Chapter IV (1)
Behind the town the mountain walls rise perpendicularly, but after one has climbed up them by steep stone steps and slippery pine paths, one finds that the mountain spreads out into a wide, undulating plateau. And there lies an enchanted wood.
Over the whole stretch of the mountain stands a pine wood without pine-needles; a wood which dies in the spring and grows green in the autumn; a lifeless wood, which blossoms with the joy of life when other trees are laying aside their green garments; a wood that grows without any one knowing how, that stands green in winter frosts and brown in summer dews.
It is a newly-planted wood. Young firs have been forced to take root in the clefts between the granite blocks. Their tough roots have bored down like sharp wedges into the fissures and crevices. It was very well for a while; the young trees shot up like spires, and the roots bored down into the granite. But at last they could go no further, and then the wood was filled with an ill-concealed peevishness. It wished to go high, but also deep. After the way down had been closed to it, it felt that life was not worth living. Every spring it was ready to throw off the burden of life in its discouragement. During the summer when Edith was dying, the young wood was quite brown. High above the town of flowers stood a gloomy row of dying trees.
But up on the mountain it is not all gloom and the agony of death. As one walks between the brown trees, in such distress that one is ready to die, one catches glimpses of green trees. The perfume of flowers fills the air; the song of birds exults and calls. Then thoughts rise of the sleeping forest and of the paradise of the fairy-tale, encircled by thorny thickets. And when one comes at last to the green, to the flower fragrance, to the song of the birds, one sees that it is the hidden graveyard of the little town.
The home of the dead lies in an earth-filled hollow in the mountain plateau. And there, within the grey stone walls, the knowledge and weariness of life end. Lilacs stand at the entrance, bending under heavy clusters. Lindens and beeches spread a lofty arch of luxuriant growth over the whole place. Jasmines and roses blossom freely in that consecrated earth. Over the big old tombstones creep vines of ivy and periwinkle.
There is a corner where the pine-trees grow mast-high. Does it not seem as if the young wood outside ought to be ashamed at the sight of them? And there are hedges there, quite grown beyond their keeper’s hands, blooming and sending forth shoots without thought of shears or knife.
The town now has a new burial-place, to which the dead can come without special trouble. It was a weary way for them to be carried up in winter, when the steep wood-paths are covered with ice, and the steps slippery and covered with snow. The coffin creaked; the bearers panted; the old clergyman leaned heavily on the sexton and the grave-digger. Now no one has to be buried up there who does not ask it.
The graves are not beautiful. There are few who know how to make the resting-place of the dead attractive. But the fresh green sheds its peace and beauty over them all. It is strangely solemn to know that those who are buried are glad to lie there. The living who go up after a day hot with work, go there as among friends. Those who sleep have also loved the lofty trees and the stillness.
If a stranger comes up there, they do not tell him of death and loss; they sit down on the big slabs of stone, on the broad burgomaster tombs, and tell him about Petter Nord, the Värmland boy, and of his love. The story seems fitting to be told up here, where death has lost its terrors. The consecrated earth seems to rejoice at having also been the scene of awakened happiness and new-born life.
For it happened that after Petter Nord ran away from Halfvorson, he sought refuge in the graveyard.
At first he ran towards the bridge over the river and turned his steps towards the big town. But on the bridge the unfortunate fugitive stopped. The kingly crown on his brow was quite gone. It had disappeared as if it had been spun of sunbeams. He was deeply bent with sorrow; his whole body shook; his heart throbbed; his brain burned like fire.
Then he thought he saw the Spirit of Fasting coming towards him for the third time. She was much more friendly, much more compassionate than before; but she seemed to him only so much the more terrible.
“Alas, unhappy one,” she said, “surely this must be the last of your pranks! You have wished to celebrate the festival of love during that time of fasting which is called life; but you see what happens to you. Come now and be faithful to me; you have tried everything and have only me to whom to turn.”
He waved his arm to keep her off. “I know what you wish of me. You wish to lead me back to work and renunciation, but I cannot. Not now, not now!”
The pallid Spirit of Fasting smiled ever more mildly. “You are innocent, Petter Nord. Do not grieve so over what you have not caused! Was not Edith kind to you? Did you not see that she had forgiven you? Come with me to your work! Live, as you have lived!”
The boy cried more vehemently. “Is it any better for me, do you think, that I have killed just her who has been kind to me, her, who cares for me? Had it not been better if I had murdered some one whom I wished to murder. I must make amends. I must save her life. I cannot think of work now.”
“Oh, you madman,” said the Spirit of Fasting, “the festival of reparation which you wish to celebrate is the greatest audacity of all.”
Then Petter Nord rebelled absolutely against his friend of many years. He scoffed at her. “What have you made me believe?” he said. “That you were a tiresome and peevish old woman with arms full of small, harmless twigs. You are a sorceress of life. You are a monster. You are beautiful, and you are terrible. You yourself know no bounds nor limits; why should I know them? How can you preach fasting, you, who wish to deluge me with such an overmeasure of sorrow? What are the festivals I have celebrated compared to those you are continually preparing for me! Begone with your pallid moderation! Now I wish to be as mad as yourself.”
Not one step could he take towards the big town. Neither could he turn directly round and again go the length of the one street in the village; he took the path up the mountain, climbed to the enchanted pine-wood, and wandered about among the stiff, prickly young trees, until a friendly path led him to the graveyard. There he found a hiding-place in a corner where the pines grew high as masts, and there he threw himself weary unto death on the ground.
He almost lost consciousness. He did not know if time passed or if everything stood still. But after a while steps were heard, and he woke to a feeble consciousness. He seemed to have been far, far away. He saw a funeral procession draw near, and instantly a confused thought rose in him. How long had he lain there? Was Edith dead already? Was she looking for him here? Was the corpse in the coffin hunting for its murderer? He shook and sweated. He lay well hidden in the dark pine thicket; but he trembled for what might happen if the corpse found him. He bent aside the branches and looked out. A hunted deserter could not have spied more wildly after his pursuers.
The funeral was that of a poor man. The attendance was small. The coffin was lowered without wreaths into the grave. There was no sign of tears on any of the faces. Petter Nord had still enough sense to see that this could not be Edith Halfvorson’s funeral train.
But if this was not she, who knows if it was not a greeting from her. Petter Nord felt that he had no right to escape. She had said that he was to go up to the graveyard. She must have meant that he was to wait for her there, so that she could find him to give him his punishment. The funeral was a greeting, a token. She wished him to wait for her there.
To his sick brain the low churchyard wall rose as high as a rampart. He stared despairingly at the frail trellis-gate; it was like the most solid door of oak. He was imprisoned. He could never get away, until she herself came up and brought him his punishment.
What she was going to do with him he did not know. Only one thing was distinct and clear; that he must wait here until she came for him. Perhaps she would take him with her into the grave; perhaps she would command him to throw himself from the mountain. He could not know—he must wait for a while yet.
Reason fought a despairing struggle: “You are innocent, Petter Nord. Do not grieve over what you have not caused! She has not sent you any messages. Go down to your work! Lift your foot and you are over the wall; push with one finger and the gate is open.”
No, he could not. Most of the time he was in a stupor, a trance. His thoughts were indistinct, as when on the point of falling asleep. He only knew one thing, that he must stay where he was.
The news came to her lying and fading in emulation with the rootless birches. “Petter Nord, with whom you played one summer day, is in the graveyard waiting for you. Petter Nord, whom your uncle has frightened out of his senses, cannot leave the graveyard until your flower-decked coffin comes to fetch him.”
The girl opened her eyes as if to look at the world once more. She sent a message to Petter Nord. She was angry at his mad pranks. Why could she not die in peace? She had never wished that he should have any pangs of conscience for her sake.
The bearer of the message came back without Petter Nord. He could not come. The wall was too high and the gate too strong. There was only one who could free him.
During those days they thought of nothing else in the little town. “He is there; he is there still,” they told one another every day. “Is he mad?” they asked most often, and some who had talked with him answered that he certainly would be when “she” came. But they were exceedingly proud of that martyr to love who gave a glory to the town. The poor took him food. The rich stole up on the mountain to catch a glimpse of him.
But Edith, who could not move, who lay helpless and dying, she who had so much time to think, with what was she occupying herself? What thoughts revolved in her brain day and night? Oh, Petter Nord, Petter Nord! Must she always see before her the man who loved her, who was losing his mind for her sake, who really, actually was in the graveyard waiting for her coffin.
See, that was something for the steel-spring in her nature. That was something for her imagination, something for her benumbed senses. To think what he meant to do when she should come! To imagine what he would do if she should not come there as a corpse!
They talked of it in the whole town, talked of it and nothing else. As the cities of ancient times had loved their martyrs, the little village loved the unhappy Petter Nord; but no one liked to go into the graveyard and talk to him. He looked wilder each day. The obscurity of madness sank ever closer about him. “Why does she not try to get well?” they said of Edith. “It is unjust of her to die.”
Edith was almost angry. She who was so tired of life, must she be compelled to take up the heavy burden again? But nevertheless she began an honest effort. She felt what a work of repairing and mending was going on in her body with seething force during these weeks. And no material was spared. She consumed incredible quantities of those things which give strength and life, whatever they may be: malt extract or codliver oil, fresh air or sunshine, dreams or love.
And what glorious days they were, long, warm, and sunny!
At last she got the doctor’s permission to be carried up there. The whole town was in alarm when she undertook the journey. Would she come down with a madman? Could the misery of those weeks be blotted out of his brain? Would the exertions she had made to begin life again be profitless? And if it were so, how would it go with her?
As she passed by, pale with excitement, but still full of hope, there was cause enough for anxiety. No one concealed from themselves that Petter Nord had taken quite too large a place in her imagination. She was the most eager of all in the worship of that strange saint. All restraints had fallen from her when she had heard what he suffered for her sake. But how would the sight of him affect her enthusiasm? There is nothing romantic in a madman.
When she had been carried up to the gate of the graveyard, she left her bearers and walked alone up the broad middle path. Her gaze wandered round the flowering spot, but she saw no one.
Suddenly she heard a faint rustle in a clump of fir-trees, and she saw a wild, distorted face staring from it. Never had she seen terror so plainly stamped on a face. She was frightened herself at the sight of it, mortally frightened. She could hardly restrain herself from running away.
Then a great, holy feeling welled up in her. There was no longer any thought of love or enthusiasm, but only grief that a fellow-being, one of the unhappy ones who passed through the vale of tears with her, should be destroyed.
The girl remained. She did not give way a single step; she let him slowly accustom himself to the sight of her. But she put all the strength she possessed in her gaze. She drew the man to her with the whole force of the will that had conquered the illness in herself.
He came forward out of his corner, pale, wild and unkempt. He advanced towards her, but the terror never left his face. He looked as if he were fascinated by a wild beast, which came to tear him to pieces. When he was quite close to her, she put both her hands on his shoulders and looked smiling into his face.
“Come, Petter Nord, what is the matter with you? You must go from here! What do you mean by staying so long up here in the graveyard, Petter Nord?”
He trembled and sank down. But she felt that she subdued him with her eyes. Her words, on the other hand, seemed to have absolutely no meaning to him.
She changed her tone a little. “Listen to what I say, Petter Nord. I am not dead. I am not going to die. I have got well in order to come up here and save you.”
He still stood in the same dull terror. Again there came a change in her voice. “You have not caused my death,” she said more tenderly, “you have given me life.”
She repeated it again and again. And her voice at last was trembling with emotion, thick with weeping. But he did not understand anything of what she said.
“Petter Nord, I love you so much, so much!” she burst out.
He was just as unmoved.
She knew nothing more to try with him. She would have to take him down with her to the town and let time and care help.
It is not easy to say what the dreams she had taken up there with her were and what she had expected from this meeting with the man who loved her. Now, when she was to give it all up and treat him as a madman only, she felt such pain, as if she was about to lose the dearest thing life had given her. And in that bitterness of loss she drew him to her and kissed him on the forehead.
It was meant as a farewell to both happiness and life. She felt her strength fail her. A mortal weakness came over her.
But then she thought she saw a feeble sign of life in him. He was not quite so limp and dull. His features were twitching. He trembled more and more violently. She watched with ever-growing alarm. He was waking, but to what? At last he began to weep.
She led him away to a tomb. She sat down on it, pulled him down in front of her and laid his head on her lap. She sat and caressed him, while he wept.
He was like some one waking from a nightmare.
“Why am I weeping?” he asked himself. “Oh, I know; I had such a terrible dream. But it is not true. She is alive. I have not killed her. So foolish to weep for a dream.”
Gradually everything grew clear to him; but his tears continued to flow. She sat and caressed him, but he wept still for a long time.
“I feel such a need of weeping,” he said.
Then he looked up and smiled. “Is it Easter now?” he asked.
“What do you mean by now?”
“It can be called Easter, when the dead rise again,” he continued. Thereupon, as if they had been intimate many years, he began to tell her about the Spirit of Fasting and of his revolt against her rule.
“It is Easter now, and the end of her reign,” she said.
But when he realized that Edith was sitting there and caressing him, he had to weep again. He needed so much to weep. All the distrust of life which misfortunes had brought to the little Värmland boy needed tears to wash it away. Distrust that love and joy, beauty and strength blossomed on the earth, distrust in himself, all must go, all did go, for it was Easter; the dead lived and the Spirit of Fasting would never again _come into power_.
THE LEGEND OF THE BIRD’S NEST
Hatto the hermit stood in the wilderness and prayed to God. A storm was raging, and his long beard and matted hair waved about him like weather-beaten tufts of grass on the summit of an old ruin. But he did not push his hair out of his eyes, nor did he tuck his beard into his belt, for his arms were uplifted in prayer. Ever since sunrise he had raised his gnarled, hairy arms towards heaven, as untiringly as a tree stretches up its branches, and he meant to remain standing so till night. He had a great boon to pray for.
He was a man who had suffered much of the world’s anger. He had himself persecuted and tortured, and persecutions and torture from others had fallen to his share, more than his heart could bear. So he went out on the great heath, dug himself a hole in the river bank and became a holy man, whose prayers were heard at God’s throne.
Hatto the hermit stood there on the river bank by his hole and prayed the great prayer of his life. He prayed God that He should appoint the day of doom for this wicked world. He called on the trumpet-blowing angels, who were to proclaim the end of the reign of sin. He cried out to the waves of the sea of blood, which were to drown the unrighteous. He called on the pestilence, which should fill the churchyards with heaps of dead.
Round about stretched a desert plain. But a little higher up on the river bank stood an old willow with a short trunk, which swelled out at the top in a great knob like a head, from which new, light-green shoots grew out. Every autumn it was robbed of these strong, young branches by the inhabitants of that fuel-less heath. Every spring the tree put forth new, soft shoots, and in stormy weather these waved and fluttered about it, just as hair and beard fluttered about Hatto the hermit.
A pair of wagtails, which used to make their nest in the top of the willow’s trunk among the sprouting branches, had intended to begin their building that very day. But among the whipping shoots the birds found no quiet. They came flying with straws and root fibres and dried sedges, but they had to turn back with their errand unaccomplished. Just then they noticed old Hatto, who called upon God to make the storm seven times more violent, so that the nests of the little birds might be swept away and the eagle’s eyrie destroyed.
Of course no one now living can conceive how mossy and dried-up and gnarled and black and unlike a human being such an old plain-dweller could be. The skin was so drawn over brow and cheeks, that he looked almost like a death’s-head, and one saw only by a faint gleam in the hollows of the eye sockets that he was alive. And the dried-up muscles of the body gave it no roundness, and the upstretched, naked arms consisted only of shapeless bones, covered with shrivelled, hardened, bark-like skin. He wore an old, close-fitting, black robe. He was tanned by the sun and black with dirt. His hair and beard alone were light, bleached by the rain and sun, until they had become the same green-gray color as the under side of the willow leaves.
The birds, flying about, looking for a place to build, took Hatto the hermit for another old willow-tree, checked in its struggle towards the sky by axe and saw like the first one. They circled about him many times, flew away and came again, took their landmarks, considered his position in regard to birds of prey and winds, found him rather unsatisfactory, but nevertheless decided in his favor, because he stood so near to the river and to the tufts of sedge, their larder and storehouse. One of them shot swift as an arrow down into his upstretched hand and laid his root fibre there.
There was a lull in the storm, so that the root-fibre was not torn instantly away from the hand; but in the hermit’s prayers there was no pause: “May the Lord come soon to destroy this world of corruption, so that man may not have time to heap more sin upon himself! May he save the unborn from life! For the living there is no salvation.”
Then the storm began again, and the little root-fibre fluttered away out of the hermit’s big gnarled hand. But the birds came again and tried to wedge the foundation of the new home in between the fingers. Suddenly a shapeless and dirty thumb laid itself on the straws and held them fast, and four fingers arched themselves so that there was a quiet niche to build in. The hermit continued his prayers.
“Oh Lord, where are the clouds of fire which laid Sodom waste? When wilt Thou let loose the floods which lifted the ark to Ararat’s top? Are not the cups of Thy patience emptied and the vials of Thy grace exhausted? Oh Lord, when wilt Thou rend the heavens and come?”
And feverish visions of the Day of Doom appeared to Hatto the hermit. The ground trembled, the heavens glowed. Across the flaming sky he saw black clouds of flying birds, a horde of panic-stricken beasts rushed, roaring and bellowing, past him. But while his soul was occupied with these fiery visions, his eyes began to follow the flight of the little birds, as they flashed to and fro and with a cheery peep of satisfaction wove a new straw into the nest.
The old man had no thought of moving. He had made a vow to pray without moving with uplifted hands all day in order to force the Lord to grant his request. The more exhausted his body became, the more vivid visions filled his brain. He heard the walls of cities fall and the houses crack. Shrieking, terrified crowds rushed by him, pursued by the angels of vengeance and destruction, mighty forms with stern, beautiful faces, wearing silver coats of mail, riding black horses and swinging scourges, woven of white lightning.
The little wagtails built and shaped busily all day, and the work progressed rapidly. On the tufted heath with its stiff sedges and by the river with its reeds and rushes, there was no lack of building material. They had no time for noon siesta nor for evening rest. Glowing with eagerness and delight, they flew to and fro, and before night came they had almost reached the roof.
But before night came, the hermit had begun to watch them more and more. He followed them on their journeys; he scolded them when they built foolishly; he was furious when the wind disturbed their work; and least of all could he endure that they should take any rest.
Then the sun set, and the birds went to their old sleeping place in among the rushes.
Let him who crosses the heath at night bend clown until his face comes on a level with the tufts of grass, and he will see a strange spectacle outline itself against the western sky. Owls with great, round wings skim over the ground, invisible to any one standing upright. Snakes glide about there, lithe, quick, with narrow heads uplifted on swanlike necks. Great turtles crawl slowly forward, hares and water-rats flee before preying beasts, and a fox bounds after a bat, which is chasing mosquitos by the river. It seems as if every tuft has come to life. But through it all the little birds sleep on the waving rushes, secure from all harm in that resting-place which no enemy can approach, without the water splashing or the reeds shaking and waking them.
When the morning came, the wagtails believed at first that the events of the day before had been a beautiful dream.
They had taken their landmarks and flew straight to their nest, but it was gone. They flew searching over the heath and rose up into the air to spy about. There was not a trace of nest or tree. At last they lighted on a couple of stones by the river bank and considered. They wagged their long tails and cocked their heads on one side. Where had the tree and nest gone?
But hardly had the sun risen a handsbreadth over the belt of trees on the other bank, before their tree came walking and placed itself on the same spot where it had been the day before. It was just as black and gnarled as ever and bore their nest on the top of something, which must be a dry, upright branch.
Then the wagtails began to build again, without troubling themselves any more about nature’s many wonders.
Hatto the hermit, who drove the little children away from his hole telling them that it had been best for them if they had never been born, he who rushed out into the mud to hurl curses after the joyous young people who rowed up the stream in pleasure-boats, he from whose angry eyes the shepherds on the heath guarded their flocks, did not return to his place by the river for the sake of the little birds. He knew that not only has every letter in the holy books its hidden, mysterious meaning, but so also has everything which God allows to take place in nature. He had thought out the meaning of the wagtails building in his hand. God wished him to remain standing with uplifted arms until the birds had raised their brood; and if he should have the power to do that, he would be heard.
But during that day he did not see so many visions of the Day of Doom. Instead, he watched the birds more and more eagerly. He saw the nest soon finished. The little builders fluttered about it and inspected it. They went after a few bits of lichen from the real willow-tree and fastened them on the outside, to fill the place of plaster and paint. They brought the finest cotton-grass, and the female wagtail took feathers from her own breast and lined the nest.
The peasants, who feared the baleful power that the hermit’s prayers might have at the throne of God, used to bring him bread and milk to mitigate his wrath. They came now too and found him standing motionless, with the bird’s nest in his hand. “See how the holy man loves the little creatures,” they said, and were no longer afraid of him, but lifted the bowl of milk to his mouth and put the bread between his lips. When he had eaten and drunk, he drove away the people with angry words, but they only smiled at his curses.
His body had long since become the slave of his will. By hunger and blows, by praying all day, by waking a week at a time, he had taught it obedience. Now the steel-like muscles held his arms uplifted for days and weeks, and when the female wagtail began to sit on her eggs and never left the nest, he did not return to his hole even at night. He learned to sleep sitting, with upstretched arms. Among the dwellers in the wilderness there are many who have done greater things.
He grew accustomed to the two little, motionless bird-eyes which stared down at him over the edge of the nest. He watched for hail and rain, and sheltered the nest as well as he could.
At last one day the female is freed from her duties. Both the birds sit on the edge of the nest, wag their tails and consult and look delighted, although the whole nest seems to be full of an anxious peeping. After a while they set out on the wildest hunt for midges.
Midge after midge is caught and brought to whatever it is that is peeping up there in his hand. And when the food comes, the peeping is at its very loudest. The holy man is disturbed in his prayers by that peeping.
And gently, gently he bends his arm, which has almost lost the power of moving, and his little fiery eyes stare down into the nest.
Never had he seen anything so helplessly ugly and miserable: small, naked bodies, with a little thin down, no eyes, no power of flight, nothing really but six big, gaping mouths.
It seemed very strange to him, but he liked them just as they were. Their father and mother he had never spared in the general destruction, but when hereafter he called to God to ask of Him the salvation of the world through its annihilation, he made a silent exception of those six helpless ones.
When the peasant women now brought him food, he no longer thanked them by wishing their destruction. Since he was necessary to the little creatures up there, he was glad that they did not let him starve to death.
Soon six round heads were to be seen the whole day long stretching over the edge of the nest. Old Hatto’s arm sank more and more often to the level of his eyes. He saw the feathers push out through the red skin, the eyes open, the bodies round out. Happy inheritors of the beauty nature has given to flying creatures, they developed quickly in their loveliness.
And during all this time prayers for the great destruction rose more and more hesitatingly to old Hatto’s lips. He thought that he had God’s promise, that it should come when the little birds were fledged. Now he seemed to be searching for a loop-hole for God the Father. For these six little creatures, whom he had sheltered and cherished, he could not sacrifice.
It was another matter before, when he had not had anything that was his own. The love for the small and weak, which it has been every little child’s mission to teach big, dangerous people, came over him and made him doubtful.
He sometimes wanted to hurl the whole nest into the river, for he thought that they who die without sorrow or sin are the happy ones. Should he not save them from beasts of prey and cold, from hunger, and from life’s manifold visitations? But just as he thought this, a sparrow-hawk came swooping down on the nest. Then Hatto seized the marauder with his left hand, swung him about his head and hurled him with the strength of wrath out into the stream.
The day came at last when the little birds were ready to fly. One of the wagtails was working inside the nest to push the young ones out to the edge, while the other flew about, showing them how easy it was, if they only dared to try. And when the young ones were obstinate and afraid, both the parents flew about, showing them all their most beautiful feats of flight. Beating with their wings, they flew in swooping curves, or rose right up like larks or hung motionless in the air with vibrating wings.
But as the young ones still persist in their obstinacy, Hatto the hermit cannot keep from mixing himself up in the matter. He gives them a cautious shove with his finger and then it is done. Out they go, fluttering and uncertain, beating the air like bats, sink, but rise again, grasp what the art is and make use of it to reach the nest again as quickly as possible. Proud and rejoicing, the parents come to them again and old Hatto smiles.
It was he who gave the final touch after all.
He now considered seriously if there could not be any way out of it for our Lord.
Perhaps, when all was said, God the Father held this earth in His right hand like a big bird’s nest, and perhaps He had come to cherish love for all those who build and dwell there, for all earth’s defenceless children. Perhaps He felt pity for those whom He had promised to destroy, just as the hermit felt pity for the little birds.
Of course the hermit’s birds were much better than our Lord’s people, but he could quite understand that God the Father nevertheless had love for them.
The next day the bird’s nest stood empty, and the bitterness of loneliness filled the heart of the hermit. Slowly his arm sank down to his side, and it seemed to him as if all nature held its breath to listen for the thunder of the trumpet of Doom. But just then all the wagtails came again and lighted on his head and shoulders, for they were not at all afraid of him. Then a ray of light shot through old Hatto’s confused brain. He had lowered his arm, lowered it every day to look at the birds.
And standing there with all the six young ones fluttering and playing about him, he nodded contentedly to some one whom he did not see. “I let you off,” he said, “I let you off. I have not kept my word, so you need not keep yours.”
And it seemed to him as if the mountains ceased to tremble and as if the river laid itself down in easy calm in its bed.
THE KING’S GRAVE
It was at the time of year when the heather is red. It grew over the sand-hills in thick clumps. From low tree-like stems close-growing green branches raised their hardy ever-green leaves and unfading flowers. They seemed not to be made of ordinary, juicy flower substance, but of dry, hard scales. They were very insignificant in size and shape; nor was their fragrance of much account. Children of the open moors, they had not unfolded in the still air where lilies open their alabaster petals; nor did they grow in the rich soil from which roses draw nourishment for their swelling crowns. What made them flowers was really their color, for they were glowing red. They had received the color-giving sunshine in plenty. They were no pallid cellar growth; the blessed gaiety and strength of health lay over all the blossoming heath.
The heather covered the bare fields with its red mantle up to the edge of the wood. There, on a gently sloping ridge, stood some ancient, half ruined stone cairns; and however closely the heather tried to creep to these, there were always rents in its web, through which were visible great, flat rocks, folds in the mountain’s own rough skin. Under the biggest of these piles rested an old king, Atle by name. Under the others slumbered those of his warriors who had fallen when the great battle raged on the moor. They had lain there now so long that the fear and respect of death had departed from their graves. The path ran between their resting-places. The wanderer by night never thought to look whether forms wrapped in mist sat at midnight on the tops of the cairns staring in silent longing at the stars.
It was a glittering morning, dewy and warm. The hunter who had been out since daybreak had thrown himself down in the heather behind King Atle’s pile. He lay on his back and slept. He had dragged his hat down over his eyes; and under his head lay his leather game-bag, out of which protruded a hare’s long ears and the bent tail-feathers of a black-cock. His bow and arrows lay beside him.
From out of the wood came a girl with a bundle in her hand. When she reached the flat rock between the piles of stones, she thought what a good place it would be to dance. She was seized with an ardent desire to try. She laid her bundle on the heather and began to dance quite alone. She had no idea that a man lay asleep behind the king’s cairn.
The hunter still slept. The heather showed burning red against the deep blue of the sky. An anthill stood close beside the sleeper. On it lay a piece of quartz, which sparkled as if it had wished to set fire to all the old stubble of the heath. Above the hunter’s head the black-cock feathers spread out like a plume, and their iridescence shifted from deep purple to steely blue. On the unshaded part of his face the burning sunshine glowed. But he did not open his eyes to look at the glory of the morning.
In the meanwhile the girl continued to dance, and whirled about so eagerly that the blackened moss which had collected in the unevennesses of the rocks flew about her. An old, dry fir root, smooth and gray with age, lay upturned among the heather. She took it and whirled about with it. Chips flew out from the mouldering wood. Centipedes and earwigs that had lived in the crevices scurried out head over heels into the luminous air and bored down among the roots of the heather.
When the swinging skirts grazed the heather, clouds of small grey butterflies fluttered up from it. The under side of their wings was white and silvery and they whirled like dry leaves in a squall. They then seemed quite white, and it was as if a red sea threw up white foam. The butterflies remained for a short time in the air. Their fragile wings fluttered so violently that the down loosened and fell like thin silver white feathers. The air seemed to be filled with a glorified mist.
On the heath grasshoppers sat and scraped their back legs against their wings, so that they sounded like harp strings. They kept good time and played so well together, that to any one passing over the moor it sounded like the same grasshopper during the whole walk, although it seemed to be first on the right, then on the left; now in front, now behind. But the dancer was not content with their playing and began after a little while to hum the measure of a dance tune. Her voice was shrill and harsh. The hunter was waked by the song. He turned on his side, raised himself to his elbow, and looked over the pile of stones at the dancing girl.
He had dreamt that the hare which he had just killed had leaped out of the bag and had taken his own arrows to shoot at him. He now stared at the girl half awake, dizzy with his dream, his head burning from sleeping in the sun.
She was tall and coarsely built, not fair of face, nor light in the dance, nor tuneful in her song. She had broad cheeks, thick lips and a flat nose. She had very red cheeks, very dark hair. She was exuberant in figure, moving with vigor and life. Her clothes were shabby but bright in color. Red bands edged the striped skirt and bright colored worsted fringes outlined the seams of her bodice. Other young maidens resemble roses and lilies, but she was like the heather, strong, gay and glowing.
The hunter watched with pleasure as the big, splendid woman danced on the red heath among the playing grasshoppers and the fluttering butterflies. While he looked at her he laughed so that his mouth was drawn up towards his ears. But then she suddenly caught sight of him and stood motionless.
“I suppose you think I am mad,” was the first thing that occurred to her to say. At the same time she wondered how she would get him to hold his tongue about what he had seen. She did not care to hear it told down in the village that she had danced with a fir root.
He was a man poor in words. Not a syllable could he utter. He was so shy that he could think of nothing better than to run away, although he longed to stay. Hastily he got his hat on his head and his leather bag on his back. Then he ran away through the clumps of heather.
She snatched up her bundle and ran after him. He was small, stiff in his movements and evidently had very little strength. She soon caught up with him and knocked his hat off to induce him to stop. He really wished to do so, but he was confused with shyness and fled with still greater speed. She ran after him and began to pull at his game-bag. Then he had to stop to defend it. She fell upon him with all her strength. They fought, and she threw him to the ground. “Now he will not speak of it to any one,” she thought, and rejoiced.
At the same moment, however, she grew sick with fright, for the man who lay on the ground turned livid and his eyes rolled inwards in his head. He was not hurt in any way, however. He could not bear emotion. Never before had so strong and conflicting feelings stirred within that lonely forest dweller. He rejoiced over the girl and was angry and ashamed and yet proud that she was so strong. He was quite out of his head with it all.
The big, strong girl put her arm under his back and lifted him up. She broke the heather and whipped his face with the stiff twigs until the blood came back to it. When his little eyes again turned towards the light of day, they shone with pleasure at the sight of her. He was still silent; but he drew forward the hand which she had placed about his waist and caressed it gently.
He was a child of starvation and early toil. He was dry and pallid, thin and anaemic. She was touched by his faintheartedness; he who nevertheless seemed to be about thirty years old. She thought that he must live quite alone in the forest since he was so pitiful and so meanly dressed. He could have no one to look after him, neither mother nor sister nor sweetheart.
The great compassionate forest spread over the wilderness. Concealing and protecting, it took to its heart everything which sought its help. With its lofty trunks it kept watch by the lair of the fox and the bear, and in the twilight of the thick bushes it hid the egg-filled nests of little birds.
At the time when people still had slaves, many of them escaped to the woods and found shelter behind its green walls. It became a great prison for them which they did not dare to leave. The forest held its prisoners in strict discipline. It forced the dull ones to use their wits and educated those ruined by slavery to order and honor. Only to the industrious did it give the right to live.
The two who met on the heath were descendants of such prisoners of the forest. They sometimes went down to the inhabited, cultivated valleys, for they no longer feared to be reduced to the slavery from which their forefathers had fled, but they were happiest in the dimness of the forest. The hunter’s name was Tönne. His real work was to cultivate the earth, but he also could do other things. He collected herbs, boiled tar, dried punk, and often went hunting. The dancer was called Jofrid. Her father was a charcoal burner. She tied brooms, picked juniper berries and brewed ale of the white-flowering myrtle. They were both very poor.
They had never met before in the big wood, but now they thought that all its paths wound into a net, in which they ran forward and back and could not possibly escape one another. They never knew how to choose a way where they did not meet.
Tönne had once had a great sorrow. He had lived with his mother for a long while in a miserable, wattled hut, but as soon as he was grown up he was seized with the idea to build her a warm cabin. During all his leisure moments he went into the clearing, cut down trees and hewed them into squared pieces. Then he hid the timber in dark crannies under moss and branches. It was his intention that his mother should not know anything of all this work before he was ready to build the house. But his mother died before he could show her what he had collected; before he had time to tell her what he had wished to do. He, who had worked with the same zeal as David, King of Israel, when he gathered treasures for the temple of God, grieved most bitterly over it. He lost all interest in the building. For him the brushwood shelter was good enough. Yet he was hardly better off in his home than an animal in its hole.
When he, who had always heretofore crept about alone, was now seized with the desire to seek Jofrid’s company, it certainly meant that he would like to have her for his sweetheart and his bride. Jofrid also waited daily for him to speak to her father or to herself about the matter. But Tönne could not. This showed that he was of a race of slaves. The thoughts that came into his head moved as slowly as the sun when he travels across the sky. And it was more difficult for him to shape those thoughts to connected speech than for a smith to forge a bracelet out of rolling grains of sand.
One day Tönne took Jofrid to one of the clefts, where he had hidden his timber. He pulled aside the branches and moss and showed her the squared beams. “That was to have been mother’s house,” he said. The young girl was strangely slow in understanding a young man’s thoughts. When he showed her his mother’s logs she ought to have understood, but she did not understand.
Then he decided to make his meaning even plainer. A few days later he began to drag the logs up to the place between the cairns, where he had seen Jofrid for the first time. She came as usual along the path and saw him at work. Nevertheless she went on without saying anything. Since they had become friends she had often given him a good handshake, but she did not seem to want to help him with the heavy work. Tönne still thought that she ought to have understood that it was now her house which he meant to build.
She understood it very well, but she had no desire to give herself to such a man as Tönne. She wished to have a strong and healthy husband. She thought it would be a poor livelihood to marry any one who was weak and dull. Still, there was much which drew her to that silent, shy man. She thought how hard he had worked to gladden his mother and had not enjoyed the happiness of being ready in time. She could weep for his sake. And now he was building the house just where he had seen her dance. He had a good heart. And that interested her and fixed her thoughts on him, but she did not at all wish to marry him.
Every day she went over the heather field and saw the log cabin grow, miserable and without windows, with the sunlight filtering in through the leaky walls.
Tönne’s work progressed very quickly, but not with care. His timbers were not bent square, the lark was scarcely taken off. He laid the floor with split young trees. It was uneven and shaky. The heather, which grew and blossomed under it,—for at year had passed since the day when Tönne had lain aleep behind King Atle’s pile,— pushed up bold red clusters through the cracks, and ants without number wandered out and in, inspecting the fragile work of man.
Wherever Jofrid went during those days, the thought never left her that a house was being built for her there. A home was being prepared for her upon the heath. And she knew that if she did not enter there as mistress, the bear and the fox would make it their home. For she knew Tönne well enough to understand that if he found he had worked in vain, he would never move into the new house. He would weep, poor man, when he heard that she would not live there. It would be a new sorrow for him, as deep as when his mother died. But he had himself to blame, because he had not asked her in time.
She thought that she gave him a sufficient hint in not helping him with the house. She often felt impelled to do so. Every time she saw any soft, white moss, she wanted to pick it to fill in the leaky walls. She longed, too, to help Tönne to build the chimney. As he was making it, all the smoke would gather in the house. But it did not matter how it was. No food would ever be cooked there, no ale brewed. Still it was odious that the house would never leave her thoughts.
Tönne worked, glowing with eagerness, certain that Jofrid would understand his meaning, if only the house were ready. He did not wonder much about her; he had enough to do to hew and shape. The days went quickly for him.
One afternoon, when Jofrid came over the moor, she saw that there was a door in the cottage and a slab of stone for a threshold. Then she understood that everything must now be ready, and she was much agitated. Tönne had covered the roof with tufts of flowering heather, and she was seized by an intense longing to enter under that red roof. He was not at the new house and she decided to go in. The house was built for her. It was her home. It was not possible to resist the desire to see it.
Within it was more attractive than she had expected. Rushes were strewed over the floor. It was full of the fresh fragrance of pine and resin. The sunshine that played through the windows and cracks made bands of light through the air. It looked as if she had been expected; in the crannies of the wall green branches were stuck, and in the fireplace stood a newly cut fir-tree. Tönne had not moved in his old furniture. There was nothing but a new table and a bench, over which an elk skin was thrown.
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Invisible LinksChapter IV (1)
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