Chapter III: Part 3

That inclination to the marvellous which belongs to creative temperaments led Paul to invest the stranger with the attributes of an apparition; he seemed to be a materialisation of the darkness which cloaked the modern world, a menace and a challenge; to stand for Lucifer. He was a man above average height, having a vast depth of chest and weight of limb, a strong, massive man. His suit of blue serge displayed his statuesque proportions to full advantage, and Paul's all-embracing glance did not fail to take note of the delicacy of hand and foot which redeemed the great frame from any suggestion of grossness. The stranger's head was bare, for he held in one gloved hand a hard black felt hat, flat topped and narrow of brim; and his small head, with close tight curls, set upon a neck like that of a gladiator, was markedly Neronian. The hue of this virile curling hair was a most uncompromising and fiery red, and equally red were the short moustaches and close-cut curling beard. It was a remarkable head, the head of a pagan emperor, rendered even more statuesque by an unusual ivory pallid skin and by large and somewhat prominent eyes of limpid golden brown.

He was staring at Paul, as Paul was staring at him; and, out of the darkness which instantly fell again, as the booming of thunder went rolling, demoniac, along the valleys, he spoke. His voice was rich and cultured.

"I fear I startled you--and you certainly startled me. I did not observe your approach."

Paul laughed. "Nor I yours. But I believe I was preoccupied, for I failed to notice the gathering storm until the rain attracted my attention."

"I can guess at the nature of your preoccupation," continued the deep voice. "Unless the illustrated press has deceived me I have the pleasure of sharing this shelter with Mr. Paul Mario."

"That is my name. May I ask if you are one of my neighbours?"

"I am called Jules Thessaly, and I have made Babylon Hall locally unpopular for some time past."

"A stormy meeting but none the less a welcome one, Mr. Thessaly. We have several mutual friends. Captain Courtier spoke of you to me only yesterday."

"Captain 'Don' Courtier?--a clever artist and I believe a useful officer. I should have appreciated an opportunity of meeting him again. He has leave?"

"A few days; but the usual demands upon his time, poor fellow. You were also, I think, a friend of my late uncle?"

"I was acquainted with Sir Jacques--yes. Mr. Mario, our present meeting is more gratifying to me than I can hope to express. I may say that I had designed to call upon you had Fate not taken a hand."

"Your visit would have been very welcome. I have been so busy with unavoidable affairs since my arrival, that I fear I have quite neglected social duties. With one or two exceptions I know nothing of my neighbours. May I count upon the pleasure of your company at dinner to-night?"

"You forestall me, Mr. Mario. I was about to ask you to come over to me. Apart from my natural interest in yourself there is a matter which I particularly desire to discuss with you. I trust you will excuse my apparent rudeness, but indeed I know you will. Social dogma is the armour of the parvenu."

Paul laughed again; Jules Thessaly was a welcome stimulant. "Clearly we have many things in common," he said. "I shall be more than glad to join you. Fascinating rumours are afloat concerning your collection of Eastern wonders. May I hope that it is housed at Babylon Hall?"

A blaze of lightning came, illuminating the two figures, showing Paul Mario's fine face turned expectantly toward Jules Thessaly, and alive with an eagerness almost boyish; showing the Neronian countenance of the other, softened by a smile which revealed small, strong teeth beneath the crisp red moustache.

"Rumour is a lying jade, Mr. Mario. My collection I admit is a good one, but there are at least three others in Europe and two in America which are better. It is unique in one particular: the section containing religious objects, totems, and gods of all ages is more complete than that of any other collector, or of any museum. The bulk of it unfortunately is at my house in London."

"In these days of air raids would it not be safer at Babylon Hall?"

"If all the gods to whom man has offered prayer cannot protect their images in Park Lane, they cannot protect them in Lower Charleswood."

"Diogenes speaks from his tub!"

"The truth is often cynical."

"I fear that life has not a single illusion left for you."

"All men work like rebels, Mr. Mario, to win freedom from youth's sweetest mistress--illusion, and spend the twilight of old age groping for what they have lost."

"Yours must be a barren outlook. If I thought all the world a mere dream of some wanton god I should lay down my pen--for I should have nothing to say."

"There can be nothing really new to say until man climbs up to another planet or until creatures of another planet climb down to this one."

"A doctrine of despair."

"Not at all--unless for the materialist."

"How is that?"

"Would you trammel the soul with the shackles of the flesh?"

"You mean that literature and art persistently look in the gutter for subjects when they would be more worthily employed in questioning the stars?"

"I mean that if literature and art were not trades, inspiration might have a chance."

"And you regard inspiration as a spiritual journey?"

"Certainly; and imagination as the memory of the soul. There is no such thing as intellectual creation. We are instruments only. John Newman did not invent _The Dream of Gerontius_; he remembered it. There is a strain in the music of _Samson et Dalila_ which was sung in the temples of Nineveh, where it must have been heard by Saint Saens. The wooing of Tarone in your _Francesca of the Lilies_ is a faithful account of a scene enacted in Florence during the feuds between the Amidei and Buondelmonti."

Paul Mario fell silent. The storm was passing, and now raged over the remote hills which looked out upon the sea; but the darkness prevailed, and he became aware of a vague disquiet which stirred within him. The conversation of Jules Thessaly impressed him strangely, not because of its hard brilliance, but because of a masterful certainty in that quiet voice. His words concerning Newman and Saint Saens were spoken as though he meant them to be accepted literally--and there was something terrifying in the idea. For he averred that which many have suspected, but which few have claimed to know. Presently Paul found speech again.

"You believe, as I believe, that our 'instincts' are the lessons of earlier incarnations. Perhaps you are a disciple of Pythagoras, Mr. Thessaly?"

"I am, in one sense. I am a disciple of his Master."

"Do you refer to Orpheus?"

Jules Thessaly hesitated, but the pause was scarcely perceptible. "The Orphic traditions certainly embody at least one cosmic truth."

"And it is?"

"That for every man there is a perfect maid, and for every maid a perfect lover; that their union will be eternal, but that until it is accomplished each must remain incomplete--a work in two volumes of which one is missing."

"Would you then revive the Eleusinian Mysteries?"

"Why not?"

"You would scandalise society!"

"In other words become the pet of the petty. You care as little for the institution called 'Society' as I do, Mr. Mario. Moreover, there is no Society nowadays. Murray's has taken its place."

Again the lightning flashed--less vividly; and in the glimpse thus afforded him of the speaker's face Paul derived the impression that Jules Thessaly was laughing, but of this he could not be sure. The thunder when it came spoke with a muted voice, for the storm was speeding coastward, and a light cool breeze stole through the aisles of the hills. A grey eerie light began to spread ghostly along the gallery. The ebon cloud was breaking, but torrents of rain continued to descend. Paul's keen intuition told him that Jules Thessaly was indisposed to pursue the Orphic discussion further at the moment, but he realised that the owner of Babylon Hall was no ordinary man, but one who had delved deeply into lore which had engaged much of his own attention. He found himself looking forward with impatient curiosity to his visit to the home of this new acquaintance.

"You are comparatively a new-comer in Lower Charleswood, Mr. Thessaly?"

"Yes, Babylon Hall had been vacant for some years, having formerly belonged to a certain Major Rushin, a retired Anglo-Indian of sixty-five, with a nutmeg liver and a penchant for juvenile society. He was drowned one morning in the lake which lies beyond the house, whilst bathing with three young ladies who were guests of his at the time. He was one of the pillars of the late Sir Jacques' church."

Paul laughed outright. "Do you quarrel with the whole of humanity, Mr. Thessaly?"

"Not at all. I love every creature that has life; I share the very tremors of the sheep driven to the slaughter-house. Human sorrow affects me even more profoundly."

"But you are hotly intolerant of human hypocrisy? So am I."

"Yet it may be one of the principles of nature. Witness the leaf insect."

"You don't believe it to be, though. You probably regard it as a hateful disguise imposed upon man by a moral code contrary to that of nature."

"Mr. Mario, your words contain the germ of a law upon the acceptance of which I believe humanity's spiritual survival to depend."

The elfin light was growing brighter by perceptible degrees; and Paul, looking toward the speaker, now was able to discern him as a shadowy bulk, without definite outline, but impressive, pagan--as a granite god, or one of those broken pillars of Medinet Habu. Either because Jules Thessaly had moved nearer to him, or by reason of an optical delusion produced by the half-light, the space between them seemed to have grown less--not only physically, but spiritually. The curves of their astral selves were sweeping inward to a point of contact which Paul knew subconsciously would be electric, odic, illuminating. He felt the driving force of Jules Thessaly's personality, and it struck from the lyre of his genius strange harmonious chords. He knew, as some of the ancients knew, that the very insect we crush beneath our feet is crushed not by accident, but in accordance with a design vast beyond human conception; and he wondered what part in his life this strange, powerful man was cast to play. His thoughts found expression.

"There is no such thing as chance," he said dreamily.

"No," answered Jules Thessaly. "There is no such thing in the universe. Our meeting to-day was an appointment."

XI

Jules Thessaly, like the Indian rope trick, was a kind of phenomenon twice removed. In every capital throughout the world one heard of him; of his wealth, of his art collection, of his financial interests; but one rarely met a man who actually claimed to know him although every second man one met knew another who did.

When he acquired Babylon Hall, for so long vacant, the county was stirred from end to end. Lower Charleswood, which lacked a celebrity, felt assured at last of its place in history and ceased to cast envious glances toward that coy hamlet of the hills which enshrined the cottage of George Meredith. The Vicar of High Fielding, who contributed occasional "Turn-overs" to the _Globe_, investigated the published genealogy of the great man, and caused it to be known that Jules Thessaly was a French Levantine who had studied at Oxford and Goettingen, a millionaire, an accomplished musician, and an amateur of art who had exhibited a picture in the Paris Salon. He was a member (according to this authority) of five clubs, had other country seats, as well as a house in Park Lane, was director of numberless companies--and was unmarried. Miss Kingsbury called upon the reverend gentleman for further particulars.

But when at last Jules Thessaly actually arrived, Lower Charleswood experienced a grievous disappointment. He brought no "introductions," he paid no courtesy calls, and those who sought him at Babylon Hall almost invariably were informed that Mr. Thessaly was abroad. When he entertained, his guests arrived from whence no one knew, but usually in opulent cars, and thereby departed no one knew whither. Lower Charleswood was patient, for great men are eccentric; but in time Lower Charleswood to its intense astonishment and mortification realised that Jules Thessaly was not interested in "the county." Lower Charleswood beheld itself snubbed, but preferred to hide its wounds from the world, and therefore sent Jules Thessaly ceremoniously to Coventry. He was voted a vulgar plutocrat and utterly impossible. When it leaked out that Lady James knew him well and that Sir Jacques frequently dined at Babylon Hall, Miss Kingsbury said, "Lady _James_? Well, of course"--And Sir Jacques, as the only eligible substitute for a real notability, was permitted a certain license. He was "peculiar," no doubt, but he had built a charming church and was a bachelor.

Urged to the task by Miss Kingsbury, the Vicar of High Fielding made further and exhaustive enquiries. He discovered that it was impossible to trace Jules Thessaly's year at Oxford for the same reason that it was impossible to trace anything else in his history. One man knew another man whose brother was at Oriel with Thessaly; a second man had heard of a third man who distinctly remembered him at Magdalen. The vicar's cousin, a stockbroker, said that Thessaly's father had been a Greek adventurer. Miss Kingsbury's agent--who sometimes succeeded in disposing of her pictures--assured Miss Kingsbury that Jules Thessaly was a Jew. When war began all the county whispered that Jules Thessaly was a big shareholder in Krupps.

The constitution of his establishment at Babylon Hall was attacked in the local press. Babylon Hall was full of dangerous aliens. Strains of music had been heard proceeding from the Hall at most unseemly hours--by the village innkeeper. Orgies were held there. But Jules Thessaly remained silent, unmoved, invisible. So that at the time of Sir Jacques' death Lower Charleswood had passed through three phases: pique, wonder, apathy. One or two folks had met Thessaly--but always by accident; had acclaimed him a wonderful man possessing the reserve of true genius. Finally, Miss Kingsbury had met him--in Lower Charleswood post office, and by noon of the following day, all "the county" knew that he was "a charming recluse with the soul of a poet."

And this was the man with whom Paul Mario paced along the green aisles toward the point where they crossed that Pilgrim's Way which linking town to village, village to hamlet, lies upon the hills like a rosary on a nun's bosom.

"My car is waiting below," said Jules Thessaly. "You will probably prefer to drive back?"

Paul assented. He was breathing deeply of the sweet humid air, pungent with a thousand fresh scents and the intoxicating fragrance of rain-kissed loam. The sound of greedily drinking plant things arose from the hillside. Beyond the purple heath hung the midnight curtain, embroidered fitfully with silver, and he removed his hat that the cool breeze might touch him. Hatless he was magnificently picturesque; Antinoeus spared to maturity; the nature-worshipper within him stirred to quickness by magic perfumes arising from the breast of Mother Earth, he resembled that wonderful statue of the Bithynian which shows him as Dionysus the Twice-born, son of the raincloud, lover of the verdure.

"The world," said Jules Thessaly, "is waiting for you."

Through his abstract Orphic dreams the words reached Paul's mind; and they were oddly familiar. Who had spoken them--now, and once before? He awoke, and remembered. Don had said that the world awaited him. He turned and glanced at his companion. Jules Thessaly was regarding him fixedly.

"You spoke," said Paul. "Pardon my abstraction; but what did you say?"

"I said that when Nature endows a man at once with the genius of Dante and the appearance of a Greek god, that man holds the world in the hollow of his hand. He was born with a purpose. He _dares_ not seek to evade his destiny."

Paul met the glance of the golden, prominent eyes, and it held him enthralled. "I do not seek to evade it," he replied slowly. "I accept it; but I am afraid."

A low-pitched powerful French car stood at the foot of the slope, the chauffeur in his seat and a footman standing beside the open door. Poised ethereally betwixt solid earth and some sphere remote peopled by Greek nature-myths, Paul found himself beside Jules Thessaly, and being borne swiftly, strongly upward to the hills. At the gap beyond the toll-gate, where one may view a prospect unique in all the county, the car stopped, perhaps in obedience to a summons of the master. From the open window Paul looked out over the valley; and a rainbow linked the crescent of the hills, point to point. Backed by the murk of the moving storm, Babylon Hall looked like a giant sarcophagus behind which Titan hands had draped a sable curtain; and it seemed to Paul as he looked, wondering, that the arc of heaven-born colours which no brush may reproduce, rested upon the hidden roof of Dovelands Cottage, crossed Babylon Hall, and swept down to the rain mist of the horizon, down to the distant sea. The palette of the gods began to fade from view, and Paul turned impulsively to his companion.

Jules Thessaly, his elbows resting upon his knees, was staring down, apparently at the flat-crowned black hat which he held in his hands. The car had resumed its smooth progress.

"An omen!" cried Paul. "The world is _not_ past redemption!"

He spoke wildly, emotionally, not choosing his words, scarce knowing what he desired to convey. Jules Thessaly glanced aside at him.

"The world _desires_ redemption," he said. "It is for you to gratify the world's desire."

XII

The mystery which steals out from the woods, creeps down from the hills, and lurks beneath the shadowed hedgerows at beckoning of dusk, was abroad and potent when Paul Mario that evening walked up Babylon Lane towards the Hall. Elemental forces, which the ancients clothed in semi-human shape and named and feared, moved beside him and breathed strange counsels in his ear. The storm had released uneasy spirits from their bondage in crannies of primeval hills, and it was on such a night as this that many a child has glimpsed the Folk tripping lightly around those fairy-rings which science would have us believe due to other causes than the mystic dance. The Pipes of Pan were calling, and up in the aisles of the hills moonbeams slyly sought and found bare-limbed dryads darting from the eagerness of wooing fauns. Progress has banished those Pandean spirits from the woodlands, but the moon is the mother of magic, and her children steal out, furtive, half fearful, when she raises her lamp as of old.

Between prescience and imagination the borderline is ill defined. Although Dovelands Cottage was seemingly sleeping, or deserted, Paul pictured Flamby standing by the stile beyond, where the orchard path began. And when, nearing it, he paused, looking to the right, there was she, a figure belonging to the elfin world of which he dreamed, and seemingly on the point of climbing over the stile.

"Flamby!" he cried.

She turned, descended, and came forward slowly, a wild-haired nymph; and that odd shyness which sat so ill upon her was manifest in her manner. She had expected Paul; had really been waiting for him--and she felt that he knew it.

"Were you dreaming in the twilight?" he asked, merrily.

Flamby stood a little apart from him, staring down at the dusty road. "No," she replied. "I was scared, so I came out."

"Scared? Of what?"

"Don't know. Just scared. Mother is over at Mrs. Fawkes', and it's not likely I was going with her."

"Why not?"

"She hates me," explained Flamby, with brief simplicity.

"But why should she hate you?"

"Don't know," said Flamby, busily burrowing a little hole in the road with the heel of her left shoe. Her shoes were new ones, and boasted impudently high heels. She had been proud of her arched instep when first she had worn the new shoes, and had been anxious that Paul, who hitherto had seen her shod in the clumsy boots which she called her "workers," should learn that she possessed small feet and slim ankles. Now, perceiving his glance to be attracted to the burrowing operation, she flushed from brow to neck, convinced that he believed her to have worn the shoes for his particular admiration--which was true; and to have deliberately drawn his attention to them--which was untrue. She had been longing to hear Paul's voice again, and now that he stood before her she told herself that he must be comparing her with the hundreds of really pretty girls known to him, and thinking what an odd-looking, ignorant little fool she was. Gladly would Flamby have fled, but she lacked the courage to do so.

"So you were afraid," said Paul, smiling; "but not, on this occasion, of my late uncle, I hope?"

Flamby had half expected the question, but nevertheless it startled her. A Latin tag entered her mind immediately. "_O_," she began--and her strange shyness overwhelming her anew, said no more.

Paul assumed that he had misunderstood her. "Pardon me," he prompted, "but I'm afraid I failed to catch what you said."

"I said '_no_,'" declared Flamby untruthfully, and silently blessed the dusk which veiled her flaming cheeks. Paul Mario abashed her. She delighted to be with him, and, with him, longed to run away. She had been conscious of her imperfections from the very moment that she had seen him in Bluebell Hollow, had hesitated to speak, doubting her command of English, had ceased to joy in her beauty, and had wondered if she appeared to Paul as a weird little gnome. Now, she was resolved never to see him again--to hide away from him, to forget him--or to try.

"You are a true artist, Flamby," he said; "a creature of moods. Perhaps to-night the fairy gates have opened for you as they have opened for me. Titania has summoned you out into the woods, and you are half afraid. But the artist lives very near to Nature, and has nothing to fear from her. Surely you love these nights of the early moon?"

And as he spoke Flamby's resolution became as naught, and she knew that to hear him and to share his dreams was worth any sacrifice of self-esteem. Never since her father's death had she had a confidant to whom she might speak of her imaginings, from whom she might hope for sympathy and understanding. She forgot her shyness, forgot her new shoes.

"I have always loved the moon," she confessed. "Perhaps I thought of her as Isis once long ago."

Now it was Paul who hesitated and wondered, his respect for Flamby and for the complex personality who had tutored her growing apace.

"But in London they must hate the moon," she added, and the tone betokened one of her swift changes of mood.

"Yes," said Paul, raising his eyes, "the old goddess of the Nile seems to have transferred her allegiance to the Rhine." He glanced at the luminous disc of his watch. "I fear I am late. I shall call upon your mother to-morrow, if I may, and see if we can arrange something definite about your studies."

"Oh!" cried Flamby--"what time will you come?"

"May I come in the morning?"

"Of course."

"In the morning, then, about eleven o'clock. I must hurry, or Mr. Thessaly will be waiting. What do you think of your new and wonderful neighbour?"

"I have heard that he is a clever man and very rich; but I have never seen him."

"Never seen him? And Babylon Hall is only a few hundred yards away."

"I know. But I have never seen Mr. Thessaly."

"How very queer," said Paul. "Well, good night, Flamby."

He took off his soft grey hat and extended his hand. All Flamby's shyness descended upon her like the golden shower on Danae, and barely touching the outstretched hand she whispered, "Good night, Mr. Mario," turned and very resolutely walked away, never once looking back.

At the gate of the cottage she began to limp, and upon the instant of entering the sitting-room, where Mrs. Duveen, returned from her visit, was lighting a large brass table lamp, Flamby dropped cross-legged upon the floor and tenderly removed her left shoe. Having got it free of her foot, she hurled it violently into the kitchen.

"Hell!" she said, succinctly.

"Flamby!" cried her mother, in a tone of mild reproval. "How can you swear like that!"

Flamby began to remove her stocking. "_You'd_ swear if you had a damn great nail sticking in your heel!" she retorted.

XIII

Paul arrived at Babylon Hall exactly eight minutes late for his appointment. In the wonderful dusk unknown to the tropics, when sun contests with moon, disputing the reign of night, he walked up the long avenue past the silent lodge, and was shown into a small room adjoining the entrance hall. Of the latter he derived no very definite impression, except that it was queerly furnished. Wherein this queerness was manifested he found himself unable to decide on subsequent reflection. But the ante-room was markedly Eastern, having Arabesque mosaics, rugs and low tables of the Orient, and being lighted by a brass mosque-lamp. The footman who had opened the door for him was a foreigner of some kind, apparently a Greek.

He wondered at his reception; for the servant merely bowed and departed, without relieving him of hat and coat. Indeterminate, he stood, vaguely conscious of misgiving and questioning the stillness of the great house. But almost immediately a young man entered whose face expressed the utmost concern. He was clean-shaven, except for those frustrated whiskers once sacred to stage butlers, but latterly adopted as the sigil of the New Bohemia. He had pleasing dark brown hair, and if nature had not determined otherwise, might have been counted a handsome brunette. His morning-dress was worthy of Vesta Tilley's tailor. Paul detected the secretary even before the new arrival proclaimed his office.

"You have missed Mr. Thessaly by less than three minutes," he said, glancing at his watch. "I am his secretary, and upon me devolves the very delicate task of explaining his departure. In the absence of a hostess--this is a bachelor establishment--the position is peculiarly unfortunate--"

"Pray say no more, Mr.----"

"My name is Caspar."

"I beg you to offer no apologies, Mr. Caspar. Believe me, I quite understand and sympathise. Mr. Thessaly has been called away at the last moment by affairs of urgent importance."

"Exactly. I am indebted to you, Mr. Mario. The news--of a distressing nature--only reached us over the telephone five minutes ago. A groom was despatched immediately to Hatton Towers, but he seems to have missed you."

"Nothing of a family nature, I trust."

"Not exactly, Mr. Mario; but a matter of such urgency that there was no time for hesitation. Mr. Thessaly is already upon his way to London. He will write you a full explanation, and for that purpose took writing materials in the car. His letter should reach you by the first post in the morning. You will readily understand that the hospitality of Babylon Hall----"

Paul interrupted him. "My dear Mr. Caspar, I could not think of intruding at a time of such distress and uncertainty. I can return to Hatton Towers in less than twenty minutes and the larder is quite capable of satisfying my modest requirements. Please say no more. Directly you are able to communicate with him express to Mr. Thessaly my sincere condolence."

"A car is at your service, Mr. Mario."

"I appreciate the kindness fully, but I should much prefer to walk. Please banish from your mind any idea that you have inconvenienced me. Good night, Mr. Caspar."

The several extraordinary features of the incident he did not come to consider until later, but as he walked contemplative along Babylon Lane he detected sounds of distant gunfire, distinct from the more remote rumbling which was the voice of the battle front. He stood still--listening. An air raid on London was in progress.

"Thank God that Yvonne is out of it," he said earnestly--"and may He be with every poor soul to-night who needs Him."

Jules Thessaly and Babylon Hall were banished from his mind, although the raid on London might very well prove to be the explanation of Thessaly's sudden departure. From the stricken area his imagination recoiled, and in spirit he stood in a quaintly rambling village street of Devon before a rose-smothered cottage, looking up to an open casement window. It was there that Yvonne was, perhaps already sleeping--Yvonne, his wife. And all the old fear visited him as he contemplated their happiness, their immunity from the horrors, the sacrifices of an anguished world. Why was he spared when others, seemingly more worthy, suffered? True, he had suffered in spirit, which is the keenest torture of all; but he had emerged to a greater happiness, to a reunion with Yvonne which had been like a second and sweeter honeymoon. It could only be that he was spared for a great purpose, that he might perform a giant task. He was permitted, untrammelled, to view the conflict, the sorrow and the agony of mankind from an Olympic height, serene and personally untouched, only in order that he might heal the wounds laid bare before him. "The world is waiting for you," Don had said. Paul silently prayed that the world might not wait in vain.

"Master of Destiny, inscrutable God, grant me light that I may see to perform the duty laid upon me. Use me, mould me, make of me an instrument. Millions have offered all and lost all. Guide my steps. If death lies upon the path I will not shrink, but suffer me to be of some little use to thy scarred and bleeding world. Amen."

The ominous gunfire had ceased when he retired to his room that night after a lonely dinner, and even the more distant booming to which he was growing accustomed was not audible. The lantern of the moon hung above such a serene countryside that thoughts of war were all but impossible, and Paul likened the heavens to the jewelled dome of some vast mosque wherein were gathered together all the clashing creeds of mankind, their differences forgotten in a universal love.

XIV

The summer days slipped by, each morning bringing a letter from Yvonne, each night a longing that it might be the last of their separation. But the affairs of the late Sir Jacques' estate were not easily dismissed, and Paul, eager with the ardent eagerness of a poet to set to work upon his task, yet found himself chained to Lower Charleswood. The place itself enchanted his imagination, and had his mind been free (and if Sir Jacques had never occupied Hatton Towers and impressed his individuality upon the house) Paul might have been content to stay--with Yvonne for a companion. But London called him urgently and inaction grew irksome.

Flamby Duveen he never tired of studying; she fascinated him like some rare palimpsest or Pythagorean problem. But Flamby was going to London as soon as arrangements could be made for her mother and herself to leave Dovelands Cottage. Mrs. Duveen had raised no objection to the proposed change; Mrs. Duveen had never raised an objection to anything throughout the whole of her docile career; and already Paul was weaving this oddly assorted pair into the scheme of that book which he projected as a challenge to the latent good in man.

Some of his neighbours he met, willy nilly, but they took no place in his mental record of things, save perhaps the place of punctuation marks, commas and semicolons for the most part, rarely rising to the definite degree of a full point and never approaching the dramatic significance of an exclamation mark. Already he floated above the common world, looking down upon its tortured contours and half-defaced frontiers--for the true poet is a fakir who quits his physical body at the beck of inspiration, to return laden with strange secrets.

Jules Thessaly's letter explaining his extraordinary breach of good behaviour had been characteristic of the man. For whilst it was couched in more or less conventional terms of apology, the writer obviously regarded his action as justified and assumed in Paul an understanding which rendered pique impossible. Paul's theory regarding Thessaly's sudden departure had been correct.

"The gods are all dead," ran one passage in the letter. "A shell, one of our own, fortunately imperfect, entered the upper storey of my house and rudely forced a passage through one floor and the outer wall. Some slight damage has been done to my collection"--etc.

* * * * *

The tangled details of Paul's legacy became disentangled at last, and he fixed a definite date for his departure. That same evening the weather broke and grey clouds veiled the stars. He was keenly susceptible to climatic changes, and this abrupt interruption of summer plunged him into a dark mood. Gone were the fairies from the meadows, gone the dryads from the woods. The birds grew mute and roses drooped their heads. He found himself alone facing a sorrowful world and sharing its sorrows. The shadow of the black hat in the dining-room portrait lay darkly on Hatton Towers.

When such a mood was upon him he would resign himself to it with all that spiritual and intellectual abandon of which he was capable, savagely goading himself to blacker despair and contemplating his own condition with the critical faculty of his mind, which at these times remained undisturbed. Whilst the rain beat upon the windows and draperies billowed eerily in the draught, he passed from the library into the study and unlocked that high black oak bureau which concealed the private collection of works artistic and literary which had informed him of the true character of his late uncle. He had caused a huge fire to be made up in the old open hearth in the dining-room and he proposed to spend the evening in building a pyre which should consume the memory of the secret Sir Jacques.

The books, many of them in handsome bindings, he glanced at, in order that no one worthy of life should be destroyed. The verdict pronounced he either laid the book aside or broke it up and threw it on to the great fire in the adjoining room. He worked for an hour, eagerly, savagely, his coat stripped off and his shirt sleeves rolled above the elbow. The collection, though valuable, was small, and within the hour the bulk of it was ashes. Paul the iconoclast then turned his attention to the portfolios of water-colours, etchings and photographs which occupied the lower and deeper shelves of the bureau.

Here he found exquisite reproductions of Pompeiian frescoes, illustrations in line and colour to divers works, as Pierre Louys' _Aphrodite_, the _Satyricon_ of Petronius, and Ovid's _Amours_. The crowning horror of the thing was the artistic skill which had been prostituted to such ends. Technically, many of the pictures were above criticism; morally all were beyond. He consigned the entire heap of them to the flames.

Only the photographs remained, and a glance at the first of these resulted in a journey to the dining-room with laden arms. By impish chance two large and tastefully mounted panels both representing a sun-kissed nymph posed beside a pool slipped from the bundle and fell at his feet. Kicking the ash-stifled fire into a blaze, he stooped to recover them. So stooping he remained, staring down at the pictures on the floor. Then slowly, dazedly, he took them up, one in either hand. They were photographs of Flamby.

* * * * *

The fire roared up the brick chimney, the wind fought for entrance from above, rain beat dismally upon the high windows. The fire died down again, seeming to retire into the mound of grey ashes which it had created; and the photographs fell from Paul's grasp.

A wrought-iron poker hung from a rack in the hearth, and, his face set like a mask, Paul took the crude weapon in his hand, and slowly raised his head until he was looking up at the oil-painting above the mantelpiece. The sound of a dry and discreet cough close behind him drew his attention to the presence of Davison. He turned, a strange figure, something very menacing in his eyes. Davison glanced furtively under the gate-legged table.

"Mr. Thessaly has called, sir," he said, and held out a salver upon which lay a visiting-card.

"Where is he?"

"He is in the library, sir."

"Very good. I will join him there in a few moments."

The portrait of Sir Jacques had been spared to posterity by that admirable tradition which denies an English gentleman any display of emotion in the presence of a servant.

XV

"I have seized the first opportunity," said Thessaly, as Paul, composure restored, entered the library, "of offering a personal explanation of my behaviour."

Paul took his extended hand, waiving the proferred explanation. "Except as regards the damage done to your property, I am not interested. Had your disappearance been dictated by nothing more than a sudden desire for solitude I should have understood. If I should ever be called upon to act as you did on that occasion I should know that a friend would understand. If he misunderstood he would not be a friend. I fear I am somewhat dusty. I have been destroying a portion of my legacy."

Jules Thessaly, dropping back into the padded arm-chair in which he had been seated, stared hard at Paul.

"Not the illustrations to that portion of Scheherazade's narrative invariably expunged from all respectable editions of the _Thousand and One Nights_?"

Paul nodded, pushing a box of cigars across the table. "You know them?"

"I know that Sir Jacques possessed such pictures."

"I have destroyed them."

"Why?"

Paul selected a cigar ere looking up to meet the faintly amused glance of Thessaly. "They bore witness to a phase of his life which he chose to conceal from the world. I could do no less."

"You speak with contempt."

"The hypocrite is contemptible. A frank libertine may be an amusing fellow. If we do not think so, we can avoid him."

"I agree with you up to a point. But in justice remember that every man has pages in his history which are never displayed to the world."

"Very likely. But every man does not pose as a saint. Those who seek the company of a professed rake do so at their own peril. But the disguised satyr is a menace to the innocent."

"I would suggest that some specific 'innocent' occurs to your mind?"

"The adder does not bite itself. Were there no stories?"

"A few. But Sir Jacques was a model of discretion; as an under-secretary he would have glittered in the political firmament. There was a pretty village girl who promised at one time to provide the district with agreeable table-talk, but unfortunately for Miss Kingsbury and company the affair apparently fell through."

"He was, as you say, a model of discretion."

"Ah. There are records? Well, you were justified in destroying them."

"It is hard to understand."

"To understand whom--Sir Jacques or the girl? You cannot mean the girl. A man who reaches the age of thirty without understanding women is like a bluebottle who devotes a summer morning to an endeavour to fly through a pane of glass."

"You speak like an early Roman."

"What more admirable model? Consider the Roman institutions; perfect sanitation and slavery. We abolish one and adopt the other, with the result that a healthy democracy has swallowed us up. The early Romans were sages."

"You have no sympathy for Sir Jacques' victims?"

"Except where the chivalrous warriors of Prussia are concerned, and with other rare exceptions, I never think of women as victims, Mr. Mario."

"Not even in the case of an aged hypocrite who probably posed as the Platonic friend?"

"Platonic friendship is impossible up to sixty-five. The most ignorant girl knows it to be so, for every woman has hereditary memory."

"Your creed is a harsh one. You take no count of snares and pitfalls."

"Snares and pitfalls cannot be set upon the highroad."

"And how should you define this highroad?"

"As the path selected by our unspoiled instincts. It is ignorance posing as education that first blunts those instincts, dogma disguised as religion and hypocrisy misnamed 'good behaviour.'"

"You would allow instinct to go unfettered?"

"Provided it remains unspoiled. But first I would sweep the world of lies."

"Then you think the world ready for the truth?"

"I know that the world waits for it."

"Do you think the world will recognise it?"

"In part the world has already recognised it. We lived in an age which was eternally demanding 'proofs'--and which rejected them when they were offered. But the great catastrophe which has overwhelmed us has adjusted our perspective. Few of us to-day _dare_ to doubt the immortality of the soul. We failed to recognise joy as a proof of our survival after death, but we cannot reject the teaching of sorrow."

"Love and friendship, of course, are proofs not only of immortality, but of pre-existence and the survival of the individual."

"And can you make the disciples of the clap-trap which passes for religion believe this, Mr. Mario?"

"I propose to try. But the task is hard. There are pieces difficult to fit into the scheme."

"You agree with me that the war, which was born of ignorance, will bear the fruit of truth?"

"I agree that it will bear the fruit of truth, but I do not agree that it was born of ignorance. Men did not cause the war. It is a visitation from higher powers, and therefore has a grand purpose. There are no accidents in the scheme of the universe."

"You think those higher powers are powers of good?"

"Wherever the powers of darkness walk the Powers of Light stand arrayed before them."

There was a muffled crash in the adjoining room, which brought Paul, startled, to his feet. He crossed the library and entered the panelled dining-room. The portrait of Sir Jacques had fallen from its place above the mantelpiece, breaking a number of ornaments as it fell. Davison was already on the spot and stood surveying the wreckage.

"The 'eat of the extraordinary fire, no doubt, sir," he said. "The 'ook is loosened, as you observe."

Paul stared at the man with unseeing eyes; he was striving to grasp the symbolic significance of the incident, but it eluded him, and presently he returned to the library, where Jules Thessaly was glancing at a book which he had taken from a shelf apparently at random.

"An accident?"

"Yes. A picture has fallen. Nothing serious."

"Ah. Do you know this war-writer?" Thessaly held up the book in his hand--"Rudolf Kjellen."

"By name," replied Paul, absently. "Does he understand?"

"Up to a point. His thesis is that a great and inevitable world-drama is being played and that he who seeks its cause in mere human plotting and diplomacy is a fool. States are superhuman but living biological personalities, dynamic, and moving toward inevitable ends beyond human control."

"He is mad. All the German propagandists are mad. The insanity of Germany is part of the scheme of the world-change through which we are passing. He recognises the superhuman forces at work and in the same breath babbles of 'states.' There is only one earthly State and to that State all humanity belongs."

Jules Thessaly returned Kjellen's work to its place. "If I do not misunderstand you," he said, fixing his gaze upon Paul, "you contemplate telling the world that the churches have misinterpreted Revelation and that Christ as well as the other Masters actually revealed reincarnation as the secret of heaven and hell?"

"That is my intention."

"Your audience is a vast one, Mr. Mario. No man for many generations has been granted the power to sway thought, which nature has bestowed upon you. Your word may well prevail against all things--even in time against Rome. You recognise that you are about to take up a mighty weapon?"

"I do. Publicity is the lever of which Archimedes dreamed; and I confess that I tremble. You think the churches will oppose me?"

"Can you doubt it?"

"I fear you are right, yet they should be my allies, not my enemies. In the spectacle of a world in arms the churches must surely recognise the evidence of failure. If they would survive they must open their doors to reform."

"And what is the nature of the reform you would suggest?"

"Conversion from nineteen centuries of error to the simple creed of their Founder."

"Impossible. Churches, like Russian securities, may be destroyed but never converted."

"Yet in their secret hearts millions of professed churchmen believe as I believe----"

"----That heaven and hell are within every man's own soul and that the state in which he is born is the state for which he has fitted himself by the acts of his pre-existence?"

Paul inclined his head. "No other belief is possible to-day."

"There are higher planets than Earth, perhaps lower. The ultimate deep is Hell, the ultimate height Heaven. The universe is a ladder which every soul must climb."

From a catechism Jules Thessaly's words had developed into a profession of faith, and Paul, who stood watching the speaker, grew suddenly aware--a phenomenon which all have experienced--that such a profession had been made to him before, that he had stood thus on some other occasion and had heard the same words spoken. He knew what Jules Thessaly was about to say.

"The knowledge which is yours is innate knowledge beyond human power to acquire in one short span of life; it is the result of many lives devoted to study. For the task you are about to take up you have been preparing since the world was young. All is ordained, even your presence in this room to-night--and mine. Where last did we meet--where first? Perhaps in Rome, perhaps Atlantis; but assuredly we met and we meet again to fulfil a compact made in the dawn of time. I, too, am a student of the recondite, and it may be that some of the fragments of truth which I have collected will help you to force recognition of the light from a world plunged in darkness."

"In utter darkness," murmured Paul. And clearly before him--so clearly as almost to constitute hallucination---arose a vision of Flamby Duveen as she appeared in the secret photographs.

"You have definitely set your hand to the plough?"

"Definitely."

Jules Thessaly advanced, leaning forward across the table. He stared fixedly at Paul. "To-night," he said, "a new Star is born in the West and an hour will come when the eyes of all men must be raised to it."

PART SECOND

FLAMBY IN LONDON

I

On a raw winter's morning some six months later Don Courtier walked briskly out of St. Pancras station, valise in hand, and surveyed a misty yellow London with friendly eyes. A taxi-driver, hitherto plunged in unfathomable gloom, met this genial glance and recovered courage. He volunteered almost cheerfully to drive Don to any spot which he might desire to visit, an offer which Don accepted in an equally cordial spirit.

Depositing his valise at the Services Club in Stratford Place, his modest abode when on leave in London, Don directed the cabman to drive him to Paul Mario's house in Chelsea.

"Go a long way round," he said; "through Piccadilly Circus, Trafalgar Square and up the Mall. I want to see the sights of London Town."

Lying back in the cab he lighted a cigarette and resigned himself to those pleasant reflections which belong to the holiday mood. For the Capital of a threatened empire, London looked disappointingly ordinary, he thought. There seemed to be thousands of pretty women, exquisitely dressed, thronging the West End thoroughfares; but Don had learned from experience that this delusion was a symptom associated with leave. Long absence from feminine society blunts a man's critical faculties, and Robinson Crusoe must have thought all women beautiful.

There were not so many posters on the hoardings, which deprived the streets of a characteristic note of colour, but there were conspicuous encomiums of economy displayed at Oxford Circus which the shopping crowds along Oxford Street and Regent Street seemed nevertheless to have overlooked. A large majority of the male population appeared to be in khaki. The negligible minority not in khaki appeared to be in extremis or second childhood. Don had heard much of "slackers" but the spectacle afforded by the street of shops set him wondering where they were all hiding. With the exception of a number of octogenarians and cripples, the men in Regent Street wore uniform. They were all accompanied by lovely women; it was extraordinary, but Don knew that it would wear off. At Piccadilly Circus he found the usual congestion of traffic and more than the usual gala atmosphere for which this spot is peculiar.

People at Piccadilly Circus never appear to be there on business. They are either _au rendezvous_ or bound for a restaurant or going shopping or booking theatre seats; and although Don had every reason for believing that a war was in progress, Piccadilly Circus brazenly refused to care. The doors of the London Pavilion were opened hospitably and even at that early hour the tables in Scott's windows were occupied by lobster fanciers. A newsboy armed with copies of an evening paper (which oddly enough came out in the morning) was shouting at the top of his voice that there had been a naval engagement in the Channel, but he did not succeed in attracting anything like the same attention as that freely bestowed upon a well known actress who was standing outside the Criterion and not shouting at all. It was very restful after the worry at the front. In Derbyshire, too, people had talked about nothing but the war.

There were attractive posters upon the plinth of Nelson's Monument, and the Square seemed to be full of Colonial troops. The reputation of Trafalgar Square ranks next to that of the Strand in the British Colonies. A party of Grenadier Guards, led by a band and accompanied by policemen and small boys, marched along the Mall. A phrase of the march haunted Don all the way to Chelsea.

* * * * *

Yvonne Mario in white decollete blouse and simple blue skirt, made a very charming picture indeed. Her beauty was that of exquisite colouring and freshness; her hair seemed to have captured and retained the summer sunlight, and her eyes were of that violet hue which so rarely survives childhood. Patrician languor revealed itself in every movement of her slim figure. Don's smile betrayed his admiration.

"Do you know, Yvonne," he said, "I have been thinking coming along that there were thousands of pretty girls in London. I see now that I was wrong."

"You are making me blush!" said Yvonne, which was not true, for her graceful composure seldom deserted her. "I shall tell Paul that you have been paying me compliments."

"I wish you would. I don't believe he thinks I appreciate you as highly as I do."

"He does," replied Yvonne naively; "he regards you as a connoisseur of good looks!"

"Oh!" cried Don. "Oh! listen to her! Yvonne, you are growing vain."

"A woman without vanity is not appreciated."

"A woman without vanity is not human."

"If you are going to say cynical things I won't talk to you. You want a whisky-and-soda."

"I don't."

"You do. The first thing to offer a man on leave is whisky-and-soda."

"It is a ritual, then?"

"It is the law. Sit down there and resign yourself to it. Do you really mean to tell me that you did not know Paul was in France?"

"It must be a dreadful blow to your self-esteem, Yvonne, but I really came here expecting to see him. When does he return?"

Yvonne rose as a maid entered with a tray bearing decanter and syphon. "On Tuesday morning if the Channel is clear. Will you help yourself or shall I pour out until you say 'When'?"

"Please help me. You cannot imagine how delightful it is to be waited upon by a nice girl after grubbing over there."

"When do you have to go back, Don?"

"I have a clear week yet. When! How is Paul progressing with the book, Yvonne?"

"He has been collecting material for months, and of course his present visit to France is for material, too. I think he has practically completed the first part, but I have no idea what form it is finally to take."

"His article in the _Review_ made a stir."