Chapter XXVII: Introduction (12)

I remember the sea-fight far away,[55]
How it thundered o’er the tide!
And the dead captains, as they lay
in their graves o’erlooking the tranquil bay,
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I can see the breezy dome of groves,
The shadows of Deering’s Woods;
And the friendships old and the early loves
Come back with a sabbath sound, as of doves
In quiet neighbourhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the gleams and glooms that dart
Across the schoolboy’s brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o’ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

And Deering’s Woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were,
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

[55] This was the engagement between the _Enterprise_ and _Boxer_, off the harbour of Portland, in which both Captains were slain. They were buried side by side in the cemetery on Mountjoy.

THE ROPEWALK.

In that building, long and low,
With its windows all a-row,
Like the port-holes of a hulk,
Human spiders spin and spin,
Backward down their threads so thin
Dropping, each a hempen bulk.

At the end an open door;
Squares of sunshine on the floor
Light the long and dusky lane;
And the whirring of a wheel,
Dull and drowsy, makes me feel
All its spokes are in my brain.

As the spinners to the end
Downward go and re-ascend,
Gleam the long threads in the sun;
While within this brain of mine
Cobwebs brighter and more fine
By the busy wheel are spun.

Two fair maidens in a swing,
Like white doves upon the wing,
First before my vision pass;
Laughing, as their gentle hands
Closely clasp the twisted strands,
At their shadow on the grass.

Then a booth of mountebanks,
With its smell of tan and planks,
And a girl poised high in air
On a cord, in spangled dress,
With a faded loveliness,
And a weary look of care.

Then a homestead among farms,
And a woman with bare arms
Drawing water from a well;
As the bucket mounts apace,
With it mounts her own fair face,
As at some magician’s spell.

Then an old man in a tower,
Ringing loud the noontide hour,
While the rope coils round and round,
Like a serpent at his feet,
And again, in swift retreat,
Nearly lifts him from the ground.

Then within a prison-yard,
Faces fixed, and stern, and hard,
Laughter and indecent mirth;
Ah! it is the gallows-tree;
Breath of Christian charity,
Blow, and sweep it from the earth!

Then a schoolboy, with his kite,
Gleaming in a sky of light,
And an eager, upward look;
Steeds pursued through lane and field;
Fowlers with their snares concealed;
And an angler by a brook.

Ships rejoicing in the breeze,
Wrecks that float o’er unknown seas,
Anchors dragged through faithless sand;
Sea-fog drifting overhead,
And, with lessening line and lead,
Sailors feeling for the land.

All these scenes do I behold,
These, and many left untold,
In that building long and low;
While the wheel goes round and round,
With a drowsy, dreamy sound,
And the spinners backward go.

THE GOLDEN MILESTONE.

Leafless are the trees; their purple branches
Spread themselves abroad, like reefs of coral,
Rising silent
In the Red Sea of the Winter sunset.

From the hundred chimneys of the village,
Like the Afreet in the Arabian story,
Smoky columns
Tower aloft into the air of amber.

At the window winks the flickering fire-light;
Here and there the lamps of evening glimmer,
Social watch-fires
Answering one another through the darkness.

On the hearth the lighted logs are glowing,
And like Ariel in the cloven pine-tree
For its freedom
Groans and sighs the air imprisoned in them.

By the fireside there are old men seated,
Seeing ruined cities in the ashes,
Asking sadly
Of the Past what it can ne’er restore them.

By the fireside there are youthful dreamers,
Building castles fair, with stately stairways,
Asking blindly
Of the Future what it cannot give them.

By the fireside tragedies are acted
In whose scenes appear two actors only,
Wife and husband,
And above them God the sole spectator.

By the fireside there are peace and comfort,
Wives and children, with fair, thoughtful faces,
Waiting, watching
For a well-known footstep in the passage.

Each man’s chimney is his Golden Milestone,
Is the central point from which he measures
Every distance
Through the gateways of the world around him.

In his farthest wanderings still he sees it;
Hears the talking flame, the answering night-wind,
As he heard them
When he sat with those who were, but are not.

Happy he whom neither wealth nor fashion,
Nor the march of the encroaching city,
Drives an exile
From the hearth of his ancestral homestead.

We may build more splendid habitations,
Fill our rooms with paintings and with sculptures,
But we cannot
Buy with gold the old associations!

CATAWBA WINE.

This song of mine
Is a Song of the Vine,
To be sung by the glowing embers
Of wayside inns,
When the rain begins
To darken the drear Novembers.

It is not a song
Of the Scuppernong,
From warm Carolinian valleys,
Nor the Isabel
And the Muscadel
That bask in our garden alleys.

Nor the red Mustang,
Whose clusters hang
O’er the waves of the Colorado,
And the fiery flood
Of whose purple blood
Has a dash of Spanish bravado.

For richest and best
Is the wine of the West,
That grows by the Beautiful River;
Whose sweet perfume
Fills all the room
With a benison on the giver.

And as hollow trees
Are the haunts of bees,
For ever going and coming;
So this crystal hive
Is all alive
With a swarming and buzzing and humming.

Very good in its way
Is the Verzenay,
Or the Sillery soft and creamy;
But Catawba wine
Has a taste more divine,
More dulcet, delicious, and dreamy.

There grows no vine
By the haunted Rhine,
By Danube or Guadalquivir,
Nor on island or cape,
That bears such a grape
As grows by the Beautiful River.

Drugged is their juice
For foreign use,
When shipped o’er the reeling Atlantic,
To rack our brains,
With the fever pains,
That have driven the Old World frantic.

To the sewers and sinks
With all such drinks,
And after them tumble the mixer;
For a poison malign
Is such Borgia wine,
Or at best but a Devil’s Elixir.

While pure as a spring
Is the wine I sing,
And to praise it, one needs but name it;
For Catawba wine
Has need of no sign,
No tavern-bush to proclaim it.

And this Song of the Vine,
This greeting of mine,
The winds and the birds shall deliver
To the Queen of the West,
In her garlands dressed,
On the banks of the Beautiful River.

DAYBREAK.

A wind came up out of the sea,
And said, “O mists, make room for me.”

It hailed the ships, and cried, “Sail on,
Ye mariners, the night is gone.”

And hurried landward far away,
Crying, “Awake! it is the day.”

It said unto the forest, “Shout!
Hang all your leafy banners out!”

It touched the wood-bird’s folded wing,
And said, “O bird, awake and sing.”

And o’er the farms, “O chanticleer,
Your clarion blow; the day is near.”

It whispered to the fields of corn,
“Bow down, and hail the coming morn.”

It shouted through the belfry-tower,
“Awake, O bell! proclaim the hour.”

It crossed the churchyard with a sigh,
And said, “Not yet! in quiet lie.”

SANTA FILOMENA.[56]

Whene’er a noble deed is wrought,
Whene’er is spoken a noble thought,
Our hearts, in glad surprise,
To higher levels rise.

The tidal wave of deeper souls
Into our inmost being rolls,
And lifts us unawares
Out of all meaner cares.

Honour to those whose words or deeds
Thus help us in our daily needs,
And by their overflow
Raise us from what is low!

Thus thought I, as by night I read
Of the great army of the dead,
The trenches cold and damp,
The starved and frozen camp,—

The wounded from the battle-plain,
In dreary hospitals of pain,
The cheerless corridors,
The cold and stony floors.

Lo! in that house of misery
A lady with a lamp I see
Pass through the glimmering gloom,
And flit from room to room.

And slow, as in a dream of bliss,
The speechless sufferer turns to kiss
Her shadow, as it falls
Upon the darkening walls.

As if a door in heaven should be
Opened and then closed suddenly,
The vision came and went,
The light shone and was spent.

On England’s annals, through the long
Hereafter of her speech and song,
That light its rays shall cast
From portals of the past.

A Lady with a Lamp shall stand
In the great history of the land,
A noble type of good,
Heroic womanhood.

Nor even shall be wanting here
The palm, the lily, and the spear,
The symbols that of yore
Saint Filomena bore.

[56] “At Pisa the Church of San Francisco contains a chapel dedicated lately to Santa Filomena; over the altar is a picture, by Sabatelli, representing the saint as a beautiful nymph-like figure, floating down from heaven, attended by two angels bearing the lily, palm, and javelin, and beneath, in the foreground, the sick and maimed, who are healed by her intercession.”—MRS. JAMESON, _Sacred and Legendary Art_, ii. 298.

THE FIFTIETH BIRTHDAY OF AGASSIZ.

MAY 28, 1857.

It was fifty years ago,
In the pleasant month of May,
In the beautiful Pays de Vaud,
A child in its cradle lay.

And Nature, the old nurse, took
The child upon her knee,
Saying: “Here is a story-book
Thy Father has written for thee.”

“Come, wander with me,” she said,
“Into regions yet untrod;
And read what is still unread
In the manuscripts of God.”

And he wandered away and away
With Nature, the dear old nurse,
Who sang to him night and day
The rhymes of the universe.

And whenever the way seemed long,
Or his heart began to fail,
She would sing a more wonderful song,
Or tell a more marvellous tale.

So she keeps him still a child,
And will not let him go,
Though at times his heart beats wild
For the beautiful Pays de Vaud;

Though at times he hears in his dreams
The Ranz des Vaches of old,
And the rush of mountain streams
From glaciers clear and cold;

And the mother at home says, “Hark!
For his voice I listen and yearn;
It is growing late and dark,
And my boy does not return!”

THE DISCOVERER OF THE NORTH CAPE.

A LEAF FROM KING ALFRED’S OROSIUS.

Othere, the old sea-captain,
Who dwelt in Helgoland,
To King Alfred, the Lover of Truth,
Brought a snow-white walrus-tooth,
Which he held in his brown right hand.

His figure was tall and stately,
Like a boy’s his eye appeared;
His hair was yellow as hay,
But threads of a silvery grey
Gleamed in his tawny beard.

Hearty and hale was Othere,
His cheek had the colour of oak;
With a kind of laugh in his speech,
Like the sea-tide on a beach,
As unto the king he spoke.

And Alfred, King of the Saxons,
Had a book upon his knees,
And wrote down the wondrous tale
Of him who was first to sail
Into the Arctic seas.

“So far I live to the northward,
No man lives north of me;
To the east are wild mountain-chains,
And beyond them meres and plains;
To the westward all is sea.

“So far I live to the northward,
From the harbour of Skeringes-hale,
If you only sailed by day,
With a fair wind all the way,
More than a month would you sail.

“I own six hundred reindeer,
With sheep and swine beside;
I have tribute from the Finns,
Whalebone and reindeer-skins,
And ropes of walrus-hide.

“I ploughed the land with horses,
But my heart was ill at ease,
For the old seafaring men
Came to me now and then,
With their sagas of the seas;—

“Of Iceland and of Greenland,
And the stormy Hebrides,
And the undiscovered deep;—
I could not eat nor sleep
For thinking of those seas.

“To the northward stretched the desert,
How far I fain would know;
So at last I sallied forth,
And three days sailed due north,
As far as the whale-ships go.

“To the west of me was the ocean,
To the right the desolate shore,
But I did not slacken sail
For the walrus or the whale,
Till after three days more.

“The days grew longer and longer,
Till they became as one,
And southward through the haze
I saw the sullen blaze
Of the red midnight sun.

“And then uprose before me,
Upon the water’s edge,
The huge and haggard shape
Of that unknown North Cape,
Whose form is like a wedge.

“The sea was rough and stormy,
The tempest howled and wailed,
And the sea-fog, like a ghost,
Haunted that dreary coast,
But onward still I sailed.

“Four days I steered to eastward,
Four days without a night:
Round in a fiery ring
Went the great sun, O King,
With red and lurid light.”

Here Alfred, King of the Saxons,
Ceased writing for a while;
And raised his eyes from his book,
With a strange and puzzled look,
And an incredulous smile.

But Othere, the old sea-captain,
He neither paused nor stirred,
Till the King listened, and then
Once more took up his pen,
And wrote down every word.

“And now the land,” said Othere,
“Bent southward suddenly,
And I followed the curving shore,
And ever southward bore
Into a nameless sea.

“And there we hunted the walrus,
The narwhale, and the seal;
Ha! ’twas a noble game!
And like the lightning’s flame
Flew our harpoons of steel.

“There were six of us all together,
Norsemen of Helgoland;
In two days and no more
We killed of them threescore,
And dragged them to the strand!”

Here Alfred, the Truth-Teller,
Suddenly closed his book,
And lifted his blue eyes,
With doubt and strange surmise
Depicted in their look.

And Othere the old sea-captain
Stared at him wild and weird,
Then smiled, till his shining teeth
Gleamed white from underneath
His tawny, quivering beard.

And to the King of the Saxons,
In witness of the truth,
Raising his noble head,
He stretched his brown hand, and said,
“Behold this walrus-tooth!”

CHILDREN.

Come to me, O ye children!
For I hear you at your play,
And the questions that perplexed me
Have vanished quite away.

Ye open the eastern windows,
That look towards the sun,
Where thoughts are singing swallows,
And the brooks of morning run.

In your hearts are the birds and the sunshine,
In your thoughts the brooklet’s flow,
But in mine is the wind of Autumn,
And the first fall of the snow.

Ah! what would the world be to us,
If the children were no more?
We should dread the desert behind us
Worse than the dark before.

What the leaves are to the forest,
With light and air for food,
Ere their sweet and tender juices
Have been hardened into wood,—

That to the world are children;
Through them it feels the glow
Of a brighter and sunnier climate
Than reaches the trunks below.

Come to me, O ye children!
And whisper in my ear
What the birds and the winds are singing
In your sunny atmosphere.

For what are all our contrivings,
And the wisdom of our books,
When compared with your caresses,
And the gladness of your looks?

Ye are better than all the ballads
That ever were sung or said;
For ye are living poems,
And all the rest are dead.

SANDALPHON.

Have you read in the Talmud of old,
In the Legends the Rabbins have told
Of the limitless realms of the air,—
Have you read it,—the marvellous story
Of Sandalphon, the Angel of Glory,
Sandalphon, the Angel of Prayer?

How, erect, at the outermost gates
Of the City Celestial he waits,
With his feet on the ladder of light,
That, crowded with angels unnumbered,
By Jacob was seen, as he slumbered
Alone in the desert at night?

The Angels of Wind and of Fire
Chant only one hymn, and expire
With the song’s irresistible stress;
Expire in their rapture and wonder,
As harp-strings are broken asunder
By music they throb to express.

But serene in the rapturous throng,
Unmoved by the rush of the song,
With eyes unimpassioned and slow,
Among the dead angels, the deathless
Sandalphon stands listening breathless
To sounds that ascend from below;—

From the spirits on earth that adore,
From the souls that entreat and implore
In the fervour and passion of prayer;
From the hearts that are broken with losses,
And weary with dragging the crosses
Too heavy for mortals to bear.

And he gathers the prayers as he stands,
And they change into flowers in his hands,
Into garlands of purple and red;
And beneath the great arch of the portal,
Through the streets of the City Immortal
Is wafted the fragrance they shed.

It is but a legend, I know,—
A fable, a phantom, a show,
Of the ancient Rabbinical lore;
Yet the old mediæval tradition,
The beautiful, strange superstition,
But haunts me and holds me the more.

When I look from window at night,
And the welkin above is all white,
All throbbing and panting with stars,
Among them majestic is standing
Sandalphon the angel, expanding
His pinions in nebulous bars.

And the legend, I feel, is a part
Of the hunger and thirst of the heart,
The frenzy and fire of the brain,
That grasps at the fruitage forbidden,
The golden pomegranates of Eden,
To quiet its fever and pain.

EPIMETHEUS; OR,

THE POET’S AFTERTHOUGHT.

Have I dreamed? or was it real,
What I saw as in a vision,
When to marches hymeneal
In the land of the Ideal
Moved my thought o’er Fields Elysian?

What! are these the guests whose glances
Seemed like sunshine gleaming round me?
These the wild, bewildering fancies,
That with dithyrambic dances,
As with magic circles, bound me?

Ah! how cold are their caresses!
Pallid cheeks, and haggard bosoms!
Spectral gleam their snow-white dresses,
And from loose, dishevelled tresses
Fall the hyacinthine blossoms!

O my songs! whose winsome measures
Filled my heart with secret rapture!
Children of my golden leisures!
Must even your delights and pleasures
Fade and perish with the capture?

Fair they seemed, those songs sonorous,
When they came to me unbidden;
Voices single, and in chorus,
Like the wild birds singing o’er us
In the dark of branches hidden.

Disenchantment! Disillusion!
Must each noble aspiration
Come at last to this conclusion,
Jarring discord, wild confusion,
Lassitude, renunciation?

Not with steeper fall nor faster,
From the sun’s serene dominions,
Not through brighter realms nor vaster,
In swift ruin and disaster,
Icarus fell with shattered pinions!

Sweet Pandora! dear Pandora!
Why did mighty Jove create thee
Coy as Thetis, fair as Flora,
Beautiful as young Aurora,
If to win thee is to hate thee?

No, not hate thee! for this feeling
Of unrest and long resistance
Is but passionate appealing,
A prophetic whisper stealing
O’er the chords of our existence.

Him whom thou dost once enamour,
Thou, belovèd, never leavest;
In life’s discord, strife, and clamour,
Still he feels thy spell of glamour;
Him of Hope thou ne’er bereavest.

Weary hearts by thee are lifted,
Struggling souls by thee are strengthened,
Clouds of fear asunder rifted,
Truth from falsehood cleansed and sifted,
Lives, like days in summer, lengthened!

Therefore art thou ever dearer,
O my Sibyl, my deceiver!
For thou makest each mystery clearer,
And the unattained seems nearer,
When thou fillest my heart with fever!

Muse of all the Gifts and Graces!
Though the fields around us wither,
There are ampler realms and spaces,
Where no foot has left its traces:
Let us turn and wander thither!

FLIGHT THE SECOND.

A DAY OF SUNSHINE.

O gift of God! O perfect day:
Whereon shall no man work, but play;
Whereon it is enough for me,
Not to be doing, but to be!

Through every fibre of my brain,
Through every nerve, through every vein,
I feel the electric thrill, the touch
Of life, that seems almost too much.

I hear the wind among the trees
Playing celestial symphonies;
I see the branches downward bent,
Like keys of some great instrument.

And over me unrolls on high
The splendid scenery of the sky,
Where through a sapphire sea the sun
Sails like a golden galleon,

Towards yonder cloud-land in the West,
Towards yonder Islands of the Blest,
Whose steep sierra far uplifts
Its craggy summits white with drifts.

Blow, winds! and waft through all the rooms
The snow-flakes of the cherry-blooms!
Blow, winds! and bend within my reach
The fiery blossoms of the peach.

O Life and Love! O happy throng
Of thoughts, whose only speech is song!
O heart of man! canst thou not be
Blithe as the air is, and as free?

THE CHILDREN’S HOUR.

Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day’s occupations
That is known as the Children’s Hour.

I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.

From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice and laughing Allegra,
And Edith with golden hair.

A whisper and then a silence;
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.

A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!

They climb up into my turret
O’er the arms and back of my chair;
If I try to escape they surround me;
They seem to be everywhere.

They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse Tower on the Rhine!

Do you think, O blue-eyed banditti,
Because you have scaled the wall,
Such an old moustache as I am
Is not a match for you all!

I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.

And there will I keep you for ever,
Yes, for ever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away!

ENCELADUS.

Under Mount Etna he lies,
It is slumber, it is not death;
For he struggles at times to arise,
And above him the lurid skies
Are hot with his fiery breath.

The crags are piled on his breast,
The earth is heaped on his head;
But the groans of his wild unrest,
Though smothered and half suppressed,
Are heard, and he is not dead.

And the nations far away
Are watching with eager eyes;
They talk together and say,
“To-morrow, perhaps to-day,
Enceladus will arise!”

And the old gods, the austere
Oppressors in their strength,
Stand aghast and white with fear
At the ominous sounds they hear,
And tremble, and mutter, “At length!”

Ah me! for the land that is sown
With the harvest of despair,
Where the burning cinders, blown
From the lips of the overthrown
Enceladus, fill the air.

Where ashes are heaped in drifts
Over vineyard and field and town,
Whenever he starts and lifts
His head through the blackened rifts
Of the crags that keep him down.

See, see! the red light shines!
’Tis the glare of his awful eyes!
And the storm-wind shouts through the pines
Of Alps and of Apennines,
“Enceladus, arise!”

THE _CUMBERLAND_.

At anchor in Hampton Roads we lay,
On board of the _Cumberland_, sloop of war;
And at times from the fortress across the bay
The alarum of drums swept past,
Or a bugle blast
From the camp on the shore.

Then far away to the south uprose
A little feather of snow-white smoke,
And we knew that the iron ship of our foe
Was steadily steering its course
To try the force
Of our ribs of oak.

Down upon us heavily runs,
Silent and sullen, the floating fort;
Then comes a puff of smoke from her guns,
And leaps the terrible death,
With fiery breath,
From each open port.

We are not idle, but send her straight
Defiance back in a full broadside!
As hail rebounds from a roof of slate
Rebounds our heavier hail
From each iron scale
Of the monster’s hide.

“Strike your flag!” the rebel cries,
In his arrogant old plantation strain.
“Never!” our gallant Morris replies;
“It is better to sink than to yield!”
And the whole air pealed
With the cheers of our men.

Then, like a kraken huge and black,
She crushed our ribs in her iron grasp!
Down went the _Cumberland_ all a wrack,
With a sudden shudder of death,
And the cannon’s breath
For her dying gasp.

Next morn, as the sun rose over the bay,
Still floated our flag at the mainmast head.
Lord, how beautiful was thy day!
Every waft of the air
Was a whisper of prayer,
Or a dirge for the dead.

Ho! brave hearts that went down in the seas!
Ye are at peace in the troubled stream,
Ho! brave land! with hearts like these,
Thy flag, that is rent in twain,
Shall be one again,
And without a seam!

SOMETHING LEFT UNDONE.

Labour with what zeal we will,
Something still remains undone,
Something uncompleted still
Waits the rising of the sun.

By the bedside, on the stair,
At the threshold, near the gates,
With its menace or its prayer,
Like a mendicant it waits;

Waits, and will not go away;
Waits, and will not be gainsaid
By the cares of yesterday
Each to-day is heavier made;

Till at length the burden seems
Greater than our strength can bear;
Heavy as the weight of dreams,
Pressing on us everywhere.

And we stand from day to day,
Like the dwarfs of times gone by,
Who, as Northern legends say,
On their shoulders held the sky.

WEARINESS.

O little feet! that such long years
Must wander on through hopes and fears,
Must ache and bleed beneath your load;
I, nearer to the Wayside Inn
Where toil shall cease and rest begin,
Am weary, thinking of your road!

O little hands! that, weak or strong,
Have still to serve or rule so long,
Have still so long to give or ask;
I, who so much with book and pen
Have toiled among my fellow-men,
Am weary, thinking of your task.

O little hearts! that throb and beat
With such impatient, feverish heat,
Such limitless and strong desires;
Mine that so long has glowed and burned,
With passions into ashes turned,
Now covers and conceals its fires.

O little souls! as pure and white
And crystalline as rays of light
Direct from heaven, their source divine;
Refracted through the mist of years,
How red my setting sun appears,
How lurid looks this soul of mine!

SNOW-FLAKES.

Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.

Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.

This is the poem of the Air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.

FLIGHT THE THIRD.

1874.

CADENABBIA.

No sound of wheels or hoof-beat breaks
The silence of the summer day,
As by the loveliest of all lakes
I while the idle hours away.

I pace the leafy colonnade,
Where level branches of the plane
Above me weave a roof of shade
Impervious to the sun and rain.

At times a sudden rush of air
Flutters the lazy leaves o’erhead,
And gleams of sunlight toss and flare
Like torches down the path I tread.

By Somariva’s garden gate
I make the marble stairs my seat;
And hear the water, as I wait,
Lapping the steps beneath my feet.

The undulation sinks and swells
Along the stony parapets;
And far away the floating bells
Tinkle upon the fisher’s nets.

Silent and slow, by tower and town,
The freighted barges come and go;
Their pendent shadow gliding down,
By town and tower submerged below.

The hills sweep upward from the shore,
With villas scattered one by one
Upon their wooded spurs, and lower
Bellaggio blazing in the sun.

And dimly seen, a tangled mass
Of walls and woods, of light and shade,
Stands beck’ning up the Stelvio pass
Varenna with its wide cascade.

I ask myself, Is this a dream?
Will it all vanish into air?
Is there a land of such supreme
And perfect beauty anywhere?

Sweet vision! Do not fade away;
Linger until my heart shall take
Into itself the summer day
And all the beauty of the lake.

Linger until upon my brain
Is stamped an image of the scene;
Then fade into the air again,
And be as if thou hadst not been.

CHARLES SUMNER.

MARCH 30, 1874.

Garlands upon his grave,
And flowers upon his hearse;
And to the tender heart and brave,
The tribute of this verse.

His was the troubled life,
The conflict and the pain;
The griefs, the bitterness of strife,
The honour without stain.

Like Winkelried, he took
Into his manly breast
The sheaf of hostile spears, and broke
A path for the oppressed;

Then from the fatal field,
Upon a nation’s heart,
Borne like a warrior on his shield!—
So should the brave depart.

Death takes us by surprise,
And stays our hurrying feet;
The great design unfinished lies,
Our lives are incomplete.

But in the dark unknown,
Perfect their circles seem,
Even as a bridge’s arch of stone
Is rounded in the stream.

Alike are life and death
When life in death survives,
And the uninterrupted breath
Inspires a thousand lives.

Were a star quenched on high,
For ages would its light,
Still travelling downward from the sky,
Shine on our mortal sight.

So when a great man dies,
For years beyond our ken,
The light he leaves behind him lies
Upon the paths of men.

MONTE CASSINO.

Beautiful valley, through whose verdant meads
Unheard the Garigliano glides along,—
The Liris, nurse of rushes and of reeds,
The river taciturn of classic song!

The Land of Labour and the Land of Rest,
Where mediæval towns are white on all
The hillsides, and where every mountain crest
Is an Etrurian or a Roman wall!

There is Alagna, there Pope Boniface
Was dragged with contumely from his throne;
Sciarra Colonna, was that day’s disgrace
The Pontiff’s only, or in part thine own?

There is Ceprano, where a renegade
Was each Apulian as great Dante saith,
When Manfred, by his men-at-arms betrayed,
Spurred on to Benevento and to death.

There is Aquinum, the old Volscian town,
Where Juvenal was born, whose lurid light
Still hovers o’er his birthplace, like the crown
Of splendour over cities seen at night.

Doubled the splendour is, that in its streets
The angelic Doctor as a schoolboy played,
And dreamed perhaps the dreams that he repeats
In ponderous folios for scholastics made.

And there, uplifted like a passing cloud,
That pauses on a mountain summit high,
Monte Cassino’s convent rears its proud
And venerable walls against the sky.

Well I remember how on foot I climbed
The stony pathway leading to its gate:
Above, the convent bells for vespers chimed;
Below, the darkening town grew desolate.

Well I remember the low arch and dark,
The court-yard with its well, the terrace wide,
From which, far down, diminished to a park,
The valley veiled in mist was dim descried.

The day was dying, and with feeble hands
Caressed the mountain-tops; the vales between
Darkened; the river in the meadow-lands
Sheathed itself as a sword and was not seen.

The silence of the place was like a sleep,
So full of rest it seemed; each passing tread
Was a reverberation from the deep
Recesses of the ages that are dead.

For, more than thirteen centuries ago,
Benedict, fleeing from the gates of Rome,
A youth disgusted with its vice and woe,
Sought in these mountain solitudes a home.

He founded here his Convent and his Rule
Of prayer and work, and counted work as prayer.
His pen became a clarion, and his school
Flamed like a beacon in the midnight air.

What though Boccaccio, in his reckless way
Mocking the lazy brotherhood, deplores
The illuminated manuscripts that lay
Torn and neglected on the dusty floors?

Boccaccio was a novelist, a child
Of fancy and of fiction at the best;
This the urbane librarian said and smiled,
Incredulous as at some idle jest.

Upon such themes as these with one young friar
I sat conversing late into the night,
Till in its cavernous chimney the wood fire
Had burnt its heart out like an anchorite.

And then translated, in my convent cell,
Myself yet not myself in dreams I lay;
And, as a monk who hears the matin bell,
Started from sleep; already it was day.

From the high window I beheld the scene
On which Saint Benedict so oft had gazed;
The mountains and the valley in the sheen
Of the bright sun, and stood as one amazed.

Grey mists were rolling, rising, vanishing;
The woodlands glistened with their jewelled crowns.
Far off the mellow bells began to ring
For matins in the half-awakened towns.

The conflict of the Present and the Past,
The ideal and the actual in our life,
As on a field of battle held me fast,
Where this world and the next world were at strife.

For, as the valley from its sleep awoke,
I saw the iron horses of the steam
Toss to the morning air their plumes of smoke,
And woke as one awaketh from a dream.

AMALFI.

Sweet the memory is to me
Of the land beyond the sea,
Where the waves and mountains meet;
Where amid her mulberry-trees
Sits Amalfi in the heat,
Bathing ever her white feet
In the tideless, summer seas.

In the middle of the town,
From its fountains in the hills,
Tumbling through the narrow gorge,
The Canneto rushes down,
Turns the great wheels of the mills,
Lifts the hammers of the forge.

’Tis a stairway, not a street,
That ascends the deep ravine,
Where the torrent leaps between
Rocky walls that almost meet.
Toiling up from stair to stair
Peasant girls their burdens bear;
Sunburnt daughters of the soil,
Stately figures tall and straight;
What inexorable fate
Dooms them to this life of toil?

Lord of vineyards and of lands,
Far above the convent stands,
On its terraced walk aloof
Leans a monk with folded hands,
Placid, satisfied, serene,
Looking down upon the scene
Over wall and red-tiled roof;
Wondering unto what good end
All this toil and traffic tend,
And why all men cannot be
Free from care, and free from pain,
And the sordid love of gain,
And as indolent as he.

Where are now the freighted barks
From the marts of east and west?
Where the knights in iron sarks
Journeying to the Holy Land,
Glove of steel upon the hand,
Cross of crimson on the breast?
Where the pomp of camp and court?
Where the pilgrims with their prayers?
Where the merchants with their wares,
And their gallant brigantines
Sailing safely into port,
Chased by corsair Algerines?

Vanished like a fleet of cloud,
Like a passing trumpet-blast,
Are those splendours of the past,
And the commerce and the crowd!
Fathoms deep beneath the seas
Lie the ancient wharves and quays,
Swallowed by the engulfing waves;
Silent streets, and vacant halls,
Ruined roofs and towers and walls;
Hidden from all mortal eyes
Deep the sunken city lies:
Even cities have their graves!

This is an enchanted land!
Round the headlands far away
Sweeps the blue Salernian bay
With its sickle of white sand;
Farther still and farthermost
On the dim discovered coast
Pæstum with its ruins lies,
And its roses all in bloom
Seem to tinge the fatal skies
Of that lonely land of doom.

On his terrace, high in air,
Nothing doth the good monk care
For such worldly themes as these.
From the garden just below
Little puffs of perfume blow,
And a sound is in his ears
Of the murmur of the bees
In the shining chestnut-trees;

Nothing else he heeds or hears.
All the landscape seems to swoon
In the happy afternoon;
Slowly o’er his senses creep
The encroaching waves of sleep
And he sinks as sank the town,
Unresisting, fathoms down
Into caverns cool and deep!

Walled about with drifts of snow,
Hearing the fierce north wind blow,
Seeing all the landscape white,
And the river cased in ice,
Comes this memory of delight,
Comes this vision unto me
Of a long-lost Paradise
In the land beyond the sea.

A DUTCH PICTURE.

Simon Danz has come home again,
From cruising about with his buccaneers;
He has singed the beard of the King of Spain,
And carried away the Dean of Jaen
And sold him in Algiers.

In his house by the Maese, with its roof of tiles
And weathercocks flying aloft in air,
There are silver tankards of antique styles,
Plunder of convent and castle, and piles
Of carpets rich and rare.

In his tulip-garden there by the town,
Overlooking the sluggish stream,
With his Moorish cap and dressing-gown
The old sea-captain, hale and brown,
Walks in a waking dream.

A smile in his grey mustachio lurks
Whenever he thinks of the King of Spain
And the listed tulips look like Turks,
And the silent gardener as he works
Is changed to the Dean of Jaen.

The windmills on the outermost
Verge of the landscape in the haze,
To him are towers on the Spanish coast,
With whiskered sentinels at their post,
Though this is the river Maese.

But when the winter rains begin,
He sits and smokes by the blazing brands,
And old seafaring men come in,
Goat-bearded, grey, and with double chin,
And rings upon their hands.

They sit there in the shadow and shine
Of the flickering fire of the winter night;
Figures in colour and design
Like those by Rembrandt of the Rhine,
Half darkness and half light.

And they talk of their ventures lost or won,
And their talk is ever and ever the same,
While they drink the red wine of Tarragon,
From the cellars of some Spanish Don,
Or convent set on flame.

Restless at times, with heavy strides
He paces his parlour to and fro;
He is like a ship that at anchor rides,
And swings with the rising and falling tides
And tugs at her anchor-tow.

Voices mysterious far and near,
Sound of the wind and sound of the sea,
Are calling and whispering in his ear,
“Simon Danz! Why stayest thou here?
Come forth and follow me!”

So he thinks he shall take to the sea again
For one more cruise with his buccaneers,
To singe the beard of the King of Spain,
And capture another Dean of Jaen
And sell him in Algiers.

THE SERMON OF ST. FRANCIS.

Up soared the lark into the air,
A shaft of song, a wingèd prayer,
As if a soul, released from pain,
Were flying back to heaven again.

St. Francis heard; it was to him
An emblem of the Seraphim;
The upward motion of the fire,
The light, the heat, the heart’s desire.

Around Assisi’s convent gate
The birds, God’s poor who cannot wait,
From moor and mere and darksome wood
Came flocking for their dole of food.

“O brother birds,” St. Francis said,
“Ye come to me and ask for bread,
But not with bread alone to-day
Shall ye be fed and sent away.

“Ye shall be fed, ye happy birds,
With manna of celestial words;
Not mine, though mine they seem to be,
Not mine, though they be spoken through me.

“O, doubly are ye bound to praise
The great Creator in your lays;
He giveth you your plumes of down,
Your crimson hoods, your cloaks of brown.

“He giveth you your wings to fly
And breathe a purer air on high,
And careth for you everywhere,
Who for yourselves so little care!”

With flutter of swift wings and songs
Together rose the feathered throngs,
And singing scattered far apart;
Deep peace was in St. Francis’ heart.

He knew not if the brotherhood
His homily had understood;
He only knew that to one ear
The meaning of his words was clear.

TRAVELS BY THE FIRESIDE.

The ceaseless rain is falling fast,
And yonder gilded vane,
Immoveable for three days past,
Points to the misty main.

It drives me in upon myself,
And to the fireside gleams,
To pleasant books that crowd my shelf,
And still more pleasant dreams.

I read whatever bards have sung
Of lands beyond the sea,
And the bright days when I was young
Come thronging back to me.

I fancy I can hear again
The Alpine torrent’s roar,
The mule-bells on the hills of Spain,
The sea at Elsinore.

I see the convent’s gleaming wall
Rise from its groves of pine,
And towers of old cathedrals tall,
And castles by the Rhine.

I journey on by park and spire,
Beneath centennial trees,
Through fields with poppies all on fire,
And gleams of distant seas.

I fear no more the dust and heat,
No more I feel fatigue,
While journeying with another’s feet,
O’er many a lengthening league.

Let others traverse sea and land,
And toil through various climes,
I turn the world round with my hand,
Reading these poet’s rhymes.

From them I learn whatever lies
Beneath each changing zone,
And see, when looking with their eyes,
Better than with mine own.

FLIGHT THE FOURTH.

THE HERONS OF ELMWOOD.

Warm and still is the summer night,
As here by the river’s brink I wander;
White overhead are the stars, and white
The glimmering lamps on the hill-side yonder.

Silent are all the sounds of day;
Nothing I hear but the chirp of crickets,
And the cry of the herons winging their way
O’er the poet’s[57] house in the Elmwood thickets.

Call to him, herons, as slowly you pass
To your roosts in the haunts of the exiled thrushes,
Sing him the song of the green morass,
And the tides that water the reeds and rushes.

Sing him the mystical Song of the Hern,
And the secret that baffles our utmost seeking;
For only a sound of lament we discern,
And cannot interpret the words you are speaking.

Sing of the air, and the wild delight
Of wings that uplift and winds that uphold you,
The joy of freedom, the rapture of flight
Through the drift of the floating mists that infold you;

Of the landscape lying so far below,
With its towns and rivers and desert places;
And the splendour of light above, and the glow
Of the limitless, blue, ethereal spaces.

Ask him if songs of the Troubadours,
Or of Minnesingers in old black-letter,
Sound in his ears more sweet than yours,
And if yours are not sweeter and wilder and better.

Sing to him, say to him, here at his gate,
Where the boughs of the stately elms are meeting,
Some one hath lingered to meditate,
And send him unseen this friendly greeting;

That many another hath done the same,
Though not by a sound was the silence broken;
The surest pledge of a deathless name
Is the silent homage of thoughts unspoken.

[57] James Russell Lowell.

VITTORIA COLONNA.

VITTORIA COLONNA, on the death of her husband, the Marchese di Pescara, retired to her castle at Ischia (Inarimé), and there wrote the Ode upon his death, which gained her the title of Divine.

Once more, once more, Inarimé,
I see thy purple hills!—once more
I hear the billows of the bay
Wash the white pebbles on thy shore.

High o’er the sea-surge and the sands,
Like a great galleon wrecked and cast
Ashore by storms, thy castle stands,
A mouldering landmark of the Past.

Upon its terrace-walk I see
A phantom gliding to and fro;
It is Colonna,—it is she
Who lived and loved so long ago,

Pescara’s beautiful young wife,
The type of perfect womanhood,
Whose life was love, the life of life,
That time and change and death withstood.

For death, that breaks the marriage band
In others, only closer pressed
The wedding ring upon her hand,
And closer locked and barred her breast.

She knew the lifelong martyrdom,
The weariness, the endless pain
Of waiting for some one to come
Who never more would come again.

The shadows of the chestnut-trees,
The odour of the orange blooms,
The song of birds, and, more than these,
The silence of deserted rooms;

The respiration of the sea,
The soft caresses of the air,
All things in nature seemed to be
But ministers of her despair;

Till the o’erburdened heart, so long
Imprisoned in itself, found vent
And voice in one impassioned song
Of inconsolable lament.

Then as the sun, though hidden from sight,
Transmutes to gold the leaden mist,
Her life was interfused with light,
From realms that, though unseen, exist.

Inarimé! Inarimé!
Thy castle on the crags above
In dust shall crumble and decay,
But not the memory of her love.

SONG.

Stay, stay at home, my heart, and rest;
Home-keeping hearts are happiest,
For those that wander they know not where
Are full of trouble and full of care;
To stay at home is best.

Weary and homesick and distressed,
They wander east, they wander west,
And are baffled and beaten and blown about
By the winds of the wilderness of doubt;
To stay at home is best.

Then stay at home, my heart, and rest;
The bird is safest in its nest;
O’er all that flutter their wings and fly
A hawk is hovering in the sky;
To stay at home is best.

A BALLAD OF THE FRENCH FLEET.

OCTOBER 1746.

MR. THOMAS PRINCE _loquitur_.

A fleet with flags arrayed
Sailed from the port of Brest,
And the Admiral’s ship displayed
The signal—“Steer south-west.”
For this Admiral D’Anville
Had sworn by cross and crown
To ravage with fire and steel
Our helpless Boston town.

There were rumours in the street,
In the houses there was fear
Of the coming of the fleet,
And the danger hovering near;
And while from mouth to mouth
Spread the tidings of dismay,
I stood in the Old South,
Saying humbly, “Let us pray!

“O Lord! we would not advise;
But if in thy Providence
A tempest should arise,
To drive the French fleet hence,
And scatter it far and wide,
Or sink it in the sea,
We should be satisfied,
And thine the glory be.”

This was the prayer I made,
For my soul was all on flame,
And even as I prayed
The answering tempest came.
It came with a mighty power,
Shaking the windows and walls,
And tolling the bell in the tower,
As it tolls at funerals.

The lightning suddenly
Unsheathed its flaming sword,
And I cried, “Stand still, and see
The salvation of the Lord!”
The heavens were black with cloud,
The sea was white with hail,
And ever more fierce and loud
Blew the October gale.

The fleet it overtook,
And the broad sails in the van,
Like the tents of Cushan shook,
Or the curtains of Midian.
Down on the reeling decks
Crashed the o’erwhelming seas;
Ah, never were there wrecks
So pitiful as these!

Like a potter’s vessel broke
The great ships of the line;
They were carried away as a smoke,
Or sank like lead in the brine.
O Lord! before thy path
They vanished and ceased to be,
When thou didst walk in wrath,
With thine horses through the sea.

CASTLES IN SPAIN.

How much of my young heart, O Spain,
Went out to thee in days of yore!
What dreams romantic filled my brain,
And summoned back to life again
The Paladins of Charlemagne,
The Cid Campeador!

And shapes more shadowy than these,
In the dim twilight half revealed:
Phœnician galleys on the seas,
The Roman camps like hives of bees,
The Goth uplifting from his knees
Pelayo on his shield.

It was these memories perchance,
From annals of remotest eld,
That lent the colours of romance
To every trivial circumstance,
And changed the form and countenance
Of all that I beheld.

Old towns, whose history lies hid
In monkish chronicle or rhyme,—
Burgos, the birthplace of the Cid,
Zamora and Valladolid,
Toledo, built and walled amid
The wars of Wamba’s time;

The long straight line of the highway,
The distant town that seems so near,
The peasants in the fields, that stay
Their toil to cross themselves and pray,
When from the belfry at mid-day
The Angelus they hear;

The crosses in the mountain pass,
Mules gay with tassels, the loud din
Of muleteers, the tethered ass
That crops the dusty wayside grass,
And cavaliers with spurs of brass
Alighting at the inn;

White hamlets hidden in fields of wheat,
White cities slumbering by the sea,
White sunshine flooding square and street,
Dark mountain-ranges, at whose feet
The river-beds are dry with heat,
All was a dream to me.

Yet something sombre and severe
O’er the enchanted landscape reigned;
A terror in the atmosphere
As if King Philip listened near,
Or Torquemada, the austere,
His ghostly sway maintained.

The softer Andalusian skies
Dispelled the sadness and the gloom;
There Cadiz by the sea-side lies,
And Seville’s orange-orchards rise,
Making the land a paradise
Of beauty and of bloom.

There Córdova is hidden among
The palm, the olive, and the vine;
Gem of the South, by poets sung,
And in whose Mosque Almanzor hung
As lamps the bells that once had rung
At Compostella’s shrine.

But over all the rest supreme,
The star of stars, the cynosure,
The artist’s and the poet’s theme,
The young man’s vision, the old man’s dream,—
Granada by its winding stream,
The city of the Moor!

And there the Alhambra still recalls
Aladdin’s palace of delight:
Allah il Allah! through its halls
Whispers the fountain as it falls;
The Darro darts beneath its walls,
The hills with snow are white.

Ah yes, the hills are white with snow,
And cold with blasts that bite and freeze;
But in the happy vale below
The orange and pomegranate grow,
And wafts of air toss to and fro
The blossoming almond-trees.

The Vega cleft by the Xenil,
The fascination and allure
Of the sweet landscape chain the will.
The traveller lingers on the hill,
His parted lips are breathing still
The last sigh of the Moor.

How like a ruin overgrown
With flowers that hide the rents of time,
Stands now the Past that I have known;
Castles in Spain, not built of stone,
But of white summer cloud, and blown
Into this little mist of rhyme!

THE WHITE CZAR.

Dost thou see on the rampart’s height
That wreath of mist, in the light
Of the midnight moon? O, hist!
It is not a wreath of mist;
It is the Czar, the White Czar,
Batyushka! Gosudar![58]

He has heard, among the dead,
The artillery roll o’erhead;
The drums and the tramp of feet
Of his soldiery in the street;
He is awake! the White Czar,
Batyushka! Gosudar!

He has heard in the grave the cries
Of his people: “Awake! arise!”
He has rent the gold brocade
Whereof his shroud was made;
He is risen! the White Czar,
Batyushka! Gosudar!

From the Volga and the Don
He has led his armies on,
Over river and morass,
Over desert and mountain pass;
The Czar, the Orthodox Czar,
Batyushka! Gosudar!

He looks from the mountain-chain
Toward the seas, that cleave in twain
The continents; his hand
Points southward o’er the land
Of Roumele! O Czar,
Batyushka! Gosudar!