Chapter VII: Part V: Chamber Music
XIV. THE BEGINNINGS OF CHAMBER MUSIC 467
The term ‘chamber music’; fifteenth-century dances; lute
music, early suites; vocal ‘chamber music’--Early
‘sonatas’: Gabrieli; Rossi; Marini; etc.--Vitali, Veracini,
Bassani and Corelli; Corelli’s pupils; Vivaldi; Bach and
Handel.
XV. THE FIRST PERIOD OF THE STRING QUARTET 486
The four-part habit of writing in instrumental
forms--Pioneers of the string quartet proper: Richter,
Boccherini and Haydn; Haydn’s early quartets--The Viennese
era of the string quartet; Haydn’s _Sonnen_ quartets; his
‘Russian’ quartets; his later quartets--W. A. Mozart;
Sammartini’s influence; Mozart’s early (Italian) quartets;
Viennese influences; Mozart’s Viennese quartets--His last
quartets and their harmonic innovations.
XVI. THE STRING QUARTET: BEETHOVEN 509
Beethoven’s approach to the string quartet; incentives; the
six quartets opus 18--The Rasumowsky quartets; _opera_
74 and 95--The great development period; the later
quartets, op. 127 _et seq._: The E-flat major (op. 127)--The
A minor (op. 132); the B-flat major (op. 130); the
C-sharp minor (op. 131); the F major (op. 135).
XVII. THE STRING ENSEMBLE SINCE BEETHOVEN 534
The general trend of development: Spohr, Cherubini,
Schubert--Mendelssohn, Schumann and Brahms, etc.--New
developments: César Franck, d’Indy, Chausson--The
characteristics of the Russian schools: Tschaikowsky,
Borodine, Glazounoff and others--Other national types:
Grieg, Smetana, Dvořák--The three great quartets since
Schubert and what they represent; modern quartets and the
new quartet style: Debussy, Ravel, Schönberg--Conclusion.
XVIII. THE PIANOFORTE AND OTHER INSTRUMENTS IN CHAMBER MUSIC 573
The trio--Pianoforte quartets and quintets--Sonatas for
violoncello and piano--The piano with wind
instruments--Chamber music for wind instruments by the great
composers.
ILLUSTRATIONS IN VOLUME SEVEN
‘Home Concert’ painting by Fritz von Uhde (in colors) _Frontispiece_
FACING
PAGE
The Virginal and the Gravicembalo 8
The Clavichord and the Harpsichord 8
Title page of Kuhnau’s ‘Neue Clavier-Übung’ 32
Fac-simile of Bach’s Manuscript of the Prelude in C major
(Well-Tempered Clavichord) 80
Harpsichord Composers (D. Scarlatti, Couperin, C. P. E. Bach,
Clementi) 110
Beethoven’s Broadwood Piano 156
Pianoforte Classics (Moscheles, Czerny, Hummel, Field) 182
Caricature of Johannes Brahms on His Way to
the ‘Red Porcupine’ 238
Frédéric Chopin (after painting by Ary Scheffler) 268
Anton Rubinstein’s Hand 332
Famous Pianists (d’Albert, Busoni, Gabrilowitch, Paderewski) 364
Relatives of the Violin 372
Stradivarius at Work 386
Great Violin Composers (Corelli, Vivaldi, Tartini) 398
Caricature Statuette of Paganini 438
Great Violinists (Wieniawski, Joachim, Vieuxtemps, de Bériot) 448
Modern Violinists (Sarasate, Kreisler, Ysaye, Thibaut) 464
‘The Concert’; painting by Terborch (in colors) 476
Pioneers of the String Quartet (Boccherini, Haydn, Richter
and Dittersdorf) 488
Ludwig Spohr 536
The Flonzaley Quartet 550
Great 'Cellists (Popper, Gerardi, Casals) 596
Arnold Schönberg 602
PIANOFORTE AND CHAMBER MUSIC
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The art of music, Vol. 07 (of 14)Chapter VII: Part V: Chamber Music
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