The art of music, Vol. 07 (of 14)
by OpenStories
"The Art of Music, Volume 07 (of 14), Pianoforte and Chamber Music" by Daniel Gregory Mason is a comprehensive collection of information dedicated to music lovers and musicians, written in the early 20th century. This volume in particular focuses on the history, development, and intricacies of pianoforte and chamber music, detailing how great composers have adapted their techniques to this beloved instrument. The text likely serves as both an educational resource and a reflective exploration of the evolving art of music. The opening of this volume begins with the transcriber's notes explaining the formatting for the text, including how musical examples are represented in different formats. Following this is a preface that sets the stage for the content, with the editor stating that while a detailed history is not the aim, the chapters will reflect the contributions of masters to the art of pianoforte and chamber music through the ages. A particular emphasis is placed on composers like Beethoven and Chopin, and how they innovatively utilized the pianoforte and chamber formats to express a range of emotions and complexities in their work. The introduction further discusses chamber music's essence, highlighting its intimacy and the skill required for performance, marking it as a divine form of musical expression distinct from larger orchestral compositions.
The art of music, Vol. 07 (of 14), from the public domain. Republished by OpenStories from Project Gutenberg eBook #72303.
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34 Chapters
- 1.Front Matter662 words
- 2.Introduction2,282 words
- 3.Part I: The Classical Period of Pianoforte Music339 words
- 4.Part II: The Romantic Period of Pianoforte Music185 words
- 5.Part III: Modern Pianoforte Music82 words
- 6.Part IV: Violin Music217 words
- 7.Part V: Chamber Music354 words
- 8.Chapter I: Keyboard Instruments and the Development of Keyboard Technique (1)8,898 words
- 9.Chapter I: Keyboard Instruments and the Development of Keyboard Technique (2)3,531 words
- 10.Chapter II: The Golden Age of Harpsichord Music (1)8,819 words
- 11.Chapter II: The Golden Age of Harpsichord Music (2)6,785 words
- 12.Chapter III: The Development of the Sonata Form (1)8,894 words
- 13.Chapter III: The Development of the Sonata Form (2)4,244 words
- 14.Chapter IV: Haydn, Mozart, and Beethoven (1)8,840 words
- 15.Chapter IV: Haydn, Mozart, and Beethoven (2)5,442 words
- 16.Chapter V: Pianoforte Music at the Time of Beethoven11,181 words
- 17.Chapter VI: Mendelssohn, Schumann and Brahms (1)8,917 words
- 18.Chapter VI: Mendelssohn, Schumann and Brahms (2)3,459 words
- 19.Chapter VII: Chopin10,623 words
- 20.Chapter VIII: Herz, Thalberg, and Liszt11,521 words
- 21.Chapter IX: Imitators and Nationalists6,478 words
- 22.Chapter X: Modern French Pianoforte Music8,407 words
- 23.Chapter XI: Early Violin Music and the Development of Violin Technique3,483 words
- 24.Section IV3,799 words
- 25.Chapter XII: Violin Composers in the Eighteenth Century10,579 words
- 26.Chapter XIII: Violin Music in the Nineteenth Century11,674 words
- 27.Chapter XIV: The Beginnings of Chamber Music5,086 words
- 28.Chapter XV: The First Period of the String Quartet7,241 words
- 29.Chapter XVI: The String Quartet: Beethoven7,656 words
- 30.Chapter XVII: The String Ensemble Since Beethoven (1)8,895 words
- 31.Chapter XVII: The String Ensemble Since Beethoven (2)3,103 words
- 32.Chapter XVIII: The Pianoforte and Other Instruments in Chamber Music (1)8,913 words
- 33.Chapter XVIII: The Pianoforte and Other Instruments in Chamber Music (2)7,194 words
- 34.Chapter XVIII: The Pianoforte and Other Instruments in Chamber Music (3)344 words