Chapter IV: Part 4

“I do not offend you with the offer of a fee, but I present my gratitude for the conspicuous courtesy, and I indicate the service to the commonwealth of legal papers in form and court proof. May I hope, Sir, that you will not deny us the benefit of your highly distinguished service.”

My father very slowly looked about him in calm reflection.

He had ridden ten miles through the hills on this April morning, at Zindorf's message sent the night before. The clay of the roads was still damp and plastic from the recent rain. There were flecks of mud on him and the splashing of the streams.

He was a big, dominating man, in the hardened strength and experience of middle life. He had come, as he believed, upon some service of the state. And here was a thing for the little dexterities of a lawyer's clerk. Everybody in Virginia, who knew my father, can realize how he was apt to meet the vague message of Zindorf that got him in this house, and the patronizing courtesies of Mr. Lucian Morrow.

He was direct and virile, and while he feared God, like the great figures in the Pentateuch, as though he were a judge of Israel enforcing his decrees with the weapon of iron, I cannot write here, that at any period of his life, or for any concern or reason, he very greatly regarded man.

He went over to the window and looked out at the hills and the road that he had traveled.

The mid-morning sun was on the fields and groves like a benediction. The soft vitalizing air entered and took up the stench of liquor, the ash of tobacco and the imported perfumes affected by Mr. Lucian Morrow.

The windows in the room were long, gothic like a church, and turning on a pivot. They ran into the ceiling that Monroe had built across the gutted walls. The house stood on the crown of a hill, in a cluster of oak trees. Below was the abandoned graveyard, the fence about it rotted down; the stone slabs overgrown with moss. The four roads running into the hills joined and crossed below this oak grove that the early people had selected for a house of God.

My father looked out on these roads and far back on the one that he had traveled.

There was no sound in the world, except the faint tolling of a bell in a distant wood on the road. It was far off on the way to my father's house, and the vague sound was to be heard only when a breath of wind carried from that way.

My father gathered his big chin, flat like a plowshare, into the trough of his bronze hand. He stood for some moments in reflection, then he turned to Mr. Lucian Morrow.

“I think you are right,” he said. “I think this is a triangular affair with the state a party. I am in the service of the state. Will you kindly put the table by this window.”

They thought he wished the air, and would thus escape the closeness of the room. And while my father stood aside, Zindorf and his guest carried the flat writing table to the window and placed a chair.

My father sat down behind the table by the great open window, and looked at Zindorf.

The man moved and acted like a monk. He had the figure and the tonsured head. His coarse, patched clothes cut like the homely garments of the simple people of the day, were not wholly out of keeping to the part. The idea was visualized about him; the simplicity and the poverty of the great monastic orders in their vast, noble humility. All striking and real until one saw his face!

My father used to say that the great orders of God were correct in this humility; for in its vast, comprehensive action, the justice of God moved in a great plain, where every indicatory event was precisely equal; a straw was a weaver's beam.

God hailed men to ruin in his court, not with spectacular devices, but by means of some homely, common thing, as though to abase and overcome our pride.

My father moved the sheets of foolscap, and tested the point of the quill pen like one who considers with deliberation. He dipped the point into the inkpot and slowly wrote a dozen formal words.

Then he stopped and put down the pen.

“The contests of the courts,” he said, “are usually on the question of identity. I ought to see this slave for a correct description.”

The two men seemed for a moment uncertain what to do.

Then Zindorf addressed my father.

“Pendleton,” he said, “the fortunes of life change, and the ideas suited to one status are ridiculous in another. Ordez was a fool. He made believe to this girl a future that he never intended, and she is under the glamor of these fancies.”

He stood in the posture of a monk, and he spoke each word with a clear enunciation.

“It is a very delicate affair, to bring this girl out of the extravagances with which Ordez filled her idle head, and not be brutal in it. We must conduct the thing with tact, and we will ask you, Pendleton, to observe the courtesies of our pretension.”

When he had finished, he flung a door open and went down a stairway. For a time my father heard his footsteps, echoing, like those of a priest in the under chambers of a chapel. Then he ascended, and my father was astonished.

He came with a young girl on his arm, as in the ceremony of marriage sometimes the priest emerges with the bride. The girl was young and of a Spanish beauty. She was all in white with blossoms in her hair. And she was radiant, my father said, as in the glory of some happy contemplation. There was no slave like this on the block in Virginia. Young girls like this, my father had seen in Havana in the houses of Spanish Grandees.

“This is Mr. Pendleton, our neighbor,” Zindorf said. “He comes to offer you his felicitations.”

The girl made a little formal curtsy.

“When my father returns,” she said in a queer, liquid accent, “he will thank you, Meester Pendleton; just now he is on a journey.”

And she gave her hand to Lucian Morrow to kiss, like a lady of the time. Then Zindorf, mincing his big step, led her out.

And my father stood behind the table in the enclosure of the window, with his arms folded, and his chin lifted above his great black stock. I know how my father looked, for I have seen him stand like that before moving factors in great events, when he intended, at a certain cue, to enter.

He said that it was at this point that Mr. Lucian Morrow's early comment on Zindorf seemed, all at once, to discover the nature of this whole affair. He said that suddenly, with a range of vision like the great figures in the Pentateuch, he saw how things right and true would work out backward into abominations, if, by any chance, the virtue of God in events were displaced!

Zindorf returned, and as he stepped through the door, closing it behind him, the far-off tolling of the bell, faint, eerie, carried by a stronger breath of April air, entered through the window. My father extended his arm toward the distant wood.

“Zindorf,” he said, “do you mark the sign?” The man listened.

“What sign?” he said.

“The sign of death!” replied my father.

The man made a deprecating gesture with his hands, “I do not believe in signs,” he said.

My father replied like one corrected by a memory.

“Why, yes,” he said, “that is true. I should have remembered that. You do not believe in signs, Zindorf, since you abandoned the sign of the cross, and set these coarse patches on your knees to remind you not to bend them in the sign of submission to the King of Kings.”

The intent in the mended clothing was the economy of avarice, but my father turned it to his use.

The man's face clouded with anger.

“What I believe,” he said, “is neither the concern of you nor another.”

He paused with an oath.

“Whatever you may believe, Zindorf,” replied my father, “the sound of that bell is unquestionably a sign of death.” He pointed toward the distant wood. “In the edge of the forest yonder is the ancient church that the people built to replace the burned one here. It has been long abandoned, but in its graveyard lie a few old families. And now and then, when an old man dies, they bring him back to put him with his fathers. This morning, as I came along, they were digging the grave for old Adam Duncan, and the bell tolls for him. So you see,” and he looked Zindorf in the face, “a belief in signs is justified.”

Again the big man made his gesture as of one putting something of no importance out of the way.

“Believe what you like,” he said, “I am not concerned with signs.”

“Why, yes, Zindorf,” replied my father, “of all men you are the very one most concerned about them. You must be careful not to use the wrong ones.”

It was a moment of peculiar tension.

The room was flooded with sun. The tiny creatures of the air droned outside. Everywhere was peace and the gentle benevolence of peace. But within this room, split off from the great chamber of a church, events covert and sinister seemed preparing to assemble.

My father, big and dominant, was behind the table, his great shoulders blotting out the window.

Mr. Lucian Morrow sat doubled in a chair, and Zindorf stood with the closed door behind him.

“You see, Zindorf,” he said, “each master has his set of signs. Most of us have learned the signs of one master only. But you have learned the signs of both. And you must be careful not to bring the signs of your first master into the service of your last one.”

The big man did not move, he stood with the door closed behind him, and studied my father's face like one who feels the presence of a danger that he cannot locate.

“What do you mean?” he said.

“I mean,” replied my father, “I mean, Zindorf, that each master has a certain intent in events, and this intent is indicated by his set of signs. Now the great purpose of these two masters, we believe, in all the moving of events, is directly opposed. Thus, when we use a sign of one of these masters, we express by the symbol of it the hope that events will take the direction of his established purpose.

“Don't you see then... don't you see, that we dare not use the signs of one in the service of the other?”

“Pendleton,” said the man, “I do not understand you.”

He spoke slowly and precisely, like one moving with an excess of care.

My father went on, his voice strong and level, his eyes on Zindorf.

“The thing is a great mystery,” he said. “It is not clear to any of us in its causes or its relations. But old legends and old beliefs, running down from the very morning of the world, tell us--warn us, Zindorf--that the signs of each of these masters are abhorrent to the other. Neither will tolerate the use of his adversary's sign. Moreover, Zindorf, there is a double peril in it.”

And his voice rose.

“There is the peril that the new master will abandon the blunderer for the insult, and there is the peril that the old one will destroy him for the sacrilege!”

At this moment the door behind Zindorf opened, and the young girl entered. She was excited and her eyes danced.

“Oh!” she said, “people are coming on every road!”

She looked, my father said, like a painted picture, her dark Castilian beauty illumined by the pleasure in her interpretation of events. She thought the countryside assembled after the manner of my father to express its felicitations.

Zindorf crossed in great strides to the window: Mr. Lucian Morrow, sober and overwhelmed by the mystery of events about him, got unsteadily on his feet, holding with both hands to the oak back of a chair.

My father said that the tragedy of the thing was on him, and he acted under the pressure of it.

“My child,” he said, “you are to go to the house of your grandfather in Havana. If Mr. Lucian Morrow wishes to renew his suit for your hand in marriage, he will do it there. Go now and make your preparations for the journey.”

The girl cried out in pleasure at the words.

“My grandfather is a great person in New Spain. I have always longed to see him... father promised... and now I am to go ... when do we set out, Meester Pendleton?”

“At once,” replied my father, “to-day.” Then he crossed the room and opened the door for her to go out. He held the latch until the girl was down the stairway. Then he closed the door.

The big man, falsely in his aspect, like a monk, looking out at the far-off figures on the distant roads, now turned about.

“A clever ruse, Pendleton,” he said, “We can send her now, on this pretended journey, to Morrow's house, after the sale.”

My father went over and sat down at the table. He took a faded silk envelope out of his, coat, and laid it down before him. Then he answered Zindorf.

“There will be no sale,” he said.

Mr. Lucian Morrow interrupted.

“And why no sale, Sir?”

“Because there is no slave to sell,” replied my father. “This girl is not the daughter of the octoroon woman, Suzanne.”

Zindorf's big jaws tightened.

“How did you know that?” he said.

My father answered with deliberation.

“I would have known it,” he said, “from the wording of the paper you exhibit from Marquette's executors. It is merely a release of any claim or color of title; the sort of legal paper one executes when one gives up a right or claim that one has no faith in. Marquette's executors were the ablest lawyers in New Orleans. They were not the men to sign away valuable property in a conveyance like that; that they did sign such a paper is conclusive evidence to me that they had nothing--and knew they had nothing--to release by it.” He paused.

“I know it also,” he said, “because I have before me here the girl's certificate of birth and Ordez's certificate of marriage.”

He opened the silk envelope and took out some faded papers. He unfolded them and spread them out under his hand.

“I think Ordez feared for his child,” he said, “and stored these papers against the day of danger to her, because they are copies taken from the records in Havana.”

He looked up at the astonished Morrow.

“Ordez married the daughter of Pedro de Hernando. I find, by a note to these papers, that she is dead. I conclude that this great Spanish family objected to the adventurer, and he fled with his infant daughter to New Orleans.” he paused.

“The intrigue with the octoroon woman, Suzanne, came after that.”

Then he added:

“You must renew your negotiations, Sir, in, a somewhat different manner before a Spanish Grandee in Havana!”

Mr. Lucian Morrow did not reply. He stood in a sort of wonder. But Zindorf, his face like iron, addressed my father:

“Where did you get these papers, Pendleton?” he said.

“I got them from Ordez,” replied my father.

“When did you see Ordez?”

“I saw him to-day,” replied my father.

Zindorf did not move, but his big jaw worked and a faint spray of moisture came out on his face. Then, finally, with no change or quaver in his voice, he put his query.

“Where is Ordez?”

“Where?” echoed my father, and he rose. “Why, Zindorf, he is on his way here.” And he extended his arm toward the open window. The big man lifted his head and looked out at the men and horses now clearly visible on the distant road.

“Who are these people,” he said, “and why do they come?” He spoke as though he addressed some present but invisible authority.

My father answered him

“They are the people of Virginia,” he said, “and they come, Zindorf, in the purpose of events that you have turned terribly backward!”

The man was in some desperate perplexity, but he had steel nerves and the devil's courage.

He looked my father calmly in the face.

“What does all this mean?” he said.

“It means, Zindorf,” cried my father, “it means that the very things, the very particular things, that you ought to have used for the glory of God, God has used for your damnation!”

And again, in the clear April air, there entered through the open window the faint tolling of a bell.

“Listen, Zindorf! I will tell you. In the old abandoned church yonder, when they came to toll the bell for Duncan, the rope fell to pieces; I came along then, and Jacob Lance climbed into the steeple to toll the bell by hand. At the first crash of sound a wolf ran out of a thicket in the ravine below him, and fled away toward the mountains. Lance, from his elevated point, could see the wolf's muzzle was bloody. That would mean, that a lost horse had been killed or an estray steer. He called down and we went in to see what thing this scavenger had got hold of.”

He paused.

“In the cut of an abandoned road we found the body of Ordez riddled with buckshot, and his pockets rifled. But sewed up in his coat was the silk envelope with these papers. I took possession of them as a Justice of the Peace, ordered the body sent on here, and the people to assemble.”

He extended his arm toward the faint, quivering, distant sound.

“Listen, Zindorf,” he cried; “the bell began to toll for Duncan, but it tolls now for the murderer of Ordez. It tolls to raise the country against the assassin!”

The false monk had the courage of his master. He stood out and faced my father.

“But can you find him, Pendleton,” he said. And his harsh voice was firm. “You find Ordez dead; well, some assassin shot him and carried his body into the cut of the abandoned road. But who was that assassin? Is Virginia scant of murderers? Do you know the right one?”

My father answered in his great dominating voice

“God knows him, Zindorf, and I know him!... The man who murdered Ordez made a fatal blunder... He used a sign of God in the service of the devil and he is ruined!”

The big man stepped slowly backward into the room, while my father's voice, filling the big empty spaces of the house, followed after him.

“You are lost, Zindorf! Satan is insulted, and God is outraged! You are lost!”

There was a moment's silence; from outside came the sound of men and horses. The notes of the girl, light, happy, ascended from the lower chamber, as she sang about her preparations for the journey. Zindorf continued to step awfully backward. And Lucian Morrow, shaken and sober, cried out in the extremity of fear:

“In God's name, Pendleton, what do you mean; Zindorf, using a sign of God in the service of the devil.”

And my father answered him:

“The corpse of Ordez lay in the bare cut of the abandoned road, and beside it, bedded in the damp clay where he had knelt down to rifle the pockets of the murdered body, were the patch prints of Zindorf's knees!”

VII. The Fortune Teller

Sir Henry Marquis continued to read; he made no comment; his voice clear and even.

It was a big sunny room. The long windows looked out on a formal garden, great beech trees and the bow of the river. Within it was a sort of library. There were bookcases built into the wall, to the height of a man's head, and at intervals between them, rising from the floor to the cornice of the shelves, were rows of mahogany drawers with glass knobs. There was also a flat writing table.

It was the room of a traveler, a man of letters, a dreamer. On the table were an inkpot of carved jade, a paperknife of ivory with gold butterflies set in; three bronze storks, with their backs together, held an exquisite Japanese crystal.

The room was in disorder--the drawers pulled out and the contents ransacked.

My father stood leaning against the casement of the window, looking out. The lawyer, Mr. Lewis, sat in a chair beside the table, his eyes on the violated room.

“Pendleton,” he said, “I don't like this English man Gosford.”

The words seemed to arouse my father out of the depths of some reflection, and he turned to the lawyer, Mr. Lewis.

“Gosford!” he echoed.

“He is behind this business, Pendleton,” the lawyer, Mr. Lewis, went on. “Mark my word! He comes here when Marshall is dying; he forces his way to the man's bed; he puts the servants out; he locks the door. Now, what business had this Englishman with Marshall on his deathbed? What business of a secrecy so close that Marshall's son is barred out by a locked door?”

He paused and twisted the seal ring on his finger.

“When you and I came to visit the sick man, Gosford was always here, as though he kept a watch upon us, and when we left, he went always to this room to write his letters, as he said.

“And more than this, Pendleton; Marshall is hardly in his grave before Gosford writes me to inquire by what legal process the dead man's papers may be examined for a will. And it is Gosford who sends a negro riding, as if the devil were on the crupper, to summon me in the name of the Commonwealth of Virginia,--to appear and examine into the circumstances of this burglary.

“I mistrust the man. He used to hang about Marshall in his life, upon some enterprise of secrecy; and now he takes possession and leadership in his affairs, and sets the man's son aside. In what right, Pendleton, does this adventurous Englishman feel himself secure?”

My father did not reply to Lewis's discourse. His comment was in another quarter.

“Here is young Marshall and Gaeki,” he said.

The lawyer rose and came over to the window.

Two persons were advancing from the direction of the stables--a tall, delicate boy, and a strange old man. The old man walked with a quick, jerky, stride. It was the old country doctor Gaeki. And, unlike any other man of his profession, he would work as long and as carefully on the body of a horse as he would on the body of a man, snapping out his quaint oaths, and in a stress of effort, as though he struggled with some invisible creature for its prey. The negroes used to say that the devil was afraid of Gaeki, and he might have been, if to disable a man or his horse were the devil's will. But I think, rather, the negroes imagined the devil to fear what they feared themselves.

“Now, what could bring Gaeki here?” said Lewes.

“It was the horse that Gosford overheated in his race to you,” replied my father. “I saw him stop in the road where the negro boy was leading the horse about, and then call young Marshall.”

“It was no fault of young Marshall, Pendleton,” said the lawyer. “But, also, he is no match for Gosford. He is a dilettante. He paints little pictures after the fashion he learned in Paris, and he has no force or vigor in him. His father was a dreamer, a wanderer, one who loved the world and its frivolities, and the son takes that temperament, softened by his mother. He ought to have a guardian.”

“He has one,” replied my father.

“A guardian!” repeated Lewis. “What court has appointed a guardian for young Marshall?”

“A court,” replied my father, “that does not sit under the authority of Virginia. The helpless, Lewis, in their youth and inexperience, are not wholly given over to the spoiler.”

The boy they talked about was very young--under twenty, one would say. He was blue-eyed and fair-haired, with thin, delicate features, which showed good blood long inbred to the loss of vigor. He had the fine, open, generous face of one who takes the world as in a fairy story. But now there was care and anxiety in it, and a furtive shadow, as though the lad's dream of life had got some rude awakening.

At this moment the door behind my father and Lewis was thrown violently open, and a man entered. He was a person with the manner of a barrister, precise and dapper; he had a long, pink face, pale eyes, and a close-cropped beard that brought out the hard lines of his mouth. He bustled to the table, put down a sort of portfolio that held an inkpot, a writing-pad and pens, and drew up a chair like one about to take the minutes of a meeting. And all the while he apologized for his delay. He had important letters to get off in the post, and to make sure, had carried them to the tavern himself.

“And now, sirs, let us get about this business,” he finished, like one who calls his assistants to a labor:

My father turned about and looked at the man.

“Is your name Gosford?” he said in his cold, level voice.

“It is, sir,” replied the Englishman, “--Anthony Gosford.”

“Well, Mr. Anthony Gosford,” replied my father, “kindly close the door that you have opened.”

Lewis plucked out his snuffbox and trumpeted in his many-colored handkerchief to hide his laughter.

The Englishman, thrown off his patronizing manner, hesitated, closed the door as he was bidden--and could not regain his fine air.

“Now, Mr. Gosford,” my father went on, “why was this room violated as we see it?”

“It was searched for Peyton Marshall's will, sir,” replied the man.

“How did you know that Marshall had a will?” said my father.

“I saw him write it,” returned the Englishman, “here in this very room, on the eighteenth day of October, 1854.”

“That was two years ago,” said my father. “Was the will here at Marshall's death?”

“It was. He told me on his deathbed.”

“And it is gone now?”

“It is,” replied the Englishman.

“And now, Mr. Gosford,” said my father, “how do you know this will is gone unless you also know precisely where it was?”

“I do know precisely where it was, sir,” returned the man. “It was in the row of drawers on the right of the window where you stand--the second drawer from the top. Mr. Marshall put it there when he wrote it, and he told me on his deathbed that it remained there. You can see, sir, that the drawer has been rifled.”

My father looked casually at the row of mahogany drawers rising along the end of the bookcase. The second one and the one above were open; the others below were closed.

“Mr. Gosford,” he said, “you would have some interest in this will, to know about it so precisely.”

“And so I have,” replied the man, “it left me a sum of money.”

“A large sum?”

“A very large sum, sir.”

“Mr. Anthony Gosford,” said my father, “for what purpose did Peyton Marshall bequeath you a large sum of money? You are no kin; nor was he in your debt.”

The Englishman sat down and put his fingers together with a judicial air.

“Sir,” he began, “I am not advised that the purpose of a bequest is relevant, when the bequest is direct and unencumbered by the testator with any indicatory words of trust or uses. This will bequeathes me a sum of money. I am not required by any provision of the law to show the reasons moving the testator. Doubtless, Mr. Peyton Marshall had reasons which he deemed excellent for this course, but they are, sir, entombed in the grave with him.”

My father looked steadily at the man, but he did not seem to consider his explanation, nor to go any further on that line.

“Is there another who would know about this will?” he said.

“This effeminate son would know,” replied Gosford, a sneer in the epithet, “but no other. Marshall wrote the testament in his own hand, without witnesses, as he had the legal right to do under the laws of Virginia. The lawyer,” he added, “Mr. Lewis, will confirm me in the legality of that.”

“It is the law,” said Lewis. “One may draw up a holograph will if he likes, in his own hand, and it is valid without a witness in this State, although the law does not so run in every commonwealth.”

“And now, sir,” continued the Englishman, turning to my father, “we will inquire into the theft of this testament.”

But my father did not appear to notice Mr. Gosford. He seemed perplexed and in some concern.

“Lewis,” he said, “what is your definition of a crime?”

“It is a violation of the law,” replied the lawyer.

“I do not accept your definition,” said my father. “It is, rather, I think, a violation of justice--a violation of something behind the law that makes an act a crime. I think,” he went on, “that God must take a broader view than Mr. Blackstone and Lord Coke. I have seen a murder in the law that was, in fact, only a kind of awful accident, and I have seen your catalogue of crimes gone about by feeble men with no intent except an adjustment of their rights. Their crimes, Lewis, were merely errors of their impractical judgment.”

Then he seemed to remember that the Englishman was present.

“And now, Mr. Gosford,” he said, “will you kindly ask young Marshall to come in here?”

The man would have refused, with some rejoinder, but my father was looking at him, and he could not find the courage to resist my father's will. He got up and went out, and presently returned followed by the lad and Gaeki. The old country doctor sat down by the door, his leather case of bottles by the chair, his cloak still fastened under his chin. Gosford went back to the table and sat down with his writing materials to keep notes. The boy stood.

My father looked a long time at the lad. His face was grave, but when he spoke, his voice was gentle.

“My boy,” he said, “I have had a good deal of experience in the examination of the devil's work.” He paused and indicated the violated room. “It is often excellently done. His disciples are extremely clever. One's ingenuity is often taxed to trace out the evil design in it, and to stamp it as a false piece set into the natural sequence of events.”

He paused again, and his big shoulders blotted out the window.

“Every natural event,” he continued, “is intimately connected with innumerable events that precede and follow. It has so many serrated points of contact with other events that the human mind is not able to fit a false event so that no trace of the joinder will appear. The most skilled workmen in the devil's shop are only able to give their false piece a blurred joinder.”

He stopped and turned to the row of mahogany drawers beside him.

“Now, my boy,” he said, “can you tell me why the one who ransacked this room, in opening and tumbling the contents of all the drawers, about, did not open the two at the bottom of the row where I stand?”

“Because there was nothing in them of value, sir,” replied the lad.

“What is in them?” said my father.

“Only old letters, sir, written to my father, when I was in Paris--nothing else.”

“And who would know that?” said my father.

The boy went suddenly white.

“Precisely!” said my father. “You alone knew it, and when you undertook to give this library the appearance of a pillaged room, you unconsciously endowed your imaginary robber with the thing you knew yourself. Why search for loot in drawers that contained only old letters? So your imaginary robber reasoned, knowing what you knew. But a real robber, having no such knowledge, would have ransacked them lest he miss the things of value that he searched for.”

He paused, his eyes on the lad, his voice deep and gentle.

“Where is the will?” he said.

The white in the boy's face changed to scarlet. He looked a moment about him in a sort of terror; then he lifted his head and put back his shoulders. He crossed the room to a bookcase, took down a volume, opened it and brought out a sheet of folded foolscap. He stood up and faced my father and the men about the room.

“This man,” he said, indicating Gosford, “has no right to take all my father had. He persuaded my father and was trusted by him. But I did not trust him. My father saw this plan in a light that I did not see it, but I did not oppose him. If he wished to use his fortune to help our country in the thing which he thought he foresaw, I was willing for him to do it.

“But,” he cried, “somebody deceived me, and I will not believe that it was my father. He told me all about this thing. I had not the health to fight for our country, when the time came, he said, and as he had no other son, our fortune must go to that purpose in our stead. But my father was just. He said that a portion would be set aside for me, and the remainder turned over to Mr. Gosford. But this will gives all to Mr. Gosford and leaves me nothing!”

Then he came forward and put the paper in my father's hand. There was silence except for the sharp voice of Mr. Gosford.

“I think there will be a criminal proceeding here!”

My father handed the paper to Lewis, who unfolded it and read it aloud. It directed the estate of Peyton Marshall to be sold, the sum of fifty thousand dollars paid to Anthony Gosford and the remainder to the son.

“But there will be no remainder,” cried young Marshall. “My father's estate is worth precisely that sum. He valued it very carefully, item by item, and that is exactly the amount it came to.”

“Nevertheless,” said Lewis, “the will reads that way. It is in legal form, written in Marshall's hand, and signed with his signature, and sealed. Will you examine it, gentlemen? There can be no question of the writing or the signature.”

My father took the paper and read it slowly, and old Gaeki nosed it over my father's arm, his eyes searching the structure of each word, while Mr. Gosford sat back comfortably in his chair like one elevated to a victory.

“It is in Marshall's hand and signature,” said my father, and old Gaeki, nodded, wrinkling his face under his shaggy eyebrows. He went away still wagging his grizzled head, wrote a memorandum on an envelope from his pocket, and sat down in, his chair.

My father turned now to young Marshall.

“My boy,” he said, “why do you say that some one has deceived you?”

“Because, sir,” replied the lad, “my father was to leave me twenty thousand dollars. That was his plan. Thirty thousand dollars should be set aside for Mr. Gosford, and the remainder turned over to me.”

“That would be thirty thousand dollars to Mr. Gosford, instead of fifty,” said my father.

“Yes, sir,” replied the boy; “that is the way my father said he would write his will. But it was not written that way. It is fifty thousand dollars to Mr. Gosford, and the remainder to me. If it were thirty thousand dollars to Mr. Gosford, as my father, said his will would be, that would have left me twenty thousand dollars from the estate; but giving Mr. Gosford fifty thousand dollars leaves me nothing.”

“And so you adventured on a little larceny,” sneered the Englishman.

The boy stood very straight and white.

“I do not understand this thing,” he said, “but I do not believe that my father would deceive me. He never did deceive me in his life. I may have been a disappointment to him, but my father was a gentle man.” His voice went up strong and clear. “And I refuse to believe that he would tell me one thing and do another!”

One could not fail to be impressed, or to believe that the boy spoke the truth.

“We are sorry,” said Lewis, “but the will is valid and we cannot go behind it.”

My father walked about the room, his face in reflection. Gosford sat at his ease, transcribing a note on his portfolio. Old Gaeki had gone back to his chair and to his little case of bottles; he got them up on his knees, as though he would be diverted by fingering the tools of his profession. Lewis was in plain distress, for he held the law and its disposition to be inviolable; the boy stood with a find defiance, ennobled by the trust in his father's honor. One could not take his stratagem for a criminal act; he was only a child, for all his twenty years of life. And yet Lewis saw the elements of crime, and he knew that Gosford was writing down the evidence.

It was my father who broke the silence.

“Gosford,” he said, “what scheme were you and Marshall about?”

“You may wonder, sir,” replied the Englishman, continuing to write at his notes; “I shall not tell you.”

“But I will tell you,” said the boy. “My father thought that the states in this republic could not hold together very much longer. He believed that the country would divide, and the South set up a separate government. He hoped this might come about without a war. He was in horror of a war. He had traveled; he had seen nations and read their history, and he knew what civil wars were. I have heard him say that men did not realize what they were talking when they urged war.”

He paused and looked at Gosford.

“My father was convinced that the South would finally set up an independent government, but he hoped a war might not follow. He believed that if this new government were immediately recognized by Great Britain, the North would accept the inevitable and there would be no bloodshed. My father went to England with this scheme. He met Mr. Gosford somewhere--on the ship, I think. And Mr. Gosford succeeded in convincing my father that if he had a sum of money he could win over certain powerful persons in the English Government, and so pave the way to an immediate recognition of the Southern Republic by Great Britain. He followed my father home and hung about him, and so finally got his will. My father was careful; he wrote nothing; Mr. Gosford wrote nothing; there is no evidence of this plan; but my father told me, and it is true.”

My father stopped by the table and lifted his great shoulders.

“And so,” he said, “Peyton Marshall imagined a plan like that, and left its execution to a Mr. Gosford!”

The Englishman put down his pen and addressed my father.

“I would advise you, sir, to require a little proof for your conclusions. This is a very pretty story, but it is prefaced by an admission of no evidence, and it comes as a special pleading for a criminal act. Now, sir, if I chose, if the bequest required it, I could give a further explanation, with more substance; of moneys borrowed by the decedent in his travels and to be returned to me. But the will, sir, stands for itself, as Mr. Lewis will assure you.”

Young Marshall looked anxiously at the lawyer.

“Is that the law, sir?”

“It is the law of Virginia,” said Lewis, “that a will by a competent testator, drawn in form, requires no collateral explanation to support it.”

My father seemed brought up in a cul-de-sac. His face was tense and disturbed. He stood by the table; and now, as by accident, he put out his hand and took up the Japanese crystal supported by the necks of the three bronze storks. He appeared unconscious of the act, for he was in deep reflection. Then, as though the weight in his hand drew his attention, he glanced at the thing. Something about it struck him, for his manner changed. He spread the will out on the table and began to move the crystal over it, his face close to the glass. Presently his hand stopped, and he stood stooped over, staring into the Oriental crystal, like those practicers of black art who predict events from what they pretend to see in these spheres of glass.

Mr. Gosford, sitting at his ease, in victory, regarded my father with a supercilious, ironical smile.

“Sir,” he said, “are you, by chance, a fortuneteller?”

“A misfortune-teller,” replied my father, his face still held above the crystal. “I see here a misfortune to Mr. Anthony Gosford. I predict, from what I see, that he will release this bequest of moneys to Peyton Marshall's son.”

“Your prediction, sir,” said Gosford, in a harder note, “is not likely to come true.”

“Why, yes,” replied my father, “it is certain to come true. I see it very clearly. Mr. Gosford will write out a release, under his hand and seal, and go quietly out of Virginia, and Peyton Marshall's son will take his entire estate.”

“Sir,” said the Englishman, now provoked into a temper, “do you enjoy this foolery?”

“You are not interested in crystal-gazing, Mr. Gosford,” replied my father in a tranquil voice. “Well, I find it most diverting. Permit me to piece out your fortune, or rather your misfortune, Mr. Gosford! By chance you fell in with this dreamer Marshall, wormed into his confidence, pretended a relation to great men in England; followed and persuaded him until, in his ill-health, you got this will. You saw it written two years ago. When Marshall fell ill, you hurried here, learned from the dying man that the will remained and where it was. You made sure by pretending to write letters in this room, bringing your portfolio with ink and pen and a pad of paper. Then, at Marshall's death, you inquired of Lewis for legal measures to discover the dead man's will. And when you find the room ransacked, you run after the law.”

My father paused.

“That is your past, Mr. Gosford. Now let me tell your future. I see you in joy at the recovered will. I see you pleased at your foresight in getting a direct bequest, and at the care you urged on Marshall to leave no evidence of his plan, lest the authorities discover it. For I see, Mr. Gosford, that it was your intention all along to keep this sum of money for your own use and pleasure. But alas, Mr. Gosford, it was not to be! I see you writing this release; and Mr. Gosford”--my father's voice went up full and strong,--“I see you writing it in terror--sweat on your face!”

“The Devil take your nonsense!” cried the Englishman.

My father stood up with a twisted, ironical smile.

“If you doubt my skill, Mr. Gosford, as a fortune, or rather a misfortune-teller I will ask Mr. Lewis and Herman Gaeki to tell me what they see.”

The two men crossed the room and stooped over the paper, while my father held the crystal. The manner and the bearing of the men changed. They grew on the instant tense and fired with interest.

“I see it!” said the old doctor, with a queer foreign expletive.

“And I,” cried Lewis, “see something more than Pendleton's vision. I see the penitentiary in the distance.”

The Englishman sprang up with an oath and leaned across the table. Then he saw the thing.

My father's hand held the crystal above the figures of the bequest written in the body of the will. The focused lens of glass magnified to a great diameter, and under the vast enlargement a thing that would escape the eye stood out. The top curl of a figure 3 had been erased, and the bar of a 5 added. One could see the broken fibers of the paper on the outline of the curl, and the bar of the five lay across the top of the three and the top of the o behind it like a black lath tacked across two uprights.

The figure 3 had been changed to 5 so cunningly is to deceive the eye, but not to deceive the vast magnification of the crystal. The thing stood out big and crude like a carpenter's patch.

Gosford's face became expressionless like wood, his body rigid; then he stood up and faced the three men across the table.

“Quite so!” he said in his vacuous English voice. “Marshall wrote a 3 by inadvertence and changed it. He borrowed my penknife to erase the figure.”

My father and Lewis gaped like men who see a penned-in beast slip out through an unimagined passage. There was silence. Then suddenly, in the strained stillness of the room, old Doctor Gaeki laughed.

Gosford lifted his long pink face, with its cropped beard bringing out the ugly mouth.

“Why do you laugh, my good man?” he said.

“I laugh,” replied Gaeki, “because a figure 5 can have so many colors.”

And now my father and Lewis were no less astonished than Mr. Gosford.

“Colors!” they said, for the changed figure in the will was black.

“Why, yes,” replied the old man, “it is very pretty.”

He reached across the table and drew over Mr. Gosford's memorandum beside the will.

“You are progressive, sir,” he went on; “you write in iron-nutgall ink, just made, commercially, in this year of fifty-six by Mr. Stephens. But we write here as Marshall wrote in 'fifty-four, with logwood.”

He turned and fumbled in his little case of bottles.

“I carry a bit of acid for my people's indigestions. It has other uses.” He whipped out the stopper of his vial and dabbed Gosford's notes and Marshall's signature.

“See!” he cried. “Your writing is blue, Mr. Gosford, and Marshall's red!”

With an oath the trapped man struck at Gaeki's hand. The vial fell and cracked on the table. The hydrochloric acid spread out over Marshall's will. And under the chemical reagent the figure in the bequest of fifty thousand dollars changed beautifully; the bar of the 5 turned blue, and the remainder of it a deep purple-red like the body of the will.

“Gaeki,” cried my father, “you have trapped a rogue!”

“And I have lost a measure of good acid,” replied the old man. And he began to gather up the bits of his broken bottle from the table.

VIII. The Hole in the Mahogany Panel

Sir Henry paused a moment, his finger between the pages of the ancient diary.

“It is the inspirational quality in these cases,” he said, “that impresses me. It is very nearly absent in our modern methods of criminal investigation. We depend now on a certain formal routine. I rarely find a man in the whole of Scotland Yard with a trace of intuitive impulse to lead him.... Observe how this old justice in Virginia bridged the gaps between his incidents.”

He paused.

“We call it the inspirational instinct, in criminal investigation ... genius, is the right word.”

He looked up at the clock.

“We have an hour, yet, before the opera will be worth hearing; listen to this final case.”

The narrative of the diary follows:

The girl was walking in the road. Her frock was covered with dust. Her arms hung limp. Her face with the great eyes and the exquisite mouth was the chalk face of a ghost. She walked with the terrible stiffened celerity of a human creature when it is trapped and ruined.

Night was coming on. Behind the girl sat the great old house at the end of a long lane of ancient poplars.

This was a strange scene my father came on. He pulled up his big red-roan horse at the crossroads, where the long lane entered the turnpike, and looked at the stiff, tragic figure. He rode home from a sitting of the county justices, alone, at peace, on this midsummer night, and God sent this tragic thing to meet him.

He got down and stood under the crossroads signboard beside his horse.

The earth was dry; in dust. The dead grass and the dead leaves made a sere, yellow world. It looked like a land of unending summer, but a breath of chill came out of the hollows with the sunset.

The girl would have gone on, oblivious. But my father went down into the road and took her by the arm. She stopped when she saw who it was, and spoke in the dead, uninflected voice of a person in extremity.

“Is the thing a lie?” she said.

“What thing, child?” replied my father.

“The thing he told me!”

“Dillworth?” said my father. “Do you mean Hambleton Dillworth?”

The girl put out her free arm in a stiff, circling gesture. “In all the world,” she said, “is there any other man who would have told me?”

My father's face hardened as if of metal. “What did he tell you?”

The girl spoke plainly, frankly, in her dead voice, without equivocation, with no choice of words to soften what she said:

“He said that my father was not dead; that I was the daughter of a thief; that what I believed about my father was all made up to save the family name; that the truth was my father robbed him, stole his best horse and left the country when I was a baby. He said I was a burden on him, a pensioner, a drone; and to go and seek my father.”

And suddenly she broke into a flood of tears. Her face pressed against my father's shoulder. He took her up in his big arms and got into his saddle.

“My child,” he said, “let us take Hambleton Dillworth at his word.”

And he turned the horse into the lane toward the ancient house. The girl in my father's arms made no resistance. There was this dominating quality in the man that one trusted to him and followed behind him. She lay in his arms, the tears wetting her white face and the long lashes.

The moon came up, a great golden moon, shouldered over the rim of the world by the backs of the crooked elves. The horse and the two persons made a black, distorted shadow that jerked along as though it were a thing evil and persistent. Far off in the thickets of the hills an owl cried, eerie and weird like a creature in some bitter sorrow. The lane was deep with dust. The horse traveled with no sound, and the distorted black shadow followed, now blotted out by the heavy tree tops, and now only partly to be seen, but always there.

My father got down at the door and carried the girl up the steps and between the plaster pillars into the house. There was a hall paneled in white wood and with mahogany doors. He opened one of these doors and went in. The room he entered had been splendid in some ancient time. It was big; the pieces in it were exquisite; great mirrors and old portraits were on the wall.

A man sitting behind a table got up when my father entered. Four tallow candles, in ancient silver sticks, were on the table, and some sheets with figured accounts.

The man who got up was like some strange old child. He wore a number of little capes to hide his humped back, and his body, one thought, under his clothes was strapped together. He got on his feet nimbly like a spider, and they heard the click of a pistol lock as he whipped the weapon out of an open drawer, as though it were a habit thus always to keep a weapon at his hand to make him equal in stature with other men. Then he saw who it was and the double-barreled pistol slipped out of sight. He was startled and apprehensive, but he was not in fear.

He stood motionless behind the table, his head up, his eyes hard, his thin mouth closed like a trap and his long, dead black hair hanging on each side of his lank face over the huge, malformed ears. The man stood thus, unmoving, silent, with his twisted ironical smile, while my father put the girl into a chair and stood up behind it.

“Dillworth,” said my father, “what do you mean by turning this child out of the house?”

The man looked steadily at the two persons before him.