Chapter XII: Part 12

Concerning the death rites, Mr. Fawcett writes as follows. "As soon as a man, woman, or child dies in a house, a gun, loaded with powder only, is fired off at the door, or, if plenty of powder is available, several shots are fired, to frighten away the Kulba (spirit). The gun used is the ordinary Telugu or Uriya matchlock. Water is poured over the body while in the house. It is then carried away to the family burning-ground, which is situated from 30 to 80 yards from the cluster of houses occupied by the family, and there it is burned. [It is stated by Mr. S. P. Rice [153] that "the dead man's hands and feet are tied together, and a bamboo is passed through them. Two men then carry the corpse, slung in this fashion, to the burning-ground. When it is reached, two posts are stuck up, and the bamboo, with the corpse tied to it, is placed crosswise on the posts. Then below the corpse a fire is lighted. The Savara man is always burnt in the portion of the ground--one cannot call it a field--which he last cultivated."] The only wood used for the pyre is that of the mango, and of Pongamia glabra. Fresh, green branches are cut and used. No dry wood is used, except a few twigs to light the fire. Were any one to ask those carrying a body to the burning-ground the name of the deceased or anything about him, they would be very angry. Guns are fired while the body is being carried. Everything a man has, his bows and arrows, his tangi, his dagger, his necklaces, his reaping-hook for cutting paddy, his axe, some paddy and rice, etc., are burnt with his body. I have been told in Kolakotta that all a man's money too is burned, but it is doubtful if it really ever is--a little may be. A Kolakotta Gomango told me "If we do not burn these things with the body, the Kulba will come and ask us for them, and trouble us." The body is burned the day a man dies. The next day, the people of the family go to the burning-place with water, which they pour over the embers. The fragments of the bones are then picked out, and buried about two feet in the ground, and covered over with a miniature hut, or merely with some thatching grass kept on the place by a few logs of wood, or in the floor of a small hut (thatched roof without walls) kept specially for the Kulba at the burning-place. An empty egg-shell (domestic hen's) is broken under foot, and buried with the bones. It is not uncommon to send pieces of bone, after burning, to relations at a distance, to allow them also to perform the funeral rites. The first sacrificial feast, called the Limma, is usually made about three or four days after the body has been burnt. In some places, it is said to be made after a longer interval. For the Limma a fowl is killed at the burning-place, some rice or other grain is cooked, and, with the fowl, eaten by the people of the family, with the usual consumption of liquor. Of course, the Kudang (who is the medium of communication between the spirits of the dead and the living) is on the spot, and communicates with the Kulba. If the deceased left debts, he, through the Kudang, tells how they should be settled. Perhaps the Kulba asks for tobacco and liquor, and these are given to the Kudang, who keeps the tobacco, and drinks the liquor. After the Limma, a miniature hut is built for the Kulba over the spot where the bones are buried. But this is not done in places like Kolakotta, where there is a special hut set apart for the Kulba. In some parts of the Saora country, a few logs with grass on the top of them, logs again on the top to keep the grass in its place, are laid over the buried fragments of bones, it is said to be for keeping rain off, or dogs from disturbing the bones. In the evening previous to the Limma, bitter food--the fruits or leaves of the margosa tree (Melia Azadirachta)--are eaten. They do not like this bitter food, and partake of it at no other time. [The same custom, called pithapona, or bitter food, obtains among the Oriya inhabitants of the plains.] After the Limma, the Kulba returns to the house of the deceased, but it is not supposed to remain there always. The second feast to the dead, also sacrificial, is called the Guar. For this, a buffalo, a large quantity of grain, and all the necessary elements and accompaniments of a feast are required. It is a much larger affair than the Limma, and all the relations, and perhaps the villagers, join in. The evening before the Guar, there is a small feast in the house for the purpose of calling together all the previously deceased members of the family, to be ready for the Guar on the following day. The great feature of the Guar is the erection of a stone in memory of the deceased. From 50 to 100 yards (sometimes a little more) from the houses occupied by a family may be seen clusters of stones standing upright in the ground, nearly always under a tree. Every one of the stones has been put up at one of these Guar feasts. There is a great deal of drinking and dancing. The men, armed with all their weapons, with their feathers in their hair, and adorned with coloured cloths, accompanied by the women, all dancing as they go, leave the house for the place where the stones are. Music always accompanies the dancing. At Kolakotta there is another thatched hut for the Kulba at the stones. The stone is put up in the deceased's name at about 11 A.M., and at about 2 P.M. a buffalo is killed close to it. The head is cut off with an axe, and blood is put on the stone. The stones one sees are generally from 1 1/2 to 4 feet high. There is no connection between the size of the stone and the importance of the deceased person. As much of the buffalo meat as is required for the feast is cooked, and eaten at the spot where the stones are. The uneaten remains are taken away by the relatives. In the evening the people return to the village, dancing as they go. The Kolakotta people told me they put up the stones under trees, so that they can have all their feasting in the shade. Relations exchange compliments by presenting one another with a buffalo for the Guar feast, and receive one in return on a future occasion. The Guar is supposed to give the Kulba considerable satisfaction, and it does not injure people as it did before. But, as the Guar does not quite satisfy the Kulba, there is the great biennial feast to the dead. Every second year (I am still speaking of Kolakotta) is performed the Karja or biennial feast to the dead, in February or March, after the crops are cut. All the Kolakotta Saoras join in this feast, and keep up drinking and dancing for twelve days. During these days, the Kudangs eat only after sunset. Guns are continually fired off, and the people give themselves up to sensuality. On the last day, there is a great slaughter of buffaloes. In front of every house in which there has been a death in the previous two years, at least one buffalo, and sometimes two or three, are killed. Last year (1886) there were said to be at least a thousand buffaloes killed in Kolakotta on the occasion of the Karja. The buffaloes are killed in the afternoon. Some grain is cooked in the houses, and, with some liquor, is given to the Kudangs, who go through a performance of offering the food to the Kulbas, and a man's or a woman's cloth, according as the deceased is a male or female, is at this time given to the Kudang for the Kulba of each deceased person, and of course the Kudang keeps the offerings. The Kudang then tells the Kulba to begone, and trouble the inmates no more. The house people, too, sometimes say to the Kulba 'We have now done quite enough for you: we have given you buffaloes, liquor, food, and cloths; now you must go'. At about 8 P.M., the house is set fire to, and burnt. Every house, in which there has been a death within the last two years, is on this occasion burnt. After this, the Kulba gives no more trouble, and does not come to reside in the new hut that is built on the site of the burnt one. It never hurts grown people, but may cause some infantile diseases, and is easily driven away by a small sacrifice. In other parts of the Saora country, the funeral rites and ceremonies are somewhat different to what they are in Kolakotta. The burning of bodies, and burning of the fragments of the bones, is the same everywhere in the Saora country. In one village the Saoras said the bones were buried until another person died, when the first man's bones were dug up and thrown away, and the last person's bones put in their place. Perhaps they did not correctly convey what they meant. I once saw a gaily ornamented hut, evidently quite new, near a burning-place. Rude figures of birds and red rags were tied to five bamboos, which were sticking up in the air about 8 feet above the hut, one at each corner, and one in the centre, and the bamboos were split, and notched for ornament. The hut was about 4 1/2 feet square, on a platform three feet high. There were no walls, but only four pillars, one at each corner, and inside a loft just as in a Saora's hut. A very communicative Saora said he built the hut for his brother after he had performed the Limma, and had buried the bones in the raised platform in the centre of the hut. He readily went inside, and showed what he kept there for the use of his dead brother's Kulba. On the loft were baskets of grain, a bottle of oil for his body, a brush to sweep the hut; in fact everything the Kulba wanted. Generally, where it is the custom to have a hut for the Kulba, such hut is furnished with food, tobacco, and liquor. The Kulba is still a Saora, though a spiritual one. In a village two miles from that in which I saw the gaily ornamented hut, no hut of any kind is built for the Kulba; the bones are merely covered with grass. Weapons, ornaments, etc., are rarely burned with a body outside the Kolakotta villages. In some places, perhaps one weapon, or a few ornaments will be burned with it. In some places the Limma and Guar feasts are combined, and in other places (and this is most common) the Guar and Karja are combined, but there is no burning of houses. In some places this is performed if crops are good. One often sees, placed against the upright stones to the dead, pieces of ploughs for male Kulbas, and baskets for sifting grain for female Kulbas. I once came across some hundreds of Saoras performing the Guar Karja. Dancing, with music, fantastically dressed, and brandishing their weapons, they returned from putting up the stones to the village, and proceeded to hack to pieces with their axes the buffaloes that had been slaughtered--a disgusting sight. After dark, many of the feasters passed my camp on their way home, some carrying legs and other large pieces of the sacrificed buffaloes, others trying to dance in a drunken way, swinging their weapons. During my last visit to Kolakotta, I witnessed a kind of combination of the Limma and Guar (an uncommon arrangement there) made owing to peculiar circumstances. A deceased Saora left no family, and his relatives thought it advisable to get through his Limma and Guar without delay, so as to run no risk of the non-performance of these feasts. He had been dead about a month. The Limma was performed one day, the feast calling together the deceased ancestors the same evening; and the Guar on the following day. Part of the Limma was performed in a house. Three men, and a female Kudang sat in a row; in front of them there was an inverted pot on the ground, and around it were small leaf cups containing portions of food. All chanted together, keeping excellent time. Some food in a little leaf cup was held near the earthen pot, and now and then, as they sang, passed round it. Some liquor was poured on the food in the leaf cup, and put on one side for the Kulba. The men drank liquor from the leaf cups which had been passed round the earthen pot. After some silence there was a long chant, to call together all spirits of ancestors who had died violent deaths, and request them to receive the spirit of the deceased among them; and portions of food and liquor were put aside for them. Then came another long chant, calling on the Kulbas of all ancestors to come, and receive the deceased and not to be angry with him."

It is stated [154] that, in the east of Gunupur, the Savaras commit much cattle theft, partly, it is said, because custom enjoins big periodical sacrifices of cattle to their deceased ancestors. In connection with the Guar festival, Mr. Ramamurti Pantulu writes that well-to-do individuals offer each one or two animals, while, among the poorer members of the community, four or five subscribe small sums for the purchase of a buffalo, and a goat. "There are," he continues, "special portions of the sacrificed animals, which should, according to custom, be presented to those that carried the dead bodies to the grave, as well as to the Boya and Gomong. If a man is hanged, a string is suspended in the house on the occasion of the Guar, so that the spirit may descend along it. If a man dies of wounds caused by a knife or iron weapon, a piece of iron or an arrow is thrust into a rice-pot to represent the deceased." I gather further that, when a Savara dies after a protracted illness, a pot is suspended by a string from the roof of the house. On the ground is placed a pot, supported on three stones. The pots are smeared with turmeric paste, and contain a brass box, chillies, rice, onions, and salt. They are regarded as very sacred, and it is believed that the ancestors sometimes visit them.

Concerning the religion of the Savaras, Mr. Fawcett notes that their name for deity is Sonnum or Sunnam, and describes the following:--

(1) Jalia. In some places thought to be male, and in others female. The most widely known, very malevolent, always going about from one Saora village to another causing illness or death; in some places said to eat people. Almost every illness that ends in death in three or four days is attributed to Jalia's malevolence. When mangoes ripen, and before they are eaten cooked (though they may be eaten raw), a sacrifice of goats, with the usual drinking and dancing, is made to this deity. In some villages, in the present year (1887), there were built for the first time, temples--square thatched places without walls--in the villages. The reason given for building in the villages was that Jalia had come into them. Usually erections are outside villages, and sacrifice is made there, in order that Jalia may be there appeased, and go away. But sometimes he will come to a village, and, if he does, it is advisable to make him comfortable. One of these newly built temples was about four feet square, thatched on the top, with no walls, just like the hut for departed spirits. A Saora went inside, and showed us the articles kept for Jalia's use and amusement. There were two new cloths in a bamboo box, two brushes of feathers to be held in the hand when dancing, oil for the body, a small looking-glass, a bell, and a lamp. On the posts were some red spots. Goats are killed close by the temple, and the blood is poured on the floor of the platform thereof. There are a few villages, in or near which there are no Jalia erections, the people saying that Jalia does not trouble them, or that they do not know him. In one village where there was none, the Saoras said there had been one, but they got tired of Jalia, and made a large sacrifice with numerous goats and fowls, burnt his temple, and drove him out. Jalia is fond of tobacco. Near one village is an upright stone in front of a little Jalia temple, by a path-side, for passers-by to leave the ends of their cheroots on for Jalia.

(2) Kitung. In some parts there is a story that this deity produced all the Saoras in Orissa, and brought them with all the animals of the jungles to the Saora country. In some places, a stone outside the village represents this deity, and on it sacrifices are made on certain occasions to appease this deity. The stone is not worshipped. There are also groves sacred to this deity. The Uriyas in the Saora hills also have certain sacred groves, in which the axe is never used.

(3) Rathu. Gives pains in the neck.

(4) Dharma Boja, Lankan (above), Ayungang (the sun). The first name is, I think, of Uriya origin, and the last the real Saora name. There is an idea in the Kolakotta country that it causes all births. This deity is not altogether beneficent, and causes sickness, and may be driven away by sacrifices. In some villages, this deity is almost the only one known. A Saora once told me, on my pointing to Venus and asking what it was, that the stars are the children of the sun and moon, and one day the sun said he would eat them all up. Woman-like, the moon protested against the destruction of her progeny, but was obliged to give in. She, however, managed to hide Venus while the others were being devoured. Venus was the only planet he knew. In some parts, the sun is not a deity.

(5) Kanni. Very malevolent. Lives in big trees, so they are never cut in groves which this deity is supposed to haunt. I frequently saw a Saora youth of about 20, who was supposed to be possessed by this deity. He was an idiot, who had fits. Numerous buffaloes had been sacrificed to Kanni, to induce that deity to leave the youth, but to no purpose.

"There are many hill deities known in certain localities--Derema, supposed to be on the Deodangar hill, the highest in the neighbourhood, Khistu, Kinchinyung, Ilda, Lobo, Kondho, Balu, Baradong, etc. These deities of the hills are little removed from the spirits of the deceased Saoras. [Mr. Ramamurti Pantulu refers to two hills, one at Gayaba called Jum-tang Baru, or eat cow hill, and the other about eight miles from Parlakimedi, called Media Baru. At the former, a cow or bull is sacrificed, because a Kuttung once ate the flesh of a cow there; at the latter the spirits require only milk and liquor. This is peculiar, as the Savaras generally hold milk in abhorrence.]"

"There is invariably one fetish, and generally there are several fetishes in every Saora house. In some villages, where the sun is the chief deity (and causes most mischief), there are fetishes of the sun god; in another village, fetishes of Jalia, Kitung, etc. I once saw six Jalia fetishes, and three other fetishes in one house. There are also, especially about Kolakotta, Kulba fetishes in houses. The fetish is generally an empty earthen pot, about nine inches in diameter, slung from the roof. The Kudang slings it up. On certain occasions, offerings are made to the deity or Kulba represented by the fetish on the floor underneath it. Rude pictures, too, are sometimes fetishes. The fetish to the sun is generally ornamented with a rude pattern daubed in white on the outside. In the village of Bori in the Vizagapatam Agency, offerings are made to the sun fetish when a member of the household gets pains in the legs or arms, and the fetish is said on such occasion to descend of itself to the floor. Sacrifices are sometimes made inside houses, under the fetishes, sometimes at the door, and blood put on the ground underneath the fetish."

It is noted by Mr. Ramamurti Pantulu that "the Kittungs are ten in number, and are said to be all brothers. Their names are Bhima, Rama, Jodepulu, Peda, Rung-rung, Tumanna, Garsada, Jaganta, Mutta, and Tete. On some occasions, ten figures of men, representing the Kittungs, are drawn on the walls of a house. Figures of horses and elephants, the sun, moon and stars, are also drawn below them. The Boya is also represented. When a woman is childless, or when her children die frequently, she takes a vow that the Kittungpurpur ceremony shall be celebrated, if a child is born to her, and grows in a healthy state. If this comes to pass, a young pig is purchased, and marked for sacrifice. It is fattened, and allowed to grow till the child reaches the age of twelve, when the ceremony is performed.

The Madras Museum possesses a series of wooden votive offerings which were found stacked in a structure, which has been described to me as resembling a pigeon-cot. The offerings consisted of a lizard (Varanus), paroquet, monkey, peacock, human figures, dagger, gun, sword, pick-axe, and musical horn. The Savaras would not sell them to the district officer, but parted with them on the understanding that they would be worshipped by the Government.

I gather that, at the sale or transfer of land, the spirits are invoked by the Boya, and, after the distribution of liquor, the seller or mortgager holds a pipal (Ficus religiosa) leaf with a lighted wick in it in his hand, while the purchaser or mortgagee holds another leaf without a wick. The latter covers the palm of the former with his leaf, and the terms of the transaction are then announced.

Concerning the performance of sacrifices, Mr. Fawcett writes that "the Saoras say they never practiced human sacrifice. Most Saora sacrifices, which are also feasts, are made to appease deities or Kulbas that have done mischief. I will first notice the few which do not come in this category. (a) The feast to Jalia when mangoes ripen, already mentioned, is one. In a village where the sun, and not Jalia, is the chief deity, this feast is made to the sun. Jalia does not trouble the village, as the Kudung meets him outside it now and then, and sends him away by means of a sacrifice. [Sacrifices and offerings of pigs or fowls, rice, and liquor, are also made at the mahua, hill grain, and red gram festivals.] (b) A small sacrifice, or an offering of food, is made in some places before a child is born. About Kolakotta, when a child is born, a fowl or a pound or so of rice, and a quart of liquor provided by the people of the house, will be taken by the Kudang to the jungle, and the fowl sacrificed to Kanni. Blood, liquor, and rice are left in leaf cups for Kanni, and the rest is eaten. In every paddy field in Kolakotta, when the paddy is sprouting, a sacrifice is made to Sattira for good crops. A stick of the tree called in Uriya kendhu, about five or six feet long, is stuck in the ground. The upper end is sharpened to a point, on which is impaled a live young pig or a live fowl, and over it an inverted earthen pot daubed over with white rings. If this sacrifice is not made, good crops cannot be expected. [It may be noted that the impaling of live pigs is practiced in the Telugu country.] [155] When crops ripen, and before the grain is eaten, sacrifice is made to Lobo (the earth). Lobo Sonnum is the earth deity. If they eat the grain without performing this sacrifice, it will disagree with them, and will not germinate properly when sown again. If crops are good, a goat is killed, if not good, a pig or a fowl. A Kolakotta Saora told me of another sacrifice, which is partly of a propitiatory nature. If a tiger or panther kills a person, the Kudang is called, and he, on the following Sunday, goes through a performance, to prevent a similar fate overtaking others. Two pigs are killed outside the village, and every man, woman, and child is made to walk over the ground whereon the pig's blood is spilled, and the Kudang gives to each individual some kind of tiger medicine as a charm. The Kudang communicates with the Kulba of the deceased, and learns the whole story of how he met his death. In another part of the Saora country, the above sacrifice is unknown; and, when a person is killed by a tiger or panther, a buffalo is sacrificed to the Kulba of the deceased three months afterwards. The feast is begun before dark, and the buffalo is killed the next morning. No medicine is used. Of sacrifices after injury is felt, and in order to get rid of it, that for rain may be noticed first. The Gomango, another important man in the village, and the Kudang officiate. A pig and a goat are killed outside the village to Kitung. The blood must flow on the stone. Then liquor and grain are set forth, and a feast is made. About Kolakotta the belief in the active malevolence of Kulbas is more noticeable than in other parts, where deities cause nearly all mischief. Sickness and death are caused by deities or Kulbas, and it is the Kudang who ascertains which particular spirit is in possession of, or has hold of any sick person, and informs him what is to be done in order to drive it away. He divines in this way usually. He places a small earthen saucer, with a little oil and lighted wick in it, in the patient's hand. With his left hand he holds the patient's wrist, and with his right drops from a leaf cup grains of rice on to the flame. As each grain drops, he calls out the name of different deities, and Kulbas, and, whichever spirit is being named as a grain catches fire, is that causing the sickness. The Kudang is at once in communication with the deity or Kulba, who informs him what must be done for him, what sacrifice made before he will go away. There is, in some parts of the Saora country, another method by which a Kudang divines the cause of sickness. He holds the patient's hand for a quarter of an hour or so, and goes off in a trance, in which the deity or Kulba causing the sickness communicates with the Kudang, and says what must be done to appease him. The Kudang is generally, if not always, fasting when engaged in divination. If a deity or Kulba refuses to go away from a sick person, another more powerful deity or Kulba can be induced to turn him out.

A long account of a big sacrifice is given by Mr. Fawcett, of which the following is a summary. The Kudang was a lean individual of about 40 or 45, with a grizzled beard a couple of inches in length. He had a large bunch of feathers in his hair, and the ordinary Saora waist-cloth with a tail before and behind. There were tom-toms with the party. A buffalo was tied up in front of the house, and was to be sacrificed to a deity who had seized on a young boy, and was giving him fever. The boy's mother came out with some grain, and other necessaries for a feed, in a basket on her head. All started, the father of the boy carrying him, a man dragging the buffalo along, and the Kudang driving it from behind. As they started, the Kudang shouted out some gibberish, apparently addressed to the deity, to whom the sacrifice was to be made. The party halted in the shade of some big trees. They said that the sacrifice was to the road god, who would go away by the path after the sacrifice. Having arrived at the place, the woman set down her basket, the men laid down their axes and the tom-toms, and a fire was lighted. The buffalo was tied up 20 yards off on the path, and began to graze. After a quarter of an hour, the father took the boy in his lap as he sat on the path, and the Kudang's assistant sat on his left with a tom-tom before him. The Kudang stood before the father on the path, holding a small new earthen pot in his hand. The assistant beat the tom-tom at the rate of 150 beats to the minute. The Kudang held the earthen pot to his mouth, and, looking up to the sun (it was 9 A.M.), shouted some gibberish into it, and then danced round and round without leaving his place, throwing up the pot an inch or so, and catching it with both hands, in perfect time with the tom-tom, while he chanted gibberish for a quarter of an hour. Occasionally, he held the pot up to the sun, as if saluting it, shouted into it, and passed it round the father's head and then round the boy's head, every motion in time with the tom-tom. The chant over, he put down the pot, and took up a toy-like bow and arrow. The bow was about two feet long, through which was fixed an arrow with a large head, so that it could be pulled only to a certain extent. The arrow was fastened to the string, so that it could not be detached from the bow. He then stuck a small wax ball on to the point of the arrow head, and, dancing as before, went on with his chant accompanied by the tom-tom. Looking up at the sun, he took aim with the bow, and fired the wax ball at it. He then fired balls of wax, and afterwards other small balls, which the Uriyas present said were medicine of some kind, at the boy's head, stomach, and legs. As each ball struck him, he cried. The Kudang, still chanting, then went to the buffalo, and fired a wax ball at its head. He came back to where the father was sitting, and, putting down the bow, took up two thin pieces of wood a foot long, an inch wide, and blackened at the ends. The chant ceased for a few moments while he was changing the bow for the pieces of wood, but, when he had them in his hands, he went on again with it, dancing round as before, and striking the two pieces of wood together in time. This lasted about five minutes, and, in the middle of the dance, he put an umbrella-like shade on his head. The dance over, he went to the buffalo, and stroked it all over with the two pieces of wood, first on the head, then on the body and rump, and the chant ceased. He then sat in front of the boy, put a handful of common herbs into the earthen pot, and poured some water into it. Chanting, he bathed the boy's head with the herbs and water, the father's head, the boy's head again, and then the buffalo's head, smearing them with the herbs. He blew into one ear of the boy, and then into the other. The chant ceased, and he sat on the path. The boy's father got up, and, carrying the boy, seated him on the ground. Then, with an axe, which was touched by the sick boy, he went up to the buffalo, and with a blow almost buried the head of the axe in the buffalo's neck. He screwed the axe about until he disengaged it, and dealt a second and a third blow in the same place, and the buffalo fell on its side. When it fell, the boy's father walked away. As the first blow was given, the Kudang started up very excited as if suddenly much overcome, holding his arms slightly raised before him, and staggered about. His assistant rushed at him, and held him round the body, while he struggled violently as if striving to get to the bleeding buffalo. He continued struggling while the boy's father made his three blows on the buffalo's neck. The father brought him some of the blood in a leaf cup, which he greedily drank, and was at once quiet. Some water was then given him, and he seemed to be all right. After a minute or so, he sat on the path with the tom-tom before him, and, beating it, chanted as before. The boy's father returned to the buffalo, and, with a few more whacks at it, stopped its struggles. Some two or three men joined him, and, with their axes and swords, soon had the buffalo in pieces. All present, except the Kudang, had a good feed, during which the tom-tom ceased. After the feed, Kudang went at it again, and kept it up at intervals for a couple of hours. He once went for 25 minutes at 156 beats to the minute without ceasing.

A variant of the ceremonial here described has been given to me by Mr. G. F. Paddison from the Gunapur hills. A buffalo is tied up to the door of the house, where the sick person resides. Herbs and rice in small platters, and a little brass vessel containing toddy, balls of rice, flowers, and medicine, are brought with a bow and arrow. The arrow is thicker at the basal end than towards the tip. The narrow part goes, when shot, through a hole in the bow, too small to allow of passage of the rest of the arrow. The Beju (wise woman) pours toddy over the herbs and rice, and daubs the sick person over the forehead, breasts, stomach, and back. She croons out a long incantation to the goddess, stopping at intervals to call out "Daru," to attract her attention. She then takes the bow and arrow, and shoots into the air. She then stands behind the kneeling patient, and shoots balls of medicine stuck on the tip of the arrow at her. The construction of the arrow is such that the balls are dislodged from the tip of the arrow. The patient is thus shot at all over the body, which is bruised by the impact of the balls. Afterwards the Beju shoots one or two balls at the buffalo, which is taken to a path forming the village boundary, and killed with a tangi (axe). The patient is then daubed with blood of the buffalo, rice and toddy. A feast concludes the ceremonial.

The following account of a sacrifice to Rathu, who had given fever to the sister of the celebrant Kudang, is given by Mr. Fawcett. "The Kudang was squatting, facing west, his fingers in his ears, and chanting gibberish with continued side-shaking of his head. About two feet in front of him was an apparatus made of split bamboo. A young pig had been killed over it, so that the blood was received in a little leaf cup, and sprinkled over the bamboo work. The Kudang never ceased his chant for an hour and a half. While he was chanting, some eight Saoras were cooking the pig with some grain, and having a good feed. Between the bamboo structure and the Kudang were three little leaf cups, containing portions of the food for Rathu. A share of the food was kept for the Kudang, who when he had finished his chant, got up and ate it. Another performance, for which some dried meat of a buffalo that had been sacrificed a month previously was used, I saw on the same day. Three men, a boy, and a baby, were sitting in the jungle. The men were preparing food, and said that they were about to do some reverence to the sun, who had caused fever to some one. Portions of the food were to be set out in leaf cups for the sun deity."

It is recorded by Mr. Ramamurti Pantulu that, when children are seriously ill and become emaciated, offerings are made to monkeys and blood-suckers (lizards), not in the belief that illness is caused by them, but because the sick child, in its emaciated state, resembles an attenuated figure of these animals. Accordingly, a blood-sucker is captured, small toy arrows are tied round its body, and a piece of cloth is tied on its head. Some drops of liquor are then poured into its mouth, and it is set at liberty. In negotiating with a monkey, some rice and other articles of food are placed in small baskets, called tanurjal, which are suspended from branches of trees in the jungle. The Savaras frequently attend the markets or fairs held in the plains at the foot of the ghats to purchase salt and other luxuries. If a Savara is taken ill at the market or on his return thence, he attributes the illness to a spirit of the market called Biradi Sonum. The bulls, which carry the goods of the Hindu merchants to the market, are supposed to convey this spirit. In propitiating it, the Savara makes an image of a bull in straw, and, taking it out of his village, leaves it on the foot-path after a pig has been sacrificed to it.

"Each group of Savaras," Mr. Ramamurti writes, "is under the government of two chiefs, one of whom is the Gomong (or great man) and the other, his colleague in council, is the Boya, who not only discharges, in conjunction with the Gomong, the duties of magistrate, but also holds the office of high priest. The offices of these two functionaries are hereditary, and the rule of primogeniture regulates succession, subject to the principle that incapable individuals should be excluded. The presence of these two officers is absolutely necessary on occasions of marriages and funerals, as well as at harvest festivals. Sales and mortgages of land and liquor-yielding trees, partition and other dispositions of property, and divorces are effected in the council of village elders, presided over by the Gomong and Boya, by means of long and tedious proceedings involving various religious ceremonies. All cases of a civil and criminal nature are heard and disposed of by them. Fines are imposed as a punishment for all sorts of offences. These invariably consist of liquor and cattle, the quantity of liquor and the number of animals varying according to the nature of the offence. The murder of a woman is considered more heinous than the murder of a man, as woman, being capable of multiplying the race, is the more useful. A thief, while in the act of stealing, may be shot dead. It is always the man, and not the woman, that is punished for adultery. Oaths are administered, and ordeals prescribed. Until forty or fifty years ago, it is said that the Savara magistrate had jurisdiction in murder cases. He was the highest tribunal in the village, the only arbitrator in all transactions among the villagers. And, if any differences arose between his men and the inhabitants of a neighbouring village, for settling which it was necessary that a battle should be fought, the Gomong became the commander, and, leading his men, contested the cause with all his might. These officers, though discharging such onerous and responsible duties, are regarded as in no special degree superior to others in social position. They enjoy no special privileges, and receive no fees from the suitors who come up to their court. Except on occasions of public festivals, over which they preside, they are content to hold equal rank with the other elders of the village. Each cultivates his field, and builds his house. His wife brings home fuel and water, and cooks for his family; his son watches his cattle and crops. The English officials and the Bissoyis have, however, accorded to these Savara officers some distinction. When the Governor's Agent, during his annual tour, invites the Savara elders to bheti (visit), they make presents of a fowl, sheep, eggs, or a basket of rice, and receive cloths, necklaces, etc. The Bissoyis exempt them from personal service, which is demanded from all others." At the Sankaranthi festival, the Savaras bring loads of firewood, yams (Dioscorea tubers), pumpkins, etc., as presents for the Bissoyi, and receive presents from him in return.

Besides cultivating, the Savaras collect Bauhinia leaves, and sell them to traders for making leaf platters. The leaves of the jel-adda tree (Bauhinia purpurea) are believed to be particularly appreciated by the Savara spirits, and offerings made to them should be placed in cups made thereof. The Savaras also collect various articles of minor forest produce, honey and wax. They know how to distil liquor from the flowers of the mahua (Bassia latifolia). The process of distillation has been thus described. [156] "The flowers are soaked in water for three or four days, and are then boiled with water in an earthenware chatty. Over the top of this is placed another chatty, mouth downwards, the join between the two being made air-tight by being tied round with a bit of cloth, and luted with clay. From a hole made in the upper chatty, a hollow bamboo leads to a third pot, specially made for the purpose, which is globular, and has no opening except that into which the bamboo pipe leads. This last is kept cool by pouring water constantly over it, and the distillate is forced into it through the bamboo, and there condenses."

In a report on his tour through the Savara country in 1863, the Agent to the Governor of Madras reported as follows. "At Gunapur I heard great complaints of the thievish habits of the Soura tribes on the hills dividing Gunapur from Pedda Kimedy. They are not dacoits, but very expert burglers, if the term can be applied to digging a hole in the night through a mud wall. If discovered and hard pressed, they do not hesitate to discharge their arrows, which they do with unerring aim, and always with fatal result. Three or four murders have been perpetrated by these people in this way since the country has been under our management. I arranged with the Superintendent of Police to station a party of the Armed Reserve in the ghaut leading to Soura country. One or two cases of seizure and conviction will suffice to put a check to the crime."

It is recorded, in the Gazetteer of the Vizagapatam district, that "in 1864 trouble occurred with the Savaras. One of their headmen having been improperly arrested by the police of Pottasingi, they effected a rescue, killed the Inspector and four constables, and burnt down the station-house. The Raja of Jeypore was requested to use his influence to procure the arrest of the offenders, and eventually twenty-four were captured, of whom nine were transported for life, and five were sentenced to death, and hanged at Jalteru, at the foot of the ghat to Pottasingi. Government presented the Raja with a rifle and other gifts in acknowledgment of his assistance. The country did not immediately calm down, however, and, in 1865, a body of police, who were sent to establish a post in the hills, were attacked, and forced to beat a retreat down the ghat. A large force was then assembled, and, after a brief but harassing campaign, the post was firmly occupied in January, 1866. Three of the ringleaders of this rising were transported for life. The hill Savaras remained timid and suspicious for some years afterwards, and, as late as 1874, the reports mention it as a notable fact that they were beginning to frequent markets on the plains, and that the low-country people no longer feared to trust themselves above the ghats."

In 1905, Government approved the following proposals for the improvement of education among the Savaras and other hill tribes in the Ganjam and Vizagapatam Agencies, so far as Government schools are concerned:--

(1) That instruction to the hill tribes should be given orally through the medium of their own mother tongue, and that, when a Savara knows both Uriya and Telugu, it would be advantageous to educate him in Uriya;

(2) That evening classes be opened whenever possible, the buildings in which they are held being also used for night schools for adults who should receive oral instruction, and that magic-lantern exhibitions might be arranged for occasionally, to make the classes attractive;

(3) That concessions, if any, in the matter of grants admissible to Savaras, Khonds, etc., under the Grant-in-aid Code, be extended to the pupils of the above communities that attend schools in the plains;

(4) That an itinerating agency, who could go round and look after the work of the agency schools, be established and that, in the selection of hill school establishments, preference be given to men educated in the hill schools;

(5) That some suitable form of manual occupation be introduced, wherever possible, into the day's work, and the schools be supplied with the requisite tools, and that increased grants be given for anything original.

Savara.--A name, denoting hill-men, adopted by Male Kudiyas.

Savu (death).--A sub-division of Mala.

Sayakkaran.--An occupational term, meaning a dyer, returned, at times of census, by Tamil dyers.

Sayumpadai Tangi.--The name, meaning supporter of the vanquished army, of a section of Kallans.

Sedan.--A synonym of Devanga. At times of census, Seda Dasi has been returned by Devanga dancing-girls in the Madura district. The following legend of Savadamma, the goddess of the weaver caste in Coimbatore, is narrated by Bishop Whitehead. [157] "Once upon a time, when there was fierce conflict between the men and the rakshasas, the men, who were getting defeated, applied for help to the god Siva, who sent his wife Parvati as an avatar or incarnation into the world to help them. The avatar enabled them to defeat the rakshasas, and, as the weaver caste were in the forefront of the battle, she became the goddess of the weavers, and was known in consequence as Savadamman, a corruption of Sedar Amman, Sedan being a title of the weavers. It is said that her original home was in the north of India, near the Himalayas."

Segidi.--The Segidis are a Telugu caste of toddy sellers and distillers of arrack, who are found mainly in Ganjam and Vizagapatam.

For the purposes of the Madras Abkari Act, toddy means fermented or unfermented juice drawn from a cocoanut, palmyra, date, or any other kind of palm-tree. It is laid down, in the Madras Excise Manual, that "unfermented toddy is not subject to any taxation, but it must be drawn in pots freshly coated internally with lime. Lime is prescribed as the substance with which the interior of pots or other receptacles in which sweet toddy is drawn should be coated, as it checks the fermentation of the toddy coming in contact with it; but this effect cannot be secured unless the internal lime coating of the toddy pot or vessel is thorough, and is renewed every time that the pot is emptied of its contents." It is noted by Bishop Caldwell [158] that "it is the unfermented juice of the palmyra (and other palms) which is used as food. When allowed to ferment, which it will do before midday, if left to itself, it is changed into a sweet intoxicating drink called kal or toddy." Pietro Della Valle records [159] that he stayed on board till nightfall, "entertaining with conversation and drinking tari, a liquor which is drawn from the cocoanut trees, of a whitish colour, a little turbid, and of a somewhat rough taste, though with a blending in sweetness, and not unpalatable, something like one of our vini piccanti. It will also intoxicate, like wine, if drunk over freely." Writing in 1673, Fryer [160] describes the Natives as "singing and roaring all night long; being drunk with toddy, the wine of the Cocoe."

Arrack is a spirituous liquor distilled from the fermented sap of various palms. In some parts of the Madras Presidency, arrack vendors consider it unlucky to set their measures upside down. Some time ago, the Excise Commissioner informs me, the Excise department had some aluminium measures made for measuring arrack in liquor shops. It was found that the arrack corroded the aluminium, and the measures soon leaked. The shopkeepers were told to turn their measures upside down, in order that they might drain. This they refused to do, as it would bring bad luck to their shop. New measures with round bottoms were evolved, which would not stand up. But the shopkeepers began to use rings of india-rubber from soda-water bottles, to make them stand. An endeavour has since been made to induce them to keep their measures inverted by hanging them on pegs, so that they will drain without being turned upside down. The case illustrates well how important a knowledge of the superstitions of the people is in the administration of their affairs.

The Segidis do not draw the liquor from the palm-tree themselves, but purchase it from the toddy-drawing castes, the Yatas and Gamallas.

They have a caste headman, called Kulampedda, who settles disputes with the assistance of a council. Like other Telugu castes, they have intiperulu or house names, which are strictly exogamous. Girls are married either before or after puberty. The custom of menarikam is practiced, in accordance with which a man marries his maternal aunt's daughter. A Brahman officiates at marriages, except the remarriage of widows. When a widow is remarried, the caste-men assemble, and the Kulampedda ties the sathamanam (marriage badge) on the bride's neck.

The dead are usually cremated, and the washerman of the village assists the chief mourner in igniting the pyre. A Satani conducts the funeral ceremonies.

The Segidis worship various village deities, and perantalammas, or women who killed themselves during their husbands' lives or on their death.

The more well-to-do members of the caste take the title Anna.

Sekkan (oil-man).--A synonym of Vaniyan.

Sembadavan.--The Sembadavans are the fishermen of the Tamil country, who carry on their calling in freshwater tanks (ponds), lakes and rivers, and never in the sea. Some of them are ferrymen, and the name has been derived from sem (good), padavan (boatmen). A legend runs to the effect that the goddess Ankalamman, whom they worship with offerings of sheep, pigs, fowls, rice, etc., was a Sembadava girl, of whom Siva became enamoured, and Sembadavan is accordingly derived from Sambu (Siva) or a corruption of Sivan padavan (Siva's boatmen). Some members of the caste in the Telugu country returned themselves, at the census, 1901, as Sambuni Reddi or Kapu. According to another legend, the name is derived from sembu padavor or copper boatmen. Parvatha Raja, disguised as a boatman, when sailing in a copper boat, threw out his net to catch fish. Four Vedas were transformed into nets, with which to catch the rakshasas, who assumed the form of fishes. Within the nets a rishi was also caught, and, getting angry, asked the boatman concerning his pedigree. On learning it, he cursed him, and ordained that his descendants should earn their living by fishing. Hence the Sembadavans call themselves Parvatha Rajavamsam. Yet another legend states that the founder of the caste, while worshipping God, was tried thus. God caused a large fish to appear in the water near the spot at which he was worshipping. Forgetting all about his prayers, he stopped to catch the fish, and was cursed with the occupation of catching fish for ever. According to yet another account of the origin of the Sembadavans, Siva was much pleased with their ancestors' devotion to him when they lived upon the sea-shore by catching a few fish with difficulty, and in recognition of their piety furnished them with a net, and directed various other castes to become fish-eaters, so that the Sembadavar might live comfortably.

Of the Sembadavans of the North Arcot district, Mr. H. A. Stuart writes [161] that they "act as boatmen and fishers. They have little opportunity of exercising the former profession, but during heavy freshes in big rivers they ferry people from bank to bank in round leather-covered basket coracles, which they push along, swimming or wading by the side, or assist the timid to ford by holding their hands. At such times they make considerable hauls. During the rest of the year they subsist by fishing in the tanks."