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Chapter IX: The Gothic Art of Burgundy267 (3)

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Detachment from the things of the world never weakened this saint's human affections. What cry from a stricken heart is more moving than Bernard's lament for his brother Gerard? That elder brother was following a knight's career when Bernard won him for God's service in the cloister. There for twenty-five years they lived side by side. They had just returned together from Italy when Gerard suddenly died. Dry-eyed, Bernard attended the burial, and dry-eyed he went about his daily tasks. He mounted the pulpit to continue an exposition of the Canticle of Canticles which he was conducting, and all at once his grief broke forth irresistibly in one of the sublime elegies of literature, recorded by a monk of Clairvaux who heard it: "What is there in common between this Canticle of joy and me who am in bitter anguish!... I have done violence to my heart.... Grief shut in but wounds with deeper sting. It has vanquished me. What I suffer must have its way. I must pour out my trouble before you, my sons, who knew the faithful comrade I have lost and the justice of my sorrow. You knew his vigilance, his sweetness; you knew my need of him. When I was weak in body, he strengthened me; when I hesitated he spurred me on; when I grew negligent he cautioned me. My Gerard! why have you left me to stumble alone on the road we two trod together, my brother by blood but still more by religion! Ah! I would know if you still think of one whom you loved, if, in God's presence, you can lean toward our distress? You have shed your mortal weaknesses, but surely not your human tendernesses, for charity endures, says the apostle. No! my Gerard does not forget me in eternity! It was our joy to be together, inextricably were our spirits interlinked, the same thoughts, the same emotions, the same will; one only heart, one only soul between us; with one blow, the sword has pierced my heart and his.... That I might have tranquillity he took on his own shoulders the material cares of the convent. It was his heart bore my troubles. His eyes led my steps. Now, when a need rises I turn to where I think to find him, and he is not there!... I am deprived of the best part of myself and I must not weep. My heart is torn from my bosom, and I must not suffer.... But my courage is not of stone.... I suffer, I weep, and my grief is ever before me...."

And so on it runs, this lamentation with its Hebraic note of sorrow's passion. Impregnated through and through was Bernard with the Bible, and his speech fell naturally into its cadences. To mark the biblical references in his works would be, says the student, to fill half the pages with annotations.

There is a book of interior consolation, precious to humanity, which has preserved for us intact the spiritual teachings of this Cistercian abbot who led the XII century. Scholars say that the _Imitation of Christ_ bears the direct impress of St. Bernard's spirit, that it reproduced and analyzed his writings. Whoever its author, his prayer _Da mihi nesciri_ has been answered.

Those who have been comforted by the book which, next to the Bible, has been chief solace for the stricken heart, have leaned unaware on the purpose, the faith, and the purity of the greatest saint of the Middle Ages, the man who made Burgundy as illustrious by its Cistercian reformers and missionary builders as it had been by its Benedictines when Cluny was a world power.

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How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesChapter IX: The Gothic Art of Burgundy267 (3)

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