Chapter VIII: Literary Index 494 (9)

Taking proper account of the defect in the explanation of dreams by somatic stimuli which has just been shown, other authors—Scherner,[58] who was joined by the philosopher Volkelt[72]—have tried to determine more exactly the psychic activities which cause the variegated dream images to arise from the somatic stimuli, and have thus transferred the essential nature of dreams back to the province of the mind, and to that of psychic activity. Scherner not only gave a poetically appreciative, glowing and vivid description of the psychic peculiarities which develop in the course of dream formation; he also thought he had guessed the principle according to which the mind proceeds with the stimuli that are at its disposal. The dream activity, according to Scherner—after phantasy has been freed from the shackles imposed upon it during the day, and has been given free rein—strives to represent symbolically the nature of the organ from which the stimulus proceeds. Thus we have a kind of dream-book as a guide for the interpretation of dreams, by means of which bodily sensations, the conditions of the organs and of the stimuli may be inferred from dream images. “Thus the image of a cat expresses an angry discontented mood, the image of a light-coloured bit of smooth pastry the nudity of the body. The human body as a whole is pictured as a house by the phantasy of the dream, and each individual organ of the body as a part of the house. In ‘toothache-dreams’ a high vaulted vestibule corresponds to the mouth and a stair to the descent of the gullet to the alimentary canal; in the ‘headache-dream’ the ceiling of a room which is covered with disgusting reptile-like spiders is chosen to denote the upper part of the head” (Volkelt, p. 39). “Several different symbols are used by the dream for the same organ, thus the breathing lungs find their symbol in an oven filled with flames and with a roaring draught, the heart in hollow chests and baskets, and the bladder in round, bag-shaped objects or anything else hollow. It is especially important that at the end of a dream the stimulating organ or its function be represented undisguised and usually on the dreamer’s own body. Thus the ‘toothache-dream’ usually ends by the dreamer drawing a tooth from his own mouth” (p. 35). It cannot be said that this theory has found much favour with the authors. Above all, it seems extravagant; there has been no inclination even to discover the small amount of justification to which it may, in my opinion, lay claim. As may be seen, it leads to a revival of the dream interpretation by means of symbolism, which the ancients used, except that the source from which the interpretation is to be taken is limited to the human body. The lack of a technique of interpretation which is scientifically comprehensible must seriously limit the applicability of Scherner’s theory. Arbitrariness in dream interpretation seems in no wise excluded, especially since a stimulus may be expressed by several representations in the content of the dream; thus Scherner’s associate, Volkelt, has already found it impossible to confirm the representation of the body as a house. Another objection is that here again dream activity is attributed to the mind as a useless and aimless activity, since according to the theory in question the mind is content with forming phantasies about the stimulus with which it is concerned, without even remotely contemplating anything like a discharge of the stimulus.

But Scherner’s theory of the symbolisation of bodily stimuli by the dream receives a heavy blow from another objection. These bodily stimuli are present at all times, and according to general assumption the mind is more accessible to them during sleep than in waking. It is thus incomprehensible why the mind does not dream continually throughout the night, and why it does not dream every night and about all the organs. If one attempts to avoid this objection by making the condition that especial stimuli must proceed from the eye, the ear, the teeth, the intestines in order to arouse dream activity, one is confronted by the difficulty of proving that this increase of stimulation is objective, which is possible only in a small number of cases. If the dream of flying is a symbolisation of the upward and downward motion of the pulmonary lobes, either this dream, as has already been remarked by Strümpell, would be dreamt much oftener, or an accentuation of the function of breathing during the dream would have to be demonstrable. Still another case is possible—the most probable of all—that now and then special motives directing attention to the visceral sensations which are universally present are active, but this case takes us beyond the range of Scherner’s theory.

The value of Scherner’s and Volkelt’s discussions lies in the fact that they call attention to a number of characteristics of the dream content which are in need of explanation, and which seem to promise new knowledge. It is quite true that symbolisations of organs of the body and of their functions are contained in dreams, that water in a dream often signifies a desire to urinate, that the male genital may often be represented by a staff standing erect or by a pillar, &c. In dreams which show a very animated field of vision and brilliant colours, in contrast to the dimness of other dreams, the interpretation may hardly be dismissed that they are “dreams of visual stimulation,” any more than it may be disputed that there is a contribution of illusory formations in dreams which contain noise and confusion of voices. A dream like that of Scherner, of two rows of fair handsome boys standing opposite to each other on a bridge, attacking each other and then taking their places again, until finally the dreamer himself sits down on the bridge and pulls a long tooth out of his jaw; or a similar one of Volkelt’s, in which two rows of drawers play a part, and which again ends in the extraction of a tooth; dream formations of this sort, which are related in great numbers by the authors, prevent our discarding Scherner’s theory as an idle fabrication without seeking to find its kernel of truth. We are now confronted by the task of giving the supposed symbolisation of the dental stimulus an explanation of a different kind.

Throughout our consideration of the theory of the somatic sources of dreams, I have refrained from urging the argument which is inferred from our dream analyses. If we have succeeded in proving, by a procedure which other authors have not applied in their investigation of dreams, that the dream as a psychic action possesses value peculiar to itself, that a wish supplies the motive for its formation, and that the experiences of the previous day furnish the immediate material for its content, any other theory of dreams neglecting such an important method of investigation, and accordingly causing the dream to appear a useless and problematic psychic reaction to somatic stimuli, is dismissible without any particular comment. Otherwise there must be—which is highly improbable—two entirely different kinds of dreams, of which only one has come under our observation, while only the other has been observed by the earlier connoisseurs of the dream. It still remains to provide a place for the facts which are used to support the prevailing theory of somatic dream-stimuli, within our own theory of dreams.

We have already taken the first step in this direction in setting up the thesis that the dream activity is under a compulsion to elaborate all the dream stimuli which are simultaneously present into a unified whole (p. 151). We have seen that when two or more experiences capable of making an impression have been left over from the previous day, the wishes which result from them are united into one dream; similarly, that an impression possessing psychic value and the indifferent experiences of the previous day are united in the dream material, provided there are available connecting ideas between the two. Thus the dream appears to be a reaction to everything which is simultaneously present as actual in the sleeping mind. As far as we have hitherto analysed the dream material, we have discovered it to be a collection of psychic remnants and memory traces, which we were obliged to credit (on account of the preference shown for recent and infantile material) with a character of actuality, though the nature of this was not at the time determinable. Now it will not be difficult to foretell what will happen when new material in the form of sensations is added to these actualities of memory. These stimuli likewise derive importance for the dream because they are actual; they are united with the other psychic actualities in order to make up the material for dream formation. To express it differently, the stimuli which appear during sleep are worked over into the fulfilment of a wish, the other component parts of which are the remnants of daily experience with which we are familiar. This union, however, is not inevitable; we have heard that more than one sort of attitude towards bodily stimuli is possible during sleep. Wherever this union has been brought about, it has simply been possible to find for the dream content that kind of presentation material which will give representation to both classes of dream sources, the somatic as well as the psychic.

The essential nature of the dream is not changed by this addition of somatic material to the psychic sources of the dream; it remains the fulfilment of a wish without reference to the way in which its expression is determined by the actual material.

I shall gladly find room here for a number of peculiarities, which serve to put a different face on the significance of external stimuli for the dream. I imagine that a co-operation of individual, physiological, and accidental factors, conditioned by momentary circumstances, determines how one will act in each particular case of intensive objective stimulation during sleep; the degree of the profoundness of sleep whether habitual or accidental in connection with the intensity of the stimulus, will in one case make it possible to suppress the stimulus, so that it will not disturb sleep; in another case they will force an awakening or will support the attempt to overcome the stimulus by weaving it into the texture of the dream. In correspondence with the multiplicity of these combinations, external objective stimuli will receive expression more frequently in the case of one person than in that of another. In the case of myself, who am an excellent sleeper, and who stubbornly resists any kind of disturbance in sleep, this intermixture of external causes of irritation into my dreams is very rare, while psychic motives apparently cause me to dream very easily. I have indeed noted only a single dream in which an objective, painful source of stimulation is demonstrable, and it will be highly instructive to see what effect the external stimulus had in this very dream.

_I am riding on a grey horse, at first timidly and awkwardly, as though I were only leaning against something. I meet a colleague P., who is mounted on a horse and is wearing a heavy woollen suit; he calls my attention to something (probably to the fact that my riding position is bad). Now I become more and more expert on the horse, which is most intelligent; I sit comfortably, and I notice that I am already quite at home in the saddle. For a saddle I have a kind of padding, which completely fills the space between the neck and the rump of the horse. In this manner I ride with difficulty between two lumber-wagons. After having ridden up the street for some distance, I turn around and want to dismount, at first in front of a little open chapel, which is situated close to the street. Then I actually dismount in front of a chapel which stands near the first; the hotel is in the same street, I could let the horse go there by itself, but I prefer to lead it there. It seems as if I should be ashamed to arrive there on horseback. In front of the hotel is standing a hall-boy who shows me a card of mine which has been found, and who ridicules me on account of it. On the card is written, doubly underlined, “Eat nothing,” and then a second sentence (indistinct) something like “Do not work”; at the same time a hazy idea that I am in a strange city, in which I do no work._

It will not be apparent at once that this dream originated under the influence, or rather under the compulsion, of a stimulus of pain. The day before I had suffered from furuncles, which made every movement a torture, and at last a furuncle had grown to the size of an apple at the root of the scrotum, and had caused me the most intolerable pains that accompanied every step; a feverish lassitude, lack of appetite, and the hard work to which I had nevertheless kept myself during the day, had conspired with the pain to make me lose my temper. I was not altogether in a condition to discharge my duties as a physician, but in view of the nature and the location of the malady, one might have expected some performance other than riding, for which I was very especially unfitted. It is this very activity, of riding into which I am plunged by the dream; it is the most energetic denial of the suffering which is capable of being conceived. In the first place, I do not know how to ride, I do not usually dream of it, and I never sat on a horse but once—without a saddle—and then I did not feel comfortable. But in this dream I ride as though I had no furuncle on the perineum, and why? _just because I don’t want any_. According to the description my saddle is the poultice which has made it possible for me to go to sleep. Probably I did not feel anything of my pain—as I was thus taken care of—during the first few hours of sleeping. Then the painful sensations announced themselves and tried to wake me up, whereupon the dream came and said soothingly: “Keep on sleeping, you won’t wake up anyway! You have no furuncle at all, for you are riding on a horse, and with a furuncle where you have it riding is impossible!” And the dream was successful; the pain was stifled, and I went on sleeping.

But the dream was not satisfied with “suggesting away” the furuncle by means of tenaciously adhering to an idea incompatible with that of the malady, in doing which it behaved like the hallucinatory insanity of the mother who has lost her child, or like the merchant who has been deprived of his fortune by losses.[BP] In addition the details of the denied sensation and of the image which is used to displace it are employed by the dream as a means to connect the material ordinarily actually present in the mind with the dream situation, and to give this material representation. I am riding on a _grey_ horse—the colour of the horse corresponds exactly to the _pepper-and-salt_ costume in which I last met my colleague P. in the country. I have been warned that highly seasoned food is the cause of furunculosis, but in any case it is preferable as an etiological explanation to sugar which ordinarily suggests furunculosis. My friend P. has been pleased to “ride the high horse” with regard to me, ever since he superseded me in the treatment of a female patient, with whom I had performed great feats (in the dream I first sit on the horse side-saddle fashion, like a circus rider), but who really led me wherever she wished, like the horse in the anecdote about the Sunday equestrian. Thus the horse came to be a symbolic representation of a lady patient (in the dream it is most intelligent). “I feel quite at home up here,” refers to the position which I occupied in the patient’s household until I was replaced by my colleague P. “I thought you were securely seated in the saddle,” one of my few well-wishers among the great physicians of this city recently said to me with reference to the same household. And it was a feat to practise psychotherapy for ten hours a day with such pains, but I know that I cannot continue my particularly difficult work for any length of time without complete physical health, and the dream is full of gloomy allusions to the situation which must in that case result (the card such as neurasthenics have and present to doctors): _No work and no food_. With further interpretation I see that the dream activity has succeeded in finding the way from the wish-situation of riding to very early infantile scenes of quarrelling, which must have taken place between me and my nephew, who is now living in England, and who, moreover, is a year older than I. Besides it has taken up elements from my journeys to Italy; the street in the dream is composed of impressions of Verona and Siena. Still more exhaustive interpretation leads to sexual dream-thoughts, and I recall what significance dream allusions to that beautiful country had in the case of a female patient who had never been in Italy (Itlay—German _gen Italien_—_Genitalien_—genitals). At the same time there are references to the house in which I was physician before my friend P., and to the place where the furuncle is located.

Among the dreams mentioned in the previous chapter there are several which might serve as examples for the elaboration of so-called nerve stimuli. The dream about drinking in full draughts is one of this sort; the somatic excitement in it seems to be the only source of the dream, and the wish resulting from the sensation—thirst—the only motive for dreaming. Something similar is true of the other simple dreams, if the somatic excitement alone is capable of forming a wish. The dream of the sick woman who throws the cooling apparatus from her cheek at night is an instance of a peculiar way of reacting to painful excitements with a wish-fulfilment; it seems as though the patient had temporarily succeeded in making herself analgesic by ascribing her pains to a stranger.

My dream about the three Parcæ is obviously a dream of hunger, but it has found means to refer the need for food back to the longing of the child for its mother’s breast, and to make the harmless desire a cloak for a more serious one, which is not permitted to express itself so openly. In the dream about Count Thun we have seen how an accidental bodily desire is brought into connection with the strongest, and likewise the most strongly suppressed emotions of the psychic life. And when the First Consul incorporates the sound of an exploding bomb into a dream of battle before it causes him to wake, as in the case reported by Garnier, the purpose for which psychic activity generally concerns itself with sensations occurring during sleep is revealed with extraordinary clearness. A young lawyer, who has been deeply preoccupied with his first great bankruptcy proceeding, and who goes to sleep during the afternoon following, acts just like the great Napoleon. He dreams about a certain G. Reich in _Hussiatyn_ (German _husten_—to cough), whom he knows in connection with the bankruptcy proceeding, but _Hussiatyn_ forces itself upon his attention still further, with the result that he is obliged to awaken, and hears his wife—who is suffering from bronchial catarrh—coughing violently.

Let us compare the dream of Napoleon I., who, incidentally, was an excellent sleeper, with that of the sleepy student, who was awakened by his landlady with the admonition that he must go to the hospital, who thereupon dreams himself into a bed in the hospital, and then sleeps on, with the following account of his motives: If I am already in the hospital, I shan’t have to get up in order to go there. The latter is obviously a dream of convenience; the sleeper frankly admits to himself the motive for his dreaming; but he thereby reveals one of the secrets of dreaming in general. In a certain sense all dreams are dreams of convenience; they serve the purpose of continuing sleep instead of awakening. _The dream is the guardian of sleep, not the disturber of it._ We shall justify this conception with respect to the psychic factors of awakening elsewhere; it is possible, however, at this point to prove its applicability to the influence exerted by objective external excitements. Either the mind does not concern itself at all with the causes of sensations, if it is able to do this in spite of their intensity and of their significance, which is well understood by it; or it employs the dream to deny these stimuli; or thirdly, if it is forced to recognise the stimulus, it seeks to find that interpretation of the stimulus which shall represent the actual sensation as a component part of a situation which is desired and which is compatible with sleep. The actual sensation is woven into the dream _in order to deprive it of its reality_. Napoleon is permitted to go on sleeping; it is only a dream recollection of the thunder of the cannon at Arcole which is trying to disturb him.[BQ]

_The wish to sleep, by which the conscious ego has been suspended and which along with the dream-censor contributes its share to the dream, must thus always be taken into account as a motive for the formation of dreams, and every successful dream is a fulfilment of this wish._ The relation of this general, regularly present, and invariable sleep-wish to the other wishes, of which now the one, now the other is fulfilled, will be the subject of a further explanation. In the wish to sleep we have discovered a factor capable of supplying the deficiency in the theory of Strümpell and Wundt, and of explaining the perversity and capriciousness in the interpretation of the outer stimulus. The correct interpretation, of which the sleeping mind is quite capable, would imply an active interest and would require that sleep be terminated; hence, of those interpretations which are possible at all, only those are admitted which are agreeable to the absolute censorship of the somatic wish. It is something like this: It’s the nightingale and not the lark. For if it’s the lark, love’s night is at an end. From among the interpretations of the excitement which are at the moment possible, that one is selected which can secure the best connection with the wish-possibilities that are lying in wait in the mind. Thus everything is definitely determined, and nothing is left to caprice. The misinterpretation is not an illusion, but—if you will—an excuse. Here again, however, there is admitted an action which is a modification of the normal psychic procedure, as in the case where substitution by means of displacement is effected for the purposes of the dream-censor.

If the outer nerve stimuli and inner bodily stimuli are sufficiently intense to compel psychic attention, they represent—that is, in case they result in dreaming and not in awakening—a definite point in the formation of dreams, a nucleus in the dream material, for which an appropriate wish-fulfilment is sought, in a way similar (see above) to the search for connecting ideas between two dream stimuli. To this extent it is true for a number of dreams that the somatic determines what their content is to be. In this extreme case a wish which is not exactly actual is aroused for the purpose of dream formation. But the dream can do nothing but represent a wish in a situation as fulfilled; it is, as it were, confronted by the task of seeking what wish may be represented and fulfilled by means of the situation which is now actual. Even if this actual material is of a painful or disagreeable character, still it is not useless for the purposes of dream formation. The psychic life has control even over wishes the fulfilment of which brings forth pleasure—a statement which seems contradictory, but which becomes intelligible if one takes into account the presence of two psychic instances and the censor existing between them.

There are in the psychic life, as we have heard, _repressed_ wishes which belong to the first system, and to whose fulfilment the second system is opposed. There are wishes of this kind—and we do not mean this in an historic sense, that there have been such wishes and that these have then been destroyed—but the theory of repression, which is essential to the study of psychoneurosis, asserts that such repressed wishes still exist, contemporaneously with an inhibition weighing them down. Language has hit upon the truth when it speaks of the “suppression” of such impulses. The psychic contrivance for bringing such wishes to realisation remains preserved and in a condition to be used. But if it happens that such a suppressed wish is fulfilled, the vanquished inhibition of the second system (which is capable of becoming conscious) is then expressed as a painful feeling. To close this discussion; if sensations of a disagreeable character which originate from somatic sources are presented during sleep, this constellation is taken advantage of by the dream activity to represent the fulfilment—with more or less retention of the censor—of an otherwise suppressed wish.

This condition of affairs makes possible a number of anxiety dreams, while another series of the dream formations which are unfavourable to the wish theory exhibits a different mechanism. For anxiety in dreams may be of a psychoneurotic nature, or it may originate in psychosexual excitements, in which case the anxiety corresponds to a repressed _libido_. Then this anxiety as well as the whole anxiety dream has the significance of a neurotic symptom, and we are at the dividing-line where the wish-fulfilling tendency of dreams disappears. But in other anxiety-dreams the feeling of anxiety comes from somatic sources (for instance in the case of persons suffering from pulmonary or heart trouble, where there is occasional difficulty in getting breath), and then it is used to aid those energetically suppressed wishes in attaining fulfilment in the form of a dream, the dreaming of which from psychic motives would have resulted in the same release of fear. It is not difficult to unite these two apparently discrepant cases. Of two psychic formations, an emotional inclination and an ideal content, which are intimately connected, the one, which is presented as actual, supports the other in the dream; now anxiety of somatic origin supports the suppressed presentation content, now the ideal content, which is freed from suppression, and which proceeds with the impetus given by sexual emotion, assists the discharge of anxiety. Of the one case it may be said that an emotion of somatic origin is psychically interpreted; in the other case everything is of psychic origin but the content which has been suppressed is easily replaced by a somatic interpretation which is suited to anxiety. The difficulties which lie in the way of understanding all this have little to do with the dream; they are due to the fact that in discussing these points we are touching upon the problems of the development of anxiety and of repression.

Undoubtedly the aggregate of bodily feelings is to be included among the commanding dream stimuli which originate internally. Not that it is able to furnish the dream content, but it forces the dream thoughts to make a choice from the material destined to serve the purpose of representation in the dream content; it does this by putting within easy reach that part of the material which is suited to its own character, while withholding the other. Moreover this general feeling, which is left over from the day, is probably connected with the psychic remnants which are significant for the dream.

If somatic sources of excitement occurring during sleep—that is, the sensations of sleep—are not of unusual intensity, they play a part in the formation of dreams similar, in my judgment, to that of the impressions of the day which have remained recent but indifferent. I mean that they are drawn into the dream formation, if they are qualified for being united with the presentation content of the psychic dream-source, but in no other case. They are treated as a cheap ever-ready material, which is utilised as often as it is needed, instead of prescribing, as a precious material does, the manner in which it is to be utilised. The case is similar to that where a patron of art brings to an artist a rare stone, a fragment of onyx, in order that a work of art may be made of it. The size of the stone, its colour, and its marking help to decide what bust or what scene shall be represented in it, while in the case where there is a uniform and abundant supply of marble or sandstone the artist follows only the idea which takes shape in his mind. Only in this manner, it seems to me, is the fact explicable that the dream content resulting from bodily excitements that have not been accentuated to a usual degree, does not appear in all dreams and during every night.

Perhaps an example, which takes us back to the interpretation of dreams, will best illustrate my meaning. One day I was trying to understand the meaning of the sensations of being impeded, of not being able to move from the spot, of not being able to get finished, &c., which are dreamt about so often, and which are so closely allied to anxiety. That night I had the following dream: _I am very incompletely dressed, and I go from a dwelling on the ground floor up a flight of stairs to an upper story. In doing this I jump over three steps at a time, and I am glad to find I can mount the steps so quickly. Suddenly I see that a servant girl is coming down the stairs, that is, towards me. I am ashamed and try to hurry away, and now there appears that sensation of being impeded; I am glued to the steps and cannot move from the spot._

Analysis: The situation of the dream is taken from everyday reality. In a house in Vienna I have two apartments, which are connected only by a flight of stairs outside. My consultation-rooms and my study are on an elevated portion of the ground floor, and one story higher are my living-rooms. When I have finished my work downstairs late at night, I go up the steps into my bedroom. On the evening before the dream I had actually gone this short distance in a somewhat disorderly attire—that is to say, I had taken off my collar, cravat, and cuffs; but in the dream this has changed into a somewhat more advanced degree of undress, which as usual is indefinite. Jumping over the steps is my usual method of mounting stairs; moreover it is the fulfilment of a wish that has been recognised in the dream, for I have reassured myself about the condition of my heart action by the ease of this accomplishment. Moreover the manner in which I climb the stairs is an effective contrast to the sensation of being impeded which occurs in the second half of the dream. It shows me—something which needed no proof—that the dream has no difficulty in representing motor actions as carried out fully and completely; think of flying in dreams!

But the stairs which I go up are not those of my house; at first I do not recognise them; only the person coming toward me reveals to me the location which they are intended to signify. This woman is the maid of the old lady whom I visit twice daily to give hypodermic injections; the stairs, too, are quite similar to those which I must mount there twice daily.

How do this flight of stairs and this woman get into my dream? Being ashamed because one is not fully dressed, is undoubtedly of a sexual character; the servant of whom I dream is older than I, sulky, and not in the least attractive. These questions call up exactly the following occurrences: When I make my morning visit at this house I am usually seized with a desire to clear my throat; the product of the expectoration falls upon the steps. For there is no spittoon on either of these floors, and I take the view that the stairs should not be kept clean at my expense, but by the provision of a spittoon. The housekeeper, likewise an elderly and sulky person, with instincts for cleanliness, takes another view of the matter. She lies in wait for me to see whether I take the liberty referred to, and when she has made sure of it, I hear her growl distinctly. For days thereafter she refuses to show me her customary regard when we meet. On the day before the dream the position of the housekeeper had been strengthened by the servant girl. I had just finished my usual hurried visit to the patient when the servant confronted me in the ante-room and observed: “You might as well have wiped your shoes to-day, doctor, before you came into the room. The red carpet is all dirty again from your feet.” This is the whole claim which the flight of stairs and the servant-girl can make for appearing in my dream.

An intimate connection exists between my flying over the stairs and my spitting on the stairs. Pharyngitis and diseases of the heart are both said to be punishments for the vice of smoking, on account of which vice, of course, I do not enjoy a reputation for great neatness with my housekeeper in the one house any more than in the other, both of which the dream fuses into a single image.

I must postpone the further interpretation of this dream until I can give an account of the origin of the typical dream of incomplete dress. I only note as a preliminary result from the dream which has just been cited that the dream sensation of inhibited action is always aroused at a point where a certain connection requires it. A peculiar condition of my motility during sleep cannot be the cause of this dream content, for a moment before I saw myself hurrying over the steps with ease, as though in confirmation of this fact.

(_d_) _Typical Dreams_

In general we are not in a position to interpret the dream of another person if he is unwilling to furnish us with the unconscious thoughts which lie behind the dream content, and for this reason the practical applicability of our method of dream interpretation is seriously curtailed.[BR] But there are a certain number of dreams—in contrast with the usual freedom displayed by the individual in fashioning his dream world with characteristic peculiarity, and thereby making it unintelligible—which almost every one has dreamed in the same manner, and of which we are accustomed to assume that they have the same significance in the case of every dreamer. A peculiar interest belongs to these typical dreams for the reason that they probably all come from the same sources with every person, that they are thus particularly suited to give us information upon the sources of dreams.

Typical dreams are worthy of the most exhaustive investigation. I shall, however, only give a somewhat detailed consideration to examples of this species, and for this purpose I shall first select the so-called embarrassment dream of nakedness, and the dream of the death of dear relatives.

The dream of being naked or scantily clad in the presence of strangers occurs with the further addition that one is not at all ashamed of it, &c. But the dream of nakedness is worthy of our interest only when shame and embarrassment are felt in it, when one wishes to flee or to hide, and when one feels the strange inhibition that it is impossible to move from the spot and that one is incapable of altering the disagreeable situation. It is only in this connection that the dream is typical; the nucleus of its content may otherwise be brought into all kinds of relations or may be replaced by individual amplifications. It is essentially a question of a disagreeable sensation of the nature of shame, the wish to be able to hide one’s nakedness, chiefly by means of locomotion, without being able to accomplish this. I believe that the great majority of my readers will at some time have found themselves in this situation in a dream.

Usually the nature and manner of the experience is indistinct. It is usually reported, “I was in my shirt,” but this is rarely a clear image; in most cases the lack of clothing is so indeterminate that it is designated in the report of the dream by a set of alternatives: “I was in my chemise or in my petticoat.” As a rule the deficiency in the toilet is not serious enough to justify the feeling of shame attached to it. For a person who has served in the army, nakedness is often replaced by a mode of adjustment that is contrary to regulations. “I am on the street without my sabre and I see officers coming,” or “I am without my necktie,” or “I am wearing checkered civilian’s trousers,” &c.

The persons before whom one is ashamed are almost always strangers with faces that have been left undetermined. It never occurs in the typical dream that one is reproved or even noticed on account of the dress which causes the embarrassment to one’s self. Quite on the contrary, the people have an air of indifference, or, as I had opportunity to observe in a particularly clear dream, they look stiffly solemn. This is worth thinking about.

The shamed embarrassment of the dreamer and the indifference of the spectators form a contradiction which often occurs in the dream. It would better accord with the feelings of the dreamer if the strangers looked at him in astonishment and laughed at him, or if they grew indignant. I think, however, that the latter unpleasant feature has been obviated by the tendency to wish-fulfilment, while the embarrassment, being retained on some account or other, has been left standing, and thus the two parts fail to agree. We have interesting evidence to show that the dream, whose appearance has been partially disfigured by the tendency to wish-fulfilment, has not been properly understood. For it has become the basis of a fairy tale familiar to us all in Andersen’s version,[BS] and it has recently received poetic treatment by L. Fulda in the _Talisman_. In Andersen’s fairy tale we are told of two impostors who weave a costly garment for the Emperor, which, however, shall be visible only to the good and true. The Emperor goes forth clad in this invisible garment, and, the fabric serving as a sort of touchstone, all the people are frightened into acting as though they did not notice the nakedness of the Emperor.

But such is the situation in our dream. It does not require great boldness to assume that the unintelligible dream content has suggested the invention of a state of undress in which the situation that is being remembered becomes significant. This situation has then been deprived of its original meaning, and placed at the service of other purposes. But we shall see that such misunderstanding of the dream content often occurs on account of the conscious activity of the second psychic system, and is to be recognised as a factor in the ultimate formation of the dream; furthermore, that in the development of the obsessions and phobias similar misunderstandings, likewise within the same psychic personality, play a leading part. The source from which in our dream the material for this transformation is taken can also be explained. The impostor is the dream, the Emperor is the dreamer himself, and the moralising tendency betrays a hazy knowledge of the fact that the latent dream content is occupied with forbidden wishes which have become the victims of repression. The connection in which such dreams appear during my analysis of neurotics leaves no room for doubting that the dream is based upon a recollection from earliest childhood. Only in our childhood was there a time when we were seen by our relatives as well as by strange nurses, servant girls, and visitors, in scanty clothing, and at that time we were not ashamed of our nakedness.[BT]

It may be observed in the case of children who are a little older that being undressed has a kind of intoxicating effect upon them, instead of making them ashamed. They laugh, jump about, and strike their bodies; the mother, or whoever is present, forbids them to do this, and says: “Fie, that is shameful—you mustn’t do that.” Children often show exhibitional cravings; it is hardly possible to go through a village in our part of the country without meeting a two or three-year-old tot who lifts up his or her shirt before the traveller, perhaps in his honour. One of my patients has reserved in his conscious memory a scene from the eighth year of his life in which he had just undressed previous to going to bed, and was about to dance into the room of his little sister in his undershirt when the servant prevented his doing it. In the childhood history of neurotics, denudation in the presence of children of the opposite sex plays a great part; in paranoia the desire to be observed while dressing and undressing may be directly traced to these experiences; among those remaining perverted there is a class which has accentuated the childish impulse to a compulsion—they are the exhibitionists.

This age of childhood in which the sense of shame is lacking seems to our later recollections a Paradise, and Paradise itself is nothing but a composite phantasy from the childhood of the individual. It is for this reason, too, that in Paradise human beings are naked and are not ashamed until the moment arrives when the sense of shame and of fear are aroused; expulsion follows, and sexual life and cultural development begin. Into this Paradise the dream can take us back every night; we have already ventured the conjecture that the impressions from earliest childhood (from the prehistoric period until about the end of the fourth year) in themselves, and independently of everything else, crave reproduction, perhaps without further reference to their content, and that the repetition of them is the fulfilment of a wish. Dreams of nakedness, then, are exhibition dreams.[BU]

One’s own person, which is seen not as that of a child, but as belonging to the present, and the idea of scanty clothing, which became buried beneath so many later _négligée_ recollections or because of the censor, turns out to be obscure—these two things constitute the nucleus of the exhibition dream. Next come the persons before whom one is ashamed. I know of no example where the actual spectators at those infantile exhibitions reappear in the dream. For the dream is hardly ever a simple recollection. Strangely enough, those persons who are the objects of our sexual interest during childhood are omitted from all the reproductions of the dream, of hysteria, and of the compulsion neurosis; paranoia alone puts the spectators back into their places, and is fanatically convinced of their presence, although they remain invisible. What the dream substitutes for these, the “many strange people,” who take no notice of the spectacle which is presented, is exactly the wish-opposite of that single, intimate person for whom the exposure was intended. “Many strange people,” moreover, are often found in the dream in any other favourable connection; as a wish-opposite they always signify “a secret.”[BV] It may be seen how the restoration of the old condition of affairs, as it occurs in paranoia, is subject to this antithesis. One is no longer alone. One is certainly being watched, but the spectators are “many strange, curiously indeterminate people.”

Furthermore, repression has a place in the exhibition dream. For the disagreeable sensation of the dream is the reaction of the second psychic instance to the fact that the exhibition scene which has been rejected by it has in spite of this succeeded in securing representation. The only way to avoid this sensation would be not to revive the scene.

Later on we shall again deal with the sensation of being inhibited. It serves the dream excellently in representing the conflict of the will, the negation. According to our unconscious purpose exhibition is to be continued; according to the demands of the censor, it is to be stopped.

The relation of our typical dreams to fairy tales and to other poetic material is neither a sporadic nor an accidental one. Occasionally the keen insight of a poet has analytically recognised the transforming process—of which the poet is usually the tool—and has followed it backwards, that is to say, traced it to the dream. A friend has called my attention to the following passage in G. Keller’s _Der Grüne Heinrich_: “I do not wish, dear Lee, that you should ever come to realise from experience the peculiar piquant truth contained in the situation of Odysseus, when he appears before Nausikaa and her playmates, naked and covered with mud! Would you like to know what it means? Let us consider the incident closely. If you are ever separated from your home, and from everything that is dear to you, and wander about in a strange country, when you have seen and experienced much, when you have cares and sorrows, and are, perhaps, even miserable and forlorn, you will some night inevitably dream that you are approaching your home; you will see it shining and beaming in the most beautiful colours; charming, delicate and lovely figures will come to meet you; and you will suddenly discover that you are going about in rags, naked and covered with dust. A nameless feeling of shame and fear seizes you, you try to cover yourself and to hide, and you awaken bathed in sweat. As long as men exist, this will be the dream of the care-laden, fortune-battered man, and thus Homer has taken his situation from the profoundest depths of the eternal character of humanity.”

This profound and eternal character of humanity, upon the touching of which in his listeners the poet usually calculates, is made up of the stirrings of the spirit which are rooted in childhood, in the period which later becomes prehistoric. Suppressed and forbidden wishes of childhood break forth under cover of those wishes of the homeless man which are unobjectionable and capable of becoming conscious, and for that reason the dream which is made objective in the legend of Nausikaa regularly assumes the form of a dream of anxiety.

My own dream, mentioned on p. 201, of hurrying up the stairs, which is soon afterward changed into that of being glued to the steps, is likewise an exhibition dream, because it shows the essential components of such a dream. It must thus permit of being referred to childish experiences, and the possession of these ought to tell us how far the behaviour of the servant girl towards me—her reproach that I had soiled the carpet—helped her to secure the position which she occupies in the dream. I am now able to furnish the desired explanation. One learns in psychoanalysis to interpret temporal proximity by objective connection; two thoughts, apparently without connection, which immediately follow one another, belong to a unity which can be inferred; just as an _a_ and a _t_, which I write down together, should be pronounced as one syllable, _at_. The same is true of the relation of dreams to one another. The dream just cited, of the stairs, has been taken from a series of dreams, whose other members I am familiar with on account of having interpreted them. The dream which is included in this series must belong to the same connection. Now the other dreams of the series are based upon the recollection of a nurse to whom I was entrusted from some time in the period when I was suckling to the age of two and a half years, and of whom a hazy recollection has remained in my consciousness. According to information which I have recently obtained from my mother, she was old and ugly, but very intelligent and thorough; according to inferences which I may draw from my dreams, she did not always give me the kindest treatment, and said hard words to me when I showed insufficient aptitude for education in cleanliness. Thus by attempting to continue this educational work the servant girl develops a claim to be treated by me, in the dream, as an incarnation of the prehistoric old woman. It is to be assumed that the child bestowed his love upon this governess in spite of her bad treatment of him.[BW]

Another series of dreams which might be called typical are those which have the content that a dear relative, parent, brother, or sister, child or the like, has died. Two classes of these dreams must immediately be distinguished—those in which the dreamer remains unaffected by sorrow while dreaming, and those in which he feels profound grief on account of the death, in which he even expresses this grief during sleep by fervid tears.

We may ignore the dreams of the first group; they have no claim to be reckoned as typical. If they are analysed, it is found that they signify something else than what they contain, that they are intended to cover up some other wish. Thus it is with the dream of the aunt who sees the only son of her sister lying on a bier before her (p 129). This does not signify that she wishes the death of her little nephew; it only conceals, as we have learned, a wish to see a beloved person once more after long separation—the same person whom she had seen again after a similar long intermission at the funeral of another nephew. This wish, which is the real content of the dream, gives no cause for sorrow, and for that reason no sorrow is felt in the dream. It may be seen in this case that the emotion which is contained in the dream does not belong to the manifest content of the dream, but to the latent one, and that the emotional content has remained free from the disfigurement which has befallen the presentation content.

It is a different story with the dreams in which the death of a beloved relative is imagined and where sorrowful emotion is felt. These signify, as their content says, the wish that the person in question may die, and as I may here expect that the feelings of all readers and of all persons who have dreamt anything similar will object to my interpretation, I must strive to present my proof on the broadest possible basis.

We have already had one example to show that the wishes represented in the dream as fulfilled are not always actual wishes. They may also be dead, discarded, covered, and repressed wishes, which we must nevertheless credit with a sort of continuous existence on account of their reappearance in the dream. They are not dead like persons who have died in our sense, but they resemble the shades in the _Odyssey_ which awaken a certain kind of life as soon as they have drunk blood. In the dream of the dead child in the box (p. 130) we were concerned with a wish that had been actual fifteen years before, and which had been frankly admitted from that time. It is, perhaps, not unimportant from the point of view of dream theory if I add that a recollection from earliest childhood is at the basis even of this dream. While the dreamer was a little child—it cannot be definitely determined at what time—she had heard that during pregnancy of which she was the fruit her mother had fallen into a profound depression of spirits and had passionately wished for the death of her child before birth. Having grown up herself and become pregnant, she now follows the example of her mother.

If some one dreams with expressions of grief that his father or mother, his brother or sister, has died, I shall not use the dream as a proof that he wishes them dead _now_. The theory of the dreams does not require so much; it is satisfied with concluding that the dreamer has wished them dead—at some one time in childhood. I fear, however, that this limitation will not contribute much to quiet the objectors; they might just as energetically contest the possibility that they have ever had such thoughts as they are sure that they do not cherish such wishes at present. I must, therefore, reconstruct a part of the submerged infantile psychology on the basis of the testimony which the present still furnishes.[BX]