Chapter XIII: Part 13

Neither a bold nor a diversified country, I say again, and withal an untidy country, but pleasant enough to ride in, when the paved roads over the flats and through the hollows, are not too deep in black mud. A country so sparely inhabited, that I wonder where the peasants who till and sow and reap the ground, can possibly dwell, and also by what invisible balloons they are conveyed from their distant homes into the fields at sunrise and back again at sunset. The occasional few poor cottages and farms in this region, surely cannot afford shelter to the numbers necessary to the cultivation, albeit the work is done so very deliberately, that on one long harvest day I have seen, in twelve miles, about twice as many men and women (all told) reaping and binding. Yet have I seen more cattle, more sheep, more pigs, and all in better case, than where there is purer French spoken, and also better ricks—round swelling peg-top ricks, well thatched; not a shapeless brown heap, like the toast of a Giant’s toast-and-water, pinned to the earth with one of the skewers out of his kitchen. A good custom they have about here, likewise, of prolonging the sloping tiled roof of farm or cottage, so that it overhangs three or four feet, carrying off the wet, and making a good drying-place wherein to hang up herbs, or implements, or what not. A better custom than the popular one of keeping the refuse-heap and puddle close before the house door: which, although I paint my dwelling never so brightly blue (and it cannot be too blue for me, hereabouts), will bring fever inside my door. Wonderful poultry of the French-Flemish country, why take the trouble to _be_ poultry? Why not stop short at eggs in the rising generation, and die out and have done with it? Parents of chickens have I seen this day, followed by their wretched young families, scratching nothing out of the mud with an air—tottering about on legs so scraggy and weak, that the valiant word drumsticks becomes a mockery when applied to them, and the crow of the lord and master has been a mere dejected case of croup. Carts have I seen, and other agricultural instruments, unwieldy, dislocated, monstrous. Poplar-trees by the thousand fringe the fields and fringe the end of the flat landscape, so that I feel, looking straight on before me, as if, when I pass the extremest fringe on the low horizon, I shall tumble over into space. Little whitewashed black holes of chapels, with barred doors and Flemish inscriptions, abound at roadside corners, and often they are garnished with a sheaf of wooden crosses, like children’s swords; or, in their default, some hollow old tree with a saint roosting in it, is similarly decorated, or a pole with a very diminutive saint enshrined aloft in a sort of sacred pigeon-house. Not that we are deficient in such decoration in the town here, for, over at the church yonder, outside the building, is a scenic representation of the Crucifixion, built up with old bricks and stones, and made out with painted canvas and wooden figures: the whole surmounting the dusty skull of some holy personage (perhaps), shut up behind a little ashy iron grate, as if it were originally put there to be cooked, and the fire had long gone out. A windmilly country this, though the windmills are so damp and rickety, that they nearly knock themselves off their legs at every turn of their sails, and creak in loud complaint. A weaving country, too, for in the wayside cottages the loom goes wearily—rattle and click, rattle and click—and, looking in, I see the poor weaving peasant, man or woman, bending at the work, while the child, working too, turns a little hand-wheel put upon the ground to suit its height. An unconscionable monster, the loom in a small dwelling, asserting himself ungenerously as the bread-winner, straddling over the children’s straw beds, cramping the family in space and air, and making himself generally objectionable and tyrannical. He is tributary, too, to ugly mills and factories and bleaching-grounds, rising out of the sluiced fields in an abrupt bare way, disdaining, like himself, to be ornamental or accommodating. Surrounded by these things, here I stood on the steps of the Hôtel de Ville, persuaded to remain by the P. Salcy family, fifteen dramatic subjects strong.

There was a Fair besides. The double persuasion being irresistible, and my sponge being left behind at the last Hotel, I made the tour of the little town to buy another. In the small sunny shops—mercers, opticians, and druggist-grocers, with here and there an emporium of religious images—the gravest of old spectacled Flemish husbands and wives sat contemplating one another across bare counters, while the wasps, who seemed to have taken military possession of the town, and to have placed it under wasp-martial law, executed warlike manœuvres in the windows. Other shops the wasps had entirely to themselves, and nobody cared and nobody came when I beat with a five-franc piece upon the board of custom. What I sought was no more to be found than if I had sought a nugget of Californian gold: so I went, spongeless, to pass the evening with the Family P. Salcy.

The members of the Family P. Salcy were so fat and so like one another—fathers, mothers, sisters, brothers, uncles, and aunts—that I think the local audience were much confused about the plot of the piece under representation, and to the last expected that everybody must turn out to be the long-lost relative of everybody else. The Theatre was established on the top story of the Hôtel de Ville, and was approached by a long bare staircase, whereon, in an airy situation, one of the P. Salcy Family—a stout gentleman imperfectly repressed by a belt—took the money. This occasioned the greatest excitement of the evening; for, no sooner did the curtain rise on the introductory Vaudeville, and reveal in the person of the young lover (singing a very short song with his eyebrows) apparently the very same identical stout gentleman imperfectly repressed by a belt, than everybody rushed out to the paying-place, to ascertain whether he could possibly have put on that dress-coat, that clear complexion, and those arched black vocal eyebrows, in so short a space of time. It then became manifest that this was another stout gentleman imperfectly repressed by a belt: to whom, before the spectators had recovered their presence of mind, entered a third stout gentleman imperfectly repressed by a belt, exactly like him. These two ‘subjects,’ making with the money-taker three of the announced fifteen, fell into conversation touching a charming young widow: who, presently appearing, proved to be a stout lady altogether irrepressible by any means—quite a parallel case to the American Negro—fourth of the fifteen subjects, and sister of the fifth who presided over the check-department. In good time the whole of the fifteen subjects were dramatically presented, and we had the inevitable Ma Mère, Ma Mère! and also the inevitable malédiction d’un père, and likewise the inevitable Marquis, and also the inevitable provincial young man, weak-minded but faithful, who followed Julie to Paris, and cried and laughed and choked all at once. The story was wrought out with the help of a virtuous spinning-wheel in the beginning, a vicious set of diamonds in the middle, and a rheumatic blessing (which arrived by post) from Ma Mère towards the end; the whole resulting in a small sword in the body of one of the stout gentlemen imperfectly repressed by a belt, fifty thousand francs per annum and a decoration to the other stout gentleman imperfectly repressed by a belt, and an assurance from everybody to the provincial young man that if he were not supremely happy—which he seemed to have no reason whatever for being—he ought to be. This afforded him a final opportunity of crying and laughing and choking all at once, and sent the audience home sentimentally delighted. Audience more attentive or better behaved there could not possibly be, though the places of second rank in the Theatre of the Family P. Salcy were sixpence each in English money, and the places of first rank a shilling. How the fifteen subjects ever got so fat upon it, the kind Heavens know.

What gorgeous china figures of knights and ladies, gilded till they gleamed again, I might have bought at the Fair for the garniture of my home, if I had been a French-Flemish peasant, and had had the money! What shining coffee-cups and saucers I might have won at the turntables, if I had had the luck! Ravishing perfumery also, and sweetmeats, I might have speculated in, or I might have fired for prizes at a multitude of little dolls in niches, and might have hit the doll of dolls, and won francs and fame. Or, being a French-Flemish youth, I might have been drawn in a hand-cart by my compeers, to tilt for municipal rewards at the water-quintain; which, unless I sent my lance clean through the ring, emptied a full bucket over me; to fend off which, the competitors wore grotesque old scarecrow hats. Or, being French-Flemish man or woman, boy or girl, I might have circled all night on my hobby-horse in a stately cavalcade of hobby-horses four abreast, interspersed with triumphal cars, going round and round and round and round, we the goodly company singing a ceaseless chorus to the music of the barrel-organ, drum, and cymbals. On the whole, not more monotonous than the Ring in Hyde Park, London, and much merrier; for when do the circling company sing chorus, _there_, to the barrel-organ, when do the ladies embrace their horses round the neck with both arms, when do the gentlemen fan the ladies with the tails of their gallant steeds? On all these revolving delights, and on their own especial lamps and Chinese lanterns revolving with them, the thoughtful weaver-face brightens, and the Hôtel de Ville sheds an illuminated line of gaslight: while above it, the Eagle of France, gas-outlined and apparently afflicted with the prevailing infirmities that have lighted on the poultry, is in a very undecided state of policy, and as a bird moulting. Flags flutter all around. Such is the prevailing gaiety that the keeper of the prison sits on the stone steps outside the prison-door, to have a look at the world that is not locked up; while that agreeable retreat, the wine-shop opposite to the prison in the prison-alley (its sign La Tranquillité, because of its charming situation), resounds with the voices of the shepherds and shepherdesses who resort there this festive night. And it reminds me that only this afternoon, I saw a shepherd in trouble, tending this way, over the jagged stones of a neighbouring street. A magnificent sight it was, to behold him in his blouse, a feeble little jog-trot rustic, swept along by the wind of two immense gendarmes, in cocked-hats for which the street was hardly wide enough, each carrying a bundle of stolen property that would not have held his shoulder-knot, and clanking a sabre that dwarfed the prisoner.

‘Messieurs et Mesdames, I present to you at this Fair, as a mark of my confidence in the people of this so-renowned town, and as an act of homage to their good sense and fine taste, the Ventriloquist, the Ventriloquist! Further, Messieurs et Mesdames, I present to you the Face-Maker, the Physiognomist, the great Changer of Countenances, who transforms the features that Heaven has bestowed upon him into an endless succession of surprising and extraordinary visages, comprehending, Messieurs et Mesdames, all the contortions, energetic and expressive, of which the human face is capable, and all the passions of the human heart, as Love, Jealousy, Revenge, Hatred, Avarice, Despair! Hi hi! Ho ho! Lu lu! Come in!’ To this effect, with an occasional smite upon a sonorous kind of tambourine—bestowed with a will, as if it represented the people who won’t come in—holds forth a man of lofty and severe demeanour; a man in stately uniform, gloomy with the knowledge he possesses of the inner secrets of the booth. ‘Come in, come in! Your opportunity presents itself to-night; to-morrow it will be gone for ever. To-morrow morning by the Express Train the railroad will reclaim the Ventriloquist and the Face-Maker! Algeria will reclaim the Ventriloquist and the Face-Maker! Yes! For the honour of their country they have accepted propositions of a magnitude incredible, to appear in Algeria. See them for the last time before their departure! We go to commence on the instant. Hi hi! Ho ho! Lu lu! Come in! Take the money that now ascends, Madame; but after that, no more, for we commence! Come in!’

Nevertheless, the eyes both of the gloomy Speaker and of Madame receiving sous in a muslin bower, survey the crowd pretty sharply after the ascending money has ascended, to detect any lingering sous at the turning-point. ‘Come in, come in! Is there any more money, Madame, on the point of ascending? If so, we wait for it. If not, we commence!’ The orator looks back over his shoulder to say it, lashing the spectators with the conviction that he beholds through the folds of the drapery into which he is about to plunge, the Ventriloquist and the Face-Maker. Several sous burst out of pockets, and ascend. ‘Come up, then, Messieurs!’ exclaims Madame in a shrill voice, and beckoning with a bejewelled finger. ‘Come up! This presses. Monsieur has commanded that they commence!’ Monsieur dives into his Interior, and the last half-dozen of us follow. His Interior is comparatively severe; his Exterior also. A true Temple of Art needs nothing but seats, drapery, a small table with two moderator lamps hanging over it, and an ornamental looking-glass let into the wall. Monsieur in uniform gets behind the table and surveys us with disdain, his forehead becoming diabolically intellectual under the moderators. ‘Messieurs et Mesdames, I present to you the Ventriloquist. He will commence with the celebrated Experience of the bee in the window. The bee, apparently the veritable bee of Nature, will hover in the window, and about the room. He will be with difficulty caught in the hand of Monsieur the Ventriloquist—he will escape—he will again hover—at length he will be recaptured by Monsieur the Ventriloquist, and will be with difficulty put into a bottle. Achieve then, Monsieur!’ Here the proprietor is replaced behind the table by the Ventriloquist, who is thin and sallow, and of a weakly aspect. While the bee is in progress, Monsieur the Proprietor sits apart on a stool, immersed in dark and remote thought. The moment the bee is bottled, he stalks forward, eyes us gloomily as we applaud, and then announces, sternly waving his hand: ‘The magnificent Experience of the child with the whooping-cough!’ The child disposed of, he starts up as before. ‘The superb and extraordinary Experience of the dialogue between Monsieur Tatambour in his dining-room, and his domestic, Jerome, in the cellar; concluding with the songsters of the grove, and the Concert of domestic Farm-yard animals.’ All this done, and well done, Monsieur the Ventriloquist withdraws, and Monsieur the Face-Maker bursts in, as if his retiring-room were a mile long instead of a yard. A corpulent little man in a large white waistcoat, with a comic countenance, and with a wig in his hand. Irreverent disposition to laugh, instantly checked by the tremendous gravity of the Face-Maker, who intimates in his bow that if we expect that sort of thing we are mistaken. A very little shaving-glass with a leg behind it is handed in, and placed on the table before the Face-Maker. ‘Messieurs et Mesdames, with no other assistance than this mirror and this wig, I shall have the honour of showing you a thousand characters.’ As a preparation, the Face-Maker with both hands gouges himself, and turns his mouth inside out. He then becomes frightfully grave again, and says to the Proprietor, ‘I am ready!’ Proprietor stalks forth from baleful reverie, and announces ‘The Young Conscript!’ Face-Maker claps his wig on, hind side before, looks in the glass, and appears above it as a conscript so very imbecile, and squinting so extremely hard, that I should think the State would never get any good of him. Thunders of applause. Face-Maker dips behind the looking-glass, brings his own hair forward, is himself again, is awfully grave. ‘A distinguished inhabitant of the Faubourg St. Germain.’ Face-Maker dips, rises, is supposed to be aged, blear-eyed, toothless, slightly palsied, supernaturally polite, evidently of noble birth. ‘The oldest member of the Corps of Invalides on the fête-day of his master.’ Face-Maker dips, rises, wears the wig on one side, has become the feeblest military bore in existence, and (it is clear) would lie frightfully about his past achievements, if he were not confined to pantomime. ‘The Miser!’ Face-Maker dips, rises, clutches a bag, and every hair of the wig is on end to express that he lives in continual dread of thieves. ‘The Genius of France!’ Face-Maker dips, rises, wig pushed back and smoothed flat, little cocked-hat (artfully concealed till now) put a-top of it, Face-Maker’s white waistcoat much advanced, Face-Maker’s left hand in bosom of white waistcoat, Face-Maker’s right hand behind his back. Thunders. This is the first of three positions of the Genius of France. In the second position, the Face-Maker takes snuff; in the third, rolls up his fight hand, and surveys illimitable armies through that pocket-glass. The Face-Maker then, by putting out his tongue, and wearing the wig nohow in particular, becomes the Village Idiot. The most remarkable feature in the whole of his ingenious performance, is, that whatever he does to disguise himself, has the effect of rendering him rather more like himself than he was at first.

There were peep-shows in this Fair, and I had the pleasure of recognising several fields of glory with which I became well acquainted a year or two ago as Crimean battles, now doing duty as Mexican victories. The change was neatly effected by some extra smoking of the Russians, and by permitting the camp followers free range in the foreground to despoil the enemy of their uniforms. As no British troops had ever happened to be within sight when the artist took his original sketches, it followed fortunately that none were in the way now.

The Fair wound up with a ball. Respecting the particular night of the week on which the ball took place, I decline to commit myself; merely mentioning that it was held in a stable-yard so very close to the railway, that it was a mercy the locomotive did not set fire to it. (In Scotland, I suppose, it would have done so.) There, in a tent prettily decorated with looking-glasses and a myriad of toy flags, the people danced all night. It was not an expensive recreation, the price of a double ticket for a cavalier and lady being one and threepence in English money, and even of that small sum fivepence was reclaimable for ‘consommation:’ which word I venture to translate into refreshments of no greater strength, at the strongest, than ordinary wine made hot, with sugar and lemon in it. It was a ball of great good humour and of great enjoyment, though very many of the dancers must have been as poor as the fifteen subjects of the P. Salcy Family.

In short, not having taken my own pet national pint pot with me to this Fair, I was very well satisfied with the measure of simple enjoyment that it poured into the dull French-Flemish country life. How dull that is, I had an opportunity of considering—when the Fair was over—when the tri-coloured flags were withdrawn from the windows of the houses on the Place where the Fair was held—when the windows were close shut, apparently until next Fair-time—when the Hôtel de Ville had cut off its gas and put away its eagle—when the two paviours, whom I take to form the entire paving population of the town, were ramming down the stones which had been pulled up for the erection of decorative poles—when the jailer had slammed his gate, and sulkily locked himself in with his charges. But then, as I paced the ring which marked the track of the departed hobby-horses on the market-place, pondering in my mind how long some hobby-horses do leave their tracks in public ways, and how difficult they are to erase, my eyes were greeted with a goodly sight. I beheld four male personages thoughtfully pacing the Place together, in the sunlight, evidently not belonging to the town, and having upon them a certain loose cosmopolitan air of not belonging to any town. One was clad in a suit of white canvas, another in a cap and blouse, the third in an old military frock, the fourth in a shapeless dress that looked as if it had been made out of old umbrellas. All wore dust-coloured shoes. My heart beat high; for, in those four male personages, although complexionless and eyebrowless, I beheld four subjects of the Family P. Salcy. Blue-bearded though they were, and bereft of the youthful smoothness of cheek which is imparted by what is termed in Albion a ‘Whitechapel shave’ (and which is, in fact, whitening, judiciously applied to the jaws with the palm of the hand), I recognised them. As I stood admiring, there emerged from the yard of a lowly Cabaret, the excellent Ma Mère, Ma Mère, with the words, ‘The soup is served;’ words which so elated the subject in the canvas suit, that when they all ran in to partake, he went last, dancing with his hands stuck angularly into the pockets of his canvas trousers, after the Pierrot manner. Glancing down the Yard, the last I saw of him was, that he looked in through a window (at the soup, no doubt) on one leg.

Full of this pleasure, I shortly afterwards departed from the town, little dreaming of an addition to my good fortune. But more was in reserve. I went by a train which was heavy with third-class carriages, full of young fellows (well guarded) who had drawn unlucky numbers in the last conscription, and were on their way to a famous French garrison town where much of the raw military material is worked up into soldiery. At the station they had been sitting about, in their threadbare homespun blue garments, with their poor little bundles under their arms, covered with dust and clay, and the various soils of France; sad enough at heart, most of them, but putting a good face upon it, and slapping their breasts and singing choruses on the smallest provocation; the gayest spirits shouldering half loaves of black bread speared upon their walking-sticks. As we went along, they were audible at every station, chorusing wildly out of tune, and feigning the highest hilarity. After a while, however, they began to leave off singing, and to laugh naturally, while at intervals there mingled with their laughter the barking of a dog. Now, I had to alight short of their destination, and, as that stoppage of the train was attended with a quantity of horn blowing, bell ringing, and proclamation of what Messieurs les Voyageurs were to do, and were not to do, in order to reach their respective destinations, I had ample leisure to go forward on the platform to take a parting look at my recruits, whose heads were all out at window, and who were laughing like delighted children. Then I perceived that a large poodle with a pink nose, who had been their travelling companion and the cause of their mirth, stood on his hind-legs presenting arms on the extreme verge of the platform, ready to salute them as the train went off. This poodle wore a military shako (it is unnecessary to add, very much on one side over one eye), a little military coat, and the regulation white gaiters. He was armed with a little musket and a little sword-bayonet, and he stood presenting arms in perfect attitude, with his unobscured eye on his master or superior officer, who stood by him. So admirable was his discipline, that, when the train moved, and he was greeted with the parting cheers of the recruits, and also with a shower of centimes, several of which struck his shako, and had a tendency to discompose him, he remained staunch on his post, until the train was gone. He then resigned his arms to his officer, took off his shako by rubbing his paw over it, dropped on four legs, bringing his uniform coat into the absurdest relations with the overarching skies, and ran about the platform in his white gaiters, waging his tail to an exceeding great extent. It struck me that there was more waggery than this in the poodle, and that he knew that the recruits would neither get through their exercises, nor get rid of their uniforms, as easily as he; revolving which in my thoughts, and seeking in my pockets some small money to bestow upon him, I casually directed my eyes to the face of his superior officer, and in him beheld the Face-Maker! Though it was not the way to Algeria, but quite the reverse, the military poodle’s Colonel was the Face-Maker in a dark blouse, with a small bundle dangling over his shoulder at the end of an umbrella, and taking a pipe from his breast to smoke as he and the poodle went their mysterious way.

XXVIII MEDICINE MEN OF CIVILISATION

MY voyages (in paper boats) among savages often yield me matter for reflection at home. It is curious to trace the savage in the civilised man, and to detect the hold of some savage customs on conditions of society rather boastful of being high above them.

I wonder, is the Medicine Man of the North American Indians never to be got rid of, out of the North American country? He comes into my Wigwam on all manner of occasions, and with the absurdest ‘Medicine.’ I always find it extremely difficult, and I often find it simply impossible, to keep him out of my Wigwam. For his legal ‘Medicine’ he sticks upon his head the hair of quadrupeds, and plasters the same with fat, and dirty white powder, and talks a gibberish quite unknown to the men and squaws of his tribe. For his religious ‘Medicine’ he puts on puffy white sleeves, little black aprons, large black waistcoats of a peculiar cut, collarless coats with Medicine button-holes, Medicine stockings and gaiters and shoes, and tops the whole with a highly grotesque Medicinal hat. In one respect, to be sure, I am quite free from him. On occasions when the Medicine Men in general, together with a large number of the miscellaneous inhabitants of his village, both male and female, are presented to the principal Chief, his native ‘Medicine’ is a comical mixture of old odds and ends (hired of traders) and new things in antiquated shapes, and pieces of red cloth (of which he is particularly fond), and white and red and blue paint for the face. The irrationality of this particular Medicine culminates in a mock battle-rush, from which many of the squaws are borne out, much dilapidated. I need not observe how unlike this is to a Drawing Room at St. James’s Palace.

The African magician I find it very difficult to exclude from my Wigwam too. This creature takes cases of death and mourning under his supervision, and will frequently impoverish a whole family by his preposterous enchantments. He is a great eater and drinker, and always conceals a rejoicing stomach under a grieving exterior. His charms consist of an infinite quantity of worthless scraps, for which he charges very high. He impresses on the poor bereaved natives, that the more of his followers they pay to exhibit such scraps on their persons for an hour or two (though they never saw the deceased in their lives, and are put in high spirits by his decease), the more honourably and piously they grieve for the dead. The poor people submitting themselves to this conjurer, an expensive procession is formed, in which bits of stick, feathers of birds, and a quantity of other unmeaning objects besmeared with black paint, are carried in a certain ghastly order of which no one understands the meaning, if it ever had any, to the brink of the grave, and are then brought back again.

In the Tonga Islands everything is supposed to have a soul, so that when a hatchet is irreparably broken, they say, ‘His immortal part has departed; he is gone to the happy hunting-plains.’ This belief leads to the logical sequence that when a man is buried, some of his eating and drinking vessels, and some of his warlike implements, must be broken and buried with him. Superstitious and wrong, but surely a more respectable superstition than the hire of antic scraps for a show that has no meaning based on any sincere belief.

Let me halt on my Uncommercial road, to throw a passing glance on some funeral solemnities that I have seen where North American Indians, African Magicians, and Tonga Islanders, are supposed not to be.

Once, I dwelt in an Italian city, where there dwelt with me for a while, an Englishman of an amiable nature, great enthusiasm, and no discretion. This friend discovered a desolate stranger, mourning over the unexpected death of one very dear to him, in a solitary cottage among the vineyards of an outlying village. The circumstances of the bereavement were unusually distressing; and the survivor, new to the peasants and the country, sorely needed help, being alone with the remains. With some difficulty, but with the strong influence of a purpose at once gentle, disinterested, and determined, my friend—Mr. Kindheart—obtained access to the mourner, and undertook to arrange the burial.

There was a small Protestant cemetery near the city walls, and as Mr. Kindheart came back to me, he turned into it and chose the spot. He was always highly flushed when rendering a service unaided, and I knew that to make him happy I must keep aloof from his ministration. But when at dinner he warmed with the good action of the day, and conceived the brilliant idea of comforting the mourner with ‘an English funeral,’ I ventured to intimate that I thought that institution, which was not absolutely sublime at home, might prove a failure in Italian hands. However, Mr. Kindheart was so enraptured with his conception, that he presently wrote down into the town requesting the attendance with to-morrow’s earliest light of a certain little upholsterer. This upholsterer was famous for speaking the unintelligible local dialect (his own) in a far more unintelligible manner than any other man alive.

When from my bath next morning I overheard Mr. Kindheart and the upholsterer in conference on the top of an echoing staircase; and when I overheard Mr. Kindheart rendering English Undertaking phrases into very choice Italian, and the upholsterer replying in the unknown Tongues; and when I furthermore remembered that the local funerals had no resemblance to English funerals; I became in my secret bosom apprehensive. But Mr. Kindheart informed me at breakfast that measures had been taken to ensure a signal success.

As the funeral was to take place at sunset, and as I knew to which of the city gates it must tend, I went out at that gate as the sun descended, and walked along the dusty, dusty road. I had not walked far, when I encountered this procession:

1. Mr. Kindheart, much abashed, on an immense grey horse.

2. A bright yellow coach and pair, driven by a coachman in bright red velvet knee-breeches and waistcoat. (This was the established local idea of State.) Both coach doors kept open by the coffin, which was on its side within, and sticking out at each.

3. Behind the coach, the mourner, for whom the coach was intended, walking in the dust.

4. Concealed behind a roadside well for the irrigation of a garden, the unintelligible Upholsterer, admiring.

It matters little now. Coaches of all colours are alike to poor Kindheart, and he rests far North of the little cemetery with the cypress-trees, by the city walls where the Mediterranean is so beautiful.

My first funeral, a fair representative funeral after its kind, was that of the husband of a married servant, once my nurse. She married for money. Sally Flanders, after a year or two of matrimony, became the relict of Flanders, a small master builder; and either she or Flanders had done me the honour to express a desire that I should ‘follow.’ I may have been seven or eight years old;—young enough, certainly, to feel rather alarmed by the expression, as not knowing where the invitation was held to terminate, and how far I was expected to follow the deceased Flanders. Consent being given by the heads of houses, I was jobbed up into what was pronounced at home decent mourning (comprehending somebody else’s shirt, unless my memory deceives me), and was admonished that if, when the funeral was in action, I put my hands in my pockets, or took my eyes out of my pocket-handkerchief, I was personally lost, and my family disgraced. On the eventful day, having tried to get myself into a disastrous frame of mind, and having formed a very poor opinion of myself because I couldn’t cry, I repaired to Sally’s. Sally was an excellent creature, and had been a good wife to old Flanders, but the moment I saw her I knew that she was not in her own real natural state. She formed a sort of Coat of Arms, grouped with a smelling-bottle, a handkerchief, an orange, a bottle of vinegar, Flanders’s sister, her own sister, Flanders’s brother’s wife, and two neighbouring gossips—all in mourning, and all ready to hold her whenever she fainted. At sight of poor little me she became much agitated (agitating me much more), and having exclaimed, ‘O here’s dear Master Uncommercial!’ became hysterical, and swooned as if I had been the death of her. An affecting scene followed, during which I was handed about and poked at her by various people, as if I were the bottle of salts. Reviving a little, she embraced me, said, ‘You knew him well, dear Master Uncommercial, and he knew you!’ and fainted again: which, as the rest of the Coat of Arms soothingly said, ‘done her credit.’ Now, I knew that she needn’t have fainted unless she liked, and that she wouldn’t have fainted unless it had been expected of her, quite as well as I know it at this day. It made me feel uncomfortable and hypocritical besides. I was not sure but that it might be manners in _me_ to faint next, and I resolved to keep my eye on Flanders’s uncle, and if I saw any signs of his going in that direction, to go too, politely. But Flanders’s uncle (who was a weak little old retail grocer) had only one idea, which was that we all wanted tea; and he handed us cups of tea all round, incessantly, whether we refused or not. There was a young nephew of Flanders’s present, to whom Flanders, it was rumoured, had left nineteen guineas. He drank all the tea that was offered him, this nephew—amounting, I should say, to several quarts—and ate as much plum-cake as he could possibly come by; but he felt it to be decent mourning that he should now and then stop in the midst of a lump of cake, and appear to forget that his mouth was full, in the contemplation of his uncle’s memory. I felt all this to be the fault of the undertaker, who was handing us gloves on a tea-tray as if they were muffins, and tying us into cloaks (mine had to be pinned up all round, it was so long for me), because I knew that he was making game. So, when we got out into the streets, and I constantly disarranged the procession by tumbling on the people before me because my handkerchief blinded my eyes, and tripping up the people behind me because my cloak was so long, I felt that we were all making game. I was truly sorry for Flanders, but I knew that it was no reason why we should be trying (the women with their heads in hoods like coal-scuttles with the black side outward) to keep step with a man in a scarf, carrying a thing like a mourning spy-glass, which he was going to open presently and sweep the horizon with. I knew that we should not all have been speaking in one particular key-note struck by the undertaker, if we had not been making game. Even in our faces we were every one of us as like the undertaker as if we had been his own family, and I perceived that this could not have happened unless we had been making game. When we returned to Sally’s, it was all of a piece. The continued impossibility of getting on without plum-cake; the ceremonious apparition of a pair of decanters containing port and sherry and cork; Sally’s sister at the tea-table, clinking the best crockery and shaking her head mournfully every time she looked down into the teapot, as if it were the tomb; the Coat of Arms again, and Sally as before; lastly, the words of consolation administered to Sally when it was considered right that she should ‘come round nicely:’ which were, that the deceased had had ‘as com-for-ta-ble a fu-ne-ral as comfortable could be!’

Other funerals have I seen with grown-up eyes, since that day, of which the burden has been the same childish burden. Making game. Real affliction, real grief and solemnity, have been outraged, and the funeral has been ‘performed.’ The waste for which the funeral customs of many tribes of savages are conspicuous, has attended these civilised obsequies; and once, and twice, have I wished in my soul that if the waste must be, they would let the undertaker bury the money, and let me bury the friend.

In France, upon the whole, these ceremonies are more sensibly regulated, because they are upon the whole less expensively regulated. I cannot say that I have ever been much edified by the custom of tying a bib and apron on the front of the house of mourning, or that I would myself particularly care to be driven to my grave in a nodding and bobbing car, like an infirm four-post bedstead, by an inky fellow-creature in a cocked-hat. But it may be that I am constitutionally insensible to the virtues of a cocked-hat. In provincial France, the solemnities are sufficiently hideous, but are few and cheap. The friends and townsmen of the departed, in their own dresses and not masquerading under the auspices of the African Conjurer, surround the hand-bier, and often carry it. It is not considered indispensable to stifle the bearers, or even to elevate the burden on their shoulders; consequently it is easily taken up, and easily set down, and is carried through the streets without the distressing floundering and shuffling that we see at home. A dirty priest or two, and a dirtier acolyte or two, do not lend any especial grace to the proceedings; and I regard with personal animosity the bassoon, which is blown at intervals by the big-legged priest (it is always a big-legged priest who blows the bassoon), when his fellows combine in a lugubrious stalwart drawl. But there is far less of the Conjurer and the Medicine Man in the business than under like circumstances here. The grim coaches that we reserve expressly for such shows, are non-existent; if the cemetery be far out of the town, the coaches that are hired for other purposes of life are hired for this purpose; and although the honest vehicles make no pretence of being overcome, I have never noticed that the people in them were the worse for it. In Italy, the hooded Members of Confraternities who attend on funerals, are dismal and ugly to look upon; but the services they render are at least voluntarily rendered, and impoverish no one, and cost nothing. Why should high civilisation and low savagery ever come together on the point of making them a wantonly wasteful and contemptible set of forms?

Once I lost a friend by death, who had been troubled in his time by the Medicine Man and the Conjurer, and upon whose limited resources there were abundant claims. The Conjurer assured me that I must positively ‘follow,’ and both he and the Medicine Man entertained no doubt that I must go in a black carriage, and must wear ‘fittings.’ I objected to fittings as having nothing to do with my friendship, and I objected to the black carriage as being in more senses than one a job. So, it came into my mind to try what would happen if I quietly walked, in my own way, from my own house to my friend’s burial-place, and stood beside his open grave in my own dress and person, reverently listening to the best of Services. It satisfied my mind, I found, quite as well as if I had been disguised in a hired hatband and scarf both trailing to my very heels, and as if I had cost the orphan children, in their greatest need, ten guineas.

Can any one who ever beheld the stupendous absurdities attendant on ‘A message from the Lords’ in the House of Commons, turn upon the Medicine Man of the poor Indians? Has he any ‘Medicine’ in that dried skin pouch of his, so supremely ludicrous as the two Masters in Chancery holding up their black petticoats and butting their ridiculous wigs at Mr. Speaker? Yet there are authorities innumerable to tell me—as there are authorities innumerable among the Indians to tell them—that the nonsense is indispensable, and that its abrogation would involve most awful consequences. What would any rational creature who had never heard of judicial and forensic ‘fittings,’ think of the Court of Common Pleas on the first day of Term? Or with what an awakened sense of humour would LIVINGSTONE’S account of a similar scene be perused, if the fur and red cloth and goats’ hair and horse hair and powdered chalk and black patches on the top of the head, were all at Tala Mungongo instead of Westminster? That model missionary and good brave man found at least one tribe of blacks with a very strong sense of the ridiculous, insomuch that although an amiable and docile people, they never could see the Missionaries dispose of their legs in the attitude of kneeling, or hear them begin a hymn in chorus, without bursting into roars of irrepressible laughter. It is much to be hoped that no member of this facetious tribe may ever find his way to England and get committed for contempt of Court.

In the Tonga Island already mentioned, there are a set of personages called Mataboos—or some such name—who are the masters of all the public ceremonies, and who know the exact place in which every chief must sit down when a solemn public meeting takes place: a meeting which bears a family resemblance to our own Public Dinner, in respect of its being a main part of the proceedings that every gentleman present is required to drink something nasty. These Mataboos are a privileged order, so important is their avocation, and they make the most of their high functions. A long way out of the Tonga Islands, indeed, rather near the British Islands, was there no calling in of the Mataboos the other day to settle an earth-convulsing question of precedence; and was there no weighty opinion delivered on the part of the Mataboos which, being interpreted to that unlucky tribe of blacks with the sense of the ridiculous, would infallibly set the whole population screaming with laughter?

My sense of justice demands the admission, however, that this is not quite a one-sided question. If we submit ourselves meekly to the Medicine Man and the Conjurer, and are not exalted by it, the savages may retort upon us that we act more unwisely than they in other matters wherein we fail to imitate them. It is a widely diffused custom among savage tribes, when they meet to discuss any affair of public importance, to sit up all night making a horrible noise, dancing, blowing shells, and (in cases where they are familiar with fire-arms) flying out into open places and letting off guns. It is questionable whether our legislative assemblies might not take a hint from this. A shell is not a melodious wind-instrument, and it is monotonous; but it is as musical as, and not more monotonous than, my Honourable friend’s own trumpet, or the trumpet that he blows so hard for the Minister. The uselessness of arguing with any supporter of a Government or of an Opposition, is well known. Try dancing. It is a better exercise, and has the unspeakable recommendation that it couldn’t be reported. The honourable and savage member who has a loaded gun, and has grown impatient of debate, plunges out of doors, fires in the air, and returns calm and silent to the Palaver. Let the honourable and civilised member similarly charged with a speech, dart into the cloisters of Westminster Abbey in the silence of night, let his speech off, and come back harmless. It is not at first sight a very rational custom to paint a broad blue stripe across one’s nose and both cheeks, and a broad red stripe from the forehead to the chin, to attach a few pounds of wood to one’s under lip, to stick fish-bones in one’s ears and a brass curtain-ring in one’s nose, and to rub one’s body all over with rancid oil, as a preliminary to entering on business. But this is a question of taste and ceremony, and so is the Windsor Uniform. The manner of entering on the business itself is another question. A council of six hundred savage gentlemen entirely independent of tailors, sitting on their hams in a ring, smoking, and occasionally grunting, seem to me, according to the experience I have gathered in my voyages and travels, somehow to do what they come together for; whereas that is not at all the general experience of a council of six hundred civilised gentlemen very dependent on tailors and sitting on mechanical contrivances. It is better that an Assembly should do its utmost to envelop itself in smoke, than that it should direct its endeavours to enveloping the public in smoke; and I would rather it buried half a hundred hatchets than buried one subject demanding attention.

XXIX TITBULL’S ALMS-HOUSES

BY the side of most railways out of London, one may see Alms-Houses and Retreats (generally with a Wing or a Centre wanting, and ambitious of being much bigger than they are), some of which are newly-founded Institutions, and some old establishments transplanted. There is a tendency in these pieces of architecture to shoot upward unexpectedly, like Jack’s bean-stalk, and to be ornate in spires of Chapels and lanterns of Halls, which might lead to the embellishment of the air with many castles of questionable beauty but for the restraining consideration of expense. However, the manners, being always of a sanguine temperament, comfort themselves with plans and elevations of Loomings in the future, and are influenced in the present by philanthropy towards the railway passengers. For, the question how prosperous and promising the buildings can be made to look in their eyes, usually supersedes the lesser question how they can be turned to the best account for the inmates.

Why none of the people who reside in these places ever look out of window, or take an airing in the piece of ground which is going to be a garden by-and-by, is one of the wonders I have added to my always-lengthening list of the wonders of the world. I have got it into my mind that they live in a state of chronic injury and resentment, and on that account refuse to decorate the building with a human interest. As I have known legatees deeply injured by a bequest of five hundred pounds because it was not five thousand, and as I was once acquainted with a pensioner on the Public to the extent of two hundred a year, who perpetually anathematised his Country because he was not in the receipt of four, having no claim whatever to sixpence: so perhaps it usually happens, within certain limits, that to get a little help is to get a notion of being defrauded of more. ‘How do they pass their lives in this beautiful and peaceful place!’ was the subject of my speculation with a visitor who once accompanied me to a charming rustic retreat for old men and women: a quaint ancient foundation in a pleasant English country, behind a picturesque church and among rich old convent gardens. There were but some dozen or so of houses, and we agreed that we would talk with the inhabitants, as they sat in their groined rooms between the light of their fires and the light shining in at their latticed windows, and would find out. They passed their lives in considering themselves mulcted of certain ounces of tea by a deaf old steward who lived among them in the quadrangle. There was no reason to suppose that any such ounces of tea had ever been in existence, or that the old steward so much as knew what was the matter;—he passed _his_ life in considering himself periodically defrauded of a birch-broom by the beadle.

But it is neither to old Alms-Houses in the country, nor to new Alms-Houses by the railroad, that these present Uncommercial notes relate. They refer back to journeys made among those common-place, smoky-fronted London Alms-Houses, with a little paved court-yard in front enclosed by iron railings, which have got snowed up, as it were, by bricks and mortar; which were once in a suburb, but are now in the densely populated town; gaps in the busy life around them, parentheses in the close and blotted texts of the streets.

Sometimes, these Alms-Houses belong to a Company or Society. Sometimes, they were established by individuals, and are maintained out of private funds bequeathed in perpetuity long ago. My favourite among them is Titbull’s, which establishment is a picture of many. Of Titbull I know no more than that he deceased in 1723, that his Christian name was Sampson, and his social designation Esquire, and that he founded these Alms-Houses as Dwellings for Nine Poor Women and Six Poor Men by his Will and Testament. I should not know even this much, but for its being inscribed on a grim stone very difficult to read, let into the front of the centre house of Titbull’s Alms-Houses, and which stone is ornamented a-top with a piece of sculptured drapery resembling the effigy of Titbull’s bath-towel.

Titbull’s Alms-Houses are in the east of London, in a great highway, in a poor, busy, and thronged neighbourhood. Old iron and fried fish, cough drops and artificial flowers, boiled pigs’-feet and household furniture that looks as if it were polished up with lip-salve, umbrellas full of vocal literature and saucers full of shell-fish in a green juice which I hope is natural to them when their health is good, garnish the paved sideways as you go to Titbull’s. I take the ground to have risen in those parts since Titbull’s time, and you drop into his domain by three stone steps. So did I first drop into it, very nearly striking my brows against Titbull’s pump, which stands with its back to the thoroughfare just inside the gate, and has a conceited air of reviewing Titbull’s pensioners.

‘And a worse one,’ said a virulent old man with a pitcher, ‘there isn’t nowhere. A harder one to work, nor a grudginer one to yield, there isn’t nowhere!’ This old man wore a long coat, such as we see Hogarth’s Chairmen represented with, and it was of that peculiar green-pea hue without the green, which seems to come of poverty. It had also that peculiar smell of cupboard which seems to come of poverty.

‘The pump is rusty, perhaps,’ said I.

‘Not _it_,’ said the old man, regarding it with undiluted virulence in his watery eye. ‘It never were fit to be termed a pump. That’s what’s the matter with _it_.’

‘Whose fault is that?’ said I.

The old man, who had a working mouth which seemed to be trying to masticate his anger and to find that it was too hard and there was too much of it, replied, ‘Them gentlemen.’

‘What gentlemen?’

‘Maybe you’re one of ’em?’ said the old man, suspiciously.

‘The trustees?’

‘I wouldn’t trust ’em myself,’ said the virulent old man.

‘If you mean the gentlemen who administer this place, no, I am not one of them; nor have I ever so much as heard of them.’

‘I wish _I_ never heard of them,’ gasped the old man: ‘at my time of life—with the rheumatics—drawing water-from that thing!’ Not to be deluded into calling it a Pump, the old man gave it another virulent look, took up his pitcher, and carried it into a corner dwelling-house, shutting the door after him.