Violin tone and violin makers
by OpenStories
Original author: Hidalgo Moya
"Violin Tone and Violin Makers" by Hidalgo Moya and Towry Piper is a comprehensive treatise on the characteristics and evaluation of violin tone, written in the early 20th century. The publication discusses the evolution and importance of tone in violins, with a significant focus on both historical and contemporary makers, examining their contributions to the craft. The book aims to clarify the often-confused relationship between a violin's construction, its tonal qualities, and the marketplace dynamics regarding collectibles versus functional instruments. At the start of the work, the authors set the stage for the importance of tone in the violinist's experience, arguing against the prevailing curio-collector mindset that overlooks tonal quality. The introduction addresses the challenges players face in discerning a violin's tone, especially given the influence of the curio market, which often prioritizes the age and maker of an instrument over its sound. They emphasize that while many players focus on tone, their options are often constrained by misleading valuation systems that neglect this crucial aspect. This opening section establishes a foundation for the ensuing discussion on the interplay between tone, construction, and musical performance, ultimately advocating for a clearer understanding of what constitutes true tonal quality in violins.
Violin tone and violin makers, by Hidalgo Moya. Republished by OpenStories from Project Gutenberg eBook #71706.
- 63,514words
- 28chapters
- 0stars
- 0bookmarks
- 1hits
28 Chapters
- 1.Introduction1,588 words
- 2.Chapter XXI: Notes on Tone309 words
- 3.Chapter I: Anomalous Position of the Violin1,274 words
- 4.Chapter II: A Toneless Method of Valuation1,372 words
- 5.Chapter III: Types of Standard Violin Tone780 words
- 6.Chapter IV: The Old Masters as Violin Makers1,607 words
- 7.Chapter V: The Decline of Tone1,631 words
- 8.Chapter VI: Relationship Between a New Violin and Tone1,704 words
- 9.Chapter VII: Old Tone and New--A Contest1,613 words
- 10.Chapter VIII: A Double-Barrelled Theory377 words
- 11.Chapter IX: The Expert Dealer839 words
- 12.Chapter X: Imitation Old Masters784 words
- 13.Chapter XI: Literature of the Violin1,161 words
- 14.Chapter XII: Wanted--A Tone Guarantee1,817 words
- 15.Chapter XIII: How to Test a Violin’s Tone417 words
- 16.Chapter XIV: Effect of Age on Tone1,260 words
- 17.Chapter XV: Varnish and Tone671 words
- 18.Chapter XVI: Tone and the Violin Player927 words
- 19.Chapter XVII: The Ideal Tone598 words
- 20.Chapter XVIII: How to Acquire an Ideal Tone913 words
- 21.Chapter XIX: Two Styles of Tone Production445 words
- 22.Chapter XX: Modern Violin Makers854 words
- 23.Chapter XXI: Notes on Tone3,483 words
- 24.Conclusion (1)8,765 words
- 25.Conclusion (2)8,885 words
- 26.Conclusion (3)8,700 words
- 27.Conclusion (4)8,451 words
- 28.Conclusion (5)2,289 words