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Chapter I: The Evil Eye and the Scaring of Ghosts (2)

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This rite appears widely in Indian marriage customs. Among the Mhârs of Khândesh, on the bridegroom approaching the bride's house, a piece of bread is waved round his head and thrown away. [63] In a Kunbi's wedding a ball of rice is waved round the boy's head and thrown away, and at the lucky moment grains of rice are thrown over the couple. Among the Telang Nhâvis of Bijaypur the chief marriage rite is that the priest throws rice over the boy and girl. The grain acquires special efficacy if it be either parched, and thus purified by fire, or if it be stained in some lucky or demon-scaring colour. [64] Thus, in Upper India grain parched with a special rite is thrown over the pair as they revolve round the marriage shed, and this function is, if possible, performed by the brother of the bride. Rice stained yellow with turmeric is very often used for this purpose. Another device is to make a pile of rice, with a knot of turmeric and a copper coin concealed in it. This at a particular stage of the service the bride knocks down with her foot. The Lodhis of the Dakkhin, in the same way, put a pile of rice at the door of the boy's house, which he upsets with his foot. All through Northern India the exorciser shakes grain in a fan, which is, as we shall see, a potent fetish, and by the number of grains which remain in the interstices calculates which particular ghost is worrying the patient. On the same principle the Orâons put rice in the mouth of the corpse, and the Koiris, when they marry, walk round a pile of water-pots and scatter rice on the ground. [65] The custom of sprinkling grain at marriage appears in many of the folk-tales.

Urad.

We are familiar in Roman literature with the use of beans at funerals, and at the Lemuria thrice every other night to pacify the ghosts of the dead beans were flung on the fire of the altar to drive the spirits out of the house. The same idea appears in the Carlings or fried peas given away and eaten on the Sunday before Palm Sunday. [66] No special sanctity appears to apply to the pea or bean in India, but they are replaced by the Urad pulse, which is much used in rites of all kind, and especially in magic, when it is thrown over the head of the person whom the magician wishes to bring under his control. [67]

Barley.

Barley, another sacred grain, is rubbed over the corpse of a Hindu and sprinkled on the head before the cremation rite is performed. So, the Orâons throw rice on the urn as they take it to the tomb, and sprinkle grain on the ground behind the bones to keep the spirit from coming back. [68]

Sesamum.

Til or black sesamum, again, has certain qualities of the same kind. Hence it is used in the funeral rites, and in form of Tilanjalî or a handful mixed with water is one of the offerings to the sainted dead, and made up in the form of a cow, called Tiladhenu, it is presented to Brâhmans.

Sheaves.

Most grains in the ear have also mystic uses. It is hung up over the house door to repel evil spirits, and in Hoshangâbâd they tie a sheaf of corn on a pole and fasten it to the cattle shed as a preservative. [69] The combination of seven kinds of grain, known as Satnaja, is an ingredient in numerous charms and is used in many forms of worship.

Milk.

So with the products of the sacred cow, which are, as might have been expected, most valuable for this purpose. Hence the use of Ghilor or clarified butter in the public and domestic ritual. Milk for the same reason is used in offerings and sprinkled on the ground as an oblation. Cowdung, in particular, is regarded as efficacious. After the death or birth impurity the house is carefully plastered with a mixture of cowdung and clay. No cooking place is pure without it, and the corpse is cremated with cakes of cowdung fuel. Even the urine of the cow is valued as a medicine and a purificant. The cow guards the house from evil, and every rich man keeps a cow so that his glance may fall on her when he wakes from sleep, and he regards her as the guardian of the household.

Colours.

Colours, again, are scarers of evil spirits. They particularly dread yellow, black, red, and white. The belief in the efficacy of yellow accounts for the use of turmeric in the domestic ritual. [70] A few days before the marriage rites commence the bride and bridegroom are anointed with a mixture of oil and turmeric known as Abtan. The bride assumes a robe dyed in turmeric, which she wears until the wedding. The marriage letter of invitation is coloured with turmeric, and splashes of it are made on the wall and worshipped by the married pair. In the old times the woman who performed Satî, and nowadays married women who die, are taken to the pyre wrapped in a shroud dyed with turmeric. The corpse is very often smeared with turmeric before cremation, a custom which is not peculiar to the so-called Aryan Hindus, because it prevails among the Thârus, one of the most primitive tribes of the sub-Himâlayan forests. The same principle probably explains the use of yellow clothes by certain classes of ascetics, and of Chandan or sandal-wood in making caste marks and for various ceremonial purposes.

Yellow and red are the usual colours of marriage garments, and the parting of the bride's hair is stained with vermilion, though here the practice is probably based on the symbolical belief in the Blood Covenant. The same idea is probably the explanation of the flinging of red powder and water coloured with turmeric at the Holî or spring festival.

Black, again, is feared by evil spirits, and the husbandman hangs a black pot in his field to scare spirits and evade the Evil Eye, and young women and children have their eyelids marked with lampblack. In the Mirzapur Baiga's sacrifice the black fowl or the black goat is the favourite victim, and charcoal is valued, some put into the milk as a preservative and some buried under the threshold to guard the household from harm.

Grasses.

For the same reason various kinds of grass are considered sacred, such as the Kusa, the Dûrva, the Darbha. Among the Prabhus of Bombay juice of the Dûrva grass is poured into the left nostril of a woman when the pregnancy and coming of age rites are performed, and the Kanaujiya Brâhman husband drops some of the juice down her nose when she reaches maturity. [71] The Sholapur Mângs when they come back from the grave strew some Hariyâli grass and Nîm leaves on the place where the deceased died. The Mûnj grass is also sacred, and a thread made of it is worn at one stage of the Brâhman's life. Some of these sacred grasses form an important ingredient in the Srâddha offerings to the sacred dead, some are used in the marriage and cremation ritual, on some the dying man is laid at the moment of dissolution. They are potent to avert the Evil Eye, and hence the mother of Râma and Lakshmana, when she looks at them, breaks a blade of grass. [72]

Tattooing.

Next come special marks made on the body. Such are the marks branded on various parts of their bodies by many classes of ascetics, and the caste marks made in clay or ashes by most high-class Hindus. It has been suggested that many of these marks are of totemistic origin. That this is so among races beyond the Indian border is almost certainly the case. [73] But though tattooing, a widespread practice of the Indian people, very possibly originated in totemism, still, as far as has hitherto been ascertained, no distinct trace remains of a tribal tattoo, and it is safer at present to class marks of this kind in the general category of devices to repel evil spirits. Among purely sectarial marks we have the forehead mark of the Saivas, composed of three curved lines like a half-moon, to which is added a round mark on the nose; it is made with the clay of the Ganges, or with sandal-wood, or the ashes of cowdung, the ashes being supposed to represent the disintegrating force of the deity. The mark of the Vaishnavas is in the form of the foot of Vishnu, and consists of two lines rather oval drawn the whole length of the nose and carried forward in straight lines across the forehead. It is generally made with the clay of the Ganges, sometimes with the powder of sandal-wood. The Sâkta forehead mark is a small semi-circular line between the eyebrows, with a dot in the middle.

The practice of tattooing is common both among the Aryan and Drâvidian races, but is more general among the lower than the higher castes. Thus, the Juâng women tattoo themselves with three strokes on the forehead just over the nose, and three on each of the temples. They attach no meaning to the marks, have no ceremony in adopting them, and are ignorant of the origin of the practice. The Khariya women make three parallel marks on the forehead, the outer lines terminating at the ends in a crook, and two on each temple. The Ho women tattoo themselves in the form of an arrow, which they regard as their national emblem. The Birhor women tattoo their chests, arms, and ankles, but not their faces. The Orâon women have three marks on the brow and two on each temple. The young men burn marks on their fore-arms as part of the ordeal ceremony; girls, when adult, or nearly so, have themselves tattooed on the arms and back. The Kisân women have no such marks; if a female of the tribe indulges herself in the vanity of having herself tattooed, she is at once turned adrift as having degraded herself. Here we may have some faint indications of a tribal tattoo, but among most of the tribes which practise the custom it has become purely protective or ornamental. [74]

Among the Drâvidian tribes of the North-Western Provinces tattooing generally prevails. The Korwas and many other of these tribes get their women tattooed by a woman of the Bâdi sub-division of Nats. They are tattooed only on the breast and arms, not on the thighs. There are no ceremonies connected with it, nor any special pattern. Any girl gets herself tattooed in any figure she approves for a small sum. Well-to-do women always get it done; but if a woman is not tatooed, it is not considered unlucky. The men of the tribe are not tattooed. The Ghasiya women tattoo themselves on the breasts, arms, thighs, and feet. They say that when a woman dies who is not tattooed, the Great Lord Parameswar is displeased and turns her out of heaven, or has her branded with the thorn of the acacia. In the same way among the Chamârs, when a woman who has not been tattooed dies, Parameswar asks her where are the marks and signs which she ought to possess to show that she had lived in the world. If she cannot show them, she will in her next birth be re-born as a Bhûtnî, Pretnî, or Râkshasî.

At present among low-caste women the process of tattooing is regarded as a species of initiation, and usually marks the attainment of puberty. It thus corresponds with the rite of ear-piercing among males. To the east of the North-West Provinces a girl is not allowed to cook until she is tattooed with a mark representing the Sîtâ kî Rasoî or cook-house of Sîtâ, and in Bengal high-caste people will not drink from the hands of a girl who does not wear the Ullikhî or star-shaped tattoo mark between her eyebrows. A Chamâr woman who is not tattooed at marriage will not, it is believed, see her father and mother in the next world. This reminds us of the idea prevalent in Fiji, that women who are not tattooed are liable to special punishment in the land of the dead. [75] In Bombay the custom has been provided with a Brâhmanical legend. One day Lakshmî, the wife of Vishnu, told her husband that whenever he went out on business or to visit his devotees she became frightened. Hearing this, Vishnu took his weapons and stamped them on her body, saying that the marks of his weapons would save her from evil.

Hence women in Bombay tattoo themselves with the figures of the lotus, conch shell, and discus, and from this the present custom is said to have originated. [76]

In Upper India the forms of the tattoo marks fall into various classes. Some are rude or conventionalized representations of animals, plants, and flowers. The operators carry round with them sketches of the different kinds of ornament, and the girl selects these according to taste. The peacock, the horse, the serpent, the scorpion, tortoise, centipede, appear constantly in various forms. Others, again, are representations of jewellery actually worn--necklaces, bracelets, armlets, or rings. Others, again, are purely religious, such as the trident or matted hair of Siva, the weapons of Vishnu, and the cooking house of Sîtâ, the type of wifely virtue. Some of these marks were probably of totemistic origin, but they have now become merely ornamentative, as was the case in Central Asia in the time of Marco Polo, where they were regarded only as "a piece of elegance or a sign of gentility," and among the Thracians, as described by Herodotus. [77] It may be noticed that in the time of Marco Polo people used to go from Upper India to Zayton in China to be tattooed. [78] These animal forms of tattooing are found also among the Drâvidian tribes of the Central Provinces, where the forms used are a peacock, an antelope, or a dagger, and the marks are made on the back of the thighs and legs. In Bengal tattooing is used as a cure for goitre. [79]

We may close this long catalogue of devices intended to scare spirits, with a number of miscellaneous examples.

It seems to be a well-established principle that evil spirits fear leather. On this is perhaps based the idea of the shoe being a mode of repelling the Evil Eye and the influence of demons. We find this constantly appearing in the folk-lore of the West. Thus, the Highlanders paid particular attention to the leaving of the bridegroom's left shoe without buckle or latchet, to prevent the secret influences of witches on the wedding night. [80] And Hudibras tells how--

Augustus having by oversight
Put on his left shoe 'fore his right,
Had like to have been slain that day
By soldiers mutinying for pay."

Maidens in Europe ascertain whether they will be married and who will be their future husbands by throwing the slipper at the new year. The throwing of old shoes at an English wedding seems on the same principle to be based on the idea of scaring the demon of barrenness. According to Mr. Hartland, [81] the gipsies of Transylvania throw old shoes and boots on a newly married pair when they enter their tent, expressly to enhance the fertility of the union.

In the same way in India, people who are too poor to afford another protective place on the top of their houses a shoe heel upwards. This seems to give some additional efficacy to the charm, because we find the same rule in force elsewhere. Thus, in Cornwall, a slipper with the point turned up placed near the bed cures cramp. [82] In Pûna, if a man feels that he has been struck by an incantation, he at once takes hold of an upturned shoe. [83]

The fear which spirits feel for leather is also illustrated by the procedure of the Drâvidian Baiga, who flagellates people suffering from demoniacal possession with a tawse or leathern strap. In the Dakkhin a person troubled with nightmare sleeps with a shoe under his pillow, and an exorcist frightens evil spirits by threatening to make them drink water from a tanner's well. We shall see that this is one way of punishing and repelling the power of witches. The Pûna Kunbis believe that a drink of water from a tanner's hand destroys the power of a witch. In the Panjâb, if a man sits on a currier's stone, he gets boils. [84] The same principle probably accounts for much of the fear or contempt generally felt in India regarding shoe-beating as a form of punishment. At the same time it is said in Persia and Arabia that the dread of a flagellation with the slipper is based on the idea that while a flogging with the regular scourge involves little discredit, a beating with anything not originally intended for the purpose, such as a shoe or knotted cloth, is disgraceful.

The same feeling for the power of leather possibly explains the use as a seat of various kinds of skins, such as those of the tiger and antelope, by many kinds of ascetics, and in the old ritual the wife with her husband sat on the hide of a bull to promote the fertility of their union.

Garlic.

Garlic, again, from its pungency, is valued in the same way. Garlic was one of the substances used by Danish mothers to keep evil from children. [85] The Swedish bridegroom sews in his clothes garlic, cloves, and rosemary. Garlic was an early English cure for a fiend-struck patient. [86] Juvenal said that the Egyptians had gods growing in their gardens, in allusion to their reverence for onions or garlic. In Sanskrit garlic is called Mlechha-kanda, "the foreigner's root," and its virtues for the removal of demons are so well known that it will be often seen hung from the lintel of the house door. The same idea may account for the very common prejudice among some castes against eating onions.

Glass.

Glass in the form of beads, which seem to derive some of their efficacy from being perforated, is also very useful in this way. Mirrors from time immemorial have been held to possess the same quality. "Fascinators, like basilisks, had their own terrible glance turned against them if they saw themselves reflected," "Si on luy presente un miror, par endardement reciproque, ces rayons retournent sur l'autheur d'iceux." Philostratus declares that if a mirror be held before a sleeping man during a hail or thunder-storm, the storm will cease. [87] Hence women in India wear mirrors in their thumb rings, and the Jâtnî covers her sheet with little pieces of shining glass.

Pieces of horn, especially that which is said to come from the jackal, and that of the antelope, are also efficacious. The bâzâr Banya treasures up the gaudy labels from his cloth bales for the same purpose. Garlands of flowers possess the same quality, and so do various fruits, such as dates, cocoanuts, betel-nuts, and plantains, which are placed in the lap of the bride or pregnant woman to scare the evil spirits which cause barrenness, and sugar is distributed at marriages. The bones of the camel are very useful for driving off insects from a sugar-cane field, and buried under the threshold keep ghosts out of the house. Pliny says that a bracelet of camel's hair keeps off fever. [88]

Lastly, the demon may be trapped by physical means. "To be delivered from witches they hang in their entries whitethorn gathered on May Day." [89] So, many of the menial castes in the North-West Provinces keep a net and some thorns in the delivery room to scare evil spirits.

There are certain persons who are naturally protected from the Evil Eye and demoniacal agency, or who have control over evil spirits. Such is a man born by the foot presentation, who can cure rheumatism and various other diseases by merely rubbing the part affected. Men with double thumbs are considered safe against the Evil Eye, and so is a bald man, apparently because no one thinks it worth his while to envy such people. According to English belief, children born after midnight have power all through their lives of seeing the spirits of the departed. In India, people who are born within the period of the Salono festival in August are not only protected from, but possess the power of casting, the Evil Eye. The same is the case of those who have accidentally eaten ordure in childhood. We have already noticed the mystic power of cowdung. Dung generally is offensive to spirits. It was believed in Europe that horsedung placed before the house or behind the door brought good luck. [90] Women who eat dung possess, as we shall see, the power of witchcraft.

A man with only one eye is dreaded because he is naturally envious of those with good sight, and he is proverbially a scoundrel. The giant with one eye is familiar in folk-lore, and he is generally vicious and malignant. We have the black man of Celtic folk-lore who has only one eye and one leg. [91] In the Irish tales Crinnaur, like the Cyclopes, has only one eye. Sindbad in his third voyage encounters a monster of the same kind. Laplanders have a one-eyed giant Stalo, and in one of the modern versions of the Perseus myth there are two hags who have only a single eye between them. The same idea appears in Indian folk-lore. The planet Sukra is said to have only one eye. Such was also the case with the monster Kabandha, who was killed by Râma, and Arâyî, the female fiend of the Veda. The one-eyed devil appears in one of the Kashmîr tales. [92]

Gonds: Procedure in Cases of Fascination.

The Gonds have a special procedure in cases of deaths which they believe to have occurred through fascination. The burning of the body is postponed till it is made to point out the delinquent. The relations solemnly call upon the corpse to do this, and the theory is that if there has been foul play of any kind, the body on being taken up, will force the bearers to convey it to the house of the person by whom the spell was cast. If this be three times repeated, the owner of the house is condemned, his property is destroyed, and he is expelled from the neighbourhood. [93]

Amulets.

In ordinary cases most people find it advisable to carry an amulet of some kind as a preservative. An amulet is primarily a portion of a dead man or animal, by which hostile spirits are coerced or their good offices secured. [94] The amulet, then, in its original sense, is supposed to concentrate in itself the virtues and powers of the man or animal of which it formed a part. Hence the claws of the tiger, which represent in themselves the innate strength and bravery of the animal, are greatly esteemed for this purpose, and the sportsman, when he shoots a tiger, has to count over the claws carefully to the coolies in charge of the dead animal, or they will certainly misappropriate them. In the same way a portion of the umbilical cord is placed among the clothes of the mother and infant to avert the Evil Eye and scare the demons which are then particularly active.

Mr. Ferguson may be correct in his opinion that in India, prior to the distribution of the remains of the Buddha at Kusinagara, we have no historical record of the worship of relics; [95] still the idea must have prevailed widely among the Hindu races, out of whom the votaries of the new faith were recruited. With some of these relics of the Buddha, such as his begging bowl, which was long kept in a Dagoba or Vihâra erected by King Kanishka, then removed for a time to Benares, and finally to Kandahâr, where it is now held in the highest respect by Musalmâns, and has accumulated round it a cycle of legends like those connected with the Sangrail, we reach the zone of pure fetishism.

Another form of amulet is a piece of metal, stone, bone, or similar substance worn on the person, with an invocation inscribed on it to some special god. These are very commonly used among Muhammadans. By Hindus the "Yantras or mystic diagrams are thought to be quite as effective in their operation as the Mantras or spells, and, of course, a combination of the two is held to be absolutely irresistible. An enemy may be killed or removed to some other place, or a whole army destroyed, or salvation and supreme felicity obtained by drawing a six-sided or eight-sided diagram and writing a particular Mantra underneath. If this be done with the blood of an animal killed sacrificially in a Smasâna or place where corpses are burned, no power in earth or heaven can resist the terrific potency of the charm." [96] On the same principle Hindus head their letters with the words Srî Râmjî! "the great god, Râma," or the figures 74, of which one not very probable explanation is that they represent the weight in maunds of the gold ornaments taken from the Râjput dead at the famous siege of Chithor.

The equilateral triangle is another favourite mystic sign. According to the Christian ideas, the figure of three triangles intersected and containing five lines, is called the pentangle of Solomon, and when it is delineated on the body of a man, it marks the five places in which our Saviour was wounded; it was, therefore, regarded as a fuga demonum, or a means of frightening demons. [97] Similarly in Northern India, the equilateral triangle is regarded as a mystic sign, and the little broadcloth bags hung round the necks of children to avert the Evil Eye are made in this shape. The diamond shape is also approved because it contains two equilateral triangles base to base.

Another form of mystic sign is the mark of the spread hand with the fingers extended. This is made by the women of the family on the outer wall and round the door-post, and is considered to be particularly efficacious. Mr. Campbell suggests that the custom is based on the belief in the hand being a spirit entry. [98] Natives will tell you that it is because the number five, that of the fingers, is lucky. However this may be, the custom is very generally prevalent. The Bloody Hand of Ulster, worn as a crest by the Baronets of one creation, is well known. [99] The Uchlas of Pûna strew sand on the spot where the dead man breathed his last. They cover the spot with a basket, which they raise next morning in the hope of finding the mark of a palm, which shows that the dead is pleased and brings vigour on the family; and the Thâkurs on the fifth day after the birth of a child dip a hand in red powder and water and make a mark on the wall of the lying-in room, which they worship. [100] At the rock-cut temple of Tilok Sendur in Hoshangâbâd, an annual festival is held, and those who come to demand any special benefit, such as health or children, mark their vow by staining their hand dipped in red paint against the rock wall, fingers upward. If the prayer be heard, they revisit the place and make the same mark, this time with the fingers downward; but whether Mahâdeva is not gracious to his votaries, or whether it is that the sense of favours to come is not keen enough after the prayer of the moment has been granted, the hand-stamps pointing downwards are not a tenth in number of those pointing upwards. [101] The stamping of the hand and five fingers immersed in a solution of sandal-wood has always been regarded as a peculiarly solemn mode of attesting an important document, and it is said that Muhammad himself adopted this practice. [102]

There are numerous varieties of these protective amulets. One purpose which they serve is the procuring of offspring. Children naturally require special protection. Thus, the Mirzapur Korwas tie on the necks of their children roots of various jungle plants, such as the Siyâr Singhî, which owes its name and repute to its resemblance to the so-called horn of the jackal. In cases of disease the Kharwârs wear leaves of the Bel, a sacred tree, cloves and flowers selected by a Brâhman. In the Konkan, in order that a child may not suffer from the Evil Eye, a necklace of marking nuts is put round its neck. [103] The Gûjars of Hazâra hang the berries of the Batkar tree (Celtis caucasia) round the necks of men and animals to protect them from the Evil Eye. [104] The pious Musalmân inscribes on his amulet the five verses known as Ayâtu-l-Hifz or "verses of protection," or he makes a magic square with the letters making up the word Hâfiz, "the protector." Many village Musalmâns use little stone or glass tablets for the same purpose. Some have a hocus-pocus inscription purporting to be a verse of the Qurân in Arabic; others have the name of Fâtima coupled with that of the famous martyrs Hasan and Husain. Another amulet of a very elaborate character is described as containing a piece of the umbilical cord encased in metal, a tiger's claw, two claws of the large horned owl turned in opposite directions, and encased in metal, a stone known as the Athrâhâ kâ mankâ, because it has the property of turning eight colours according to the light in which it is placed (probably a tourmaline or quartzose pebble), and a special Evil Eye destroyer in the shape of a jasper or marble bead. These five articles are necessaries, but as an extra precaution the amulet contained some crude gold, a whorled shell, an ancient copper coin, some ashes from the fire of a Jogi ascetic, and the five ingredients of the sacred incense. The owner admitted that it would have been improved had it also contained a magic square. [105] This reminds us of the necklace of amber beads hung round the neck of Scotch children to keep off ill-luck, and the Irish scapular, a piece of cloth on which the name of the Virgin Mary is written on one side, and I.H.S. on the other, which are preservatives against evil spirits. In old times in England such charms were called Characts, and one found with a criminal contained an invocation to the three holy kings, Gaspar, Melchior and Balthasar. [106]

One of the most valuable of these protectives is the magic circle, which appears in various forms through the whole range of folk-lore. The idea is that no evil spirit can cross the sacred line. Thus, in Mirzapur they make a circle of grain round the circular pile of corn on the threshing-floor to guard it from evil. Among some castes the circle round which the bride and bridegroom revolve at marriage is guarded by a circular line of string hung on the necks of a number of water-pots surrounding it. We have seen how the Baiga perambulates his village and drops a line of spirits round the boundary to repel foreign ghosts. This accounts for the stone circles which are found both in Europe and in India, and in Ireland are considered to be the resort of the fairies. [107]

We have constant references to the same custom in the folk-tales. Lakshmana, in the Râmâyana, draws such a circle round Sîtâ when he is obliged to leave her alone. We have many references to the circle within which the ascetic or magician sits when he is performing his sorceries. Thus, in the story of Nischayadatta, the ascetics "quickly made a great circle with ashes, and entering into it, they lighted a fire with fuel, and all remained there muttering a charm to protect themselves." In the tales of the Vetâla, we find the mendicant under a banyan tree engaged in making a circle, and Ksantisila makes a circle of the yellow powder of bones, the ground within which was smeared with blood, and which had pitchers of blood placed in the direction of the cardinal points. [108]

The same idea appears in the magic circle used as an ordeal, or to compel payment of a debt. Thus, we read in Marco Polo: [109] "If a debtor have been several times asked by his creditor for payment and shall have put him off day by day with promises, then if the creditor once meet the debtor and succeed in drawing a circle round him, the latter must not pass out of this circle until he shall have satisfied the claim, or given security for its discharge. If he in any other case presume to pass the circle, he is punished with death, as a transgressor against right and justice." In Northern India this circle is known as a Gururu or Gaurua, and a person who takes an oath stands within it, or takes from inside an article which he claims. In one form of this ceremony the circle is made on the ground with calf's dung by an unmarried girl, and in the centre is placed a vessel of water. If money is in dispute, the amount claimed is placed in the water vessel by the defendant. The narrator tells a story to prove the efficacy of the rite:--

"My father owed a Kalwâr one rupee and the Kalwâr claimed five. The matter was brought before the tribal council, and the Kalwâr swore to the five rupees upon the Gaurua. Within an hour his boy, while playing behind the house, was carried off by a wolf. He was rescued, but he was under the curse of the Gaurua, and shortly after he put his finger into a rat hole, was bitten by a snake, and died within the hour." [110]

The Ring, Bracelet, and Knotted Cord.

From the same principle arises the belief in the magic virtue of the ring, the bracelet, and the knotted cord.

To begin with rings--we have in Plato the story of Gyges, who by means of the ring of invisibility introduced himself to the wife of Candaules, King of Lycia, murdered the latter and got possession of his kingdom. This is like the cloak or cap which appears so constantly in folk-lore. In the Indian tales invisibility is generally obtained by means of a magic ointment, to which there are many parallels in Western stories. We find also the magic ring, which, like that of Ala-ud-dîn, when touched procures the presence and aid of the demons. A woman's nose-ring in India has special respect paid to it, and for a stranger even to mention it is a breach of delicacy. [111] It is the symbol of married happiness, and is removed when the wearer becomes a widow. Among Muhammadans, Shiah women remove their nose-rings during the Muharram as a sign of mourning. There was an old habit in England of marrying by the rush ring, "but it was chiefly practised by designing men, for the purpose of debauching their mistresses, who sometimes were so infatuated as to believe that this mock ceremony was a real marriage." [112] In the same way in India a ring of Kusa grass is put on the finger during the most sacred rites and at marriage. The custom appears in the folk-tales. The ring represents an imperishable bond between the giver and the receiver, and is a symbol of the original blood covenant, which is an important element in the belief of all primitive people. [113]

The idea of the magic ring constantly appears in folk-lore. Thus, we have the ring placed in a sacred square and sprinkled with butter-milk, which immediately gives whatever the owner demands. In one of the Kashmîr tales the merchant's son speaks to the magic ring, and immediately a beautiful house and a lovely woman with golden hair appeared. [114] So, in the tales of Somadeva, Sridatta places a ring on the finger of the unconscious princess and she immediately revives; the disloyal wife here, as in the "Arabian Nights," takes a ring from each of her lovers as a token. [115]

The same idea attaches to the bracelet, which is in close connection with the soul of the wearer. Such is the Chandanhâr or sandal-wood necklace of Chandan Râja, and Sodewa Bâî is born with a golden necklace round her neck, concerning which her parents consulted the astrologers. They announced, "This is no common child; the necklace of gold about your daughter's neck contains your daughter's soul. Let it, therefore, be guarded with the utmost care; for if it were taken off and worn by another person, she would die." [116] The same idea appears in the Kashmîr tales, where Panj Phûl refuses to give up her necklace, as "it contains the secret of her life, and was a charm to her against all dangers, sickness and trials; deprived of it she might become sick and miserable, or be taken away from them and die." [117] All this is based on the conception of the external soul, to which reference has been already made. The Mâls of Bîrbhûm exchange necklaces at marriages, and the Princess Kalingasenâ wears a bracelet and necklace of lotus fibre to secure relief from the pains of love. [118]

The same idea shows itself in the use of strings and knots. In Northern India a piece of bat's bone is tied round the ankle as a remedy for rheumatism, and answers to the eel-skin, which is used for the same purpose in Europe. [119] In the Shetland Islands, to cure a sprain, a thread of black wool with nine knots is tied on the injured place with a metrical spell. [120] An Italian charm says: "Take from a live hare the ankle bone, remove the hair from his belly, from the hair make a thread, and with it tie the bone to the body of the sufferer, and you will see a wonderful cure." [121] In Ireland a strand of black wool is tied round the ankle, and a charm is recited to cure a sprain; a red string is tied round a child's neck in chincough and epilepsy. [122] In Hoshangâbâd a thread is tied round the ankle as a remedy in fever. If possible, a bit of Ashtara root should be fastened in the knot, and before tying it an oblation of butter is burnt before it. [123] Similarly, a peacock's feather tied on the ankle cures a wound. In the Panjâb, it is a charm against snake-bite to smoke one of the tail feathers of the peacock in a tobacco pipe. [124] The Râjput father binds round the arm of his new-born infant a root of that species of grass known as the Amardûb or "imperishable" Dûb, well known for its nutritive qualities and luxuriant vegetation, in the same way as Scotch women wear round their necks blue woollen threads or small cords till they wean their children. [125] We have already noticed the efficacy of various grasses as spirit scarers.

Lastly, the cord itself has powers in folk-lore, and we meet with the magic cord, which, tied round the neck of the hero by a witch, makes him turn into a ram or an ape. [126]

The belief in the efficacy of the magic circle accounts for a variety of other customs. Thus, in a family sacrifice among the Chakmas of Bengal, round the whole sacrificial platform had been run, from the house mother's distaff, a long white thread which encircled the altar, and then carried into the house, was held at the two ends by the good man's wife. Among the Hâris, at marriages, the right hand little finger of the bridegroom's sister's husband is pierced, and a few drops of blood allowed to fall on threads of jute, which are rolled up in a tiny pellet. This the bridegroom holds in his hand, while the bride attempts to snatch it from him. Her success in the attempt is considered to be a good omen of the happiness of the marriage. [127] Here we have a survival of descent in the female line, the blood covenant, and the magic influence of the cord all combined.

Connected with this is the belief in the forming a connection by knotting the magic string. We have the European true love-knot, an emblem of fidelity between the pair betrothed. So in Italy interlaced serpents and all kinds of interweaving, braiding, and interlacing cords are valuable as protectives because they attract the eyes of witches. [128] Thus, among the Kârans of Bengal, the essential part of the marriage ceremony is believed to be the laying of the bride's right hand in that of the bridegroom, and binding their two hands together with a piece of string spun in a special way. [129] This belief in the mystic power of knots is common in all folk-lore. [130] The clothes of the bride and bridegroom in Upper India are knotted together as they revolve round the sacred fire. A similar belief explains the wearing of the Janeû or sacred thread by high-caste Hindus. The knots on it, known as Brahma-granthi, or "the knots of the Creator," repel evil influences, and Muhammadans on their birthdays tie knots in a cord, which is known as the Sâlgirah or "year knot."

Face-covering.

Another device to avoid fascination or other dangerous influence is to cover the face so as to prevent the evil glance reaching the victim for whom it is intended. Thus, at widow marriages in Northern India, the bride and bridegroom are covered with a sheet during the rite, probably in order to avert the envious or malignant influence of the spirit of the woman's first husband. It is in secret that the bridegroom marks the parting of the bride's hair with vermilion. So in Bombay, [131] the Chitpâwan bride in one part of the wedding service has her head covered with a piece of broadcloth. The Ramoshis tie the ends of the bride's and bridegroom's robes to a cloth which four men of the family hold over them. The Dhors of Pûna put a face-cloth on the dead, which is a general practice all over the world. The same belief is almost certainly at the root of much of the customs of Pardah and the seclusion of women. It is as much through fear of fascination as modesty that women draw their sheet across the face when they meet a stranger in the streets. We come across the same feeling in the rule by which all doors were closed when the princess in the "Arabian Nights" went to the bath, and when not long ago the Mikado of Japan and other Eastern potentates took their walks abroad. We thus reach by another route the cycle of Godiva legends. [132]

Omens.

Closely connected with the class of ideas which we have been discussing is the belief in omens. This constitutes a very important branch of folk-lore both in the West and in the East. The success of a journey or enterprise is believed in a great measure to depend on the object which was first seen in the morning, or observed on the road at an early period of the march. Thus, according to Theophrastus, "The superstitious man, if a weasel run across his path, will not pursue his walk until some one else has traversed the road, or until he has thrown three stones across it." And Sir Thomas Brown writes: "If an hare cross the highway, there are few above threescore years that are not perplexed thereat, which, notwithstanding, is but an augurial terror according to that received expression, Inauspicatum dat iter oblatus lepus. And the ground of the conceit was probably no greater than this, that a fearful animal passing by us portended unto us something to be feared; as upon the like consideration, the meeting of a fox presaged some future imposture."

Tulasi Dâs, in his Râmâyana, sums up the favourable omens:--

"On the left-hand side a blue-necked jay was picking up food, as if to announce the very highest good fortune; on a fair field on the right were a crow and a mungoose in the sight of all; a woman was seen with a pitcher and a child; a fox showed himself winding about; and in front a cow was suckling its calf; a herd of deer came out on the right; a Brâhmanî kite promised all success; also a Syâma bird perched on a tree to the left; a man was met bearing curds, and two learned Brâhmans with books in their hands." [133]

The face of a Teli or oilman, perhaps from the dirt which accompanies his business, is about the worst which can be seen in the early morning; but, with the curious inconsistency which crops up everywhere in phases of similar belief, that of a sweeper is lucky. His face should be always looked at first, but on meeting a Brâhman, the glance should start from his feet.

The Thags, like all criminal tribes of the present day, were great believers in what Dr. Tylor calls Angang or meeting omens. [134] With them, if a wolf crossed the path from right to left it was considered a bad omen; if from right to left the import was uncertain. The call of the wolf was considered ominous; if heard during the day, the gang had immediately to leave the neighbourhood. The same idea attached to a crow sitting silent on a tree, which is curiously in contradistinction to the Roman belief--Saepe sinistra cavâ praedixit ab ilice cornix. It was also considered very unlucky if a member of the gang had his turban knocked off by accidentally touching a branch.

The jungle tribes have a strong belief in such omens. The Korwas of Mirzapur abandon a journey if a jackal cross the road from the left, or if a little bird, known as the Suiya or small parrot, calls in the same direction. The Patâris and Majhwârs return if the Nîlgâê cross the road from the right.

All natives have more or less the same feeling, and scientific treatises have been written on the subject. Mentioning a monkey in the morning brings starvation for the rest of the day; though looking on its face is considered lucky. Hence monkeys are commonly tied in stables to protect horses, and an old adage says that "the evil of the stable is on the monkey's head." So, in Morocco the wealthy Moors keep a wild boar in their stables, in order that the Jinn and evil spirits may be diverted from the horses and enter into the boar. [135] For the same reason an English groom is fond of keeping a cat near his horses.

If a dog flaps its ears and shakes its head while any business is going on, disaster is sure to follow, and people careful in such matters will stop the work if they can. The baying of a dog indicates death and misfortune, an idea common in British folk-lore. [136]

The time when screech-owls cry and lean dogs howl,
And spirits walk and ghosts break up their graves.

Even the little house lizard is, like his kinsfolk, the "murdering basilisks, their softest touch as smart as lizard's stings," considered by the Bengâlis very unlucky, and when they hear its twittering they postpone a journey. [137]

The hare is always a bad omen. He is a god among the Kalmucs, who call him Sakya Muni, or the Buddha, and say that on earth he allowed himself to be eaten by a starving man, for which gracious act he was raised to domineer over the moon, where they profess to see him. There are traces of the same idea in Upper India. [138] The sites of many cities are said to have been founded where a hare crossed the path of the first settler. The hare is detested by the agricultural and fishing population of the Hebrides, and it is one of the ordinary disguises of the witch in European folk-lore. [139]

Black is, of course, unlucky, and if a man, when digging the foundations of a new house, turns up a piece of charcoal, it is advisable to change the site.

Owls are naturally of evil omen. Even the stout-hearted Zâlim Sinh, the famous regent of Kota, abandoned his house because an owl hooted on the roof. [140] The hooting of the owl is a sign that the bird means to leave the place, and wise people would do well to follow his example. One kind of owl, the Raghui Chiraiya, learns people's names, and if any one by chance answer his call he is sure to die.

To see a Dhobi, or washerman, who is associated with foul raiment, is exceedingly dangerous. I once had a bearer who was sadly afflicted because on tour he had to sleep in the same tent with a Dhobi. The old man was constantly bruising his shins over the ropes and pegs, because he was in the habit of stumbling out before dawn with his hands pressed over his eyes to protect himself from the sight of his ill-omened companion.

A one-eyed man is, as we have already said, very unlucky. When Jaswant Râo Holkar lost one of his eyes, he said, "I was before bad enough; but now I shall be the Guru, or preceptor, of rogues." [141] I once had an office clerk afflicted in this way, and his colleagues refused to sit in the same room with him, because their accounts always went wrong when he looked in their direction. When it was impossible to provide any other accommodation for him, they insisted that he should cover the obnoxious organ with a handkerchief when he had to work in their neighbourhood.

One of the last of the Anglo-Indians, who had become thoroughly orientalized, used to insist on his valet, when he came to wake him, holding in his hand a tray containing some milk and a gold coin, so that his first glance on waking might fall on these lucky articles.

Numbers.

There are mystic qualities attached to numbers. Thus, when Hindus have removed the ashes from a burning ground they write the figures 49 on the spot where the corpse was cremated. The Pandits explain this by saying that when written in Hindi the figures resemble the conch-shell and wheel of Vishnu, or that it is an invocation to the forty-nine winds of heaven to come and purify the ground. It is more probably based on the idea that the number seven, as is the case all over the world, has some mystic application. So in the folk-tales the number three has a special application to the tests of the hero who endures the assaults of demons or witches for three successive nights. The idea of luck in odd numbers is universal, and the seventh son of a seventh son is gifted with powers of healing.

Bodily Functions.

The functions of the body supply many omens. Thus, in Somadeva we read: "My right eye throbbed frequently, as if with joy, and told me that it was none other than she." [142]

"When our cheek burns, or ear tingles, we usually say some one is talking of us," writes Sir Thomas Brown, "a conceit of great antiquity, and ranked among superstitious opinions by Pliny. He supposes it to have proceeded from the notion of a signifying Genius, or Universal Mercury, that conducted sounds to their distant subjects, and taught to hear by touch." The number of beliefs of this class is infinite and recorded in numerous popular handbooks.

Lucky and Unlucky Days.

So, there are days which are lucky and unlucky. A Persian couplet lays down that one should not go east on Saturday and Monday; west on Friday and Sunday; north on Tuesday and Wednesday; south on Thursday. Even Lord Burghley advised his son to be cautious as regards the first Monday in April, when Cain was born and Abel slain; the second Monday in August, when Sodom and Gomorrah were destroyed; the last Monday in December, which was the birthday of Judas. Akbar laid down that the clothes which came into his wardrobe on the first day of the month Farwardîn were unlucky. [143] The way some people get over omens of this kind is to send some article ahead of the traveller on the unlucky day, which absorbs the ill omen, which would otherwise have fallen upon him.

The catalogue of superstitions of this class might be almost indefinitely extended. The principles on which most of them depend are clear enough. They rest on a sort of sympathetic magic. Things which are good-looking, people who are healthy or prosperous, give favourable omens, while those that are ugly, or of low caste, or associated with menial or unpleasant duties, and so on, are ominous. Europeans in India usually quite fail to realize the influence which such ideas exercise over the minds of the people. Most of us have been struck by the almost unaccountable failure of natives to attend a summons from the Courts, to keep an appointment to meet a European officer for the inspection of a school or market. If inquiries are made it will often be found that some idea of this kind explains the matter.

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The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2)Chapter I: The Evil Eye and the Scaring of Ghosts (2)

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