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Chapter VI: Social Position of Provençal Poets

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Joglars and Troubadours 52

Troubadours exclusively lyrical poets 52

Their social origin 53

The sons of citizens 54

Priests 55

Reigning Princes 55

Richard I. of England 56

William IX. of Poitiers 57

Protectors of the Troubadours 58

Reward of the Troubadours 59

Their friendship with princes 60

Intercourse with noble ladies 60

Frequently innocent 61

CHAPTER VII.
THE JOGLAR.

Singers and musical composers 63

Distinction between troubadours and joglars 64

Joglars chiefly narrative poets 67

Guiraut Riquier’s attempted reform 68

His ‘Suplicatio’ 71

CHAPTER VIII.
TRACES OF POPULAR SONG—THE PASTORELA.

Guiraut Riquier’s pastorelas 77

Gui d’Uisel’s pastorelas 84

Marcabrun’s pastorelas 85

CHAPTER IX.
OTHER POPULAR FORMS.

The alba 86

Its oldest form dramatic 87

Guiraut de Bornelh’s alba 87

The common form of the alba 88

Alba by an anonymous poet 91

The serena 93

CHAPTER X.
THE BALADA.

Its age 94

Artistic and popular 95

Subject of the balada love 96

Its musical accompaniment 97

‘Coindeta soi’ 98

The dansa 99

CHAPTER XI.
ARTIFICIAL FORMS OF POETRY.

Comparative simplicity of North-French forms 100

Arnaut Daniel inventor of the sestina 102

Imitated by Dante 103

Metrical scheme of sestina 103

Modern imitations 105

Origin of the sonnet 105

The descort 106

Prose interludes 106

The breu doble 109

The retroensa 110

CHAPTER XII.
THE TENSO.

Form of the tenso 112

Definition of the Leys d’Amors 113

‘Turn and turn about’ 114

Actual discussions 115

Fictitious disputants 115

Topics of discussion 116

Tenso between Bernart de Ventadorn and Peirol 117

Triple tenso 121

Savaric de Mauleon 122

Personal tenso 124

CHAPTER XIII.
THE SIRVENTES.

Its want of formal distinction 127

Its influence on men’s minds 128

General remarks on its tone 128

Etymology of the word 133

Chief divisions of the sirventes 134

The planh 134

Crusader’s song 136

CHAPTER XIV.
THE CANZO.

The canzo representative of Provençal poetry 142

Its frequent monotony 143

Owing to over-elaboration 144

Its beauties 145

Its spontaneity 146

The vers 146

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The troubadoursChapter VI: Social Position of Provençal Poets

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