Chapter X: Part 10

"Let us sit here," she said at last. They were sitting on the seat in the place where Minna had held up her lips to him on the eve of her departure.

"I think you know what is the matter," said Frau von Kerich, looking serious so as to complete his confusion. "I should never have thought it of you, Jean-Christophe. I thought you a serious boy. I had every confidence in you. I should never have thought that you would abuse it to try and turn my daughter's head. She was in your keeping. You ought to have shown respect for her, respect for me, respect for yourself."

There was a light irony in her accents. Frau von Kerich attached not the least importance to this childish love affair; but Jean-Christophe was not conscious of it, and her reproaches, which he took, as he took everything, tragically, went to his heart.

"But, Madam ... but, Madam ..." he stammered, with tears in his eyes, "I have never abused your confidence.... Please do not think that.... I am not a bad man, that I swear!... I love Fräulein Minna. I love her with all my Soul, and I wish to marry her."

Frau von Kerich smiled.

"No, my poor boy," she said, with that kindly smile in which was so much disdain, as at last he was to understand, "no, it is impossible; it is just a childish folly."

"Why? Why?" he asked.

He took her hands, not believing that she could be speaking seriously, and almost reassured by the new softness in her voice. She smiled still, and said:

"Because...."

He insisted. With ironical deliberation--she did not take him altogether seriously--she told him that he had no fortune, that Minna had different tastes. He protested that that made no difference; that he would be rich, famous; that he would win honors, money, all that Minna could desire. Frau von Kerich looked skeptical; she was amused by his self-confidence, and only shook her head by way of saying no. But he stuck to it.

"No, Jean-Christophe," she said firmly, "no. It is not worth arguing. It is impossible. It is not only a question of money. So many things! The position...."

She had no need to finish. That was a needle that pierced to his very marrow. His eyes were opened. He saw the irony of the friendly smile, he saw the coldness of the kindly look, he understood suddenly what it was that separated him from this woman whom he loved as a son, this woman who seemed to treat him like a mother; he was conscious of all that was patronizing and disdainful in her affection. He got up. He was pale. Frau von Kerich went on talking to him in her caressing voice, but it was the end; he heard no more the music of the words; he perceived under every word the falseness of that elegant soul. He could not answer a word. He went. Everything about him was going round and round.

When he regained his room he flung himself on his bed, and gave way to a fit of anger and injured pride, just as he used to do when he was a little boy. He bit his pillow; he crammed his handkerchief into his mouth, so that no one should hear him crying. He hated Frau von Kerich. He hated Minna. He despised them mightily. It seemed to him that he had been insulted, and he trembled with shame and rage. He had to reply, to take immediate action. If he could not avenge himself he would die.

He got up, and wrote an idiotically violent letter:

"MADAM,--

"I do not know if, as you say, you have been deceived in me. But I do know that I have been cruelly deceived in you. I thought that you were my friends. You said so. You pretended to be so, and I loved you more than my life. I see now that it was all a lie, that your affection for me was only a sham; you made use of me. I amused you, provided you with entertainment, made music for you. I was your servant. Your servant: that I am not! I am no man's servant!

"You have made me feel cruelly that I had no right to love your daughter. Nothing in the world can prevent my heart from loving where it loves, and if I am not your equal in rank, I am as noble as you. It is the heart that ennobles a man. If I am not a Count, I have perhaps more honor than many Counts. Lackey or Count, when a man insults me, I despise him. I despise as much any one who pretends to be noble, and is not noble of soul.

"Farewell! You have mistaken me. You have deceived me. I detest you!

"He who, in spite of you, loves, and will love till death, Fräulein Minna, _because she is his_, and nothing can take her from him."

Hardly had he thrown his letter into the box than he was filled with terror at what he had done. He tried not to think of it, but certain phrases cropped up in his memory; he was in a cold sweat as he thought of Frau von Kerich reading those enormities. At first he was upheld by his very despair, but next day he saw that his letter could only bring about a final separation from Minna, and that seemed to him the direst of misfortunes. He still hoped that Frau von Kerich, who knew his violent fits, would not take it seriously, that she would only reprimand him severely, and--who knows?--that she would be touched perhaps by the sincerity of his passion. One word, and he would have thrown himself at her feet. He waited for five days. Then came, a letter. She said:

"DEAR SIR,--

"Since, as you say, there has been a misunderstanding between us, it would be wise not any further to prolong it. I should be very sorry to force upon you a relationship which has become painful to you. You will think it natural, therefore, that we should break it off. I hope that you will in time to come have no lack of other friends who will be able to appreciate you as you wish to be appreciated. I have no doubt as to your future, and from a distance shall, with sympathy, follow your progress in your musical career. Kind regards.

"JOSEPHA VON KERICH."

The most bitter reproaches would have been less cruel. Jean-Christophe saw that he was lost. It is possible to reply to an unjust accusation. But what is to be done against the negativeness of such polite indifference? He raged against it. He thought that he would never see Minna again, and he could not bear it. He felt how little all the pride in the world weighs against a little love. He forgot his dignity; he became cowardly; he wrote more letters, in which he implored forgiveness. They were no less stupid than the letter in which he had railed against her. They evoked no response. And everything was said.

* * * * *

He nearly died of it. He thought of killing himself. He thought of murder. At least, he imagined that he thought of it. He was possessed by incendiary and murderous desires. People have little idea of the paroxysm of love or hate which sometimes devours the hearts of children. It was the most terrible crisis of his childhood. It ended his childhood. It stiffened his will. But it came near to breaking it forever.

He found life impossible. He would sit for hours with his elbows on the window-sill looking down into the courtyard, and dreaming, as he used to when he was a little boy, of some means of escaping from the torture of life when it became too great. The remedy was there, under his eyes. Immediate ... immediate? How could one know?... Perhaps after hours--centuries--horrible sufferings!... But so utter was his childish despair that he let himself be carried away by the giddy round of such thoughts.

Louisa saw that he was suffering. She could not gauge exactly what was happening to him, but her instinct gave her a dim warning of danger. She tried to approach her son, to discover his sorrow, so as to console him. But the poor woman had lost the habit of talking intimately to Jean-Christophe. For many years he had kept his thoughts to himself, and she had been too much taken up by the material cares of life to find time to discover them or divine them. Now that she would so gladly have come to his aid she knew not what to do. She hovered about him like a soul in torment; she would gladly have found words to bring him comfort, and she dared not speak for fear of irritating him. And in spite of all her care she did irritate him by her every gesture and by her very presence, for she was not very adroit, and he was not very indulgent. And yet he loved her; they loved each other. But so little is needed to part two creatures who are dear to each other, and love each other with all their hearts! A too violent expression, an awkward gesture, a harmless twitching of an eye or a nose, a trick of eating, walking, or laughing, a physical constraint which is beyond analysis.... You say that these things are nothing, and yet they are all the world. Often they are enough to keep a mother and a son, a brother and a brother, a friend and a friend, who live in proximity to each other, forever strangers to each other.

Jean-Christophe did not find in his mother's grief a sufficient prop in the crisis through which he was passing. Besides, what is the affection of others to the egoism of passion preoccupied with itself?

One night when his family were sleeping, and he was sitting by his desk, not thinking or moving, he was engulfed in his perilous ideas, when a sound of footsteps resounded down the little silent street, and a knock on the door brought him from his stupor. There was a murmuring of thick voices. He remembered that his father had not come in, and he thought angrily that they were bringing him back drunk, as they had done a week or two before, when they had found him lying in the street. For Melchior had abandoned all restraint, and was more and more the victim of his vice, though his athletic health seemed not in the least to suffer from an excess and a recklessness which would have killed any other man. He ate enough for four, drank until he dropped, passed whole nights out of doors in icy rain, was knocked down and stunned in brawls, and would get up again next day, with his rowdy gaiety, wanting everybody about him to be gay too.

Louisa, hurrying up, rushed to open the door. Jean-Christophe, who had not budged, stopped his ears so as not to hear Melchior's vicious voice and the tittering comments of the neighbors....

... Suddenly a strange terror seized him; for no reason he began to tremble, with his face hidden in his hands. And on the instant a piercing cry made him raise his head. He rushed to the door....

In the midst of a group of men talking in low voices, in the dark passage, lit only by the flickering light of a lantern, lying, just as his grandfather had done, on a stretcher, was a body dripping with water, motionless. Louisa was clinging to it and sobbing. They had just found Melchior drowned in the mill-race.

Jean-Christophe gave a cry. Everything else vanished; all his other sorrows were swept aside. He threw himself on his fathers body by Louisa's side, and they wept together.

Seated by the bedside, watching Melchior's last sleep, on whose face was now a severe and solemn expression, he felt the dark peace of death enter into his soul. His childish passion was gone from him like a fit of fever; the icy breath of the grave had taken it all away. Minna, his pride, his love, and himself.... Alas! What misery! How small everything showed by the side of this reality, the only reality--death! Was it worth while to suffer so much, to desire so much, to be so much put about to come in the end to that!...

He watched his father's sleep, and he was filled with an infinite pity. He remembered the smallest of his acts of kindness and tenderness. For with all his faults Melchior was not bad; there was much good in him. He loved his family. He was honest. He had a little of the uncompromising probity of the Kraffts, which, in all questions of morality and honor, suffered no discussion, and never would admit the least of those small moral impurities which so many people in society regard not altogether as faults. He was brave, and whenever there was any danger faced it with a sort of enjoyment. If he was extravagant himself, he was so for others too; he could not bear anybody to be sad, and very gladly gave away all that belonged to him--and did not belong to him--to the poor devils he met by the wayside. All his qualities appeared to Jean-Christophe now, and he invented some of them, or exaggerated them. It seemed to him that he had misunderstood his father. He reproached himself with not having loved him enough. He saw him as broken by Life; he thought he heard that unhappy soul, drifting, too weak to struggle, crying out for the life so uselessly lost. He heard that lamentable entreaty that had so cut him to the heart one day:

"Jean-Christophe! Do not despise me!"

And he was overwhelmed by remorse. He threw himself on the bed, and kissed the dead face and wept. And as he had done that day, he said again:

"Dear father, I do not despise you. I love you. Forgive me!"

But that piteous entreaty was not appeased, and went on:

"De not despise me! Do not despise me!" And suddenly Jean-Christophe saw himself lying in the place of the dead man; he heard the terrible words coming from his own lips; he felt weighing on his heart the despair of a useless life, irreparably lost. And he thought in terror: "Ah! everything, all the suffering, all the misery in the world, rather than come to that!..." How near he had been to it! Had he not all but yielded to the temptation to snap off his life himself, cowardly to escape his sorrow? As if all the sorrows, all betrayals, were not childish griefs beside the torture and the crime of self-betrayal, denial of faith, of self-contempt in death!

He saw that life was a battle without armistice, without mercy, in which he who wishes to be a man worthy of the name of a man must forever fight against whole armies of invisible enemies; against the murderous forces of Nature, uneasy desires, dark thoughts, treacherously leading him to degradation and destruction. He saw that he had been on the point of falling into the trap. He saw that happiness and love were only the friends of a moment to lead the heart to disarm and abdicate. And the little puritan of fifteen heard the voice of his God:

"Go, go, and never rest."

"But whither, Lord, shall I go? Whatsoever I do, whithersoever I go, is not the end always the same? Is not the end of all things in that?"

"Go on to Death, you who must die! Go and suffer, you who must suffer! You do not live to be happy. You live to fulfil my Law. Suffer; die. But be what you must be--a Man."

YOUTH

Christofori faciem die quaeunque tueris, Illa nempe die non morte mala morieris.

I

THE HOUSE OF EULER

The house was plunged in silence. Since Melchior's death everything seemed dead. Now that his loud voice was stilled, from morning to night nothing was heard but the wearisome murmuring of the river.

Christophe hurled himself into his work. He took a fiercely angry pleasure in self-castigation for having wished to be happy. To expressions of sympathy and kind words he made no reply, but was proud and stiff. Without a word he went about his daily task, and gave his lessons with icy politeness. His pupils who knew of his misfortune were shocked by his insensibility. But, those who were older and had some experience of sorrow knew that this apparent coldness might, in a child, be used only to conceal suffering: and they pitied him. He was not grateful for their sympathy. Even music could bring him no comfort. He played without pleasure, and as a duty. It was as though he found a cruel joy in no longer taking pleasure in anything, or in persuading himself that he did not: in depriving himself of every reason for living, and yet going on.

His two brothers, terrified by the silence of the house of death, ran away from it as quickly as possible. Rodolphe went into the office of his uncle Theodore, and lived with him, and Ernest, after trying two or three trades, found work on one of the Rhine steamers plying between Mainz and Cologne, and he used to come back only when he wanted money. Christophe was left alone with his mother in the house, which was too large for them; and the meagerness of their resources, and the payment of certain debts which had been discovered after his father's death, forced them, whatever pain it might cost, to seek another more lowly and less expensive dwelling.

They found a little flat,--two or three rooms on the second floor of a house in the Market Street. It was a noisy district in the middle of the town, far from the river, far from the trees, far from the country and all the familiar places. But they had to consult reason, not sentiment, and Christophe found in it a fine opportunity for gratifying his bitter creed of self-mortification. Besides, the owner of the house, old registrar Euler, was a friend of his grandfather, and knew the family: that was enough for Louisa, who was lost in her empty house, and was irresistibly drawn towards those who had known the creatures whom she had loved.

They got ready to leave. They took long draughts of the bitter melancholy of the last days passed by the sad, beloved fireside that was to be left forever. They dared hardly tell their sorrow: they were ashamed of it, or afraid. Each thought that they ought not to show their weakness to the other. At table, sitting alone in a dark room with half-closed shutters, they dared not raise their voices: they ate hurriedly and did not look at each other for fear of not being able to conceal their trouble. They parted as soon as they had finished. Christophe went back to his work; but as soon as he was free for a moment, he would come back, go stealthily home, and creep on tiptoe to his room or to the attic. Then he would shut the door, sit down in a corner on an old trunk or on the window-ledge, or stay there without thinking, letting the indefinable buzzing and humming of the old house, which trembled with the lightest tread, thrill through him. His heart would tremble with it. He would listen anxiously for the faintest breath in or out of doors, for the creaking of floors, for all the imperceptible familiar noises: he knew them all. He would lose consciousness, his thoughts would be filled with the images of the past, and he would issue from his stupor only at the sound of St. Martin's clock, reminding him that it was time to go.

In the room below him he could hear Louisa's footsteps passing softly to and fro, then for hours she could not be heard; she made no noise. Christophe would listen intently. He would go down, a little uneasy, as one is for a long time after a great misfortune. He would push the door ajar; Louisa would turn her back on him; she would be sitting in front of a cupboard in the midst of a heap of things--rags, old belongings, odd garments, treasures, which she had brought out intending to sort them. But she had no strength for it; everything reminded her of something; she would turn and turn it in her hands and begin to dream; it would drop from her hands; she would stay for hours together with her arms hanging down, lying back exhausted in a chair, given up to a stupor of sorrow.

Poor Louisa was now spending most of her life in the past--that sad past, which had been very niggardly of joy for her; but she was so used to suffering that she was still grateful for the least tenderness shown to her, and the pale lights which had shone here and there in the drab days of her life, were still enough to make them bright. All the evil that Melchior had done her was forgotten; she remembered only the good. Her marriage had been the great romance of her life. If Melchior had been drawn into it by a caprice, of which he had quickly repented, she had given herself with her whole heart; she thought that she was loved as much as she had loved; and to Melchior she was ever most tenderly grateful. She did not try to understand what he had become in the sequel. Incapable of seeing reality as it is, she only knew how to bear it as it is, humbly and honestly, as a woman who has no need of understanding life in order to be able to live. What she could not explain, she left to God for explanation. In her singular piety, she put upon God the responsibility for all the injustice that she had suffered at the hands of Melchior and the others, and only visited them with the good that they had given her. And so her life of misery had left her with no bitter memory. She only felt worn out--weak as she was--by those years of privation and fatigue. And now that Melchior was no longer there, now that two of her sons were gone from their home, and the third seemed to be able to do without her, she had lost all heart for action; she was tired, sleepy; her will was stupefied. She was going through one of those crises of neurasthenia which often come upon active and industrious people in the decline of life, when some unforeseen event deprives them of every reason for living. She had not the heart even to finish the stocking she was knitting, to tidy the drawer in which she was looking, to get up to shut the window; she would sit there, without a thought, without strength--save for recollection. She was conscious of her collapse, and was ashamed of it or blushed for it; she tried to hide it from her son; and Christophe, wrapped up in the egoism of his own grief, never noticed it. No doubt he was often secretly impatient with his mother's slowness in speaking, and acting, and doing the smallest thing; but different though her ways were from her usual activity, he never gave a thought to the matter until then.

Suddenly on that day it came home to him for the first time when he surprised her in the midst of her rags, turned out on the floor, heaped up at her feet, in her arms, and in her lap. Her neck was drawn out, her head was bowed, her face was stiff and rigid. When she heard him come in she started; her white cheeks were suffused with red; with an instinctive movement she tried to hide the things she was holding, and muttered with an awkward smile:

"You see, I was sorting...."

The sight of the poor soul stranded among the relics of the past cut to his heart, and he was filled with pity. But he spoke with a bitter asperity and seemed to scold, to drag her from her apathy:

"Come, come, mother; you must not stay there, in the middle of all that dust, with the room all shut up! It is not good for you. You must pull yourself together, and have done with all this."

"Yes," said she meekly.

She tried to get up to put the things back in the drawer. But she sat down again at once and listlessly let them fall from her hands.

"Oh! I can't ... I can't," she moaned. "I shall never finish!"

He was frightened. He leaned over her. He caressed her forehead with his hands.

"Come, mother, what is it?" he said. "Shall I help you? Are you ill?"

She did not answer. She gave a sort of stifled sob. He took her hands, and knelt down by her side, the better to see her in the dusky room.

"Mother!" he said anxiously.

Louisa laid her head on his shoulder and burst into tears.

"My boy, my boy," she cried, holding close to him. "My boy!... You will not leave me? Promise me that you will not leave me?"

His heart was torn with pity.

"No, mother, no. I will not leave you. What made you think of such a thing?"

"I am so unhappy! They have all left me, all...."

She pointed to the things all about her, and he did not know whether she was speaking of them or of her sons and the dead.

"You will stay with me? You will not leave me?... What should I do, if you went too?"

"I will not go, I tell you; we will stay together. Don't cry. I promise."

She went on weeping. She could not stop herself. He dried her eyes with his handkerchief.

"What is it, mother dear? Are you in pain?"

"I don't know; I don't know what it is." She tried to calm herself and to smile.

"I do try to be sensible. I do. But just nothing at all makes me cry.... You see, I'm doing it again.... Forgive me. I am so stupid. I am old. I have no strength left. I have no taste for anything any more. I am no good for anything. I wish I were buried with all the rest...."

He held her to him, close, like a child.

"Don't worry, mother; be calm; don't think about it...."

Gradually she grew quiet.

"It is foolish. I am ashamed.... But what is it? What is it?"

She who had always worked so hard could not understand why her strength had suddenly snapped, and she was humiliated to the very depths of her being. He pretended not to see it.

"A little weariness, mother," he said, trying to speak carelessly. "It is nothing; you will see; it is nothing."

But he too was anxious. From his childhood he had been accustomed to see her brave, resigned, in silence withstanding every test. And he was astonished to see her suddenly broken: he was afraid.

He helped her to sort the things scattered on the floor. Every now and then she would linger over something, but he would gently take it from her hands, and she suffered him.

From that time on he took pains to be more with her. As soon as he had finished his work, instead of shutting himself up in his room, as he loved to do, he would return to her. He felt her loneliness and that she was not strong enough to be left alone: there was danger in leaving her alone.

He would sit by her side in the evening near the open window looking on to the road. The view would slowly disappear. The people were returning home. Little lights appeared in the houses far off. They had seen it all a thousand times. But soon they would see it no more. They would talk disjointedly. They would point out to each other the smallest of the familiar incidents and expectations of the evening, always with fresh interest. They would have long intimate silences, or Louisa, for no apparent reason, would tell some reminiscence, some disconnected story that passed through her mind. Her tongue was loosed a little now that she felt that she was with one who loved her. She tried hard to talk. It was difficult for her, for she had grown used to living apart from her family; she looked upon her sons and her husband as too clever to talk to her, and she had never dared to join in their conversation. Christophe's tender care was a new thing to her and infinitely sweet, though it made her afraid. She deliberated over her words; she found it difficult to express herself; her sentences were left unfinished and obscure. Sometimes she was ashamed of what she was saying; she would look at her son, and stop in the middle of her narrative. But he would press her hand, and she would be reassured. He was filled with love and pity for the childish, motherly creature, to whom he had turned when he was a child, and now she turned to him for support. And he took a melancholy pleasure in her prattle, that had no interest for anybody but himself, in her trivial memories of a life that had always been joyless and mediocre, though it seemed to Louisa to be of infinite worth. Sometimes he would try to interrupt her; he was afraid that her memories would make her sadder than ever, and he would urge her to sleep. She would understand what he was at, and would say with gratitude in her eyes:

"No. I assure you, it does one good; let us stay a little longer."

They would stay until the night was far gone and the neighbors were abed. Then they would say good-night, she a little comforted by being rid of some of her trouble, he with a heavy heart under this new burden added to that which already he had to bear.

The day came for their departure. On the night before they stayed longer than usual in the unlighted room. They did not speak. Every now and then Louisa moaned: "Fear God! Fear God!" Christophe tried to keep her attention fixed on the thousand details of the morrow's removal. She would not go to bed until he gently compelled her. But he went up to his room and did not go to bed for a long time. When leaning out of the window he tried to gaze through the darkness to see for the last time the moving shadows of the river beneath the house. He heard the wind in the tall trees in Minna's garden. The sky was black. There was no one in the street. A cold rain was just falling. The weathercocks creaked. In a house near by a child was crying. The night weighed with an overwhelming heaviness upon the earth and upon his soul. The dull chiming of the hours, the cracked note of the halves and quarters, dropped one after another into the grim silence, broken only by the sound of the rain on the roofs and the cobbles.

When Christophe at last made up his mind to go to bed, chilled in body and soul, he heard the window below him shut. And, as he lay, he thought sadly that it is cruel for the poor to dwell on the past, for they have no right to have a past, like the rich: they have no home, no corner of the earth wherein to house their memories: their joys, their sorrows, all their days, are scattered in the wind.

Next day in beating rain they moved their scanty furniture to their new dwelling. Fischer, the old furniture dealer, lent them a cart and a pony; he came and helped them himself. But they could not take everything, for the rooms to which they were going were much smaller than the old. Christophe had to make his mother leave the oldest and most useless of their belongings. It was not altogether easy; the least thing had its worth for her: a shaky table, a broken chair, she wished to leave nothing behind. Fischer, fortified by the authority of his old friendship with Jean Michel, had to join Christophe in complaining, and, good-fellow that he was and understanding her grief, had even to promise to keep some of her precious rubbish for her against the day when she should want it again. Then she agreed to tear herself away.

The two brothers had been told of the removal, but Ernest came on the night before to say that he could not be there, and Rodolphe appeared for a moment about noon; he watched them load the furniture, gave some advice, and went away again looking mightily busy.

The procession set out through the muddy streets. Christophe led the horse, which slipped on the greasy cobbles. Louisa walked by her son's side, and tried to shelter him from the rain. And so they had a melancholy homecoming in the damp rooms, that were made darker than ever by the dull light coming from the lowering sky. They could not have fought against the depression that was upon them had it not been for the attentions of their landlord and his family. But, when the cart had driven away, as night fell, leaving the furniture heaped up in the room; and Christophe and Louisa were sitting, worn out, one on a box, the other on a sack; they heard a little dry cough on the staircase; there was a knock at the door. Old Euler came in. He begged pardon elaborately for disturbing his guests, and said that by way of celebrating their first evening he hoped that they would be kind enough to sup with himself and his family. Louisa, stunned by her sorrow, wished to refuse. Christophe was not much more tempted than she by this friendly gathering, but the old man insisted and Christophe, thinking that it would be better for his mother not to spend their first evening in their new home alone with her thoughts, made her accept.

They went down to the floor below, where they found the whole family collected: the old man, his daughter, his son-in-law, Vogel, and his grandchildren, a boy and a girl, both a little younger than Christophe. They clustered around their guests, bade them welcome, asked if they were tired, if they were pleased with their rooms, if they needed anything; putting so many questions that Christophe in bewilderment could make nothing of them, for everybody spoke at once. The soup was placed on the table; they sat down. But the noise went on. Amalia, Euler's daughter, had set herself at once to acquaint Louisa with local details: with the topography of the district, the habits and advantages of the house, the time when the milkman called, the time when she got up, the various tradespeople and the prices that she paid. She did not stop until she had explained everything. Louisa, half-asleep, tried hard to take an interest in the information, but the remarks which she ventured showed that she had understood not a word, and provoked Amalia to indignant exclamations and repetition of every detail. Old Euler, a clerk, tried to explain to Christophe the difficulties of a musical career. Christophe's other neighbor, Rosa, Amalia's daughter, never stopped talking from the moment when they sat down,--so volubly that she had no time to breathe; she lost her breath in the middle of a sentence, but at once she was off again. Vogel was gloomy and complained of the food, and there were embittered arguments on the subject. Amalia, Euler, the girl, left off talking to take part in the discussion; and there were endless controversies as to whether there was too much salt in the stew or not enough; they called each other to witness, and, naturally, no two opinions were the same. Each despised his neighbor's taste, and thought only his own healthy and reasonable. They might have gone on arguing until the Last Judgment.

But, in the end, they all joined in crying out upon the bad weather. They all commiserated Louisa and Christophe upon their troubles, and in terms which moved him greatly they praised him for his courageous conduct. They took great pleasure in recalling not only the misfortunes of their guests, but also their own, and those of their friends and all their acquaintance, and they all agreed that the good are always unhappy, and that there is joy only for the selfish and dishonest. They decided that life is sad, that it is quite useless, and that they were all better dead, were it not the indubitable will of God that they should go on living so as to suffer. All these ideas came very near to Christophe's actual pessimism, he thought the better of his landlord, and closed his eyes to their little oddities.

When he went upstairs again with his mother to the disordered rooms, they were weary and sad, but they felt a little less lonely; and while Christophe lay awake through the night, for he could not sleep because of his weariness and the noise of the neighborhood, and listened to the heavy carts shaking the walls, and the breathing of the family sleeping below, he tried to persuade himself that he would be, if not happy, at least less unhappy here, with these good people--a little tiresome, if the truth be told--who suffered from like misfortunes, who seemed to understand him, and whom, he thought, he understood.

But when at last he did fall asleep, he was roused unpleasantly at dawn by the voices of his neighbors arguing, and the creaking of a pump worked furiously by some one who was in a hurry to swill the yard and the stairs.

* * * * *

Justus Euler was a little bent old man, with uneasy, gloomy eyes, a red face, all lines and pimples, gap-toothed, with an unkempt beard, with which he was forever fidgeting with his hands. Very honest, quite able, profoundly moral, he had been on quite good terms with Christophe's grandfather. He was said to be like him. And, in truth, he was of the same generation and brought up with the same principles; but he lacked Jean Michel's strong physique, that is, while he was of the same opinion on many points, fundamentally he was hardly at all like him, for it is temperament far more than ideas that makes a man, and whatever the divisions, fictitious or real, marked between men by intellect, the great divisions between men and men are into those who are healthy and those who are not. Old Euler was not a healthy man. He talked morality, like Jean Michel, but his morals were not the same as Jean Michel's; he had not his sound stomach, his lungs, or his jovial strength. Everything in Euler and his family was built on a more parsimonious and niggardly plan. He had been an official for forty years, was now retired, and suffered from that melancholy that comes from inactivity and weighs so heavily upon old men, who have not made provision in their inner life for their last years. All his habits, natural and acquired, all the habits of his trade had given him a meticulous and peevish quality, which was reproduced to a certain extent in each of his children.

His son-in-law, Vogel, a clerk at the Chancery Court, was fifty years old. Tall, strong, almost bald, with gold spectacles, fairly good-looking, he considered himself ill, and no doubt was so, although obviously he did not have the diseases which he thought he had, but only a mind soured by the stupidity of his calling and a body ruined to a certain extent by his sedentary life. Very industrious, not without merit, even cultured up to a point; he was a victim of our ridiculous modern life, or like so many clerks, locked up in their offices, he had succumbed to the demon of hypochondria. One of those unfortunates whom Goethe called "_ein trauriger, ungriechischer Hypochondrist_"--"a gloomy and un-Greek hypochondriac,"--and pitied, though he took good care to avoid them.

Amalia was neither the one nor the other. Strong, loud, and active, she wasted no sympathy on her husband's jeremiads; she used to shake him roughly. But no human strength can bear up against living together, and when in a household one or other is neurasthenic, the chances are that in time they will both be so. In vain did Amalia cry out upon Vogel, in vain did she go on protesting either from habit or because it was necessary; next moment she herself was lamenting her condition more loudly even than he, and, passing imperceptibly from scolding to lamentation, she did him no good; she increased his ills tenfold by loudly singing chorus to his follies. In the end not only did she crush the unhappy Vogel, terrified by the proportions assumed by his own outcries sent sounding back by this echo, but she crushed everybody, even herself. In her turn she caught the trick of unwarrantably bemoaning her health, and her father's, and her daughter's, and her son's. It became a mania; by constant repetition she came to believe what she said. She took the least chill tragically; she was uneasy and worried about everybody. More than that, when they were well, she still worried, because of the sickness that was bound to come. So life was passed in perpetual fear. Outside that they were all in fairly good health, and it seemed as though their state of continual moaning and groaning did serve to keep them well. They all ate and slept and worked as usual, and the life of this household was not relaxed for it all. Amalia's activity was not satisfied with working from morning to night up and down the house; they all had to toil with her, and there was forever a moving of furniture, a washing of floors, a polishing of wood, a sound of voices, footsteps, quivering, movement.

The two children, crushed by such loud authority, leaving nobody alone, seemed to find it natural enough to submit to it. The boy, Leonard, was good looking, though insignificant of feature, and stiff in manner. The girl, Rosa, fair-haired, with pretty blue eyes, gentle and affectionate, would have been pleasing especially with the freshness of her delicate complexion, and her kind manner, had her nose not been quite so large or so awkwardly placed; it made her face heavy and gave her a foolish expression. She was like a girl of Holbein, in the gallery at Basle--the daughter of burgomaster Meier--sitting, with eyes cast down, her hands on her knees, her fair hair falling down to her shoulders, looking embarrassed and ashamed of her uncomely nose. But so far Rosa had not been troubled by it, and it never had broken in upon her inexhaustible chatter. Always her shrill voice was heard in the house telling stories, always breathless, as though she had no time to say everything, always excited and animated, in spite of the protests which she drew from her mother, her father, and even her grandfather, exasperated, not so much because she was forever talking as because she prevented them talking themselves. For these good people, kind, loyal, devoted--the very cream of good people--had almost all the virtues, but they lacked one virtue which is capital, and is the charm of life: the virtue of silence.

Christophe was in tolerant mood. His sorrow had softened his intolerant and emphatic temper. His experience of the cruel indifference of the elegant made him more conscious of the worth of these honest folk, graceless and devilish tiresome, who had yet an austere conception of life, and because they lived joylessly, seemed to him to live without weakness. Having decided that they were excellent, and that he ought to like them, like the German that he was, he tried to persuade himself that he did in fact like them. But he did not succeed; he lacked that easy Germanic idealism, which does not wish to see, and does not see, what would be displeasing to its sight, for fear of disturbing the very proper tranquillity of its judgment and the pleasantness of its existence. On the contrary, he never was so conscious of the defects of these people as when he loved them, when he wanted to love them absolutely without reservation; it was a sort of unconscious loyalty, and an inexorable demand for truth, which, in spite of himself, made him more clear-sighted, and more exacting, with what was dearest to him. And it was not long before he began to be irritated by the oddities of the family. They made no attempt to conceal them. Contrary to the usual habit they displayed every intolerable quality they possessed, and all the good in them was hidden. So Christophe told himself, for he judged himself to have been unjust, and tried to surmount his first impressions, and to discover in them the excellent qualities which they so carefully concealed.

He tried to converse with old Justus Euler, who asked nothing better. He had a secret sympathy with him, remembering that his grandfather had liked to praise him. But good old Jean Michel had more of the pleasant faculty of deceiving himself about his friends than Christophe, and Christophe soon saw that. In vain did he try to accept Euler's memories of his grandfather. He could only get from him a discolored caricature of Jean Michel, and scraps of talk that were utterly uninteresting. Euler's stories used invariably to begin with: "As I used to say to your poor grandfather..." He could remember nothing else. He had heard only what he had said himself.

Perhaps Jean Michel used only to listen in the same way. Most friendships are little more than arrangements for mutual satisfaction, so that each party may talk about himself to the other. But at least Jean Michel, however naïvely he used to give himself up to the delight of talking, had sympathy which he was always ready to lavish on all sides. He was interested in everything; he always regretted that he was no longer fifteen, so as to be able to see the marvelous inventions of the new generations, and to share their thoughts. He had the quality, perhaps the most precious in life, a curiosity always fresh, sever changing with the years, born anew every morning. He had not the talent to turn this gift to account; but how many men of talent might envy him! Most men die at twenty or thirty; thereafter they are only reflections of themselves: for the rest of their lives they are aping themselves, repeating from day to day more and more mechanically and affectedly what they said and did and thought and loved when they were alive.

It was so long since old Euler had been alive, and he had been such a small thing then, that what was left of him now was very poor and rather ridiculous. Outside his former trade and his family life he knew nothing, and wished to know nothing. On every subject he had ideas ready-made, dating from his youth. He pretended to some knowledge of the arts, but he clung to certain hallowed names of men, about whom he was forever reiterating his emphatic formulæ: everything else was naught and had never been. When modern interests were mentioned he would not listen, and talked of something else. He declared that he loved music passionately, and he would ask Christophe to play. But as soon as Christophe, who had been caught once or twice, began to play, the old fellow would begin to talk loudly to his daughter, as though the music only increased his interest in everything but music. Christophe would get up exasperated in the middle of his piece, so one would notice it. There were only a few old airs--three or four--some very beautiful, others very ugly, but all equally sacred, which were privileged to gain comparative silence and absolute approval. With the very first notes the old man would go into ecstasies, tears would come to his eyes, not so much for the pleasure he was enjoying as for the pleasure which once he had enjoyed. In the end Christophe had a horror of these airs, though some of them, like the _Adelaïde_ of Beethoven, were very dear to him; the old man was always humming the first bars of them, and never failed to declare, "There, that is music," contemptuously comparing it with "all the blessed modern music, in which there is no melody." Truth to tell, he knew nothing whatever about it.

His son-in-law was better educated and kept in touch with artistic movements; but that was even worse, for in his judgment there was always a disparaging tinge. He was lacking neither in taste nor intelligence; but he could not bring himself to admire anything modern. He would have disparaged Mozart and Beethoven, if they had been contemporary, just as he would have acknowledged the merits of Wagner and Richard Strauss had they been dead for a century. His discontented temper refused to allow that there might be great men living during his own lifetime; the idea was distasteful to him. He was so embittered by his wasted life that he insisted on pretending that every life was wasted, that it could not be otherwise, and that those who thought the opposite, or pretended to think so, were one of two things: fools or humbugs.

And so he never spoke of any new celebrity except in a tone of bitter irony, and as he was not stupid he never failed to discover at the first glance the weak or ridiculous sides of them. Any new name roused him to distrust; before he knew anything about the man he was inclined to criticise him--because he knew nothing about him. If he was sympathetic towards Christophe it was because he thought that the misanthropic boy found life as evil as he did himself, and that he was not a genius. Nothing so unites the small of soul in their suffering and discontent as the statement of their common impotence. Nothing so much restores the desire for health or life to those who are healthy and made for the joy of life as contact with the stupid pessimism of the mediocre and the sick, who, because they are not happy, deny the happiness of others. Christophe felt this. And yet these gloomy thoughts were familiar to him; but he was surprised to find them on Vogel's lips, where they were unrecognizable; more than that, they were repugnant to him; they offended him.

He was even more in revolt against Amalia's ways. The good creature did no more than practise Christophe's theories of duty. The word was upon her lips at every turn. She worked unceasingly, and wanted everybody to work as she did. Her work was never directed towards making herself and others happier; on the contrary. It almost seemed as though it Was mainly intended to incommode everybody and to make life as disagreeable as possible so as to sanctify it. Nothing would induce her for a moment to relinquish her holy duties in the household, that sacro-sanct institution which in so many women takes the place of all other duties, social and moral. She would have thought herself lost had she not on the same day, at the same time, polished the wooden floors, washed the tiles, cleaned the door-handles, beaten the carpets, moved the chairs, the cupboards, the tables. She was ostentatious about it. It was as though it was a point of honor with her. And after all, is it not in much the same spirit that many women conceive and defend their honor? It is a sort of piece of furniture which they have to keep polished, a well waxed floor, cold, hard--and slippery.