Chapter V: Part 5

Yet, notwithstanding what he asserts in the verses last quoted, he did pass the "hoary threshold" of Annesley again. It was, however, after the lapse of several years, during which he had grown up to manhood, and had passed through the ordeal of pleasures and tumultuous passions, and had felt the influence of other charms. Miss Chaworth, too, had become a wife and a mother, and he dined at Annesley Hall at the invitation of her husband. He thus met the object of his early idolatry in the very scene of his tender devotions, which, as he says, her smiles had once made a heaven to him. The scene was but little changed. He was in the very chamber where he had so often listened entranced to the witchery of her voice; there were the same instruments and music; there lay her flower garden beneath the window, and the walks through which he had wandered with her in the intoxication of youthful love. Can we wonder that amidst the tender recollections which every object around him was calculated to awaken, the fond passion of his boyhood should rush back in full current to his heart? He was himself surprised at this sudden revulsion of his feelings, but he had acquired self-possession and could command them. His firmness, however, was doomed to undergo a further trial. While seated by the object of his secret devotions, with all these recollections throbbing in his bosom, her infant daughter was brought into the room. At sight of the child he started; it dispelled the last lingerings of his dream, and he afterward confessed, that to repress his emotion at the moment, was the severest part of his task.

The conflict of feelings that raged within his bosom, throughout this fond and tender, yet painful and embarrassing visit, are touchingly depicted in lines which he wrote immediately afterward, and which, though not addressed to her by name, are evidently intended for the eye and the heart of the fair lady of Annesley:

"Well! thou art happy, and I feel
That I should thus be happy too;
For still my heart regards thy weal
Warmly, as it was wont to do.

Thy husband's blest--and 'twill impart
Some pangs to view his happier lot:
But let them pass--Oh! how my heart
Would hate him, if he loved thee not!

"When late I saw thy favorite child
I thought my jealous heart would break;
But when the unconscious infant smiled,
I kiss'd it for its mother's sake.

"I kiss'd it, and repress'd my sighs
Its father in its face to see;
But then it had its mother's eyes,
And they were all to love and me.

"Mary, adieu! I must away:
While thou art blest I'll not repine;
But near thee I can never stay:
My heart would soon again be thine.

"I deem'd that time, I deem'd that pride
Had quench'd at length my boyish flame
Nor knew, till seated by thy side,
My heart in all, save love, the same.

"Yet I was calm: I knew the time
My breast would thrill before thy look;
But now to tremble were a crime--
We met, and not a nerve was shook.

"I saw thee gaze upon my face,
Yet meet with no confusion there:
One only feeling could'st thou trace;
The sullen calmness of despair.

"Away! away! my early dream
Remembrance never must awake:
Oh! where is Lethe's fabled stream?
My foolish heart, be still, or break."

The revival of this early passion, and the melancholy associations which it spread over those scenes in the neighborhood of Newstead, which would necessarily be the places of his frequent resort while in England, are alluded to by him as a principal cause of his first departure for the Continent:

"When man expell'd from Eden's bowers
A moment lingered near the gate,
Each scene recalled the vanish'd hours,
And bade him curse his future fate.

"But wandering on through distant climes,
He learnt to bear his load of grief;
Just gave a sigh to other times,
And found in busier scenes relief.

"Thus, Mary, must it be with me,
And I must view thy charms no more;
For, while I linger near to thee,
I sigh for all I knew before."

It was in the subsequent June that he set off on his pilgrimage by sea and land, which was to become the theme of his immortal poem. That the image of Mary Chaworth, as he saw and loved her in the days of his boyhood, followed him to the very shore, is shown in the glowing stanzas addressed to her on the eve of embarkation--

"'Tis done--and shivering in the gale
The bark unfurls her snowy sail;
And whistling o'er the bending mast,
Loud sings on high the fresh'ning blast;
And I must from this land be gone.
Because I cannot love but one.

"And I will cross the whitening foam,
And I will seek a foreign home;
Till I forget a false fair face,
I ne'er shall find a resting place;
My own dark thoughts I cannot shun,
But ever love, and love but one.

"To think of every early scene,
Of what we are, and what we've been,
Would whelm some softer hearts with woe--
But mine, alas! has stood the blow;
Yet still beats on as it begun,
And never truly loves but one.

"And who that dear loved one may be
Is not for vulgar eyes to see,
And why that early love was cross'd,
Thou know'st the best, I feel the most;
But few that dwell beneath the sun
Have loved so long, and loved but one.

"I've tried another's fetters too,
With charms, perchance, as fair to view;
And I would fain have loved as well,
But some unconquerable spell
Forbade my bleeding breast to own
A kindred care for aught but one.

"'Twould soothe to take one lingering view,
And bless thee in my last adieu;
Yet wish I not those eyes to weep
For him who wanders o'er the deep;
His home, his hope, his youth are gone,
Yet still he loves, and loves but one."

The painful interview at Annesley Hall, which revived with such intenseness his early passion, remained stamped upon his memory with singular force, and seems to have survived all his "wandering through distant climes," to which he trusted as an oblivious antidote. Upward of two years after that event, when, having made his famous pilgrimage, he was once more an inmate of Newstead Abbey, his vicinity to Annesley Hall brought the whole scene vividly before him, and he thus recalls it in a poetic epistle to a friend--

"I've seen my bride another's bride,--
Have seen her seated by his side,--
Have seen the infant which she bore,
Wear the sweet smile the mother wore,
When she and I in youth have smiled
As fond and faultless as her child:--
Have seen her eyes, in cold disdain,
Ask if I felt no secret pain.

"And I have acted well my part,
And made my cheek belie my heart,
Returned the freezing glance she gave,
Yet felt the while _that_ woman's slave;--
Have kiss'd, as if without design,
The babe which ought to have been mine,
And show'd, alas! in each caress,
Time had not made me love the less."

"It was about the time," says Moore in his life of Lord Byron, "when he was thus bitterly feeling and expressing the blight which his heart had suffered from a _real_ object of affection, that his poems on an imaginary one, 'Thyrza,' were written." He was at the same time grieving over the loss of several of his earliest and dearest friends the companions of his joyous school-boy hours. To recur to the beautiful language of Moore, who writes with the kindred and kindling sympathies of a true poet: "All these recollections of the young and the dead mingled themselves in his mind with the image of her, who, though living, was for him, as much lost as they, and diffused that general feeling of sadness and fondness through his soul, which found a vent in these poems.... It was the blending of the two affections in his memory and imagination, that gave birth to an ideal object combining the best features of both, and drew from him those saddest and tenderest of love poems, in which we find all the depth and intensity of real feeling, touched over with such a light as no reality ever wore."

An early, innocent, and unfortunate passion, however fruitful of pain it may be to the man, is a lasting advantage to the poet. It is a well of sweet and bitter fancies; of refined and gentle sentiments; of elevated and ennobling thoughts; shut up in the deep recesses of the heart, keeping it green amidst the withering blights of the world, and, by its casual gushings and overflowings, recalling at times all the freshness, and innocence, and enthusiasm of youthful days. Lord Byron was conscious of this effect, and purposely cherished and brooded over the remembrance of his early passion, and of all the scenes of Annesley Hall connected with it. It was this remembrance that attuned his mind to some of its most elevated and virtuous strains, and shed an inexpressible grace and pathos over his best productions.

Being thus put upon the traces of this little love-story, I cannot refrain from threading them out, as they appear from time to time in various passages of Lord Byron's works. During his subsequent rambles in the East, when time and distance had softened away his "early romance" almost into the remembrance of a pleasing and tender dream, he received accounts of the object of it, which represented her, still in her paternal Hall, among her native bowers of Annesley, surrounded by a blooming and beautiful family, yet a prey to secret and withering melancholy--

----"In her home,
A thousand leagues from his,--her native home,
She dwelt, begirt with growing infancy,
Daughters and sons of beauty, but--behold!
Upon her face there was the tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
_As if its lids were charged with unshed tears_."

For an instant the buried tenderness of early youth and the fluttering hopes which accompanied it, seemed to have revived in his bosom, and the idea to have flashed upon his mind that his image might be connected with her secret woes--but he rejected the thought almost as soon as formed.

"What could her grief be?--she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill repress'd affection, her pure thoughts.
What could her grief be?--she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which prey'd
Upon her mind--a spectre of the past."

The cause of her grief was a matter of rural comment in the neighborhood of Newstead and Annesley. It was disconnected from all idea of Lord Byron, but attributed to the harsh and capricious conduct of one to whose kindness and affection she had a sacred claim. The domestic sorrows which had long preyed in secret on her heart, at length affected her intellect, and the "bright morning star of Annesley" was eclipsed for ever.

"The lady of his love,--oh! she was changed
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm: but her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight, familiar were to hers.
And this the world calls frenzy."

Notwithstanding lapse of time, change of place, and a succession of splendid and spirit-stirring scenes in various countries, the quiet and gentle scene of his boyish love seems to have held a magic sway over the recollections of Lord Byron, and the image of Mary Chaworth to have unexpectedly obtruded itself upon his mind like some supernatural visitation. Such was the fact on the occasion of his marriage with Miss Milbanke; Annesley Hall and all its fond associations floated like a vision before his thoughts, even when at the altar, and on the point of pronouncing the nuptial vows. The circumstance is related by him with a force and feeling that persuade us of its truth.

"A change came o'er the spirit of my dream.
The wanderer was returned.--I saw him stand
Before an altar--with a gentle bride;
Her face was fair, but was not that which made
The star-light of his boyhood;--as he stood
Even at the altar, o'er his brow there came
The self-same aspect, and the quivering shock
That in the antique oratory shook
His bosom in its solitude; and then--
As in that hour--a moment o'er his face
The tablet of unutterable thoughts
Was traced,--and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but beard not his own words,
And all things reel'd around him: he could see
Not that which was, nor that which should have been--
But the old mansion, and the accustomed hall,
And the remember'd chambers, and the place,
The day, the hour, the sunshine, and the shade,
All things pertaining to that place and hour,
And her who was his destiny, came back,
And thrust themselves between him and the light:
What business had they there at such a time?"

The history of Lord Byron's union is too well known to need narration. The errors, and humiliations, and heart-burnings that followed upon it, gave additional effect to the remembrance of his early passion, and tormented him with the idea, that had he been successful in his suit to the lovely heiress of Annesley, they might both have shared a happier destiny. In one of his manuscripts, written long after his marriage, having accidentally mentioned Miss Chaworth as "my M. A. C." "Alas!" exclaims he, with a sudden burst of feeling, "why do I say _my_? Our union would have healed feuds in which blood had been shed by our fathers; it would have joined lands broad and rich; it would have joined at least _one_ heart, and two persons not ill-matched in years-and--and--and--what has been the result?"

But enough of Annesley Hall and the poetical themes connected with it. I felt as if I could linger for hours about its ruined oratory, and silent hall, and neglected garden, and spin reveries and dream dreams, until all became an ideal world around me. The day, however, was fast declining, and the shadows of evening throwing deeper shades of melancholy about the place. Taking our leave of the worthy old housekeeper, therefore, with a small compensation and many thanks for her civilities, we mounted our horses and pursued our way back to Newstead Abbey.

THE LAKE.

"Before the mansion lay a lucid lake,
Broad as transparent, deep, and freshly fed
By a river, which its softened way did take
in currents through the calmer water spread
Around: the wild fowl nestled in the brake
And sedges, brooding in their liquid bed:
The woods sloped downward to its brink, and stood
With their green faces fixed upon the flood."

Such is Lord Byron's description of one of a series of beautiful sheets of water, formed in old times by the monks by damming up the course of a small river. Here he used daily to enjoy his favorite recreations in swimming and sailing. The "wicked old Lord," in his scheme of rural devastation, had cut down all the woods that once fringed the lake; Lord Byron, on coming of age, endeavored to restore them, and a beautiful young wood, planted by him, now sweeps up from the water's edge, and clothes the hillside opposite to the Abbey. To this woody nook Colonel Wildman has given the appropriate title of "the Poet's Corner."

The lake has inherited its share of the traditions and fables connected with everything in and about the Abbey. It was a petty Mediterranean sea on which the "wicked old Lord" used to gratify his nautical tastes and humors. He had his mimic castles and fortresses along its shores, and his mimic fleets upon its waters, and used to get up mimic sea-fights. The remains of his petty fortifications still awaken the curious inquiries of visitors. In one of his vagaries, he caused a large vessel to be brought on wheels from the sea-coast and launched in the lake. The country people were surprised to see a ship thus sailing over dry land. They called to mind a saying of Mother Shipton, the famous prophet of the vulgar, that whenever a ship freighted with ling should cross Sherwood Forest, Newstead would pass out of the Byron family. The country people, who detested the old Lord, were anxious to verify the prophecy. Ling, in the dialect of Nottingham, is the name for heather; with this plant they heaped the fated bark as it passed, so that it arrived full freighted at Newstead.

The most important stories about the lake, however, relate to the treasures that are supposed to lie buried in its bosom. These may have taken their origin in a fact which actually occurred. There was one time fished up from the deep part of the lake a great eagle of molten brass, with expanded wings, standing on a pedestal or perch of the same metal. It had doubtless served as a stand or reading-desk, in the Abbey chapel, to hold a folio Bible or missal.

The sacred relic was sent to a brazier to be cleaned. As he was at work upon it, he discovered that the pedestal was hollow and composed of several pieces. Unscrewing these, he drew forth a number of parchment deeds and grants appertaining to the Abbey, and bearing the seals of Edward III. and Henry VIII., which had thus been concealed, and ultimately sunk in the lake by the friars, to substantiate their right and title to these domains at some future day.

One of the parchment scrolls thus discovered, throws rather an awkward light upon the kind of life led by the friars of Newstead. It is an indulgence granted to them for a certain number of months, in which plenary pardon is assured in advance for all kinds of crimes, among which, several of the most gross and sensual are specifically mentioned, and the weakness of the flesh to which they are prone.

After inspecting these testimonials of monkish life, in the regions of Sherwood Forest, we cease to wonder at the virtuous indignation of Robin Hood and his outlaw crew, at the sleek sensualists of the cloister:

"I never hurt the husbandman,
That use to till the ground,
Nor spill their blood that range the wood
To follow hawk and hound,

"My chiefest spite to clergy is,
Who in these days bear sway;
With friars and monks with their fine spunks,
I make my chiefest prey."--OLD BALLAD OF ROBIN HOOD.

The brazen eagle has been transferred to the parochial and collegiate church of Southall, about twenty miles from Newstead, where it may still be seen in the centre of the chancel, supporting, as of yore, a ponderous Bible. As to the documents it contained, they are carefully treasured up by Colonel Wildman among his other deeds and papers, in an iron chest secured by a patent lock of nine bolts, almost equal to a magic spell.

The fishing up of this brazen relic, as I have already hinted, has given rise to the tales of treasure lying at the bottom of the lake, thrown in there by the monks when they abandoned the Abbey. The favorite story is, that there is a great iron chest there filled with gold and jewels, and chalices and crucifixes. Nay, that it has been seen, when the water of the lake was unusually low. There were large iron rings at each end, but all attempts to move it were ineffectual; either the gold it contained was too ponderous, or what is more probable, it was secured by one of those magic spells usually laid upon hidden treasure. It remains, therefore, at the bottom of the lake to this day; and it is to be hoped, may one day or other be discovered by the present worthy proprietor.

ROBIN HOOD AND SHERWOOD FOREST.

While at Newstead Abbey I took great delight in riding and rambling about the neighborhood, studying out the traces of merry Sherwood Forest, and visiting the haunts of Robin Hood. The relics of the old forest are few and scattered, but as to the bold outlaw who once held a kind of freebooting sway over it, there is scarce a hill or dale, a cliff or cavern, a well or fountain, in this part of the country, that is not connected with his memory. The very names of some of the tenants on the Newstead estate, such as Beardall and Hardstaff, sound as if they may have been borne in old times by some of the stalwart fellows of the outlaw gang. One of the earliest books that captivated my fancy when a child, was a collection of Robin Hood ballads, "adorned with cuts," which I bought of an old Scotch pedler, at the cost of all my holiday money. How I devoured its pages, and gazed upon its uncouth woodcuts! For a time my mind was filled with picturings of "merry Sherwood," and the exploits and revelling of the hold foresters; and Robin Hood, Little John, Friar Tuck, and their doughty compeers, were my heroes of romance.

These early feelings were in some degree revived when I found myself in the very heart of the far-famed forest, and, as I said before, I took a kind of schoolboy delight in hunting up all traces of old Sherwood and its sylvan chivalry. One of the first of my antiquarian rambles was on horseback, in company with Colonel Wildman and his lady, who undertook to guide me to Borne of the moldering monuments of the forest. One of these stands in front of the very gate of Newstead Park, and is known throughout the country by the name of "The Pilgrim Oak." It is a venerable tree, of great size, overshadowing a wide arena of the road. Under its shade the rustics of the neighborhood have been accustomed to assemble on certain holidays, and celebrate their rural festivals. This custom had been handed down from father to son for several generations, until the oak had acquired a kind of sacred character.

The "old Lord Byron," however, in whose eyes nothing was sacred, when he laid his desolating hand on the groves and forests of Newstead, doomed likewise this traditional tree to the axe. Fortunately the good people of Nottingham heard of the danger of their favorite oak, and hastened to ransom it from destruction. They afterward made a present of it to the poet, when he came to the estate, and the Pilgrim Oak is likely to continue a rural gathering place for many coming generations.

From this magnificent and time-honored tree we continued on our sylvan research, in quest of another oak, of more ancient date and less flourishing condition. A ride of two or three miles, the latter part across open wastes, once clothed with forest, now bare and cheerless, brought us to the tree in question. It was the Oak of Ravenshead, one of the last survivors of old Sherwood, and which had evidently once held a high head in the forest; it was now a mere wreck, crazed by time, and blasted by lightning, and standing alone on a naked waste, like a ruined column in a desert.

"The scenes are desert now, and bare,
Where flourished once a forest fair,
When these waste glens with copse were lined,
And peopled with the hart and hind.
Yon lonely oak, would he could tell
The changes of his parent dell,
Since he, so gray and stubborn now,
Waved in each breeze a sapling bough.
Would he could tell how deep the shade
A thousand mingled branches made.
Here in my shade, methinks he'd say,
The mighty stag at noontide lay,
While doe, and roe, and red-deer good,
Hare bounded by through gay green-wood."

At no great distance from Ravenshead Oak is a small cave which goes by the name of Robin Hood's stable. It is in the breast of a hill, scooped out of brown freestone, with rude attempt at columns and arches. Within are two niches, which served, it is said, as stalls for the bold outlaw's horses. To this retreat he retired when hotly pursued by the law, for the place was a secret even from his band. The cave is overshadowed by an oak and alder, and is hardly discoverable even at the present day; but when the country was overrun with forest it must have been completely concealed.

There was an agreeable wildness and loneliness in a great part of our ride. Our devious road wound down, at one time among rocky dells, by wandering streams, and lonely pools, haunted by shy water-fowl. We passed through a skirt of woodland, of more modern planting, but considered a legitimate offspring of the ancient forest, and commonly called Jock of Sherwood. In riding through these quiet, solitary scenes, the partridge and pheasant would now and then burst upon the wing, and the hare scud away before us.

Another of these rambling rides in quest of popular antiquities, was to a chain of rocky cliffs, called the Kirkby Crags, which skirt the Robin Hood hills. Here, leaving my horse at the foot of the crags, I scaled their rugged sides, and seated myself in a niche of the rocks, called Robin Hood's chair. It commands a wide prospect over the valley of Newstead, and here the bold outlaw is said to have taken his seat, and kept a look-out upon the roads below, watching for merchants, and bishops, and other wealthy travellers, upon whom to pounce down, like an eagle from his eyrie.

Descending from the cliffs and remounting my horse, a ride of a mile or two further along a narrow "robber path," as it was called, which wound up into the hills between perpendicular rocks, led to an artificial cavern cut in the face of a cliff, with a door and window wrought through the living stone. This bears the name of Friar Tuck's cell, or hermitage, where, according to tradition, that jovial anchorite used to make good cheer and boisterous revel with his freebooting comrades.

Such were some of the vestiges of old Sherwood and its renowned "yeomandrie," which I visited in the neighborhood of Newstead. The worthy clergyman who officiated as chaplain at the Abbey, seeing my zeal in the cause, informed me of a considerable tract of the ancient forest, still in existence about ten miles distant. There were many fine old oaks in it, he said, that had stood for centuries, but were now shattered and "stag-headed," that is to say, their upper branches were bare, and blasted, and straggling out like the antlers of, a deer. Their trunks, too, were hollow, and full of crows and jackdaws, who made them their nestling places. He occasionally rode over to the forest in the long summer evenings, and pleased himself with loitering in the twilight about the green alleys and under the venerable trees.

The description given by the chaplain made me anxious to visit this remnant of old Sherwood, and he kindly offered to be my guide and companion. We accordingly sallied forth one morning on horseback on this sylvan expedition. Our ride took us through a part of the country where King John had once held a hunting seat; the ruins of which are still to be seen. At that time the whole neighbor hood was an open royal forest, or Frank chase, as it was termed; for King John was an enemy to parks and warrens, and other inclosures, by which game was fenced in for the private benefit and recreation of the nobles and the clergy.

Here, on the brow of a gentle hill, commanding an extensive prospect of what had once been forest, stood another of those monumental trees, which, to my mind, gave a peculiar interest to this neighborhood. It was the Parliament Oak, so called in memory of an assemblage of the kind held by King John beneath its shade. The lapse of upward of six centuries had reduced this once mighty tree to a mere crumbling fragment, yet, like a gigantic torso in ancient statuary, the grandeur of the mutilated trunk gave evidence of what it had been in the days of its glory. In contemplating its mouldering remains, the fancy busied itself in calling up the scene that must have been presented beneath its shade, when this sunny hill swarmed with the pageantry of a warlike and hunting court. When silken pavilions and warrior-tents decked its crest, and royal standards, and baronial banners, and knightly pennons rolled out to the breeze. When prelates and courtiers, and steel-clad chivalry thronged round the person of the monarch, while at a distance loitered the foresters in green, and all the rural and hunting train that waited upon his sylvan sports.

'A thousand vassals mustered round
With horse, and hawk, and horn, and hound;
And through the brake the rangers stalk,
And falc'ners hold the ready hawk;
And foresters in green-wood trim
Lead in the leash the greyhound grim."

Such was the phantasmagoria that presented itself for a moment to my imagination, peopling the silent place before me with empty shadows of the past. The reverie however was transient; king, courtier, and steel-clad warrior, and forester in green, with horn, and hawk, and hound, all faded again into oblivion, and I awoke to all that remained of this once stirring scene of human pomp and power--a mouldering oak, and a tradition.

"We are such stuff as dreams are made of!"

A ride of a few miles farther brought us at length among the venerable and classic shades of Sherwood, Here I was delighted to find myself in a genuine wild wood, of primitive and natural growth, so rarely to be met with in this thickly peopled and highly cultivated country. It reminded me of the aboriginal forests of my native land. I rode through natural alleys and green-wood groves, carpeted with grass and shaded by lofty and beautiful birches. What most interested me, however, was to behold around me the mighty trunks of veteran oaks, old monumental trees, the patriarchs of Sherwood Forest. They were shattered, hollow, and moss-grown, it is true, and their "leafy honors" were nearly departed; but like mouldering towers they were noble and picturesque in their decay, and gave evidence, even in their ruins, of their ancient grandeur.

As I gazed about me upon these vestiges of once "Merrie Sherwood," the picturings of my boyish fancy began to rise in my mind, and Robin Hood and his men to stand before me.

"He clothed himself in scarlet then,
His men were all in green;
A finer show throughout the world
In no place could be seen.

"Good lord! it was a gallant sight
To see them all In a row;
With every man a good broad-sword
And eke a good yew bow."

The horn of Robin Hood again seemed to resound through the forest. I saw this sylvan chivalry, half huntsmen, half freebooters, trooping across the distant glades, or feasting and revelling beneath the trees; I was going on to embody in this way all the ballad scenes that had delighted me when a boy, when the distant sound of a wood-cutter's axe roused me from my day-dream.

The boding apprehensions which it awakened were too soon verified. I had not ridden much farther, when I came to an open space where the work of destruction was going on. Around me lay the prostrate trunks of venerable oaks, once the towering and magnificent lords of the forest, and a number of wood-cutters were hacking and hewing at another gigantic tree, just tottering to its fall.

Alas! for old Sherwood Forest: it had fallen into the possession of a noble agriculturist; a modern utilitarian, who had no feeling for poetry or forest scenery. In a little while and this glorious woodland will be laid low; its green glades be turned into sheep-walks; its legendary bowers supplanted by turnip-fields; and "Merrie Sherwood" will exist but in ballad and tradition.

"O for the poetical superstitions," thought I, "of the olden time! that shed a sanctity over every grove; that gave to each tree its tutelar genius or nymph, and threatened disaster to all who should molest the hamadryads in their leafy abodes. Alas! for the sordid propensities of modern days, when everything is coined into gold, and this once holiday planet of ours is turned into a mere 'working-day world.'"

My cobweb fancies put to flight, and my feelings out of tune, I left the forest in a far different mood from that in which I had entered it, and rode silently along until, on reaching the summit of a gentle eminence, the chime of evening bells came on the breeze across the heath from a distant village.

I paused to listen.

"They are merely the evening bells of Mansfield," said my companion.

"Of Mansfield!" Here was another of the legendary names of this storied neighborhood, that called up early and pleasant associations. The famous old ballad of the King and the Miller of Mansfield came at once to mind, and the chime of the bells put me again in good humor.

A little farther on, and we were again on the traces of Robin Hood. Here was Fountain Dale, where he had his encounter with that stalwart shaveling Friar Tuck, who was a kind of saint militant, alternately wearing the casque and the cowl:

"The curtal fryar kept Fountain dale
Seven long years and more,
There was neither lord, knight or earl
Could make him yield before."

The moat is still shown which is said to have surrounded the stronghold of this jovial and fighting friar; and the place where he and Robin Hood had their sturdy trial of strength and prowess, in the memorable conflict which lasted

"From ten o'clock that very day
Until four in the afternoon,"

and ended in the treaty of fellowship. As to the hardy feats, both of sword and trencher, performed by this "curtal fryar," behold are they not recorded at length in the ancient ballads, and in the magic pages of Ivanhoe?

The evening was fast coming on, and the twilight thickening, as we rode through these haunts famous in outlaw story. A melancholy seemed to gather over the landscape as we proceeded, for our course lay by shadowy woods, and across naked heaths, and along lonely roads, marked by some of those sinister names by which the country people in England are apt to make dreary places still more dreary. The horrors of "Thieves' Wood," and the "Murderers' Stone," and "the Hag Nook," had all to be encountered in the gathering gloom of evening, and threatened to beset our path with more than mortal peril. Happily, however, we passed these ominous places unharmed, and arrived in safety at the portal of Newstead Abbey, highly satisfied with our green-wood foray.

THE ROOK CELL.

In the course of my sojourn at the Abbey, I changed my quarters from the magnificent old state apartment haunted by Sir John Byron the Little, to another in a remote corner of the ancient edifice, immediately adjoining the ruined chapel. It possessed still more interest in my eyes, from having been the sleeping apartment of Lord Byron during his residence at the Abbey. The furniture remained the same. Here was the bed in which he slept, and which he had brought with him from college; its gilded posts surmounted by coronets, giving evidence of his aristocratical feelings. Here was likewise his college sofa; and about the walls were the portraits of his favorite butler, old Joe Murray, of his fancy acquaintance, Jackson the pugilist, together with pictures of Harrow School and the College at Cambridge, at which he was educated. The bedchamber goes by the name of the Book Cell, from its vicinity to the Rookery which, since time immemorial, has maintained possession of a solemn grove adjacent to the chapel. This venerable community afforded me much food for speculation during my residence in this apartment. In the morning I used to hear them gradually waking and seeming to call each other up. After a time, the whole fraternity would be in a flutter; some balancing and swinging on the tree tops, others perched on the pinnacle of the Abbey church, or wheeling and hovering about in the air, and the ruined walls would reverberate with their incessant cawings. In this way they would linger about the rookery and its vicinity for the early part of the morning, when, having apparently mustered all their forces, called over the roll, and determined upon their line of march, they one and all would sail off in a long straggling flight to maraud the distant fields. They would forage the country for miles, and remain absent all day, excepting now and then a scout would come home, as if to see that all was well. Toward night the whole host might be seen, like a dark cloud in the distance, winging their way homeward. They came, as it were, with whoop and halloo, wheeling high in the air above the Abbey, making various evolutions before they alighted, and then keeping up an incessant cawing in the tree tops, until they gradually fell asleep.

It is remarked at the Abbey, that the rooks, though they sally forth on forays throughout the week, yet keep about the venerable edifice on Sundays, as if they had inherited a reverence for the day, from their ancient confreres, the monks. Indeed, a believer in the metempsychosis might easily imagine these Gothic-looking birds to be the embodied souls of the ancient friars still hovering about their sanctified abode.

I dislike to disturb any point of popular and poetic faith, and was loath, therefore, to question the authenticity of this mysterious reverence for the Sabbath on the part of the Newstead rooks; but certainly in the course of my sojourn in the Rook Cell, I detected them in a flagrant outbreak and foray on a bright Sunday morning.

Beside the occasional clamor of the rookery, this remote apartment was often greeted with sounds of a different kind, from the neighboring ruins. The great lancet window in front of the chapel, adjoins the very wall of the chamber; and the mysterious sounds from it at night have been well described by Lord Byron:

----"Now loud, now frantic,
The gale sweeps through its fretwork, and oft sings
The owl his anthem, when the silent quire
Lie with their hallelujahs quenched like fire.

"But on the noontide of the moon, and when
The wind is winged from one point of heaven,
There moans a strange unearthly sound, which then
Is musical-a dying accent driven
Through the huge arch, which soars and sinks again.
Some deem it but the distant echo given
Back to the night wind by the waterfall,
And harmonized by the old choral wall.

"Others, that some original shape or form,
Shaped by decay perchance, hath given the power
To this gray ruin, with a voice to charm.
Sad, but serene, it sweeps o'er tree or tower;
The cause I know not, nor can solve; but such
The fact:--I've heard it,--once perhaps too much."

Never was a traveller in quest of the romantic in greater luck. I had in sooth, got lodged in another haunted apartment of the Abbey; for in this chamber Lord Byron declared he had more than once been harassed at midnight by a mysterious visitor. A black shapeless form would sit cowering upon his bed, and after gazing at him for a time with glaring eyes, would roll off and disappear. The same uncouth apparition is said to have disturbed the slumbers of a newly married couple that once passed their honeymoon in this apartment.

I would observe, that the access to the Rook Cell is by a spiral stone staircase leading up into it, as into a turret, from, the long shadowy corridor over the cloisters, one of the midnight walks of the Goblin Friar. Indeed, to the fancies engendered in his brain in this remote and lonely apartment, incorporated with the floating superstitions of the Abbey, we are no doubt indebted for the spectral scene in "Don Juan."

"Then as the night was clear, though cold, he threw
His chamber door wide open--and went forth
Into a gallery, of sombre hue,
Long furnish'd with old pictures of great worth,
Of knights and dames, heroic and chaste too,
As doubtless should be people of high birth.

"No sound except the echo of his sigh
Or step ran sadly through that antique house,
When suddenly he heard, or thought so, nigh,
A supernatural agent--or a mouse,
Whose little nibbling rustle will embarrass
Most people, as it plays along the arras.

"It was no mouse, but lo! a monk, arrayed
In cowl, and beads, and dusky garb, appeared,
Now in the moonlight, and now lapsed in shade;
With steps that trod as heavy, yet unheard;
His garments only a slight murmur made;
He moved as shadowy as the sisters weird,
But slowly; and as he passed Juan by
Glared, without pausing, on him a bright eye.

"Juan was petrified; he had heard a hint
Of such a spirit in these halls of old,
But thought, like most men, there was nothing in't
Beyond the rumor which such spots unfold,
Coin'd from surviving superstition's mint,
Which passes ghosts in currency like gold,
But rarely seen, like gold compared with paper.
And did he see this? or was it a vapor?

"Once, twice, thrice pass'd, repass'd--the thing of air,
Or earth beneath, or heaven, or t'other place;
And Juan gazed upon it with a stare,
Yet could not speak or move; but, on its base
As stauds a statue, stood: he felt his hair
Twine like a knot of snakes around his face;
He tax'd his tongue for words, which were not granted
To ask the reverend person what he wanted.

"The third time, after a still longer pause,
The shadow pass'd away--but where? the hall
Was long, and thus far there was no great cause
To think its vanishing unnatural:
Doors there were many, through which, by the laws
Of physics, bodies, whether short or tall,
Might come or go; but Juan could not state
Through which the spectre seem'd to evaporate.

"He stood, how long he knew not, but it seem'd
An age--expectant, powerless, with his eyes
Strain'd on the spot where first the figure gleam'd:
Then by degrees recall'd his energies,
And would have pass'd the whole off as a dream.
But could not wake; he was, he did surmise,
Waking already, and return'd at length
Back to his chamber, shorn of half his strength."

As I have already observed, it is difficult to determine whether Lord Byron was really subject to the superstitious fancies which have been imputed to him, or whether he merely amused himself by giving currency to them among his domestics and dependents. He certainly never scrupled to express a belief in supernatural visitations, both verbally and in his correspondence. If such were his foible, the Rook Cell was an admirable place to engender these delusions. As I have lain awake at night, I have heard all kinds of mysterious and sighing sounds from the neighboring ruin. Distant footsteps, too, and the closing of doors in remote parts of the Abbey, would send hollow reverberations and echoes along the corridor and up the spiral staircase. Once, in fact, I was roused by a strange sound at the very door of my chamber. I threw it open, and a form "black and shapeless with glaring eyes" stood before me. It proved, however, neither ghost nor goblin, but my friend Boatswain, the great Newfoundland dog, who had conceived a companionable liking for me, and occasionally sought me in my apartment. To the hauntings of even such a visitant as honest Boatswain may we attribute some of the marvellous stories about the Goblin Friar.

THE LITTLE WHITE LADY.

In the course of a morning's ride with Colonel Wildman, about the Abbey lands, we found ourselves in one of the prettiest little wild woods imaginable. The road to it had led us among rocky ravines overhung with thickets, and now wound through birchen dingles and among beautiful groves and clumps of elms and beeches. A limpid rill of sparkling water, winding and doubling in perplexed mazes, crossed our path repeatedly, so as to give the wood the appearance of being watered by numerous rivulets. The solitary and romantic look of this piece of woodland, and the frequent recurrence of its mazy stream, put him in mind, Colonel Wildman said, of the little German fairy tale of Undine, in which is recorded the adventures of a knight who had married a water-nymph. As he rode with his bride through her native woods, every stream claimed her as a relative; one was a brother, another an uncle, another a cousin. We rode on amusing ourselves with applying this fanciful tale to the charming scenery around us, until we came to a lowly gray-stone farmhouse, of ancient date, situated in a solitary glen, on the margin of the brook, and overshadowed by venerable trees. It went by the name, as I was told, of the Weir Mill farmhouse. With this rustic mansion was connected a little tale of real life, some circumstances of which were related to me on the spot, and others I collected in the course of my sojourn at the Abbey.

Not long after Colonel Wildman had purchased the estate of Newstead, he made it a visit for the purpose of planning repairs and alterations. As he was rambling one evening, about dusk, in company with his architect, through this little piece of woodland, he was struck with its peculiar characteristics, and then, for the first time, compared it to the haunted wood of Undine. While he was making the remark, a small female figure in white, flitted by without speaking a word, or indeed appearing to notice them. Her step was scarcely heard as she passed, and her form was indistinct in the twilight.

"What a figure for a fairy or sprite!" exclaimed Colonel Wildman. "How much a poet or a romance writer would make of such an apparition, at such a time and in such a place!"

He began to congratulate himself upon having some elfin inhabitant for his haunted wood, when, on proceeding a few paces, he found a white frill lying in the path, which had evidently fallen from the figure that had just passed.

"Well," said he, "after all, this is neither sprite nor fairy, but a being of flesh, and blood, and muslin."

Continuing on, he came to where the road passed by an old mill in front of the Abbey. The people of the mill were at the door. He paused and inquired whether any visitor had been at the Abbey, but was answered in the negative.

"Has nobody passed by here?"

"No one, sir."

"That's strange! Surely I met a female in white, who must have passed along this path."

"Oh, sir, you mean the Little White Lady--oh, yes, she passed by here not long since."

"The Little White Lady! And pray who is the Little White Lady?"

"Why, sir, that nobody knows; she lives in the Weir Mill farmhouse, down in the skirts of the wood. She comes to the Abbey every morning, keeps about it all day, and goes away at night. She speaks to nobody, and we are rather shy of her, for we don't know what to make of her."

Colonel Wildman now concluded that it was some artist or amateur employed in making sketches of the Abbey, and thought no more about the matter. He went to London, and was absent for some time. In the interim, his sister, who was newly married, came with her husband to pass the honeymoon at the Abbey. The Little White Lady still resided in the Weir Mill farmhouse, on the border of the haunted wood, and continued her visits daily to the Abbey. Her dress was always the same, a white gown with a little black spencer or bodice, and a white hat with a short veil that screened the upper part of her countenance. Her habits were shy, lonely, and silent; she spoke to no one, and sought no companionship, excepting with the Newfoundland dog that had belonged to Lord Byron. His friendship she secured by caressing him and occasionally bringing him food, and he became the companion of her solitary walks. She avoided all strangers, and wandered about the retired parts of the garden; sometimes sitting for hours by the tree on which Lord Byron had carved his name, or at the foot of the monument which he had erected among the ruins of the chapel. Sometimes she read, sometimes she wrote with a pencil on a small slate which she carried with her, but much of her time was passed in a kind of reverie.

The people about the place gradually became accustomed to her, and suffered her to wander about unmolested; their distrust of her subsided on discovering that most of her peculiar and lonely habits arose from the misfortune of being deaf and dumb. Still she was regarded with some degree of shyness, for it was the common opinion that she was not exactly in her right mind.

Colonel Wildman's sister was informed of all these circumstances by the servants of the Abbey, among whom the Little White Lady was a theme of frequent discussion. The Abbey and its monastic environs being haunted ground, it was natural that a mysterious visitant of the kind, and one supposed to be under the influence of mental hallucination, should inspire awe in a person unaccustomed to the place. As Colonel Wildman's sister was one day walking along abroad terrace of the garden, she suddenly beheld the Little White Lady coming toward her, and, in the surprise and agitation of the moment, turned and ran into the house. Day after day now elapsed, and nothing more was seen of this singular personage. Colonel Wildman at length arrived at the Abbey, and his sister mentioned to him her encounter and fright in the garden. It brought to mind his own adventure with the Little White Lady in the wood of Undine, and he was surprised to find that she still continued her mysterious wanderings about the Abbey. The mystery was soon explained. Immediately after his arrival he received a letter written in the most minute and delicate female hand, and in elegant and even eloquent language. It was from the Little White Lady. She had noticed and been shocked by the abrupt retreat of Colonel Wildman's sister on seeing her in the garden walk, and expressed her unhappiness at being an object of alarm to any of his family. She explained the motives of her frequent and long visits to the Abbey, which proved to be a singularly enthusiastic idolatry of the genius of Lord Byron, and a solitary and passionate delight in haunting the scenes he had once inhabited. She hinted at the infirmities which cut her off from all social communion with her fellow beings, and at her situation in life as desolate and bereaved; and concluded by hoping that he would not deprive her of her only comfort, the permission of visiting the Abbey occasionally, and lingering about the walks and gardens.

Colonel Wildman now made further inquiries concerning her, and found that she was a great favorite with the people of the farmhouse where she boarded, from the gentleness, quietude, and innocence of her manners. When at home, she passed the greater part of her time in a small sitting-room, reading and writing. Colonel Wildman immediately called on her at the farmhouse. She received him with some agitation and embarrassment, but his frankness and urbanity soon put her at her ease. She was past the bloom of youth, a pale, nervous little being, and apparently deficient in most of her physical organs, for in addition to being deaf and dumb, she saw but imperfectly. They carried on a communication by means of a small slate, which she drew out of her reticule, and on which they wrote their questions and replies. In writing or reading she always approached her eyes close to the written characters.

This defective organization was accompanied by a morbid sensibility almost amounting to disease. She had not been born deaf and dumb; but had lost her hearing in a fit of sickness, and with it the power of distinct articulation. Her life had evidently been checkered and unhappy; she was apparently without family or friend, a lonely, desolate being, cut off from society by her infirmities.

"I am always among strangers," she said, "as much so in my native country as I could be in the remotest parts of the world. By all I am considered as a stranger and an alien; no one will acknowledge any connection with me. I seem not to belong to the human species."