Chapter XIII: Part 13

I appeal to you, Mr. Idler, whether any thing could be more civil, more complaisant, than this? And, would you believe it, the creature in return, a few days after, accosted me, in an offended tone, with, "Madam, I can now tell you, your coach is ready; and since you are so passionately fond of one, I intend you the honour of keeping a pair of horses.--You insisted upon having an article of pin-money, and horses are no part of my agreement." Base, designing wretch!--I beg your pardon, Mr. Idler, the very recital of such mean, ungentleman-like behaviour fires my blood, and lights up a flame within me. But hence, thou worst of monsters, ill-timed Rage! and let me not spoil my cause for want of temper.

Now, though I am convinced I might make a worse use of part of the pin-money, than by extending my bounty towards the support of so useful a part of the brute creation; yet, like a true-born Englishwoman, I am so tenacious of my rights and privileges, and moreover so good a friend to the gentlemen of the law, that I protest, Mr. Idler, sooner than tamely give up the point, and be quibbled out of my right, I will receive my pin-money, as it were, with one hand, and pay it to them with the other; provided they will give me, or, which is the same thing, my trustees, encouragement to commence a suit against this dear, frugal husband of mine.

And of this I can't have the least shadow of doubt, inasmuch as I have been told by very good authority, it is somewhere or other laid down as a rule "_That whenever_ the law doth give any thing to one, it giveth impliedly whatever is necessary for taking and enjoying the same[1]." Now, I would gladly know what enjoyment I, or any lady in the kingdom, can have of a coach without horses? The answer is obvious--None at all! For, as Serjeant Catlyne very wisely observes, "though a coach has wheels, to the end it may thereby and by virtue thereof be enabled to move; yet in point of utility it may as well have none, if they are not put in motion by means of its vital parts, that is, the horses."

And, therefore, Sir, I humbly hope you and the learned in the law will be of opinion, that two certain animals, or quadruped creatures, commonly called or known by the name of horses, ought to be annexed to, and go along with, the coach. SUKEY SAVECHARGES[2]

[1] Quando lex aliquid alicui concedit, concedere videtur et id, sine
quo res ipsa esse non potest. Coke on Littleton, 56. a.--ED.

[2] An unknown correspondent.

No. 55. SATURDAY, MAY 5, 1759.

TO THE IDLER.

Mr. Idler,

I have taken the liberty of laying before you my complaint, and of desiring advice or consolation with the greater confidence, because I believe many other writers have suffered the same indignities with myself, and hope my quarrel will be regarded by you and your readers as the common cause of literature.

Having been long a student, I thought myself qualified in time to become an author. My inquiries have been much diversified and far extended, and not finding my genius directing me by irresistible impulse to any particular subject, I deliberated three years which part of knowledge to illustrate by my labours. Choice is more often determined by accident than by reason: I walked abroad one morning with a curious lady, and, by her inquiries and observations, was incited to write the natural history of the country in which I reside.

Natural history is no work for one that loves his chair or his bed. Speculation may be pursued on a soft couch, but nature must be observed in the open air. I have collected materials with indefatigable pertinacity. I have gathered glow-worms in the evening, and snails in the morning; I have seen the daisy close and open, I have heard the owl shriek at midnight, and hunted insects in the heat of noon.

Seven years I was employed in collecting animals and vegetables, and then found that my design was yet imperfect. The subterranean treasures of the place had been passed unobserved, and another year was to be spent in mines and coal-pits. What I had already done supplied a sufficient motive to do more. I acquainted myself with the black inhabitants of metallick caverns, and, in defiance of damps and floods, wandered through the gloomy labyrinths, and gathered fossils from every fissure,

At last I began to write, and as I finished any section of my book, read it to such of my friends, as were most skilful in the matter which it treated. None of them were satisfied; one disliked the disposition of the parts, another the colours of the style; one advised me to enlarge, another to abridge. I resolved to read no more, but to take my own way and write on, for by consultation I only perplexed my thoughts and retarded my work.

The book was at last finished, and I did not doubt but my labour would be repaid by profit, and my ambition satisfied with honours. I considered that natural history is neither temporary nor local, and that though I limited my inquiries to my own country, yet every part of the earth has productions common to all the rest. Civil history may be partially studied, the revolutions of one nation may be neglected by another; but after that in which all have an interest, all must be inquisitive. No man can have sunk so far into stupidity as not to consider the properties of the ground on which he walks, of the plants on which he feeds, or the animals that delight his ear, or amuse his eye; and, therefore, I computed that universal curiosity would call for many editions of my book, and that in five years I should gain fifteen thousand pounds by the sale of thirty thousand copies.

When I began to write, I insured the house; and suffered the utmost solicitude when I entrusted my book to the carrier, though I had secured it against mischances by lodging two transcripts in different places. At my arrival, I expected that the patrons of learning would contend for the honour of a dedication, and resolved to maintain the dignity of letters, by a haughty contempt of pecuniary solicitations.

I took my lodgings near the house of the Royal Society, and expected every morning a visit from the president. I walked in the Park, and wondered that I overheard no mention of the great naturalist. At last I visited a noble earl, and told him of my work: he answered, that he was under an engagement never to subscribe. I was angry to have that refused which I did not mean to ask, and concealed my design of making him immortal. I went next day to another, and, in resentment of my late affront, offered to prefix his name to my new book. He said, coldly, that _he did not understand those things_; another thought, _there were too many books_; and another would _talk with me when the races were over_.

Being amazed to find a man of learning so indecently slighted, I resolved to indulge the philosophical pride of retirement and independence. I then sent to some of the principal booksellers the plan of my book, and bespoke a large room in the next tavern, that I might more commodiously see them together, and enjoy the contest, while they were outbidding one another. I drank my coffee, and yet nobody was come; at last I received a note from one, to tell me that he was going out of town; and from another, that natural history was out of his way. At last there came a grave man, who desired to see the work, and, without opening it, told me, that a book of that size _would never do_.

I then condescended to step into shops, and mentioned my work to the masters. Some never dealt with authors; others had their hands full; some never had known such a dead time; others had lost by all that they had published for the last twelvemonth. One offered to print my work, if I could procure subscriptions for five hundred, and would allow me two hundred copies for my property. I lost my patience, and gave him a kick; for which he has indicted me.

I can easily perceive, that there is a combination among them to defeat my expectations; and I find it so general, that I am sure it must have been long concerted. I suppose some of my friends, to whom I read the first part, gave notice of my design, and, perhaps, sold the treacherous intelligence at a higher price than the fraudulence of trade will now allow me for my book.

Inform me, Mr. Idler, what I must do; where must knowledge and industry find their recompense, thus neglected by the high, and cheated by the low? I sometimes resolve to print my book at my own expense, and, like the Sibyl, double the price; and sometimes am tempted, in emulation of Raleigh, to throw it into the fire, and leave this sordid generation to the curses of posterity. Tell me, dear Idler, what I shall do.

I am, Sir, &c.

No. 56. SATURDAY, MAY 12, 1759.

There is such difference between the pursuits of men, that one part of the inhabitants of a great city lives to little other purpose than to wonder at the rest. Some have hopes and fears, wishes and aversions, which never enter into the thoughts of others, and inquiry is laboriously exerted to gain that which those who possess it are ready to throw away.

To those who are accustomed to value every thing by its use, and have no such superfluity of time or money, as may prompt them to unnatural wants or capricious emulations, nothing appears more improbable or extravagant than the love of curiosities, or that desire of accumulating trifles, which distinguishes many by whom no other distinction could have ever been obtained.

He that has lived without knowing to what height desire may be raised by vanity, with what rapture baubles are snatched out of the hands of rival collectors, how the eagerness of one raises eagerness in another, and one worthless purchase makes a second necessary, may, by passing a few hours at an auction, learn more than can be shown by many volumes of maxims or essays.

The advertisement of a sale is a signal which, at once, puts a thousand hearts in motion, and brings contenders from every part to the scene of distribution. He that had resolved to buy no more, feels his constancy subdued; there is now something in the catalogue which completes his cabinet, and which he was never before able to find. He whose sober reflections inform him, that of adding collection to collection there is no end, and that it is wise to leave early that which must be left imperfect at last, yet cannot withhold himself from coming to see what it is that brings so many together, and when he comes is soon overpowered by his habitual passion; he is attracted by rarity, seduced by example, and inflamed by competition.

While the stores of pride and happiness are surveyed, one looks with longing eyes and gloomy countenance on that which he despairs to gain from a richer bidder; another keeps his eye with care from settling too long on that which he most earnestly desires; and another, with more art than virtue, depreciates that which he values most, in hope to have it at an easy rate.

The novice is often surprised to see what minute and unimportant discriminations increase or diminish value. An irregular contortion of a turbinated shell, which common eyes pass unregarded, will ten times treble its price in the imagination of philosophers. Beauty is far from operating upon collectors as upon low and vulgar minds, even where beauty might be thought the only quality that could deserve notice. Among the shells that please by their variety of colours, if one can be found accidentally deformed by a cloudy spot, it is boasted as the pride of the collection. China is sometimes purchased for little less than its weight in gold, only because it is old, though neither less brittle, nor better painted, than the modern; and brown china is caught up with ecstasy, though no reason can be imagined for which it should be preferred to common vessels of common clay.

The fate of prints and coins is equally inexplicable. Some prints are treasured up as inestimably valuable, because the impression was made before the plate was finished. Of coins the price rises not from the purity of the metal, the excellence of the workmanship, the elegance of the legend, or the chronological use. A piece, of which neither the inscription can be read, nor the face distinguished, if there remain of it but enough to show that it is rare, will be sought by contending nations, and dignify the treasury in which it shall be shown.

Whether this curiosity, so barren of immediate advantage, and so liable to depravation, does more harm or good, is not easily decided. Its harm is apparent at first view. It fills the mind with trifling ambition; fixes the attention upon things which have seldom any tendency towards virtue or wisdom; employs in idle inquiries the time that is given for better purposes; and often ends in mean and dishonest practices, when desire increases by indulgence beyond the power of honest gratification.

These are the effects of curiosity in excess; but what passion in excess will not become vicious? All indifferent qualities and practices are bad, if they are compared with those which are good, and good, if they are opposed to those that are bad. The pride or the pleasure of making collections, if it be restrained by prudence and morality, produces a pleasing remission after more laborious studies; furnishes an amusement not wholly unprofitable for that part of life, the greater part of many lives, which would otherwise be lost in idleness or vice; it produces an useful traffick between the industry of indigence and the curiosity of wealth; it brings many things to notice that would be neglected, and, by fixing the thoughts upon intellectual pleasures, resists the natural encroachments of sensuality, and maintains the mind in her lawful superiority.

No. 57. SATURDAY, MAY 19, 1759.

Prudence is of more frequent use than any other intellectual quality; it is exerted on slight occasions, and called into act by the cursory business of common life.

Whatever is universally necessary, has been granted to mankind on easy terms. Prudence, as it is always wanted, is without great difficulty obtained. It requires neither extensive view nor profound search, but forces itself, by spontaneous impulse, upon a mind neither great nor busy, neither engrossed by vast designs, nor distracted by multiplicity of attention.

Prudence operates on life in the same manner as rules on composition: it produces vigilance rather than elevation, rather prevents loss than procures advantage; and often escapes miscarriages, but seldom reaches either power or honour. It quenches that ardour of enterprise, by which every thing is done that can claim praise or admiration; and represses that generous temerity which often fails, and often succeeds. Rules may obviate faults, but can never confer beauties; and prudence keeps life safe, but does not often make it happy. The world is not amazed with prodigies of excellence, but when wit tramples upon rules, and magnanimity breaks the chains of prudence.

One of the most prudent of all that have fallen within my observation, is my old companion Sophron, who has passed through the world in quiet, by perpetual adherence to a few plain maxims, and wonders how contention and distress can so often happen.

The first principle of Sophron is, _to run no hazards_. Though he loves money, he is of opinion that frugality is a more certain source of riches than industry. It is to no purpose that any prospect of large profit is set before him; he believes little about futurity, and does not love to trust his money out of his sight, for _nobody knows what may happen_. He has a small estate, which he lets at the old rent, because _it is better to have a little than nothing_; but he rigorously demands payment on the stated day, for _he that cannot pay one quarter cannot pay two_. If he is told of any improvements in agriculture, he likes the old way, has observed that changes very seldom answer expectation, is of opinion that our forefathers knew how to till the ground as well as we; and concludes with an argument that nothing can overpower, that the expense of planting and fencing is immediate, and the advantage distant, and that _he is no wise man who will quit a certainty for an uncertainty_.

Another of Sophron's rules is, _to mind no business but his own_. In the state, he is of no party; but hears and speaks of publick affairs with the same coldness as of the administration of some ancient republick. If any flagrant act of fraud or oppression is mentioned, he hopes that _all is not true that is told_: if misconduct or corruption puts the nation in a flame, he hopes _every man means well_. At elections he leaves his dependants to their own choice, and declines to vote himself, for every candidate is a good man, whom he is unwilling to oppose or offend.

If disputes happen among his neighbours, he observes an invariable and cold neutrality. His punctuality has gained him the reputation of honesty, and his caution that of wisdom; and few would refuse to refer their claims to his award. He might have prevented many expensive law-suits, and quenched many a feud in its first smoke; but always refuses the office of arbitration, because he must decide against one or the other.

With the affairs of other families he is always unacquainted. He sees estates bought and sold, squandered and increased, without praising the economist, or censuring the spendthrift. He never courts the rising, lest they should fall; nor insults the fallen, lest they should rise again. His caution has the appearance of virtue, and all who do not want his help praise his benevolence; but, if any man solicits his assistance, he has just sent away all his money; and, when the petitioner is gone, declares to his family that he is sorry for his misfortunes, has always looked upon him with particular kindness, and, therefore, could not lend him money, lest he should destroy their friendship by the necessity of enforcing payment.

Of domestick misfortunes he has never heard. When he is told the hundredth time of a gentleman's daughter who has married the coachman, he lifts up his hands with astonishment, for he always thought her a sober girl.

When nuptial quarrels, after having filled the country with talk and laughter, at last end in separation, he never can conceive how it happened, for he looked upon them as a happy couple.

If his advice is asked, he never gives any particular direction, because events are uncertain, and he will bring no blame upon himself; but he takes the consulter tenderly by the hand, tells him he makes his case his own, and advises him not to act rashly, but to weigh the reasons on both sides; observes, that a man may be as easily too hasty as too slow; and that as many fail by doing too much as too little; that _a wise man has two ears and one tongue_; and that _little said is soon mended_; that he could tell him this and that, but that after all every man is the best judge of his own affairs.

With this some are satisfied, and go home with great reverence of Sophron's wisdom; and none are offended, because every one is left in full possession of his own opinion.

Sophron gives no characters. It is equally vain to tell him of vice and virtue; for he has remarked, that no man likes to be censured, and that very few are delighted with the praises of another. He has a few terms which he uses to all alike. With respect to fortune, he believes every one to be in good circumstances; he never exalts any understanding by lavish praise, yet he meets with none but very sensible people. Every man is honest and hearty; and every woman is a good creature.

Thus Sophron creeps along, neither loved nor hated, neither favoured nor opposed: he has never attempted to grow rich, for fear of growing poor; and has raised no friends, for fear of making enemies.

No. 58. SATURDAY, MAY 26, 1759.

Pleasure is very seldom found where it is sought. Our brightest blazes of gladness are commonly kindled by unexpected sparks. The flowers which scatter their odours, from time to time, in the paths of life, grow up without culture from seeds scattered by chance.

Nothing is more hopeless than a scheme of merriment. Wits and humourists are brought together from distant quarters by preconcerted invitations; they come, attended by their admirers, prepared to laugh and to applaud; they gaze awhile on each other, ashamed to be silent, and afraid to speak; every man is discontented with himself, grows angry with those that give him pain, and resolves that he will contribute nothing to the merriment of such worthless company. Wine inflames the general malignity, and changes sullenness to petulance, till at last none can bear any longer the presence of the rest. They retire to vent their indignation in safer places, where they are heard with attention; their importance is restored, they recover their good humour, and gladden the night with wit and jocularity.

Merriment is always the effect of a sudden impression. The jest which is expected is already destroyed. The most active imagination will be sometimes torpid, under the frigid influence of melancholy, and sometimes occasions will be wanting to tempt the mind, however volatile, to sallies and excursions. Nothing was ever said with uncommon felicity, but by the co-operation of chance; and, therefore, wit, as well as valour, must be content to share its honours with fortune.

All other pleasures are equally uncertain; the general remedy of uneasiness is change of place; almost every one has some journey of pleasure in his mind, with which he flatters his expectation. He that travels in theory has no inconvenience; he has shade and sunshine at his disposal, and wherever he alights finds tables of plenty and looks of gaiety. These ideas are indulged till the day of departure arrives, the chaise is called, and the progress of happiness begins.

A few miles teach him the fallacies of imagination. The road is dusty, the air is sultry, the horses are sluggish, and the postillion brutal. He longs for the time of dinner, that he may eat and rest. The inn is crowded, his orders are neglected, and nothing remains but that he devour in haste what the cook has spoiled, and drive on in quest of better entertainment. He finds at night a more commodious house, but the best is always worse than he expected.

He at last enters his native province, and resolves to feast his mind with the conversation of his old friends, and the recollection of juvenile frolicks. He stops at the house of his friend, whom he designs to overpower with pleasure by the unexpected interview. He is not known till he tells his name, and revives the memory of himself by a gradual explanation. He is then coldly received, and ceremoniously feasted. He hastes away to another, whom his affairs have called to a distant place, and, having seen the empty house, goes away disgusted by a disappointment which could not be intended, because it could not be foreseen. At the next house he finds every face clouded with misfortune, and is regarded with malevolence as an unreasonable intruder, who comes not to visit but to insult them. It is seldom that we find either men or places such as we expect them. He that has pictured a prospect upon his fancy, will receive little pleasure from his eyes; he that has anticipated the conversation of a wit, will wonder to what prejudice he owes his reputation. Yet it is necessary to hope, though hope should always be deluded; for hope itself is happiness, and its frustrations, however frequent, are less dreadful than its extinction.

No. 59. SATURDAY, JUNE 2, 1759.

In the common enjoyments of life, we cannot very liberally indulge the present hour, but by anticipating part of the pleasure which might have relieved the tediousness of another day; and any uncommon exertion of strength, or perseverance in labour, is succeeded by a long interval of languor and weariness. Whatever advantage we snatch beyond the certain portion allotted us by nature, is like money spent before it is due, which, at the time of regular payment, will be missed and regretted.

Fame, like all other things which are supposed to give or to increase happiness, is dispensed with the same equality of distribution. He that is loudly praised will be clamorously censured; he that rises hastily into fame will be in danger of sinking suddenly into oblivion.

Of many writers who filled their age with wonder, and whose names we find celebrated in the books of their contemporaries, the works are now no longer to be seen, or are seen only amidst the lumber of libraries which are seldom visited, where they lie only to show the deceitfulness of hope, and the uncertainty of honour.

Of the decline of reputation many causes may be assigned. It is commonly lost because it never was deserved; and was conferred at first, not by the suffrage of criticism, but by the fondness of friendship, or servility of flattery. The great and popular are very freely applauded; but all soon grow weary of echoing to each other a name which has no other claim to notice, but that many mouths are pronouncing it at once.

But many have lost the final reward of their labours, because they were too hasty to enjoy it. They have laid hold on recent occurrences, and eminent names, and delighted their readers with allusions and remarks, in which all were interested, and to which all, therefore, were attentive. But the effect ceased with its cause; the time quickly came when new events drove the former from memory, when the vicissitudes of the world brought new hopes and fears, transferred the love and hatred of the publick to other agents; and the writer, whose works were no longer assisted by gratitude or resentment, was left to the cold regard of idle curiosity.

He that writes upon general principles, or delivers universal truths, may hope to be often read, because his work will be equally useful at all times and in every country; but he cannot expect it to be received with eagerness, or to spread with rapidity, because desire can have no particular stimulation: that which is to be loved long, must be loved with reason rather than with passion. He that lays his labours out upon temporary subjects, easily finds readers, and quickly loses them; for what should make the book valued when the subject is no more?

These observations will show the reason why the poem of Hudibras is almost forgotten, however embellished with sentiments and diversified with allusions, however bright with wit, and however solid with truth. The hypocrisy which it detected, and the folly which it ridiculed, have long vanished from publick notice. Those who had felt the mischief of discord, and the tyranny of usurpation, read it with rapture; for every line brought back to memory something known, and gratified resentment by the just censure of something hated. But the book, which was once quoted by princes, and which supplied conversation to all the assemblies of the gay and witty, is now seldom mentioned, and even by those that affect to mention it, is seldom read. So vainly is wit lavished upon fugitive topicks; so little can architecture secure duration when the ground is false.

No. 60. SATURDAY, JUNE 9, 1759.

Criticism is a study by which men grow important and formidable at a very small expense. The power of invention has been conferred by nature upon few, and the labour of learning those sciences, which may by mere labour be obtained, is too great to be willingly endured; but every man can exert such judgment as he has upon the works of others; and he whom nature has made weak, and idleness keeps ignorant, may yet support his vanity by the name of a Critick.

I hope it will give comfort to great numbers who are passing through the world in obscurity, when I inform them how easily distinction may be obtained. All the other powers of literature are coy and haughty, they must be long courted, and at last are not always gained; but Criticism is a goddess easy of access and forward of advance, who will meet the slow, and encourage the timorous; the want of meaning she supplies with words, and the want of spirit she recompenses with malignity.

This profession has one recommendation peculiar to itself, that it gives vent to malignity without real mischief. No genius was ever blasted by the breath of criticks. The poison which, if confined, would have burst the heart, fumes away in empty hisses, and malice is set at ease with very little danger to merit. The critick is the only man whose triumph is without another's pain, and whose greatness does not rise upon another's ruin.

To a study at once so easy and so reputable, so malicious and so harmless, it cannot be necessary to invite my readers by a long or laboured exhortation; it is sufficient, since all would be criticks if they could, to show, by one eminent example, that all can be criticks if they will.

Dick Minim, after the common course of puerile studies, in which he was no great proficient, was put an apprentice to a brewer, with whom he had lived two years, when his uncle died in the city, and left him a large fortune in the stocks. Dick had for six months before used the company of the lower players, of whom he had learned to scorn a trade, and, being now at liberty to follow his genius, he resolved to be a man of wit and humour. That he might be properly initiated in his new character, he frequented the coffee-houses near the theatres, where he listened very diligently, day after day, to those who talked of language and sentiments, and unities and catastrophes, till, by slow degrees, he began to think that be understood something of the stage, and hoped in time to talk himself.

But he did not trust so much to natural sagacity as wholly to neglect the help of books. When the theatres were shut, he retired to Richmond with a few select writers, whose opinions he impressed upon his memory by unwearied diligence; and, when he returned with other wits to the town, was able to tell, in very proper phrases, that the chief business of art is to copy nature; that a perfect writer is not to be expected, because genius decays as judgment increases; that the great art is the art of blotting; and that, according to the rule of Horace, every piece should be kept nine years.

Of the great authors he now began to display the characters, laying down as an universal position, that all had beauties and defects. His opinion was, that Shakespeare, committing himself wholly to the impulse of nature, wanted that correctness which learning would have given him; and that Jonson, trusting to learning, did not sufficiently cast his eyes on nature. He blamed the stanzas of Spenser, and could not bear the hexameters of Sidney. Denham and Waller he held the first reformers of English numbers; and thought that if Waller could have obtained the strength of Denham, or Denham the sweetness of Waller, there had been nothing wanting to complete a poet. He often expressed his commiseration of Dryden's poverty, and his indignation at the age which suffered him to write for bread; he repeated with rapture the first lines of All for Love, but wondered at the corruption of taste which could bear any thing so unnatural as rhyming tragedies.

In Otway he found uncommon powers of moving the passions, but was disgusted by his general negligence, and blamed him for making a conspirator his hero; and never concluded his disquisition, without remarking how happily the sound of the clock is made to alarm the audience. Southern would have been his favourite, but that he mixes comick with tragick scenes, intercepts the natural course of the passions, and fills the mind with a wild confusion of mirth and melancholy. The versification of Rowe he thought too melodious for the stage, and too little varied in different passions. He made it the great fault of Congreve, that all his persons were wits, and that he always wrote with more art than nature. He considered Cato rather as a poem than a play, and allowed Addison to be the complete master of allegory and grave humour, but paid no great deference to him as a critick. He thought the chief merit of Prior was in his easy tales and lighter poems, though he allowed that his Solomon had many noble sentiments elegantly expressed. In Swift he discovered an inimitable vein of irony, and an easiness which all would hope and few would attain. Pope he was inclined to degrade from a poet to a versifier, and thought his numbers rather luscious than sweet. He often lamented the neglect of Phaedra and Hippolytus, and wished to see the stage under better regulations.

These assertions passed commonly uncontradicted; and if now and then an opponent started up, he was quickly repressed by the suffrages of the company, and Minim went away from every dispute with elation of heart and increase of confidence.

He now grew conscious of his abilities, and began to talk of the present state of dramatick poetry; wondered what had become of the comick genius which supplied our ancestors with wit and pleasantry, and why no writer could be found that durst now venture beyond a farce. He saw no reason for thinking that the vein of humour was exhausted, since we live in a country, where liberty suffers every character to spread itself to its utmost bulk, and which, therefore, produces more originals than all the rest of the world together. Of tragedy he concluded business to be the soul, and yet often hinted that love predominates too much upon the modern stage.

He was now an acknowledged critick, and had his own seat in a coffee-house, and headed a party in the pit. Minim has more vanity than ill-nature, and seldom desires to do much mischief; he will, perhaps, murmur a little in the ear of him that sits next him, but endeavours to influence the audience to favour, by clapping when an actor exclaims, _Ye gods!_ or laments the misery of his country.

By degrees he was admitted to rehearsals; and many of his friends are of opinion, that our present poets are indebted to him for their happiest thoughts; by his contrivance the bell was rung twice in Barbarossa, and by his persuasion the author of Cleone concluded his play without a couplet; for what can be more absurd, said Minim, than that part of a play should be rhymed, and part written in blank verse? and by what acquisition of faculties is the speaker, who never could find rhymes before, enabled to rhyme at the conclusion of an act?

He is the great investigator of hidden beauties, and is particularly delighted when he finds "the sound an echo to the sense." He has read all our poets, with particular attention to this delicacy of versification, and wonders at the supineness with which their works have been hitherto perused, so that no man has found the sound of a drum in this distich:

"When pulpit, drum ecclesiastic,
Was beat with fist instead of a stick;"

and that the wonderful lines upon honour and a bubble have hitherto passed without notice:

"Honour is like the glassy bubble,
Which costs philosophers such trouble;
Where, one part crack'd, the whole does fly,
And wits are crack'd to find out why."

In these verses, says Minim, we have two striking accommodations of the sound to the sense. It is impossible to utter the first two lines emphatically without an act like that which they describe; _bubble_ and _trouble_ causing a momentary inflation of the cheeks by the retention of the breath, which is afterwards forcibly emitted, as in the practice of _blowing bubbles_. But the greatest excellence is in the third line, which is _crack'd_ in the middle to express a crack, and then shivers into monosyllables. Yet has this diamond lain neglected with common stones, and among the innumerable admirers of Hudibras the observation of this superlative passage has been reserved for the sagacity of Minim.

No. 61. SATURDAY, JUNE 15, 1759.

Mr. Minim had now advanced himself to the zenith of critical reputation; when he was in the pit, every eye in the boxes was fixed upon him; when he entered his coffee-house, he was surrounded by circles of candidates, who passed their noviciate of literature under his tuition: his opinion was asked by all who had no opinion of their own, and yet loved to debate and decide; and no composition was supposed to pass in safety to posterity, till it had been secured by Minim's approbation.

Minim professes great admiration of the wisdom and munificence by which the academies of the continent were raised; and often wishes for some standard of taste, for some tribunal, to which merit may appeal from caprice, prejudice and malignity. He has formed a plan for an academy of criticism, where every work of imagination may be read before it is printed, and which shall authoritatively direct the theatres what pieces to receive or reject, to exclude or to revive.

Such an institution would, in Dick's opinion, spread the fame of English literature over Europe, and make London the metropolis of elegance and politeness, the place to which the learned and ingenious of all countries would repair for instruction and improvement, and where nothing would any longer be applauded or endured that was not conformed to the nicest rules, and finished with the highest elegance.

Till some happy conjunction of the planets shall dispose our princes or ministers to make themselves immortal by such an academy, Minim contents himself to preside four nights in a week in a critical society selected by himself, where he is heard without contradiction, and whence his judgment is disseminated through the great vulgar and the small.

When he is placed in the chair of criticism, he declares loudly for the noble simplicity of our ancestors, in opposition to the petty refinements, and ornamental luxuriance. Sometimes he is sunk in despair, and perceives false delicacy daily gaining ground, and sometimes brightens his countenance with a gleam of hope, and predicts the revival of the true sublime. He then fulminates his loudest censures against the monkish barbarity of rhyme; wonders how beings that pretend to reason can be pleased with one line always ending like another; tells how unjustly and unnaturally sense is sacrificed to sound; how often the best thoughts are mangled by the necessity of confining or extending them to the dimensions of a couplet; and rejoices that genius has, in our days, shaken off the shackles which had encumbered it so long. Yet he allows that rhyme may sometimes be borne, if the lines be often broken, and the pauses judiciously diversified.

From blank verse he makes an easy transition to Milton, whom he produces as an example of the slow advance of lasting reputation. Milton is the only writer in whose books Minim can read for ever without weariness. What cause it is that exempts this pleasure from satiety he has long and diligently inquired, and believes it to consist in the perpetual variation of the numbers, by which the ear is gratified and the attention awakened. The lines that are commonly thought rugged and unmusical, he conceives to have been written to temper the melodious luxury of the rest, or to express things by a proper cadence: for he scarcely finds a verse that has not this favourite beauty; he declares that he could shiver in a hot-house when he reads that

"the ground
Burns frore, and cold performs th' effect of fire;"

and that, when Milton bewails his blindness, the verse,

"So thick a drop serene has quench'd these orbs,"

has, he knows not how, something that strikes him with an obscure sensation like that which he fancies would be felt from the sound of darkness.

Minim is not so confident of his rules of judgment as not very eagerly to catch new light from the name of the author. He is commonly so prudent as to spare those whom he cannot resist, unless, as will sometimes happen, he finds the publick combined against them. But a fresh pretender to fame he is strongly inclined to censure, till his own honour requires that he commend him. Till he knows the success of a composition, he intrenches himself in general terms; there are some new thoughts and beautiful passages, but there is likewise much which he would have advised the author to expunge. He has several favourite epithets, of which he has never settled the meaning, but which are very commodiously applied to books which he has not read, or cannot understand. One is _manly_, another is _dry_, another _stiff_, and another _flimsy_; sometimes he discovers delicacy of style, and sometimes meets with _strange expressions_.

He is never so great, or so happy, as when a youth of promising parts is brought to receive his directions for the prosecution of his studies. He then puts on a very serious air; he advises the pupil to read none but the best authors; and when he finds one congenial to his own mind, to study his beauties, but avoid his faults; and, when he sits down to write, to consider how his favourite author would think at the present time on the present occasion. He exhorts him to catch those moments when he finds his thoughts expanded and his genius exalted, but to take care lest imagination hurry him beyond the bounds of nature. He holds diligence the mother of success; yet enjoins him, with great earnestness, not to read more than he can digest, and not to confuse his mind by pursuing studies of contrary tendencies. He tells him, that every man has his genius, and that Cicero could never be a poet. The boy retires illuminated, resolves to follow his genius, and to think how Milton would have thought: and Minim feasts upon his own beneficence till another day brings another pupil.

No. 62. SATURDAY, JUNE 23, 1759.

_Quid faciam, proescribe. Quiescas_.--HOR. Lib. ii. Sat. i. 5.

TO THE IDLER.

Sir,

An opinion prevails almost universally in the world, that he who has money has every thing. This is not a modern paradox, or the tenet of a small and obscure sect, but a persuasion which appears to have operated upon most minds in all ages, and which is supported by authorities so numerous and so cogent, that nothing but long experience could have given me confidence to question its truth.

But experience is the test by which all the philosophers of the present age agree, that speculation must be tried; and I may be, therefore, allowed to doubt the power of money, since I have been a long time rich, and have not yet found that riches can make me happy.

My father was a farmer neither wealthy nor indigent, who gave me a better education than was suitable to my birth, because my uncle in the city designed me for his heir, and desired that I might be bred a gentleman. My uncle's wealth was the perpetual subject of conversation in the house; and when any little misfortune befell us, or any mortification dejected us, my father always exhorted me to hold up my head, for my uncle would never marry.

My uncle, indeed, kept his promise. Having his mind completely busied between his warehouse and the 'Change, he felt no tediousness of life, nor any want of domestick amusements. When my father died, he received me kindly; but, after a few months, finding no great pleasure in the conversation of each other, we parted; and he remitted me a small annuity, on which I lived a quiet and studious life, without any wish to grow great by the death of my benefactor.

But though I never suffered any malignant impatience to take hold on my mind, I could not forbear sometimes to imagine to myself the pleasure of being rich; and, when I read of diversions and magnificence, resolved to try, when time should put the trial in my power, what pleasure they could afford.

My uncle, in the latter spring of his life, when his ruddy cheek and his firm nerves promised him a long and healthy age, died of an apoplexy. His death gave me neither joy nor sorrow. He did me good, and I regarded him with gratitude; but I could not please him, and, therefore, could not love him.

He had the policy of little minds, who love to surprise; and, having always represented his fortune as less than it was, had, I suppose, often gratified himself with thinking, how I should be delighted to find myself twice as rich as I expected. My wealth was such as exceeded all the schemes of expense which I had formed; and I soon began to expand my thoughts, and look round for some purchase of felicity.

The most striking effect of riches is the splendour of dress, which every man has observed to enforce respect, and facilitate reception; and my first desire was to be fine. I sent for a tailor who was employed by the nobility, and ordered such a suit of clothes as I had often looked on with involuntary submission, and am ashamed to remember with what flutters of expectation I waited for the hour, when I should issue forth in all the splendour of embroidery. The clothes were brought, and for three days I observed many eyes turned towards me as I passed: but I felt myself obstructed in the common intercourse of civility by an uneasy consciousness of my new appearance; as I thought myself more observed, I was more anxious about my mien and behaviour; and the mien which is formed by care is commonly ridiculous. A short time accustomed me to myself, and my dress was without pain, and without pleasure.

For a little while I tried to be a rake, but I began too late; and having by nature no turn for a frolick, was in great danger of ending in a drunkard. A fever, in which not one of my companions paid me a visit, gave me time for reflection. I found that there was no great pleasure in breaking windows and lying in the round-house; and resolved to associate no longer with those whom, though I had treated and bailed them, I could not make friends.

I then changed my measures, kept running horses, and had the comfort of seeing my name very often in the news. I had a chesnut horse, the grandson of Childers, who won four plates, and ten by-matches; and a bay filly, who carried off the five years' old plate, and was expected to perform much greater exploits, when my groom broke her wind, because I happened to catch him selling oats for beer. This happiness was soon at an end; there was no pleasure when I lost, and, when I won, I could not much exalt myself by the virtues of my horse. I grew ashamed of the company of jockey-lords, and resolved to spend no more of my time in the stable.

It was now known that I had money, and would spend it, and I passed four months in the company of architects, whose whole business was to persuade me to build a house. I told them that I had more room than I wanted, but could not get rid of their importunities. A new plan was brought me every morning; till at last my constancy was overpowered, and I began to build. The happiness of building lasted but a little while, for though I love to spend, I hate to be cheated; and I soon found, that to build is to be robbed.

How I proceed in the pursuit of happiness, you shall hear when I find myself disposed to write.

I am, Sir, &c.

TIM. RANGER.

No. 63. SATURDAY, JUNE 30, 1759.

The natural progress of the works of men is from rudeness to convenience, from convenience to elegance, and from elegance to nicety.

The first labour is enforced by necessity. The savage finds himself incommoded by heat and cold, by rain and wind; he shelters himself in the hollow of a rock, and learns to dig a cave where there was none before. He finds the sun and the wind excluded by the thicket; and when the accidents of the chase, or the convenience of pasturage, leads him into more open places, he forms a thicket for himself, by planting stakes at proper distances, and laying branches from one to another.

The next gradation of skill and industry produces a house closed with doors, and divided by partitions; and apartments are multiplied and disposed according to the various degrees of power or invention; improvement succeeds improvement, as he that is freed from a greater evil grows impatient of a less, till ease in time is advanced to pleasure.

The mind, set free from the importunities of natural want, gains leisure to go in search of superfluous gratifications, and adds to the uses of habitation the delights of prospect. Then begins the reign of symmetry; orders of architecture are invented, and one part of the edifice is conformed to another, without any other reason, than that the eye may not be offended.

The passage is very short from elegance to luxury, Ionick and Corinthian columns are soon succeeded by gilt cornices, inlaid floors and petty ornaments, which show rather the wealth than the taste of the possessour.

Language proceeds, like every thing else, through improvement to degeneracy. The rovers who first took possession of a country, having not many ideas, and those not nicely modified or discriminated, were contented, if by general terms and abrupt sentences they could make their thoughts known to one another: as life begins to be more regulated, and property to become limited, disputes must be decided, and claims adjusted; the differences of things are noted, and distinctness and propriety of expression become necessary. In time, happiness and plenty give rise to curiosity, and the sciences are cultivated for ease and pleasure; to the arts, which are now to be taught, emulation soon adds the art of teaching; and the studious and ambitious contend not only who shall think best, but who shall tell their thoughts in the most pleasing manner.

Then begin the arts of rhetorick and poetry, the regulation of figures, the selection of words, the modulation of periods, the graces of transition, the complication of clauses, and all the delicacies of style and subtilties of composition, useful while they advance perspicuity, and laudable while they increase pleasure, but easy to be refined by needless scrupulosity till they shall more embarrass the writer than assist the reader or delight him.

The first state is commonly antecedent to the practice of writing; the ignorant essays of imperfect diction pass away with the savage generation that uttered them. No nation can trace their language beyond the second period, and even of that it does not often happen that many monuments remain.

The fate of the English tongue is like that of others. We know nothing of the scanty jargon of our barbarous ancestors; but we have specimens of our language when it began to be adapted to civil and religious purposes, and find it such as might naturally be expected, artless and simple, unconnected and concise. The writers seem to have desired little more than to be understood, and, perhaps, seldom aspired to the praise of pleasing. Their verses were considered chiefly as memorial, and, therefore, did not differ from prose but by the measure or the rhyme.

In this state, varied a little according to the different purposes or abilities of writers, our language may be said to have continued to the time of Gower, whom Chaucer calls his master, and who, however obscured by his scholar's popularity, seems justly to claim the honour which has been hitherto denied him, of showing his countrymen that something more was to be desired, and that English verse might be exalted into poetry.