Chapter I: Preface
The object of the compiler of this Handbook is to present to the reader a brief but comprehensive sketch of each of the operas contained in the modern repertory which are likely to be given during regular seasons. To this end he has consulted the best authorities, adding to the material thus collected his own observations, and in each case presented a necessarily brief sketch of the composer, the story of each opera, the general character of the music, its prominent scenes and numbers,--the latter in the text most familiar to opera-goers,--the date of first performances, with a statement of the original cast wherever it has been possible to obtain it, and such historical information concerning the opera and its composition as will be of interest to the reader. The work has been prepared for the general public rather than for musicians; and with this purpose in view, technicalities have been avoided as far as possible, the aim being to give musically uneducated lovers of opera a clear understanding of the works they are likely to hear, and thus heighten their enjoyment. In a word, the operas are described rather than criticised, and the work is presented with as much thoroughness as seemed possible considering the necessarily brief space allotted to each. In the preparation of the Handbook, the compiler acknowledges his indebtedness to Grove's excellent "Dictionary of Music" for dates and other statistical information; and he has also made free use of standard musical works in his library for historical events connected with the performance and composition of the operas. It only remains to submit this work to opera-goers with the hope that it may add to their enjoyment and prove a valuable addition to their libraries.--G.P.U.
CHICAGO, August, 1885.
CONTENTS.
AUBER
FRA DIAVOLO
MASANIELLO
THE CROWN DIAMONDS
BALFE
THE BOHEMIAN GIRL
THE ROSE OF CASTILE
BEETHOVEN
FIDELIO
BELLINI
NORMA
LA SONNAMBULA
I PURITANI
BIZET
CARMEN
BOIELDIEU
LA DAME BLANCHE
BOITO
MEPHISTOPHELES
DELIBES
LAKME
DONIZETTI
THE DAUGHTER OF THE REGIMENT
LA FAVORITA
DON PASQUALE
LUCIA DI LAMMERMOOR
L'ELISIR D'AMORE
LUCREZIA BORGIA
FLOTOW
MARTHA
STRADELLA
GLUCK
ORPHEUS
GOETZ
THE TAMING OF THE SHREW
GOLDMARK
THE QUEEN OF SHEBA
MERLIN
GOUNOD
FAUST
ROMEO AND JULIET
MIREILLE
HALEVY
THE JEWESS
HUMPERDINCK
HANSEL AND GRETEL
LEONCAVALLO
I PAGLIACCI
MASCAGNI
CAVALLERIA RUSTICANA
MEYERBEER
THE HUGUENOTS
THE STAR OF THE NORTH
ROBERT THE DEVIL
DINORAH
THE PROPHET
THE AFRICAN
MOZART
THE MARRIAGE OF FIGARO
DON GIOVANNI
THE MAGIC FLUTE
ROSSINI
THE BARBER OF SEVILLE
SEMIRAMIDE
WILLIAM TELL
RUBINSTEIN
NERO
THOMAS
MIGNON
VERDI
ERNANI
RIGOLETTO
LA TRAVIATA
IL TROVATORE
THE MASKED BALL
AIDA
OTHELLO
FALSTAFF
WAGNER
RIENZI
THE FLYING DUTCHMAN
TANNHAEUSER
LOHENGRIN
TRISTAN UND ISOLDE
THE MASTERSINGERS
THE RING OF THE NIBELUNG
DAS RHEINGOLD
DIE WALKUERE
SIEGFRIED
DIE GOETTERDAEMMERUNG
PARSIFAL
WALLACE
MARITANA
WEBER
DER FREISCHUETZ
OBERON
EURYANTHE
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The Standard Operas: Their Plots, Their Music, and Their ComposersChapter I: Preface
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