Chapter III: Part 3

Here Scott recounted, in graphic style, and with much humor, a little story which used to be current in the neighborhood, of an honest burgess of Selkirk, who, being at work upon the hill of Peatlaw, fell asleep upon one of these "fairy knowes," or hillocks. When he awoke, he rubbed his eyes and gazed about him with astonishment, for he was in the market-place of a great city, with a crowd of people bustling about him, not one of whom he knew. At length he accosted a bystander, and asked him the name of the place. "Hout man," replied the other, "are ye in the heart o' Glasgow, and speer the name of it?" The poor man was astonished, and would not believe either ears or eyes; he insisted that he had lain down to sleep but half an hour before on the Peatlaw, near Selkirk. He came well-nigh being taken up for a madman, when, fortunately, a Selkirk man came by, who knew him, and took charge of him, and conducted him back to his native place. Here, however, he was likely to fare no better, when he spoke of having been whisked in his sleep from the Peatlaw to Glasgow. The truth of the matter at length came out; his coat, which he had taken off when at work on the Peatlaw, was found lying near a "fairy knowe," and his bonnet, which was missing, was discovered on the weathercock of Lanark steeple. So it was as clear as day that he had been carried through the air by the fairies while he was sleeping, and his bonnet had been blown off by the way.

I give this little story but meagrely from a scanty memorandum; Scott has related it in somewhat different style in a note to one of his poems; but in narration these anecdotes derived their chief zest, from the quiet but delightful humor, the bonhomie with which he seasoned them, and the sly glance of the eye from under his bushy eyebrows, with which they were accompanied. That day at dinner, we had Mr. Laidlaw and his wife, and a female friend who accompanied them. The latter was a very intelligent, respectable person, about the middle age, and was treated with particular attention and courtesy by Scott. Our dinner was a most agreeable one; for the guests were evidently cherished visitors to the house, and felt that they were appreciated.

When they were gone, Scott spoke of them in the most cordial manner. "I wished to show you," said he, "some of our really excellent, plain Scotch people; not fine gentlemen and ladies, for such you can meet everywhere, and they are everywhere the same. The character of a nation is not to be learnt from its fine folks."

He then went on with a particular eulogium on the lady who had accompanied the Laidlaws. She was the daughter, he said, of a poor country clergyman, who had died in debt, and left her an orphan and destitute. Having had a good plain education, she immediately set up a child's school, and had soon a numerous flock under her care, by which she earned a decent maintenance. That, however, was not her main object. Her first care was to pay off her father's debts, that no ill word or ill will might rest upon his memory.

This, by dint of Scottish economy, backed by filial reverence and pride, she accomplished, though in the effort, she subjected herself to every privation. Not content with this, she in certain instances refused to take pay for the tuition of the children of some of her neighbors, who had befriended her father in his need, and had since fallen into poverty. "In a word," added Scott, "she is a fine old Scotch girl; and I delight in her, more than in many a fine lady I have known, and I have known many of the finest."

* * * * *

It is time, however, to draw this rambling narrative to a close. Several days were passed by me, in the way I have attempted to describe, in almost constant, familiar, and joyous conversation with Scott; it was as if I were admitted to a social communion with Shakespeare, for it was with one of a kindred, if not equal genius. Every night I retired with my mind filled with delightful recollections of the day, and every morning I rose with the certainty of new enjoyment. The days thus spent, I shall ever look back to, as among the very happiest of my life; for I was conscious at the time of being happy. The only sad moment that I experienced at Abbotsford was that of my departure; but it was cheered with the prospect of soon returning; for I had promised, after making a tour in the Highlands, to come and pass a few more days on the banks of the Tweed, when Scott intended to invite Hogg the poet to meet me. I took a kind farewell of the family, with each of whom I had been highly pleased. If I have refrained from dwelling particularly on their several characters, and giving anecdotes of them individually, it is because I consider them shielded by the sanctity of domestic life; Scott, on the contrary, belongs to history. As he accompanied me on foot, however, to a small gate on the confines of his premises, I could not refrain from expressing the enjoyment I had experienced in his domestic circle, and passing some warm eulogiums on the young folks from whom I had just parted. I shall never forget his reply. "They have kind hearts," said he, "and that is the main point as to human happiness. They love one another, poor things, which is every thing in domestic life. The best wish I can make you, my friend," added he, laying his hand upon my shoulder, "is, that when you return to your own country, you may get married, and have a family of young bairns about you. If you are happy, there they are to share your happiness--and if you are otherwise--there they are to comfort you."

By this time we had reached the gate, when he halted, and took my hand. "I will not say farewell," said he, "for it is always a painful word, but I will say, come again. When you have made your tour to the Highlands, come here and give me a few more days--but come when you please, you will always find Abbotsford open to you, and a hearty welcome."

* * * * *

I have thus given, in a rude style, my main recollections of what occurred during my sojourn at Abbotsford, and I feel mortified that I can give but such meagre, scattered, and colorless details of what was so copious, rich, and varied. During several days that I passed there Scott was in admirable vein. From early morn until dinner time he was rambling about, showing me the neighborhood, and during dinner and until late at night, engaged in social conversation. No time was reserved for himself; he seemed as if his only occupation was to entertain me; and yet I was almost an entire stranger to him, one of whom he knew nothing, but an idle book I had written, and which, some years before, had amused him. But such was Scott--he appeared to have nothing to do but lavish his time, attention, and conversation on those around. It was difficult to imagine what time he found to write those volumes that were incessantly issuing from the press; all of which, too, were of a nature to require reading and research. I could not find that his life was ever otherwise than a life of leisure and haphazard recreation, such as it was during my visit. He scarce ever balked a party of pleasure, or a sporting excursion, and rarely pleaded his own concerns as an excuse for rejecting those of others. During my visit I heard of other visitors who had preceded me, and who must have kept him occupied for many days, and I have had an opportunity of knowing the course of his daily life for some time subsequently. Not long after my departure from Abbotsford, my friend Wilkie arrived there, to paint a picture of the Scott family. He found the house full of guests. Scott's whole time was taken up in riding and driving about the country, or in social conversation at home. "All this time," said Wilkie to me, "I did not presume to ask Mr. Scott to sit for his portrait, for I saw he had not a moment to spare; I waited for the guests to go away, but as fast as one went another arrived, and so it continued for several days, and with each set he was completely occupied. At length all went off, and we were quiet. I thought, however, Mr. Scott will now shut himself up among his books and papers, for he has to make up for lost time; it won't do for me to ask him now to sit for his picture. Laidlaw, who managed his estate, came in, and Scott turned to him, as I supposed, to consult about business. 'Laidlaw,' said he, 'to-morrow morning we'll go across the water and take the dogs with us--there's a place where I think we shall be able to find a hare.'

"In short," added Wilkie, "I found that instead of business, he was thinking only of amusement, as if he had nothing in the world to occupy him; so I no longer feared to intrude upon him."

The conversation of Scott was frank, hearty, picturesque, and dramatic. During the time of my visit he inclined to the comic rather than the grave, in his anecdotes and stories, and such, I was told, was his general inclination. He relished a joke, or a trait of humor in social intercourse, and laughed with right good will. He talked not for effect nor display, but from the flow of his spirits, the stores of his memory, and the vigor of his imagination. He had a natural turn for narration, and his narratives and descriptions were without effort, yet wonderfully graphic. He placed the scene before you like a picture; he gave the dialogue with the appropriate dialect or peculiarities, and described the appearance and characters of his personages with that spirit and felicity evinced in his writings. Indeed, his conversation reminded me continually of his novels; and it seemed to me, that during the whole time I was with him., he talked enough to fill volumes, and that they could not have been filled more delightfully.

He was as good a listener as talker, appreciating everything that others said, however humble might be their rank or pretensions, and was quick to testify his perception of any point in their discourse. He arrogated nothing to himself, but was perfectly unassuming and unpretending, entering with heart and soul into the business, or pleasure, or, I had almost said, folly, of the hour and the company. No one's concerns, no one's thoughts, no one's opinions, no one's tastes and pleasures seemed beneath him. He made himself so thoroughly the companion of those with whom he happened to be, that they forgot for a time his vast superiority, and only recollected and wondered, when all was over, that it was Scott with whom they had been on such familiar terms, and in whose society they had felt so perfectly at their ease.

It was delightful to observe the generous spirit in which he spoke of all his literary contemporaries, quoting the beauties of their works, and this, too, with respect to persons with whom he might have been supposed to be at variance in literature or politics. Jeffrey, it was thought, had ruffled his plumes in one of his reviews, yet Scott spoke of him in terms of high and warm eulogy, both as an author and as a man.

His humor in conversation, as in his works, was genial and free from all causticity. He had a quick perception of faults and foibles, but he looked upon poor human nature with an indulgent eye, relishing what was good and pleasant, tolerating what was frail, and pitying what was evil. It is this beneficent spirit which gives such an air of bonhomie to Scott's humor throughout all his works. He played with the foibles and errors of his fellow beings, and presented them in a thousand whimsical and characteristic lights, but the kindness and generosity of his nature would not allow him to be a satirist. I do not recollect a sneer throughout his conversation any more than there is throughout his works.

Such is a rough sketch of Scott, as I saw him in private life, not merely at the time of the visit here narrated, but in the casual intercourse of subsequent years. Of his public character and merits, all the world can judge. His works have incorporated themselves with the thoughts and concerns of the whole civilized world, for a quarter of a century, and have had a controlling influence over the age in which he lived. But when did a human being ever exercise an influence more salutary and benignant? Who is there that, on looking back over a great portion of his life, does not find the genius of Scott administering to his pleasures, beguiling his cares, and soothing his lonely sorrows? Who does not still regard his works as a treasury of pure enjoyment, an armory to which to resort in time of need, to find weapons with which to fight off the evils and the griefs of life? For my own part, in periods of dejection, I have hailed the announcement of a new work from his pen as an earnest of certain pleasure in store for me, and have looked forward to it as a traveller in a waste looks to a green spot at a distance, where he feels assured of solace and refreshment. When I consider how much he has thus contributed to the better hours of my past existence, and how independent his works still make me, at times, of all the world for my enjoyment, I bless my stars that cast my lot in his days, to be thus cheered and gladdened by the outpourings of his genius. I consider it one of the greatest advantages that I have derived from my literary career, that it has elevated me into genial communion with such a spirit; and as a tribute of gratitude for his friendship, and veneration for his memory, I cast this humble stone upon his cairn, which will soon, I trust, be piled aloft with the contributions of abler hands.

NEWSTEAD ABBEY

HISTORICAL NOTICE.

Being about to give a few sketches taken during a three weeks' sojourn in the ancestral mansion of the late Lord Byron, I think it proper to premise some brief particulars concerning its history.

Newstead Abbey is one of the finest specimens in existence of those quaint and romantic piles, half castle, half convent, which remain as monuments of the olden times of England. It stands, too, in the midst of a legendary neighborhood; being in the heart of Sherwood Forest, and surrounded by the haunts of Robin Hood and his band of outlaws, so famous in ancient ballad and nursery tale. It is true, the forest scarcely exists but in name, and the tract of country over which it once extended its broad solitudes and shades, is now an open and smiling region, cultivated with parks and farms, and enlivened with villages.

Newstead, which probably once exerted a monastic sway over this region, and controlled the consciences of the rude foresters, was originally a priory, founded in the latter part of the twelfth century, by Henry II., at the time when he sought, by building of shrines and convents, and by other acts of external piety, to expiate the murder of Thomas a Becket. The priory was dedicated to God and the Virgin, and was inhabited by a fraternity of canons regular of St. Augustine. This order was originally simple and abstemious in its mode of living, and exemplary in its conduct; but it would seem that it gradually lapsed into those abuses which disgraced too many of the wealthy monastic establishments; for there are documents among its archives which intimate the prevalence of gross misrule and dissolute sensuality among its members. At the time of the dissolution of the convents during the reign of Henry VIII., Newstead underwent a sudden reverse, being given, with the neighboring manor and rectory of Papelwick, to Sir John Byron, Steward of Manchester and Rochdale, and Lieutenant of Sherwood Forest. This ancient family worthy figures in the traditions of the Abbey, and in the ghost stories with which it abounds, under the quaint and graphic appellation of "Sir John Byron the Little, with the great Beard." He converted the saintly edifice into a castellated dwelling, making it his favorite residence and the seat of his forest jurisdiction.

The Byron family being subsequently ennobled by a baronial title, and enriched by various possessions, maintained great style and retinue at Newstead. The proud edifice partook, however, of the vicissitudes of the times, and Lord Byron, in one of his poems, represents it as alternately the scene of lordly wassailing and of civil war:

"Hark, how the hall resounding to the strain,
Shakes with the martial music's novel din!
The heralds of a warrior's haughty reign,
High crested banners wave thy walls within.

"Of changing sentinels the distant hum,
The mirth of feasts, the clang of burnish'd arms,
The braying trumpet, and the hoarser drum,
Unite in concert with increased alarms."

About the middle of the last century, the Abbey came into the possession of another noted character, who makes no less figure in its shadowy traditions than Sir John the Little with the great Beard. This was the grand-uncle of the poet, familiarly known among the gossiping chroniclers of the Abbey as "the Wicked Lord Byron." He is represented as a man of irritable passions and vindictive temper, in the indulgence of which an incident occurred which gave a turn to his whole character and life, and in some measure affected the fortunes of the Abbey. In his neighborhood lived his kinsman and friend, Mr. Chaworth, proprietor of Annesley Hall. Being together in London in 1765, in a chamber of the Star and Garter tavern in Pall Mall, a quarrel rose between them. Byron insisted upon settling it upon the spot by single combat. They fought without seconds, by the dim light of a candle, and Mr. Chaworth, although the most expert swordsman, received a mortal wound. With his dying breath he related such particulars the contest as induced the coroner's jury to return a verdict of wilful murder. Lord Byron was sent to the Tower, and subsequently tried before the House of Peers, where an ultimate verdict was given of manslaughter.

He retired after this to the Abbey, where he shut himself up to brood over his disgraces; grew gloomy, morose, and fantastical, and indulged in fits of passion and caprice, that made him the theme of rural wonder and scandal. No tale was too wild or too monstrous for vulgar belief. Like his successor the poet, he was accused of all kinds of vagaries and wickedness. It was said that he always went armed, as if prepared to commit murder on the least provocation. At one time, when a gentleman of his neighborhood was to dine _tete a tete_ with him, it is said a brace of pistols were gravely laid with the knives and forks upon the table, as part of the regular table furniture, and implements that might be needed in the course of the repast. Another rumor states that being exasperated at his coachman for disobedience to orders, he shot him on the spot, threw his body into the coach where Lady Byron was seated, and, mounting the box, officiated in his stead. At another time, according to the same vulgar rumors, he threw her ladyship into the lake in front of the Abbey, where she would have been drowned, but for the timely aid of the gardener. These stories are doubtless exaggerations of trivial incidents which may have occurred; but it is certain that the wayward passions of this unhappy man caused a separation from his wife, and finally spread a solitude around him. Being displeased at the marriage of his son and heir, he displayed an inveterate malignity toward him. Not being able to cut off his succession to the Abbey estate, which descended to him by entail, he endeavored to injure it as much as possible, so that it might come a mere wreck into his hands. For this purpose he suffered the Abbey to fall out of repair, and everything to go to waste about it, and cut down all the timber on the estate, laying low many a tract of old Sherwood Forest, so that the Abbey lands lay stripped and bare of all their ancient honors. He was baffled in his unnatural revenge by the premature death of his son, and passed the remainder of his days in his deserted and dilapidated halls, a gloomy misanthrope, brooding amidst the scenes he had laid desolate.

His wayward humors drove from him all neighborly society, and for a part of the time he was almost without domestics. In his misanthropic mood, when at variance with all human kind, he took to feeding crickets, so that in process of time the Abbey was overrun with them, and its lonely halls made more lonely at night by their monotonous music. Tradition adds that, at his death, the crickets seemed aware that they had lost their patron and protector, for they one and all packed up bag and baggage, and left the Abbey, trooping across its courts and corridors in all directions.

The death of the "Old Lord," or "The Wicked Lord Byron," for he is known by both appellations, occurred in 1798; and the Abbey then passed into the possession of the poet. The latter was but eleven years of age, and living in humble style with his mother in Scotland. They came soon after to England, to take possession. Moore gives a simple but striking anecdote of the first arrival of the poet at the domains of his ancestors.

They had arrived at the Newstead toll-bar, and saw the woods of the Abbey stretching out to receive them, when Mrs. Byron, affecting to be ignorant of the place, asked the woman of the toll-house to whom that seat belonged? She was told that the owner of it, Lord Byron, had been some months dead. "And who is the next heir?" asked the proud and happy mother. "They say," answered the old woman, "it is a little boy who lives at Aberdeen." "And this is he, bless him!" exclaimed the nurse, no longer able to contain herself, and turning to kiss with delight the young lord who was seated on her lap. [Footnote: Moore's Life of Lord Byron.]

During Lord Byron's minority, the Abbey was let to Lord Grey de Ruthen, but the poet visited it occasionally during the Harrow vacations, when he resided with his mother at lodgings in Nottingham. It was treated little better by its present tenant, than by the old lord who preceded him; so that when, in the autumn of 1808, Lord Byron took up his abode there, it was in a ruinous condition. The following lines from his own pen may give some idea of its condition:

"Through thy battlements, Newstead, the hollow winds whistle,
Thou, the hall of my fathers, art gone to decay;
In thy once smiling garden, the hemlock and thistle
Have choked up the rose which once bloomed in the way.

"Of the mail-covered barons who, proudly, to battle
Led thy vassals from Europe to Palestine's plain,
The escutcheon and shield, which with every wind rattle,
Are the only sad vestiges now that remain."

[Footnote: Lines on leaving Newstead Abbey.]

In another poem he expresses the melancholy feeling with which he took possession of his ancestral mansion:

"Newstead! what saddening scene of change is thine,
Thy yawning arch betokens sure decay:
The last and youngest of a noble line,
Now holds thy mouldering turrets in his sway.

"Deserted now, he scans thy gray-worn towers,
Thy vaults, where dead of feudal ages sleep,
Thy cloisters, pervious to the wintry showers,
These--these he views, and views them but to weep.

"Yet he prefers thee to the gilded domes,
Or gewgaw grottoes of the vainly great;
Yet lingers mid thy damp and mossy tombs,
Nor breathes a murmur 'gainst the will of fate."

[Footnote: Elegy on Newstead Abbey.]

Lord Byron had not fortune sufficient to put the pile in extensive repair, nor to maintain anything like the state of his ancestors. He restored some of the apartments, so as to furnish his mother with a comfortable habitation, and fitted up a quaint study for himself, in which, among books and busts, and other library furniture, were two skulls of the ancient friars, grinning on each side of an antique cross. One of his gay companions gives a picture of Newstead when thus repaired, and the picture is sufficiently desolate.

"There are two tiers of cloisters, with a variety of cells and rooms about them, which, though not inhabited, nor in an inhabitable state, might easily be made so; and many of the original rooms, among which is a fine stone hall, are still in use. Of the Abbey church, one end only remains; and the old kitchen, with a long range of apartments, is reduced to a heap of rubbish. Leading from the Abbey to the modern part of the habitation is a noble room, seventy feet in length, and twenty-three in breadth; but every part of the house displays neglect and decay, save those which the present lord has lately fitted up." [Footnote: Letter of the late Charles Skinner Mathews, Esq.]

Even the repairs thus made were but of transient benefit, for the roof being left in its dilapidated state, the rain soon penetrated into the apartments which Lord Byron had restored and decorated, and in a few years rendered them almost as desolate as the rest of the Abbey.

Still he felt a pride in the ruinous old edifice; its very dreary and dismantled state, addressed itself to his poetical imagination, and to that love of the melancholy and the grand which is evinced in all his writings. "Come what may," said he in one of his letters, "Newstead and I stand or fall together. I have now lived on the spot. I have fixed my heart upon it, and no pressure, present or future, shall induce me to barter the last vestige of our inheritance. I have that pride within me which will enable me to support difficulties: could I obtain in exchange for Newstead Abbey, the first fortune in the country, I would reject the proposition."

His residence at the Abbey, however, was fitful and uncertain. He passed occasional portions of time there, sometimes studiously and alone, oftener idly and recklessly, and occasionally with young and gay companions, in riot and revelry, and the indulgence of all kinds of mad caprice. The Abbey was by no means benefited by these roystering inmates, who sometimes played off monkish mummeries about the cloisters, at other times turned the state chambers into schools for boxing and single-stick, and shot pistols in the great hall. The country people of the neighborhood were as much puzzled by these madcap vagaries of the new incumbent, as by the gloomier habits of the "old lord," and began to think that madness was inherent in the Byron race, or that some wayward star ruled over the Abbey.

It is needless to enter into a detail of the circumstances which led his Lordship to sell his ancestral estate, notwithstanding the partial predilections and hereditary feeling which he had so eloquently expressed. Fortunately, it fell into the hands of a man who possessed something of a poetical temperament, and who cherished an enthusiastic admiration for Lord Byron. Colonel (at that time Major) Wildman had been a schoolmate of the poet, and sat with him on the same form at Harrow. He had subsequently distinguished himself in the war of the Peninsula, and at the battle of Waterloo, and it was a great consolation to Lord Byron, in parting with his family estate, to know that it would be held by one capable of restoring its faded glories, and who would respect and preserve all the monuments and memorials of his line. [Footnote: The following letter, written in the course of the transfer of the estate, has never been published:--

Venice, November 18, 1818.

My Dear Wildman,

Mr. Hanson is on the eve of his return, so that I have only time to return a few inadequate thanks for your very kind letter. I should regret to trouble you with any requests of mine, in regard to the preservation of any signs of my family, which may still exist at Newstead, and leave everything of that kind to your own feelings, present or future, upon the subject. The portrait which you flatter me by desiring, would not be worth to you your trouble and expense of such an expedition, but you may rely upon having the very first that may be painted, and which may seem worth your acceptance.

I trust that Newstead will, being yours, remain so, and that it may see you as happy, as I am very sure that you will make your dependents. With regard to myself, you may be sure that whether in the fourth, or fifth, or sixth form at Harrow, or in the fluctuations of after life, I shall always remember with regard my old schoolfellow--fellow monitor, and friend, and recognize with respect the gallant soldier, who, with all the advantages of fortune and allurements of youth to a life of pleasure, devoted himself to duties of a nobler order, and will receive his reward in the esteem and admiration of his country.

Ever yours most truly and affectionately,
BYRON.]

The confidence of Lord Byron in the good feeling and good taste of Colonel Wildman has been justified by the event. Under his judicious eye and munificent hand the venerable and romantic pile has risen from its ruins in all its old monastic and baronial splendor, and additions have been made to it in perfect conformity of style. The groves and forests have been replanted; the lakes and fish-ponds cleaned out, and the gardens rescued from the "hemlock and thistle," and restored to their pristine and dignified formality.

The farms on the estate have been put in complete order, new farm-houses built of stone, in the picturesque and comfortable style of the old English granges; the hereditary tenants secured in their paternal homes, and treated with the most considerate indulgence; everything, in a word, gives happy indications of a liberal and beneficent landlord.

What most, however, will interest the visitors to the Abbey in favor of its present occupant, is the reverential care with which he has preserved and renovated every monument and relic of the Byron family, and every object in anywise connected with the memory of the poet. Eighty thousand pounds have already been expended upon the venerable pile, yet the work is still going on, and Newstead promises to realize the hope faintly breathed by the poet when bidding it a melancholy farewell--

"Haply thy sun emerging, yet may shine,
Thee to irradiate with meridian ray;
Hours splendid as the past may still be thine,
And bless thy future, as thy former day."

ARRIVAL AT THE ABBEY.

I had been passing a merry Christmas in the good old style at Barlhoro' Hall, a venerable family mansion in Derbyshire, and set off to finish the holidays with the hospitable proprietor of Newstead Abbey. A drive of seventeen miles through a pleasant country, part of it the storied region of Sherwood Forest, brought me to the gate of Newstead Park. The aspect of the park was by no means imposing, the fine old trees that once adorned it having been laid low by Lord Byron's wayward predecessor.

Entering the gate, the postchaise rolled heavily along a sandy road, between naked declivities, gradually descending into one of those gentle and sheltered valleys, in which the sleek monks of old loved to nestle themselves. Here a sweep of the road round an angle of a garden wall brought us full in front of the venerable edifice, embosomed in the valley, with a beautiful sheet of water spreading out before it.

The irregular gray pile, of motley architecture, answered to the description given by Lord Byron:

"An old, old monastery once, and now
Still older mansion, of a rich and rare
Mixed Gothic"----

One end was fortified by a castellated tower, bespeaking the baronial and warlike days of the edifice; the other end maintained its primitive monastic character. A ruined chapel, flanked by a solemn grove, still reared its front entire. It is true, the threshold of the once frequented portal was grass-grown, and the great lancet window, once glorious with painted glass, was now entwined and overhung with ivy; but the old convent cross still braved both time and tempest on the pinnacle of the chapel, and below, the blessed effigies of the Virgin and child, sculptured in gray stone, remained uninjured in their niche, giving a sanctified aspect to the pile. [Footnote:

"--in a higher niche, alone, but crown'd,
The Virgin Mother of the God-born child
With her son in her blessed arms, looked round,
Spared by some chance, when all beside was spoil'd:
She made the earth below seem holy ground."--DON JUAN, Canto III.]

A flight of rooks, tenants of the adjacent grove, were hovering about the ruin, and balancing themselves upon ever airy projection, and looked down with curious eye and cawed as the postchaise rattled along below.

The chamberlain of the Abbey, a most decorous personage, dressed in black, received us at the portal. Here, too, we encountered a memento of Lord Byron, a great black and white Newfoundland dog, that had accompanied his remains from Greece. He was descended from the famous Boatswain, and inherited his generous qualities. He was a cherished inmate of the Abbey, and honored and caressed by every visitor. Conducted by the chamberlain, and followed by the dog, who assisted in doing the honors of the house, we passed through a long low vaulted hall, supported by massive Gothic arches, and not a little resembling the crypt of a cathedral, being the basement story of the Abbey.

From this we ascended a stone staircase, at the head of which a pair of folding doors admitted us into a broad corridor that ran round the interior of the Abbey. The windows of the corridor looked into a quadrangular grass-grown court, forming the hollow centre of the pile. In the midst of it rose a lofty and fantastic fountain, wrought of the same gray stone as the main edifice, and which has been well described by Lord Byron.

"Amidst the court a Gothic fountain play'd,
Symmetrical, but deck'd with carvings quaint,
Strange faces, like to men in masquerade,
And here perhaps a monster, there a saint:
The spring rush'd through grim mouths of granite made,
And sparkled into basins, where it spent
Its little torrent in a thousand bubbles,
Like man's vain glory, and his vainer troubles."

[Footnote: DON JUAN, Canto III]

Around this quadrangle were low vaulted cloisters, with Gothic arches, once the secluded walks of the monks: the corridor along which we were passing was built above these cloisters, and their hollow arches seemed to reverberate every footfall. Everything thus far had a solemn monastic air; but, on arriving at an angle of the corridor, the eye, glancing along a shadowy gallery, caught a sight of two dark figures in plate armor, with closed visors, bucklers braced, and swords drawn, standing motionless against the wall. They seemed two phantoms of the chivalrous era of the Abbey.

Here the chamberlain, throwing open a folding door, ushered us at once into a spacious and lofty saloon, which offered a brilliant contrast to the quaint and sombre apartments we had traversed. It was elegantly furnished, and the walls hung with paintings, yet something of its original architecture had been preserved and blended with modern embellishments. There were the stone-shafted casements and the deep bow-window of former times. The carved and panelled wood-work of the lofty ceiling had likewise been carefully restored, and its Gothic and grotesque devices painted and gilded in their ancient style.

Here, too, were emblems of the former and latter days of the Abbey, in the effigies of the first and last of the Byron line that held sway over its destinies. At the upper end of the saloon, above the door, the dark Gothic portrait of "Sir John Byron the Little with the great Beard," looked grimly down from his canvas, while, at the opposite end, a white marble bust of the _genius loci_, the noble poet, shone conspicuously from its pedestal.

The whole air and style of the apartment partook more of the palace than the monastery, and its windows looked forth on a suitable prospect, composed of beautiful groves, smooth verdant lawns, and silver sheets of water. Below the windows was a small flower-garden, inclosed by stone balustrades, on which were stately peacocks, sunning themselves and displaying their plumage. About the grass-plots in front, were gay cock pheasants, and plump partridges, and nimble-footed water hens, feeding almost in perfect security.

Such was the medley of objects presented to the eye on first visiting the Abbey, and I found the interior fully to answer the description of the poet--

"The mansion's self was vast and venerable,
With more of the monastic than has been
Elsewhere preserved; the cloisters still were stable,
The cells, too, and refectory, I ween;
An exquisite small chapel had been able,
Still unimpair'd, to decorate the scene;
The rest had been reformed, replaced, or sunk,
And spoke more of the friar than the monk.

"Huge halls, long galleries, spacious chambers, joined
By no quite lawful marriage of the arts,
Might shock a connoisseur; but when combined
Formed a whole, which, irregular in parts,
Yet left a grand impression on the mind,
At least of those whose eyes were in their hearts."

It is not my intention to lay open the scenes of domestic life at the Abbey, nor to describe the festivities of which I was a partaker during my sojourn within its hospitable walls. I wish merely to present a picture of the edifice itself, and of those personages and circumstances about it, connected with the memory of Byron.

I forbear, therefore, to dwell on my reception by my excellent and amiable host and hostess, or to make my reader acquainted with the elegant inmates of the mansion that I met in the saloon; and I shall pass on at once with him to the chamber allotted me, and to which I was most respectfully conducted by the chamberlain.

It was one of a magnificent suite of rooms, extending between the court of the cloisters and the Abbey garden, the windows looking into the latter. The whole suite formed the ancient state apartment, and had fallen into decay during the neglected days of the Abbey, so as to be in a ruinous condition in the time of Lord Byron. It had since been restored to its ancient splendor, of which my chamber may be cited as a specimen. It was lofty and well proportioned; the lower part of the walls was panelled with ancient oak, the upper part hung with gobelin tapestry, representing oriental hunting scenes, wherein the figures were of the size of life, and of great vivacity of attitude and color.

The furniture was antique, dignified, and cumbrous. High-backed chairs curiously carved, and wrought in needlework; a massive clothes-press of dark oak, well polished, and inlaid with landscapes of various tinted woods; a bed of state, ample and lofty, so as only to be ascended by a movable flight of steps, the huge posts supporting a high tester with a tuft of crimson plumes at each corner, and rich curtains of crimson damask hanging in broad and heavy folds.

A venerable mirror of plate glass stood on the toilet, in which belles of former centuries may have contemplated and decorated their charms. The floor of the chamber was of tesselated oak, shining with wax, and partly covered by a Turkey carpet. In the centre stood a massy oaken table, waxed and polished as smooth as glass, and furnished with a writing-desk of perfumed rosewood.

A sober light was admitted into the room through Gothic stone-shafted casements, partly shaded by crimson curtains, and partly overshadowed by the trees of the garden. This solemnly tempered light added to the effect of the stately and antiquated interior.

Two portraits, suspended over the doors, were in keeping with the scene. They were in ancient Vandyke dresses; one was a cavalier, who may have occupied this apartment in days of yore, the other was a lady with a black velvet mask in her hand, who may once have arrayed herself for conquest at the very mirror I have described.

The most curious relic of old times, however, in this quaint but richly dight apartment, was a great chimney-piece of panel-work, carved in high relief, with niches or compartments, each containing a human bust, that protruded almost entirely from the wall. Some of the figures were in ancient Gothic garb; the most striking among them was a female, who was earnestly regarded by a fierce Saracen from an adjoining niche.

This panel-work is among the mysteries of the Abbey, and causes as much wide speculation as the Egyptian hieroglyphics. Some suppose it to illustrate an adventure in the Holy Land, and that the lady in effigy had been rescued by some Crusader of the family from the turbaned Turk who watches her so earnestly. What tends to give weight to these suppositions is, that similar pieces of panel-work exist in other parts of the Abbey, in all of which are to be seen the Christian lady and her Saracen guardian or lover. At the bottom of these sculptures are emblazoned the armorial bearings of the Byrons.

I shall not detain the reader, however, with any further description of my apartment, or of the mysteries connected with it. As he is to pass some days with me at the Abbey, we shall have time to examine the old edifice at our leisure, and to make ourselves acquainted, not merely with its interior, but likewise with its environs.

THE ABBEY GARDEN.

The morning after my arrival, I rose at an early hour. The daylight was peering brightly between the window curtains, and drawing them apart, I gazed through the Gothic casement upon a scene that accorded in character with the interior of the ancient mansion. It was the old Abbey garden, but altered to suit the tastes of different times and occupants. In one direction were shady walls and alleys, broad terraces and lofty groves; in another, beneath a gray monastic-looking angle of the edifice, overrun with ivy and surmounted by a cross, lay a small French garden, with formal flower-pots, gravel walks, and stately stone balustrades.

The beauty of the morning, and the quiet of the hour, tempted me to an early stroll; for it is pleasant to enjoy such old-time places alone, when one may indulge poetical reveries, and spin cobweb fancies, without interruption. Dressing myself, therefore, with all speed, I descended a small flight of steps from the state apartment into the long corridor over the cloisters, along which I passed to a door at the farther end. Here I emerged into the open air, and, descending another flight of stone steps, found myself in the centre of what had once been the Abbey chapel.

Nothing of the sacred edifice remained, however, but the Gothic front, with its deep portal and grand lancet window, already described. The nave, the side walls, the choir, the sacristy, all had disappeared. The open sky was over my head, a smooth shaven grass-plot beneath my feet. Gravel walks and shrubberies had succeeded to the shadowy isles, and stately trees to the clustering columns.

"Where now the grass exhales a murky dew,
The humid pall of life-extinguished clay,
In sainted fame the sacred fathers grew,
Nor raised their pious voices but to pray.
Where now the bats their wavering wings extend,
Soon as the gloaming spreads her warning shade,
The choir did oft their mingling vespers blend,
Or matin orisons to Mary paid."

Instead of the matin orisons of the monks, however, the ruined walls of the chapel now resounded to the cawing of innumerable rooks that were fluttering and hovering about the dark grove which they inhabited, and preparing for their morning flight.

My ramble led me along quiet alleys, bordered by shrubbery, where the solitary water-hen would now and then scud across my path, and take refuge among the bushes. From hence I entered upon a broad terraced walk, once a favorite resort of the friars, which extended the whole length of the old Abbey garden, passing along the ancient stone wall which bounded it. In the centre of the garden lay one of the monkish fish-pools, an oblong sheet of water, deep set like a mirror, in green sloping banks of turf. In its glassy bosom was reflected the dark mass of a neighboring grove, one of the most important features of the garden. This grove goes by the sinister name of "the Devil's Wood," and enjoys but an equivocal character in the neighborhood. It was planted by "The Wicked Lord Byron," during the early part of his residence at the Abbey, before his fatal duel with Mr. Chaworth. Having something of a foreign and classical taste, he set up leaden statues of satyrs or fauns at each end of the grove. The statues, like everything else about the old Lord, fell under the suspicion and obloquy that overshadowed him in the latter part of his life. The country people, who knew nothing of heathen mythology and its sylvan deities, looked with horror at idols invested with the diabolical attributes of horns and cloven feet. They probably supposed them some object of secret worship of the gloomy and secluded misanthrope and reputed murderer, and gave them the name of "The old Lord's Devils."

I penetrated the recesses of the mystic grove. There stood the ancient and much slandered statues, overshadowed by tall larches, and stained by dank green mold. It is not a matter of surprise that strange figures, thus behoofed and be-horned, and set up in a gloomy grove, should perplex the minds of the simple and superstitious yeomanry. There are many of the tastes and caprices of the rich, that in the eyes of the uneducated must savor of insanity.

I was attracted to this grove, however, by memorials of a more touching character. It had been one of the favorite haunts of the late Lord Byron. In his farewell visit to the Abbey, after he had parted with the possession of it, he passed some time in this grove, in company with his sister; and as a last memento, engraved their names on the bark of a tree.

The feelings that agitated his bosom during this farewell visit, when he beheld round him objects dear to his pride, and dear to his juvenile recollections, but of which the narrowness of his fortune would not permit him to retain possession, may be gathered from a passage in a poetical epistle, written to his sister in after years:

I did remind you of our own dear lake
By the old hall, _which may be mine no more;_
Leman's is fair; but think not I forsake
The sweet remembrance of a dearer shore:
Sad havoc Time must with my memory make
Ere _that_ or _thou_ can fade these eyes before;
Though, like all things which I have loved, they are
Resign'd for ever, or divided far.
I feel almost at times as I have felt
In happy childhood; trees, and flowers, and brooks.
Which do remember me of where I dwelt
Ere my young mind was sacrificed to books,
Come as of yore upon me, and can melt
My heart with recognition, of their looks;
And even at moments I would think I see
Some living things I love--but none like thee."

I searched the grove for some time, before I found the tree on which Lord Byron had left his frail memorial. It was an elm of peculiar form, having two trunks, which sprang from the same root, and, after growing side by side, mingled their branches together. He had selected it, doubtless, as emblematical of his sister and himself. The names of BYRON and AUGUSTA were still visible. They had been deeply cut in the bark, but the natural growth of the tree was gradually rendering them illegible, and a few years hence, strangers will seek in vain for this record of fraternal affection.

Leaving the grove, I continued my ramble along a spacious terrace, overlooking what had once been the kitchen garden of the Abbey. Below me lay the monks' stew, or fish pond, a dark pool, overhung by gloomy cypresses, with a solitary water-hen swimming about in it.

A little farther on, and the terrace looked down upon the stately scene on the south side of the Abbey; the flower garden, with its stone balustrades and stately peacocks, the lawn, with its pheasants and partridges, and the soft valley of Newstead beyond.

At a distance, on the border of the lawn, stood another memento of Lord Byron; an oak planted by him in his boyhood, on his first visit to the Abbey. With a superstitious feeling inherent in him, he linked his own destiny with that of the tree. "As it fares," said he, "so will fare my fortunes." Several years elapsed, many of them passed in idleness and dissipation. He returned to the Abbey a youth scarce grown to manhood, but, as he thought, with vices and follies beyond his years. He found his emblem oak almost choked by weeds and brambles, and took the lesson to himself.

"Young oak, when I planted thee deep in the ground,
I hoped that thy days would be longer than mine,
That thy dark waving branches would flourish around,
And ivy thy trunk with its mantle entwine.

"Such, such was my hope--when in infancy's years
On the laud of my fathers I reared thee with pride;
They are past, and I water thy stem with my tears--
Thy decay not the weeds that surround thee can hide."

I leaned over the stone balustrade of the terrace, and gazed upon the valley of Newstead, with its silver sheets of water gleaming in the morning sun. It was a sabbath morning, which always seems to have a hallowed influence over the landscape, probably from the quiet of the day, and the cessation of all kinds of week-day labor. As I mused upon the mild and beautiful scene, and the wayward destinies of the man, whose stormy temperament forced him from this tranquil paradise to battle with the passions and perils of the world, the sweet chime of bells from a village a few miles distant came stealing up the valley. Every sight and sound this morning seemed calculated to summon up touching recollections of poor Byron. The chime was from the village spire of Hucknall Torkard, beneath which his remains lie buried!

----I have since visited his tomb. It is in an old gray country church, venerable with the lapse of centuries. He lies buried beneath the pavement, at one end of the principal aisle. A light falls on the spot through the stained glass of a Gothic window, and a tablet on the adjacent wall announces the family vault of the Byrons. It had been the wayward intention of the poet to be entombed, with his faithful dog, in the monument erected by him in the garden of Newstead Abbey. His executors showed better judgment and feeling, in consigning his ashes to the family sepulchre, to mingle with those of his mother and his kindred. Here,

"After life's fitful fever, he sleeps well.
Malice domestic, foreign levy, nothing
Can touch him further!"

How nearly did his dying hour realize the wish made by him, but a few years previously, in one of his fitful moods of melancholy and misanthropy:

"When time, or soon or late, shall bring
The dreamless sleep that lulls the dead,
Oblivion! may thy languid wing
Wave gently o'er my dying bed!

"No band of friends or heirs be there,
To weep or wish the coining blow:
No maiden with dishevelled hair,
To feel, or fein decorous woe.

"But silent let me sink to earth.
With no officious mourners near:
I would not mar one hour of mirth,
Nor startle friendship with a tear."