Chapter XXXIV: Introduction (15)

"But be easy," he went on, as he noticed the strange pallor that overspread the old man's face; "you are better to bleed than to kill. And in consideration of a handsome fine, paid into my coffers, you may escape the clutches of justice; but if you do not build at least a chapel to the Virgin, you are in jeopardy of finding warm and anxious work before you for all eternity."

"Twelve hundred and thirty and eighty-eight thousand crowns make thirteen hundred and seventeen thousand crowns," replied Cornelius, mechanically, absorbed in calculations. "Thirteen hundred and seventeen thousand crowns misappropriated!"

"He must have buried them in some hidden spot," said the King, who was beginning to think the sum a royal prize. "This is the lodestone that has always attracted him hither--he smelt his gold."

Hereupon Coyctier came in. Noticing the treasurer's attitude, he watched him keenly while the King was relating the adventure.

"My lord," replied the physician, "there is nothing supernatural in the business. Our friend here has the peculiarity of walking in his sleep. This is the third case I have met with of this singular malady. If you should be pleased to witness its effects, you might see this old man walking without danger on the parapet of the roof any night when he should be seized by it. In the two men I have already studied, I discovered a curious connection between the instincts of this nocturnal vitality and their business or occupations by day."

"Ah, Maitre Coyctier, you are indeed most learned!"

"Am I not your physician?" retorted the leech, insolently.

On this reply Louis XI. made a little movement which was a familiar trick with him when he had hit on a good idea--a gesture of hastily pushing his cap up.

"In such cases," Coyctier went on, "men transact their business in their sleep. As our friend here is not averse to hoarding, he has quietly yielded to his favorite habit. Indeed, he probably has an attack whenever, during the day, he has been in alarm for his treasure."

"_Pasques Dieu!_ and what a treasure!" cried the King.

"Where is it?" asked Cornelius, who, by a singular peculiarity of our nature, heard all that the King and his leech were saying, though almost stunned by his reflections and his misfortune.

"Oh!" replied Coyctier, with a coarse, diabolical laugh, "somnambulists have no recollection of their acts and deeds when they awake."

"Leave us!" said the King.

When Louis XI. was alone with his gossip, he looked at him with a cold chuckle.

"Worshipful Master Hoogworst," said he, bowing low, "all treasure-trove in France belongs to the King."

"Yes, my liege, it is all yours; and our lives and fortunes are in your hands; but hitherto you have been so merciful as to take no more than you found necessary."

"Listen to me, gossip. If I help you to recover this treasure, you may, in all confidence and without fear, divide it with me."

"No, Sire, I will not divide it. It shall be all yours, when I am dead. But what scheme have you for finding it?"

"I have only to watch you, myself, while you are taking your nocturnal walks. Any one but myself would be a danger."

"Ah, Sire," replied Cornelius, falling at the King's feet, "you are the only man in the kingdom whom I would trust with that office, and I shall find means to prove my gratitude for your kindness to your humble servant by doing my utmost to promote the marriage of the Heiress of Bourgogne to Monseigneur the Dauphin. There indeed is a treasure, not, to be sure, in crown-pieces, but in land, which will nobly round out your dominions!"

"Pshaw, Fleming, you are deceiving me!" said the King, knitting his brows, "or you have played me false."

"Nay, Sire, can you doubt my devotion--you, the only man I love?"

"Words, words!" said the King, turning to face the miser. "You ought not to have waited for this to be of use to me. You are selling me your patronage--_Pasques Dieu!_ to me--Louis the Eleventh! Are you the master, I would know, and am I the servant?"

"Ah, my liege," replied the old usurer, "I had hoped to give you an agreeable surprise by news of the communications I had established with the men of Ghent. I expected confirmation of it by the hand of Oosterlinck's apprentice. But what has become of him?"

"Enough," said the King. "Another error. I do not choose that any one should interfere, uncalled for, in my concerns. Enough! I must think all this over."

Maitre Cornelius found the agility of youth to fly to the lower room, where his sister was sitting.

"Oh, Jeanne, dear heart, we have somewhere a hoard where I have hidden the thirteen hundred thousand crowns. And I--I am the thief!"

Jeanne Hoogworst rose from her stool, starting to her feet as if the seat were of red-hot iron. The shock was so frightful to an old woman accustomed for many years to exhaust herself by voluntary abstinence, that she quaked in every limb and felt a terrible pain in her back. By degrees her color faded, and her face, in which the wrinkles made any change very difficult to detect, gradually fell, while her brother explained to her the disease to which he was a victim, and the strange situation in which they both stood.

"King Louis and I," said he in conclusion, "have just been telling each other as many lies as two miracle-mongers. You see, child, if he were to watch me, he would be sole master of the secret of the treasure. No one in the world but the King can spy on my nocturnal movements. Now I do not know that the King's conscience, near on death as he is, could stand out against thirteen hundred and seventeen thousand crowns. We must be beforehand with him, find the nest, and send all treasure to Ghent. Now you alone----"

Cornelius suddenly stopped short, as if he were gauging the heart of this King, who, at two and twenty, had dreamed of parricide. When the treasurer had made up his mind as to Louis XI., he hastily rose, as a man in a hurry to escape some danger.

At this sudden movement, his sister, too weak or too strong for such a crisis, fell down flat; she was dead. Cornelius lifted her up and shook her violently, saying:

"This is no time for dying; you will have time enough for that afterwards. Oh! it is all over! Wretched creature, she could never do the right thing----"

He closed her eyes and laid her on the floor. But then the kind and noble feelings that lurked at the bottom of his heart came to the surface, and almost forgetting his undiscovered treasure, he cried out in sorrow:

"My poor companion! what, have I lost you--you who understood me so well? Ah! you were my real treasure. There, there, lies the treasure. With you I have lost all my peace of mind, all my affections. If you had but known how well it would have paid you to live only two nights longer, you would not have died, if only to please me, poor little woman. I say, Jeanne--thirteen hundred and seventeen thousand crowns! No, even that does not rouse you. No, she is dead, quite dead!"

He thereupon sat down and said no more, but two large tears gathered in his eyes and rolled down his hollow cheeks; then with many an "Ah!" and sigh he locked the room up and returned to the King. Louis was startled by the grief he saw written on his old friend's features.

"What is this?" said he.

"Alas, Sire, a misfortune never comes single. My sister is dead. She has gone below before me," and he pointed to the ground with startling emphasis.

"Enough, enough!" said Louis XI., who did not like to hear any mention of death.

"You are my heir. I care for nothing now. Here are my keys. Hang me, if it is your good pleasure. Take everything; search the house; it is full of gold. I give it all to you."

"Come, come, gossip," said the King, half moved by the sight of this strange anguish, "we will discover the hoard some fine night, and the sight of so much riches will revive your taste for life. I will come again this week."

"Whenever Your Majesty pleases."

At these words, the King, who had gone a few steps towards the door, turned sharply round, and the two men looked at each other with an expression that no brush, nor words, could render.

"Good-bye, gossip," said Louis, at last, in a sharp voice, as he put his bonnet straight.

"May God and the Virgin keep you in their good grace!" the usurer replied humbly, as he escorted the King to the street.

After so long a friendship these two men found a barrier raised between them by distrust and money, whereas they had hitherto been quite agreed on matters of money and distrust; but they knew each other so well, they were so much in the habit of intimacy, that the King could guess from the miser's tone as he rashly said, "Whenever Your Majesty pleases," the annoyance his visits would thenceforth be to his treasurer, just as Cornelius had discerned a declaration of war in the way Louis had said "Good-bye, gossip."

So Louis XI. and his banker parted, very uncertain as to what, for the future, their demeanor was to be. The monarch, indeed, knew the Fleming's secret; but the Fleming on his part could, through his connections, secure the grandest conquest any king of France had yet achieved--that of the domains of the House of Burgundy, which were just then the object of envy to every sovereign in Europe.

The famous Margaret's choice would be guided by the good folks of Ghent and the Flemings about her. Hoogworst's gold and influence would tell for a great deal in the negotiations opened by Desquerdes, the captain to whom Louis XI. had given the command of the army on the Belgian frontier. Thus these two master foxes were in the position of duelists whose strength had been neutralized by some stroke of fate.

And whether it was that from that day the King's health had failed visibly, or that Cornelius in part promoted the arrival in France of Marguerite of Burgundy, who came to Amboise in July 1438 to be married to the Dauphin in the chapel of the chateau, the King claimed no fine from his treasurer and no trial was held; but they remained in the half-cordial terms of an armed friendship.

Happily for the miser, a rumor got about that his sister had committed the thefts, and that she had been privily executed by Tristan. Otherwise, and if the true story had become known, the whole town would have risen in arms to destroy the Malemaison before the King could possibly have defended it.

However, if all this historical guesswork has some foundation with regard to Louis XI.'s inaction, Master Cornelius Hoogworst cannot be accused of supineness. He spent the first days after this fatal morning in a constant hurry. Like a beast of prey shut up in a cage, he came and went, scenting gold in every corner of his dwelling; he examined every cranny; he tapped the walls; he demanded his treasure of the trees in the garden, of the foundations, of the turret roofs, of earth, and of heaven. Often he would stand for hours looking at everything around him, his eyes searching vacancy. He tried the miracles and second-sight of magic powers, endeavoring to see his gold through space and solid obstacles.

He was constantly absorbed in one overwhelming thought, consumed by an idea that gnawed at his vitals, and yet more cruelly racked by the perennial torments of his duel with himself, since his love of gold had turned to rend itself; it was a sort of incomplete suicide comprehending all the pangs of living and of dying. Never had a vice so effectually entrapped itself; for the miser who inadvertently locks himself into the subterranean cell where his wealth is buried, has, like Sardanapalus, the satisfaction of perishing in the midst of it. But Cornelius, at once the robber and the robbed, and in the secret of neither, possessed, and yet did not possess, his treasures--a quite new, quite whimsical form of torture, but perpetually excruciating.

Sometimes, almost oblivious, he would leave the little wicket of his door open, and then the passers-by could see the shriveled old man standing in the middle of his neglected garden, perfectly motionless, and looking at any who stopped to gaze at him, with a fixed stare, a lurid glare, that froze them with terror. If by chance he went out into the streets of the town, you would have thought he was a stranger; he never knew where he was, nor whether it was the sun or the moon that were shining. He would often ask his way of the persons he met, fancying himself at Ghent, and he seemed always to be looking for his lost treasure.

The most irrepressible and most incorporate of all human ideas,--that by which a man identifies himself by creating outside and apart from his person the whole fictitious entity which he calls his property,--this demon idea had its talons constantly clutching at the miser's soul.

Then, in the midst of his torments, Fear would rise up with all the feelings that come in its train. For, in fact, two men knew his secret--the secret which he himself did not know. Louis XI. or Coyctier might post their spies to watch his movements while he was asleep, and discover the unknown gulf into which he had flung his wealth with the blood of so many innocent men; for Remorse kept watch with Fear.

To preserve his lost riches from being snatched from him while he lived, during the early days after his disaster, he took the utmost precaution to avoid sleeping, and his connection with the commercial world enabled him to procure the strongest anti-narcotics. His wakeful nights must have been terrible; he was alone to struggle against the night and silence, against remorse and fear, and all the thoughts that man has most effectually personified--instinctively, no doubt, in obedience to some law of the mind, true, though not yet proved.

In short, this man, strong as he was; this heart, annealed by the life of politics and commerce; this genius, though unknown to history,--was doomed to succumb under the horrors of the torments he himself had created. Crushed by some reflection even more cruel than all that had gone before, he cut his throat with a razor.

His death almost exactly coincided in time with the King's, so that the House of Evil was plundered by the mob. Some of the older inhabitants of the province asserted that a revenue farmer named Bohier had found the extortioner's treasure, and had employed it in building the beginnings of the chateau of Chenonceaux, that wonderful palace which, in spite of the lavish outlay of several kings and the fine taste of Diane de Poitiers and her rival Catherine de' Medici, is still unfinished.

* * * * *

Happily for Marie de Sassenage, the Comte de Saint-Vallier died, as is well known, as ambassador to Venice. The family did not become extinct. After the Count's departure his wife had a son, whose fortunes were famous in the history of France under the reign of Francois I. He was saved by his daughter, the famous Diane de Poitiers, Louis XI.'s illegitimate great-granddaughter; and she became the illegal wife, the adored mistress, of Henri II.; for in that noble family bastardy and love were hereditary.

CHATEAU DE SACHE, _November and December_ 1831.

FOOTNOTES:

[G] _Le physicien_: this word then lately substituted for _maitre myrrhe_ (or leech) has been retained in English. It was generally used in France at that time.--_Balzac._

THE ELIXIR OF LIFE

TO THE READER

At the very outset of the writer's literary career, a friend, long since dead, gave him the subject of this Study. Later on he found the same story in a collection published about the beginning of the present century. To the best of his belief, it is some stray fancy of the brain of Hoffmann of Berlin; probably it appeared in some German almanac, and was omitted in the published editions of his collected works. The _Comedie Humaine_ is sufficiently rich in original creations for the author to own to this innocent piece of plagiarism: when, like the worthy La Fontaine, he has told unwittingly, and after his own fashion, a tale already related by another. This is not one of the hoaxes in vogue in the year 1830, when every author wrote his "tale of horror" for the amusement of young ladies. When you have read the account of Don Juan's decorous parricide, try to picture to yourself the part which would be played under very similar circumstances by honest folk who, in this nineteenth century, will take a man's money and undertake to pay him a life annuity on the faith of a chill, or let a house to an ancient lady for the term of her natural life Would they be for resuscitating their clients? I should dearly like a connoisseur in consciences to consider how far there is a resemblance between a Don Juan and fathers who marry their children to great expectations. Does humanity, which, according to certain philosophers, is making progress, look on the art of waiting for dead men's shoes as a step in the right direction? To this art we owe several honorable professions, which open up ways of living on death. There are people who rely entirely on an expected demise; who brood over it, crouching each morning upon a corpse, that serves again for their pillow at night. To this class belong bishops' coadjutors, cardinals' supernumeraries, _tontiniers_, and the like. Add to the list many delicately scrupulous persons eager to buy landed property beyond their means, who calculate with dry logic and in cold blood the probable duration of the life of a father or of a stepmother, some old man or woman of eighty or ninety, saying to themselves, "I shall be sure to come in for it in three years' time, and then----" A murderer is less loathsome to us than a spy. The murderer may have acted on a sudden mad impulse; he may be penitent and amend; but a spy is always a spy, night and day, in bed, at table, as he walks abroad; his vileness pervades every moment of his life. Then what must it be to live when every moment of your life is tainted with murder? And have we not just admitted that a host of human creatures in our midst are led by our laws, customs, and usages to dwell without ceasing on a fellow-creature's death? There are men who put the weight of a coffin into their deliberations as they bargain for Cashmere shawls for their wives, as they go up the staircase of a theatre, or think of going to the Bouffons, or of setting up a carriage; who are murderers in thought when dear ones, with the irresistible charm of innocence, hold up childish foreheads to be kissed with a "Good-night, father!" Hourly they meet the gaze of eyes that they would fain close for ever, eyes that still open each morning to the light, like Belvidero's in this Study. God alone knows the number of those who are parricides in thought. Picture to yourself the state of mind of a man who must pay a life annuity to some old woman whom he scarcely knows; both live in the country with a brook between them, both sides are free to hate cordially, without offending against the social conventions that require two brothers to wear a mask if the older will succeed to the entail, and the other to the fortune of a younger son. The whole civilization of Europe turns upon the principle of hereditary succession as upon a pivot; it would be madness to subvert the principle; but could we not, in an age that prides itself upon its mechanical inventions, perfect this essential portion of the social machinery?

If the author has preserved the old-fashioned style of address _To the Reader_ before a work wherein he endeavors to represent all literary forms, it is for the purpose of making a remark that applies to several of the Studies, and very specially to this. Every one of his compositions has been based upon ideas more or less novel, which, as it seemed to him, needed literary expression; he can claim priority for certain forms and for certain ideas which have since passed into the domain of literature, and have there, in some instances, become common property; so that the date of the first publication of each Study cannot be a matter of indifference to those of his readers who would fain do him justice.

Reading brings us unknown friends, and what friend is like a reader? We have friends in our own circle who read nothing of ours. The author hopes to pay his debt, by dedicating this work _Diis ignotis_.

* * * * *

One winter evening, in a princely palace at Ferrara, Don Juan Belvidero was giving a banquet to a prince of the house of Este. A banquet in those times was a marvelous spectacle which only royal wealth or the power of a mightly lord could furnish forth. Seated about a table lit up with perfumed tapers, seven laughter-loving women were interchanging sweet talk. The white marble of the noble works of art about them stood out against the red stucco walls, and made strong contrasts with the rich Turkey carpets. Clad in satin, glittering with gold, and covered with gems less brilliant than their eyes, each told a tale of energetic passions as diverse as their styles of beauty. They differed neither in their ideas nor in their language; but the expression of their eyes, their glances, occasional gestures, or the tones of their voices supplied a commentary, dissolute, wanton, melancholy, or satirical, to their words.

One seemed to be saying--"The frozen heart of age might kindle at my beauty."

Another--"I love to lounge upon cushions, and think with rapture of my adorers."

A third, a neophyte at these banquets, was inclined to blush. "I feel remorse in the depths of my heart! I am a Catholic, and afraid of hell. But I love you, I love you so that I can sacrifice my hereafter to you."

The fourth drained a cup of Chian wine. "Give me a joyous life!" she cried; "I begin life afresh each day with the dawn. Forgetful of the past, with the intoxication of yesterday's rapture still upon me, I drink deep of life--a whole lifetime of pleasure and of love!"

The woman who sat next to Juan Belvidero looked at him with a feverish glitter in her eyes. She was silent. Then--"I should need no hired bravo to kill my lover if he forsook me!" she cried at last, and laughed, but the marvelously wrought gold comfit box in her fingers was crushed by her convulsive clutch.

"When are you to be Grand Duke?" asked the sixth. There was the frenzy of a Bacchante in her eyes, and her teeth gleamed between the lips parted with a smile of cruel glee.

"Yes, when is that father of yours going to die?" asked the seventh, throwing her bouquet at Don Juan with bewitching playfulness. It was a childish girl who spoke, and the speaker was wont to make sport of sacred things.

"Oh! don't talk about it," cried Don Juan, the young and handsome giver of the banquet. "There is but one eternal father, and, as ill luck will have it, he is mine."

The seven Ferrarese, Don Juan's friends, the Prince himself, gave a cry of horror. Two hundred years later, in the days of Louis XV., people of taste would have laughed at this witticism. Or was it, perhaps, that at the outset of an orgy there is a certain unwonted lucidity of mind? Despite the taper light, the clamor of the senses, the gleam of gold and silver, the fumes of wine, and the exquisite beauty of the women, there may perhaps have been in the depths of the revelers' hearts some struggling glimmer of reverence for things divine and human, until it was drowned in glowing floods of wine! Yet even then the flowers had been crushed, eyes were growing dull, and drunkenness, in Rabelais' phrase, had "taken possession of them down to their sandals."

During that brief pause a door opened; and as once the Divine presence was revealed at Belshazzar's feast, so now it seemed to be manifest in the apparition of an old white-haired servant, who tottered in, and looked sadly from under knitted brows at the revelers. He gave a withering glance at the garlands, the golden cups, the pyramids of fruit, the dazzling lights of the banquet, the flushed scared faces, the hues of the cushions pressed by the white arms of the women.

"My lord, your father is dying!" he said; and at those solemn words, uttered in hollow tones, a veil of crape seemed to be drawn over the wild mirth.

Don Juan rose to his feet with a gesture to his guests that might be rendered by, "Excuse me; this kind of thing does not happen every day."

Does it so seldom happen that a father's death surprises youth in the full-blown splendor of life, in the midst of the mad riot of an orgy? Death is as unexpected in his caprice as a courtesan in her disdain; but death is truer--Death has never forsaken any man.

Don Juan closed the door of the banqueting-hall; and as he went down the long gallery, through the cold and darkness, he strove to assume an expression in keeping with the part he had to play; he had thrown off his mirthful mood, as he had thrown down his table napkin, at the first thought of this _role_. The night was dark. The mute servitor, his guide to the chamber where the dying man lay, lighted the way so dimly that Death, aided by cold, silence, and darkness, and it may be by a reaction of drunkenness, could send some sober thoughts through the spendthrift's soul. He examined his life, and became thoughtful, like a man involved in a lawsuit on his way to the Court.

Bartolommeo Belvidero, Don Juan's father, was an old man of ninety, who had devoted the greatest part of his life to business pursuits. He had acquired vast wealth in many a journey in magical Eastern lands, and knowledge, so it was said, more valuable than the gold and diamonds, which had almost ceased to have any value for him.

"I would give more to have a tooth in my head than for a ruby," he would say at times with a smile. The indulgent father loved to hear Don Juan's story of this and that wild freak of youth. "So long as these follies amuse you, dear boy----" he would say laughingly, as he lavished money on his son. Age never took such pleasure in the sight of youth; the fond father did not remember his own decaying powers while he looked on that brilliant young life.

Bartolommeo Belvidero, at the age of sixty, had fallen in love with an angel of peace and beauty. Don Juan had been the sole fruit of this late and short-lived love. For fifteen years the widower had mourned the loss of his beloved Juana; and to this sorrow of age, his son and his numerous household had attributed the strange habits that he had contracted. He had shut himself up in the least comfortable wing of his palace, and very seldom left his apartments; even Don Juan himself must first ask permission before seeing his father. If this hermit, unbound by vows, came or went in his palace or in the streets of Ferrara, he walked as if he were in a dream, wholly engrossed, like a man at strife with a memory, or a wrestler with some thought.

The young Don Juan might give princely banquets, the palace might echo with clamorous mirth, horses pawed the ground in the courtyards, pages quarreled and flung dice upon the stairs, but Bartolommeo ate his seven ounces of bread daily and drank water. A fowl was occasionally dressed for him, simply that the black poodle, his faithful companion, might have the bones. Bartolommeo never complained of the noise. If huntsmen's horns and baying dogs disturbed his sleep during his illness, he only said, "Ah! Don Juan has come back again." Never on earth has there been a father so little exacting and so indulgent; and, in consequence, young Belvidero, accustomed to treat his father unceremoniously, had all the faults of a spoiled child. He treated old Bartolommeo as a wilful courtesan treats an elderly adorer; buying indemnity for insolence with a smile, selling good-humor, submitting to be loved.

Don Juan, beholding scene after scene of his younger years, saw that it would be a difficult task to find his father's indulgence at fault. Some new-born remorse stirred the depths of his heart; he felt almost ready to forgive this father now about to die for having lived so long. He had an accession of filial piety, like a thief's return in thought to honesty at the prospect of a million adroitly stolen.

Before long Don Juan had crossed the lofty, chilly suite of rooms in which his father lived; the penetrating influences of the damp close air, the mustiness diffused by old tapestries and presses thickly covered with dust had passed into him, and now he stood in the old man's antiquated room, in the repulsive presence of the deathbed, beside a dying fire. A flickering lamp on a Gothic table sent broad uncertain shafts of light, fainter or brighter, across the bed, so that the dying man's face seemed to wear a different look at every moment. The bitter wind whistled through the crannies of the ill-fitting casements; there was a smothered sound of snow lashing the windows. The harsh contrast of these sights and sounds with the scenes which Don Juan had just quitted was so sudden that he could not help shuddering. He turned cold as he came towards the bed; the lamp flared in a sudden vehement gust of wind and lighted up his father's face; the features were wasted and distorted; the skin that cleaved to their bony outlines had taken wan livid hues, all the more ghastly by force of contrast with the white pillows on which he lay. The muscles about the toothless mouth had contracted with pain and drawn apart the lips; the moans that issued between them with appalling energy found an accompaniment in the howling of the storm without.

In spite of every sign of coming dissolution, the most striking thing about the dying face was its incredible power. It was no ordinary spirit that wrestled there with Death. The eyes glared with strange fixity of gaze from the cavernous sockets hollowed by disease. It seemed as if Bartolommeo sought to kill some enemy sitting at the foot of his bed by the intent gaze of dying eyes. That steady remorseless look was the more appalling because the head that lay upon the pillow was passive and motionless as a skull upon a doctor's table. The outlines of the body, revealed by the coverlet, were no less rigid and stiff; he lay there as one dead, save for those eyes. There was something automatic about the moaning sounds that came from the mouth. Don Juan felt something like shame that he must be brought thus to his father's bedside, wearing a courtesan's bouquet, redolent of the fragrance of the banqueting-chamber and the fumes of wine.

"You were enjoying yourself!" the old man cried as he saw his son.

Even as he spoke the pure high notes of a woman's voice, sustained by the sound of the viol on which she accompanied her song, rose above the rattle of the storm against the casements, and floated up to the chamber of death. Don Juan stopped his ears against the barbarous answer to his father's speech.

"I bear you no grudge, my child," Bartolommeo went on.

The words were full of kindness, but they hurt Don Juan; he could not pardon this heart-searching goodness on his father's part.

"What a remorseful memory for me!" he cried, hypocritically.

"Poor Juanino," the dying man went on, in a smothered voice, "I have always been so kind to you, that you could not surely desire my death?"

"Oh, if it were only possible to keep you here by giving up a part of my own life!" cried Don Juan.

("We can always _say_ this sort of thing," the spendthrift thought; "it is as if I laid the whole world at my mistress' feet.")

The thought had scarcely crossed his mind when the old poodle barked. Don Juan shivered; the response was so intelligent that he fancied the dog must have understood him.

"I was sure that I could count upon you, my son!" cried the dying man. "I shall live. So be it; you shall be satisfied. I shall live, but without depriving you of a single day of your life."

"He is raving," thought Don Juan. Aloud he added, "Yes, dearest father, yes; you shall live, of course, as long as I live, for your image will be for ever in my heart."

"It is not that kind of life that I mean," said the old noble, summoning all his strength to sit up in bed; for a thrill of doubt ran through him, one of those suspicions that come into being under a dying man's pillow. "Listen, my son," he went on, in a voice grown weak with that last effort, "I have no more wish to give up life than you to give up wine and mistresses, horses and hounds, and hawks and gold----"

"I can well believe it," thought the son; and he knelt down by the bed and kissed Bartolommeo's cold hands. "But, father, my dear father," he added aloud, "we must submit to the will of God."

"I am God!" muttered the dying man.

"Do not blaspheme!" cried the other, as he saw the menacing expression on his father's face. "Beware what you say; you have received extreme unction, and I should be inconsolable if you were to die before my eyes in mortal sin."

"Will you listen to me?" cried Bartolommeo, and his mouth twitched.

Don Juan held his peace; an ugly silence prevailed. Yet above the muffled sound of the beating of the snow against the windows rose the sounds of the beautiful voice and the viol in unison, far off and faint as the dawn. The dying man smiled.

"Thank you," he said, "for bringing those singing voices and the music, a banquet, young and lovely women with fair faces and dark tresses, all the pleasure of life! Bid them wait for me; for I am about to begin life anew."

"The delirium is at its height," said Don Juan to himself.

"I have found out a way of coming to life again," the speaker went on. "There, just look in that table drawer, press the spring hidden by the griffin, and it will fly open."

"I have found it, father."

"Well, then, now take out a little phial of rock crystal."

"I have it."

"I have spent twenty years in----" but even as he spoke the old man felt how very near the end had come, and summoned all his dying strength to say, "As soon as the breath is out of me, rub me all over with that liquid, and I shall come to life again."

"There is very little of it," his son remarked.

Though Bartolommeo could no longer speak, he could still hear and see. When those words dropped from Don Juan, his head turned with appalling quickness, his neck was twisted like the throat of some marble statue which the sculptor had condemned to remain stretched out for ever, the wide eyes had come to have a ghastly fixity.

He was dead, and in death he lost his last and sole illusion.

He had sought a shelter in his son's heart, and it had proved to be a sepulchre, a pit deeper than men dig for their dead. The hair on his head had risen and stiffened with horror, his agonized glance still spoke. He was a father rising in just anger from his tomb, to demand vengeance at the throne of God.

"There! it is all over with the old man!" cried Don Juan.

He had been so interested in holding the mysterious phial to the lamp, as a drinker holds up the wine-bottle at the end of a meal, that he had not seen his father's eyes fade. The cowering poodle looked from his master to the elixir, just as Don Juan himself glanced again and again from his father to the flask. The lamplight flickered. There was a deep silence; the viol was mute. Juan Belvidero thought that he saw his father stir, and trembled. The changeless gaze of those accusing eyes frightened him; he closed them hastily, as he would have closed a loose shutter swayed by the wind of an autumn night. He stood there motionless, lost in a world of thought.

Suddenly the silence was broken by a shrill sound like the creaking of a rusty spring. It startled Don Juan; he all but dropped the phial. A sweat, colder than the blade of a dagger, issued through every pore. It was only a piece of clockwork, a wooden cock that sprang out and crowed three times, an ingenious contrivance by which the learned of that epoch were wont to be awakened at the appointed hour to begin the labors of the day. Through the windows there came already a flush of dawn. The thing, composed of wood, and cords, and wheels, and pulleys, was more faithful in its service than he in his duty to Bartolommeo--he, a man with that peculiar piece of human mechanism within him that we call a heart.

Don Juan the sceptic shut the flask again in the secret drawer in the Gothic table--he meant to run no more risks of losing the mysterious liquid.

Even at that solemn moment he heard the murmur of a crowd in the gallery, a confused sound of voices, of stifled laughter and light footfalls, and the rustling of silks--the sounds of a band of revelers struggling for gravity. The door opened, and in came the Prince and Don Juan's friends, the seven courtesans, and the singers, disheveled and wild like dancers surprised by the dawn, when the tapers that have burned through the night struggle with the sunlight.

They had come to offer the customary condolence to the young heir.

"Oho! is poor Don Juan really taking this seriously?" said the Prince in Brambilla's ear.

"Well, his father was very good," she returned.

But Don Juan's night-thoughts had left such unmistakable traces on his features, that the crew was awed into silence. The men stood motionless. The women, with wine-parched lips and cheeks marbled with kisses, knelt down and began a prayer. Don Juan could scarce help trembling when he saw splendor and mirth and laughter and song and youth and beauty and power bowed in reverence before Death. But in those times, in that adorable Italy of the sixteenth century, religion and revelry went hand in hand; and religious excess became a sort of debauch, and a debauch a religious rite!

The Prince grasped Don Juan's hand affectionately, then when all faces had simultaneously put on the same grimace--half-gloomy, half-indifferent--the whole masque disappeared, and left the chamber of death empty. It was like an allegory of life.

As they went down the staircase, the Prince spoke to Rivabarella: "Now, who would have taken Don Juan's impiety for a boast? He loves his father."

"Did you see that black dog?" asked La Brambilla.

"He is enormously rich now," sighed Bianca Cavatolino.

"What is that to me?" cried the proud Veronese (she who had crushed the comfit-box).

"What does it matter to you, forsooth?" cried the Duke. "With his money he is as much a prince as I am."

At first Don Juan was swayed hither and thither by countless thoughts, and wavered between two decisions. He took counsel with the gold heaped up by his father, and returned in the evening to the chamber of death, his whole soul brimming over with hideous selfishness. He found all his household busy there. "His lordship" was to lie in state to-morrow; all Ferrara would flock to behold the wonderful spectacle; and the servants were busy decking the room and the couch on which the dead man lay. At a sign from Don Juan all his people stopped, dumfounded and trembling.

"Leave me alone here," he said, and his voice was changed, "and do not return until I leave the room."

When the footsteps of the old servitor, who was the last to go, echoed but faintly along the paved gallery, Don Juan hastily locked the door, and, sure that he was quite alone, "Let us try," he said to himself.

Bartolommeo's body was stretched on a long table. The embalmers had laid a sheet over it, to hide from all eyes the dreadful spectacle of a corpse so wasted and shrunken that it seemed like a skeleton, and only the face was uncovered. This mummy-like figure lay in the middle of the room. The limp clinging linen lent itself to the outlines it shrouded--so sharp, bony, and thin. Large violet patches had already begun to spread over the face; the embalmers' work had not been finished too soon.

Don Juan, strong as he was in his scepticism, felt a tremor as he opened the magic crystal flask. When he stood over that face, he was trembling so violently, that he was actually obliged to wait for a moment. But Don Juan had acquired an early familiarity with evil; his morals had been corrupted by a licentious court, a reflection worthy of the Duke of Urbino crossed his mind, and it was a keen sense of curiosity that goaded him into boldness. The devil himself might have whispered the words that were echoing through his brain, _Moisten one of the eyes with the liquid_! He took up a linen cloth, moistened it sparingly with the precious fluid, and passed it lightly over the right eyelid of the corpse. The eye unclosed....

"Aha!" said Don Juan. He gripped the flask tightly, as we clutch in dreams the branch from which we hang suspended over a precipice.

For the eye was full of life. It was a young child's eye set in a death's head; the light quivered in the depths of its youthful liquid brightness. Shaded by the long dark lashes, it sparkled like the strange lights that travelers see in lonely places in winter nights. The eye seemed as if it would fain dart fire at Don Juan; he saw it thinking, upbraiding, condemning, uttering accusations, threatening doom; it cried aloud, and gnashed upon him. All anguish that shakes human souls was gathered there; supplications the most tender, the wrath of kings, the love in a girl's heart pleading with the headsman; then, and after all these, the deeply searching glance a man turns on his fellows as he mounts the last step of the scaffold. Life so dilated in this fragment of life that Don Juan shrank back; he walked up and down the room, he dared not meet that gaze, but he saw nothing else. The ceiling and the hangings, the whole room was sown with living points of fire and intelligence. Everywhere those gleaming eyes haunted him.

"He might very likely have lived another hundred years!" he cried involuntarily. Some diabolical influence had drawn him to his father, and again he gazed at that luminous spark. The eyelid closed and opened again abruptly; it was like a woman's sign of assent. It was an intelligent movement. If a voice had cried "Yes!" Don Juan could not have been more startled.

"What is to be done?" he thought.

He nerved himself to try to close the white eyelid. In vain.

"Kill it? That would perhaps be parricide," he debated with himself.

"Yes," the eye said, with a strange sardonic quiver of the lid.

"Aha!" said Don Juan to himself, "here is witchcraft at work!" And he went closer to crush the thing. A great tear trickled over the hollow cheeks, and fell on Don Juan's hand.

"It is scalding!" he cried. He sat down. The struggle exhausted him; it was as if, like Jacob of old, he was wrestling with an angel.

At last he rose. "So long as there is no blood----" he muttered.

Then, summoning all the courage needed for a coward's crime, he extinguished the eye, pressing it with the linen cloth, turning his head away. A terrible groan startled him. It was the poor poodle, who died with a long-drawn howl.

"Could the brute have been in the secret?" thought Don Juan, looking down at the faithful creature.

Don Juan Belvidero was looked upon as a dutiful son. He reared a white marble monument on his father's tomb, and employed the greatest sculptors of the time upon it. He did not recover perfect ease of mind till the day when his father knelt in marble before Religion, and the heavy weight of the stone had sealed the mouth of the grave in which he had laid the one feeling of remorse that sometimes flitted through his soul in moments of physical weariness.

He had drawn up a list of the wealth heaped up by the old merchant in the East, and he became a miser: had he not to provide for a second lifetime? His views of life were the more profound and penetrating; he grasped its significance, as a whole, the better, because he saw it across a grave. All men, all things, he analyzed once and for all; he summed up the Past, represented by its records; the Present in the law, its crystallized form; the Future, revealed by religion. He took spirit and matter, and flung them into his crucible, and found--Nothing. Thenceforward he became DON JUAN.

At the outset of his life, in the prime of youth and the beauty of youth, he knew the illusions of life for what they were; he despised the world, and made the utmost of the world. His felicity could not have been of the bourgeois kind, rejoicing in periodically recurrent _bouilli_, in the comforts of a warming-pan, a lamp of a night, and a new pair of slippers once a quarter. Nay, rather he seized upon existence as a monkey snatches a nut, and after no long toying with it, proceeds deftly to strip off the mere husks to reach the savory kernel within.

Poetry and the sublime transports of passion scarcely reached ankle-depth with him now. He in nowise fell into the error of strong natures who flatter themselves now and again that little souls will believe in a great soul, and are willing to barter their own lofty thoughts of the future for the small change of our life-annuity ideas. He, even as they, had he chosen, might well have walked with his feet on the earth and his head in the skies; but he liked better to sit on earth, to wither the soft, fresh, fragrant lips of a woman with kisses, for, like Death, he devoured everything without scruple as he passed; he would have full fruition; he was an Oriental lover, seeking prolonged pleasures easily obtained. He sought nothing but a woman in women, and cultivated cynicism, until it became with him a habit of mind. When his mistress, from the couch on which she lay, soared and was lost in regions of ecstatic bliss, Don Juan followed suit, earnest, expansive, serious as any German student. But he said I, while she, in the transports of intoxication, said We. He understood to admiration the art of abandoning himself to the influence of a woman; he was always clever enough to make her believe that he trembled like some boy fresh from college before his first partner at a dance, when he asks her, "Do you like dancing?" But, no less, he could be terrible at need, could unsheathe a formidable sword and make short work of Commandants. Banter lurked beneath his simplicity, mocking laughter behind his tears--for he had tears at need, like any woman nowadays who says to her husband, "Give me a carriage, or I shall go into a consumption."

For the merchant the world is a bale of goods or a mass of circulating bills; for most young men it is a woman, and for a woman here and there it is a man; for a certain order of mind it is a salon, a coterie, a quarter of the town, or some single city; but Don Juan found his world in himself.

This model of grace and dignity, this captivating wit, moored his bark by every shore; but wherever he was led he was never carried away, and was only steered in a course of his own choosing. The more he saw, the more he doubted. He watched men narrowly, and saw how, beneath the surface, courage was often rashness; and prudence, cowardice; generosity, a clever piece of calculation; justice, a wrong; delicacy, pusillanimity; honesty, a _modus vivendi_; and by some strange dispensation of fate, he must see that those who at heart were really honest, scrupulous, just, generous, prudent, or brave were held cheaply by their fellow-men.

"What a cold-blooded jest!" said he to himself. "It was not devised by a God."

From that time forth he renounced a better world, and never uncovered himself when a Name was pronounced, and for him the carven saints in the churches became works of art. He understood the mechanism of society too well to clash wantonly with its prejudices; for, after all, he was not as powerful as the executioner, but he evaded social laws with the wit and grace so well rendered in the scene with M. Dimanche. He was, in fact, Moliere's Don Juan, Goethe's Faust, Byron's Manfred, Mathurin's Melmoth--great allegorical figures drawn by the greatest men of genius in Europe, to which Mozart's harmonies, perhaps, do no more justice that Rossini's lyre. Terrible allegorical figures that shall endure as long as the principle of evil existing in the heart of man shall produce a few copies from century to century. Sometimes the type becomes half-human when incarnate as a Mirabeau, sometimes it is an inarticulate force in a Bonaparte, sometimes it overwhelms the universe with irony as a Rabelais; or, yet again, it appears when a Marechal de Richelieu elects to laugh at human beings instead of scoffing at things, or when one of the most famous of our ambassadors goes a step further and scoffs at both men and things. But the profound genius of Juan Belvidero anticipated and resumed all these. All things were a jest to him. His was the life of a mocking spirit. All men, all institutions, all realities, all ideas were within its scope. As for eternity, after half an hour of familiar conversation with Pope Julius II. he had said, laughing:

"If it is absolutely necessary to make a choice, I would rather believe in God than in the Devil; power combined with goodness always offers more resources than the spirit of Evil can boast."

"Yes; still God requires repentance in this present world----"

"So you always think of your indulgences," returned Don Juan Belvidero. "Well, well, I have another life in reserve in which to repent of the sins of my previous existence."

"Oh, if you regard old age in that light," cried the Pope, "you are in danger of canonization----"

"After your elevation to the Papacy nothing is incredible." And they went to watch the workmen who were building the huge basilica dedicated to Saint Peter.

"Saint Peter, as the man of genius who laid the foundation of our double power," the Pope said to Don Juan, "deserves this monument. Sometimes, though, at night, I think that a deluge will wipe all this out as with a sponge, and it will be all to begin over again."

Don Juan and the Pope began to laugh; they understood each other. A fool would have gone on the morrow to amuse himself with Julius II. in Raphael's studio or at the delicious Villa Madama; not so Belvidero. He went to see the Pope as pontiff, to be convinced of any doubts that he (Don Juan) entertained. Over his cups the Rovere would have been capable of denying his own infallibility and of commenting on the Apocalypse.

* * * * *

Nevertheless, this legend has not been undertaken to furnish materials for future biographies of Don Juan; it is intended to prove to honest folk that Belvidero did not die in a duel with stone, as some lithographers would have us believe.