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Chapter II: Act I: Scene I

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(Nille, alone.)

NILLE. I hardly believe there's such another lazy lout in all the village as my husband, it's as much as I can do to get him up in the morning by pulling him out of bed by the hair. The scoundrel knows to-day is market-day, and yet he lies there asleep at this hour of the morning. The pastor said to me the other day, "Nille, you are much too hard on your husband; he is and he ought to be the master of the house." But I answered him, "No, my good pastor! If I should let my husband have his way in the household for a year, the gentry wouldn't get their rent nor the pastor his offering, for in that length of time he would turn all there was in the place into drink. Ought I let a man rule the household who is perfectly ready to sell his belongings and wife and children and even himself for brandy?" The pastor had nothing to say to that, but stood there stroking his chin. The bailiff agrees with me, and says, "My dear woman, pay no attention to the pastor. It's in the wedding-service, to be sure, that you must honor and obey your husband, but it's in your lease, which is more recent than the service, that you shall keep up your farm and meet your rent--a thing you can never do unless you haul your husband about by the hair every day and beat him to his work."

I pulled him out of bed just now and went out to the barn to see how things were getting along, when I came in again, he was sitting on a chair, asleep, with his breeches--saving your presence--pulled on one leg; so the switch had to come down from the hook, and my good Jeppe got a basting till he was wide awake again. The only thing he is afraid of is "Master Eric," as I call the switch. Hey, Jeppe, you cur, haven't you got into your clothes yet? Would you like to talk to Master Eric some more? Hey, Jeppe! Come in here!

SCENE 2

(Enter Jeppe.)

JEPPE. I've got to have time to get dressed, Nille! I can't go to town like a hog without my breeches or my jacket.

NILLE. Scurvy-neck! Haven't you had time to put on ten pairs of breeches since I waked you this morning?

JEPPE. Have you put away Master Eric, Nille?

NILLE. Yes, I have, but I know mighty well where to find him again, if you don't step lively. Come here!--See how he crawls.--Come here! You must go to town and buy me two pounds of soft soap, here's the money for it. But see here, if you're not back on this very spot inside of four hours, Master Eric will dance the polka on your back.

JEPPE. How can I walk four leagues in four hours, Nille?

NILLE. Who said anything about walking, you cuckold? You run. I've said my say once for all, now do as you like. [Exit Nille.]

SCENE 3

JEPPE. Now the sow's going in to eat her breakfast, while I, poor devil, must walk four leagues without bite or sup. Could any man have such a damnable wife as I have? I honestly think she's own cousin to Lucifer. Folks in the village say that Jeppe drinks, but they don't say why Jeppe drinks: I didn't get as many blows in all the ten years I was in the militia as I get in one day from my malicious wife. She beats me, the bailiff drives me to work as if I were an animal, and the deacon makes a cuckold of me. Haven't I good reason to drink? Don't I have to use the means nature gives us to drive away our troubles? If I were a dolt, I shouldn't take it to heart so, and I shouldn't drink so much, either; but it's a well-known fact that I am an intelligent man; so I feel such things more than others would, and that's why I have to drink. My neighbor Moens Christoffersen often says to me, speaking as my good friend, "May the devil gnaw your fat belly, Jeppe! You must hit back, if you want your old woman to behave." But I can't do anything to protect myself, for three reasons: in the the first place, because I haven't any courage; in the second, because of that damned Master Eric hanging behind the bed, which my back can't think of without blubbering; and thirdly, because I am, if I do say it who shouldn't, a meek soul and a good Christian, who never tries to revenge himself, even on the deacon who puts one horn on me after another. I put my mite in the plate for him on the three holy-days, although he hasn't the decency to give me so much as one mug of ale all the year round. Nothing ever wounded me more deeply than the cutting speech he made me last year: I was telling how once a savage bull, that had never been afraid of any man, took fright at the sight of me; and he answered, "Don't you see how that happened, Jeppe? The bull saw that you had bigger horns than he, so he didn't think it prudent to lock horns with his superior." I call you to witness, good people, if such words would not pierce an honorable man to the marrow of his bones. Still, I am so gentle that I have never even wished my wife dead. On the contrary, when she lay sick of a jaundice last year, I hoped she might live; for as hell is already full of bad women, Lucifer might send her back again, and then she'd be worse than ever. But if the deacon should die, I should be glad, for my own sake and for others' as well, for he does me nothing but evil and is no use to the parish. He's an ignorant devil, for he can't sing a note, much less mould a decent wax candle. Oh, but his predecessor, Christoffer, was a different sort of fellow. He had such a voice in his time that he sang down twelve deacons in the Credo. Once I started to quarrel openly with the deacon, when Nille herself heard him call me a cuckold. I said, "May the devil be your cuckold, deacon!" But what good did it do? Master Eric came right down off the wall to stop the quarrel, and my back got such a drubbing that I had to ask the deacon's leave to thank him, that he, as a well-educated man, should do such an honor to our house. Since that time I haven't thought of making any opposition. Yes, yes, Moens Christoffersen! You and the other peasants can very well talk, because your wives haven't any Master Eric hanging behind the bed. If I had one wish in the world, it would be either that my wife had no arms, or that I had no back. She may use her mouth as much as she pleases. But I must stop at Jacob Shoemaker's on the way--he'll surely let me have a pennyworth of brandy on credit--for I must have something to quench my thirst. Hey, Jacob Shoemaker! Are you up yet? Open the door, Jacob!

SCENE 4

(Enter Jacob Shoemaker, in his shirt.)

JACOB. Who the dickens wants to get in so early?

JEPPE. Good morning to you, Jacob Shoemaker.

JACOB. Thank you, Jeppe! You are up and about bright and early to-day.

JEPPE. Let us have a pennyworth of brandy, Jacob!

JACOB. With all my heart, when you show me the penny.

JEPPE. I'll give it to you when I come back here tomorrow.

JACOB. Jacob Shoemaker doesn't give credit, I know you must have a penny or two about you to pay with.

JEPPE. Honestly, Jacob, I have nothing but what my wife gave me to spend in town for her.

JACOB. You can easily beat them down a few pence on what you buy. What is it you're to get her?

JEPPE. I have to buy two pounds of soft soap.

JACOB. Why, can't you tell her the soap cost a penny or two more than you give for it?

JEPPE. I'm so afraid my wife would find out about it, and then I'd be in trouble.

JACOB. Nonsense! How could she find out? Can't you swear that you paid out all the money? You're as stupid as an ox.

JEPPE. That's true, Jacob! I can do that well enough.

JACOB. Out with your penny.

JEPPE. Here you are, but you must give me a penny change.

JACOB (coming in with the glass; drinks to him). Your health, Jeppe!

JEPPE. What a lot you take, you rogue!

JACOB. Oh, yes, but it's the custom for the host to drink his guest's health.

JEPPE. I know it is, but bad luck to the man that started the custom. Your health, Jacob!

JACOB. Thanks, Jeppe! You'll drink the other pennyworth next, so there's no use your troubling about change. Or do you want a glass to your credit when you come again? For I give you my word I haven't any change.

JEPPE. I'm damned if I do! If it's got to be spent, it might as well be spent now, so that I can feel I have something under my belt; but if you drink any of it, I won't pay.

JACOB. Your health!

JEPPE. God save our friends and ill befall our enemies. That does my belly good. Um-m-m.

JACOB. Good luck on your way, Jeppe.

JEPPE. Thanks, Jacob Shoemaker. (Exit Jacob.)

SCENE 5

(Jeppe feels happy and begins to sing.)

A white hen and a speckled hen Got into a row with a rooster--

Oh, if I only dared drink another pennyworth! Oh, if I only dared drink another pennyworth! I think I'll do it. No, ill will come of it. If I could once get the inn out of my sight, I shouldn't need to; but it's as if some one were holding me back. I've got to go in again. But what is this you are doing, Jeppe? I seem to see Nille standing in my path with Master Eric in her hand. I must turn round again. Oh, if I only dared drink another pennyworth! My belly says, "Do it;" my back, "Don't." Which shall I obey? Isn't my belly bigger than my back? I think it is. Shall I knock? Hey, Jacob Shoemaker, come out here! But that cursed woman comes before my eyes again. If she only didn't break the bones of my back when she beats me, I'd let her go to the devil, but she lays on like ... Oh, God help me, miserable creature! What shall I do? Control your nature, Jeppe! Isn't it a shame to get into trouble for a paltry glass of brandy? No, I shan't do it this time; I must go on. Oh, if I only dared drink another pennyworth! It was my undoing that I got a taste of it; now I can't get away from it. Go on, legs! May the devil split you if you don't! Marry, the rogues won't budge. They want to go back to the inn. My limbs wage war on each other: my belly and my legs want to go to the inn, and my back wants to go to town. Will you go on, you dogs! you beasts! you scurvy wretches! The devil take them, they will go back to the inn; I have more trouble getting my own legs away from the inn than I have getting my piebald horse out of the stable. Oh, if I only dared drink another pennyworth! Who knows but Jacob Shoemaker might trust me for a penny or two, if I begged enough? Hey, Jacob! Another twopenny glass of brandy!

SCENE 6

(Enter Jacob)

JACOB. Hello, Jeppe! back again? I thought you had had too little. What good is a farthing's worth of brandy? That's hardly enough to wet your whistle.

JEPPE. That's so, Jacob! I'll spend another farthing! (Aside.) Once I've got it down, he'll have to trust me whether he wants to or not.

JACOB. Here's your farthing's worth of brandy, Jeppe, but money first.

JEPPE. You certainly can trust me while I'm drinking, as the proverb says.

JACOB. We don't give credit on proverbs, Jeppe! If you don't pay up, you won't get a drop; we have sworn off trusting any one, even the bailiff himself.

JEPPE (weeping). Can't you really trust me? I'm an honest man.

JACOB. No credit.

JEPPE. Here's your twopence, then, you beggar! Now it's done, drink, Jeppe! Oh, that goes to the right spot.

JACOB. It certainly does warm a man's insides.

JEPPE. The best thing about brandy is that it gives you courage. Now I don't think any more about my wife or Master Eric, I've been so changed by that last glass. Do you know this song, Jacob?

Heir Peder and Kirsten sat at the table, Peteheia!
Said all the bad words that they were able, Polemeia!
In summer the happy starlings sing, Peteheia!
May devil take Nille, the dirty thing, Polemeia!
One day I went out upon the grass, Peteheia!
The deacon, he is a hangman's ass, Polemeia!
On my dappled horse I ride to the east, Peteheia!
The deacon, he is a nasty beast, Polemeia!
If you would know my wife's real name, Peteheia!
I'll tell you: it is Lust and Shame, Polemeia!

I made up that song myself, Jacob!

JACOB. The devil you did!

JEPPE. Jeppe's not as dull as you think: I've also made up a song about shoemakers, which goes like this:

The shoemaker sits with his big bass viol, Philepom, Philepom!

JACOB. You poor fool, that's about a fiddler.

JEPPE. So it is. See here, Jacob! Give me twopence worth more of brandy.

JACOB. All right; I see you're a good fellow; you don't grudge spending a penny or two in my house.

JEPPE. Hey, Jacob! make it fourpence.

JACOB. Certainly.

JEPPE. (singing again).

The earth drinks water,
The sea drinks sun,
The sun drinks sea,
Everything on earth drinks;
Why not me?

JACOB. Your health, Jeppe!

JEPPE. Mir zu!

JACOB. Here's to you in half of it!

JEPPE. Ich tank you, Jacob. Drink, man, and the devil take you and welcome!

JACOB. I see that you can talk German.

JEPPE. Yes, I have for a long time, but I don't like to except when I'm full.

JACOB. Then you must speak it at least once a day.

JEPPE. I was ten years m the militia, don't you think I ought to understand the language?

JACOB. I know, Jeppe! We were in the same company for two years.

JEPPE. So we were; I remember it now. You were hanged once when you ran away at Vissmar.

JACOB. I was going to be hanged, but I was pardoned. A miss is as good as a mile.

JEPPE. It's too bad you weren't hanged, Jacob! But weren't you with us at the auction on the heath--you know the one?

JACOB. Why, where wasn't I with you?

JEPPE. I never shall forget the first salt the Swedes made. I think 3000 men--or even 4000--fell all at once. Das ging fordeviled zu, Jacob! Du kannst das wohl rememberen. Ich kan nicht deny dass ich bange war at dat battle.

JACOB: Yes, yes, death is hard to face; a man always feels pious when he goes against the enemy.

Jeppe. Yes, that's so. I don't know how it happens. For I spent the whole night before the auction reading the Qualms of David.

JACOB. I wonder that you, who have been a soldier, should let yourself be browbeaten by your wife.

JEPPE. I? If I only could have her here now, you'd see how I should drub her! Another glass, Jacob! I still have eightpence, and when that's all drunk up I shall drink on credit. Give me a mug of ale, too. (Sings.)

In Leipzig war ein Mann,
In Leipzig war ein Mann,
In Leipzig war ein lederner Mann,
In Leipzig war ein lederner Mann,
In Leipzig war ein Mann.

Der Mann sie nahm ein Frau--

JACOB. Your health, Jeppe!

JEPPE. Hey! he--y! he--y!

Here's to you, and here's to me,
And here's to all the company!

JACOB. Won't you drink the bailiff's health?

JEPPE. Sure enough; give me credit for another penny-worth. The bailiff is an honest man; when we slip a rix-dollar into his fist, he'll swear to his lordship that we can't pay our rent. Now I'm a villain if I have any more money; you must trust me for a farthing or two.

JACOB. No, Jeppe, you can't stand any more now. I'm not the kind of man to let his patrons force themselves to drink more than is good for them. I'd rather lose my trade than do that. It would be a sin.

JEPPE. Just another farthing's worth!

JACOB. No, Jeppe, you can't have any more. Just think what a long way you have to walk.

JEPPE. Cur! Carrion! Beast! Scoundrel! Hey, hey, h--e--y!

JACOB. Good-bye, Jeppe! Good luck to you!

[Exit Jacob.]

SCENE 7

JEPPE. Oh, Jeppe, you are as full as a beast! My legs don't want to carry me. Will you stand still, you carrion? Let's see, what time is it? Hey, Jacob, you dog of a shoemaker! I want another drink. Will you stay still, you dogs! May the devil take me if they will keep quiet. Thank you, Jacob Shoemaker! I'll have another. Listen, friend! which way does the road to town go? Stand still, I say! See, the brute is full. You drank like a rogue, Jacob! Is that a farthing's worth of brandy ... You pour like a Turk. (As he speaks, he falls and lies on the ground.)

SCENE 8

(Enter Baron Nilus, Secretary, Valet, Eric, and another Lackey.)

BARON. It looks as if we were going to have a good harvest this year; see how thick that barley is growing.

SECRETARY. True, my lord, but that means that a barrel of barley won't bring more than five marks this year.

BARON. That makes no difference. The peasants are always better off in good seasons.

SECRETARY. I don't know how that may be, my lord, but the peasants always complain and ask for seed-corn, no matter whether the year is fruitful or not. When they have something, they drink so much the more. There is an inn-keeper who lives near here, called Jacob Shoemaker, who helps a good deal to keep the peasants poor; they say he puts salt in his ale to make them thirsty so they will drink more.

BARON. We shall have to drive the fellow out. But what is that lying in the road? It must be a dead man. One hears of nothing but misfortune nowadays. Run and see what it is, one of you!

LACKEY. That is Jeppe of the Hill, whose wife is such a terror. Get up, Jeppe! No, he wouldn't wake even if we pummelled him and pulled his hair.

BARON. Let him be, then. I want to play a little joke on him. You are usually full of ingenious ideas. Can't you think of something to divert me?

SECRETARY. I think it would be good fun to tie a paper collar round his neck, or else cut off his hair.

VALET. I think it would be more amusing to smear his face with ink and then send some one to see how his wife takes it when he comes home in that condition.

BARON. That's not bad. But what do you wager that Eric won't hit on something better still? Let's hear your suggestion, Eric.

ERIC. My idea is that we take off all his clothes and put him in my lord's best bed, and in the morning when he wakes, all of us treat him as if he were the lord of the domain, so he won't know how he has got so transformed. And when we have convinced him that he is the baron, we can get him drunk again, as he is now, and lay him on the same dunghill in his own old clothes. If all this is skilfully carried out, it will work wonderfully, and he will imagine that he had dreamt of his good fortune, or has actually been in paradise.

BARON. Eric, you're a big man and therefore you have big ideas. But what if we should wake him in the process?

ERIC. I'm sure we shalln't do that, my lord! for this same Jeppe is one of the heaviest sleepers in the whole district. Last year they tried setting off a rocket under his head, but when the rocket went off he never even stirred in his sleep.

BARON. Then let us do it. Drag him right off, put a fine shirt on him, and lay him in my best bed.

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Comedies by Holberg : Jeppe of the Hill, The Political Tinker, Erasmus MontanusChapter II: Act I: Scene I

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