Chapter XXIII: Part THE THIRD (3)

On this eminence also is repeated to the eye the majestic Alsace, always the same, and always new. Just as in an amphitheatre, let one take one's place where one will, one surveys the whole people, but sees one's neighbours the plainest, so it is here with bushes, rocks, hills, woods, fields, meadows, and districts near and in the distance. They wished to show us even Basle in the horizon; that we saw it, I will not swear, but the remote blue of the Swiss mountains even here exercised its rights over us, by summoning us to itself, and since we could not follow the impulse, by leaving a painful feeling.

To such distractions and cheerful recreations I abandoned myself the more readily, and even with a degree of intoxication, because my passionate connexion with Frederica now began to trouble me. Such a youthful affection cherished at random, may be compared to a bomb-shell thrown at night, which rises with a soft brilliant track, mingles with the stars, nay, for a moment, seems to pause among them, then, in descending, describes the same path in the reverse direction, and at last brings destruction to the place where it has terminated its course. Frederica always remained equal to herself; she seemed not to think, nor to wish to think, that the connexion would so soon terminate. Olivia, on the contrary, who indeed also missed me with regret, but nevertheless did not lose so much as the other, had more foresight, or was more open. She often spoke to me about my probable departure, and sought to console herself both on her own and her sister's account. A girl who renounces a man to whom she has not denied her affections, is far from being in that painful situation in which a youth finds himself who has gone so far in his declarations to a lady. He always plays a pitiful part, since a certain survey of his situation is expected of him as a growing man, and a decided levity does not suit him. The reasons of a girl who draws back always seem sufficient, those of a man--never.

But how should a flattering passion allow us to foresee whither it may lead us? For even when we have quite sensibly renounced it, we cannot get rid of it; we take pleasure in the charming habit, even if this is to be in an altered manner. Thus it was with me. Although the presence of Frederica pained me, I knew of nothing more pleasant than to think of her while absent, and to converse with her. I went to see her less frequently, but our correspondence became so much the more animated. She knew how to bring before me her situation with cheerfulness, her feelings with grace, and I called her merits to mind with fervour and with passion. Absence made me free, and my whole affection first truly bloomed by this communication in the distance. At such moments I could quite blind myself as to the future; and was sufficiently distracted by the progress of time and of pressing business. I had hitherto made it possible to do the most various things by always taking a lively interest in what was present and belonged to the immediate moment; but towards the end all became too much crowded together, as is always the case when one is to free oneself from a place.

One more event, which happened in an interval, took, from me the last days. I found myself in a respectable society at a country-house, whence there was a noble view of the front of the minster, and the tower which rises over it. "It is a pity," said some one, "that the whole was not finished, and that we have only one tower." "It is just as unpleasant to me," answered I, "to see this one tower not quite completed, for the four volutes leave off much too bluntly; there should have been upon them four light spires, with a higher one in the middle where the clumsy cross is standing."

When I had expressed this strong opinion with my accustomed animation, a little lively man addressed me, and asked, "Who told you so?" "The tower itself," I replied; "I have observed it so long and so attentively, and have shown it so much affection, that it at last resolved to make me this open confession." "It has not misinformed you," answered he; "I am the best judge of that; for I am the person officially placed over the public edifices. We still have among our archives the original sketches, which say the same thing, and which I can show to you." On account of my speedy departure I pressed him to show me this kindness as speedily as possible. He let me see the precious rolls; I soon, with the help of oiled paper, drew the spires, which were wanting in the building as executed, and regretted that I had not been sooner informed of this treasure. But this was always to be the case with me, that by looking at things and considering them, I should first attain a conception, which perhaps would not have been so striking and so fruitful, if it had been given ready made.

[Side-note: Strasburg Minster.]

Amid all this pressure and confusion I could not fail to see Frederica once more. Those were painful days, the memory of which has not remained with me. When I reached her my hand from my horse, the tears stood in her eyes, and I felt very uneasy. I now rode along the footpath towards Drusenheim, and here one of the most singular forebodings took possession of me. I saw, not with the eyes of the body, but with those of the mind, my own figure coming towards me, on horseback, and on the same road, attired in a dress which I had never worn;--it was pike-grey (_hecht-grau_) with somewhat of gold. As soon as I shook myself out of this dream, the figure had entirely disappeared. It is strange, however, that eight years afterwards, I found myself on the very road, to pay one more visit to Frederica, in the dress of which I had dreamed, and which I wore, not from choice, but by accident. However it may be with matters of this kind generally, this strange illusion in some measure calmed me at the moment of parting. The pain of quitting for ever the noble Alsace, with all that I had gained in it, was softened, and having at last escaped the excitement of a farewell, I found myself on a peaceful and quiet journey, pretty well recovered.

Arrived at Mannheim, I hastened with great eagerness to see the hall of antiquities, of which a great boast was made. Even at Leipzig, on the occasion of Winckelmann's and Lessing's writings, I had heard much said of those important works of art, but so much the less had I seen them, for except Laocoön, the father, and the Faun with the crotola, there were no casts in the academy, and whatever Oeser chose to say to us on the subject of those works, was enigmatical enough. How can a conception of the end of art be given to beginners?

Director Verschaffel's reception was kind. I was conducted to the saloon by one of his associates, who, after he had opened it for me, left me to my own inclinations and reflections. Here I now stood, open to the most wonderful impressions, in a spacious, four-cornered, and, with its extraordinary height, almost cubical saloon, in a space well lighted from above by the windows under the cornice; with the noblest statues of antiquity, not only ranged along the walls, but also set up one with another over the whole area;--a forest of statues, through which one was forced to wind; a great ideal popular assembly, through which one was forced to press. All these noble figures could, by opening and closing the curtains, be placed in the most advantageous light, and besides this, they were moveable on their pedestals, and could be turned about at pleasure.

After I had for a time sustained the first impression of this irresistible mass, I turned to those figures which attracted me the most, and who can deny that the Apollo Belvidere, with his well-proportioned colossal stature, his slender build, his free movement, his conquering glance, carried off the victory over our feelings in preference to all the others? I then turned to Laocoön, whom I here saw for the first time in connexion with his sons. I brought to mind as well as possible the discussions and contests which had been held concerning him, and tried to get a point of view of my own; but I was now drawn this way, now that. The dying gladiator long held me fast, but the group of Castor and Pollux, that precious though problematical relic, I had especially to thank for my happiest moments. I did not know how impossible it was at once to account to oneself for a sight affording enjoyment. I forced myself to reflect, and little as I succeeded in attaining any sort of clearness, I felt that every individual figure from this great assembled mass was comprehensible, that every object was natural and significant in itself.

[Side-note: Antiquities at Mannheim.]

Nevertheless my chief attention was directed to Laocoön, and I decided for myself the famous question, why he did not shriek, by declaring to myself that he could not shriek. All the actions and movements of the three figures proceeded, according to my view, from the first conception of the group. The whole position--as forcible as artistical---of the chief body was composed with reference to two impulses--the struggle against the snakes, and the flight from the momentary bite. To soften this pain, the abdomen must be drawn in, and shrieking rendered impossible. Thus I also decided that the younger son was not bitten, and in other respects sought to elicit the artistical merits of this group. I wrote a letter on the subject to Oeser, who, however, did not show any special esteem for my interpretation, but only replied to my good will with general terms of encouragement. I was, however, fortunate enough to retain that thought, and to allow it to repose in me for several years, until it was at last annexed to the whole body of my experiences and convictions, in which sense I afterwards gave it in editing my _Propylæa._

After a zealous contemplation of so many sublime plastic works, I was not to want a foretaste of antique architecture. I found the cast of a capital of the Rotunda, and do not deny that at the sight of those acanthus-leaves, as huge as they were elegant, my faith in the northern architecture began somewhat to waver.

This early sight, although so great and so effective throughout my whole life, was nevertheless attended with but small results in the time immediately following. How willingly would I have begun a book, instead of ending one, with describing it; for no sooner was the door of the noble saloon closed behind me, than I wished to recover myself again, nay, I rather sought to remove those forms as cumbersome from my memory; and it was only by a long circuitous route that I was brought back into this sphere. However, the quiet fruitfulness is quite inestimable of those impressions, which are received with enjoyment, and without dissecting judgment. Youth is capable of this highest happiness, if it will not be critical, but allows the excellent and the good to act upon it without investigation and division.

[1] A polemic dissertation written on taking an university degree.--_Trans._

[2] Medicine.--_Trans._

[3] "Michel" is exactly to the Germans what "John Bull" is to the English.--_Trans._

[4] "Um den so genannten Pfaffen zu schaden." As we have not the word for a priest, which exactly expresses the contempt involved in "Pfaffe," the word "priestcraft" has been introduced.--_Trans._

[5] "Practically clever" is put as a kind of equivalent for the difficult word "geistreich."--_Trans._

[6] This English word is used in the original.--_Trans._

[7] A complete edition of Lenz's works was published by Tieck in 1828. In that will be found the essay and play in question, to the last of which he gives the name _Amor vincit omnia._--_Trans._

[8] The lines in Shakspeare, which the above are intended to imitate, are the following:--

"The praiseful princess pierc'd and prick'd a pretty pleasing pricket; Some say a sore; but not a sore till now made sore with shooting. The dogs did yell; put L to sore, then sorel jumps from thicket Or pricket, sore, or else sorel; the people fall a-hooting. If sore be sore, then L to sore makes fifty sores, O sore L! Of one sore I an hundred make, by adding but one more L."

Lenz's words, which cannot be rendered intelligibly into English, furnish an instance of Goethe's meaning, when he commends Lenz as happily catching the spirit of the original, without the slightest pretence to accuracy.--_Trans._

[9] The above doggrel is pretty faithful, but it is as well to give the original.

"Ein Ritter wohnt in diesem Haus; Ein Meister auch daneben; Macht man davon einen Blumenstrauss So wird's einen Rittmeister geben. Ist er nun Meister von dem Ritt Führt er mit Recht den Namen; Doch nimmt der Ritt den Meister mit, Weh ihm und seinem Samen." --_Trans._

[10] By this _daughter_ he means "Ottilie" in the _Elective Affinities._.--Trans.

TWELFTH BOOK

The wanderer had now at last reached home,--more healthy and cheerful than on the first occasion,--but still in his whole being there appeared something over-strained, which did not fully indicate mental health. At the very first I put my mother into the position, that, between my father's sincere spirit of order and my own various eccentricities, she was forced to occupy herself with bringing passing events into a certain medium. At Mayence, a harp-playing boy had so well pleased me, that, as the fair was close at hand, I invited him to Frankfort, and promised to give him lodging and to encourage him. In this occurrence appeared once more that peculiarity which has cost me so much in my lifetime,--namely, that I liked to see younger people gather round me and attach themselves to me, by which, indeed, I am at last encumbered with their fate. One unpleasant experience after another could not reclaim me from this innate impulse, which even at present, and in spite of the clearest conviction, threatens from time to time to lead me astray. My mother, clearer than myself, plainly foresaw how strange it would appear to my father, if a musical fair-vagabond went from such a respectable house to taverns and drinking-houses to earn his bread. Hence she provided him with board and lodging in the neighbourhood. I recommended him to my friends; and thus the lad did not fare badly. After several years I saw him again, when he had grown taller and more clumsy, without having advanced much in his art. The good lady, well contented with this first attempt at squaring and hushing up, did not think that this art would immediately become completely necessary to her. My father, leading a contented life amid his old tastes and occupations, was comfortable, like one who, in spite of all hindrances and delays, carries out his plans. I had now gained my degree, and the first step to the further graduating course of citizen-life was taken. My _Disputation_ had obtained his applause; a further examination of it, and many a preparation for a future edition gave him occupation. During my residence in Alsace, I had written many little poems, essays, notes on travel, and several loose sheets. He found amusement in bringing these under heads, in arranging them, and in devising their completion; and was delighted with the expectation that my hitherto insuperable dislike to see any of these things printed would soon cease. My sister had collected around her a circle of intelligent and amiable women. Without being domineering, she domineered over all, as her good understanding could overlook much, and her good-will could often accommodate matters; moreover, she was in the position of playing the confidant, rather than the rival. Of my older friends and companions, I found in Horn the unalterably true friend and cheerful associate. I also became intimate with Riese, who did not fail to practise and try my acuteness by opposing, with a persevering contradiction, doubt and negation to a dogmatic enthusiasm into which I too readily fell. Others, by degrees, entered into this circle, whom I shall afterwards mention; but among the persons who rendered my new residence in my native city pleasant and profitable, the brothers Schlosser certainly stood at the head. The elder, Heronymus, a profound and elegant jurist, enjoyed universal confidence as counsellor. His favourite abode was amongst his books and papers, in rooms where the greatest order prevailed; there I have never found him otherwise than cheerful and sympathising. In a larger society also he showed himself agreeable and entertaining, for his mind, by extensive reading, was adorned with all the beauty of antiquity. He did not, on occasion, disdain to increase the social pleasures by agreeable Latin poems; and I still possess several sportive distiches which he wrote under some portraits drawn by me of strange and generally known Frankfort caricatures. Often I consulted with him as to the course of life and business I was now commencing; and if an hundredfold inclinations and passions had not torn me from this path, he would have been my surest guide.

Nearer to me, in point of age, was his brother George, who had again returned from Treptow, from the service of the Duke Eugene of Würtemberg. While he had advanced in knowledge of the world and in practical talent, he had not remained behindhand in a survey of German and foreign literature. He liked, as before, to write in all languages; but did not further excite me in this respect, as I devoted myself exclusively to German, and only cultivated other languages so far as to enable me, in some measure, to read the best authors in the original. His honesty showed itself the same as ever; nay, his acquaintance with the world may have occasioned him to adhere with more severity and even obstinacy to his well-meaning views.

[Side-note: Merk.]

Through these two friends, I very soon became acquainted with Merck, to whom I had not been unfavourably announced by Herder, from Strasburg. This strange man, who had the greatest influence on my life, was a native of Darmstadt. Of his early education I can say but little. After finishing his studies, he conducted a young man to Switzerland, where he remained for some time, and came back married. When I made his acquaintance, he was military paymaster at Darmstadt. Born with mind and understanding, he had acquired much elegant knowledge, especially in modern literature, and had paid attention to all times and places in the history of the world and of man. He had the talent of judging with certainty and acuteness. He was prized as a thorough, decisive man of business, and a ready accountant. With ease he gained an entrance everywhere, as a very pleasant companion for those to whom he had not rendered himself formidable by sarcasms. His figure was long and lean; a sharp prominent nose was remarkable; light blue, perhaps grey eyes, gave something tiger-like to his glance, which wandered attentively here and there. Lavater's _Physiognomy_ has preserved his profile for us. In his character there was a wonderful contradiction. By nature a good, noble, upright man, he had embittered himself against the world, and allowed this morbid whim to sway him to such a degree, that he felt an irresistible inclination to be wilfully a rogue, or even a villain. Sensible, quiet, kind at one moment, it might strike him in the next---just as a snail puts out his horns--to do something which might hurt, wound, or even injure another. Yet as one readily associates with something dangerous when one believes oneself safe from it, I felt so much the greater inclination to live with him, and to enjoy his good qualities, since a confident feeling allowed me to suspect that he would not turn his bad side towards me. While now, by this morally restless mind,--by this necessity of treating men in a malignant and spiteful way, he on one side destroyed social life, another disquiet, which also he very carefully fostered within himself, opposed his internal comfort; namely he felt a certain _dilettantish_ impulse to production, in which he indulged the more readily, as he expressed himself easily and happily in prose and verse, and might well venture to play a part among the _beaux esprits_ of the time. I myself still possess poetical epistles, full of uncommon boldness, force, and Swift-like gall, which are highly remarkable from their original views of persons and things, but are at the same time written with such wounding power, that I could not publish them, even at present, but must either destroy them or preserve them for posterity as striking documents of the secret discord in our literature. However, the fact that in all his labours he went to work negatively and destructively, was unpleasant to himself, and he often declared that he envied me that innocent love of setting forth a subject which arose from the pleasure I took both in the original and the imitation.

For the rest, his literary _dilettantism_ would have been rather useful than injurious to him, if he had not felt an irresistible impulse to enter also into the technical and mercantile department. For when he once began to curse his faculties, and was beside himself that he could not, with sufficient genius, satisfy his claims to a practical talent, he gave up now plastic art, now poetry, and thought of mercantile and manufacturing undertakings, which were to bring in money while they afforded him amusement.

In Darmstadt there was besides a society of very cultivated men. Privy Councillor von Hess, Minister of the Landgrave, Professor Petersen, Rector Wenk, and others, were the naturalized persons whose worth attracted by turns many neighbours from other parts, and many travellers through the city. The wife of the privy councillor and her sister, Demoiselle Flachsland, were ladies of uncommon merit and talents; the latter, who was betrothed to Herder, being doubly interesting from her own qualities and her attachment to so excellent a man.

How much I was animated and advanced by this circle is not to be expressed. They readily heard me read aloud my completed or begun works; they encouraged me, when I openly and circumstantially told what I was then planning, and blamed me when on every new occasion I laid aside what I had already commenced. _Faust_ had already advanced; _Götz von Berlichingen_ was gradually building itself up in my mind: the study of the fifteenth and sixteenth centuries occupied me; and the minster had left in me a very serious impression, which could well stand as a background to such poetical inventions.

[Side-note: Paper on German Architecture.]

What I had thought and imagined with respect to that style of architecture, I wrote in a connected form. The first point on which I insisted was, that it should be called German, and not Gothic; that it should be considered not foreign, but native. The second point was, that it could not be compared with the architecture of the Greeks and Romans, because it sprang from quite another principle. If these, living under a more favourable sky, allowed their roof to rest upon columns, a wall, broken through, arose of its own accord. We, however, who must always protect ourselves against the weather, and everywhere surround ourselves with walls, have to revere the genius who discovered the means of endowing massive walls with variety, of apparently breaking them through, and of thus occupying the eye in a worthy and pleasing manner on the broad surface. The same principle applied to the steeples, which are not, like cupolas, to form a heaven within, but to strive towards heaven without, and to announce to the countries far around the existence of the sanctuary which lies at their base. The interior of these venerable piles I only ventured to touch by poetical contemplation and a pious tone.

If I had been pleased to write down these views, the value of which I will not deny, clearly and distinctly, in an intelligible style, the paper "On German Architecture, I: M: Ervini a Steinback," would then, when I published it, have produced more effect, and would sooner have drawn the attention of the native friends of art. But, misled by the example of Herder and Hamann, I obscured these very simple thoughts and observations by a dusty cloud of words and phrases, and both for myself and others, darkened the light which had arisen within me. However, the paper was well received, and reprinted in Herder's work on German manner and art.

If now, partly from inclination, partly with poetical and other views, I very readily occupied myself with the antiquities of my country, and sought to render them present to my mind, I was from time to time distracted from this subject by biblical studies and religious sympathies, since Luther's life and deeds, which shine forth so magnificently in the sixteenth century, always necessarily brought me back to the Holy Scriptures, and to the observation of religious feelings and opinions. To look upon the Bible as a work of compilation, which had gradually arisen, and had been elaborated at different times, was flattering to my little self-conceit, since this view was then by no means predominant,--much less was it received in the circle in which I lived. With respect to the chief sense, I adhered to Luther's expression; in matters of detail, I went to Schmidt's literal translation, and sought to use my little Hebrew as well as possible. That there are contradictions in the Bible, no one will now deny. These they sought to reconcile by laying down the plainest passage as a foundation, and endeavouring to assimilate to that those that were contradictory and less clear. I, on the contrary, wished to find out, by examination, what passage best expressed the sense of the matter. To this I adhered, and rejected the rest as interpolated.

For a fundamental opinion had already confirmed itself in me, without my being able to say whether it had been imparted to me, or had been excited in me, or had arisen from my own reflection. It was this,--that in anything which is handed down to us, especially in writing, the real point is the ground, the interior, the sense, the tendency of the work; that here lies the original, the divine, the effective, the intact, the indestructible; and that no time, no external operation or condition, can in any degree affect this internal primeval nature, at least no more than the sickness of the body affects a well-cultivated soul. Thus, according to my view, the language, the dialect, the peculiarity, the style, and finally the writing, were to be regarded as the body of every work of mind; this body, although nearly enough akin to the internal, was yet exposed to deterioration and corruption; as, indeed, altogether no tradition can be given quite pure, according to its nature; nor, indeed, if one were given pure, could it be perfectly intelligible at every following period,--the former on account of the insufficiency of the organs through which the tradition is made,--the latter on account of the difference of time and place,--but specially the diversify of human capacities and modes of thought; for which reason the interpreters themselves never agree.

Hence it is everybody's duty to seek out for what is internal and peculiar in a book which particularly interests us, and at the same time, above all things, to weigh in what relation it stands to our own inner nature, and how far, by that vitality, our own is excited and rendered fruitful. On the other hand, everything external that is ineffective with respect to ourselves, or is subject to a doubt, is to be consigned over to criticism, which, even if it should be able to dislocate and dismember the whole, would never succeed in depriving us of the only ground to which we hold fast, nor even in perplexing us for a moment with respect to our once formed confidence.

[Side-note: Study of the Bible.]

This conviction, sprung from faith and sight, which in all cases that we recognise as the most important, is applicable and strengthening, lies at the foundation of the moral as well as the literary edifice of my life, and is to be regarded as a well-invested and richly productive capital, although in particular cases we may be seduced into making an erroneous application. By this notion, the Bible first became really accessible to me. I had, as is the case in the religious instruction of Protestants, run through it several times, nay, had made myself acquainted with it, by way of leaps from beginning to end and back again. The blunt naturalness of the Old Testament, and the tender _naïveté_ of the New, had attracted me in particular instances; as a whole, indeed, it never properly appealed to me; but now the diverse characters of the different books no more perplexed me; I knew how to represent to myself their significance faithfully and in proper order, and had too much feeling for the book to be ever able to do without it. By this very side of feeling I was protected against all scoffing, because I saw its dishonesty at once. I not only detested it, but could even fall in a rage about it; and I still perfectly remember that in my childishly fanatical zeal I should have completely throttled Voltaire, on account of his _Saul_, if I could only have got at him. On the other hand, every kind of honest investigation pleased me greatly; the revelations as to the locality and costume of the East, which diffused more and more light, I received with joy, and continued to exercise all my acuteness on such valuable traditions.

It is known that at an earlier period I sought to initiate myself into the situation of the world, as described to us by the first book of Moses. As I now thought to proceed stepwise, and in proper order, I seized, after a long interruption, on the second book. But what a difference! Just as the fulness of childhood had vanished from my life, so did I find the second book separated from the first by a monstrous chasm. The utter forgetfulness of a bygone time is already expressed in the few important words, "Now there arose a new king over Egypt, which knew not Joseph." But the people also, innumerable as the stars of heaven, had almost forgotten the ancestor to whom, under the starry heaven, Jehovah had made the very promise which was now fulfilled. I worked through the five books with unspeakable trouble and insufficient means and powers, and in doing this fell upon the strangest notions. I thought I had discovered that it was not our ten commandments which stood upon the tables that the Israelites did not wander through the desert for forty years, but only for a short time; and thus I fancied that I could give entirely new revelations as to the character of Moses.

Even the New Testament was not safe from my inquiries; with my passion for dissection, I did not spare it, but with love and affection I chimed in with that wholesome word, "The evangelists may contradict each other, provided only the gospel does not contradict itself." In this region also I thought I should make all sorts of discoveries. That gift of tongues imparted at Pentecost with lustre and clearness, I interpreted for myself in a somewhat abstruse manner, not adapted to procure many adherents.

Into one of the chief Lutheran doctrines, which has been still more sharpened by the Hernhuters,--namely, that of regarding the sinful principle as predominant in man,--I endeavoured to accommodate myself, but without remarkable success. Nevertheless I had made the terminology of this doctrine tolerably my own, and made use of it in a letter, which, in the character of country pastor, I was pleased to send to a new brother in office. However, the chief theme in the paper was that watchword of the time, called "Toleration," which prevailed among the better order of brains and minds.

Such things, which were produced by degrees, I had printed at my own cost in the following year, to try myself with the public,--made presents of them, or sent them to Eichenberg's shop, in order to get rid of them as fast as possible, without deriving any profit myself. Here and there a review mentions them, now favourably, now unfavourably,--but they soon passed away. My father kept them carefully in his archives, otherwise I should not have possessed a copy of them. I shall add these, as well as some things of the kind which I have found, to the new edition of my works.

[Side-note: Hamann.]

Since I had really been seduced into the sybilline style of such papers, as well as into the publication of them, by Hamann, this seems to me a proper place to make mention of this worthy and influential man, who was then as great a mystery to us as he has always remained to his native country. His _Socratio Memorabilia_ was more especially liked by those persons who could not adapt themselves to the dazzling spirit of the time. It was suspected that he was a profound, well-grounded man, who, accurately acquainted with the public world and with literature, allowed of something mysterious and unfathomable, and expressed himself on this subject in a manner quite his own. By those who then ruled the literature of the day, he was indeed considered an abstruse mystic, but an aspiring youth suffered themselves to be attracted by him. Even the "Quiet-in-the-lands," as they were called--half in jest, half in earnest--those pious souls, who, without professing themselves members of any society, formed an invisible church, turned their attention to him; while to my friend Fräulein von Klettenberg, and no less to her friend Moser, the "Magus from the North" was a welcome apparition. People put themselves the more in connexion with him, when they had learned that he was tormented by narrow domestic circumstances, but nevertheless understood how to maintain this beautiful and lofty mode of thought. With the great influence of President von Moser, it would have been easy to provide a tolerable and convenient existence for such a frugal man. The matter was set on foot, nay, so good an understanding and mutual approval was attained, that Hamann undertook the long journey from Königsberg to Darmstadt. But as the president happened to be absent, that odd man, no one knows on what account, returned at once, though a friendly correspondence was kept up. I still possess two letters from the Königsberger to his patron, which bear testimony to the wondrous greatness and sincerity of their author.

But so good an understanding was not to last long. These pious men had thought the other one pious in their own fashion; they had treated him with reverence as the "Magus of the North," and thought that he would continue to exhibit himself with a reverend demeanour. But already in the _Clouds_, an after-piece of _Socratic Memorabilia_, he had given some offence; and when he now published the _Crusades of a Philologist_, on the title-page of which was to be seen not only the goat-profile of a horned Pan, but also on one of the first pages, a large cock, cut in wood, and setting time to some young cockerels, who stood before him with notes in their claws, made an exceedingly ridiculous appearance, by which certain church-music, of which the author did not approve, was to be made a laughing-stock,--there arose among well-minded and sensitive people a dissatisfaction, which was exhibited to the author, who, not being edified by it, shunned a closer connexion. Our attention to this man was, however, always kept alive by Herder, who, remaining in correspondence with us and his betrothed, communicated to us at once all that proceeded from that extraordinary man. To these belonged his critiques and notices, inserted in the _Königsberg Zeitung_, all of which bore a very singular character. I possess an almost complete collection of his works, and a very important essay on Herder's prize paper concerning the origin of language, in which, in the most peculiar manner, he throws flashes of light upon this specimen of Herder.

I do not give up the hope of superintending myself, or at least furthering, an edition of Hamann's works; and then, when these documents are again before the public, it will be time to speak more closely of the author, his nature and character. In the meanwhile, however, I will here adduce something concerning him, especially as eminent men are still living who felt a great regard for him, and whose assent or correction will be very welcome to me. The principle to which all Hamann's expressions may be referred is this: "All that man undertakes to perform, whether by deed, by word, or otherwise, must proceed from all his powers united; everything isolated is worthless." A noble maxim, but hard to follow. To life and art it may indeed be applied, but in every communication by words, that is not exactly poetic, there is, on the contrary, a grand difficulty; for a word must sever itself, isolate itself, to say or signify anything. Man, while he speaks, must, for the moment, become one-sided; there is no communication, no instruction, without severing. Now since Hamann, once for all, opposed this separation, and because he felt, imagined, and thought in unity, chose to speak in unity likewise, and to require the same of others, he came into opposition with his own style, and with all that others produced. To produce the impossible, he therefore grasps at every element; the deepest and most mystical contemplations in which nature and mind meet each other-illuminating flashes of the understanding, which beam forth from such a contact--significant images, which float in these regions--forcible aphorisms from sacred and profane writers--with whatever else of a humorous kind could be added--all this forms the wondrous aggregate of his style and his communications. If, now, one cannot associate oneself with him in his depths--cannot wander with him on his heights--cannot master the forms which float before him--cannot, from an infinitely extended literature, exactly find out the sense of a passage which is only hinted at--we find that the more we study him, the more dim and dark it becomes; and this darkness always increases with years, because his allusions were directed to certain definite peculiarities which prevailed, for the moment, in life and in literature. In my collection there are some of his printed sheets, where he has cited with his own hand, in the margin, the passages to which his hints refer. If one opens them, there is again a sort of equivocal double light, which appears to us highly agreeable; only one must completely renounce what is ordinarily called understanding. Such leaves merit to be called sybilline, for this reason, that one cannot consider them in and for themselves, but must wait for an opportunity to seek refuge with their oracles. Every time that one opens them one fancies one has found something new, because the sense which abides in every passage touches and excites us in a curious manner.

Personally I never saw him; nor did I hold any immediate communication with him by means of letters. It seems to me that he was extremely clear in the relations of life and friendship, and that he had a correct feeling for the positions of persons among each other, and with reference to himself. All the letters which I saw by him were excellent, and much plainer than his works, because here the reference to time, circumstances, and personal affairs, was more clearly prominent. I thought, however, that I could discern this much generally, that he, feeling the superiority of his mental gifts, in the most _naïve_ manner, always considered himself somewhat wiser and more shrewd than his correspondents, whom he treated rather ironically than heartily. If this held good only of single cases, it applied to the majority, as far as my own observation went, and was the cause that I never felt a desire to approach him.

On the other hand, a kindly literary communication between Herder and us was maintained with great vivacity, though it was a pity that he could not keep himself quiet. But Herder never left off his teazing and scolding; and much was not required to irritate Merck, who also contrived to excite me to impatience. Because now Herder, among all authors and men, seems to respect Swift the most, he was among us called the "Dean," and this gave further occasion to all sorts of perplexities and annoyances.

Nevertheless we were highly pleased when we learned that he was to have an appointment at Bückeburg, which would bring him double honour, for his new patron had the highest fame as a clear-headed and brave, though eccentric man. Thomas Abt had been known and celebrated in this service; his country still mourned his death, and was pleased with the monument which his patron had erected for him. Now Herder, in the place of the untimely deceased, was to fulfil all those hopes which his predecessor had so worthily excited.

The epoch in which this happened gave a double brilliancy and value to such an appointment; for several German princes already followed the example of the Count of Lippe, inasmuch as they took into their service not merely learned men, and men of business, properly so called, but also persons of mind and promise. Thus, it was said, Klopstock had been invited by the Margrave Charles of Baden, not for real business, but that by his presence he might impart a grace and be useful to the higher society. As now the regard felt for this excellent prince, who paid attention to all that was useful and beautiful, increased in consequence, so also was the veneration for Klopstock not a little heightened. Everything that emanated from him was held dear and valuable; and we carefully wrote down his odes and elegies as we could get them. We were therefore highly delighted when the great Land-gravine Caroline of Hesse-Darmstadt made a collection of them, and we obtained possession of one of the few copies, which enabled us to complete our own manuscript collection. Hence those first readings have long been most in favour with us; nay, we have often refreshed and delighted ourselves with poems which the author afterwards rejected. So true it is, that the life which presses forth out of a "fine soul" works with the greater freedom the less it appears to be drawn by criticism into the department of art.

Klopstock, by his character and conduct, had managed to attain regard and dignity, both for himself and for other men of talent; now they were also, if possible, to be indebted to him for the security and improvement of their domestic condition. For the book-trade, in the previous period, had more to do with important scientific books, belonging to the different faculties--with stock-works, for which a moderate remuneration was paid. But the production of poetical works was looked upon as something sacred; and in this case the acceptance or increase of any remuneration would have been regarded almost as simony. Authors and publishers stood in the strangest reciprocal position. Both appeared, accordingly as it was taken, as patrons and clients. The authors, who, irrespectively of their talent, were generally respected and levered by the public as highly moral men, had a mental rank, and felt themselves rewarded by the success of their labours; the publishers were well satisfied with the second place, and enjoyed a considerable profit. But now opulence again set the rich bookseller above the poor poet, and thus everything stood in the most beautiful equilibrium. Magnanimity and gratitude were not unfrequent on either side. Breitkopf and Gottsched lived, all their lives, as inmates of the same house. Stinginess and meanness, especially that of piracy, were not yet in vogue.

[Side-note: Commotion in the Book-Trade.]

Nevertheless a general commotion had arisen among the German authors. They compared their own very moderate, if not poor condition, with the wealth of the eminent booksellers; they considered how great was the fame of a Gellert, of a Rabener, and in what narrow domestic circumstances an universally esteemed German poet must struggle on, if he did not render life easy by some other calling. Even the mediocre and lesser minds felt a strong desire to see their situation improved,--to make themselves free of the publishers.

Now Klopstock came forward and offered his "Republic of Letters" (_Gelehrte-Republik_) for subscription. Although the latter cantos of the _Messiah_, partly on account of their subject, partly on account of the treatment, could not produce the same effect as the earlier ones, which, themselves pure and innocent, came into a pure and innocent time, the same respect was always maintained for the poet, who, by the publication of his odes, had drawn to himself the hearts, minds, and feelings of many persons. Many well-thinking men, among whom were several of great influence, offered to secure payment beforehand. This was fixed at a _Louis d'or_, the object being, it was said, not so much to pay for the book, as on this occasion to reward the author for his services to his country. Now every one pressed forward; even youths and young girls, who had not much to expend, opened their saving-boxes; men and women, the higher and the middle classes, contributed to this holy offering; and perhaps a thousand subscribers, all paying in advance, were collected. Expectation was raised to the highest pitch, and confidence was as great as possible.

After this, the work, on its appearance, was compelled to experience the strangest result in the world; it was, indeed, of important value, but by no means universally interesting. Klopstock's thoughts on poetry and literature were set forth in the form of an old German Druidical republic; his maxims on the true and false were expressed in pithy laconic aphorisms, in which, however, much that was instructive was sacrificed to the singularity of form. For authors and _littérateurs_, the book was and is invaluable; but it was only in this circle that it could be useful and effective. He who had thought himself followed the thinker; he who knew how to seek and prize what was genuine, found himself instructed by the profound, honest man; but the amateur, the general reader, was not enlightened,--to him the book remained sealed; and yet it had been placed in all hands; and while every one expected a perfectly serviceable work, most of them obtained one from which they could not get the smallest taste. The astonishment was general, but the esteem for the man was so great, that no grumbling, scarcely a murmur, arose. The young and beautiful part of the world got over their loss, and now freely gave away the copies they had so dearly purchased. I received several from kind female friends, but none of them have remained with me.

This undertaking, which was successful to the author, but a failure to the public, had the ill consequence, that there was now no further thought about subscriptions and prepayments; nevertheless the wish had been too generally diffused for the attempt not to be renewed. The Dessau publishing-house now offered to do this on a large scale. Learned men and publishers were here, by a close compact, to enjoy, both in a certain proportion, the hoped-for advantage. The necessity, so long painfully felt, again awakened a great confidence; but this could not last long; and after a brief endeavour the parties separated, with a loss on both sides.

[Side-note: Combination of young poets.]

However, a speedy communication among the friends of literature was already introduced. The _Musenalmanache_[1] united all the young poets with each other; the journals united the poet with other authors. My own pleasure in production was boundless; to what I had produced I remained indifferent; only when, in social circles, I made it present to myself and others, my affection for it was renewed. Moreover, many persons took an interest in both my larger and smaller works, because I urgently pressed every one who felt in any degree inclined and adapted to production, to produce something independently, after his own fashion, and was, in turn, challenged by all to new poetising and writing. These mutual impulses, which were carried even to an extreme, gave every one a happy influence in his own fashion; and from this whirling and working, this living and letting-live, this taking and giving, which was carried on by so many youths, from their own free hearts, without any theoretical guiding-star, according to the innate character of each, and without any special design, arose that famed, extolled, and decried epoch in literature, when a mass of young genial men, with all that audacity and assumption which is peculiar to their own period of youth, produced, by the application of their powers, much that was good, and by the abuse of these, much ill-feeling and mischief; and it is, indeed, the action and reaction which proceeded from this source, that form the chief theme of this volume.

In what can young people take the highest interest, how are they to excite interest among those of their own age, if they are not animated by love, and if affairs of the heart, of whatever kind they may be, are not living within them? I had in secret to complain of a love I had lost; this made me mild and tolerant, and more agreeable to society than in those brilliant times when nothing reminded me of a want or a fault, and I went storming along completely without restraint.

Frederica's answer to a written adieu rent my heart. It was the same hand, the same tone of thought, the same feeling, which had formed itself for me and by me. I now, for the first time, felt the loss which she suffered, and saw no means to supply it, or even to alleviate it. She was completely present to me; I always felt that she was wanting to me and, what was worst of all, I could not forgive myself for my own misfortune. Gretchen had been taken away from me; Annette had left me; now, for the first time, I was guilty I had wounded the most beautiful heart to its very depths; and the period of a gloomy repentance, with the absence of a refreshing love, to which I had grown accustomed, was most agonising, nay, insupportable. But man will live; and hence I took an honest interest in others; I sought to disentangle their embarrassments, and to unite what was about to part, that they might not have the same lot as myself. They were hence accustomed to call me the "confidant," and on account of wandering about the district, the "wanderer." In producing that calm for my mind, which I felt under the open sky, in the valleys, on the heights, in the fields and in the woods, the situation of Frankfort was serviceable, as it lay in the middle between Darmstadt and Hamburg, two pleasant places, which are on good terms with each other, through the relationship of both courts. I accustomed myself to live on the road, and, like a messenger, to wander about between the mountains and the flat country. Often I went alone, or in company, through my native city, as if it did not at all concern me, dined at one of the great inns in the High-street, and after dinner went further on my way. More than ever was I directed to the open world and to free nature. On my way I sang to myself strange hymns and dithyrambics, of which one entitled "The Wanderer's Storm-song" (_Wanderer's Sturmlied_) still remains. This half-nonsense I sang aloud, in an impassioned manner, when I found myself in a terrific storm, which I was obliged to meet.

My heart was untouched and unoccupied; I conscientiously avoided all closer connexion with ladies, and thus it remained concealed from me, that, inattentive and unconscious as I was, an amiable spirit was secretly hovering round me. It was not until many years afterwards, nay, until after her death, that I learned of her secret heavenly love, in a manner that necessarily overwhelmed me. But I was innocent, and could purely and honestly pity an innocent being; nay, I could do this the more, as the discovery occurred at an epoch when, completely without passion, I had the happiness of living for myself and my own intellectual inclinations.

At the time when I was pained by my grief at Frederica's situation, I again, after my old fashion, sought aid from poetry. I again continued the poetical confession which I had commenced, that by this self-tormenting penance I might be worthy of an internal absolution. The two Marias in _Götz von Berlichingen_ and _Clavigo_, and the two bad characters who play the part of their lovers, may have been the results of such penitent reflections.

[Side-note: Skating.]