Chapter XIX: Macflecknoe
This satire was written in reply to a savage poem by the dramatist,
Thomas Shadwell, entitled "The Medal of John Dayes". Dryden and
Shadwell had been friends, but the enmity begotten of political
opposition had separated them. Flecknoe, who gives the name to this
poem, and of whom Shadwell is treated as the son and heir, was a
dull poet who had always laid himself open to ridicule. It is not
known (says W.D. Christie in the _Globe_ Dryden) whether he had
ever given Dryden offence, but it is certain that his "Epigrams",
published in 1670, contain some lines addressed to Dryden of a
complimentary character.
All human things are subject to decay,
And, when fate summons, monarchs must obey;
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long;
In prose and verse, was own'd, without dispute,
Through all the realms of Nonsense, absolute
This aged prince, now flourishing in peace,
And blest with issue of a large increase;
Worn out with business, did at length debate
To settle the succession of the state:
And, pond'ring, which of all his sons was fit
To reign, and wage immortal war with wit,
Cry'd, "'Tis resolv'd; for Nature pleads, that he
Should only rule, who most resembles me.
Shadwell alone my perfect image bears,
Mature in dulness from his tender years:
Shadwell alone, of all my sons, is he,
Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense.
Some beams of wit on other souls may fall,
Strike through, and make a lucid interval;
But Shadwell's genuine night admits no ray,
His rising fogs prevail upon the day.
Besides, his goodly fabrick fills the eye,
And seems design'd for thoughtless majesty:
Thoughtless as monarch oaks, that shade the plain
And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee,
Thou last great prophet of tautology.
Even I, a dunce of more renown than they,
Was sent before but to prepare thy way;
And, coarsely clad in Norwich drugget, came
To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung,
When to King John of Portugal I sung,
Was but the prelude to that glorious day,
When thou on silver Thames didst cut thy way,
With well-tim'd oars before the royal barge.
Swell'd with the pride of thy celestial charge;
And big with hymn, commander of an host,
The like was ne'er in Epsom blankets tost.
Methinks I see the new Arion fail,
The lute still trembling underneath thy nail.
At thy well-sharpened thumb, from shore to shore,
The trebles squeak with fear, the basses roar:
Echoes from Pissing-Alley Shadwell call,
And Shadwell they resound from Aston-Hall.
About thy boat the little fishes throng
As at the morning toast, that floats along.
Sometimes, as prince of thy harmonious band,
Thou wield'st thy papers in thy threshing hand.
St. Andre's feet ne'er kept more equal time,
Not ev'n the feet of thy own Psyche's rime:
Though they in number as in sense excel;
So just, so like tautology, they fell,
That, pale with envy, Singleton forswore
The lute and sword which he in triumph bore,
And vow'd he ne'er would act Villerius more."
Here stopt the good old sire, and wept for joy,
In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade,
That for anointed dulness he was made.
Close to the walls which fair Augusta bind,
(The fair Augusta much to fears inclin'd)
An ancient fabric, rais'd t' inform the sight
There stood of yore, and Barbican it hight:
A watch-tower once; but now so fate ordains,
Of all the pile an empty name remains:
From its old ruins brothel-houses rise,
Scenes of lewd loves, and of polluted joys,
Where their vast courts the mother-strumpets keep,
And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head
Where queens are form'd, and future heroes bred;
Where unfledg'd actors learn to laugh and cry,
Where infant punks their tender voices try,
And little Maximins the gods defy.
Great Fletcher never treads in buskins here,
Nor greater Jonson dares in socks appear;
But gentle Simkin just reception finds
Amidst this monument of vanish'd minds:
Poor clinches the suburbian Muse affords,
And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known,
Ambitiously design'd his Shadwell's throne.
For ancient Dekker prophesy'd long since,
That in this pile should reign a mighty prince,
Born for a scourge of wit, and flail of sense:
To whom true dulness should some Psyches owe,
But worlds of misers from his pen should flow;
Humorists and hypocrites it should produce,
Whole Raymond families, and tribes of Bruce.
Now Empress Fame had publish'd the renown
Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet,
From near Bunhill, and distant Watling-street.
No Persian carpets spread th' imperial way,
But scatter'd limbs of mangled Poets lay;
From dusty shops neglected authors come,
Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay,
But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeomen stood prepar'd,
And Herringman was captain of the guard.
The hoary prince in majesty appear'd,
High on a throne of his own labours rear'd.
At his right hand our young Ascanius sate,
Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace,
And lambent dulness play'd around his face.
As Hannibal did to the altars come,
Swore by his sire a mortal foe to Rome;
So Shadwell swore, nor should his vow be vain,
That he till death true dulness would maintain;
And, in his father's right, and realm's defence,
Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made,
As king by office, and as priest by trade.
In his sinister hand, instead of ball,
He plac'd a mighty mug of potent ale;
Love's kingdom to his right he did convey,
At once his sceptre, and his rule of sway;
Whose righteous lore the prince had practis'd young,
And from whose loins recorded Psyche sprung.
His temples, last, with poppies were o'erspread
That nodding seem'd to consecrate his head.
Just at the point of time, if Fame not lie,
On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook,
Presage of sway from twice six vultures took.
Th' admiring throng loud acclamations make,
And omens of his future empire take.
The sire then shook the honours of his head,
And from his brows damps of oblivion shed
Full on the filial dulness: Long he stood,
Repelling from his breast the raging god:
At length burst out in this prophetic mood.
"Heav'ns! bless my son! from Ireland let him reign
To far Barbadoes on the western main;
Of his dominion may no end be known,
And greater than his father's be his throne;
Beyond Love's kingdom let him stretch his pen!--"
He paus'd, and all the people cry'd "Amen".
Then thus continu'd he: "My son, advance
Still in new impudence, new ignorance.
Success let others teach, learn thou from me
Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ;
Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage,
Make Dorimant betray, and Loveit rage;
Let Cully, Cockwood, Fopling, charm the pit,
And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence,
And justify their authors' want of sense.
Let 'em be all by thy own model made
Of dulness, and desire no foreign aid;
That they to future ages may be known,
Not copies drawn, but issue of thy own.
Nay, let thy men of wit too be the same,
All full of thee, and diff'ring but in name.
But let no alien Sedley interpose,
To lard with wit thy hungry Epsom prose.
And when false flowers of rhetorick thou would'st cull,
Trust Nature, do not labour to be dull;
But write thy best, and top; and, in each line,
Sir Formal's oratory will be thine:
Sir Formal, though unsought, attends thy quill,
And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame,
By arrogating Jonson's hostile name.
Let father Flecknoe fire thy mind with praise,
And uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part:
What share have we in Nature or in Art?
Where did his wit on learning fix a brand,
And rail at arts he did not understand?
Where made he love in Prince Nicander's vein,
Or swept the dust in Psyche's humble strain?
Where sold he bargains, whip-stitch, kiss my arse,
Promis'd a play, and dwindled to a farce?
When did his muse from Fletcher scenes purloin,
As thou whole Eth'ridge dost transfuse to thine?
But so transfus'd, as oil and waters flow,
His always floats above, thine sinks below.
This is thy province, this thy wondrous way,
New humours to invent for each new play:
This is that boasted bias of thy mind,
By which, one way, to dulness 'tis inclin'd:
Which makes thy writings lean on one side still,
And, in all changes, that way bends thy will.
Nor let thy mountain-belly make pretence
Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ,
But sure thou'rt but a kilderkin of wit.
Like mine, thy gentle numbers feebly creep;
Thy tragic muse gives smiles, thy comic sleep.
With whate'er gall thou set'st thyself to write,
Thy inoffensive satires never bite.
In thy felonious heart though venom lies,
It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame
In keen Iambics, but mild Anagram.
Leave writing plays, and choose for thy command
Some peaceful province in acrostic land,
There thou may'st wings display and altars raise,
And torture one poor word ten thousand ways.
Or if thou would'st thy different talents suit,
Set thy own songs, and sing them to thy lute."
He said: But his last words were scarcely heard:
For Bruce and Longvil had a trap prepar'd,
And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind,
Borne upwards by a subterranean wind.
The mantle fell to the young prophet's part,
With double portion of his father's art.
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English SatiresChapter XIX: Macflecknoe
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