Chapter XVII: Appendix: F

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BULFINCH, THOMAS: Age of Fables, John D. Morris & Co., No. 122 of Edition de Luxe.

CAESAR, JULIUS: De Bello Gallico.

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DARWIN, CHARLES: Descent of Man, 1909, Appleton & Co., Second Edition.

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HELMHOLTZ, HERMANN L. F.: Sensations of Tone, 1912, Longmans, Green & Co.

HAEKEL, ERNST: Riddle of the Universe, Harper & Bros., N. Y. and London.

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VITA.

The writer was graduated from New York University in 1900 with the degree of Bachelor of Laws. She entered Columbia University in 1907 where she received the degrees of Bachelor of Music in 1910, and of Master of Arts in 1911.

She is the author of “The Advanced School of Vocal Art,” and of various operatic libretti, and the translator of numerous published poems from the French, German, Italian and Spanish.

During 1902-1904, she was a contributor from Russia to “The Brooklyn Daily Eagle,” and, in 1912, to various periodicals. During 1904-1913, she was one of the four directors of The Powell and Pirani Musical Institute of Brooklyn, New York.

In 1909, she was one of the incorporators of “The Public Good Society of New York City,” and was elected its president, which position she still holds.

In 1912 she was elected honorary member of the American Philharmonic Society.

INDEX

_A_

Abnormality in Modern Life, 64

Accident at Sea, 45

Adaptation of physical functions, 22

Adequate training, 9

Age of Music, 36

Agitation, 6

Agitation tranquillized, 41

American craving for rhythm, 95

American industry, 8

American talent, 8

American type of music, 93

Animals and musical sound, 27

Appeal of the work, 14

Appreciation in music, 33

Aryan appreciation, 39

Aryan disturbances, 39

Aryan talent, 25

Auber and the social mind, 87

Austria, 114

Awakening in Italy, 67

_B_

Barbarism and its music, 37

Barders of Tacitus, 30

Bavaria, 115

Belgium, 117

Bellini and the social mind, 62

Berlioz and the social mind, 85

Bibliography, 138

Boildieu and the social mind, 86

British emotions, 69

_C_

Canada and its type of Music, 50

Catholicism and the ideo-Motor element, 51

Characterization in music, 30

Characteristic Italian composition, 67

Children and Sound, 29

Chinese use of music, 24

Chopin and the social mind, 85

Church influence and the ballad, 91

Church Choirs, 54

Church pressure in the United States, 94

Civilization and bodily disturbance, 7

Civilization and rhythm disturbances, 37

Classes reached by musical schools, 10

Complexity in social pressure, 93

Complexity in music, 32-36

Complications in Orchestration, 85-87

Concerted volition in music, 34

Concert Tests in Coney Island, 41

Concert Tests in England, 41

Concert Tests in Germany, 41

Concert Tests in Russia, 41

Concert Tests in United States, 41

Concert Tests upon Italian Stone Cutters, 50

Coney Island response to Musical Stimulus, 43

Contrasts in French and German re-actions, 84

_D_

Dancing a need, 65

Darwin’s theory of music, 19

Dawn of musical history, 38

Deafness and carriage motion, 48

Deafness and music, 48

Deafness and the telephone, 48

Decay of the Gens, 36-37

Denmark, 118

Depression and Musical stimulus, 46

Desire for music, 14

Development of ideas, 25

Development of internal integrations, 23

Disturbance expressions, 24

Disturbance of bodily rhythm, 6

Disturbances defined, 32

Dogmatic emotional need, 51

Donizetti and the social mind, 62

_E_

Economic movements, 5

Effects of rhythmic stimulus, 42-46

Emotional forces, 5

Emotional products in music, 56

Emotions and sound, 13

England, 119

English composition, 69

English support of musical culture, 70

Equador, 121

European recognition of Musical need, 10

Evolution Stages (a) Appreciation, 33
(b) Utilization, 33
(c) Characterization, 33
(d) Socialization, 33

Evolution of the Eye, 22

Ethnic music, 36

Excitable natures, 48

Experiments, 43

_F_

Fees, 105

First responses to stimuli, 22

First inter-change of ideas, 22

First rhythmic inventions, 23

Foreign talent, 94

France, 81-122

Franck and the social mind, 89

French intellectualism in music, 56

French opera, 85

French re-actions, 81

_G_

Gens system and emotionalism, 39

Gentile family, 36

German folk spirit, 74

German grand opera, 49

German lieder, 49

Germanic tribal music, 29

Germany, 71

Giddings note, 34

Greek Church type, 50

Gounod and the social mind, 89

Group re-action to music, 41

Group tendency in music, 7

_H_

Haeckel’s note, 21

Heart action and modern stimuli, 29

Heroic opera, 74

Hindus and the musical ideal, 24

Holland, 123

Human liking for like musical motion, 35

Hungary, 129-135

Hylobates syndactylus, 22

Hymnal music, 92

_I_

Ideo emotional groups, 49

Indebtedness for statistics, 16

Individual experiments, 47

Inspiration in Columbia College courses, 17

Intellectual stimuli of tribal life, 27

Italian Ideals, 65

Italian life and papal authority, 62

Italy, 125

_J_

Japan’s use of music, 24

_K_

Knightly ballad taste, 72

_L_

Laws of motion and the body, 58

Laws of need, 42

Lectures with music, 45

Lectures without music, 45

Life preservation and music, 58

Live force in musical vibrations, 26

_M_

Massenet and the social mind, 89

Mascagni and the social mind, 67

Mean rhythm of aggregates, 31

Measurement of musical effects, 26

Mental attitude of 1821, 74

Mendelssohn and the social pressure, 76

Meyerbeer and the social mind, 87

Milder stimuli and musical expression, 80

Mission of music, 13

Music and Motion, 31

Music as a health measure, 55

Music as a national need, 28

Music and national disturbances, 60

Music as an incident force, 59

Music and social control, 16

Music for rhythm maintenance, 31

Music as an industry, 9

Music in Colleges, 10

Music taxation, 11

Music of birds, 27

Music in carriage motion, 48

Musical employment field, 8-94

Musical madness, 89

Musical statistics, 12

Musical tone in railway motions, 48

Musical tone in telephones, 48

Musical tone in wash of waves, 48

Musical tone in winds, 48

Musical valves for American emotionalism, 95

_N_

Napoleon’s influence on music, 83

National control of music, 7

National stimuli, 60

National type of music, 10-55

Nature and music, 19

New combination of tone and nerve, 59

New organs for new stimuli, 37

Normal pulse action, 56

Normalizing effect of music, 48

Northern immigration, 92

Norway, 124

_O_

Ocean Grove mental type, 51

Opera comique under Mehul, 86

Orchestral complexity, 85

_P_

Paleolithic man and percussion, 36

Panic calmed by National songs, 46

Partially deaf re-actions to music, 27

Passion for homogeneity, 36

Peace and Parsifal, 80

Peace and religious agitation, 88

Periodic Motions, 39

Phlegmatic natures, 48

Pioneer life and social pressure, 91

Popular waves of feeling, 6

Primitive man’s rhythmic life, 21

Primitive speech as rhythmic disturber, 23

Proper study of music, 15

Prussia, 127

Public emotionalism, 6

Public school musical instruction, 94

_R_

Rational thinking and Gidding’s definition, 40

Rationalistic group, 52

Rationalistic music, 52

Real elements of music, 22

Rebellious fanaticism, 83

Recent absurdities in musical form, 62

Recent immigration, 93

Realm of musical need, 53

Reflective Sympathy and music, 35

Response of the masses, 5

Registration of rhythm, 39

Religious atmosphere in U. S., 92

Revolutionary character of Tristan 1865, 78

Rise of industrial complications, 92

Rossini and the social mind, 62-86

Russia, 130

Russian audiences, 49

_S_

Saint-Saens and the social mind, 89

Savagery and its music, 37

Saxony, 131

Schumann and the social mind, 49

Science and musical study, 15

Schubert and the social mind, 72

Separation of church and state, 89

Social want, 10

Social welfare, 15

Social mind in France, 82

Sociological terminology in music, 35

Sources of conclusions, 41

Sources of statistics, 74-99

Spencer’s theory of music, 20

Spontini and the Napoleonic regime, 86

State and Municipal expenditure, 10

Strenuous years 1848 to 1860, 65

_T_

Tension in strikes, 46

Tests among revolutionary elements, 54

Tendency toward musical equality, 36

Theory of rhythm, 12

Thesis, 7

Toneurology, 56

Tragedy element in Italian life, 61

Tribal life and rhythmic disturbances, 23

_U_

United States, 91-133

Untalented citizens, 15

Universal craving for music, 53

Utility aspect of music, 33

_V_

Value of New York expenditures, 10

Value of percussion, 23

Value of music with the dance, 64

Verdi and the social mind, 65

Vibratory impulse, 30

Vita, 143

Vocalism extraordinary, 62

Von Weber and the social mind, 74

_W_

Wagner and the social mind, 50

Wallascheks, 20

Waltz, social significance of, 77

War factor in music of tribes, 25

Wave (the) of emotionalism 1861, 92

Western music, 9

Working girl’s tests, 41-54

Working girl’s club, 46

Transcriber’s Notes

Errors in punctuation have been fixed.

Page 19: “there mnst lie” changed to “there must lie”

Page 24: “sub-conscions recognition” changed to “sub-conscious recognition”

Page 27: “same muscial environment” changed to “musical environment”

Page 39: “held togther” changed to “held together”

Page 46: “the “Marsellaise”” changed to “the “Marseillaise””

Page 58: “pyschology” changed to “psychology” in two locations

Page 73: “Eightenth century” changed to “Eighteenth century”

Page 75: “paino works” changed to “piano works”

Page 87: “musical composiiton” changed to “musical composition”

Page 92: “the agitaiton of” changed to “the agitation of”

Page 94: “thousands of professioanl” changed to “thousands of professional”

Page 148: “Primitive speach” changed to “Primitive speech” “Sources of satistics” changed to “Sources of statistics”

Page 150: “life and rhythmis” changed to “life and rhythmic”