Chapter XXXII: Part II: (Sonatas 7 to 12). (7354b)

The accompaniments to these beautiful Sonatas are the work
of a true artist, who, with all the technical resources
at his command, worked in reverential spirit with
regard to the style and character of the old Master.
The accompaniments are varied and very interesting in
their wealth of contrapuntal device and figuration. The
careful way in which all the ornaments are written out,
and the bowing and fingering add still further to the
value of this fine edition.

The same work in Score by Joachim and Chrysander:—

Livre III. Op. 5, Parte Prima: 6 Sonate a Violino Solo e
Violone, o Cembalo. Parte Seconda: Preludii, Allemande,
Correnti, Gighe, Sarabande, Gavotte e Follia a Violino
Solo e Violone, o Cembalo. (4936c).

— Follia con variazioni. (G. Jensen). (7419).

After a lapse of two centuries the study of Corelli is still
indispensable. The above new edition has been admirably
done by G. Jensen, who has availed himself of the
ornaments as played by Corelli.

=Danbé, J.= Mazurka de Salon.

=David, Ferd.= 6 Salonstücke. Op. 24. Revised by Fr.
Hermann. (7349).

— Op. 30. “Bunte Reihe”. (F. Hermann). (7363a, b). 24
pieces in two books.

No. 1 is an attractive Scherzo. No. 5, a graceful
Gondellied. No. 16, a good wrist study, No. 24, an
equally good staccato leggiero study. In others, the
keys of 5 and 6 sharps and flats are freely used.

— Romance in F sharp major (original key).

— Romance in F major (transposed).

— Scherzo. (M.F. 2).

— Ungarisch. Op. 30, No. 19. (Fr. Hermann).

=De-Angelis, G.= Andante religioso. Op. 7.

— Biondina. Mélodie. Op. 10.

— Petite Légende.

=Del Valle de Paz, E.= 3 Capricci. Op. 15. (7362).

— Op. 28, No. 1. Sérénade Italienne.

— Op. 32, Album. (Improvisation, Tarantelle, Melodie,
Adieu, Serenatella, Canzonetta amorosa, Bourrée,
Mazurka.) (7364).

=Delibes, L.= “Sylvia”. Introduction and Valse Lente.

— “Sylvia”. Barcarolle and Pizzicati. Arranged by M.
Marsick.

=Dobrzynski, I. F.= Les Larmes. (M.F. 104).

=Dunkler, E.= Morceau de Salon, revised by Hermann.
(M.F. 48).

=Dussek.= Op. 69, No. 1. Sonata in B♭.
(E. Thomas.) (7360).

A very favourite work.

=Dvorak.= Op. 15. Ballade. (7365).

=Ellerton.= Duo in D minor. Op. 56. (8675).

=Ersfeld, C.= Op. 15. Romance in B♭.
(7373).

=Gabriel-Marie.= Sérénade Badine.

=Gade, N. W.= Op. 6. Sonata in A. (7369).

— Op. 21. Sonata in D minor. (7374).

=Geminiani, F.= Sonatas No. 1 in A major (7401), No. 2
in B minor (7402), No. 8 in D minor (7411).

— Selected Sonata movements. (7412).

=German, Edward.= Song without Words. (11441).

— Saltarelle. (7370).

— Three Dances from “Henry VIII”.

=Godard, B.= Berceuse de “Jocelyn”.

=Goltermann.= Op. 13. 2 Salon Pieces. (Les Adieux and
Le Rêve.) (1996).

— Berceuse.

=Gounod, C.= Serenade. (M.F. 72).

— Meditation on Bach’s 1st Prelude. (M.F. 118).

=Grieg, E.= Christmas Song, arr. by F. Hermann. (M.F.
110).

=Guillaume.= Op. 4. Mélancolie; Romance.

=Gurlitt, C.= Op. 134. Sonatinas:— No. 1, in A major
(7372a); No. 2, in F (7372b).

True and unsophisticated melody distinguish these two
Sonatinas. The Andante of the first is particularly fine.

=Handel.= Largo. Aria, “Ombra mai fu”, arr. by R.
Hofmann.

— Sonatas in A (7422), in G minor (7426), in D (7427), in
E (7377).

— Suites Nos. 1 and 2. (Jensen). (7378a, b).

These Suites belong to II except for a bar in each.

=Hartog.= “Home, sweet home”. Variations. (7380).

— Berceuse, Ier Morceau de Salon.

=Hauser, M.= Le Désir. (M.F. 4).

— Le Rêve. (M.F. 11).

— Barcarolle. (M.F. 54).

— Hungarian Dance.

— 6 Songs without Words. (7506).

Melodious and characteristic salon pieces.

=Haydn.= Variations “Gott erhalte Franz den Kaiser”.
(Thomas).

=Heller & Ernst.= Pensées fugitives. (Fr. Hermann):—

Bk. I. (Passé, Souvenir, Romance, Lied, Agitato, &c.).
(7386a).

Bk. II. (Rêverie, Un Caprice, Inquiétude, Prière pendant
l’orage, Intermezzo, and Thème original et variations).
(7386b).

Brilliant and fanciful. Very grateful drawing room pieces.

=Heller, Stephen.= Rondeau. (M.F. 88).

=Henkel, H.= Gavotte moderne. Op. 81.

=Hermann.= Dance Movements from the works of Great
Masters. The following may be taken in this Step:—

Beethoven. Allegretto, (7387 f): Haydn. Nachtwächter
Menuett. (7387 c): Marschner. Tanzmusik. (7387i):
Monsigny, Chaconne. (7387 m): Mozart. All’Ongarese.
(7387 g): Mozart. Minuet. (7387 e): Rameau. Chaconne and
Musette. (7387 k).

=Herrmann, E.= Op. 12. Barcarolle. (8678).

=Hoffmann, J.= Bolero.—Danse des
sorcières.—Zingaresca, Morceau caractéristique.—Robin
Adair. Fantaisie brillante.

=Hofmann, Richard.= Short Study (Kleine Studie). Op.
110, No. 2.

=Holländer, V.= Polonaise. (11501).

=Hurlstone. W.= Sonata in D minor. (7507).

=Ireland, John.= Berceuse.

=Jensen, A.= Träumerei.

As arranged by Wilhelm; this makes a fine solo for the
fourth string.

— Serenade (Ständchen). Arranged by Hermann. (M.F. 58).

— Wanderbilder. Nos. 7, 10 and 11. (2129 a, b).

=Jensen, G.= Op. 25. Suite in A minor. (8680).

Prélude from the same.

Barcarolle from the same.

— Op. 28. Three Pieces.

— Op. 31. 3 Morceaux Caractéristiques. (7394).

— Op. 36. 2nd Romance in B♭.

— Op. 38. Berceuse.

=Kayser.= 36 Elementary and Progressive Studies. Op. 20
(introductory to those of Kreutzer), revised by E. Heim.