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Chapter XVIII

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Yesterday morning, riding towards the cypress woods, I had the first impression of spring; and, in fact, to-day the first almond-tree had come out in blossom on our hillside.

A cool morning; loose, quickly moving clouds, and every now and then a gust of rain swept down from the mountains. The path followed a brook, descending in long, steep steps from the hillside; water perfectly clear, bubbling along the yellow stones between the grassy banks and making now and then a little leap into a lower basin; along the stream great screens of reeds, sere, pale, with barely a pennon of leaves, rustling ready for the sickle; and behind, beneath the watery sky, rainy but somehow peaceful, the russet oak-scrub of the hill. Of spring there was indeed visible only the green of the young wheat beneath the olives; not a bud as yet had moved. And still, it is spring. The world is renewing itself. One feels it in the gusts of cool, wet wind, the songs of the reeds, the bubble of the brook; one feels it, above all, in oneself. All things are braced, elastic, ready for life.

THE ART AND THE COUNTRY.

TUSCAN NOTES.

"... all these are inhabitants of truly mountain cities, Florence
being as completely among the hills as Innsbruck is, only the
hills have softer outlines."--_Modern Painters_, iv., chap. xx.

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Laurus Nobilis: Chapters on Art and LifeChapter XVIII

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