Chapter II: Part 2

From a tiny cabinet at one end of the gallery a stair led down to my lady's garden where bushes masqueraded as birds, a sundial questioned the smiling moon and a gathering of young frogs leapt hastily from the stone fountain at sound of Paul's footsteps. Monkish herbs and sweet-smelling old-world flowers grew modestly in this domain once sacred to the chatelaine of Hatton; and Paul kept ghostly tryst with a white-shouldered lady whose hair was dressed high upon her head, and powdered withal, and to whose bewitching red lips the amorous glance was drawn by a patch cunningly placed beside a dimple. My lady's garden was a reliquary of soft whispers, and Paul by the magic of his genius reclaimed them all and was at once the lover and the mistress.

In the depths of the house he found a delightful dungeon. More modern occupiers of Hatton had used the dungeon as a wine-cellar and Sir Jacques had converted it to the purposes of a dark-room, for he had been a skilful and enthusiastic amateur of photography; but that it had at some period of its history served other ends, Paul's uncanny instinct told him. A sense of chill, not physical, indeed almost impersonal, attacked him as he entered, hurricane-lantern aloft. For the poet that informed his lightest action dictated that the ray of a lantern and not the glare of a modern electric appliance should illuminate that memory-haunted spot.

Gyves fastened up his limbs and dread of some cruel doom struck at his heart as he stooped to enter the place. Here again the powerful influence of Sir Jacques was imperceptible; the dungeon lay under the spell of a stronger and darker personality; and as he curiously examined its structure and form, to learn that it was older than the oldest part of the house above, he knew himself to be in a survival of some forgotten stronghold upon whose ashes a Tudor mansion had been reared. Searing irons glared before his eyes; in a dim, arched corner a brazier glowed dully; ropes creaked.

Returning to the library, he found himself again within the aura of his departed uncle. It was in this book-lined apartment that Sir Jacques had transacted the affairs of the ugly little church at Mid Hatton and the volumes burdening the leather-edged shelves were of a character meet for the eye of an elder. The smaller erotic collection in the locked bureau in the study presumably had companioned Sir Jacques' more leisured hours.

Paul sank into a deep, padded arm-chair. The library of Hatton Towers was in the south-east wing, and now because of the night's stillness dim booming of distant guns was audible. A mood of reflection claimed him, and from it he sank into sleep, to dream of the portrait of Sir Jacques which seemed to have become transparent, so that the camel-like head now appeared, as in those monstrous postcard caricatures which at one time flooded the Paris shops, to be composed of writhing nudities cunningly intertwined, of wanton arms, and floating locks and leering woman-faces.

VI

Through the sun-gay gardens, wet with dew, Paul made his way on the following morning. The songs of the birds delighted him and the homely voices of cattle in the meadows were musical because the skies were blue. A beetle crawled laboriously across the gravel path before him, and he stepped aside to avoid crushing it; a ladybird discovered on the brim of his hat had to be safely deposited on a rose bush, nor in performing this act of charity did he disturb the web of a small spider who resided hard by. Because the flame of life burnt high within him, he loved all life to-day.

The world grew blind in its old age, reverencing a man-hewn symbol, a fragment of wood, a sacerdotal ring, when the emblem of creation, of being, the very glory of God made manifest, hung resplendent in the heavens! Men scoffed at miracles, and the greatest miracle of all rose daily before their eyes; questioned the source of life, and every blade of grass pointed upward to it, every flower raised its face adoring it; doubted eternity whilst the eternal flames that ever were, are and ever shall be, burned above their heads! Those nameless priests of a vanished creed who made Stonehenge, drew nearer perhaps to the Divine mystery than modern dogma recognised.

So ran his thoughts, for on a sunny morning, although perhaps sub-consciously, every man becomes a fire-worshipper. Then came the dim booming--and a new train of reflection. Beneath the joyous heavens men moiled and sweated at the task of slaying. Doubting souls, great companies of them, even now were being loosed upon their mystic journey. Man slew man, beast slew beast, and insect devoured insect. The tiny red beetle that he had placed upon the rose bush existed only by the death of the aphides which were its prey; the spider, too, preyed. But man was the master slayer. It was jungle law--the law of the wilderness miscalled life; which really was not life but a striving after life.

Realising, anew, how wildly astray from simple truth the world had wandered, how ridiculous were the bickerings which passed for religious thought, how puerile, inadequate, the dogmas that men named creeds, he trembled spiritually before the magnitude of his task. He doubted his strength and the purity of his motives. "Any fool can smash a Ming pot, but no man living to-day can make one." Dear old Don had a way of saying quaint things that meant much. The world was very fair to look upon; but for some odd reason a mental picture of Damascus seen from the Lebanon Mountains arose before him. Perhaps that was how the world looked to the gods--until they sought to live in it.

* * * * *

Coming out into the narrow winding lane beyond the lodge gates, Paul saw ahead of him a shambling downcast figure, proceeding up the slope.

"Good morning, Fawkes," he called.

Fawkes stopped as suddenly as Lot's wife, but unlike Lot's wife without looking around, and stood in the road as rigid as she. Paul came up to his side, and the gamekeeper guiltily raised the peak of his cap and remained standing there silent and downcast.

"A glorious morning, Fawkes," said Paul, cheerily.

"Yes, sir," agreed Fawkes, his breath bated.

"I want to tell you," continued Paul, "whilst I remember, that Mrs. Duveen's daughter, Flamby, is to be allowed to come and go as she likes anywhere about the place. She does no harm, Fawkes; she is a student of wild life and should be encouraged."

Fawkes' face assumed an expression of complete bewilderment. "Yes, sir," he said, his reedy voice unsteady; "as you wish, sir. But I don't know about not doing no harm. She spoils all the shootin', alarms the birds and throws things at the beaters, she does; and this year she stopped the hounds, she did."

"Stopped the hounds, Fawkes?"

"Yes, sir. The fox he ran to cover down Babylon Lane, and right into Dovelands Cottage. The hounds come through the hedge hard after him, they did, and all the pack jumped the gate and streamed into the garden. Colonel Wycherley and Lady James and old John Darbey, the huntsman, they was close on the pack, and they all three took the gate above Coates' Farm and come up in a bunch, you might say."

Fawkes paused, glanced guiltily at Paul's face, and, reassured, lowered his head again and raced through the remainder of his story breathlessly.

"Flamby, she was peelin' potatoes in the porch, and she jumps up and runs down to the gate all on fire. The hounds was bayin' all round her as fierce as tigers, and she took no more notice of 'em than if they'd been flies. She see old John first, and she calls to him to get the pack out of the garden, in a way it isn't for me to say...."

"On the contrary, Fawkes, I take an interest in Flamby Duveen, and I wish to hear exactly what she said."

"Well, sir, if you please, sir, she hollers: 'Call your blasted dogs out of my garden, John Darbey!'

"'The fox is a-hiding somewhere here,' says John.

"'To hell with the fox and you, too!' shouts Flamby, and pickin' up a big stick that's lyin' on the ground, she slips into them dogs like a mad thing. I'm told everybody was sure they'd attack her; but would you believe it, sir, she chased 'em out like a flock of sheep. She don't hit like a girl, Flamby don't; she means it."

"She loves animals, Fawkes, and knows them; therefore she has great influence over them. I don't suppose one of them was hurt."

"Anyway, sir, she got 'em all out in the lane and stood lookin' over the gate. John Darbey he was speechless in his saddle, like, but Lady James she told Flamby what she thought about her."

Fawkes paused for breath and darted a second furtive glance at Paul.

"Proceed, Fawkes," directed the latter. "What was the end of the episode?"

"Well, sir, Flamby answered her back, but it's not for me to repeat what she said...."

"Since the story is evidently known to the whole countryside, you need have no scruples about the matter, Fawkes. What did Lady James say to Flamby?"

"She says, 'You're a low, vulgar creature!' And Flamby says, 'Perhaps I am,' she says, 'but I ain't afraid to tell anybody where I spend my week-ends!'"

"Ah," interrupted Paul, hurriedly, "you should not have repeated that, Fawkes; but I am to blame. See to it that you are more discreet in future."

"Yes, sir," said Fawkes, all downcast immediately. "Shall I tell you what happened to the fox, sir?"

"Yes, you might tell me what happened to the fox."

"Flamby had him locked in the tool-shed, sir!"

He uttered the words as a final, crushing indictment, and ventured a swift look at Paul in order to note its effect. Paul's face was expressionless, however, as a result of the effort to retain his composure.

"An awful character, Fawkes!" he said. "Good morning."

"Good morning, sir," said Fawkes, raising the peak of his cap with that queer air of relief.

* * * * *

Paul set off along the lane, now smiling unrestrainedly, came to the stile where the footpath through the big apple orchard began, crossed it and stood for a moment watching a litter of tiny and alarmed pigs scampering wildly after their mother. One lost his way and went racing along distant aisles of apple trees in quest of a roundabout route of his own. Paul, who symbolised everything, found food for reflection in the incident.

He lingered in the fragrant orchard looking at a flock of sheep who grazed there, and admiring the frolics of the lambs. In the beauty of nature he always found cause for sorrow, because every living thing is born to pain. Animals knew this law instinctively and received it as a condition of their being, but men shut their eyes to so harsh a truth, and cried out upon heaven when it came home to them. He thought of Yvonne and his happiness frightened him. Gautama Buddha had left a lovely bride, to question the solitude and the sorrows of humanity respecting truth; he, Paul Mario, dared to believe that the light had come without the sacrifice. This mood bore him company to Babylon Lane, but the sight of the white gate of Dovelands Cottage terminated a train of thought. Here it was that the story related by Fawkes had had its setting.

No one responded to the ringing of the cattle-bell, and the door of the cottage was closed. In the absence of a knocker Paul rapped with his stick, and having satisfied himself that Mrs. Duveen and her daughter were not at home turned away disappointed. He had counted upon an intimate chat with Flamby, which should enable him to form some personal impression of her true character.

He returned slowly along Babylon Lane, and passing the path through the orchard, he chose that which would lead him through the fringe of the wood wherein he and Don had first seen Flamby. Evidently the wood was a favourite haunt of the girl's, for as he crossed the adjoining meadow he saw her in front of him, lying flat upon a carpet of wild flowers, now shadowed by the trees, her chin resting in one palm and her elbow upon the ground. In her right hand she held a brush, which now and again she applied with apparent carelessness to a drawing lying on the grass before her, but without perceptibly changing her pose.

The morning was steamy and still, giving promise of another tropically hot day, but Paul approached so quietly that he came within a few yards of Flamby without disturbing her. There he stopped, watching and admiring. She was making a water-colour drawing of a tiny lamb which lay quite contentedly within reach of her hand, sometimes looking up into her face confidently and sometimes glancing at the woolly mother who grazed near the fringe of the trees. Flamby was so absorbed in her work that she noted nothing of Paul's approach, but the mother sheep looked up, startled, and the lamb made a sudden move in her direction.

"Be good, Woolly," said Flamby, and her voice had that rare vibrant note which belongs to the Celtic tongue; "I have nearly finished now."

But the lamb's courage had failed, and not even the siren voice could restore it. With the uncertain steps of extreme youth it sought its mother's side, and the two moved away towards the flock which grazed in a distant corner of the meadow.

"I fear I have disturbed you."

The effect of Paul's words was singular. Flamby dropped her brush and seemed to shrink as from a threatened blow, drawing up her shoulders and slowly turning her head to see who had spoken. As her face came into view, Paul saw that it was blanched with fear.

"Please forgive me," he said with concern; "but I did not mean to frighten you."

"Oh," moaned Flamby, "but you did. I thought----" She rose to her knees and then to her feet, the quick colour returning in a hot blush.

"What did you think?" asked Paul gently.

"I thought you were Sir Jacques."

She uttered the words impulsively and seemed to regret them as soon as spoken, standing before Paul with shyly lowered eyes. The attitude surprised him. From what he had seen and heard of Flamby he had not anticipated diffidence, and he regarded her silently for a moment, smiling in his charming way. She had evidently made some attempt this morning to arrange her rebellious hair, for it had been parted and brushed over to one side so that the rippling waves gleamed like minted copper where the sun kissed them. Flamby had remarkable hair, nut-brown in its shadows, and in the light glowing redly like embers or a newly extinguished torch.

Her face was a perfect oval, and she had the most beautifully chiselled straight little nose imaginable. Her face and as much of her neck as was exposed by a white jumper were tanned to gipsy hue; so that when, shyly raising her eyes, she responded to Paul's smile, the whiteness of her teeth was extraordinary. A harsh critic might have said that her mouth was too large; but no man of flesh and blood would have quarrelled with such lips as Flamby's. She was below medium height, but shaped like a sylph and had the airy grace of one. As Paul stood regarding her he found wonder to be growing in his mind, for such wild roses as Flamby are rare enough in the countryside, as every artist knows.

"Why," he asked, "should you be so afraid of Sir Jacques?"

"He's dead!" replied Flamby, an elfin light of mischief kindling in her eyes; yet she was by no means at her ease.

"And what made you mistake me for him?"

"Your voice."

"Ah," said Paul, to whom others had remarked on this resemblance; "but you had no cause to fear him?--alive, I mean."

"No," replied Flamby, stooping to pick up her sketching materials.

Her monosyllabic reply was not satisfactory; but recognising that if she did not wish to talk about the late Sir Jacques he must merely defeat his own purpose by endeavouring to make her do so, he abandoned the topic.

"My name is Paul Mario," he said, "and I came to see you this morning."

Flamby stood up, paint-box, brushes and sketch in hand. "To see _me_?"

"Yes! why not?"

Flamby confronted him, her natural self-confidence restored, and studied him with grave grey eyes. "What did you want to see me about?" she asked; and in the tone of the question there was a restrained anxiety which Paul could not understand. Also there was a faint and fascinating suggestion of brogue in her accent.

"About yourself, of course," he replied, and wondered more and more because of the knowledge--borne to him by that acute, almost feminine, intuition which was his--that the girl was fencing with him, and because of her strangeness and her beauty as she stood before him, hair flaming in the sunlight, and her eyes watching him observantly.

Now, her expression changed, and her pupils growing momentarily larger, he knew that her thoughts were in the past--and that they had brought relief from some secret anxiety which had been with her.

"Of course!" she said, and laughed with a sudden joyousness that was in harmony with the morning; "you came yesterday with Captain Courtier. I understand, now."

Swiftly as her laughter had come, it vanished, and her eyes grew dim with tears. Such tempestuous emotions must have nonplussed the average man, but to Paul Mario her moods read clearly as a printed page, so that almost as the image arose in Flamby's mind, it arose also in his; and he saw before him one who wore the uniform of a sergeant of Irish Guards. Hotly pursuing the tears came brave smiles. Flamby shook her curls back from her brow, gave Paul a glance which was half apologetic and wholly appealing, then laughed again and swept him a mocking curtsey.

"I am your honour's servant," she said; "what would you with me?"

The elfin light danced in her eyes again, and in this country damsel who used the language of an obsolete vassalage he saw one who mocked at his manorial rights and cared naught for king or commoner. Beyond doubt, Sergeant Duveen had been a strange man, and strangely had he trained his daughter.

"May I see your drawing?"

Flamby hesitated. "Are you really interested?" she said wistfully, "or are you just trying to be kind?"

Paul was tempted to laugh outright, but his delicate sensibilities told him that laughter would give offence. "I am really interested," he assured her earnestly, "Captain Courtier is of opinion that you have a remarkable gift for portraying wild life."

He selected his words deliberately with the design of reassuring her respecting the sincerity of his interest. He was aware of a vague fear that some ill-chosen remark would send Flamby flying from him, the coy wood-nymph to whom Don had likened her, and that she would disappear as she had done from Bluebell Hollow. But still she hesitated.

"You look as though you mean it," she conceded, furtively glancing down at the sketching-board in her hand. "But it's a rotter."

"I'm afraid I am to blame. I spoiled it."

"No you didn't. It was a mess before you came." She glanced at him doubtfully, keeping the drawing turned away. "You see," she continued, "the shadowy part of a lamb on a sunny morning is quite blue--_quite_ blue. Did you know that?"

"Well," replied Paul, musingly, shielding his eyes and looking toward the distant flock, "now that you have drawn my attention to the fact I perceive it to be so--yes."

"But when you haven't got many colours," explained Flamby, "it's not so easy to paint. I've made my lamb too blue for anything!" She displayed the drawing, her eyes dancing with laughter. "No man ever saw a blue lamb," she said--"while he was sober!"

The words shed a sidelight upon the domestic habits of the late Sergeant Duveen, as Paul did not fail to note; and in the masculinity of Flamby's jesting he glimpsed something of the closeness of the intimacy which had existed between father and daughter. But, taking the drawing from her hands, he was astonished at the skill which it displayed and which surpassed that of any work he had seen outside the best exhibitions. It possessed none of the graceful insipidity of the water colours which young ladies are taught to produce at all good boarding-schools and convents, but was characterised by the same vigour which informed Flamby's conversation. Furthermore, it represented a living animal, soft of fleece and inviting a caress and was drawn with almost insolent ease. Paul looked into the girl's watching eyes.

"You are an artist, Flamby," he said; "and like all artists you are unduly critical of your work."

A rich colour glowed through the tan upon Flamby's cheeks and she was aware of a delicious little nervous thrill. Paul Mario's fascinating voice had laid its thrall upon her and his eyes were far more beautiful even than she had supposed, when, confronting Fawkes in Bluebell Hollow, she had suddenly looked up to find Paul watching her. That easy self-possession which she had learned from her father and which deserted her rarely enough, threatened to desert her now; also, a poisonous doubt touched her joy. With its coming came a return of confidence and Flamby laid her hand confidingly upon Paul's arm.

"You really do mean what you say, don't you?" she asked wistfully.

"My dear little girl, why are you so doubtful of my honesty?"

Flamby lowered her fiery head. "Except father," she said, "I never knew anybody who really thought I could paint. Some pretended to think so; and Miss Kingsbury at High Fielding, who ought to know, laughed at me--after she had asked me to go and see her--and told me to 'try and find a nice domestic situation.'"

The mimicry in the concluding words was delightfully funny, but Paul nodded sympathetically. A mental picture of Miss Kingsbury arose before him, and it was in vain that he sought to consider her and her kind without rancour. Beauty is a dangerous gift for any girl, making countless enemies amongst her own sex and often debarring her from harmless pleasures open to her plainer sisters. But the Miss Kingsburys of the smaller county towns are an especial menace to such as Flamby, although charity rarely assumes the dimensions of a vice among any of the natives of England's southern shires.

"And your father had intended that you should become a painter?"

Unconsciously, he found himself speaking of the late Michael Duveen as of one belonging to his own station in life, nor did the wild appearance and sometimes uncouth language of Flamby serve wholly to disguise the blue streak in her blood.

"When he was sober," she replied, and suddenly bursting into gay laughter she snatched the drawing and turned away, waving her hand to Paul. "Goodbye, Mr. Mario," she cried. "I like you heaps better than your uncle!"

Her impudence was delicious, and Paul detained her. "You must not run away like that," he said. "Captain Courtier made me promise that I would arrange for you to pursue your art studies----"

Flamby shook her head. "How can I do that?" she asked, in a gust of scorn. Then, as suddenly, her gaze grew wrapt and her face flushed. "But how I would love to!" she whispered.

"You shall. It is all arranged," declared Paul earnestly. "The--special pension which your mother will receive and which Captain Courtier is arranging will be sufficient to cover all costs."

Flamby looked up at him, her eyes aglow with excitement. "Oh, Mr. Mario," she said, "please don't think me ungrateful and a little beast; but--is it true?"

"Why should I mislead you in the matter, Flamby?"

"I don't know; but--if you knew how I've longed and longed to be able to go to London, among people who understand; to get away from these men and women who are really half vegetables!"

Paul laughed gaily. "But you love the country?"

"I could not live long away from it. But the people! And I love the birds and the animals, and--oh!"--her voice rose excitedly--"don't kill it!"

A wasp was humming dangerously about Paul's head, and although his love of all things that had life was as strong as Flamby's, the self-protective instinct had led him to endeavour to knock the wasp away. Now, Flamby extending one motionless hand, the gaudily-striped insect alighted upon her finger and began busily to march from thence to the rosy tip of the next, and so on until it reached Flamby's little curved thumb. Holding the thumb upright, so that the wasp stood upon a miniature tower, she pursed her lips entrancingly and blew the insect upon its way as gently as if borne upon a summer zephyr.

"They only sting if you hurt them," she explained; "and so would you!"

"But," said Paul, who had watched the incident wonderingly, "if all insects were permitted to live unmolested, and all animals for that matter, the world would become uninhabitable for man."

"I know," replied Flamby pensively--"and I cannot understand why nature is so cruel."

Paul studied the piquant, sun-kissed face with a new interest. "Flamby," he said earnestly, "one day you will be a great artist."

She looked into his eyes, but only for a moment, turned and fled. There were a hundred things he had wanted to say to her, a hundred questions he had wanted to ask. But off she ran along the margin of the wood, and where a giant elm stood, a forest outpost at a salient, paused and waved her hand to him.

VII

For all the exquisite sympathy of his nature and intuitive understanding of others, there was a certain trait in the character of Paul Mario not infrequently found in men of genius. From vanity he was delightfully free, nor had adulation spoiled him; but his interest in the world was strangely abstract, and his outlook almost cosmic. He dreamed of building a ladder of stars for all earth-bound humanity, and thought not in units, but in multitudes. Picturesque distress excited his emotions keenly, and sometimes formed ineffaceable memories, but memories oddly impersonal, little more than appreciations of sorrow as a factor in that mystic equation to the solving of which he had bent all his intellect.

On the other hand he was fired by a passionate desire to aid; nor when occasion had arisen had he hesitated to sacrifice self for another's good. But such altruism was born of impulse and never considered. The spectacle of the universe absorbed him, and listening for the Pythagorean music of the spheres he sometimes became deaf to the voices of those puny lives about him. His attention being called to them, however, his solicitude was sweet and sincere, but once removed from his purview they were also dismissed from his mind; and because of his irresistible charm there were some who wept to be so soon forgotten. His intellect was patrician--almost deiform in the old Roman sense. Probably all great masters have been similarly endowed, for if in order that one shall successfully conduct a military campaign he must think in armies and not in squads, so, if another would aspire to guide Thought, presumably must he think in continents. It does not follow that he shall lack genius for love and friendship, but merely that he cannot distract his mind in seeking out individual sorrows. The physician tends the hurts of the body, the priest ministers to the ills of the spirit; Paul Mario yearned to heal the wounds of a stricken world.

But Flamby interested him keenly, and therefore he draped her in a mantle of poesy, obscuring those shades displeasing to his sensibilities; as, an occasional coarseness due to association with her father; and enhancing her charms and accomplishments. Her beauty and spirit delighted the aesthete, and her mystery enthralled the poet. She had feared Sir Jacques. Why? Paul toyed with the question in his own fashion and made of Hatton Towers a feudal keep and of his deceased uncle a baron of unsavoury repute. The maid Flamby, so called because men had likened the glory of her hair to a waving flambeau, he caused to reside in a tiny cottage beneath the very shadow of Sir Jacques' frowning fortress; and the men-at-arms looking down from battlement and bartizan marvelled when the morning wove a halo around the head of the witch's daughter. (In the poem-picture which grew thus in his mind as he swung along towards Hatton, Mrs. Duveen had become even more shrivelled than nature had made her; her eyes had grown brighter and her earrings longer).

Word of the maid's marvellous comeliness reaching Sir Jacques, he won entrance to the cottage crouching against his outer walls, disguised as a woodman; for the mighty weald had reclaimed its own in the period visited by Paul's unfettered spirit and foresters roamed the greenwood. He wooed maid Flamby, employing many an evil wile, but she was obdurate and repulsed him shrewdly. Whereupon he caused Dame Duveen to be seized as a weaver of spells and one who had danced before Asmodeus at the Witches' Sabbath to music of the magic pipe. To serve his end Sir Jacques invoked inhuman papal witch-law; the stake was set, each faggot laid. But by stratagem of a humble cowherd who loved her with a fidelity staunch unto death, Flamby secured the Dame's escape and the two fled together covertly, through the forest and by night....

VIII

A few paces beyond the giant elm, Flamby paused, breathless, looking down at the drawing which she held in her hand. Then turning, she retraced her steps until she could peep around the great trunk of the tree. Thus peeping she stood and watched Paul Mario until, coming to the stile at the end of the meadow, he climbed over and was hidden by the high hedgerow.

Flamby looked at the sketch again, seized it as if to tear the board across; then changed her mind, studied the drawing attentively, smiled, and looked straight before her, but not at anything really visible. She was dreaming, as many another had dreamed who had heard Paul Mario's voice and looked into Paul Mario's eyes. From these maiden dreams, which may not be set down because they are formless, like all spiritual things, her mind drifted into a channel of reflection.

The memory of Paul's voice came back again and thrilled her as though he had but just spoken. She grew angry because she had imagined his voice to resemble that of Sir Jacques. Poor little Flamby, the very name of Sir Jacques was sufficient to make her shudder, to cast black shadows upon the sunny fields of her dream-world. She dared not believe that Paul's interest was sincere and disinterested--yet her heart believed it.

Almost the earliest recollection of her young womanhood was of a man's interest in her welfare; that was at the big racing stables in Yorkshire where her father had trained for Lord Loamhurst. Flamby was thirteen, then, and already her beauty, later to develop into that elfin loveliness which had excited the wonder of Don, was unusual. The man in question was his lordship's nephew, and his interest had grown so marked that Michael Duveen had spoken to him, had received an insolent reply and had struck down the noble youth with one blow of his formidable fist. The episode had terminated Duveen's career as a trainer.

Thereafter had begun the nomadic life, with its recurrent phases of brawls, drunken debauches by her father, occasional brief intervals of prosperity and longer ones of abject poverty. Lower Charleswood had seemed as an oasis in the wilderness and the employment offered by Sir Jacques too bountiful to be real. Nevertheless, it was real enough, and all went well for a season. Michael Duveen gave the bottle a go-by, and the first real home that Flamby had known established its altars in Dovelands Cottage. The understanding between father and daughter was complete and was rendered more perfect by the necessity for companionship experienced by both. Poor Mrs. Duveen possessed the personality of a chameleon, readily toning with any background; but intellectually she was never present. Why Michael Duveen had selected such a mate was a mystery which Flamby, who loved her mother the more dearly for her helplessness, could never solve. It was a mystery to which Duveen, in his darker moods, devoted himself cruelly, and many were the nights that Flamby had sobbed herself to sleep, striving to deafen her ears to the hateful insults and merciless taunts which Duveen would hurl at his wife.

Following such an outburst, Michael Duveen would exhibit penitence which was almost as shocking as his brutality--but it was always to Flamby that he came for forgiveness, bringing some love-gift which he would proffer shamefacedly, tears trembling in his eyes.

"Ask your mother to come into town with me, Flamby asthore; I've seen a fine coat at Dale's that'll make her heart glad."

It was invariably the same, and never was the olive branch rejected for a moment by his long-suffering wife. Hers was the dog-like fidelity which men of Duveen's pattern have the gift of inspiring in women, and had he been haled to the felon's dock she would gladly and proudly have stood beside her man. So the years stole by, and Flamby crept nearer to womanhood and closer to her father's heart. The drinking-bouts grew less frequent and only once again did Duveen offer violence to his wife. It was on the occasion of a house-party at Hatton Towers, and a racy young French commercial man who was one of Sir Jacques' guests fell to the lure of Flamby's ever increasing charms.

Flamby, who now was wise with a wisdom possessed by few women, and who could confound a gallant with the wit of Propertius, or damn his eyes like any trooper, amused herself with the overdressed youth, and ate many expensive chocolates. Mistaking the situation, and used to the complaisance of the French peasant, M. le Petit-Maitre presented himself at Dovelands Cottage and made certain overtures of a financial nature to Mrs. Duveen. Between his imperfect English, his delicate mode of expressing the indelicate, and his great charm, poor Mrs. Duveen found confusion, brewed tea and reported the conversation to her husband.

Michael Duveen grew black with wrath, and, taking up a heavy dish from the table, he hurled it at the poor, foolish woman. As he did so the door opened and Flamby came in. The dish, crashing against the edge of the door, was shattered and a fragment struck Flamby's bare arm, inflicting a deep wound.

Like a cloak discarded, Duveen's wrath fell from him at sight of the blood on that soft round arm. He was a man suddenly sick with remorse; and, to the last, the faint scar which the wound left was as a crucifix before which he abased himself. He did not even thrash the Frenchman, but was content with sending to that astonished gallant an acknowledgment of his offer couched in such pure and scathing French prose that it stung more surely than any lash.

Duveen's was a strange nature, and to Flamby, as her powers of observation grew keener, he presented a study at once fascinating and mournful. He had deeper scholarship than many a man who holds a university chair; he knew the classics as lesser men know their party politics; and the woodlands, fields and brooks, with their countless inhabitants, held no mysteries for him. Yet he was content to be as Flamby had always known him--a manual labourer. The larder of Dovelands Cottage was well stocked, winter and summer alike, and Mrs. Duveen, who accepted what the gods offered unquestioningly, never troubled to inquire how folks so poor as they could procure game and fish at all proper seasons. Fawkes could have enlightened her; but there was no man in Lower Charleswood, or for that matter in the county, of a hardihood to cross Michael Duveen. Furthermore, Sir Jacques, who was a Justice of the Peace, would hear no ill of him. Finally, one bitter winter's morning in the first year of the war, Flamby learned why.

Sir Jacques, for the first time since the Duveens had resided there, crossed the threshold of Dovelands Cottage, bringing a letter which he had received from Duveen, then newly arrived in Flanders. That memorable visit was the first of many; and the diabolical patience with which Sir Jacques for over two years had awaited his opportunity was further exemplified in his conduct of the affair now that he was truly entered upon it.

At his first word of greeting, Flamby read his secret and her soul rose up in arms; by the time that he took his departure she doubted her woman's intuition--and wondered. Such was the magic of the silver voice, the Christian humility expressed in the bearing of that black figure. And when he had come again, and yet again, the first, true image began to fade more and more, and she listened with less and less misgiving to the words of encouragement which he bestowed upon her drawings. Her father, although himself no draughtsman, understood art as he understood all that was beautiful, and had taught her the laws of perspective and the tricks of the pencil as he had taught her the ways of the woodland and of the creatures who dwelt there. On her sixteenth birthday he had presented Flamby with a complete water-colour outfit, together with a number of text books; and many a golden morning had they spent together in solving the problem of why, although all shadows look black, some are really purple and others blue, together with kindred mysteries of the painter's craft.

Now came Sir Jacques, a trained critic and collector, with helpful suggestion and inspiring praise. He made no mistakes; his suggestions held no covert significance, his praise was never extravagant. Miss Kingsbury, of High Fielding, the local Lady Butler, hearing of Sir Jacques' protegee, as she heard of everything else in the county, sent a message of honeyed sweetness to Flamby, desiring her to call and bring some of her work. Flamby had never forgotten the visit. The honey of Miss Kingsbury was honey of Trebizond, and it poisoned poor Flamby's happiness for many a day. Strange is the paradox of a woman's heart; for Flamby, well knowing that this spinster's venom was a product of jealousy--jealousy of talent, super-jealousy of youth and beauty--yet took hurt from it and hugged the sting of cruel criticism to her breast. In this, for all her engrafted wisdom, she showed herself a true limb of Eve.

It was Sir Jacques who restored her confidence, and Sir Jacques who seized the opportunity to invite her to study the works in his collection. The original image of the master of Hatton Towers (which had possessed pointed ears and the hoofs of a goat) was faded by this time, and was supplanted by that of a courtly and benevolent patron. Flamby went to Hatton Towers, and meeting with nothing but kindness at the hands of Sir Jacques, went again many times. With the art of a Duc de Richelieu, Sir Jacques directed her studies, familiarising her mind with that "broad" outlook which is essential to the artist. It was done so cleverly that even Flamby the wise failed to recognise whither the rose-strewn path was tending, and might have pursued it to the end but that Fate--or Pan, god of the greenwood, jealous of trespass--intervened and unmasked the presumptuous Silenus.

Like one of those nymphs to whom Don had detected her resemblance, Flamby, throughout the genial months, often betook herself at early morning to a certain woodland stream far from all beaten tracks and inaccessible from the highroads. Narcissi carpeted the sloping banks above a pool like a crystal mirror, into which the tiny rivulet purled through forest ways sacred to the wild things and rarely profaned by foot of man. In their shy, brief hour, violets lent their sweetness to the spot, and at dusk came quiet creatures afoot and awing timidly to slake their thirst at the magic fountain. A verdant awning, fanlike, swayed above, and perhaps in some forgotten day an altar had stood in the shady groves which protected all approaches to this pool whereby Keats might have dreamed his wonder dreams.

One morning as she stepped out like Psyche from her bath, and stood for a moment where an ardent sunbeam entering slyly through the bower above wrapped her in golden embrace, upon that sylvan mystery intruded a sound which blanched the roses on Flamby's cheeks and seemed to turn her body to marble. It was a very slight sound, no more than a metallic click; but like the glance of Gyges it stilled her heart's beating. She had never known such helpless fear; for, without daring, or having power, to turn her head, she divined who hid beside the pool and the purpose of his coming.

In great leaps her heart resumed its throbbing, and Flamby, trembling and breathless, sprang into the undergrowth upon that side of the pool farthest from the high bank which masked the intruder and there crouched pitifully, watching. Another than she might have failed to discern him, so craftily did he crawl away; but Flamby, daughter of the woods, saw the wriggling figure, and knew it; moreover she knew, by the familiarity with the pathway which he displayed, that this was not the first time Sir Jacques had visited the spot.

She returned to the cottage, her courage restored and a cold anger in her breast, to find her mother alternately laughing and sobbing--because Michael Duveen would be home that day on leave. Whatever plan Flamby had cherished she now resigned, recognising that only by silence could she avert a tragedy. But from that morning the invisible guardians of the pool lamented a nymph who came no more, and the old joy of the woods was gone for Flamby. At one moment she felt that she could never again suffer the presence of Sir Jacques, at another that if she must remain in Lower Charleswood and not die of shame she must pretend that she did not suspect him to have been the intruder. The subterfuge, ostrich-like, woman-like, finally was adopted; and meeting Sir Jacques in Babylon Lane she managed to greet him civilly, employing her mother's poor state of health as an excuse for discontinuing her visits to Hatton Towers. But if Flamby's passionate spirit had had its way Sir Jacques that day must have met the fate of Candaules at the hands of this modern Nyssia.

* * * * *

Standing there beneath the giant elm, Flamby lived again through the sunshine and the shadows of the past, her thoughts dwelling bitterly upon the memory of Sir Jacques and of his tireless persecution, which, from the time that she ceased her visits to Hatton Towers, became more overt and pursued her almost to the day of Sir Jacques' death. Finally, and inevitably, she thought again of Paul Mario, and still thinking of him returned to Dovelands Cottage.

Mrs. Duveen had gone into the town, an expedition which would detain her for the greater part of the day, since she walked slowly, and the road was hilly. Therefore Flamby proceeded to set the house in order. A little red-breasted robin hopped in at the porch, peeped around the sitting-room and up at the gleaming helmet above the mantelpiece, then finding the apartment empty hopped on into the kitchen to watch Flamby at work. Sunlight gladdened the garden and the orchard where blackbirds were pecking the cherries; a skylark rose from the meadow opposite the cottage, singing rapturously of love and youth--so that presently, the while she worked, Flamby began to sing, too.

IX

It was late on the following afternoon when the solicitors left Hatton Towers, and Paul, who detested business of every description, heaved a great sigh of relief as he watched the dust resettle in the fir avenue behind the car which was to bear the two legal gentlemen to the station. The adviser of the late Sir Jacques had urged him to keep up Hatton Towers, "in the interests of the county," even if he lived there only occasionally, and his own solicitor seemed to agree with his colleague that it would be a pity to sell so fine a property. A yearning for solitude and meditation was strong upon Paul, and taking a stout ash stick he went out on to the terrace at the rear of the house, crossed the lawns and made his way down to the winding path which always, now, he associated with Don.

An hour's walk brought him to the brink of the hilly crescent which holds the heathland of the county as a giant claw grasping a platter. Below him lay mile upon mile of England, the emerald meadows sharply outlined by their hedges, cornfields pale patches of gold, roofs of farms deep specks of grateful red, and the roads blending the whole into an intricate pattern like that of some vast Persian carpet. Upon its lighter tones the heat created a mirage of running water.

Human activity was represented by faint wisps of smoke, and by specks which one might only determine to be men by dint of close scrutiny, until a train crept out from the tunnel away to the left and crossed the prospect like a hurried caterpillar, leaving little balls of woolly vapour to float away idly upon the tideless air. A tang of the heather rose even to that height, and mingled its scent with the perfume of the many wildflowers cloaking the hillside. The humming of bees and odd chirping of grasshoppers spoke the language of summer, and remotely below childish voices and laughter joined in the gladness.

Paul began to descend the slope. In the joyous beauty of English summer there was something at variance with his theme, and he found himself farther than ever from the task which he had taken up. Almost he was tempted to revise his estimate of the worth of things worldly and of the value of traditional beliefs. His imagination lingered delightedly over a tiny hamlet nestling about a Norman church as the brood about the mother. He pictured the knight of the Cross kneeling before the hidden altar and laying his sword and his life at the feet of the Man of Sorrows. He saw, as it is granted to poets to see, the plumed Cavalier leading his lady to that same altar and saw the priest bless them in the holy name. Almost he could read the inscriptions upon the tombs which told of generations of country gentlemen who had worshipped at the simple shrine, unquestioning, undoubting. The Roundheads dour, with their pitiless creed, had failed to destroy its fragrant sanctity, which lingered in those foot-worn aisles like the memory of incense, the echo of a monkish prayer. Was it all a great delusion?--or were our fathers wise in their simplicity? In the past men had died for every faith; to-day it would be hard to find men having any faith to die for.

A shadow crept over his mind, and although in his preoccupation he failed to observe the fact, it corresponded with the coming of an ominous cloud over the hill crest above and behind him; for we are but human lutes upon which nature plays at will, now softly and gently, now sounding chords of gladness, now touching to deep melancholy and the grandeur of despair. The promise of those days of tropical heat was about to be fulfilled, and already, three miles behind, black banks lowered over the countryside turning its smile to a frown.

But even the remote booming of thunder failed to awaken Paul to the reality of the brewing tempest; it reached him in his daydream, but as a message not of the wrath of heaven but of the wrath of man. He mistook it for the ceaseless voice of the guns and weaved it into his brooding as Wagner wove the Valkyrie theme into the score of the _Nibeluengen_. A faint breeze whispered through the tree-tops.

Paul came to the foot of the slope; and below him ran a continuous gully roofed over by stunted trees and conforming to the hillside as a brim conforms to a hat. Entrance might be made through any one of several gaps, and Paul, scrambling down, found himself in a dark tunnel, its brown, leafy floor patched at irregular intervals by grey light reflected from the creeping thunder cloud. Right and left it went, this silent gallery, and although he was unaware of the fact, it joined other like galleries which encircled the slopes and met and intercrossed so that one might wander for hours along these mystic aisles of the hills. Below again, beyond a sloping woody thicket, lay the meadows and farmlands sweeping smoothly onward to the heath. Now, the shadow of the storm had draped hillside and valley and was touching the bloom of the heather with the edge of its sable robe. Bird voices were still and all life was hushed before the coming of the tempest. The ghostly trees bending low above the aisles whispered fearfully one to another, and about Paul was a darkness like that of a crypt. The earth and her children shrank as from an impending blow.

Several large raindrops, heralds of the torrent to come, fell through an opening above and pattered upon the dusty carpet at Paul's feet. He glanced upward at the darkening pall which seemed to rest upon the hill top. Its oppressive blackness suggested weight, so that one trembled for the stability of the chalky scarp which must uphold that ebon canopy. Paul moved further along the aisle to a spot where the foliage was unbroken, as rain began a rapid tattoo upon the leafy roof. In the following instant the hillside was illuminated wildly as lightning wrote its message in angular characters across the curtain of darkness. Life cowered affrighted to the bosom of mother earth. The raindrops ceased, awaiting the crashing word of the thunder. It came, deafening, awesome; buffeting this bluff and that rebounding, rebounding again and muttering down the valleys and the aisles of the hills. Then burst the rain, torrential, tropical.

In the emotional vision of Paul, horror rode the tempest. Man, discarding the emblem of the Cross and prostrating himself at the feet of strange idols, now was chained to a planet deserted by God, doomed and left to the mercy of monstrous earth spirits revitalised by homage and made potent again. To this gruesome fancy he resigned himself with the spiritual abandonment whereof he was capable and his capacity for which had made his work what it was: he grovelled before a nameless power which dwelt in primeval caverns of the underworld and spoke with the voice of the storm. Fear touched him, because the Divine face was turned from man. Awe wrapped him about, because the Word had failed to redeem, and a new message must be given. The Prince of Darkness became a real figure--and seemed to be very near him. As if the lightning had been a holy fire, with it enlightenment burst upon his mind, and he saw himself no longer unwanted, flotsam, a thing supine, but a buckler--a shield--one chosen and elected to a mighty task. The words of Don had first raised the curtain; now it was rent as the Temple veil and his eyes were dazzled. The Gate of Tophet had opened and Something had crept out upon the world; it was for him to cast It back into the Pit!

He seemed to grow physically cold. Again the lightning blazed; and Paul, starting as one rudely awakened from sleep, saw that a man was standing close beside him.

X