Chapter CXXXIX: Section 9: The time had now come for Thyrsis to put his job through

There was no longer any excuse for hesitation or delay. The book had come to ripeness in him; the birth-hour was at hand, and he must go and have it out with himself. He explained these things to Corydon, sitting beside her and holding her hands; they ascended once more to the heights of consecration; they renewed their vows of fortitude and faith, and then he went away.

For weeks thereafter he would be like the ghost of a man in the house, haggard and silent and preoccupied. All the work that he had ever done in his life seemed but child’s play in comparison. Before this he had portrayed the struggles of men and women; but now he was to portray the agony of a whole nation--his heart must beat with the pulse of millions of suffering people. And the task was like a fiend that came upon him in the night-time and laid hold of him, dragging him away to sights of terror and madness. He was never safe from the thing for a moment--he could never tell when it might assail him. He might be washing the dishes, or wrestling with the refractory pump; but the vision would come to him, and he would wander off into the forest--perhaps to sit, crouching in the snow, trembling, and staring at the pageant in his soul.

He lived in the midst of battles; the smoke of powder always in his nostrils, the crash of musketry and the thunder of cannon in his ears. He saw the cavalry sweeping over the plains, the infantry crouching behind intrenchments; he heard the yells of the combatants, the shrieks of the wounded and dying; he saw the mangled bodies, and the ground slippery with blood. New aspects of the thing kept coming to him--new glimpses into meanings yet untold. They would come to him in great bursts of emotion, like tempests that swept him away; and these things he had to wrestle with and master. It meant toil, the like of which he had never faced before, a tension of all his faculties, that would last for hours and hours, and leave him bathed in perspiration, and utterly exhausted.

A scene would come to him, in some moment of insight; and he would drop everything else, and follow it. He would go over it, at the same time both creating and beholding it, at the same time both overwhelmed by it and controlling it--but above all things else, remembering it! He would be like Aladdin in the palace, stuffing his pockets with priceless jewels; coming away so loaded down that he could hardly stagger, and spilling them on every side. Then, scarcely pausing to rest, he would go back after what he had lost; he would grope about, gathering diamonds and rubies that he had all but forgotten--or perhaps coming upon new vaults and new treasure-chests.

So he would labor over a description, going over it and over it, not so much working it out, as letting it work itself out and stamp itself upon his memory. It made no difference how long the scene might be, he would not write a word of it; it might be some battle-picture, that would fill thirty or forty pages--he would know it all by heart, as Demosthenes or Webster might have known an oration. And only at the end would he write it down.

Over some of the scenes in this new book he labored thus for two or three weeks at a stretch; there would be literally not a moment of the day, nor perhaps of the night, when the thing was not working in some part of his mind. He would think about it for hours before he fell asleep; and when he opened his eyes it would be waiting at his bedside to pounce upon him. If he tried for even a few minutes to rest, or to divert his mind to some other work, he would find himself ill at ease and troubled, with a sense as of something pulling at him, calling to him. And if anything came to interrupt him, then he would be like a baker whose oven grows cold before the bread is half done--it would be a sad labor making anything out of that batch of bread.