Chapter XIV: Part 14

Some part of the company keep up the old way of conversation in this place, which usually turned upon the examination of nature, and an inquiry into the manners of men. There is one in the room so very judicious, that he manages impertinents with the utmost dexterity. It was diverting this evening to hear a discourse between him and one of these gentlemen. He told me before that person joined us, that he was a questioner, who, according to his description, is one who asks questions, not with a design to receive information, but an affectation to show his uneasiness for want of it. He went on in asserting, that there are crowds of that modest ambition, as to aim no farther than to demonstrate that they are in doubt. But by this time Will Why-not was sat down by us. "So, gentlemen," says he, "in how many days, think you, shall we be masters of Tournay? Is the account of the action of the Vivarois to be depended upon? Could you have imagined England had so much money in it, as you see it has produced? Pray, sirs, what do you think? Will the Duke of Savoy make an eruption into France? But," says he, "time will clear all these mysteries." His answer to himself gave me the altitude of his head, and to all his questions I thus answered very satisfactorily: "Sir, have you heard that this Slaughterford[401] never owned the fact for which he died? Have the newspapers mentioned that matter? But, pray, can you tell me what method will be taken to provide for these Palatines?[402] But this, as you say, time will clear." "Ay, ay," says he, and whispers me, "they will never let us into these things beforehand." I whispered him again, "We shall know it as soon as there is a proclamation." He tells me in the other ear, "You are in the right of it." Then he whispered my friend to know what my name was; then made an obliging bow, and went to examine another table. This led my friend and me to weigh this wandering manner in many other incidents, and he took out of his pockets several little notes or tickets to solicit for votes to employments: as, "Mr. John Taplash having served all offices, and being reduced to great poverty, desires your vote for singing clerk of this parish." Another "has had ten children, all whom his wife has suckled herself; therefore humbly desires to be a schoolmaster." There is nothing so frequent as this way of application for offices. It is not that you are fit for the place, but because the place would be convenient for you, that you claim a merit to it. But commend me to the great Kirleus,[403] who has lately set up for midwifery, and to help childbirth, for no other reason, but that he is himself the Unborn Doctor. The way is to hit upon something that puts the vulgar upon the stare, or that touches their compassion, which is often the weakest part about us. I know a good lady, who has taken her daughters from their old dancing-master, to place them with another, for no other reason, but because the new man has broke his leg, which is so ill set, that he can never dance more.

From my own Apartment, July 13.

As it is a frequent mortification to me to receive letters, wherein people tell me, without a name, they know I meant them in such and such a passage; so that very accusation is an argument, that there are such beings in human life, as fall under our description and our discourse, is not altogether fantastical and groundless. But in this case I am treated as I saw a boy was the other day, who gave out poxy bills: every plain fellow took it that passed by, and went on his way without further notice: at last came one with his nose a little abridged; who knocks the lad down, with a, "Why, you son of a w----e, do you think I am p----d?" But Shakespeare has made the best apology for this way of talking against the public errors: he makes Jaques, in the play called "As You Like It," express himself thus:

_Why, who cries out on pride,
That can therein tax any private party?
What woman in the city do I name,
When that I say the city woman bears
The cost of princes on unworthy shoulders?
Who can come in and say that I mean her,
When such a one as she, such is her neighbour?
Or, what is he of basest function,
That says his bravery is not on my cost?
Thinking that I mean him, but therein suits
His folly to the mettle of my speech.
There then! How then? Then let me see wherein
My tongue hath wronged him: if it do him right,
Then he hath wronged himself: if he be free,
Why then my taxing like a wild goose flies,
Unclaimed of any man._[404]

St. James's Coffee-house, July 13.

We have received, by letters of the 18th instant from the camp before Tournay, an account, that we were in a fair prospect of being masters of the town within seven days after that date. Our batteries had utterly overthrown those of the enemy. On the 16th instant, N.S., General Schuylemburg had made a lodgment on the counterscarp of the Tenaille; which post was so weakly defended, that we lost but six men in gaining it. So that there seems reason to hope, that the citadel will also be in the hands of the Confederates about the 6th of August, O.S. These advices inform us further, that Marshal Villars had ordered large detachments to make motions towards Douay and Condé. The swift progress of this siege has so much alarmed the other frontier towns of France, that they were throwing down some houses in the suburbs of Valenciennes, which they think may stand commodiously for the enemy in case that place should be invested. The Elector of Cologne is making all imaginable haste to remove from thence to Rheims.

[Footnote 398: See Nos. 28, 38.]

[Footnote 399: Grub Street, Cripplegate (now Milton Street), became, towards the end of the seventeenth century, the abode of what Johnson calls "writers of small histories, dictionaries and temporary poems; whence any mean production is called Grub Street."]

[Footnote 400: Virgil, "Georgics," iv. 86.]

[Footnote 401: The _Flying Post_ records that one Slaughterford was sentenced to death on July 2, 1709, for murdering his sweetheart.]

[Footnote 402: See Nos. 24, 51.]

[Footnote 403: See No. 14.]

[Footnote 404: "As You Like It," act ii. sc. 7.]

No. 42. [STEELE AND ADDISON.

From _Thursday, July 14, to Saturday, July 16_, 1709.

Celebrare domestica facta.

* * * * *

From my own Apartment, July 15.

Looking over some old papers, I found a little treatise, written by my great-grandfather, concerning bribery, and thought his manner of treating that subject not unworthy my remark. He there has a digression concerning a possibility, that in some circumstances a man may receive an injury, and yet be conscious to himself that he deserves it. There are abundance of fine things said on the subject; but the whole wrapped up in so much jingle and pun (which was the wit of those times) that it is scarce intelligible; but I thought the design was well enough in the following sketch of the old gentleman's poetry: for in this case, where two are rivals for the same thing, and propose to attain it by presents, he that attempts the judge's honesty, by making him offers of reward, ought not to complain when he loses his cause for a better bidder. But the good old doggerel runs thus:[405]

_A poor man once a judge besought,
To judge aright his cause,
And with a pot of oil salutes
This judger of the laws.

"My friend" quoth he, "thy cause is good":
He glad away did trudge;
Anon his wealthy foe did come
Before this partial judge.

An hog well fed this churl presents,
And craves a strain of law;
The hog received, the poor man's right
Was judged not worth a straw.

Therewith he cried, "O! partial judge,
Thy doom has me undone;
When oil I gave, my cause was good,
But now to ruin run."

"Poor man" quoth he, "I thee forgot,
And see thy cause of foil;
An hog came since into my house,
And broke thy pot of oil."_

Will's Coffee-house, July 15.

The discourse happened this evening to fall upon characters drawn in plays, and a gentleman remarked, that there was no method in the world of knowing the taste of an age, or period of time so good, as by the observations of the persons represented in their comedies. There were several instances produced, as Ben Jonson's bringing in a fellow smoking as a piece of foppery;[406] "But," said the gentleman who entertained us on this subject, "this matter is nowhere so observable as in the difference of the characters of women on the stage in the last age, and in this. It is not to be supposed that it was a poverty of genius in Shakespeare, that his women made so small a figure in his dialogues; but it certainly is, that he drew women as they then were in life; for that sex had not in those days that freedom in conversation; and their characters were only, that they were mothers, sisters, daughters, and wives. There were not then among the ladies, shining wits, politicians, virtuosas, free-thinkers, and disputants; nay, there was then hardly such a creature even as a coquette: but vanity had quite another turn, and the most conspicuous woman at that time of day was only the best housewife. Were it possible to bring into life an assembly of matrons of that age, and introduce the learned Lady Woodby into their company, they would not believe the same nation could produce a creature so unlike anything they ever saw in it. But these ancients would be as much astonished to see in the same age so illustrious a pattern to all who love things praiseworthy, as the divine Aspasia.[407] Methinks, I now see her walking in her garden like our first parent, with unaffected charms, before beauty had spectators, and bearing celestial conscious virtue in her aspect. Her countenance is the lively picture of her mind, which is the seat of honour, truth, compassion, knowledge, and innocence.

_There dwells the scorn of vice and pity too._

In the midst of the most ample fortune, and veneration of all that behold and know her, without the least affectation, she consults retirement, the contemplation of her own being, and that supreme power which bestowed it. Without the learning of schools, or knowledge of a long course of arguments, she goes on in a steady course of uninterrupted piety and virtue, and adds to the severity and privacy of the last age all the freedom and ease of this. The language and mien of a Court she is possessed of in the highest degree; but the simplicity and humble thoughts of a cottage, are her more welcome entertainments. Aspasia is a female philosopher, who does not only live up to the resignation of the most retired lives of the ancient sages, but also to the schemes and plans which they thought beautiful, though inimitable. This lady is the most exact economist, without appearing busy; the most strictly virtuous, without tasting the praise of it; and shuns applause with as much industry, as others do reproach. This character is so particular, that it will very easily be fixed on her only, by all that know her: but I daresay, she will be the last that finds it out. But, alas! if we have one or two such ladies, how many dozens are there like the restless Poluglossa, who is acquainted with all the world but herself; who has the appearance of all, and possession of no one virtue: she has indeed in her practice the absence of vice; but her discourse is the continual history of it; and it is apparent, when she speaks of the criminal gratifications of others, that her innocence is only a restraint, with a certain mixture of envy. She is so perfectly opposite to the character of Aspasia, that as vice is terrible to her only as it is the object of reproach, so virtue is agreeable only as it is attended with applause.

St. James's Coffee-house, July 15.

It is now twelve o'clock at noon, and no mail come in; therefore I am not without hopes, that the town will allow me the liberty which my brother news-writers take, in giving them what may be for their information in another kind, and indulge me in doing an act of friendship, by publishing the following account of goods and movables.[408]

This is to give notice, that a magnificent palace, with great variety of gardens, statues, and waterworks, may be bought cheap in Drury Lane; where there are likewise several castles to be disposed of, very delightfully situated; as also groves, woods, forests, fountains, and country seats, with very pleasant prospects on all sides of them; being the movables of Ch----r R----ch,[409] Esq.; who is breaking up housekeeping, and has many curious pieces of furniture to dispose of, which may be seen between the hours of six and ten in the evening.

#The INVENTORY.#

Spirits of right Nantes brandy, for lambent flames and apparitions.

Three bottles and a half of lightning.

One shower of snow in the whitest French paper.

Two showers of a browner sort.

A sea, consisting of a dozen large waves; the tenth bigger than
ordinary, and a little damaged.

A dozen and a half of clouds, trimmed with black, and well
conditioned.

A rainbow a little faded.

A set of clouds after the French mode, streaked with lightning, and
furbelowed.

A new-moon, something decayed.

A pint of the finest Spanish wash, being all that is left of two
hogsheads sent over last winter.

A coach very finely gilt, and little used, with a pair of dragons,
to be sold cheap.

A setting sun, a pennyworth.[410]

An imperial mantle, made for Cyrus the Great, and worn by Julius
Cæsar, Bajazet, King Harry the Eighth, and Signior Valentin.[411]

A basket-hilt sword, very convenient to carry milk in.

Roxana's night-gown.

Othello's handkerchief.

The imperial robes of Xerxes, never worn but once.

A wild-boar, killed by Mrs. Tofts[412] and Dioclesian.

A serpent to sting Cleopatra.

A mustard-bowl to make thunder with.

Another of a bigger sort, by Mr. D----is's directions, little
used.[413]

Six elbow-chairs, very expert in country-dances, with six
flower-pots for their partners.

The whiskers of a Turkish bassa.

The complexion of a murderer in a band-box; consisting of a large
piece of burnt cork, and a coal-black peruke.

A suit of clothes for a ghost, viz., a bloody shirt, a doublet
curiously pinked, and a coat with three great eyelet-holes upon the
breast.

A bale of red Spanish wool.

Modern plots, commonly known by the name of trapdoors, ladders of
ropes, vizard-masks, and tables with broad carpets over them.

Three oak cudgels, with one of crab-tree; all bought for the use of
Mr. Pinkethman.

Materials for dancing; as masks, castanets, and a ladder of ten
rounds.

Aurengezebe's scimitar, made by Will Brown in Piccadilly.

A plume of feathers, never used but by Oedipus and the Earl of
Essex.

There are also swords, halberts, sheep-hooks, cardinals' hats, turbans, drums, gallipots, a gibbet, a cradle, a rack, a cart-wheel, an altar, a helmet, a back-piece, a breast-plate, a bell, a tub, and a jointed baby.[414]

These are the hard shifts we intelligencers are forced to; therefore our readers ought to excuse us, if a westerly wind blowing for a fortnight together, generally fills every paper with an order of battle; when we show our martial skill in each line, and, according to the space we have to fill, we range our men in squadrons and battalions, or draw out company by company, and troop by troop; ever observing, that no muster is to be made, but when the wind is in a cross point, which often happens at the end of a campaign, when half the men are deserted or killed. The _Courant_ is sometimes ten deep, his ranks close: the _Postboy_[415] is generally in files, for greater exactness; and the _Postman_ comes down upon you rather after the Turkish way, sword in hand, pell-mell, without form or discipline; but sure to bring men enough into the field; and wherever they are raised, never to lose a battle for want of numbers.

[Footnote 405: From George Whetstone's "English Mirror," 1586.]

[Footnote 406: See "Every Man out of his Humour," act ii. sc. 1.]

[Footnote 407: Lady Elizabeth Hastings, unquestionably one of the most accomplished and virtuous characters of the age in which she lived, was the daughter of Theophilus Hastings, the 7th Earl of Huntingdon, and of Elizabeth, eldest daughter and co-heiress to John Lewes, of Ledstone, in Yorkshire, Knt. and Bart. Her father succeeded to the honours and estate of the family, Feb. 13, 1655, and was in 1687 Lord Chief Justice, and Justice in Eyre of all the King's forests, &c., beyond Trent; Lord Lieutenant of the counties of Leicester and Derby; Captain of the Band of Gentlemen Pensioners, and of the Privy Council to King James II. He died suddenly at his lodgings in Charles Street, St. James's, May 13, 1701, and was succeeded in his honours and estate by his son, and her brother, Charles, who died unmarried, Feb. 22, 1704. Lady Elizabeth Hastings was born April 19, 1682, and died Dec. 22, 1739. It is said, with great probability, that since the commencement of the Christian era, scarce any age has produced a lady of such high birth and superior accomplishments, that was a greater blessing to many, or a brighter pattern to all. There is an admirable sketch of this illustrious lady's character, drawn soon after her death, in the tenth volume of the _Gentleman's Magazine_, p. 36, probably by Samuel Johnson. See also "An historical Character relating to the holy and exemplary Life of the Right Honourable the Lady Elisabeth Hastings, &c. By Thomas Barnard, A.M. Printed at Leeds, in 1742, 12mo" (Nichols).--Lady Elizabeth Hastings, who came into a fortune upon the death of her brother George, Earl of Huntingdon, settled at Ledstone House, where she was the Lady Bountiful of the neighbourhood. Her whole estate, however, is said to have been less than £3000 a year. The best of the clergy of the day were among her friends. She helped Berkeley in his Bermuda Mission scheme, and she befriended Miss Mary Astell. Ralph Thoresby, who visited her, was "extremely pleased with the most agreeable conversation of the pious and excellent Lady Elizabeth Hastings." ("Diary," ii. 82). She was one of the numerous eligible ladies that the friends of Lord Raby, afterwards Earl of Strafford, suggested to him as a suitable wife ("Wentworth Papers," pp. 29, 56). The character of Aspasia in this paper has been attributed to Congreve, on the ground, apparently, that he knew Lady Elizabeth Hastings' half-brother, Theophilus, afterwards Earl of Huntingdon. See No. 49, note.]

[Footnote 408: The remainder of this paper is by Addison; see Steele's Preface. Drury Lane Theatre was closed by an order of the Lord Chamberlain, as mentioned in No. 30.]

[Footnote 409: Christopher Rich.]

[Footnote 410: A bargain.]

[Footnote 411: Valentini Urbani sang in Italian in the opera of "Camilla," in 1707. His acting seems to have been better than his voice (Burney's "History of Music," iv. 208).]

[Footnote 412: See No. 20.]

[Footnote 413: John Dennis's unsuccessful tragedy of "Appius and Virginia" was produced in 1709. On that occasion he introduced a new method of making thunder (see "Dunciad," ii. 226), which was found useful by managers. Afterwards, when Dennis found his invention being used in "Macbeth," he exclaimed, "'Sdeath! that's my thunder. See how the fellows use me, they have silenced my tragedy, and they roar out my thunder" (Oldys, MS. notes on Langbaine).]

[Footnote 414: "Baby" was often used for "doll."]

[Footnote 415: See No. 18.]

No. 43. [STEELE.

From _Saturday, July 16_, to _Tuesday, July 19_, 1709.

Bene nummatum decorat suadela Venusque,
HOR. 1 Ep. vi. 38.

* * * * *

White's Chocolate-house, July 18.

I write from hence at present to complain, that wit and merit are so little encouraged by people of rank and quality, that the wits of the age are obliged to run within Temple Bar for patronage. There is a deplorable instance of this in the case of Mr. D----y,[416] who has dedicated his inimitable comedy, called, "The Modern Prophets," to a worthy knight,[417] to whom, it seems, he had before communicated his plan, which was, to ridicule the ridiculous of our established doctrine. I have elsewhere celebrated the contrivance of this excellent drama; but was not, till I read the dedication, wholly let into the religious design of it. I am afraid it has suffered discontinuance at this gay end of the town, for no other reason but the piety of the purpose. There is however in this epistle the true life of panegyrical performance; and I do not doubt but, if the patron would part with it, I can help him to others with good pretensions to it; viz., of uncommon understanding, who would give him as much as he gave for it. I know perfectly well a noble person to whom these words (which are the body of the panegyric) would fit to a hair.

"Your easiness of humour, or rather your harmonious disposition, is so admirably mixed with your composure, that the rugged cares and disturbance that public affairs brings with it, which does so vexatiously affect the heads of other great men of business, &c. does scarce ever ruffle your unclouded brow so much as with a frown. And what above all is praiseworthy, you are so far from thinking yourself better than others, that a flourishing and opulent fortune, which by a certain natural corruption in its quality, seldom fails to infect other possessors with pride, seems in this case as if only providentially disposed to enlarge your humility.

"But I find, sir, I am now got into a very large field, where though I could with great ease raise a number of plants in relation to your merit of this plauditory nature; yet for fear of an author's general vice, and that the plain justice I have done you should, by my proceeding and others' mistaken judgment, be imagined flattery, a thing the bluntness of my nature does not care to be concerned with, and which I also know you abominate."

It is wonderful to see how many judges of these fine things spring up every day by the rise of stocks, and other elegant methods of abridging the way to learning and criticism. But I do hereby forbid all dedications to any persons within the city of London, except Sir Francis, Sir Stephen,[418] and the Bank, will take epigrams and epistles as value received for their notes; and the East India Companies accept of heroic poems for their sealed bonds. Upon which bottom, our publishers have full power to treat with the city in behalf of us authors, to enable traders to become patrons and Fellows of the Royal Society, as well as receive certain degrees of skill in the Latin and Greek tongues, according to the quantity of the commodities which they take off our hands.

Grecian Coffee-house, July 18.

The learned have so long laboured under the imputation of dryness and dulness in their accounts of their phenomena, that an ingenious gentleman of our society has resolved to write a system of philosophy in a more lively method, both as to the matter and language, than has been hitherto attempted. He read to us the plan upon which he intends to proceed. I thought his account, by way of fable of the worlds about us, had so much vivacity in it, that I could not forbear transcribing his hypothesis, to give the reader a taste of my friend's treatise, which is now in the press.[419]

"The inferior deities having designed on a day to play a game at football, knead together a numberless collection of dancing atoms into the form of seven rolling globes: and that nature might be kept from a dull inactivity, each separate particle is endued with a principle of motion, or a power of attraction, whereby all the several parcels of matter draw each other proportionately to their magnitudes and distances, into such a remarkable variety of different forms, as to produce all the wonderful appearances we now observe in empire, philosophy, and religion. To proceed; at the beginning of the game, each of the globes being struck forward with a vast violence, ran out of sight, and wandered in a straight line through the infinite spaces. The nimble deities pursue, breathless almost, and spent in the eager chase; each of them caught hold of one, and stamped it with his name; as, Saturn, Jupiter, Mars, and so of the rest. To prevent this inconvenience for the future, the seven are condemned to a precipitation, which in our inferior style we call 'gravity.' Thus the tangential and centripetal forces, by their counter-struggle, make the celestial bodies describe an exact ellipsis."

There will be added to this an appendix, in defence of the first day of the term according to the Oxford Almanac,[420] by a learned knight of this realm, with an apology for the said knight's manner of dress; proving, that his habit, according to this hypothesis, is the true modern and fashionable; and that buckles are not to be worn, by this system, till the 10th of March, in the year 1714, which, according to the computation of some of our greatest divines, is to be the first year of the Millennium[421]; in which blessed age, all habits will be reduced to a primitive simplicity; and whoever shall be found to have persevered in a constancy of dress, in spite of all the allurements of profane and heathen habits, shall be rewarded with a never-fading doublet of a thousand years. All points in the system which are doubted, shall be attested by the knight's extemporary oath, for the satisfaction of his readers.

Will's Coffee-house, July 18.

We were upon the heroic strain this evening, and the question was, What is the True Sublime? Many very good discourses happened thereupon; after which a gentleman at the table, who is, it seems, writing on that subject, assumed the argument; and though he ran through many instances of sublimity from the ancient writers, said, he had hardly known an occasion wherein the true greatness of soul, which animates a general in action, is so well represented, with regard to the person of whom it was spoken, and the time in which it was writ, as in a few lines in a modern poem: "there is," continued he, "nothing so forced and constrained, as what we frequently meet with in tragedies; to make a man under the weight of a great sorrow, or full of meditation upon what he is soon to execute, cast about for a simile to what he himself is, or the thing which he is going to act: but there is nothing more proper and natural than for a poet, whose business is to describe, and who is spectator of one in that circumstance when his mind is working upon a great image, and that the ideas hurry upon his imagination--I say, there is nothing so natural, as for a poet to relieve and clear himself from the burthen of thought at that time, by uttering his conception in simile and metaphor. The highest act of the mind of man, is to possess itself with tranquillity in imminent danger, and to have its thoughts so free, as to act at that time without perplexity. The ancient poets have compared this sedate courage to a rock that remains immovable amidst the rage of winds and waves; but that is too stupid and inanimate a similitude, and could do no credit to the hero. At other times they are all of them wonderfully obliged to a Lybian lion, which may give indeed very agreeable terrors to a description; but is no compliment to the person to whom it is applied: eagles, tigers, and wolves, are made use of on the same occasion, and very often with much beauty; but this is still an honour done to the brute, rather than the hero. Mars, Pallas, Bacchus, and Hercules, have each of them furnished very good similes in their time, and made, doubtless, a greater impression on the mind of a heathen, than they have on that of a modern reader. But the sublime image that I am talking of, and which I really think as great as ever entered into the thought of man, is in the poem called, 'The Campaign';[422] where the simile of a ministering angel sets forth the most sedate and the most active courage, engaged in an uproar of nature, a confusion of elements, and a scene of divine vengeance. Add to all, that these lines compliment the General and his Queen at the same time, and have all the natural horrors, heightened by the image that was still fresh in the mind of every reader.[423]

"_'Twas then great Marlborough's mighty soul was proved,
That, in the shock of charging hosts unmoved,
Amidst confusion, horror, and despair,
Examined all the dreadful scenes of war;
In peaceful thought the field of death surveyed,
To fainting squadrons sent the timely aid,
Inspired repulsed battalions to engage,
And taught the doubtful battle where to rage.
So when an angel by divine command,
With rising tempests shakes a guilty land,
Such as of late o'er pale Britannia past,
Calm and serene he drives the furious blast;
And, pleased the Almighty's orders to perform,
Rides in the whirlwind, and directs the storm._

"The whole poem is so exquisitely noble and poetic, that I think it an honour to our nation and language." The gentleman concluded his critique on this work, by saying, that he esteemed it wholly new, and a wonderful attempt to keep up the ordinary ideas of a march of an army, just as they happened in so warm and great a style, and yet be at once familiar and heroic. Such a performance is a chronicle as well as a poem, and will preserve the memory of our hero, when all the edifices and statues erected to his honour are blended with common dust.

St. James's Coffee-house, July 18.

Letters from the Hague of the 23rd instant, N.S., say, that the Allies were so forward in the siege of Tournay, that they were preparing for a general assault, which, it was supposed, would be made within a few days. Deserters from the town gave an account, that the garrison was carrying their ammunition and provisions into the citadel, which occasioned a tumult among the inhabitants of the town. The French army had laid bridges over the Scarp, and made a motion as if they intended to pass that river; but though they are joined by the reinforcement expected from Germany, it was not believed they should make any attempt towards relieving Tournay. Letters from Brabant say, there has been a discovery made of a design to deliver up Antwerp to the enemy. The States of Holland have agreed to a general naturalisation of all Protestants who shall fly into their dominions; to which purpose, a proclamation was to be issued within few days.

They write from France, that the great misery and want under which that nation has so long laboured, has ended in a pestilence, which began to appear in Burgundy and Dauphiné. They add, that in the town of Mazon, three hundred persons had died in the space of ten days. Letters from Lille of the 24th instant advise, that great numbers of deserters came daily into that city, the most part of whom are dragoons. We are advised from France, that the Loire having overflowed its banks, hath laid the country under water for three hundred miles together.

[Footnote 416: See Nos. 1 and 11. In No. 29 of the _Guardian_ Steele accused the world of ingratitude in not properly "rewarding the jocose labours of my friend, Mr. Durfey"; and in No. 67 Addison urged the town to go to a performance at the theatre given for Durfey's benefit. "He has made the town merry, and I hope they will make him easy, so long as he stays among us."]

[Footnote 417: Sir William Scawen, a merchant who was knighted in 1692.]

[Footnote 418: Probably Sir Francis Child and Sir Stephen Evance, the bankers. The latter was ruined at the time of the South Sea mania. The following advertisement appeared in the _Postman_ for Jan. 1, 1709: "Lost or mislaid, some time the last summer, at Winchester House, in Chelsea, a gold snuff-box, a cypher graved on the cover, with trophies round it, and over the cypher these words, 'DD. Illust. Princ. Jac. Duci Ormond.' Whoever brings it to Sir Stephen Evance, at the Black Boy in Lombard Street, shall have ten guineas reward, and be asked no questions."]

[Footnote 419: This seems to be a banter upon Mr. Whiston's book intituled, "Prælectiones Physicæ Mathematicæ; sive Philosophia clarissimi Newtoni Mathematica illustrata, 1710"; wherein he explained the Newtonian philosophy, which now began to grow into vogue. Both Addison and Steele, however, very much befriended Whiston; and after his banishment from Cambridge, promoted a subscription for his astronomical lectures at Button's Coffee-house (Nichols).--See No. 251.]

[Footnote 420: See No. 39.]

[Footnote 421: Whiston had fixed that day for the destruction of Anti-Christ and the beginning of the Millennium.]

[Footnote 422: Written by Addison in 1705, in celebration of the victory at Blenheim.]

[Footnote 423: The great storm of November 1703 formed the subject of a volume published by Defoe in 1704.]

No. 44. [STEELE.

From _Tuesday, July 19_, to _Thursday, July 21_, 1709.

--Nullis amor est medicabilis herbis.
OVID, Met. i. 523.

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White's Chocolate-house, July 19.

This day, passing through Covent Garden, I was stopped in the Piazza by Pacolet, to observe what he called the "triumph of love and youth." I turned to the object he pointed at; and there I saw a gay gilt chariot drawn by fresh prancing horses; the coachman with a new cockade, and the lackeys with insolence and plenty in their countenances. I asked immediately, what young heir or lover owned that glittering equipage? But my companion interrupted: "Do not you see there the mourning Æsculapius?"[424] "The mourning!" said I. "Yes, Isaac," said Pacolet, "he is in deep mourning, and is the languishing hopeless lover of the divine Hebe, the emblem of youth and beauty. The excellent and learned sage you behold in that furniture, is the strongest instance imaginable, that love is the most powerful of all things. You are not so ignorant as to be a stranger to the character of Æsculapius, as the patron and most successful of all who profess the art of medicine. But as most of his operations are owing to a natural sagacity or impulse, he has very little troubled himself with the doctrine of drugs; but has always given Nature more room to help herself, than any of her learned assistants; and consequently has done greater wonders than is in the power of art to perform;[425] for which reason, he is half deified by the people; and has ever been justly courted by all the world, as if he were a seventh son. It happened, that the charming Hebe was reduced, by a long and violent fever, to the most extreme danger of death; and when all skill failed, they sent for Æsculapius. The renowned artist was touched with the deepest compassion to see the faded charms and faint bloom of Hebe; and had a generous concern in beholding a struggle, not between life, but rather between youth, and death. All his skill and his passion tended to the recovery of Hebe, beautiful even in sickness: but, alas! the unhappy physician knew not, that in all his care he was only sharpening darts for his own destruction. In a word, his fortune was the same with that of the statuary, who fell in love with the image of his own making; and the unfortunate Æsculapius is become the patient of her whom he lately recovered. Long before this disaster, Æsculapius was far gone in the unnecessary and superfluous amusements of old age, in increasing unwieldy stores, and providing, in the midst of an incapacity of enjoyment of what he had, for a supply of more wants than he had calls for in youth itself. But these low considerations are now no more, and love has taken place of avarice, or rather has become an avarice of another kind, which still urges him to pursue what he does not want. But behold the metamorphosis; the anxious mean cares of an usurer are turned into the languishments and complaints of a lover. 'Behold,' says the aged Æsculapius, 'I submit, I own, great Love, thy empire: pity, Hebe, the fop you have made: what have I to do with gilding but on pills? Yet, O fair! For thee I sit amidst a crowd of painted deities on my chariot, buttoned in gold, clasped in gold, without having any value for that beloved metal, but as it adorns the person, and laces the hat of thy dying lover. I ask not to live, O Hebe! Give me but gentle death: euthanasia, euthanasia, that is all I implore.'" When Æsculapius had finished his complaint, Pacolet went on in deep morals on the uncertainty of riches, with this remarkable exclamation; "O wealth! How impotent art thou! And how little dost thou supply us with real happiness, when the usurer himself can forget thee for the love of what is as foreign to his felicity as thou art?"

Will's Coffee-house, July 19.

The company here, who have all a delicate taste of theatrical representations, had made a gathering to purchase the movables of the neighbouring playhouse,[426] for the encouragement of one which is setting up in the Haymarket. But the proceedings at the auction (by which method the goods have been sold this evening) have been so unfair, that this generous design has been frustrated; for the Imperial Mantle made for Cyrus was missing, as also the Chariot and Two Dragons: but upon examination it was found, that a gentleman of Hampshire[427] had clandestinely bought them both, and is gone down to his country seat; and that on Saturday last he passed through Staines attired in that robe, and drawn by the said Dragons, assisted by two only of his own horses. This theatrical traveller has also left orders with Mr. Hall[428] to send the faded rainbow to the scourers, and when it comes home, to despatch it after him. At the same time C---- R----[429] Esq. is invited to bring down himself his Setting Sun, and be box-keeper to a theatre erected by this gentleman near Southampton. Thus there has been nothing but artifice in the management of this affair; for which reason I beg pardon of the town, that I inserted the inventory in my paper and solemnly protest, I knew nothing of this artful design of vending these rarities: but I meant only the good of the world in that and all other things which I divulge. And now I am upon this subject, I must do myself justice in relation to an article in a former paper, wherein I made mention of a person who keeps a puppet-show in the town of Bath;[430] I was tender of naming names, and only just hinted, that he makes larger promises, when he invites people to his dramatic representations, than he is able to perform: but I am credibly informed, that he makes a profane lewd jester, which he calls Punch, speak to the dishonour of Isaac Bickerstaff with great familiarity; and before all my learned friends in that place, takes upon him to dispute my title to the appellation of Esquire. I think I need not say much to convince all the world, that this Mr. Powell (for that is his name) is a pragmatical and vain person to pretend to argue with me on any subject. _Mecum certasse feretur_[431]; that is to say, it will be an honour to him to have it said he contended with me; but I would have him to know, that I can look beyond his wires, and know very well the whole trick of his art, and that it is only by these wires that the eye of the spectator is cheated, and hindered from seeing that there is a thread on one of Punch's chops, which draws it up, and lets it fall at the discretion of the said Powell, who stands behind and plays him, and makes him speak saucily of his betters. He! to pretend to make prologues against me! But a man never behaves himself with decency in his own case; therefore I shall command myself, and never trouble me further with this little fellow, who is himself but a tall puppet, and has not brains enough to make even wood speak as it ought to do: and I, that have heard the groaning board,[432] can despise all that his puppets shall be able to speak as long as they live. But, _Ex quovis ligno non fit Mercurius_[433]. He has pretended to write to me also from the Bath, and says, he thought to have deferred giving me an answer till he came to his books[434]; but that my writings might do well with the waters: which are pert expressions that become a schoolboy, better than one that is to teach others: and when I have said a civil thing to him, he cries, "Oh! I thank you for that--I am your humble servant for that."[435] Ah! Mr. Powell, these smart civilities will never run down men of learning: I know well enough your design is to have all men automata, like your puppets; but the world is grown too wise, and can look through these thin devices. I know you design to make a reply to this; but be sure you stick close to my words; for if you bring me into discourses concerning the government of your puppets, I must tell you, I neither am, nor have been, nor will be, at leisure to answer you. It is really a burning shame this man should be tolerated in abusing the world with such representations of things: but his parts decay, and he is not much more alive than Partridge.

From my own Apartment, July 14.

I must beg pardon of my readers that for this time I have, I fear, huddled up my discourse, having been very busy in helping an old friend of mine out of town. He has a very good estate, is a man of wit; but he had been three years absent from town, and cannot bear a jest; for which reason I have, with some pains, convinced him, that he can no more live here than if he were a downright bankrupt. He was so fond of dear London, that he began to fret only inwardly; but being unable to laugh and be laughed at, I took a place in the northern coach for him and his family; and hope he is got to-night safe from all sneerers in his own parlour.

St. James's Coffee-house, July 20.

This morning we received by express, the agreeable news of the surrender of the town of Tournay on the 28th instant, N.S. The place was assaulted at the attacks of General Schuylemburg, and that of General Lottum, at the same time. The action at both those parts of the town was very obstinate, and the Allies lost a considerable number at the beginning of the dispute; but the fight was continued with so great bravery, that the enemy observing that we were masters of all the posts which were necessary for a general attack, beat the chamade,[436] and hostages were received from the town, and others sent from the besiegers, in order to come to a formal capitulation for the surrender of the place. We have also this day received advice, that Sir John Leake, who lies off of Dunkirk, had intercepted several ships laden with corn from the Baltic; and that the Dutch privateers had fallen in with others, and carried them into Holland. The French letters advise, that the young son to the Duke of Anjou lived but eight days.

[Footnote 424: Dr. John Radcliffe, the physician (1650-1714), was disappointed in love when about sixty. The matter is referred to again in Nos. 46, 47, 50 and 67. Radcliffe became rich, but was considered to be a quack by many other doctors. "The last _Tatler_ is upon Dr. Ratclif who they say is desparately in love with Dutchess of Bolton, his passion runs so high as to declare he'll make her eldest son his heir, upon wch account they say the Duke of B---- is not at all alarm'd, but gives the Old amorist opportunity to make his Court, the Dr. lately gave the Dutchess and some other Ladys an entertainm' of musick upon the water, and a fine supper in the Barge" ("Wentworth Papers," p. 97). This identification of Hebe with the Duchess of Bolton is corroborated by the MS. annotator mentioned in a note to No. 4. According to another account she was a Miss Tempest, a maid of honour to the Queen. The writer of the article on Radcliffe in the "Biog. Britannica" says: "The lady, who made the doctor, at this advanced age, stand in need of a physician himself, was of great beauty, wealth, and quality; and too attractive not to inspire the coldest heart with the warmest sentiments. After he had made a cure of her, he could not but imagine, as naturally he might, that her ladyship would entertain a favourable opinion of him. But the lady, however grateful she might be for the care he had taken of her health, divulged the secret, and one of her confidants revealed it to Steele, who, on account of party, was so ill-natured as to write the ridicule of it in the _Tatler_" Radcliffe never married.]

[Footnote 425: I have a pamphlet called "The _Tatler's_ Character (July 21) of Æsculapius guessing diseases, without the knowledge of drugs; applied to the British Physicians and Surgeons: or, The difficult diseases of the Royal Family, Nobility and Gentry will never be understood and recover'd, when the populace are oppress'd and destroy'd by the Practising-Apothecaries and Empiricks confess'd by the College and Mr. Bernard the Surgeon. By a Consultation of Gentlemen of Quality." London, 8vo, 1709. The pamphlet contains some interesting remarks on the physicians, apothecaries and hospitals of the time. Mr. Bickerstaff is called "the most ingenious physician of our vices and follies."]

[Footnote 426: See No. 42.]

[Footnote 427: A friend of Nichols said, "I have seen somewhere, but cannot immediately refer to the book, an account of a theatre built at Southwick, in the county of Hants, by a Mr. Richard Norton, whose will is in the _Gentleman's Magazine_, 1733, p. 57. He is the person, I believe, who wrote a play called 'Pausanias' (1696). Cibber dedicated his first play to him." The MS. annotator mentioned in No. 4 also identifies the gentleman of Hampshire with "Mr. N----n."]

[Footnote 428: An auctioneer.]

[Footnote 429: Christopher Rich, the manager.]

[Footnote 430: Under the name of Powell, the puppet-show man, Steele attacked Dr. Blackall, Bishop of Exeter (see No. 37), who was engaged in a controversy with Benjamin Hoadly. In March 1709, Blackall preached before the Queen a sermon laying down the doctrine of passive obedience in its most extreme form, but in 1704 he had preached obedience limited by the laws of the State. Hoadly wrote against the sermon of 1709, and brought against the Bishop the sermon of 1704. The Bishop, angry at this mode of refutation, answered haughtily, and dwelt on the superiority of his rank as compared with that of Hoadly, then simply rector of a London parish. Bickerstaff here reproaches Blackall for the pride and rudeness of his answer, and then, under the guise of Powell, proprietor of the puppet-show, satirises the extreme doctrine of divine right taught by the Bishop, a doctrine which would make the subjects mere automata, to be moved only at the will of the prince.]

[Footnote 431: Ovid, "Met." xiii. 20.]

[Footnote 432: The following printed advertisement appeared in 1682: "At the sign of the wool-sack, in Newgate-market, is to be seen, a strange and wonderful thing, which is an elm-board, being touched with a hot iron, doth express itself, as if it were a man dying with groans, and trembling, to the great admiration of all the hearers. It hath been presented before the King and his nobles, and hath given great satisfaction. _Vivat Rex_."--(MSS. Sloan. 958.)]

[Footnote 433: "Ne e quovis ligno Mercurius fiat" is one of the proverbs in the "Adagia" of Erasmus. But its history, as originally from the Greek, is thus given in a note of Andr. Schottus, quoted by Gaisford in his "Parcemiographia Græci," p. 39, Ox. 1836:--"Illiud adagium ὀυκ ἐκ παντὸς ξύλου Ἕρμης ἂν γένοιτο [ouk ek pantòs zýlon Hermês àn génoito], quod a Pythagora primum profectum auctor est Apuleius 'Apol.'" [t. ii. p. 499] (Ed. Marshall, "Notes and Queries," March 26, 1887). See Apuleius, "Apologia," 476: "Non enim ex omni ligno, ut Pythagoras dicebat, debet Mercurius exsculpi."]

[Footnote 434: In the Bishop's answer to Hoadly's letter, 1709, there is this passage: "I have no books here; and being under these circumstances, I hope I may be excused, if, in citing Scripture, I should not always name chapter and verse, nor hit exactly upon the very words of the translation" (Lord Bishop of Exeter's Answer, &c., pp. 2 and 3).--"As to the _Tatlers_ relating to Powell's puppets, and the doctrines of passive obedience and absolute non-resistance, and to Bishop Blackall, I know it gave my father some uneasiness, that there is a reference to a fact, which, as he resolved himself never to take notice of, thinking it ungenerous, so he was sorry to see any friend of the cause had; which is, that the Bishop had said inadvertently, he was at Bath, and had not a Bible in his family. It is worth remarking, that all the arguments used by Powell about his power over Punch, 'lighting his pipe with one of his legs,' &c., are a good burlesque of those used by the advocates of non-resistance."--(Dr. John Hoadly.)]

[Footnote 435: The Bishop, after quoting a respectful expression of Hoadly's, says, "Your servant, sir, for that."]

[Footnote 436: A beat of the drum or sound of a trumpet, which summons the enemy to a parley. In _Spectator_, No. 165, Addison ridiculed the use of this and other French war terms by English writers.]

No. 45. [STEELE.

From _Thursday, July 21, to Saturday, July 23_, 1709.

Credo pudicitiam Saturno rege moratam
In terris.
Juv., Sat. vi. I.

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White's Chocolate-house, July 22.