Chapter II: Part I: Friends of Childhood (2)

The main business street ran, of course, through the center of the town. To the west of this street lived all the people who were, as Tillie Kronborg said, “in society.” Sylvester Street, the third parallel with Main Street on the west, was the longest in town, and the best dwellings were built along it. Far out at the north end, nearly a mile from the court-house and its cottonwood grove, was Dr. Archie’s house, its big yard and garden surrounded by a white paling fence. The Methodist Church was in the center of the town, facing the court-house square. The Kronborgs lived half a mile south of the church, on the long street that stretched out like an arm to the depot settlement. This was the first street west of Main, and was built up only on one side. The preacher’s house faced the backs of the brick and frame store buildings and a draw full of sunflowers and scraps of old iron. The sidewalk which ran in front of the Kronborgs’ house was the one continuous sidewalk to the depot, and all the train men and roundhouse employees passed the front gate every time they came uptown. Thea and Mrs. Kronborg had many friends among the railroad men, who often paused to chat across the fence, and of one of these we shall have more to say.

In the part of Moonstone that lay east of Main Street, toward the deep ravine which, farther south, wound by Mexican Town, lived all the humbler citizens, the people who voted but did not run for office. The houses were little story-and-a-half cottages, with none of the fussy architectural efforts that marked those on Sylvester Street. They nestled modestly behind their cottonwoods and Virginia creeper; their occupants had no social pretensions to keep up. There were no half-glass front doors with doorbells, or formidable parlors behind closed shutters. Here the old women washed in the back yard, and the men sat in the front doorway and smoked their pipes. The people on Sylvester Street scarcely knew that this part of the town existed. Thea liked to take Thor and her express wagon and explore these quiet, shady streets, where the people never tried to have lawns or to grow elms and pine trees, but let the native timber have its way and spread in luxuriance. She had many friends there, old women who gave her a yellow rose or a spray of trumpet vine and appeased Thor with a cooky or a doughnut. They called Thea “that preacher’s girl,” but the demonstrative was misplaced, for when they spoke of Mr. Kronborg they called him “the Methodist preacher.”

Dr. Archie was very proud of his yard and garden, which he worked himself. He was the only man in Moonstone who was successful at growing rambler roses, and his strawberries were famous. One morning when Thea was downtown on an errand, the doctor stopped her, took her hand and went over her with a quizzical eye, as he nearly always did when they met.

“You haven’t been up to my place to get any strawberries yet, Thea. They’re at their best just now. Mrs. Archie doesn’t know what to do with them all. Come up this afternoon. Just tell Mrs. Archie I sent you. Bring a big basket and pick till you are tired.”

When she got home Thea told her mother that she didn’t want to go, because she didn’t like Mrs. Archie.

“She is certainly one queer woman,” Mrs. Kronborg assented, “but he’s asked you so often, I guess you’ll have to go this time. She won’t bite you.”

After dinner Thea took a basket, put Thor in his baby buggy, and set out for Dr. Archie’s house at the other end of town. As soon as she came within sight of the house, she slackened her pace. She approached it very slowly, stopping often to pick dandelions and sand-peas for Thor to crush up in his fist.

It was his wife’s custom, as soon as Dr. Archie left the house in the morning, to shut all the doors and windows to keep the dust out, and to pull down the shades to keep the sun from fading the carpets. She thought, too, that neighbors were less likely to drop in if the house was closed up. She was one of those people who are stingy without motive or reason, even when they can gain nothing by it. She must have known that skimping the doctor in heat and food made him more extravagant than he would have been had she made him comfortable. He never came home for lunch, because she gave him such miserable scraps and shreds of food. No matter how much milk he bought, he could never get thick cream for his strawberries. Even when he watched his wife lift it from the milk in smooth, ivory-colored blankets, she managed, by some sleight-of-hand, to dilute it before it got to the breakfast table. The butcher’s favorite joke was about the kind of meat he sold Mrs. Archie. She felt no interest in food herself, and she hated to prepare it. She liked nothing better than to have Dr. Archie go to Denver for a few days—he often went chiefly because he was hungry—and to be left alone to eat canned salmon and to keep the house shut up from morning until night.

Mrs. Archie would not have a servant because, she said, “they ate too much and broke too much”; she even said they knew too much. She used what mind she had in devising shifts to minimize her housework. She used to tell her neighbors that if there were no men, there would be no housework. When Mrs. Archie was first married, she had been always in a panic for fear she would have children. Now that her apprehensions on that score had grown paler, she was almost as much afraid of having dust in the house as she had once been of having children in it. If dust did not get in, it did not have to be got out, she said. She would take any amount of trouble to avoid trouble. Why, nobody knew. Certainly her husband had never been able to make her out. Such little, mean natures are among the darkest and most baffling of created things. There is no law by which they can be explained. The ordinary incentives of pain and pleasure do not account for their behavior. They live like insects, absorbed in petty activities that seem to have nothing to do with any genial aspect of human life.

Mrs. Archie, as Mrs. Kronborg said, “liked to gad.” She liked to have her house clean, empty, dark, locked, and to be out of it—anywhere. A church social, a prayer meeting, a ten-cent show; she seemed to have no preference. When there was nowhere else to go, she used to sit for hours in Mrs. Smiley’s millinery and notion store, listening to the talk of the women who came in, watching them while they tried on hats, blinking at them from her corner with her sharp, restless little eyes. She never talked much herself, but she knew all the gossip of the town and she had a sharp ear for racy anecdotes—“traveling men’s stories,” they used to be called in Moonstone. Her clicking laugh sounded like a typewriting machine in action, and, for very pointed stories, she had a little screech.

Mrs. Archie had been Mrs. Archie for only six years, and when she was Belle White she was one of the “pretty” girls in Lansing, Michigan. She had then a train of suitors. She could truly remind Archie that “the boys hung around her.” They did. They thought her very spirited and were always saying, “Oh, that Belle White, she’s a case!” She used to play heavy practical jokes which the young men thought very clever. Archie was considered the most promising young man in “the young crowd,” so Belle selected him. She let him see, made him fully aware, that she had selected him, and Archie was the sort of boy who could not withstand such enlightenment. Belle’s family were sorry for him. On his wedding day her sisters looked at the big, handsome boy—he was twenty-four—as he walked down the aisle with his bride, and then they looked at each other. His besotted confidence, his sober, radiant face, his gentle, protecting arm, made them uncomfortable. Well, they were glad that he was going West at once, to fulfill his doom where they would not be onlookers. Anyhow, they consoled themselves, they had got Belle off their hands.

More than that, Belle seemed to have got herself off her hands. Her reputed prettiness must have been entirely the result of determination, of a fierce little ambition. Once she had married, fastened herself on some one, come to port,—it vanished like the ornamental plumage which drops away from some birds after the mating season. The one aggressive action of her life was over. She began to shrink in face and stature. Of her harum-scarum spirit there was nothing left but the little screech. Within a few years she looked as small and mean as she was.

Thor’s chariot crept along. Thea approached the house unwillingly. She didn’t care about the strawberries, anyhow. She had come only because she did not want to hurt Dr. Archie’s feelings. She not only disliked Mrs. Archie, she was a little afraid of her. While Thea was getting the heavy baby-buggy through the iron gate she heard some one call, “Wait a minute!” and Mrs. Archie came running around the house from the back door, her apron over her head. She came to help with the buggy, because she was afraid the wheels might scratch the paint off the gateposts. She was a skinny little woman with a great pile of frizzy light hair on a small head.

“Dr. Archie told me to come up and pick some strawberries,” Thea muttered, wishing she had stayed at home.

Mrs. Archie led the way to the back door, squinting and shading her eyes with her hand. “Wait a minute,” she said again, when Thea explained why she had come.

She went into her kitchen and Thea sat down on the porch step. When Mrs. Archie reappeared she carried in her hand a little wooden butter-basket trimmed with fringed tissue paper, which she must have brought home from some church supper. “You’ll have to have something to put them in,” she said, ignoring the yawning willow basket which stood empty on Thor’s feet. “You can have this, and you needn’t mind about returning it. You know about not trampling the vines, don’t you?”

Mrs. Archie went back into the house and Thea leaned over in the sand and picked a few strawberries. As soon as she was sure that she was not going to cry, she tossed the little basket into the big one and ran Thor’s buggy along the gravel walk and out of the gate as fast as she could push it. She was angry, and she was ashamed for Dr. Archie. She could not help thinking how uncomfortable he would be if he ever found out about it. Little things like that were the ones that cut him most. She slunk home by the back way, and again almost cried when she told her mother about it.

Mrs. Kronborg was frying doughnuts for her husband’s supper. She laughed as she dropped a new lot into the hot grease. “It’s wonderful, the way some people are made,” she declared. “But I wouldn’t let that upset me if I was you. Think what it would be to live with it all the time. You look in the black pocketbook inside my handbag and take a dime and go downtown and get an ice-cream soda. That’ll make you feel better. Thor can have a little of the ice-cream if you feed it to him with a spoon. He likes it, don’t you, son?” She stooped to wipe his chin. Thor was only six months old and inarticulate, but it was quite true that he liked ice-cream.

VI

Seen from a balloon, Moonstone would have looked like a Noah’s ark town set out in the sand and lightly shaded by gray-green tamarisks and cottonwoods. A few people were trying to make soft maples grow in their turfed lawns, but the fashion of planting incongruous trees from the North Atlantic States had not become general then, and the frail, brightly painted desert town was shaded by the light-reflecting, wind-loving trees of the desert, whose roots are always seeking water and whose leaves are always talking about it, making the sound of rain. The long porous roots of the cottonwood are irrepressible. They break into the wells as rats do into granaries, and thieve the water.

The long street which connected Moonstone with the depot settlement traversed in its course a considerable stretch of rough open country, staked out in lots but not built up at all, a weedy hiatus between the town and the railroad. When you set out along this street to go to the station, you noticed that the houses became smaller and farther apart, until they ceased altogether, and the board sidewalk continued its uneven course through sunflower patches, until you reached the solitary, new brick Catholic Church. The church stood there because the land was given to the parish by the man who owned the adjoining waste lots, in the hope of making them more salable—“Farrier’s Addition,” this patch of prairie was called in the clerk’s office. An eighth of a mile beyond the church was a washout, a deep sand-gully, where the board sidewalk became a bridge for perhaps fifty feet. Just beyond the gully was old Uncle Billy Beemer’s grove,—twelve town lots set out in fine, well-grown cottonwood trees, delightful to look upon, or to listen to, as they swayed and rippled in the wind. Uncle Billy had been one of the most worthless old drunkards who ever sat on a store box and told filthy stories. One night he played hide-and-seek with a switch engine and got his sodden brains knocked out. But his grove, the one creditable thing he had ever done in his life, rustled on. Beyond this grove the houses of the depot settlement began, and the naked board walk, that had run in out of the sunflowers, again became a link between human dwellings.

One afternoon, late in the summer, Dr. Howard Archie was fighting his way back to town along this walk through a blinding sandstorm, a silk handkerchief tied over his mouth. He had been to see a sick woman down in the depot settlement, and he was walking because his ponies had been out for a hard drive that morning.

As he passed the Catholic Church he came upon Thea and Thor. Thea was sitting in a child’s express wagon, her feet out behind, kicking the wagon along and steering by the tongue. Thor was on her lap and she held him with one arm. He had grown to be a big cub of a baby, with a constitutional grievance, and he had to be continually amused. Thea took him philosophically, and tugged and pulled him about, getting as much fun as she could under her encumbrance. Her hair was blowing about her face, and her eyes were squinting so intently at the uneven board sidewalk in front of her that she did not see the doctor until he spoke to her.

“Look out, Thea. You’ll steer that youngster into the ditch.”

The wagon stopped. Thea released the tongue, wiped her hot, sandy face, and pushed back her hair. “Oh, no, I won’t! I never ran off but once, and then he didn’t get anything but a bump. He likes this better than a baby buggy, and so do I.”

“Are you going to kick that cart all the way home?”

“Of course. We take long trips; wherever there is a sidewalk. It’s no good on the road.”

“Looks to me like working pretty hard for your fun. Are you going to be busy to-night? Want to make a call with me? Spanish Johnny’s come home again, all used up. His wife sent me word this morning, and I said I’d go over to see him to-night. He’s an old chum of yours, isn’t he?”

“Oh, I’m glad. She’s been crying her eyes out. When did he come?”

“Last night, on Number Six. Paid his fare, they tell me. Too sick to beat it. There’ll come a time when that boy won’t get back, I’m afraid. Come around to my office about eight o’clock,—and you needn’t bring that!”

Thor seemed to understand that he had been insulted, for he scowled and began to kick the side of the wagon, shouting, “Go-go, go-go!” Thea leaned forward and grabbed the wagon tongue. Dr. Archie stepped in front of her and blocked the way. “Why don’t you make him wait? What do you let him boss you like that for?”

“If he gets mad he throws himself, and then I can’t do anything with him. When he’s mad he’s lots stronger than me, aren’t you, Thor?” Thea spoke with pride, and the idol was appeased. He grunted approvingly as his sister began to kick rapidly behind her, and the wagon rattled off and soon disappeared in the flying currents of sand.

That evening Dr. Archie was seated in his office, his desk chair tilted back, reading by the light of a hot coal-oil lamp. All the windows were open, but the night was breathless after the sandstorm, and his hair was moist where it hung over his forehead. He was deeply engrossed in his book and sometimes smiled thoughtfully as he read. When Thea Kronborg entered quietly and slipped into a seat, he nodded, finished his paragraph, inserted a bookmark, and rose to put the book back into the case. It was one out of the long row of uniform volumes on the top shelf.

“Nearly every time I come in, when you’re alone, you’re reading one of those books,” Thea remarked thoughtfully. “They must be very nice.”

The doctor dropped back into his swivel chair, the mottled volume still in his hand. “They aren’t exactly books, Thea,” he said seriously. “They’re a city.”

“A history, you mean?”

“Yes, and no. They’re a history of a live city, not a dead one. A Frenchman undertook to write about a whole cityful of people, all the kinds he knew. And he got them nearly all in, I guess. Yes, it’s very interesting. You’ll like to read it some day, when you’re grown up.”

Thea leaned forward and made out the title on the back, “A Distinguished Provincial in Paris.”

“It doesn’t sound very interesting.”

“Perhaps not, but it is.” The doctor scrutinized her broad face, low enough to be in the direct light from under the green lamp shade. “Yes,” he went on with some satisfaction, “I think you’ll like them some day. You’re always curious about people, and I expect this man knew more about people than anybody that ever lived.”

“City people or country people?”

“Both. People are pretty much the same everywhere.”

“Oh, no, they’re not. The people who go through in the dining-car aren’t like us.”

“What makes you think they aren’t, my girl? Their clothes?”

Thea shook her head. “No, it’s something else. I don’t know.” Her eyes shifted under the doctor’s searching gaze and she glanced up at the row of books. “How soon will I be old enough to read them?”

“Soon enough, soon enough, little girl.” The doctor patted her hand and looked at her index finger. “The nail’s coming all right, isn’t it? But I think that man makes you practice too much. You have it on your mind all the time.” He had noticed that when she talked to him she was always opening and shutting her hands. “It makes you nervous.”

“No, he don’t,” Thea replied stubbornly, watching Dr. Archie return the book to its niche.

He took up a black leather case, put on his hat, and they went down the dark stairs into the street. The summer moon hung full in the sky. For the time being, it was the great fact in the world. Beyond the edge of the town the plain was so white that every clump of sage stood out distinct from the sand, and the dunes looked like a shining lake. The doctor took off his straw hat and carried it in his hand as they walked toward Mexican Town, across the sand.

North of Pueblo, Mexican settlements were rare in Colorado then. This one had come about accidentally. Spanish Johnny was the first Mexican who came to Moonstone. He was a painter and decorator, and had been working in Trinidad, when Ray Kennedy told him there was a “boom” on in Moonstone, and a good many new buildings were going up. A year after Johnny settled in Moonstone, his cousin, Famos Serreños, came to work in the brickyard; then Serreños’ cousins came to help him. During the strike, the master mechanic put a gang of Mexicans to work in the roundhouse. The Mexicans had arrived so quietly, with their blankets and musical instruments, that before Moonstone was awake to the fact, there was a Mexican quarter; a dozen families or more.

As Thea and the doctor approached the ’dobe houses, they heard a guitar, and a rich barytone voice—that of Famos Serreños—singing “La Golandrina.” All the Mexican houses had neat little yards, with tamarisk hedges and flowers, and walks bordered with shells or whitewashed stones. Johnny’s house was dark. His wife, Mrs. Tellamantez, was sitting on the doorstep, combing her long, blue-black hair. (Mexican women are like the Spartans; when they are in trouble, in love, under stress of any kind, they comb and comb their hair.) She rose without embarrassment or apology, comb in hand, and greeted the doctor.

“Good-evening; will you go in?” she asked in a low, musical voice. “He is in the back room. I will make a light.” She followed them indoors, lit a candle and handed it to the doctor, pointing toward the bedroom. Then she went back and sat down on her doorstep.

Dr. Archie and Thea went into the bedroom, which was dark and quiet. There was a bed in the corner, and a man was lying on the clean sheets. On the table beside him was a glass pitcher, half-full of water. Spanish Johnny looked younger than his wife, and when he was in health he was very handsome: slender, gold-colored, with wavy black hair, a round, smooth throat, white teeth, and burning black eyes. His profile was strong and severe, like an Indian’s. What was termed his “wildness” showed itself only in his feverish eyes and in the color that burned on his tawny cheeks. That night he was a coppery green, and his eyes were like black holes. He opened them when the doctor held the candle before his face.

“_Mi testa!_” he muttered, “_mi testa_,” doctor. “_La fiebre!_” Seeing the doctor’s companion at the foot of the bed, he attempted a smile. “_Muchacha!_” he exclaimed deprecatingly.

Dr. Archie stuck a thermometer into his mouth. “Now, Thea, you can run outside and wait for me.”

Thea slipped noiselessly through the dark house and joined Mrs. Tellamantez. The somber Mexican woman did not seem inclined to talk, but her nod was friendly. Thea sat down on the warm sand, her back to the moon, facing Mrs. Tellamantez on her doorstep, and began to count the moon flowers on the vine that ran over the house. Mrs. Tellamantez was always considered a very homely woman. Her face was of a strongly marked type not sympathetic to Americans. Such long, oval faces, with a full chin, a large, mobile mouth, a high nose, are not uncommon in Spain. Mrs. Tellamantez could not write her name, and could read but little. Her strong nature lived upon itself. She was chiefly known in Moonstone for her forbearance with her incorrigible husband.

Nobody knew exactly what was the matter with Johnny, and everybody liked him. His popularity would have been unusual for a white man, for a Mexican it was unprecedented. His talents were his undoing. He had a high, uncertain tenor voice, and he played the mandolin with exceptional skill. Periodically he went crazy. There was no other way to explain his behavior. He was a clever workman, and, when he worked, as regular and faithful as a burro. Then some night he would fall in with a crowd at the saloon and begin to sing. He would go on until he had no voice left, until he wheezed and rasped. Then he would play his mandolin furiously, and drink until his eyes sank back into his head. At last, when he was put out of the saloon at closing time, and could get nobody to listen to him, he would run away—along the railroad track, straight across the desert. He always managed to get aboard a freight somewhere. Once beyond Denver, he played his way southward from saloon to saloon until he got across the border. He never wrote to his wife; but she would soon begin to get newspapers from La Junta, Albuquerque, Chihuahua, with marked paragraphs announcing that Juan Tellamantez and his wonderful mandolin could be heard at the Jack Rabbit Grill, or the Pearl of Cadiz Saloon. Mrs. Tellamantez waited and wept and combed her hair. When he was completely wrung out and burned up,—all but destroyed,—her Juan always came back to her to be taken care of,—once with an ugly knife wound in the neck, once with a finger missing from his right hand,—but he played just as well with three fingers as he had with four.

Public sentiment was lenient toward Johnny, but everybody was disgusted with Mrs. Tellamantez for putting up with him. She ought to discipline him, people said; she ought to leave him; she had no self-respect. In short, Mrs. Tellamantez got all the blame. Even Thea thought she was much too humble. To-night, as she sat with her back to the moon, looking at the moon flowers and Mrs. Tellamantez’s somber face, she was thinking that there is nothing so sad in the world as that kind of patience and resignation. It was much worse than Johnny’s craziness. She even wondered whether it did not help to make Johnny crazy. People had no right to be so passive and resigned. She would like to roll over and over in the sand and screech at Mrs. Tellamantez. She was glad when the doctor came out.

The Mexican woman rose and stood respectful and expectant. The doctor held his hat in his hand and looked kindly at her.

“Same old thing, Mrs. Tellamantez. He’s no worse than he’s been before. I’ve left some medicine. Don’t give him anything but toast water until I see him again. You’re a good nurse; you’ll get him out.” Dr. Archie smiled encouragingly. He glanced about the little garden and wrinkled his brows. “I can’t see what makes him behave so. He’s killing himself, and he’s not a rowdy sort of fellow. Can’t you tie him up someway? Can’t you tell when these fits are coming on?”

Mrs. Tellamantez put her hand to her forehead. “The saloon, doctor, the excitement; that is what makes him. People listen to him, and it excites him.”

The doctor shook his head. “Maybe. He’s too much for my calculations. I don’t see what he gets out of it.”

“He is always fooled,”—the Mexican woman spoke rapidly and tremulously, her long under lip quivering.

“He is good at heart, but he has no head. He fools himself. You do not understand in this country, you are progressive. But he has no judgment, and he is fooled.” She stooped quickly, took up one of the white conch-shells that bordered the walk, and, with an apologetic inclination of her head, held it to Dr. Archie’s ear. “Listen, doctor. You hear something in there? You hear the sea; and yet the sea is very far from here. You have judgment, and you know that. But he is fooled. To him, it is the sea itself. A little thing is big to him.” She bent and placed the shell in the white row, with its fellows. Thea took it up softly and pressed it to her own ear. The sound in it startled her; it was like something calling one. So that was why Johnny ran away. There was something awe-inspiring about Mrs. Tellamantez and her shell.

Thea caught Dr. Archie’s hand and squeezed it hard as she skipped along beside him back toward Moonstone. She went home, and the doctor went back to his lamp and his book. He never left his office until after midnight. If he did not play whist or pool in the evening, he read. It had become a habit with him to lose himself.

VII

Thea’s twelfth birthday had passed a few weeks before her memorable call upon Mrs. Tellamantez. There was a worthy man in Moonstone who was already planning to marry Thea as soon as she should be old enough. His name was Ray Kennedy, his age was thirty, and he was conductor on a freight train, his run being from Moonstone to Denver. Ray was a big fellow, with a square, open American face, a rock chin, and features that one would never happen to remember. He was an aggressive idealist, a freethinker, and, like most railroad men, deeply sentimental. Thea liked him for reasons that had to do with the adventurous life he had led in Mexico and the Southwest, rather than for anything very personal. She liked him, too, because he was the only one of her friends who ever took her to the sand hills. The sand hills were a constant tantalization; she loved them better than anything near Moonstone, and yet she could so seldom get to them. The first dunes were accessible enough; they were only a few miles beyond the Kohlers’, and she could run out there any day when she could do her practicing in the morning and get Thor off her hands for an afternoon. But the real hills—the Turquoise Hills, the Mexicans called them—were ten good miles away, and one reached them by a heavy, sandy road. Dr. Archie sometimes took Thea on his long drives, but as nobody lived in the sand hills, he never had calls to make in that direction. Ray Kennedy was her only hope of getting there.

This summer Thea had not been to the hills once, though Ray had planned several Sunday expeditions. Once Thor was sick, and once the organist in her father’s church was away and Thea had to play the organ for the three Sunday services. But on the first Sunday in September, Ray drove up to the Kronborgs’ front gate at nine o’clock in the morning and the party actually set off. Gunner and Axel went with Thea, and Ray had asked Spanish Johnny to come and to bring Mrs. Tellamantez and his mandolin. Ray was artlessly fond of music, especially of Mexican music. He and Mrs. Tellamantez had got up the lunch between them, and they were to make coffee in the desert.

When they left Mexican Town, Thea was on the front seat with Ray and Johnny, and Gunner and Axel sat behind with Mrs. Tellamantez. They objected to this, of course, but there were some things about which Thea would have her own way. “As stubborn as a Finn,” Mrs. Kronborg sometimes said of her, quoting an old Swedish saying. When they passed the Kohlers’, old Fritz and Wunsch were cutting grapes at the arbor. Thea gave them a businesslike nod. Wunsch came to the gate and looked after them. He divined Ray Kennedy’s hopes, and he distrusted every expedition that led away from the piano. Unconsciously he made Thea pay for frivolousness of this sort.

As Ray Kennedy’s party followed the faint road across the sagebrush, they heard behind them the sound of church bells, which gave them a sense of escape and boundless freedom. Every rabbit that shot across the path, every sage hen that flew up by the trail, was like a runaway thought, a message that one sent into the desert. As they went farther, the illusion of the mirage became more instead of less convincing; a shallow silver lake that spread for many miles, a little misty in the sunlight. Here and there one saw reflected the image of a heifer, turned loose to live upon the sparse sand-grass. They were magnified to a preposterous height and looked like mammoths, prehistoric beasts standing solitary in the waters that for many thousands of years actually washed over that desert;—the mirage itself may be the ghost of that long-vanished sea. Beyond the phantom lake lay the line of many-colored hills; rich, sun-baked yellow, glowing turquoise, lavender, purple; all the open, pastel colors of the desert.

After the first five miles the road grew heavier. The horses had to slow down to a walk and the wheels sank deep into the sand, which now lay in long ridges, like waves, where the last high wind had drifted it. Two hours brought the party to Pedro’s Cup, named for a Mexican desperado who had once held the sheriff at bay there. The Cup was a great amphitheater, cut out in the hills, its floor smooth and packed hard, dotted with sagebrush and greasewood.

On either side of the Cup the yellow hills ran north and south, with winding ravines between them, full of soft sand which drained down from the crumbling banks. On the surface of this fluid sand, one could find bits of brilliant stone, crystals and agates and onyx, and petrified wood as red as blood. Dried toads and lizards were to be found there, too. Birds, decomposing more rapidly, left only feathered skeletons.

After a little reconnoitering, Mrs. Tellamantez declared that it was time for lunch, and Ray took his hatchet and began to cut greasewood, which burns fiercely in its green state. The little boys dragged the bushes to the spot that Mrs. Tellamantez had chosen for her fire. Mexican women like to cook out of doors.

After lunch Thea sent Gunner and Axel to hunt for agates. “If you see a rattlesnake, run. Don’t try to kill it,” she enjoined.

Gunner hesitated. “If Ray would let me take the hatchet, I could kill one all right.”

Mrs. Tellamantez smiled and said something to Johnny in Spanish.

“Yes,” her husband replied, translating, “they say in Mexico, kill a snake but never hurt his feelings. Down in the hot country, _muchacha_,” turning to Thea, “people keep a pet snake in the house to kill rats and mice. They call him the house snake. They keep a little mat for him by the fire, and at night he curl up there and sit with the family, just as friendly!”

Gunner sniffed with disgust. “Well, I think that’s a dirty Mexican way to keep house; so there!”

Johnny shrugged his shoulders. “Perhaps,” he muttered. A Mexican learns to dive below insults or soar above them, after he crosses the border.

By this time the south wall of the amphitheater cast a narrow shelf of shadow, and the party withdrew to this refuge. Ray and Johnny began to talk about the Grand Canyon and Death Valley, two places much shrouded in mystery in those days, and Thea listened intently. Mrs. Tellamantez took out her drawn-work and pinned it to her knee. Ray could talk well about the large part of the continent over which he had been knocked about, and Johnny was appreciative.

“You been all over, pretty near. Like a Spanish boy,” he commented respectfully.

Ray, who had taken off his coat, whetted his pocketknife thoughtfully on the sole of his shoe. “I began to browse around early. I had a mind to see something of this world, and I ran away from home before I was twelve. Rustled for myself ever since.”

“Ran away?” Johnny looked hopeful. “What for?”

“Couldn’t make it go with my old man, and didn’t take to farming. There were plenty of boys at home. I wasn’t missed.”

Thea wriggled down in the hot sand and rested her chin on her arm. “Tell Johnny about the melons, Ray, please do!”

Ray’s solid, sunburned cheeks grew a shade redder, and he looked reproachfully at Thea. “You’re stuck on that story, kid. You like to get the laugh on me, don’t you? That was the finishing split I had with my old man, John. He had a claim along the creek, not far from Denver, and raised a little garden stuff for market. One day he had a load of melons and he decided to take ’em to town and sell ’em along the street, and he made me go along and drive for him. Denver wasn’t the queen city it is now, by any means, but it seemed a terrible big place to me; and when we got there, if he didn’t make me drive right up Capitol Hill! Pap got out and stopped at folkses houses to ask if they didn’t want to buy any melons, and I was to drive along slow. The farther I went the madder I got, but I was trying to look unconscious, when the end-gate came loose and one of the melons fell out and squashed. Just then a swell girl, all dressed up, comes out of one of the big houses and calls out, ‘Hello, boy, you’re losing your melons!’ Some dudes on the other side of the street took their hats off to her and began to laugh. I couldn’t stand it any longer. I grabbed the whip and lit into that team, and they tore up the hill like jack-rabbits, them damned melons bouncing out the back every jump, the old man cussin’ an’ yellin’ behind and everybody laughin’. I never looked behind, but the whole of Capitol Hill must have been a mess with them squashed melons. I didn’t stop the team till I got out of sight of town. Then I pulled up an’ left ’em with a rancher I was acquainted with, and I never went home to get the lickin’ that was waitin’ for me. I expect it’s waitin’ for me yet.”

Thea rolled over in the sand. “Oh, I wish I could have seen those melons fly, Ray! I’ll never see anything as funny as that. Now, tell Johnny about your first job.”

Ray had a collection of good stories. He was observant, truthful, and kindly—perhaps the chief requisites in a good story-teller. Occasionally he used newspaper phrases, conscientiously learned in his efforts at self-instruction, but when he talked naturally he was always worth listening to. Never having had any schooling to speak of, he had, almost from the time he first ran away, tried to make good his loss. As a sheep-herder he had worried an old grammar to tatters, and read instructive books with the help of a pocket dictionary. By the light of many camp-fires he had pondered upon Prescott’s histories, and the works of Washington Irving, which he bought at a high price from a book-agent. Mathematics and physics were easy for him, but general culture came hard, and he was determined to get it. Ray was a freethinker, and inconsistently believed himself damned for being one. When he was braking, down on the Santa Fé, at the end of his run he used to climb into the upper bunk of the caboose, while a noisy gang played poker about the stove below him, and by the roof-lamp read Robert Ingersoll’s speeches and “The Age of Reason.”

Ray was a loyal-hearted fellow, and it had cost him a great deal to give up his God. He was one of the stepchildren of Fortune, and he had very little to show for all his hard work; the other fellow always got the best of it. He had come in too late, or too early, on several schemes that had made money. He brought with him from all his wanderings a good deal of information (more or less correct in itself, but unrelated, and therefore misleading), a high standard of personal honor, a sentimental veneration for all women, bad as well as good, and a bitter hatred of Englishmen. Thea often thought that the nicest thing about Ray was his love for Mexico and the Mexicans, who had been kind to him when he drifted, a homeless boy, over the border. In Mexico, Ray was Señor Ken-áy-dy, and when he answered to that name he was somehow a different fellow. He spoke Spanish fluently, and the sunny warmth of that tongue kept him from being quite as hard as his chin, or as narrow as his popular science.

While Ray was smoking his cigar, he and Johnny fell to talking about the great fortunes that had been made in the Southwest, and about fellows they knew who had “struck it rich.”

“I guess you been in on some big deals down there?” Johnny asked trustfully.

Ray smiled and shook his head. “I’ve been out on some, John. I’ve never been exactly in on any. So far, I’ve either held on too long or let go too soon. But mine’s coming to me, all right.” Ray looked reflective. He leaned back in the shadow and dug out a rest for his elbow in the sand. “The narrowest escape I ever had, was in the Bridal Chamber. If I hadn’t let go there, it would have made me rich. That was a close call.”

Johnny looked delighted. “You don’ say! She was silver mine, I guess?”

“I guess she was! Down at Lake Valley. I put up a few hundred for the prospector, and he gave me a bunch of stock. Before we’d got anything out of it, my brother-in-law died of the fever in Cuba. My sister was beside herself to get his body back to Colorado to bury him. Seemed foolish to me, but she’s the only sister I got. It’s expensive for dead folks to travel, and I had to sell my stock in the mine to raise the money to get Elmer on the move. Two months afterward, the boys struck that big pocket in the rock, full of virgin silver. They named her the Bridal Chamber. It wasn’t ore, you remember. It was pure, soft metal you could have melted right down into dollars. The boys cut it out with chisels. If old Elmer hadn’t played that trick on me, I’d have been in for about fifty thousand. That was a close call, Spanish.”

“I recollec’. When the pocket gone, the town go bust.”

“You bet. Higher’n a kite. There was no vein, just a pocket in the rock that had sometime or another got filled up with molten silver. You’d think there would be more somewhere about, but _nada_. There’s fools digging holes in that mountain yet.”

When Ray had finished his cigar, Johnny took his mandolin and began Kennedy’s favorite, “Ultimo Amor.” It was now three o’clock in the afternoon, the hottest hour in the day. The narrow shelf of shadow had widened until the floor of the amphitheater was marked off in two halves, one glittering yellow, and one purple. The little boys had come back and were making a robbers’ cave to enact the bold deeds of Pedro the bandit. Johnny, stretched gracefully on the sand, passed from “Ultimo Amor” to “Fluvia de Oro,” and then to “Noches de Algeria,” playing languidly.

Every one was busy with his own thoughts. Mrs. Tellamantez was thinking of the square in the little town in which she was born; of the white church steps, with people genuflecting as they passed, and the round-topped acacia trees, and the band playing in the plaza. Ray Kennedy was thinking of the future, dreaming the large Western dream of easy money, of a fortune kicked up somewhere in the hills,—an oil well, a gold mine, a ledge of copper. He always told himself, when he accepted a cigar from a newly married railroad man, that he knew enough not to marry until he had found his ideal, and could keep her like a queen. He believed that in the yellow head over there in the sand he had found his ideal, and that by the time she was old enough to marry, he would be able to keep her like a queen. He would kick it up from somewhere, when he got loose from the railroad.

Thea, stirred by tales of adventure, of the Grand Canyon and Death Valley, was recalling a great adventure of her own. Early in the summer her father had been invited to conduct a reunion of old frontiersmen, up in Wyoming, near Laramie, and he took Thea along with him to play the organ and sing patriotic songs. There they stayed at the house of an old ranchman who told them about a ridge up in the hills called Laramie Plain, where the wagon-trails of the Forty-niners and the Mormons were still visible. The old man even volunteered to take Mr. Kronborg up into the hills to see this place, though it was a very long drive to make in one day. Thea had begged frantically to go along, and the old rancher, flattered by her rapt attention to his stories, had interceded for her.

They set out from Laramie before daylight, behind a strong team of mules. All the way there was much talk of the Forty-niners. The old rancher had been a teamster in a freight train that used to crawl back and forth across the plains between Omaha and Cherry Creek, as Denver was then called, and he had met many a wagon train bound for California. He told of Indians and buffalo, thirst and slaughter, wanderings in snowstorms, and lonely graves in the desert.

The road they followed was a wild and beautiful one. It led up and up, by granite rocks and stunted pines, around deep ravines and echoing gorges. The top of the ridge, when they reached it, was a great flat plain, strewn with white boulders, with the wind howling over it. There was not one trail, as Thea had expected; there were a score; deep furrows, cut in the earth by heavy wagon wheels, and now grown over with dry, whitish grass. The furrows ran side by side; when one trail had been worn too deep, the next party had abandoned it and made a new trail to the right or left. They were, indeed, only old wagon ruts, running east and west, and grown over with grass. But as Thea ran about among the white stones, her skirts blowing this way and that, the wind brought to her eyes tears that might have come anyway. The old rancher picked up an iron ox-shoe from one of the furrows and gave it to her for a keepsake. To the west one could see range after range of blue mountains, and at last the snowy range, with its white, windy peaks, the clouds caught here and there on their spurs. Again and again Thea had to hide her face from the cold for a moment. The wind never slept on this plain, the old man said. Every little while eagles flew over.

Coming up from Laramie, the old man had told them that he was in Brownsville, Nebraska, when the first telegraph wires were put across the Missouri River, and that the first message that ever crossed the river was “Westward the course of Empire takes its way.” He had been in the room when the instrument began to click, and all the men there had, without thinking what they were doing, taken off their hats, waiting bareheaded to hear the message translated. Thea remembered that message when she sighted down the wagon tracks toward the blue mountains. She told herself she would never, never forget it. The spirit of human courage seemed to live up there with the eagles. For long after, when she was moved by a Fourth-of-July oration, or a band, or a circus parade, she was apt to remember that windy ridge.

To-day she went to sleep while she was thinking about it. When Ray wakened her, the horses were hitched to the wagon and Gunner and Axel were begging for a place on the front seat. The air had cooled, the sun was setting, and the desert was on fire. Thea contentedly took the back seat with Mrs. Tellamantez. As they drove homeward the stars began to come out, pale yellow in a yellow sky, and Ray and Johnny began to sing one of those railroad ditties that are usually born on the Southern Pacific and run the length of the Santa Fé and the “Q” system before they die to give place to a new one. This was a song about a Greaser dance, the refrain being something like this:—

“Pedró, Pedró, swing high, swing low, And it’s allamand left again; For there’s boys that’s bold and there’s some that’s cold, But the góld boys come from Spain, Oh, the góld boys come from Spain!”

VIII

Winter was long in coming that year. Throughout October the days were bathed in sunlight and the air was clear as crystal. The town kept its cheerful summer aspect, the desert glistened with light, the sand hills every day went through magical changes of color. The scarlet sage bloomed late in the front yards, the cottonwood leaves were bright gold long before they fell, and it was not until November that the green on the tamarisks began to cloud and fade. There was a flurry of snow about Thanksgiving, and then December came on warm and clear.

Thea had three music pupils now, little girls whose mothers declared that Professor Wunsch was “much too severe.” They took their lessons on Saturday, and this, of course, cut down her time for play. She did not really mind this because she was allowed to use the money—her pupils paid her twenty-five cents a lesson—to fit up a little room for herself upstairs in the half-story. It was the end room of the wing, and was not plastered, but was snugly lined with soft pine. The ceiling was so low that a grown person could reach it with the palm of the hand, and it sloped down on either side. There was only one window, but it was a double one and went to the floor. In October, while the days were still warm, Thea and Tillie papered the room, walls and ceiling in the same paper, small red and brown roses on a yellowish ground. Thea bought a brown cotton carpet, and her big brother, Gus, put it down for her one Sunday. She made white cheesecloth curtains and hung them on a tape. Her mother gave her an old walnut dresser with a broken mirror, and she had her own dumpy walnut single bed, and a blue washbowl and pitcher which she had drawn at a church fair lottery. At the head of her bed she had a tall round wooden hat-crate, from the clothing store. This, standing on end and draped with cretonne, made a fairly steady table for her lantern. She was not allowed to take a lamp upstairs, so Ray Kennedy gave her a railroad lantern by which she could read at night.

In winter this loft room of Thea’s was bitterly cold, but against her mother’s advice—and Tillie’s—she always left her window open a little way. Mrs. Kronborg declared that she “had no patience with American physiology,” though the lessons about the injurious effects of alcohol and tobacco were well enough for the boys. Thea asked Dr. Archie about the window, and he told her that a girl who sang must always have plenty of fresh air, or her voice would get husky, and that the cold would harden her throat. The important thing, he said, was to keep your feet warm. On very cold nights Thea always put a brick in the oven after supper, and when she went upstairs she wrapped it in an old flannel petticoat and put it in her bed. The boys, who would never heat bricks for themselves, sometimes carried off Thea’s, and thought it a good joke to get ahead of her.

When Thea first plunged in between her red blankets, the cold sometimes kept her awake for a good while, and she comforted herself by remembering all she could of “Polar Explorations,” a fat, calf-bound volume her father had bought from a book-agent, and by thinking about the members of Greely’s party: how they lay in their frozen sleeping-bags, each man hoarding the warmth of his own body and trying to make it last as long as possible against the on-coming cold that would be everlasting. After half an hour or so, a warm wave crept over her body and round, sturdy legs; she glowed like a little stove with the warmth of her own blood, and the heavy quilts and red blankets grew warm wherever they touched her, though her breath sometimes froze on the coverlid. Before daylight, her internal fires went down a little, and she often wakened to find herself drawn up into a tight ball, somewhat stiff in the legs. But that made it all the easier to get up.