly despatched by a blow on the poll. The corpse was now brought from within the hut, and placed, face upwards, with its feet resting on the forehead of the buffalo, whose neck was decorated with a silver chain, such as is worn by Todas round the loins, as no bell was available, and the horns were smeared with butter. Then followed frantic manifestations of grief, amid which the unhappy mother fainted. Mourning over, the corpse was made to go through a form of ceremony, resembling that which is performed during pregnancy with the first child. A small boy, three years old, was selected from among the relatives of the dead girl, and taken by his father in search of a certain grass (Andropogon Schoenanthus) and a twig of a shrub (Sophora glauca), which were brought to the spot where the corpse was lying. The mother of the dead child then withdrew one of its hands from the putkuli, and the boy placed the grass and twig in the hand, and limes, plantains, rice, jaggery, honey-comb, and butter in the pocket of the putkuli, which was then stitched with needle and thread in a circular pattern. The boy's father then took off his son's putkuli, and replaced it so as to cover him from head to foot. Thus covered, the boy remained outside the hut till the morning of the morrow, watched through the night by near relatives of himself and his dead bride. [On the occasion of the funeral of an unmarried lad, a girl is in like manner selected, covered with her putkuli from head to foot, and a metal vessel filled with jaggery, rice, etc., to be subsequently burnt on the funeral pyre, placed for a short time within the folds of the putkuli. Thus covered, the girl remains till next morning, watched through the dreary hours of the night by relatives. The same ceremony is performed over the corpse of a married woman who has not borne children, the husband acting as such for the last time, in the vain hope that the woman may produce issue in heaven.] The corpse was borne away to the burning-ground within the shola, and, after removal of some of the hair by the mother of the newly wedded boy, burned, with face upwards, amid the music of the Kota band, the groans of the assembled crowd squatting on the ground, and the genuine grief of the nearest relatives. The burning concluded, a portion of the skull was removed from the ashes, and handed over to the recently made mother-in-law of the dead girl, and wrapped up with the hair in the bark of the tud tree (Meliosma pungens). A second buffalo, which, properly speaking, should have been slain before the corpse was burnt, was then sacrificed, and rice and jaggery were distributed among the crowd, which dispersed, leaving behind the youthful widower and his custodians, who, after daybreak, partook of a meal of rice, and returned to their mands; the boy's mother taking with her the skull and hair to her mand, where it would remain until the celebration of the second funeral. No attention is paid to the ashes after cremation, and they are left to be scattered by the winds.

A further opportunity offered itself to be present at the funeral of an elderly woman on the open downs not far from Paikara, in connection with which certain details possess some interest. The corpse was, at the time of our arrival, laid out on a rude bier within an improvised arbour covered with leaves and open at each end, and tended by some of the female relatives. At some little distance, a conclave of Toda men, who rose of one accord to greet us, was squatting in a circle, among whom were many venerable white-turbaned elders of the tribe, protected from the scorching sun by palm-leaf umbrellas. Amid much joking, and speech-making by the veterans, it was decided that, as the eldest son of the deceased woman was dead, leaving a widow, this daughter-in-law should be united to the second son, and that they should live together as man and wife. On the announcement of the decision, the bridegroom-elect saluted the principal Todas present by placing his head on their feet, which were sometimes concealed within the ample folds of the putkuli. At the funeral of a married woman, three ceremonies must, I was told, be performed, if possible, by a daughter or daughter-in-law, viz.:--

(1) Tying a leafy branch of the tiviri shrub (Atylosia Candolleana) in the putkuli of the corpse;

(2) Tying balls of thread and cowry shells on the arm of the corpse, just above the elbow;

(3) Setting fire to the funeral pyre, which was, on the present occasion, done by lighting a rag fed with ghi with a match.

The buffalo capture took place amid the usual excitement, and with freedom from accident; and, later in the day, the stalwart buffalo catchers turned up at the travellers' bungalow for a pourboire in return, as they said, for treating us to a good fight. The beasts selected for sacrifice were a full-grown cow and a young calf. As they were dragged near to the corpse, now removed from the arbour, butter was smeared over the horns, and a bell tied round the neck. The bell was subsequently removed by Kotas, in whose custody, it was said, it was to remain till the next day funeral. The death-blow, or rather series of blows, having been delivered with the butt end of an axe, the feet of the corpse were placed at the mouth of the buffalo. In the case of a male corpse, the right hand is made to clasp the horns. [It is recorded by Dr. Rivers that, at the funeral of a male, men dance after the buffalo is killed. In the dancing a tall pole, called tadri or tadrsi, decorated with cowry shells, is used.] The customary mourning in couples concluded, the corpse, clad in four cloths, was carried on the stretcher to a clear space in the neighbouring shola, and placed by the side of the funeral pyre, which had been rapidly piled up. The innermost cloth was black in colour, and similar to that worn by a palol. Next to it came a putkuli decorated with blue and red embroidery, outside which again was a plain white cloth covered over by a red cotton cloth of European manufacture. Seated by the side of the pyre, near to which I was courteously invited to take a seat on the stump of a rhododendron, was an elderly relative of the dead woman, who, while watching the ceremonial, was placidly engaged in the manufacture of a holly walking-stick with the aid of a glass scraper. The proceedings were watched on behalf of Government by a forest guard, and a police constable who, with marked affectation, held his handkerchief to his nose throughout the ceremonial. The corpse was decorated with brass rings, and within the putkuli were stowed jaggery, a scroll of paper adorned with cowry shells, snuff and tobacco, cocoanuts, biscuits, various kinds of grain, ghi, honey, and a tin-framed looking-glass. A long purse, containing a silver Japanese yen and an Arcot rupee of the East India Company, was tied up in the putkuli close to the feet. These preliminaries concluded, the corpse was hoisted up, and swung three times over the now burning pyre, above which a mimic bier, made of slender twigs, was held. The body was then stripped of its jewelry, and a lock of hair cut off by the daughter-in-law for preservation, together with a fragment of the skull. I was told that, when the corpse is swung over the pyre, the dead person goes to amnodr (the world of the dead). In this connection, Dr. Rivers writes that "it would seem as if this ceremony of swinging the body over the fire was directly connected with the removal of the objects of value. The swinging over the fire would be symbolic of its destruction by fire; and this symbolic burning has the great advantage that the objects of value are not consumed, and are available for use another time. This is probably the real explanation of the ceremony, but it is not the explanation given by the Todas themselves. They say that long ago, about 400 years, a man supposed to be dead was put on the funeral pyre, and, revived by the heat, he was found to be alive, and was able to walk away from the funeral place. In consequence of this, the rule was made that the body should always be swung three times over the fire before it is finally placed thereon." [Colonel Marshall narrates the story that a Toda who had revived from what was thought his death-bed, has been observed parading about, very proud and distinguished looking, wearing the finery with which he had been bedecked for his own funeral, and which he would be permitted to carry till he really departed this life.] As soon as the pyre was fairly ablaze, the mourners, with the exception of some of the female relatives, left the shola, and the men, congregating on the summit of a neighbouring hill, invoked their god. Four men, seized, apparently in imitation of the Kota Devadi, with divine frenzy, began to shiver and gesticulate wildly, while running blindly to and fro with closed eyes and shaking fists. They then began to talk in Malayalam, and offer an explanation of an extraordinary phenomenon, which had appeared in the form of a gigantic figure, which disappeared as suddenly as it appeared. At the annual ceremony of walking through fire (hot ashes) in that year, two factions arose owing to some dissension, and two sets of ashes were used. This seems to have annoyed the gods, and those concerned were threatened with speedy ruin. But the whole story was very vague. The possession by some Todas of a smattering of Malayalam is explained by the fact that, when grazing their buffaloes on the northern and western slopes of the Nilgiris, they come in contact with Malayalam-speaking people from the neighbouring Malabar district.

At the funeral of a man (a leper), the corpse was placed in front of the entrance to a circle of loose stones about a yard and a half in diameter, which had been specially constructed for the occasion. Just before the buffalo sacrifice, a man of the Paiki clan standing near the head of the corpse, dug a hole in the ground with a cane, and asked a Kenna who was standing on the other side, "Puzhut, Kenna," [51] shall I throw the earth?--three times. To which the Kenna, answering, replied "Puzhut"--throw the earth--thrice. The Paiki then threw some earth three times over the corpse, and three times into the miniature kraal. It is suggested by Dr. Rivers that the circle was made to do duty for a buffalo pen, as the funeral was held at a place where there was no tu (pen), from the entrance of which earth could be dug up.

Several examples of laments relating to the virtues and life of the deceased, which are sung or recited in the course of the funeral ceremonies, are given by Dr. Rivers. On the occasion of the reproduction of a lament in my phonograph, two young women were seen to be crying bitterly. The selection of the particular lament was unfortunate, as it had been sung at their father's funeral. The reproduction of the recitation of a dead person's sins at a Badaga funeral quickly restored them to a state of cheerfulness.

The following petition to the Collector of the Nilgiris on the subject of buffalo sacrifice may be quoted as a sign of the times, when the Todas employ petition-writers to express their grievances:--

"According to our religious custom for the long period, we are bringing forward of our killing buffaloes without any irregular way. But, in last year, when the late Collector came to see the said place, by that he ordered to the Todas first not to keep the buffaloes without feeding in the kraal, and second he ordered to kill each for every day, and to clear away the buffaloes, and not to keep the buffaloes without food. We did our work according to his orders, and this excellent order was an ample one. Now this ----, a chief of the Todas, son of ----, a deceased Toda, the above man joined with the moniagar of ---- village, joined together, and, dealing with bribes, now they arose against us, and doing this great troubles on us, and also, by this great trouble, one day Mr. ---- came for shooting snapes (snipe) by that side. By chance one grazing buffalo came to him, push him by his horns very forcely, and wounded him on his leg. By the help of another gentleman who came with him he escaped, or he would have die at the moment. Now the said moniagar and ---- joined together, want to finish the funeral to his late father on the 18th instant. For this purpose they are going to shut the buffaloes without food in the kraal on the 18th instant at 10 o'clock. They are going to kill the buffaloes on the 19th instant at 4 o'clock in the evening. But this is a great sin against god. But we beg your honour this way. That is, let them leave the buffaloes in the grazing place, and ask them to catch and kill them at the same moment. And also your honour cannot ordered them to keep them in the kraal without food. And, if they will desire to kill the buffaloes in this way, these buffaloes will come on us, and also on the other peoples one who, coming to see funs on those day, will kill them all by his anxious. And so we the Todas begs your honour to enquire them before the 18th, the said funeral ceremony commencing, and not to grant the above orders to them."

A Whit Monday at Paikara was given up to an exhibition of sports and games, whereof the most exciting and interesting was a burlesque representation of a Toda funeral by boys and girls. A Toda, who was fond of his little joke, applied the term pacchai kedu (green funeral) to the corpses of the flies entrapped by a viscous catch'em-alive-oh on the bungalow table. To the mock funeral rites arrived a party of youths, as from a distant mand, and crying out U, hah, in shrill mimicry of their elders. The lad who was to play the leading part of sacrificial buffalo, stripping off his putkuli, disappeared from sight over the brow of a low hillock. Above this eminence his bent and uplifted upper extremities shortly appeared as representatives of the buffalo horns. At sight thereof, there was a wild rush of small boys to catch him, and a mimic struggle took place, while the buffalo was dragged, amid good-tempered scuffling, kicks, and shouting, to the spot where the corpse should have been. This spot was, in the absence of a pseudo-dead body or stage dummy, indicated by a group of little girls, who had sat chatting together till the boy-beast arrived, when they touched foreheads, and went, with due solemnity, through the orthodox observance of mourning in couples. The buffalo was slain by a smart tap on the back of the head with a cloth, which did duty for an axe. As soon as the convulsive movements and twitchings of the death struggle were over, the buffalo, without waiting for an encore, retired behind the hillock once more, in order that the rough and tumble fight, which was evidently the chief charm of the game, might be repeated. The buffalo boy later on came in second in a flat race, and he was last seen protecting us from a mischievous-looking member of his herd, which was grazing on the main-road. Toda buffaloes, it may be noted, are not at all popular with members of the Ootacamund Hunt, as both horses and riders from time to time receive injuries from their horns, when they come in collision.

While the funeral game was in progress, the men showed off their prowess at a game (eln), [52] corresponding to the English tip-cat, which is epidemic at a certain season in the London bye-streets. It is played with a bat like a broomstick, and a cylindrical piece of wood pointed at both ends. The latter is propped up against a stone, and struck with the bat. As it flies off the stone, it is hit to a distance with the bat, and caught (or missed) by the out fields.

At the Muttanad mand, we were treated to a further exhibition of games. In one of these, called narthpimi, a flat slab of stone is supported horizontally on two other slabs fixed perpendicularly in the ground so as to form a narrow tunnel, through which a man can just manage to wriggle his body with difficulty. Two men take part in the game, one stationing himself at a distance of about thirty yards, the other about sixty yards from the tunnel. The front man, throwing off his mantle, runs as hard as he can to the tunnel, pursued by the 'scratch' man, whose object is to touch the other man's feet before he has squeezed himself through the tunnel. Another sport, which we witnessed, consists of trial of strength with a heavy globular stone, the object being to raise it up to the shoulder; but a strong, well-built-man--he who was entrusted with slaying the funeral buffalo--failed to raise it higher than the pit of the stomach, though straining his muscles in the attempt. A splendidly made veteran assured me that, when young and lusty, he was able to accomplish the feat, and spoke sadly of degeneration in the physique of the younger members of the tribe.

Mr. Breeks mentions that the Todas play a game resembling puss-in-the-corner, called karialapimi, which was not included in the programme of sports got up for our benefit. Dr. Rivers writes that "the Todas, and especially the children, often play with mimic representations of objects from practical life. Near the villages I have seen small artificial buffalo-pens and fireplaces made by the children in sport." I have, on several occasions, come across young children playing with long and short pieces of twigs representing buffaloes and their calves, and going solemnly through the various incidents in the daily life of these animals. Todas, both old and young, may constantly be seen twisting flexible twigs into representations of buffaloes' heads and horns.

Of Toda songs, the following have been collected:--

Sunshine is increasing. Mist is fast gathering. Rain may
come. Thunder roars. Clouds are gathering.
Rain is pouring. Wind and rain have combined.
Oh, powerful god, may everything prosper!
May charity increase!
May the buffaloes become pregnant!
See that the buffaloes have calves.
See that the barren women have children.
Go and tell this to the god of the land.
Keygamor, Eygamor (names of buffaloes).
Evening is approaching. The buffaloes are coming.
The calves also have returned.
The buffaloes are saluted.
The dairy-man beats the calves with his stick.
Milk has been offered to the bell.
It is growing dark.
This is a buffalo with beautiful horns.
A buffalo stupidly given away by the Badaga.
A buffalo brought to the Kandal mand.
Innerovya (name of buffalo).
Like this buffalo there is no other.
Parkur (name of a Toda).
Like him there is no man.
The sun is shining. The wind is blowing.
Rain is coming. The trees are in flower.
Tears are falling. The nose is burning.
He is coming, holding up his umbrella.
He is coming, wearing a good body-cloth.
He is coming, wearing a good under-cloth.
He (the palol) is coming, wearing a black cloth.
He is coming, holding his walking-stick of palai wood.
I have a god. What is to become of me?
I am inclined to cry, my heart being heavy.
Oh, my child! Do not cry. It is still crying.
Thuree. Thuree. See. Be quiet.
A robust bull buffalo. Ach! Ach!
A big buffalo not intended for killing. Ach! Ach!
Is leading the cow buffalo. Ah! Ah!
Two or three men are driving it. Ah! Ah!

Song in honour of the arrival of the Maharani-Regent of Mysore at Ootacamund.

All we Todas go to her house, and dance before her.
She gives us fifteen rupees.
She comes near our women, and talks to them.
She gives cloths to us.
Next day we take milk, eight bottles in the morning, four in
the evening.
Month by month she pays us for our milk.
She goes back to Mysore, and, when she goes, we stand in a row
before her.
She gives us presents; cloths and three rupees.
The women cut their hair, and stand before her.

Marriage Song.

Boys and girls are singing.
Much money are they spending.
To the girl her father is giving five buffaloes.
The husband tells his wife that she must curl her hair.
If her hair is curled, all the people will rejoice.
The buffalo is slain, and now we must all dance.
Why are not more people here? More should come.
My buffalo is big, very big.
Go quickly and catch it.
The Todas are all there. They are standing in a row.
Who will run, and catch the buffalo first?
To him will a present of five rupees be given.
I will go and catch it first.
The Todas are all fighting.
The Todas are all feasting.
People give them rice.
The buffalo is coming. Two men run to catch it by the neck.
Ten men collect the buffaloes. They pen them in a kraal.
At one o'clock we take our food.
The buffalo is running, and I hit it on the back with a stick.
It swerves aside, but I drive it back to the path.
Night comes, and we all dance.
Next morning at ten o'clock we bring out the buffalo, and slay it.
At four in the morning we wrap rice and grain in a white cloth,
and burn it.
At eleven we cut the hair of the boys and girls.
At four in the morning the priest goes to the temple (dairy).
He lights the lamp.
At eight he milks his buffaloes.
He puts on no cloth.
He places butter and ghi before the god.
Then he grazes his buffaloes, and eats his food.
Then he puts on his cloth.
At three in the afternoon he goes again to the temple.
He kindles a fire, and lights the lamp.
He puts milk in a chatty, and churns it into butter with a cane.
He mixes water with the butter-milk, and gives it to the women
to drink.
He alone may sleep in the temple.
At four in the morning he lets out the buffaloes to graze.
At seven he milks them.
The woman's house is down the hill.
The priest must not go in unto the woman.
He may not marry.
When he is twenty, he may not enter the temple.
Another is made priest in his stead.

The religious institutions of the Todas, including the elaborate dairy ritual, and their religion, are described in full detail by Dr. Rivers. The Todas have been to some extent influenced by Hinduism, and some visit the temples at Nanjengod in Mysore, Karamadai in the Coimbatore district, and other shrines, whereat they worship, present votive offerings, and pray for offspring, etc. Writing in 1872, Mr. Breeks remarked that "about Ootacamund, a few Todas have latterly begun to imitate the religious practices of their native neighbours. Occasionally children's foreheads are marked with the Siva spot, and my particular friend Kinniaven, after an absence of some days, returned with a shaven head from a visit to the temple of Siva at Nanjengudi." A man who came to my laboratory had his hair hanging down in long tails reaching below his shoulders. He had, he said, let it grow long because his wife, though married five years, had borne no child. A child had, however, recently been born, and, as soon as the second funeral of a relation had been performed, he was going to sacrifice his locks as a thank-offering at the Nanjengod temple. The following extracts from my notes will serve to illustrate the practice of marking (in some instances apparently for beauty's sake) and shaving as carried out at the present day.

(1) Man, aged 28. Has just performed a ceremony at the ti mand. White curved line painted across forehead, and dots below outer ends thereof, on glabella, and outside orbits. Smeared with white across chest, over outer side of upper arms and left nipple, across knuckles and lower end of left ulna, and on lobes of ears.

(2) Man, aged 21. Painted on forehead as above. Smeared over chest and upper eye lids.

(3) Man, aged 35. White spot painted on forehead.

(4) Man, aged 30. Hair of head and beard cut short owing to death of grandfather.

(5) Boy, aged 12. Shock head of hair, cut very short all over owing to death of grandfather.

(6) Girl, aged 8. Hair shaved on top, back and sides of head, and in median strip from vertex to forehead.

(7) Boy, aged 6. White spot painted between eyebrows. Hair shaved on top and sides of head, and in median strip from vertex to forehead. Hair brought forward in fringe over forehead on either side of median strip, and hanging down back of neck.

(8) Male child, aged 18 months. White spot painted between eyebrows. Shaved on top and sides of head.

Todupuzha Vellala.--For the following note, I am indebted to Mr. N. Subramani Aiyar. Besides the Nanchinad Vellalas, there are, in Travancore, two sections of the Vellala caste, inhabiting the mountainous Todupuzha taluk. These are the Tenkanchi and Kumbakonam Vellalas. The former are known by the popular name of Anjuttilkar, or the five hundred, and the latter are designated Munnutilkar, or the three hundred, in reference to the number of families which originally settled in the taluk. Like the Nanchinad Vellalas, they take the title of Pillai, and, in special cases, the honorific prefix Kanakku.

The Tenkanchi Vellalas appear to have dwelt originally in the Tenkasi taluk of the Tinnevelly district, and to have emigrated, as the legend goes, on account of the demand of a Vaduka ruler for the hand of a member of their community in marriage. The Vadakkumkur Rajas were ruling over Todupuzha at the time of their migration, and afforded them a safe asylum. The Kumbakonam Vellalas believe that they emigrated to Travancore about the commencement of the Malabar era from Kumbakonam in the Tanjore district. Both divisions speak Malayalam, but there are clear indications in their speech that their mother-tongue was once Tamil, and they always use that language in their ceremonial writings. The Anjuttilkar women have adopted the dress and ornaments of the Nayars. Both sections wear the tuft of hair in front, but the Munnutilkar women do not tie the hair on the left side like the Nayars and Anjuttilkars, but behind like the Pandi Vellalas. Nor do the Anjuttilkar women wear a white dress like the Tenkanchis, but a coloured cloth, sixteen cubits in length, in orthodox Tamil fashion. Again, while the Tenkanchi women largely resort to the todu and other Nayar ornaments, the Kumbakonam women are more conservative, and wear only the pampadam and melidu, though they sometimes wear jewels, such as the nagapata tali for the neck. Both sections are Saivites, in the sense that they abstain from flesh and fish.

Their principal occupation is agriculture. They worship the two mountain deities Bhadrakali and Durga. In the Kirikkot muri of the Karikkod property there is a temple dedicated to Siva or Unnamalanathar, with a large amount of property attached to it. This belongs to the Tenkanchi Vellalas, and a Malayalam Brahman performs the priestly functions. The Kumbakonam Vellalas have their own temples, such as the Ankalamma koil, Annamala matam, Virabhadran koil, etc., and worship, besides the principal gods of the Hindu pantheon, such minor deities as Virabhadran, Karuppan, Bhairavan, Mariamman, and Muttaramman. The priests of both sections are East Coast Brahmans, who live in the Todupuzha taluk. As their profession is regarded by other Brahmans as degrading, they, especially in the case of the Kumbakonam Vellalas, perform their duties stealthily. The headman of the Kumbakonam section lives in the Periyakulam taluk of the Madura district, and, by his order, an image of Siva is worshipped at their homes.

Divorce is not permitted on any ground, and, in ancient days, widow remarriage was forbidden. There is a legend that a woman of this caste, who was a friend of the daughter of a certain Vadakkumkur Rajah, was so aggrieved at the news of her newly married husband's death that, at her intercession, the Rajah issued a proclamation permitting the remarriage of widows. If no husband has been found for a girl before she reaches puberty, certain propitiatory rites have to be performed, at which one of her female relations represents her. On the fourth day of the marriage ceremony, the bride and bridegroom, before they bathe, rub each other's bodies with oil, and, going to a large caldron containing water, throw a gold and silver ring into it, and pick them out three times. Inheritance of both sections is from father to son (makkathayam). A sambandham alliance does not confer any rite of inheritance.

The names of both sections are such as are unknown among Nayars, e.g., Sivalingam, Arunachalam, Chidambaram, Arumukham. The Tenkanchis are considered to be higher in the social scale than the Kumbakonam section, as they observe only twelve days' death pollution, whereas the latter are under pollution for sixteen days. The Tenkanchis may enter the temple, and, like Nayars, stand on the left side of the inner shrine, whereas the Kumbakonam Vellalas may proceed only as far as the balikkalpura, or out-house of the temple, and not enter the nalambalam. Again, butter-milk is freely received by Brahmans from the Tenkanchis, but not from members of the Kumbakonam section. While Pandi Vellalas will not receive food from the Tenkanchis, or give their daughters in marriage to them, the latter will not intermarry with the Nanchinad Vellalas.