Chapter II: Part 2

Vandover had met Miss Ravis some two years before. For a time the two had been sincerely in love with each other, and though there was never any talk of marriage between them, they seemed to have some sort of tacit understanding. But by this time Vandover had somehow outgrown the idea of marrying Turner. He still kept up the fiction, persuaded that Turner must understand the way things had come to be. However, he was still very fond of her; she was a frank, sweet-tempered girl and very pretty, and it was delightful to have her care for him.

Vandover could not shut his eyes to the fact that young Haight was very seriously in love with Turner. But he was sure that Turner preferred him to his chum. She was too sincere, too frank, too conscientious to practise any deception on him.

There was quite a party at the Ravises' house that evening when Vandover arrived. Young Haight was there, of course, and Charlie Geary. Besides Turner herself there was Henrietta Vance, a stout, pretty girl, with pop eyes and a little nose, who laughed all the time and who was very popular. These were all part of Vandover's set; they called each other by their first names and went everywhere together. Almost every Saturday evening they got together at Turner's house and played whist, or euchre, or sometimes even poker. "Just for love," as Turner said.

When Vandover came in they were all talking at the same time, disputing about a little earthquake that had occurred the night before. Henrietta Vance declared that it had happened early in the morning.

"_Wasn't_ it just about midnight, Van?" cried Turner.

"I don't know," answered Vandover. "It didn't wake me up. I didn't even know there was one."

"Well, I know I heard our clock strike two just about half an hour afterward," protested young Haight.

"Oh, it was almost five o'clock when it came," cried Henrietta Vance.

"Well, now, you're _all_ off," said Charlie Geary. "I know just when she quaked to the fraction of a minute, because it stopped our hall clock at just a little after three."

They were silent. It was an argument which was hard to contradict. By and by, young Haight declared, "There must have been two of them then, because--"

"How about whist or euchre or whatever it is to be?" said Charlie Geary, addressing Turner and interrupting in an annoying way that was peculiar to him. "Can't we start in now that Van has come?" They played euchre for a while, but Geary did not like the game, and by and by suggested poker.

"Well--if it's only just for love," said Turner, "because, you know, mamma doesn't like it any other way."

At ten o'clock Geary said, "Let's quit after this hand round--what do you say?" The rest were willing and so they all took account of their chips after the next deal. Geary was protesting against his poor luck. Honestly he hadn't held better than three tens more than twice during the evening. It was Henrietta Vance who took in everything; did one ever _see_ anything to beat her luck? "the funniest thing!"

They began to do tricks with the cards. Young Haight showed them a very good trick by which he could make the pack break every time at the ace of clubs. Vandover exclaimed: "Lend me a silk hat and ninety dollars and I'll show you the queerest trick you ever saw," which sent Henrietta Vance off into shrieks of laughter. Then Geary took the cards out of young Haight's hands, asking them if they knew _this_ trick.

Turner said yes, she knew it, but the others did not, and Geary showed it to them. It was interminable. Henrietta Vance chose a card and put it back into the deck. Then the deck was shuffled and divided into three piles. After this Geary made a mental calculation, selected one of these piles, shuffled it, and gave it back to her, asking her if she saw her card in it; then more shuffling and dividing until their interest and patience were quite exhausted. When Geary finally produced a jack of hearts and demanded triumphantly if that was her card, Henrietta began to laugh and declared she had forgotten _what_ card she chose. Geary said he would do the trick all over for her. At this, however, they all cried out, and he had to give it up, very irritated at Henrietta's stupidity.

Vexed at the ill success of this first trick, he retired a little from their conversation, puzzling over the cards, thinking out new tricks. Every now and then he came back among them, going about from one to another, holding out the deck and exclaiming, "Choose any card--choose any card."

After a while they all adjourned to the dining-room and Turner and Vandover went out into the kitchen, foraging among the drawers and shelves. They came back bringing with them a box of sardines, a tin of _paté_, three quart bottles of blue-ribbon beer, and what Vandover called "devilish-ham" sandwiches.

"Now do we want _tamales_ to go with these?" said Turner, as she spread the lunch on the table. Henrietta Vance cried out joyfully at this, and young Haight volunteered to go out to get them. "Get six," Turner cried out after him. "Henrietta can always eat two. Hurry up, and we won't eat till you get back."

While he was gone Turner got out some half-dozen glasses for their beer. "Do you know," she said as she set the glasses on the table, "the funniest thing happened this morning to mamma. It was at breakfast; she had just drunk a glass of water and was holding the glass in her hand like this"--Turner took one of the thin beer glasses in her hand to show them how--"and was talking to pa, when all at once the glass broke right straight around a ring, just below the brim, you know, and fell all--" On a sudden Turner uttered a shrill exclamation; the others started up; the very glass she held in her hand at the moment cracked and broke in precisely the manner she was describing. A narrow ring snapped from the top, dropping on the floor, breaking into a hundred bits.

Turner drew in a long breath, open-mouthed, her hand in the air still holding the body of the glass that remained in her fingers. They all began to exclaim over the wonder.

"Well, did you ever in all your _life_?" shouted Miss Vance, breaking into a peal of laughter. Geary cried out, "Cæsar's ghost!" and Vandover swore under his breath.

"If that isn't the strangest thing I ever saw!" cried Turner. "_Isn't_ that funny--why--oh! I'm going _to try it with another glass_!" But the second glass remained intact. Geary recovered from his surprise and tried to explain how it could happen.

"It was the heat from your fingers and the glass was cold, you know," he said again and again.

But the strangeness of the thing still held them. Turner set down the glass with the others and dropped into a chair, letting her hands fall in her lap, looking into their faces, nodding her head and shutting her lips:

"Ah, _no_," she said after a while. "That _is_ funny. It kind of scares one." She was actually pale.

"Oh, there's Dolly Haight!" cried Henrietta Vance as the door bell rang. They all rushed to the door, running and scrambling, eager to tell the news. Young Haight stood bewildered on the door mat in the vestibule, his arms full of brown-paper packages, while they recounted the marvel. They all spoke at once, holding imaginary beer glasses toward him in their outstretched hands. Geary, however, refused to be carried away by their excitement, and one heard him from time to time repeating, between their ejaculations, "It was the heat from her fingers, you know, and the glass was cold."

Young Haight was confused, incredulous; he could not at first make out what _had_ happened.

"Well, just come and _look_ at the broken _glass_ on the _floor_," shouted Turner decisively, dragging him into the dining-room. They waited, breathless, to hear what he would say. He looked at the broken glass and then into their faces. Then he suddenly exclaimed:

"Ah, you're joking me."

"No, honestly," protested Vandover, "that was just the way it happened."

It was some little time before they could get over their impression of queerness, but by and by Geary cried out that the _tamales_ were getting cold. They settled down to their lunch, and the first thing young Haight did was to cut his lip on the edge of the broken glass. Turner had set it down with the others and he had inadvertently filled it for himself.

It was a trifling cut. Turner fetched some court-plaster, and his lip was patched up. For all that, it bled quite a little. He was very embarrassed; he kept his handkerchief to his mouth and told them repeatedly to go on with their lunch and not to mind him.

As soon as they were eating and drinking they began to be very jolly, and Vandover was especially good-humoured and entertaining. He made Henrietta Vance shout with laughter by pretending that the olive in his _tamale_ was a green hen's egg.

About half-past ten young Haight rose from the table saying he thought it was about time to say good-night. "Don't be in a hurry," said Turner. "It's early yet." After that, however, they broke up very quickly.

Before he left Vandover saw Turner in the dining-room alone for a minute.

"Will I see you at church to-morrow?" he asked, as she held his overcoat for him.

"I don't know, Van," she answered. "You know Henrietta is going to stay all night with me, and I think she will want me to go home with her to-morrow morning and then stay to dinner with her. But I'm going to early communion to-morrow morning; why can't you meet me there?"

"Why, I can," answered Vandover, settling his collar. "I should like to very much."

"Well, then," she replied, "you can meet me in front of the church at half-past seven o'clock."

"Hey, break away there!" cried Geary from the front door. "Come along, Van, if you are going with us."

Turner let Vandover kiss her before they joined the others. "I'll see you at seven-thirty to-morrow morning," he said as he went away.

The three young men went off down the street, arm in arm, smoking their cigars and cigarettes. As soon as they were alone, Charlie Geary began to tell the other two of everything he had been doing since he had last seen them.

"Well, sir," he said as he took an arm of each, "well, sir, I had a fine sleep last night; went to bed at ten and never woke up till half-past eight this morning. Ah, you bet I needed it, though. I've been working like a slave this week. You know I take my law-examinations in about ten days. I'll pass all right. I'm right up to the handle in everything. I don't believe the judge could stick me anywhere in the subject of torts."

"Say, boys," said Vandover, pausing and looking at his watch, "it isn't very late; let's go downtown and have some oysters."

"That's a good idea," answered young Haight. "How about you, Charlie?"

Geary said he was willing. "Ah," he added, "you ought to have seen the beefsteak I had this evening at the Grillroom." And as they rode downtown he told them of the steak in question. "I had a little mug of ale with it, too, and a dish of salad. Ah, it went great."

They decided after some discussion that they would go to the Imperial.

Chapter Four

The Imperial was a resort not far from the corner of Sutter and Kearney streets, a few doors below a certain well-known drug store, in one window of which was a showcase full of live snakes.

The front of the Imperial was painted white, and there was a cigar-stand in the vestibule of the main entrance. At the right of this main entrance was another smaller one, a ladies' entrance, on the frosted pane of which one read, "Oyster Cafe."

The main entrance opened directly into the barroom. It was a handsome room, paved with marble flags. To the left was the bar, whose counter was a single slab of polished redwood. Behind it was a huge, plate-glass mirror, balanced on one side by the cash-register and on the other by a statuette of the Diving Girl in tinted bisque. Between the two were pyramids of glasses and bottles, liqueur flasks in wicker cases, and a great bouquet of sweet-peas.

The three bartenders, in clean linen coats and aprons, moved about here and there, opening bottles, mixing drinks, and occasionally turning to punch the indicator of the register.

On the other side of the room, facing the bar, hung a large copy of a French picture representing a _Sabbath_, witches, goats, and naked girls whirling through the air. Underneath it was the lunch counter, where clam-fritters, the specialty of the place, could be had four afternoons in the week.

Elsewhere were nickel-in-the-slot machines, cigar-lighters, a vase of wax flowers under glass, and a racing chart setting forth the day's odds, weights, and entries. On the end wall over the pantry-slides was a second "barroom" picture, representing the ladies of a harem at their bath.

But its "private rooms" were the chief attraction of the Imperial. These were reached by going in through the smaller door to the right of the main vestibule. Any one coming in through this entrance found himself in a long and narrow passage. On the right of this passage were eight private rooms, very small, and open at the top as the law required. Half-way down its length the passage grew wider. Here the rooms were on both sides and were much larger than those in front.

It was this part of the Imperial that was most frequented, and that had made its reputation. In the smaller rooms in front one had beer and Welsh rabbits; in the larger rooms, champagne and terrapin.

Vandover, Haight, and Geary came in through the ladies' entrance of the Imperial at about eleven o'clock, going slowly down the passage, looking into each of the little rooms, searching for one that was empty. All at once Vandover, who was in the lead, cried out:

"Well, if here isn't that man Ellis, drinking whisky by himself. Bah! a man that will drink whisky all _alone_! Glad to see you just the same, Bandy; move along, will you--give a man some room."

"Hello, hello, Bandy!" cried Geary and young Haight, hitting him in the back, while Geary added: "How long have you been down here? _I've_ just come from making a call with the boys. Had a fine time; what are you drinking, whisky? _I'm_ going to have something to eat. Didn't have much of a lunch to-day, but you ought to have seen the steak I had at the Grillroom--as thick as that, and tender! Oh, it went great! Here, hang my coat up there on that side, will you?"

Bancroft Ellis was one of the young men of the city with whom the three fellows had become acquainted just after their return from college. For the most part, they met him at downtown restaurants, in the foyers and vestibules of the theatres, on Kearney Street of a Saturday afternoon, or, as now, in the little rooms of the Imperial, where he was a recognized habitué and where he invariably called for whisky, finishing from three to five "ponies" at every sitting. On very rare occasions they saw him in society, at the houses where their "set" was received. At these functions Ellis could never be persuaded to remain in the parlours; he slipped up to the gentlemen's dressing-rooms at the earliest opportunity, and spent the evening silently smoking the cigars and cigarettes furnished by the host. When Vandover and his friends came up between dances, to brush their hair or to rearrange their neckties, they found him enveloped in a blue haze of smoke, his feet on a chair, his shirt bosom broken, and his waistcoat unbuttoned. He would tell them that he was bored and thirsty and ask how much longer they were going to stay. He knew but few of their friends; his home was in a little town in the interior and he prided himself on being a "Native Son of the Golden West." He was a clerk in an insurance office on California Street, and had never been out of the state.

For the rest he was a good enough fellow and the three others liked him very much. He had a curious passion for facts and statistics, and his pockets were full of little books and cards to which he was constantly referring. He had one of those impossible pocket-diaries, the first half dozen pages loaded with information of every kind printed in blinding type, postal rates to every country in the world, statistics as to population and rates of death, weights and measures, the highest mountains in the world, the greatest depths of the ocean. He kept a little book in his left-hand vest pocket that gave the plan and seating capacity of every theatre in the city, while in the right-hand pocket was a tiny Webster's dictionary which was his especial pride. The calendar for the current year was pasted in the lining of his hat, together with the means to be employed in the resuscitation of a half-drowned person. He also carried about a "Vest Pocket Edition of Popular Information," which had never been of the slightest use to him.

The room in which they were now seated was very small and opened directly upon the passage. On either side of the table was a seat that would hold two, and on the wall opposite the door hung a mirror, its gilt frame enclosed in pink netting. The table itself was covered with a tolerably clean cloth, though it was of coarse linen and rather damp.

There were the usual bottles of olives and pepper sauce, a plate of broken crackers, and a ribbed match-safe of china. The sugar bowl was of plated ware and on it were scratched numberless dates together with the first names of a great many girls, "Nannie," "Ida," "Flossie."

Between the castor bottles was the bill of fare, held by a thin string between two immense leather covers which were stamped with wine merchants' advertisements. Geary reached for this before any of the others, saying at the same time, "Well, what are you going to have? _I'm_ going to have a Welsh rabbit and a pint of ale." He looked from one to the other as if demanding whether or no they approved of his choice. He assumed the management of what was going on, advising the others what to have, telling Vandover not to order certain dishes that he liked because it took so long to cook them. He had young Haight ring for the waiter, and when he had come, Geary read off the entire order to him twice over, making sure that he had taken it correctly. "That's what we want all right, all right--isn't it?" he said, looking around at the rest.

The waiter, whose eyes were red from lack of sleep, put down before them a plate of limp, soft shrimps.

"Hello, Toby!" said Vandover.

"Good evening, gentlemen," answered Toby. "Why, good evening, Mr. Vandover; haven't seen you 'round here for some time." He took their order, and as he was going away, Vandover called him back:

"Say, Toby," said he, "has Flossie been around to-night?"

"No," answered Toby, "she hasn't shown up yet. Her running-mate was in about nine, but she went out again right away."

"Well," said Vandover, smiling, "if Flossie comes 'round show her in here, will you?"

The others laughed, and joked him about this, and Vandover settled back in his seat, easing his position.

"Ah," he exclaimed, "I like it in here. It's always pleasant and warm and quiet and the service is good and you get such good things to eat."

Now that the young fellows were by themselves, and could relax that restraint, that good breeding and delicacy which had been natural to them in the early part of the evening at the Ravises', their manners changed: they lounged clumsily upon their seats, their legs stretched out, their waistcoats unbuttoned, caring only to be at their ease. Their talk and manners became blunt, rude, unconstrained, the coarser masculine fibre reasserting itself. With the exception of young Haight they were all profane enough, and it was not very long before their conversation became obscene.

Geary told them how he had spent the afternoon promenading Kearney and Market streets and just where he had gone to get his cocktail and his cigar. "Ah," he added, "you ought to have seen Ida Wade and Bessie Laguna. Oh, Ida was rigged up to beat the band; honestly her _hat_ was as broad across as that. You know there's no use talking, she's an awfully handsome girl."

A discussion arose over the girl's virtue. Ellis, Geary, and young Haight maintained that Ida was only fast; Vandover, however, had his doubts.

"For that matter," said Ellis after a while, "I like Bessie Laguna a good deal better than I do Ida."

"Ah, yes," retorted young Haight, "you like Bessie Laguna too much anyhow."

Young Haight had a theory that one should never care in any way for that kind of a girl nor become at all intimate with her.

"The matter of liking her or not liking her," he said, "ought not to enter into the question at all. You are both of you out for a good time and that's all; you have a jolly flirtation with her for an hour or two, and you never see her again. That's the way it ought to be! This idea of getting intimate with that sort of a piece, and trying to get her to care for you, is all wrong."

"Oh," said Vandover deprecatingly, "you take all the pleasure out of it; where does your good time come in if you don't at least pretend that you like the girl and try to make her like you?"

"But don't you see," answered Haight, "what a dreadful thing it would be if a girl like that came to care for you seriously? It isn't the same as if it were a girl of your own class."

"Ah, Dolly, you've got a bean," muttered Ellis, sipping his whisky.

Meanwhile, the Imperial had been filling up; at about eleven the theatres were over, and now the barroom was full of men. They came in by twos and threes and sometimes even by noisy parties of a half dozen or more. The white swing doors of the main entrance flapped back and forth continually, letting out into the street puffs of tepid air tainted with the smell of alcohol. The men entered and ordered their drinks, and leaning their elbows upon the bar continued the conversation they had begun outside. Afterward they passed over to the lunch counter and helped themselves to a plate of stewed tripe or potato salad, eating it in a secluded corner, leaning over so as not to stain their coats. There was a continual clinking of glasses and popping of corks, and at every instant the cash-register clucked and rang its bell.

Between the barroom and the other part of the house was a door hung with blue plush curtains, looped back; the waiters constantly passed back and forth through this, carrying plates of oysters, smoking rarebits, tiny glasses of liqueurs, and goblets of cigars.

All the private rooms opening from either passage were full; the men came in, walking slowly, looking for their friends; but more often, the women and girls passed up and down with a chatter of conversation, a rattle of stiff skirts and petticoats, and a heavy whiff of musk. There was a continual going and coming, a monotonous shuffle of feet and hum of talk. A heavy odorous warmth in which were mingled the smells of sweetened whisky, tobacco, the fumes of cooking, and the scent of perfume, exhaled into the air. A gay and noisy party developed in one of the large back rooms; at every moment one could hear gales of laughter, the rattle of chairs and glassware, mingled with the sounds of men's voices and the little screams and cries of women. Every time the waiter opened the door to deliver an order he let out a momentary torrent of noises.

Girls, habitués of the place, continued to pass the door of the room where Vandover and his friends were seated. Each time a particularly handsome one went by, the four looked out after her, shutting their lips and eyes and nodding their heads.

Young Haight had called for more drinks, ordering, however, mineral water for himself, and Vandover was just telling about posing the female models in a certain life-class to which he belonged, when he looked up and broke off, exclaiming:

"Well, well, here we are at last! How are you, Flossie? Come right in."

Flossie stood in the doorway smiling good-humouredly at them, without a trace of embarrassment or of confusion in her manner. She was an immense girl, quite six feet tall, broad and well-made, in proportion. She was very handsome, full-throated, heavy-eyed, and slow in her movements. Her eyes and mouth, like everything about her, were large, but each time she spoke or smiled, she disclosed her teeth, which were as white, as well-set, and as regular as the rows of kernels on an ear of green corn. In her ears were small yellow diamonds, the only jewellery she wore. There was no perceptible cosmetic on her face, which had a clean and healthy look as though she had just given it a vigorous washing.

She wore a black hat with a great flare to the brim on one side. It was trimmed very dashingly with black feathers, imitation jet, and a little puff of plush--robin's-egg blue. Her dress was of rough, black camel's hair, tailor-made, and but for the immense balloon sleeves, absolutely plain. It was cut in such a way that from neck to waist there was no break, the buttons being on the shoulder and under the arm. The skirt was full and stiff, and without the least trimming. Everything was black--hat, dress, gloves--and the effect was of a simplicity and severity so pronounced as to be very striking.

However, around her waist she wore as a belt a thick rope of oxidized silver, while her shoes, or rather walking slippers, were of white canvas.

She belonged to that class of women who are not to know one's last name or address, and whose hate and love are equally to be dreaded. There was upon her face the unmistakable traces of a ruined virtue and a vanished innocence. Her slightest action suggested her profession; as soon as she removed her veil and gloves it was as though she were partially undressed, and her uncovered face and hands seemed to be only portions of her nudity.

The general conception of women of her class is a painted and broken wreck. Flossie radiated health; her eyes were clear, her nerves steady, her flesh hard and even as a child's. There hung about her an air of cleanliness, of freshness, of good nature, of fine, high spirits, while with every movement she exhaled a delicious perfume that was not only musk, but that seemed to come alike from her dress, her hair, her neck, her very flesh and body.

Vandover was no longer the same as he had been during his college days. He was familiar now with this odour of abandoned women, this foul sweet savour of the great city's vice, that quickened his breath and that sent his heart knocking at his throat. It was the sensitive artist nature in him that responded instantly to anything sensuously attractive. Each kind and class of beautiful women could arouse in Vandover passions of equal force, though of far different kind. Turner Ravis influenced him upon his best side, calling out in him all that was cleanest, finest, and most delicate. Flossie appealed only to the animal and the beast in him, the evil, hideous brute that made instant answer.

"What will you take, Flossie?" asked Vandover, as she settled herself among them. "We are all drinking beer except Ellis. He's filling up with whisky." But Flossie never drank. It was one of the peculiarities for which she was well known.

"I don't want either," she answered, and turning to the waiter, she added, "You can bring me some Apollinaris water, Toby."

Flossie betrayed herself as soon as she spoke, the effect of her appearance was spoiled. Her voice was hoarse, a low-pitched rasp, husky, throaty, and full of brutal, vulgar modulations.

"Smoke, Flossie?" said Geary, pushing his cigarette case across to her. Flossie took a cigarette, rolled it to make it loose, and smoked it while she told them how she had once tried to draw up the smoke through her nose as it came out between her lips.

"And honestly, boys," she growled, "it made me that sick that I just had to go to bed."

"Who is the crowd out back?" asked Geary for the sake of saying something. Flossie embarrassed them all a little, and conversation with girls of her class was difficult.

"Oh, that's May and Nannie with some men from a banquet at the Palace Hotel," she answered.

The talk dragged along little by little and Flossie began badgering young Haight. "Say, you over there," she exclaimed, "what's the matter with you? You don't say anything."

Young Haight blushed and answered very much embarrassed: "Oh, I'm just listening." He was anxious to get away. He got up and reached for his hat and coat, saying with a good-natured smile: "Well, boys and girls, I think I shall have to leave you."

"Don't let me frighten you away," said Flossie, laughing.

"Oh, no," he answered, trying to hide his embarrassment, "I have to go anyhow."

While the others were saying good night to him and asking when they should see him again, Flossie leaned over to him, crying out, "Good night!" All at once, and before he knew what she was about, she kissed him full on the mouth. He started sharply at this, but was not angry, simply pulling away from her, blushing, very embarrassed, and more and more anxious to get away. Toby, the waiter, appeared at their door.

"That last was on me, you know," said young Haight, intercepting Vandover and settling for the round of drinks.

"Hello!" exclaimed Toby, "what's the matter with your lip?"

"I cut it a little while ago on a broken glass," answered young Haight. "Is it bleeding again?" he added, putting two fingers on his lips.

"It is sure enough," said Geary. "Here," he went on, wetting the corner of a napkin from the water bottle, "hold that on it."

The others began to laugh. "Flossie did that," Vandover explained to Toby. Ellis was hastily looking through his pockets, fumbling about among his little books.

"I had something here," he kept muttering, "if I can only _find_ it, that told just what to do when you cut yourself with glass. There may be glass _in_ it, you know."

"Oh, that's all right, that's all right," exclaimed young Haight, now altogether disconcerted. "It don't amount to anything."

"I tell you what," observed Geary; "get some court-plaster at the snake doctor's just above here."

"No, no, that's all right," returned young Haight, moving off. "Good night. I'll see you again pretty soon."

He went away. Ellis, who was still searching through his little books, suddenly uttered an exclamation. He leaned out into the passage, crying: "The half of a hot onion; tie it right on the cut." But Haight had already gone. "You see," explained Ellis, "that draws out any little particles of glass. Look at this," he added, reading an item just below the one he had found. "You can use cigar ashes for eczema."

Flossie nodded her head at him, smiling and saying: "Well, the next time I have eczema I will remember that."

Flossie left them a little after this, joining Nannie and May in the larger room that held the noisy party. The three fellows had another round of drinks.

All the evening Ellis had been drinking whisky. Now he astonished the others by suddenly calling for beer. He persisted in drinking it out of the celery glass, which he emptied at a single pull. Then Vandover had claret-punches all round, protesting that his mouth felt dry as a dust-bin. Geary at length declared that he felt pretty far gone, adding that he was in the humour for having "a high old time."

"Say, boys," he exclaimed, bringing his hand down on the table, "what do you say that we all go to every joint in town, and wind up at the Turkish baths? We'll have a regular _time_. Let's see now how much money I have."

Thereat they all took account of their money. Vandover had fourteen dollars, but he owed for materials at his art dealer's, and so put away eight of it in an inside pocket. The others followed his example, each one reserving five dollars for immediate use.

"That will be one dollar for the Hammam," said Geary, "and four dollars apiece for drinks. You can get all we want on four dollars." They had a last claret-punch and, having settled with Toby, went out.

Coming out into the cold night air from the warm interior of the Imperial affected Vandover and Geary in a few minutes. But apparently nothing could affect Ellis, neither whisky, claret-punch nor beer. He walked steadily between Vandover and Geary, linking an arm in each of theirs.

These two became very drunk almost at once. At every minute Vandover would cry out, "Yee-ee-_ow_! Thash way I feel, jush like that." Geary made a "Josh" that was a masterpiece, the success of the occasion. It consisted in exclaiming from time to time, "Cherries are ripe!" This was funny. It seemed to have some ludicrous, hidden double-meaning that was irresistible. It stuck to them all the evening; when a girl passed them on Kearney Street and Geary cried out at her that "Cherries were ripe!" it threw them all into spasms of laughter.

They went first to the Palace Garden near the Tivoli Theatre, where Geary and Vandover had beer and Ellis a whisky cocktail. The performance was just finishing, and they voted that they were not at all amused at a lean, overworked girl whom they saw performing a song and dance through a blue haze of tobacco smoke; so they all exclaimed, "Cherries are ripe!" and tramped out again to visit the Luxembourg. The beer began to go against Vandover's stomach by this time, but he forced it down his throat, shutting his eyes. Then they said they would go to the toughest place in town, "Steve Casey's"; this was on a side-street. The walls were covered with yellowed photographs of once-famous pugilists and old-time concert-hall singers. There was sand on the floor, and in the dancing room at the back, where nobody danced, a jaded young man was banging out polkas and quick-steps at a cheap piano.

At the Crystal Palace, where they all had shandy-gaff, they met one of Ellis's friends, a young fellow of about twenty. He was stone deaf, and in consequence had become dumb; but for all that he was very eager to associate with the young men of the city and would not hear of being separated and set apart with the other deaf mutes. He was very pleased to meet them and joined them at once. They all knew him pretty well and called him the "Dummy."

In the course of the evening the patty was seen at nearly every bar and saloon in the neighbourhood of Market and Kearney streets. Geary and Vandover were very drunk indeed. Vandover was having a glorious time; he was not silent a minute, talking, laughing, and singing, and crying out continually, "Cherries are ripe!" When he could think of nothing else to say he would exclaim, "Yee-ee-_ow_! Thash way I feel."

For two hours they drank steadily. Vandover was in a dreadful condition; the Dummy got so drunk that he could talk, a peculiarity which at times had been known to occur to him. As will sometimes happen, Geary sobered up a little and at the "Grotto" bathed his head and face in the washroom. After this he became pretty steady, he stopped drinking, and tried to assume the management of the party, ordering their drinks for them, and casting up the amount of the check.

About two o'clock they returned toward the Luxembourg, staggering and swaying. The Luxembourg was a sort of German restaurant under a theatre where one could get some very good German dishes. There Vandover had beer and sauerkraut, but Ellis took more whisky. The Dummy continued to make peculiar sounds in his throat, half-noise, half-speech, and Geary gravely informed the waiter that cherries were ripe.

All at once Ellis was drunk, collapsing in a moment. The skin around his eyes was purple and swollen, the pupils themselves were contracted, and their range of vision seemed to stop at about a yard in front of his face. Suddenly he swept glasses, plates, castor, knives, forks, and all from off the table with a single movement of his arm.

They all jumped up, sober in a minute, knowing that a scene was at hand. The waiter rushed at Ellis, but Ellis knocked him down and tried to stamp on his face. Vandover and the Dummy tried to hold his arms and pull him off. He turned on the Dummy in a silent frenzy of rage and brought his knuckles down upon his head again and again. For the moment Ellis could neither hear, nor see, nor speak; he was blind, dumb, fighting drunk, and his fighting was not the fighting of Vandover.

"Get in here and help, will you?" panted Vandover to Geary, as he struggled with Ellis. "He can kill people when he's like this. Oh, damn the whisky anyhow! Look out--don't let him get that knife! Grab his other arm, there! now, kick his feet from under him! Oh, kick hard! Sit on his legs; there now. Ah! Hell! he's bitten me! Look out! here comes the bouncer!"

The bouncer and three other waiters charged into them while they were struggling on the floor. Vandover was twice knocked down and the Dummy had his lip split. Ellis struggled to his feet again and, still silent, fought them all alike, a fine line of froth gathering at the corners of his lips.

When they were finally ejected, and pulled themselves together in the street outside, Geary had disappeared. He had left them during the struggle with Ellis and had gone home. Ah, you bet he wasn't going to stay any longer with the crowd when they got like that. If Ellis was fool enough to get as drunk as that it was his own lookout. _He_ wasn't going to stay and get thrown out of any saloon; ah, no, you bet he was too clever for that. He was sober enough now and would go home to bed and get a good sleep.

The fight in the saloon had completely sobered the rest of them. Ellis was tractable enough again, and very sorry for having got them into such a row. Vandover was horribly sick at his stomach.

The three locked arms and started slowly toward the Turkish baths. On their way they stopped at an all-night drug store and had some seltzer.

* * * * *

Vandover had about three hours' sleep that night. He was awakened by the attendant shaking his arm and crying:

"Half-past six, sir."

"Huh!" he exclaimed, starting up. "What about half-past six? I don't want to get up."

"Told me to call you, sir, at half-past six; quarter to seven now."

"Oh, all right, very well," answered Vandover. He turned away his face on the pillow, while a wretched feeling of nausea crept over him; every movement of his head made it ache to bursting. Behind his temples the blood throbbed and pumped like the knocking of hammers. His mouth would have been dry but for a thick slime that filled it and that tasted of oil. He felt weak, his hands trembled, his forehead was cold and seemed wet and sticky.

He could recall hardly anything of the previous night. He remembered, however, of going to the Imperial and of seeing Flossie, and he _did_ remember at last of leaving word to be called at half-past six.

He got up without waking the other two fellows and took a plunge in the cold tank, dressed very slowly, and went out. The stores were all closed, the streets were almost deserted. He walked to the nearest uptown car-line and took an outside seat, feeling better and steadier for every moment of the sharp morning air.

Van Ness Avenue was very still. It was about half-past seven. The curtains were down in all the houses; here and there a servant could be seen washing down the front steps. In the vestibules of some of the smaller houses were loaves of French bread and glass jars of cream, while near them lay the damp twisted roll of the morning's paper. There was everywhere a great chittering of sparrows, and the cable-cars, as yet empty, trundled down the cross streets, the conductors cleaning the windows and metal work. From far down at one end of the avenue came the bells of the Catholic Cathedral ringing for early mass; and a respectable-looking second girl hurried past him carrying her prayer-book. At the other end of the avenue was a blue vista of the bay, the great bulk of Mount Tamalpais rearing itself out of the water like a waking lion.

In front of the little church Turner was waiting for him. She was dressed very prettily and the cold morning air had given her a fine colour.

"You don't look more than half awake," she said, as Vandover came up. "It was awfully good of you to come. Oh, Van, you look dreadfully. It is too bad to make you get up so early."

"No, no," protested Vandover. "I was only too glad to come. I didn't sleep well last night. I hope I haven't kept you waiting."

"I've only just come," answered Turner. "But I think it is time to go in."

The little organ was muttering softly to itself as they entered. It was very still otherwise. The morning sun struck through the stained windows and made pretty lights about the altar; besides themselves there were some half dozen other worshippers. The little organ ceased with a long droning sigh, and the minister in his white robes turned about, facing his auditors, and in the midst of a great silence opened the communion service with the words: "Ye who do truly and earnestly repent you of your sins and are in love and charity with your neighbours--"

As Vandover rose with the rest the blood rushed to his head and a feeling of nausea and exhaustion, the dregs of his previous night's debauch, came over him again for a moment, so that he took hold of the back of the pew in front of him to steady himself.

Chapter Five

In the afternoons Vandover worked in his studio, which was on Sacramento Street, but in the mornings he was accustomed to study in the life-class at the School of Design.

This was on California Street over the Market, an immense room partitioned by enormous wooden screens into alcoves, where the still-life classes worked, painting carrots, grapes, and dusty brown stone-jugs.

All about were a multitude of casts, the fighting gladiator, the discobulus, the Venus of Milo, and hundreds of smaller pieces, masks, torsos, and the heads of the Parthenon horses. Flattened paint-tubes and broken bits of charcoal littered the floor and cluttered the chairs and shelves. A strong odour of turpentine and fixative was in the air, mingled with the stronger odours of linseed oil and sour, stale French bread.

Every afternoon a portrait class of some thirty-odd assembled in one of the larger alcoves near the door. Several of the well-known street characters of the city had posed for this class, and at one time Father Elphick, the white-haired, bare-headed vegetarian, with his crooked stick and white clothes, had sat to it for his head.

Vandover was probably the most promising member of the school. His style was sketchy, conscientious, and full of strength and decision. He worked in large lines, broad surfaces and masses of light or shade. His colour was good, running to purples, reds, and admirable greens, full of bitumen and raw sienna.

Though he had no idea of composition, he was clever enough to acknowledge it. His finished pictures were broad reaches of landscape, deserts, shores, and moors in which he placed solitary figures of men or animals in a way that was very effective--as, for instance, a great strip of shore and in the foreground the body of a drowned sailor; a lion drinking in the midst of an immense Sahara; or, one that he called "The Remnant of an Army," a dying war horse wandering on an empty plain, the saddle turned under his belly, his mane and tail snarled with burrs.

Some time before there had come to him the idea for a great picture. It was to be his first masterpiece, his salon picture when he should get to Paris. A British cavalryman and his horse, both dying of thirst and wounds, were to be lost on a Soudanese desert, and in the middle distance on a ridge of sand a lion should be drawing in upon them, crouched on his belly, his tail stiff, his lower jaw hanging. The melodrama of the old English "Home Book of Art" still influenced Vandover. He was in love with this idea for a picture and had determined to call it "The Last Enemy." The effects he wished to produce were isolation and intense heat; as to the soldier, he was as yet undecided whether to represent him facing death resignedly, calmly, or grasping the barrel of his useless rifle, determined to fight to the last.

Vandover loved to paint and to draw. He was perfectly contented when his picture was "coming right," and when he felt sure he was doing good work. He often did better than he thought he would, but never so well as he thought he _could_.

However, it bored him to work very hard, and when he did not enjoy his work he stopped it at once. He would tell himself on these occasions that one had to be in the mood and that he should wait for the inspiration, although he knew very well how absurd such excuses were, how false and how pernicious.

That certain little weakness of Vandover's character, his self-indulgence, _had_ brought him to such a point that he thought he had to be amused. If his painting amused him, very good; if not, he found something else that would.

On the following Monday as he worked in the life-class, Vandover was thinking, or, rather, trying not to think, of what he had done the Sunday morning previous when he had gone to communion with Turner Ravis. For a long time he evaded the thought because he knew that if he allowed it to come into his mind it would worry and harass him. But by and by the effort of dodging the enemy became itself too disagreeable, so he gave it up and allowed himself to look the matter squarely in the face.

Ah, yes; it was an ugly thing he had done there, a really awful thing. He must have been still drunk when he had knelt in the chancel. Vandover shuddered as he thought of this, and told himself that one could hardly commit a worse sacrilege, and that some time he would surely be called to account for it. But here he checked himself suddenly, not daring to go further. One would have no peace of mind left if one went on brooding over such things in this fashion. He realized the enormity of what he had done. He had tried to be sorry for it. It was perhaps the worst thing he had ever done, but now he had reached the lowest point. He would take care never to do such a thing again. After this he would be better.

But this was not so. Unconsciously, Vandover had shut a door behind him; he would never again be exactly the same, and the keeping of his appointment with Turner Ravis that Sunday morning was, as it were, a long step onward in his progress of ruin and pollution.

He shook himself as though relieving his shoulders of a weight. The model in the life-class had just been posed for the week, and the others had begun work. The model for that week was a woman, a fact that pleased Vandover, for he drew these nude women better than any one in the school, perhaps better than any one in the city. Portrait work and the power to catch subtle intellectual distinctions in a face were sometimes beyond him, but his feeling for the flesh, and for the movement and character of a pose, was admirable.

He set himself to work. Holding his stick of charcoal toward the model at arm's-length, he measured off the heads, five in all, and laid off an equal number of spaces upon his paper. After this, by aid of his mirror, he studied the general character of the pose for nearly half an hour. Then, with a few strokes of his charcoal he laid off his larger construction lines with a freedom and a precision that were excellent. Upon these lines he made a second drawing a little more detailed, though as yet everything was blocked in, angularly and roughly. Then, putting a thin flat edge upon his charcoal, he started the careful and finished outline.

By the end of an hour the first sketch of his drawing was complete. It was astonishingly good, vigorous and solid; better than all, it had that feeling for form that makes just the difference between the amateur and the genuine artist.

By this time Vandover's interest began to flag. Four times he had drawn and redrawn the articulation of the model's left shoulder. As she stood, turned sideways to him, one hand on her hip, the deltoid muscle was at once contracted and foreshortened. It was a difficult bit of anatomy to draw. Vandover was annoyed at his ill success--such close attention and continued effort wearied him a little--the room was overheated and close, and the gas stove, which was placed near the throne to warm the model, leaked and filled the room with a nasty brassy smell. Vandover remembered that the previous week he had been looking over some old bound copies of _l'Art_ in the Mechanics Library and had found them of absorbing interest. There was a pleasant corner and a huge comfortable chair near where they were in the reading-room, and from the window one could occasionally look out upon the street. It was a quiet spot, and he would not be disturbed all the morning. The idea was so attractive that he put away his portfolio and drawing things and went out.

For an hour he gave himself up to the enjoyment of _l'Art_, excusing his indolence by telling himself that it was all in his profession and was not time lost. A reproduction of a picture by Gérome gave him some suggestions for the "Last Enemy," which he noted very carefully.

He was interrupted by a rustle of starched skirts and a voice that said:

"Why, hello, Van!"

He looked up quickly to see a young girl of about twenty dressed in a black close-fitting bolero jacket of imitation astrakhan with big leg-of-mutton sleeves, a striped silk skirt, and a very broad hat tilted to one side. Her hair was very blond, though coarse and dry from being bleached, and a little flat curl of it lay very low on her forehead. She was marvellously pretty. Vandover was delighted.

"Why, _Ida_!" he exclaimed, holding her hand; "_it's_ awfully nice to see you here; won't you sit down?" and he pushed his chair toward her.

But Ida Wade said no, she had just come in after a new book, and of course it had to be out. But where had he kept himself so long? That was the way he threw off on her; ah, yes, he was going with Miss Ravis now and wouldn't look at any one else.

Vandover protested against this, and Ida Wade went on to ask him why he couldn't come up to call on her that very night, adding:

"We might go to the Tivoli or somewhere." All at once she interrupted herself, laughing, "Oh, I heard all about you the other night. _'Cherries are ripe_!' You and the boys painted the town red, didn't you? Ah, Van, I'm right on to _you_!"