The Sanskrit drama
by OpenStories
Original author: Arthur Berriedale Keith
"The Sanskrit Drama: In Its Origin, Development, Theory and Practice" by A. Berriedale Keith is a scholarly treatise on the ancient Indian dramatic arts written in the early 20th century. The work explores the historical context, evolution, and theoretical aspects of Sanskrit drama, emphasizing its roots in Vedic literature and its rich cultural significance. Keith aims to provide an in-depth analysis of the great writers and thinkers behind this tradition, as well as the nuances of dramatic theory and practice. The opening of the book establishes the importance of prior research and discoveries in understanding the evolution of Indian drama, particularly referencing influential texts and figures. Keith outlines the divine origins of drama according to Indian tradition, as stated in the Nāṭyaçāstra, and highlights a critical examination of how Vedic literature contains elements of dialogue and performance, hinting at earlier forms of drama. The introduction sets the stage for a comprehensive study of how Sanskrit drama not only flourished as a potent cultural and artistic expression but also incorporated various influences and styles through its development.
The Sanskrit drama, by Arthur Berriedale Keith. Republished by OpenStories from Project Gutenberg eBook #74314.
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31 Chapters
- 1.Preface618 words
- 2.Part II: The Development of the Sanskrit Drama376 words
- 3.Part IV: Dramatic Practice225 words
- 4.Part I: The Origin of the Sanskrit Drama (1)8,884 words
- 5.Part I: The Origin of the Sanskrit Drama (2)8,883 words
- 6.Part I: The Origin of the Sanskrit Drama (3)6,272 words
- 7.Part II: The Development of the Sanskrit Drama7,768 words
- 8.Act V: shows us Kaṅsa plotting the overthrow of the youths. A herald (1)8,729 words
- 9.Act V: shows us Kaṅsa plotting the overthrow of the youths. A herald (2)8,653 words
- 10.Act V: shows us Kaṅsa plotting the overthrow of the youths. A herald (3)950 words
- 11.Act V: , Prasannarāghava, Act VI, and Mahānāṭaka, Act IV) there are no619 words
- 12.Act V: shows us the king in his court, overwhelmed with the duties of8,366 words
- 13.Act III: The Vidūṣaka, Ātreya, is hideous and stupid; as he lies3,571 words
- 14.Act VI: Kapālakuṇḍalā swears revenge, but for the moment all goes well;1,255 words
- 15.Act V: passes in an exchange of martial taunts between him and1,165 words
- 16.Act III: , when Sītā sees and forgives her spouse, is admirable in its3,751 words
- 17.Act II: shows Rākṣasa’s counter-plots. Virādhaka, in a serpent-charmer’s806 words
- 18.Act VI: reveals Rākṣasa in the capital deeply soliloquizing on the1,660 words
- 19.Act I: shows Bhīma in conversation with Sahadeva as they await the671 words
- 20.Act VI: tells us from an announcement to Yudhiṣṭhira and Draupadī of3,886 words
- 21.Act I: shows us Daçaratha in conversation with Vāmadeva. The arrival of4,060 words
- 22.Act III: The swing scene contains really effective lines of (1)8,813 words
- 23.Act III: The swing scene contains really effective lines of (2)8,745 words
- 24.Act III: The swing scene contains really effective lines of (3)827 words
- 25.Part III: Dramatic Theory3,300 words
- 26.Act IV: , and the remaining portion of that Act gives the conclusion1,135 words
- 27.Act I: of the Mālatīmādhava. This is evidently an attempt to justify the9,625 words
- 28.Act I589 words
- 29.Act I: , Gāndhārī’s admonition of Duryodhana. Humorous speech (vyāhāra)9,800 words
- 30.Part IV: Dramatic Practice (1)8,686 words
- 31.Part IV: Dramatic Practice (2)6,521 words