Chapter II: Part 2
Tirumalpad.--Tirumalpad has been summed up as "one of the four divisions of Kshatriyas in Travancore. The term, in its literal sense, conveys the idea of those who wait before kings. In mediæval times the Tirumalpads were commanders of armies." By Mr. Wigram [15] Tirumalpad is defined as a member of a Royal Family. In the Madras Census Report, 1891, it is stated that "there are two Tirumalpads, one a Samanta, and the other a so-called Kshatriya. The former observes customs and manners exactly similar to Eradis and Nedungadis. In fact, these are all more or less interchangeable terms, members of the same family calling themselves indifferently Eradi or Tirumalpad. The Kshatriya Tirumalpad wears the sacred thread, and the rites he performs are similar to those of Brahmans, whose dress he has also adopted. He has, however, like Nayars, tali-kettu and sambandham separately. His females take Nambudiri consorts by preference, but may have husbands of their own caste. Their inheritance is in the female line, as among Nayars and Samantas. Generally the females of this caste furnish wives to Nambudiris. The touch of these females does not pollute a Nambudiri as does that of Nayars and Samantas, and, what is more, Nambudiris may eat their food. The females are called Nambashtadiri."
For the following note on Tampans and Tirumalpads, I am indebted to the Travancore Census Report, 1901. "The Tampans and Tirumalpats come under the category of Malabar Kshatriyas.The word Tampan is a contraction of Tampuran, and at one time denoted a ruling people. When they were divested of that authority by the Ilayetattu Svarupam, they are said to have fallen from the status of Tampurans to Tampans. Their chief seat is the Vaikam taluk. The Tirumalpats do not seem to have ruled at all. The word Tirumulpatu indicates those that wait before kings. There is an old Sanskrit verse, which describes eight classes of Kshatriyas as occupying Kerala from very early times, namely (1) Bhupala or Maha Raja, such as those of Travancore and Cochin, (2) Rajaka or Rajas, such as those of Mavelikara and Kotungallur, (3) Kosi or Koiltampuran, (4) Puravan or Tampan, (5) Sripurogama or Tirumulpat, (6) Bhandari or Pantarattil, (7) Audvahika or Tirumalpat, (8) Cheta or Samanta. From this list it may be seen that two classes of Tirumulpats are mentioned, namely, Sripurogamas who are the waiters at the Raja's palace, and the Audvahikas who perform Udvaha or wedding ceremony for certain castes. Both these, however, are identical people, though varying in their traditional occupations. The chief seats of the Tirumulpats are Shertallay and Tiruvalla."
The Tampans and Tirumulpats are, for all purposes of castes, identical with other Malabar Kshatriyas. Every Tampan in Travancore is related to every other Tampan, and all are included within one circle of death and birth pollution. Their manners and customs, too, are exactly like those of other Kshatriyas. They are invested with the sacred thread at the sixteenth year of age, and recite the Gayatri (hymn) ten times thrice a day. The Nambutiri is the family priest, and (death) pollution lasts for eleven days. The Kettukalyanam, or tali-tying ceremony, may be performed between the seventh and the fourteenth year of age. The tali is tied by the Aryappattar, while the Namputiris recite the Vedic hymns. Their consorts are usually Namputiris, and sometimes East Coast Brahmans. Like all the Malabar Kshatriyas, they follow the marumakkathayam system of inheritance (through the female line). Tampans and Tirumulpats are often the personal attendants of the Travancore Maharajas, whom they serve with characteristic fidelity and devotion.The Tirumulpats further perform the tali-tying ceremony of the Nayar aristocracy.
The names of the Tirumulpats and Tampans are the same as those of other classes of Kshatriyas. The title Varma is uniformly added to their names. A few families among these, who once had ruling authority, have the titular suffix Bhandarattil, which is corrupted into Pantarattil. The Tampans call themselves in documents Koviladhikarikal, as they once had authority in kovils or palaces.
Tiruman (holy deer).--An exogamous section of Kallan.
Tirumudi (holy knot).--Recorded, in the Madras Census Report, 1901, as "bricklayers, whose women are usually prostitutes; found chiefly in Salem and Coimbatore. They are either Vettuvans or Kaikolans. Kaikolan women, when they are dedicated to the temple, are supposed to be united in wedlock with the deity.
Tiruvalluvan.--A sub-division of Valluvan. Tiruvalluvar, the author of the Kural, is said to have belonged to the Valluva caste.
Tiru-vilakku-nagarattar (dwellers in the city of holy lamps).--A name assumed by Vaniyans (oil-pressers).
Tiyadi.--A synonym of the Tiyattunni section of Ambalavasis (see Unni).
Tiyan.--The Tiyans, and Izhuvans or Iluvans, are the Malayalam toddy-drawing castes of Malabar, Cochin, and Travancore. The following note, except where otherwise indicated, is taken from an account of the Tiyans of Malabar by Mr. F. Fawcett.
The Tiyans in Malabar number, according to the census returns, 512,063, or 19·3 per cent. of the total population. The corresponding figures for the Izhuvans are 101,638, or 3·8 per cent. The Tiyans have been summed up [16] as the middle class of the west coast, who cultivate the ground, take service as domestics, and follow trades and professions--anything but soldiering, of which they have an utter abhorrence.
The marumakkatayam system (inheritance through the female line), which obtains in North Malabar, has favoured temporary connections between European men and Tiyan women, the children belonging to the mother's tarvad. Children bred under these conditions, European influence continuing, are often as fair as Europeans. It is recorded, in the Report of the Malabar Marriage Commission, 1894, that "in the early days of British rule, the Tiyan women incurred no social disgrace by consorting with Europeans, and, up to the last generation, if the Sudra girl could boast of her Brahman lover, the Tiyan girl could show more substantial benefits from her alliance with a white man of the ruling race. Happily, the progress of education, and the growth of a wholesome public opinion, have made shameful the position of a European's concubine; and both races have thus been saved from a mode of life equally demoralising to each." On this point, Mr. L. K. Anantha Krishna Iyer writes as follows. [17] "It is true that there is an elevation both physically and mentally in the progeny of such a parentage. On making enquiries about this, I learn from a respectable and educated Tiyan gentleman that this union is looked upon with contempt by the respectable class of people, and by the orthodox community. I am further informed that such women and children, with their families, are under a ban, and that respectable Tiya gentlemen who have married the daughters of European parentage are not allowed to enjoy the privileges of the caste. There are, I hear, several such instances in Calicut, Tellicherry, and Cannanore. Women of respectable families do not enter into such connection with Europeans."
It is commonly supposed that the Tiyans and Izhuvans came from Ceylon. It is recorded, in the South Canara Manual, that "it is well known that both before and after the Christian era there were invasions and occupations of the northern part of Ceylon by the races then inhabiting Southern India, and Malabar tradition tells us that some of these Dravidians migrated again from Iram or Ceylon northwards to Travancore and other parts of the west coast of India, bringing with them the cocoanut or southern tree (tengina mara), and being known as Tivars (islanders) or Iravars, which names have since been altered to Tiyars and Ilavars. Dr. Caldwell derives Iram from the Sanskrit Simhala through the Pali Sihala by the omission of the initial S." It is noted by Bishop Caldwell [18] that there are traces of a common origin of the Iluvans and Shanars, Shanar (or Shener), for instance, being a title of honour amongst the Travancore Ilavars. And it is further recorded [19] that there is a tradition that the Shanars came originally from Ceylon. The Izhuvans are supposed to derive their caste name from Izha dwipa (island) or Simhala dwipa (both denoting Ceylon). In a Tamil Puranic work, quoted by Mr. Anantha Krishna Iyer, mention is made of a King Illa of Ceylon, who went to Chidambaram in the Tamil country of Southern India, where a religious discussion took place between the Buddhist priests and the Saivite devotee Manickavachakar in the presence of King Illa, with the result that he was converted to the Saivite faith. From him the Iluvans are said to be descended.
The Tiyans are always styled Izhuvan in documents concerning land, in which the Zamorin, or some Brahman or Nayar grandee, appears as landlord. The Tiyans look down on the Izhuvans, and repudiate the relationship. Yet they cannot but submit to be called Izhuvan in their documents, for their Nayar or Brahman landlord will not let them have the land to cultivate, unless they do so. It is a custom of the country for a man of a superior caste to pretend complete ignorance of the caste of an individual lower in the social scale. Thus, in the Wynad, where there are several jungle tribes, one is accustomed to hear a man of superior caste pretending that he does not know a Paniyan from a Kurumba, and deliberately miscalling one or the other, saying "This Paniyan," when he knows perfectly well that he is a Kurumba. It is quite possible, therefore, that, though Tiyans are written down as Izhuvans, the two were not supposed to be identical. State regulations keep the Izhuvans of Cochin and Travancore in a position of marked social inferiority, and in Malabar they are altogether unlettered and uncultured. On the other hand, the Tiyans of Malabar provide Magistrates, Sub-Judges, and other officials to serve His Majesty's Government. It may be noted that, in 1907, a Tiya lady matriculate was entertained as a clerk in the Tellicherry post-office.
A divagation must be made, to bring the reader to a comprehension of the custom surrounding mattu, a word signifying change, i.e., change of cloth, which is of sufficient importance to demand explanation. When a man or woman is outcasted, the washerwoman (or man) and the barber of the community (and no other is available) are prohibited from performing their important parts in the ceremonies connected with birth, death, and menstruation. A person who is in a condition of impurity is under the same conditions; he or she is temporarily outcasted. This applies to Nambutiris and Nayars, as well as to the Tiyans. Now the washerwoman is invariably of the Tiyan caste. There are Mannans, whose hereditary occupation is washing clothes for Nambutiris and Nayars, but, for the most part, the washerwoman who washes for the Nayar lady is of the Tiyan caste. A woman is under pollution after giving birth to a child, after the death of a member of her tarvad, and during menstruation. And the pollution must be removed at the end of the prescribed period, or she remains an outcaste--a very serious thing for her. The impurity is removed by receiving a clean cloth from the washerwoman, and giving in exchange her own cloth to be washed. This is mattu, and, be it noted, the cloth which gives mattu is one belonging to the washerwoman, not to the person to be purified. The washerwoman gives her own cloth to effect the purification. Theoretically, the Tiyan has the power to give or withhold mattu, and thus keep any one out of caste in a state of impurity; but it is a privilege which is seldom if ever exercised. Yet it is one which he admittedly holds, and is thus in a position to exercise considerable control over the Nambutiri and Nayar communities. It is odd that it is not a soiled cloth washed and returned to the person which gives purification, but one of the washerwoman's own cloths. So the mattu may have a deeper meaning than lies in mere change of cloth, dressing in a clean one, and giving the soiled one to a person of inferior caste to wash. This mattu is second in importance to no custom. It must be done on the last day of pollution after birth and death ceremonies, and menstruation, or the person concerned remains outcasted. It is noteworthy that the Izhuvans know nothing of mattu.
An Izhuvan will eat rice cooked by a Tiyan, but a Tiyan will not eat rice cooked by an Izhuvan--a circumstance pointing to the inferiority of the Izhuvan. A Nayar, as well as a Tiyan, will partake of almost any form of food or drink, which is prepared even by a Mappilla (Malabar Muhammadan), who is deemed inferior to both. But the line is drawn at rice, which must be prepared by one of equal caste or class, or by a superior. An Izhuvan, partaking of rice at a Tiyan's house, must eat it in a verandah; he cannot do so in the house, as that would be defilement to the Tiyan. Not only must the Izhuvan eat the rice in the verandah, but he must wash the plates, and clean up the place where he has eaten. Again, an Izhuvan could have no objection to drinking from a Tiyan's well. Further, there is practically no mixture in the distribution of Tiyans and Izhuvans. Where there are Izhuvans there are no Tiyans, and vice versâ. [In a photograph of a group of Izhuvan females of Palghat eating their meal, which was sent to me, they are all in a kneeling posture, with the buttocks supported on the heels. They are said to assume the same attitude when engaged in grinding and winnowing grain, and other occupations, with a resultant thickening of the skin over the knees.]
Differences, which might well come under the heading marriage, may be considered here, for the purpose of comparison between the Tiyans and Izhuvans. During the preliminaries to the marriage ceremony among the Tiyans, the date of the marriage having been fixed in the presence of the representatives of the bride and bridegroom, the following formula is repeated by the Tandan or headman of the bride's party. Translated as accurately as possible, it runs thus. "The tara and changati of both sides having met and consulted; the astrologer having fixed an auspicious day after examining the star and porutham; permission having been obtained from the tara, the relations, the illam and kulam, the father, uncle, and the brothers, and from the eight and four (twelve illams) and the six and four (ten kiriyams); the conji and adayalam ceremonies and the four tazhus having been performed, let me perform the kanjikudi ceremony for the marriage of ... the son of ... with ... daughter of ... in the presence of muperium." This formula, with slight variations here and there, is repeated at every Tiyan marriage in South Malabar. It is a solemn declaration, giving validity to the union, although, in the way that custom and ritual survive long after their original significance has been forgotten, the meaning of many of the terms used is altogether unknown. What, for instance, is the meaning of muperium? No one can tell. But a few of the terms are explainable.
Tara. The tara was the smallest unit in the ancient government system, which, for want of a better term, we may style feudal. It was not exactly a village, for the people lived apart. Each tara had its Nayar chieftain, and also its Tiyan chief or Tandan, its astrologer, its washerman, its goldsmith, and other useful people, each serving the community for the sake of small advantages. Each tara was its own world.
Changati (friend). The friends of both parties which negotiated the marriage.
Porutham (agreement). Examination of the horoscopes of the boy and girl makes it possible to ascertain whether there is agreement between the two, and the union will be propitious.
Illam. Here intended to mean the father's family.
Kulam. The name, derived from kula a branch, here denotes the mother's family.
Twelve illams, ten kiriyams. The word illam, now used exclusively for the residence of a Nambutiri, is supposed to have been used in days of old for the house of a person of any caste. And this supposition is said to find support in the way that a Tiyan coming from the south is often greeted in South Canara. Thus, a Malabar Tiyan, travelling to the celebrated temple at Gokarnam in South Canara, is at once asked "What is your illam and kiriyam?" He has heard these terms used in the foregoing formula during his own or another's marriage ceremony, but attached no meaning to them. To the man of South Canara they have genuine meaning. One should be able to answer the question satisfactorily, and thus give a proper account of himself. If he cannot, he gets neither food nor water from the South Canara Tiyan. This also holds good, to some extent, in the case of a southern Tiyan visiting the northern parts of the Cherakal taluk of Malabar.
The ten illams of South Malabar are as follows:--
Tala Kodan.
Nellika (Phyllanthus Emblica).
Paraka or Varaka.
Ala.
Ten Kudi or Tenan Kudi.
Padayan Kudi.
Kannan.
Varakat.
Kytat inferior.
Puzhampayi or Bavu
The illams of North Malabar are said to be--
Nellika.
Pullanhi.
Vangeri.
Koyikkalan.
Padayam Kudi.
Tenan Kudi.
Manan Kudi.
Vilakkan Kudi.
Marriage is strictly forbidden between two persons belonging to the same illam. The bride and bridegroom must belong to different illams. In fact, the illams are exogamous. Members of some of the illams were allowed certain privileges and dignities. Thus, the men of the Varakat illam (Varaka Tiyans) were in the old days permitted to travel in a mancheel (a hammock-cot slung on a pole). They were allowed this privilege of higher caste people, which was prohibited to the Tiyans of other illams. But, should one of them, when travelling in a mancheel, happen to see a Rajah or a Nayar, he was obliged to hang one of his legs out of it in token of submission. The Varaka Tiyans were further allowed to wear gold jewels on the neck, to don silken cloths, to fasten a sword round the waist, and to carry a shield. The sword was made of thin pliable steel, and worn round the waist like a belt, the point being fastened to the hilt through a small hole near the point. A man, intending to damage another, might make an apparently friendly call on him, his body loosely covered with a cloth, and to all appearances unarmed. In less than a second, he could unfasten the sword round his waist, and cut the other down. The well-known Mannanar belonged to the Varakat illam. Those who know Malabar will recall to mind the benevolent but strange institution which he initiated. He provided a comfortable home for Nambutiri women who were thrown out of caste, and thus in the ordinary course of events doomed to every misery and degradation to be found in life. On being outcasted, the funeral ceremonies of Nambutiri women were performed by her own people, and she became dead to them. She went to the Mannanar, and her birth ceremonies were performed, so that she might begin life anew in a state of purity. If, on arrival, she entered by the left door, she was his wife, if by the front door, his sister. It is said that, when their chief, Mannanar of the Aramana, is destitute of heirs, the Tiyans of Kolattanad go in procession to the Kurumattur Nambutiri (the chief of the Peringallur Brahmans) and demand a Brahman virgin to be adopted as sister of Mannanar, who follows the marumakkatayam rule of succession. This demand, it is said, used to be granted by the Nambutiris assembling at a meeting, and selecting a maiden to be given to the Tiyans.
Kiriyam is said to be a corrupt form of the Sanskrit word griham (house), but this seems rather fanciful. There are said to have been about two kiriyams for each village. The names of only three are known to me, viz., Karumana, Kaita, and Kampathi. There is a village called Karumana, near the temple of Lakshmipuram in South Canara. Karumana is applied as a term to signify a Tiyan during the ordinary devil-dancing in temples, when an oracular utterance is delivered. The oracle always addresses the Tiyan as "my Karumana," not as "my Tiyan." The only other use of the word is in Karumana acharam (the customs of the Tiyans).
Other outward and visible differences between Tiyan and Izhuvan marriages are these. The South Malabar Tiyan bridegroom, dressed as if for a wrestling match, with his cloth tied tight about his loins, carries a sword and shield, and is escorted by two companions similarly equipped, dancing their way along. The Izhuvan does not carry a sword under any circumstances. The chief feature of his wedding ceremony is a singing match. This, called the vatil-tura-pattu, or open the door song, assumes the form of a contest between the parties of the bridegroom and bride. The story of Krishna and his wife Rukmini is supposed to be alluded to. We have seen it all under slightly different colour at Conjeeveram. Krishna asks Rukmini to open the door, and admit him. She refuses, thinking he has been gallivanting with some other lady. He beseeches; she refuses. He explains, and at length she yields. The song is more or less extempore, and each side must be ready with an immediate answer. The side which is reduced to the extremity of having no answer is beaten and under ignominy.
I pass on to the subject of personal adornment of the Tiyans:--
(a) North Malabar, Males--
1. A horizontal dab made with white ashes on either side of the
forehead and chest, and on the outside of each shoulder.
2. Two gold ear-rings (kadakkan) in each ear. A silver chain
hanging from the sheath of his knife, and fastened with a boss. Two
tambak (copper, brass and silver) rings on the ring finger of
the left hand.
3. A gold kadakkan in each ear, and an iron ring on the ring
finger of the left hand.
4. A thorn in each ear (another was similarly ornamented). Not
married.
5. A gold ear-ring in each ear. An iron ring on the little finger
of the left hand. Two silver rings, in which is set a piece of hair
from an elephant's tail, on the little finger of the right hand.
A few individuals wore brass rings, and some had ear-rings, in which a red stone was set. Amulets were worn by some in little cylindrical cases on a string, to protect the wearer against enemies, the evil eye, or devils. One man wore a silver girdle, to which an amulet in a case was fastened, underneath his cloth, so that it was not in view to the public. One individual only is noted as having been tattooed, with a circular mark just above his glabella. The arms of a good many, and the abdomen of a few, bore cicatrices from branding, apparently for the purpose of making them strong and relieving pains.
(b) South Malabar, Males.
In the country parts, the waist cloth is always worn above the knee. About a third of the individuals examined wore ear-rings. The ears of all were pierced. Those who were without ear-rings had no scruples about wearing them, but were too poor to buy them.
1. Blue spot tattooed over the glabella.
2. Silver amulet-case, containing fifteen gold fanams, at the
waist. He said that he kept the coins in the receptacle for
security, but I think it was for good luck.
3. Ear-ring (kadakkan) in each ear. A copper amulet-case,
containing a yantram to keep off devils, at the waist.
4. Four silver amulet-cases, containing yantrams on a copper
sheet for curing some ailment, at the waist.
5. Two gold kadakkans in each ear. A white spot over the glabella.
(c) North Malabar, Females.
In olden days, the women used to wear coloured and striped cloths round the waist, and hanging to the knees. The breast was not covered. The body above the waist was not allowed to be covered, except during the period of death pollution. Nowadays, white is generally the colour to be seen, and the body is seldom covered above the waist--never one may say, except (and then only sometimes) in the towns. The Izhuvan women in Malabar always wear blue cloths: just one cloth rolled tightly round the waist, and hanging to the knees. Of late, they have taken to wearing also a blue cloth drawn tight over the breast.
Ornaments. The thodu, which is now sometimes worn by Tiyan women, is not a Tiyan ornament. The ear-rings, called kathila and ananthod, are the Tiyan ornaments, and look like strings of gold beads with pendants. Discs of white metal or lead are used to stretch and keep open the dilated lobes of the ears, in which gold ornaments are worn when necessary or possible. Venetian sequins, real or imitation, known in Malabar as amada, are largely used for neck ornaments. There is a Malabar proverb that one need not look for an insect's burrow in amada, meaning that you cannot find anything vile in a worthy person.
Turning now to the subject of marriage. In the ordinary course of things, a marriage would not be made between a Tiyan girl of South Malabar and a Tiyan man of North Malabar, for the reason that the children of such a marriage would inherit no property from the family of either parent. The husband would have no share in the property of his family, which devolves through the women; nor would the wife have any share in that of her family, which is passed on through the men. So there would be nothing for the children. But, on the other hand, marriage between a girl of the north and a man of the south is a different thing. The children would inherit from both parents. As a rule, Tiyans of the north marry in the north, and those of the south in the south.
It was generally admitted that it was formerly the custom among the Tiyans in South Malabar for several brothers--in fact all of them--to share one wife. Two existing instances of this custom were recorded.
The arrangement of a marriage, and the ceremonial which will now be described, though pertaining strictly to the Calicut taluk of South Malabar, are sufficiently representative of a Tiyan marriage anywhere. There is, however, this difference, that, in North Malabar, where inheritance through females obtains, and the wife invariably resides in her own tarwad or family home, there is never any stipulation concerning a girl's dowry. In South Malabar, where inheritance is through the males, and where the wife lives in her husband's house, the dowry in money, jewels, or furniture, is as a rule settled beforehand, and must be handed over on the wedding day. In the Calicut taluk, we find an exception to this general rule of South Malabar, where the subject of the dowry is not usually mentioned. In North Malabar, gifts of jewels are made in proportion as the bride's people are wealthy and generous. What is given is in the way of a gift, and forms no feature in the marital agreement.
The first step to be taken in connection with marriage is examination of the horoscopes of the boy and girl, in order to ascertain whether their union will be one of happiness or the reverse. While this is being done by the Panikkar (Malabar astrologer), the following persons should be present:--
(a) On the part of the bridegroom--
1. Tandan, or chief of the tara.
2. Father, or other elder in the family.
3. Uncle, i.e., the mother's brother. In Malabar the word uncle
means maternal uncle.
4. Sisters' husbands.
5. Four or more friends or companions.
6. Any number of relations and friends.
(b) On the part of the bride--
1. Tandan of her tara.
2. Father,or other guardian.
3. Uncle.
4. Four or more friends.
5. The astrologer of her tara.
6. Friends and relations.
The ceremony must be performed at the house of the girl's family. Her father's consent is necessary, but his presence is not essential at this or the two subsequent ceremonies in connection with the marriage. The Tandan, it may be noted, is the caste governmental head in all matters affecting his own caste and the artisans. He is a Tiyan, and his office, which is authorised by the local Rajah, or rather by his senior Rani, is hereditary. In exceptional cases, however, the hereditary right may be interrupted by the Rani appointing some one else. The Tandan of the tara is required to assist at every ceremony connected with marriage, at the ceremony when a girl attains puberty, at that of tying the tali, and at the fifth and seventh months of pregnancy. His formal permission is required before the carpenter can cut down the areca palm, with which the little shed in which the tali is tied is constructed. In cases of divorce, his functions are important. When a new house is built, there must be a house-warming ceremony, at which the Tandan officiates. Fowls are sacrificed, and the right leg is the Tandan's perquisite. He is a man of importance, not only in many affairs within his own caste, but also in those of other castes. Thus, when a Nayar dies, it is the Tandan's duty to get the body burnt. He controls the washerman and barber of the tara, and can withdraw their services when they are most needed. He officiates, moreover, at marriages of the artisan class--carpenters, braziers, goldsmiths and blacksmiths.
A group of taras forms what is called a desam, the koyma or "sovereignty" of which is represented by a Nayar tarwad. It is through the head or Karnavan (really the chieftain) of this tarwad that the Tandan approaches the Raja in matters of appeal, and the like. The Tandan is to some extent under his guidance and control, but he must provide the Tandan with a body-guard of two Nayars on occasions of marriages. In the old days, it may be mentioned, the Tandans of the taras within the rule of the Zamorin were always appointed by his senior Rani. The term Tandan must not be confounded with the Tandars, a people of the Palghat taluk, who appear to be allied to the Izhuvans. These Tandars observe the custom of paternal polyandry, while the Izhuvans abhor it.
The procedure observed in the examination of horoscopes is as follows. The Tandan of the bride's tara gives a grass or palmyra palm leaf mat to the astrologer to sit on, and supplies mats or seats for the bridegroom's party. The common sleeping mat of wild pine leaves, or a wooden stool, must, on no account, be given for the astrologer to sit on. It may be day or night when the ceremony takes place, but, whatever the hour may be, a lamp having five, seven, nine, or eleven cotton wicks, must be burning in front of the astrologer. The Tandan's wife puts it in its place. Then the boy's uncle hands over the boy's horoscope to his Tandan, who passes it on to the girl's Tandan. The girl's father hands her horoscope to their Tandan, who, when he has received them both, passes them on to the astrologer. The two horoscopes should agree on twenty-one points--a requirement which might prove awkward, were it not that a balance in favour of beneficent influences is generally allowed to admit of the marriage taking place. In the case of agreement, the boy's uncle, through his Tandan, then pays two fanams [20] (eight annas)--one for each horoscope--to the astrologer. When there is disagreement, the girl's uncle pays the money. The horoscopes (which have been privately examined beforehand to make sure of no disagreement) are returned to their respective owners. After the examination of the horoscope, there is a feast with plenty of sweetmeats. The next item is the conjee (rice gruel) ceremony, at which the following should be present:--
(a) On the part of the boy--
1. Father, his brother, or some one representing him.
2. Husbands of all married sisters.
3. Uncle.
4. Tandan of his tara.
5. Neighbours and friends.
(b) On the part of the girl--
1. Uncle.
2. Relations of married sisters.
3. Relations of married brothers.
4. Tandan of her tara.
5. Astrologer of her tara.
6. Relations and friends.
The horoscopes are again formally examined by the astrologer, who announces that their agreement augurs a happy wedded life. The boy's uncle pays him two fanams. The girl's uncle takes the two horoscopes, which have just been tied together, from the astrologer, and hands them to the Tandan of the girl's tara, who passes them on to the Tandan of the boy's tara. They are handed by him to the boy's uncle. The astrologer then writes on a palmyra leaf a note for each party to the marriage, stating the auspicious day and hour for the final ceremony, the hour at which the bride should leave her house, and the hour for her arrival at the house of the bridegroom. The following programme is then gone through. In the verandah, facing east, before the front door, is spread an ordinary sleeping mat, over it a grass mat, and over that a plain white cloth which has been washed and is not a new one. On the floor close by, the following articles are placed:--
A lamp, having an odd number of cotton wicks, which is kept lighted whatever the hour of day it may be;
A measure, called nazhi, made of jak tree (Artocarpus integrifolia) wood, filled to overflowing with rice, and placed on a flat bell-metal plate (talika);
A plain white cloth, washed but not new, neatly folded, and placed on the metal plate to the right (south) of the rice;
A small bell-metal vessel (kindi), having no handle, filled with water.
The lamp is placed on the south side of the mat, the plate next to it (to the north), and the kindi at a little distance to the left (the north). The people who sit on the mat always face the east. The mat having been spread, the various articles just mentioned are brought from the central room of the house by three women, who set them in their places. The Tandan's wife carries the lamp, the eldest woman of the house the bell-metal plate, and some other woman the kindi. The Tandan of the boy's tara, the boy's sister's husband, and a friend then sit on the mat covered with a cloth. If the boy has two brothers-in-law, both sit on the mat, to the exclusion of the friend. The senior woman of the house then hands three plates of rice conjee to the Tandan of the girl's tara, who places them in front of the three persons seated on the mat. To the right of each plate, a little jaggery (unrefined sugar) is placed on a piece of plantain leaf. Each of those seated takes about a spoonful of conjee in his right hand. The Tandan repeats the formula, which has already been given, and asks "May the conjee be drunk"? He answers his question by drinking some of the conjee, and eating a little jaggery. All three then partake of the conjee and jaggery, after which they rise from the mat, and the plates and mat are removed. The place is cleaned, and the mats are again put down, while betel is distributed. The two Tandans then sit on the mat. The girl's Tandan picks up a bundle of about twenty-five betel leaves, and gives half to the boy's Tandan. The Tandans exchange betel leaves, each giving the other four. The boy's Tandan then folds four fanams (one rupee) in four betel leaves, which he hands to the girl's Tandan, saying "May the conjee ceremony be performed"? The Tandans again exchange betel leaves as before, and distribute them to all the castemen present, beginning with the uncles of the boy and girl. The proceedings in the verandah are now over. The next part of the ceremony takes place in the middle room of the house, where the mats, lamp, and other articles are arranged as before. The two Tandans sit on the mat with the boy on the right and the girl on the left, facing east. The boy's uncle stands in front of the Tandans, facing west, and the girl's uncle behind them, facing east. The boy's father gives to the boy's uncle two new plain white cloths, with twenty-one fanams (Rs. 5-4) placed on them. When presenting them, he says "Let the Adayalam be performed" three times, and the girl's uncle says thrice "Let me receive the Adayalam." The Tandans again exchange betel leaves, and distribute them among the castemen. Then follows a feast, and more betel. The date of the wedding has now to be fixed. They congregate in the middle room once more, and the Tandans sit on the mat. The girl's Tandan shares a bundle of betel leaves with the boy's Tandan, who, taking therefrom four leaves, places two rupees on them, and gives them to the girl's Tandan. The boy's party supplies this money, which is a perquisite of the Tandan. When handing over the leaves and the coins, the boy's Tandan says "On ... (naming a date) ... and ... (the bride and bridegroom), and friends, and four women will come. Then you must give us the girl, and you must prepare the food for that day." The other Tandan replies "If you bring six cloths and forty-two fanams (Rs. 10-8) as kanam, and two fanams for the muchenan (the girl's father's sister's son), the girl will be sent to you." The cloths should be of a kind called enna kacha, each four cubits in length, but they are not now procurable. Kanam is a term used in land tenures, for which there is no precise equivalent in English. It is a kind of mortgage paid by a tenant to a landlord. The former is liable to eviction by the latter, when he obtains better terms for his land from another tenant--a condition of modern growth breeding much mischief and bad blood. But, when a tenant is evicted, he is entitled, according to law, to the value of certain improvements on the land, including eight annas for each tree which he has planted. The kanam is paid by the boy's sister or sisters. His Tandan addresses his brother-in-law or brothers-in-law in the words "On ... (mentioning a date), you must come early in the day, with Rs. 10-8 as kanam," and gives him or them four betel leaves. Those assembled then disperse. The boy's people may not go to the girl's house before the day appointed for the marriage.
The next item in connection with a marriage is the issue of invitations to the wedding. The senior women of the boy's house, and the Tandan, invite a few friends to assemble at the house of the bridegroom. The mat, lamp, and other articles are placed in the middle room. The bridegroom (manavalan) sits on the mat, with a friend on either side of him. He has previously bathed, and horizontal daubs of sandal paste have been placed on his forehead, breast, and arms. He wears a new cloth, which has not been washed. His Tandan has adorned him with a gold bracelet on his right wrist, a knife with a gold or silver handle at the waist, and a gold or silver waist-belt or girdle over the loin-cloth. The bracelet must have an ornamental pattern, as plain bracelets are not worn by men. The girdle is in the form of a chain. Besides these things, he must wear ear-rings, and he should have rings on his fingers. His sister who pays the kanam dresses in the same style, but her cloths may be of silk, white without a pattern in the border, and she wears gold bracelets on both wrists. All enjoy a good meal, and then set out, and visit first the house of the Tandan. He and his wife walk in front, followed by the boy's elder sisters, if he has any. Then comes the bridegroom with a friend before and behind him, with a few women bringing up the rear. At the Tandan's house there is another meal, and then three, five, or seven houses are visited, and invitation to the wedding given in person. The proceedings for the day are then over, and, after three days, the brother-in-law, uncle, and all others receive invitations.
On the occasion of the marriage ceremony, the barber first shaves the bridegroom's head, leaving the usual forelock on the crown, which is never cut. He performs the operation in a little shed to the east of the house, and a plantain leaf is placed so that the hair may fall on it. As a rule, the barber sits in front of the person whose hair he is shaving, while the latter, sitting cross-legged on the ground, bends forward. But, on this occasion, the bridegroom sits on a low wooden stool. Close by are a lamp and a measure of rice on a plantain leaf. The barber also shaves the two friends of the bridegroom (changathis), and receives a fanam and the rice for his trouble. The three youths then bathe, smear themselves with sandal paste, and proceed to dress. The bridegroom must wear round the loins a white cloth, new and unwashed. Round the top of the loin cloth he wears a narrow waist-band (kacha) of silk, from 14 to 21 cubits in length, with the ends hanging in front and behind. Over the shoulders is thrown a silk lace handkerchief. He puts in his ears gold ear-rings, round the neck a necklace called chakra (wheel) mala, [21] on the right wrist a gold bracelet, gold rings on the fingers, a gold or silver chain round the loins, and a gold or silver-handled knife with a sheath of the same metal. The two companions are dressed in much the same way, but they wear neither necklace nor bracelet. The women wear as many ornaments as they please. Sisters of the bridegroom must wear bracelets on both wrists, a necklace, and a silk cloth (virali) on the shoulders. The bracelet worn by men is called vala, and must be made of one piece of metal. Those worn by women are called kadakam, and must be made in two pieces. When all are ready, mats, and other things are once more placed in the middle room, and the bridegroom and his two companions sit on the mats. They at once rise, and proceed to the little shed which has been erected in the front yard, and again seat themselves on the mats, which, with the other articles, have been brought thither from the middle room. Then the Tandan gives betel to the bridegroom and his two companions, who must chew it. The Tandan's wife, the elder woman of the house, and the bridegroom's sisters sprinkle rice on their heads. The Tandan gives a sword to the bridegroom and each of his companions. The procession then starts. In front walk two Nayars supplied by the Koyma of the desam (represented by the Nayar landlord). Then come the Tandan and a few elders, followed by the Tandan's wife and some of the elder women, the bridegroom with his two companions, his sisters, and finally the general crowd. As the procession moves slowly on, there is much dancing, and swinging of swords and shields. At the bride's house, the party is received by the wife of the Tandan of the tara holding a lighted lamp, the oldest woman of the family with a plate containing a measure of rice and a folded cloth, and another woman, who may be a friend, with a kindi of water. They sprinkle a little rice on the heads of the party as they enter the yard. The bridegroom sits on a mat, close to which the lamp and other articles are set. The bride's Tandan takes charge of the swords, betel is distributed, and a hearty meal partaken of. The six cloths, which the bridegroom is required to bring are in reality three double cloths, one of which is for the use of the bride. It is the privilege of the bridegroom's sisters and the Tandan's wife to dress her. Her waist-cloth is tied in a peculiar way for the occasion, and she is enveloped from head to foot in a silken cloth, leaving only the eyes visible. The bridegroom, after his arrival at the bride's house, has to put on a peculiar turban of conical shape, made of a stiff towel-like material, tied round with a silk handkerchief. The bridegroom's sister leads the bride to the little shed (pandal) in the yard, and seats her behind the bridegroom. The kanam, and the remaining four cloths are then given by the bridegroom's sister to the bride's mother, and they, having tied a silk handkerchief across the body like a Brahman's thread, stand behind the bridegroom, the mother to the right and the sister to the left. The latter says three times "Let the kanam be given," and hands it to the bride's mother, who, as she receives it, says thrice "Let me receive the kanam." The mother at once hands it over to her husband, or the senior male member of the family. The Tandan then places plantain leaves, for use as plates, before the bridegroom and his two companions, and, facing the bridegroom, holds a vessel of cooked rice in front of him. The bride's mother, standing behind him, serves out thrice some rice out of the pot on to the leaf in front of the bridegroom, and the Tandan does the same for his two companions. The bride's mother then mixes some plantains, pappadams (large thin biscuits), sugar, and ghi (clarified butter) with the rice on the bridegroom's leaf-plate, and offers the food to him three times. She will not, however, allow him to taste it. It is taken from his lips, and removed by the washerwomen. The bridegroom's sister has the same play with the bride. The rice, which has thus been made a feature of the ceremony, is called ayini. A few days prior to the marriage, two small bundles of betel leaves, each containing areca nuts, half a dozen tobacco leaves, and two fanams are given by the bridegroom to the Nayar chieftain of the desam as his fee for furnishing an escort. In return for these offerings, he gives a new cloth to the bridegroom. Three measures of raw rice, ten or twelve pappadams, plantains, a cocoanut, and some dry uncooked curry-stuff are given by the bridegroom to each of the Nayars provided as escort on the eve of the marriage. When they arrive on the scene on the wedding day, they are given some beaten rice, rice cakes, cocoanuts, plantains, and a drink of arrack (spirit). When the bride's parents and relations come for the Vathil ceremony, the same escort is provided, and the same presents are given. Just as the bridegroom and all are ready to leave, the bride's father's sister's son called the machunan, steps forward, and demands two fanams from the bridegroom's party in return for permission to take away the bride. He gets his money, and the party starts for the bridegroom's house, after rice has been sprinkled over the heads of the contracting couple, the sisters of the bridegroom leading the bride. The swords, which have been returned by the Tandan, are again used in flourishing and dancing en route.
It is a prevalent custom throughout Southern India that a girl's father's sister's son has the first right to her hand in marriage. This obtains not only among the Dravidian peoples, but also among Brahmans. The Malayalam word for son-in-law (marumakan) means nephew. If a stranger should marry a girl, he also is called nephew. But the unmarried nephew, having the first admitted right to the girl, must be paid eight annas, or two fanams, before he will allow her to be taken away. The argument is said to be as follows. A sister pays forty-two fanams as kanam for her brother's wife. When the product, i.e., a daughter, is transferred to a stranger, the son claims compensation on his mother's investment at the same rate as that at which a cocoanut tree is valued--eight annas. At all events, the nephew has the first right to a girl, and must be compensated before she can be taken away by another.
At the bridegroom's house, the party is received by the wife of the Tandan and the lady of the house. Following the bride should come her parents and other relations, two Nayars representing the chieftain, and the Tandan of his tara. The formalities with mats and rice are gone through as before. Rice is sprinkled over the heads, the Tandan receives the swords, and all sit in the shed. The ayini rice ceremony is repeated for the bride by the bridegroom's mother and sisters. The happy pair then proceed to the inner room of the house, where sweetmeats are served to them. Then is observed, as a rule, the asaram or gift ceremony. Relations are expected to give 101 fanams (Rs. 25-4), but the poorest of them are allowed to reduce the gift to 21 fanams (Rs. 5-4), and the others give according to their means. These gifts are supposed to be repaid with interest. The Tandan sees that a regular account of all the gifts is made out, and handed over to the bridegroom, and receives eight annas for his trouble. The accountant who prepares the accounts, and the person who tests the genuineness of the coins, each receives a bundle of betel leaves, four areca nuts, and two tobacco leaves. Betel leaves, areca nuts, and tobacco, are also given to each giver of gifts. After this, there is the vatil or house ceremony. Two large bundles of betel leaves are prepared, each of which contains a thousand or fifteen hundred leaves, and with them are placed forty or fifty tobacco leaves, and seventy to a hundred areca nuts. The bride's Tandan pays two or four rupees as vatil kanam to the Tandan of the bridegroom, who hands the money to the bridegroom's father. The bridegroom then places one bundle of betel leaves, with half the tobacco and areca nuts, before the bride's father, and the other before her mother, and they are distributed by the Tandan of the girl's tara and his wife among the men and women who are present. Sweetmeats are then distributed, and the marriage ceremony is concluded. A formal visit must be made subsequently by the women of the bride's house to the bridegroom's, and is returned by the bride and bridegroom. The first visit is paid by a party consisting of the bride's mother, her uncle's and brother's wives, the wife of the Tandan, and other relations. They are expected to bring with them plenty of sweetmeats and bread for general distribution. When the return visit is made by the bride and bridegroom, the sister of the latter, and other relations and friends, should accompany them, and they should take with them a lot of betel leaves, areca nuts, tobacco, and sweetmeats. This exchange of visits does not, however, complete those which are de rigueur. For, at the next Onam and Vishu festivals, the newly married couple should visit the house of the bride's family. Onam is the beginning of the first harvest, and Vishu the agricultural new year. On these occasions, the bridegroom takes with him the inevitable betel leaves, and presents a new cloth to the parents of the bride and every one else in the house. When the annual Tiruvathira festival takes place between the betrothal and marriage ceremonies, the bridegroom is expected to send to the temple, through his Tandan and one of his own relations, a quantity of ripe and unripe plantains.
The ceremonies which have been described differ considerably from those of the Tiyans of North Malabar, where the marumakkatayam law of inheritance obtains. These are very simple affairs.
In the Calicut taluk, a man can marry only one wife at a time. But, when a wife is barren, a leper, or suffering from incurable disease, her husband may, with her formal permission, marry another wife. A bride may be of any age. Where there is no stipulation as to dowry, it is a point of honour to give the girl as many jewels as the bridegroom can afford. Widows may remarry.
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Castes and Tribes of Southern India. Vol. 7 of 7Chapter II: Part 2
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