Chapter II: Part 2

When the curtain rises upon their ten-minute act it discloses a typical Tyrolean scene--dim mountains in the background, a sombre pine forest, a toylike, gabled cottage in the distance. The lights are low and the stage is empty. The orchestra begins almost inaudibly a simple melody in the minor key. Presently a rich voice, that raises doubt in the mind of the listener as to whether it is male or female, joins in. It is a song of love, a serenade. The lights grow dimmer. A new sound steals into the concerted music of voice and instruments; there are strange, bizarre chords and rippling arpeggios, and then the music is drowned in the burst of wild applause that greets the appearance of "The Girl with the Guitar." She bows modestly, the lights go up, the rich voice is heard again in a joyous yodel, and the sister, too, appears, dressed in the picturesque attire of an Alpine hunter. This artistically conceived prologue brings the audience into closer sympathy with what follows. "The Girl with the Guitar," unheeding the applause and the demonstrations of the male portion of the audience, seats herself at the extreme right of the stage near the footlights. The sister is led by the manager along a narrow platform projecting into the centre of the hall, where, after being blindfolded, she seats herself with her back to the stage, and the real performance begins, to the muted music of the orchestra and the sad, fantastic chords of the guitar. The second-sight séance progresses in the time-honored way, except that no word is spoken save by the blindfolded sister, who accurately names and describes, in a clear, musical voice, each article as it is borrowed from the audience and held up in silence before the footlights by the manager, some thirty feet behind her back. "A gold watch with a picture of a lady on its face"; "a pair of pearl opera glasses"; "a half-crown piece with a hole in it"; and so on, the blindfolded girl describes the exhibits as though they were held out before her naked eyes. She never falters, never misses, and the puzzled look that comes to every face shows how completely she has mastered her art. But it is the strange, brilliant beauty and the fantastic music of "The Girl with the Guitar," who, seemingly unconscious of her surroundings, gazes idly across the stage, that hold the breathless attention of the audience. Music like hers has never before been heard from any instrument. It is absolutely unique; a new scale and new system of harmonies seem to have been discovered by this sombre-eyed girl. It is her weird, haunting melodies that trouble the mind with strange thoughts, and the impression of mystical, occult powers at work, produced by the performance, is really traceable to this music and the mysterious personality of the girl which pervades and dominates it all.

All this vividly recalls to Mr. Gaston a ten-minute drama of life in which he once played a part and which illustrates how a man can regain his lost peace of mind by being suddenly brought to the brink of eternity.

Four years ago, while he was managing the affairs of a large American enterprise in London, a cablegram announced to him one day that his business partner in the United States had robbed him of all he possessed. Brooding over his ruined business, to which he had given ten years of his life and sacrificed his health, his peace of mind fled and he traveled aimlessly over the Continent in search of anything that might bring him sleep and help him to bury the past. The doctors sent him to Baden-Baden, but he soon found that the conventional watering-place, where one reads suffering in almost every face, proved an irritant to his insomnia. The more he came in contact with humanity the more he felt drawn toward Nature. So he started on a tour of the Black Forest. At Trieberg, the picturesque little village which stands on the edge of a great waterfall high up in the dark, pine-clothed mountains, he found pleasure for a few days in visiting the quaint cottages scattered through the surrounding wilderness where the cuckoo clocks, music-boxes and wood carvings are made that always attract foreigners. The mountaineers carry these clocks and carvings on the back for miles down the winding, perilous pathways to a public exhibition hall at Trieberg in which is kept a full line of samples for the convenience of purchasers.

But the novelty of these scenes soon wore off, and on the third day after his arrival Gaston, craving excitement, bribed the custodian of this exhibition hall to set off all the clocks and instruments at intervals of one second. The chorus of a thousand cuckoos, reinforced by the patriotic rendering of "Die Wacht am Rhein," the William Tell Overture and "Die Lorelei" by scores of orchestrions and music-boxes, delighted him, but proved demoralizing to a party of American tourists bent on doing Europe in ten days. Mistaking their excited brandishing of alpenstocks, umbrellas and Baedekers for demonstrations of approval, the keeper kept up the performance until the inexorable schedule dragged the prospective purchasers away. They had spent the ten minutes allotted to the Black Forest.

In his wanderings and search for adventure, Gaston came one day upon what seemed like an unused trail that led higher up the mountain from an almost impenetrable jumble of rocks and pines near the waterfall.

"The Witches' Path," exclaimed his landlord, when questioned, "and whoever follows it never returns." It might have an outlet in another valley beyond, he added, but, shaking his head, there were strange stories about the Witches' Path, and while he could not verify them he knew that no one of his guests who had essayed to explore it had ever come back.

Sick of chattering men and women, harrowed day and night by his troubles, Gaston rejoiced in the prospect of an adventure of any kind, and while he smiled at the suggestion of danger lurking in the recesses of the Witches' Path, he secretly hoped there might be. Life was not a joyful possession to Seymour Gaston in those days, and he cared little whether he lived or died. So, early the following morning, with a well-provisioned knapsack on his back and an alpenstock in his hand, he set out upon the Witches' Path. After ten hours of climbing, crawling, sliding and slipping over almost impassable rocks and through impossible thickets, the trail led into a stretch of forest so dense as to completely shut out the fading daylight, and the wanderer was glad to accept as a bed the thick, endless carpet of pine needles that lay stretched out before him. The following morning he resumed his journey and at noon discovered, high on the mountain side, what appeared like a gray toy-house hidden among the rocks and pines. After another hour of tiresome climbing he stood before a cottage built upon the very edge of an immense cleft. From far below echoed the hoarse booming of a mountain stream. His knock was answered by a short, white-bearded mountaineer with piercing gray eyes, who, upon learning that his visitor spoke German, received him hospitably with the remark that it was seldom indeed that visitors came his way to brighten the lonely lives of himself and niece, who, he added, lived by making cuckoo clocks. It required no urging on the part of Caspar Kollner, the cottager, to induce his guest to defer his return until the following day, and after supper, served by the mountaineer's attractive young niece, the tourist was equally willing to join his host in a pipe and game of écarté, while the young lady looked on and played weird airs upon her guitar. Whether it was the strange quality of her undeniable beauty and the sombre mystery of her eyes, or her music, Gaston soon lost interest in the game. Although there seemed little purpose or training in her half listless playing, the sounds seemed to hint at unfathomable things, at fancies such as Gaston supposed might visit the soul of one who had strayed from the paths of his fellow-men into an exotic, unhealthy world of his own, where strange birds sang in a dusky, scented twilight. He played recklessly, lost steadily, and was repeatedly compelled to resort to the Bank of England notes in his wallet.

"You are in bad luck to-night. Shall we stop? You must be tired after your long tramp," at last suggested the host. Then, counting the money slowly and with evident pleasure, he handed to Gaston all the latter had lost. It was promptly pushed back protestingly, whereupon Kollner exclaimed, "Never! The pleasure is mine; the money is yours. It is my custom to play for stakes to lend interest to the game, but the law of hospitality forbids my keeping what I win." So Gaston returned the money to his wallet and bade his generous host and hostess good-night. Kollner led him to a large, low-studded room on the upper floor in which every article of furniture was elaborately hand-carved.

"The masterpiece of my craft," exclaimed Kollner, as he pointed with pride to a mammoth cuckoo clock, fully four feet wide and reaching nearly to the ceiling. "But our proudest possession," he continued, as he led his guest through a tall French window upon a small veranda, "is this," pointing to a view that caused Gaston to gasp for breath. The balcony directly overhung the mighty gorge, and from the gulf of blackness far below rose the sound of the tumultuous stream, while an uncertain moon threw fantastic shadows over the towering peaks above. "Most wonderful of all," continued Kollner, "is the echo, 'The Ghost of the Gorge' as it is called. You shall hear it at dawn." With that he wound up and set the big clock, adding, "When the cuckoo calls, rise and come to this balcony. My niece shall play from the rocks below and you will hear the spirit answer. Good-night!"

As on many other weary nights, sleep refused to come to Gaston. He lay for hours listening to the gurgle of the water and hearing in it echoes of the wild music of the guitar. Towards morning a feverish slumber came, from which he was aroused by the shrill "Cuckoo! Cuckoo!" of the mechanical bird.

Clad in his pajamas he drowsily groped his way in the dusk towards the balcony. He had almost reached it when he overturned the chair which had served to keep the window half open during the night. In its outward fall it carried down the balcony with a crash and Gaston, horror-stricken, barely kept his balance by grasping the window casing. From the dark chasm rose the weird strains of the guitar, echoing through the gorge. The Lorelei was calling! But her notes were drowned by the shrill creaking of the iron hinges upon which the balcony now swung to and fro below Gaston, and which, like a flash, told him he had been led to a man-trap of hellish ingenuity. Instantly horror gave way to anger and the instinct of self-defence roused him to action. For months he had been reckless of danger, almost courted death. Now he was seized with an overpowering desire to live. He turned from the window and began to dress hurriedly when a noise attracted his attention to the cuckoo clock. Was it a hideous delusion? No! The thing was actually moving towards the centre of the room! In another instant Kollner appeared from an adjoining room through a door which the clock had concealed, his eyes glaring fiendishly as they rested upon the empty bed. Then, as he turned and saw Gaston, his face became a mask of absolute fright and bewilderment. For a moment only he recoiled, then flung himself upon his guest with the fury of a beast. Each instantly realized that the struggle would be to the death. Frenzied by the miscarrying of his diabolical plot, the mountaineer struggled madly, blindly, for a grip that should enable him to hurl his adversary over the mighty precipice. Foiled again and again by the agility of Gaston and forced to the defensive, he turned towards the open door to escape. As he did so Gaston rushed upon him, pinned his arms to his sides, and pushed him inch by inch to the open window, and--Caspar Kollner reached the end of the Witches' Path! Ten minutes later Gaston found the niece quietly preparing breakfast. She looked surprised, but when he told her that her uncle and not he had answered the Lorelei's call, she asked, with naïve innocence, what he meant. It was only after he had threatened to hand her over to the police at Trieberg that she made this confession:--

She had been brought up by her uncle, who had invented the folding balcony, and who always engaged his guests in a game of cards. He invariably won because he had taught her as a child to signal, by means of notes and chords on the guitar, the cards held by his opponent. He thus learned if his guests were supplied with money, and to gain their full confidence returned all they had lost. He was enabled to set the man-trap from his room below. Although the gorge held the remains of thirty victims, it was his boast that he had never killed a man, that each had of his own free will walked into eternity.

Gaston had heard enough. He did not stop for breakfast. He left Trieberg the following evening and thoughts of his business troubles no longer occupied his mind. When he returned to America he set to work to retrieve his lost fortune, and the folding fire-escape, he tells his friends, was suggested by something he saw abroad.

Gaston does not claim the gift of second sight, but he knows, he says, that in the performance of the Zillerthalers, the weird strains produced by "The Girl with the Guitar" describe to her blindfolded sister the articles borrowed of the audience.

ONE CHANCE IN A MILLION

As the traveler, turning his back to the setting sun, descends into Paradise Valley, there spreads before him a brilliant checker-board of orchard and vineyard. Beyond this an extensive and picturesque group of red buildings gleams still ruddier, and upon one corner of the roof of the principal structure a small house of glass glistens like a huge jewel in the sunset glow. Approaching nearer, the buildings are seen to be surrounded by parks and gardens, where men and women are amusing themselves with golf and baseball, croquet and tennis, under the watchful eyes of discreet attendants.

Here is the home of many a human wreck, cast upon the shores of mental oblivion in the strenuous struggle of life--the man who, during the gold fever of '49, found fortune to lose all else, he who sacrificed everything and gained nothing, and hundreds of others, men and women, who have proved unequal to the strain on nerve and brain imposed by the stress of an unkindly Fate.

Walking apart from these groups may be seen a white-haired man of melancholy mien, who pauses occasionally and makes a peculiar motion with his hands, as if in the act of cutting with an imaginary pocket knife. This man is the sole occupant of the glass house on the roof, which is always brilliantly lighted, blazing all night with electric lamps. At intervals of a few months, he is visited by two ladies, who seem extremely solicitous for his welfare, and twice a year a noted alienist from Paris comes to study this interesting case. Here is the story of this peculiar patient:

Anyone with a sweet tooth and a good memory will recall the curious little pear-shaped sweetmeats which were so popular thirty years ago and then suddenly dropped out of sight. Everyone bought and talked of the new candy, which was small, apple-green and translucent, with a curious red streak in the core. It was not only very delicious to the taste, but produced a strange effect of mental and physical stimulation, of buoyancy--almost of intoxication. Totally different from the action of any known drug, however, and especially from alcohol, it had absolutely no deleterious reaction, but on the contrary seemed to exercise a tonic influence upon the nervous system. Joy Drops, as they were called, were carried in school-children's satchels, sold on trains, taken as a "pick-me-up" by men, ordered by society ladies for their "functions" and consumed by shop-girls by the ton.

The enormous profits from their sales were not divided among shareholders, but all went to one man, Walter H. Torreton, the inventor and manufacturer, who, starting in a small way, had constantly increased his business and incidentally the fame of the Lake city where he lived. There he bought the handsomest estate on Park Avenue and built extensive conservatories, giving much personal attention to a unique species of lily, which had never before been seen, called by him the multi-bloom.

As the fame of Torreton's confectionery spread, other manufacturers put imitations on the market, but without success. Though their candy looked much the same, it wholly lacked the peculiar qualities of the genuine Joy Drops, in which analysis had failed to reveal anything more than sugar, a little fruit flavoring and the merest trace of some quite unknown but very volatile essence, which appeared to be located in the red central stripe.

Torreton received large offers for the use of his secret formula, but these he promptly declined, and went on enlarging his business. Then his competitors began a systematic endeavor to steal what they could not buy. Information was lodged with the internal revenue officers that the candy contained alcohol, but this was disproved by the government analysis, which, however, utterly failed to show the nature of the characteristic ingredient. Torreton often found spy-glasses and cameras levelled upon his laboratory windows from buildings across the way. Repeated attempts were made to bribe his workmen, but they only served to bring out the fact that no one knew the secret but Torreton himself. Then complaint was brought against him for violating the fire regulations, and among the inspectors who came when an investigation was ordered he recognized a chemist from Chicago. But even this spy, after gaining access to the citadel, and peering and sniffing about the premises, could find no clue but a strange aroma which he could not identify. Some express packages which arrived at the factory were traced back to Amsterdam, where, after a tedious search, it was found that they had been originally shipped across the ocean by Torreton himself, merely as a blind. When it seemed as if persecution and inquisition could go no further, the inventor, one evening on leaving the factory, discovered a small balloon anchored over his laboratory skylight!

Not long after this, a real estate firm, acting, it was surmised, for a foreign syndicate, bought a vacant tract of land on the outskirts, commonly known as Sumach Park. On the high ground in the centre a large brick building was erected and enclosed by a high brick wall like those which give privacy to many English estates. The building itself was surmounted by a glass structure, somewhat like the lantern of a lighthouse, and was the cause of much curiosity. This curiosity was partially gratified eventually, and the story of a foreign syndicate shattered by the following notice, which appeared one evening in all the papers:

ONE THOUSAND DOLLARS REWARD will be paid by the undersigned to the
person who first brings news to his residence on Park Avenue that
the electric light has gone out in the cupola of the new Torreton
Confectionery Works, in Sumach Park.

WALTER H. TORRETON.

As soon as the papers were on the street, men went out of their way to get a look at the new light. There it was, sure enough, and as the darkness gathered it displayed a beautiful green pear, with a red streak in the centre, a gleaming reproduction of the famous candy. It was pronounced a great advertisement, but one scarcely necessary in a locality where the confection itself was already in the mouth of everybody. However, the reward offered was tempting, and not only did every policeman and fireman immediately become a night watchman for the Torreton works, but every man and boy as well who could invent any pretext for being out.

But while thus, in one sense, subjected to closer espionage than ever, Torreton's factory was no longer troubled by the spies of his rivals, and his business increased even beyond his expectations. Still he labored regularly as ever, and lived with his wife and niece just as quietly, his only extravagance being frequent additions to his greenhouses.

The light in the cupola burned steadily, and the tempting reward seemed destined to remain unclaimed, until one evening more than two years after the completion of the building, when a newsboy lingering late in the endeavor to dispose of an overstock of "extrys" suddenly saw a blurred halo surrounding the green and red beacon. It trembled, grew pale and--

_The light went out!_

Dropping his papers, the boy took the shortest route to Park Avenue, but soon found he was not alone in the race for the Torreton residence, as he passed men and boys and even women, all silently striving for the promised reward. A watchful and active fireman was the first to arrive in the presence of Mrs. Torreton to claim it, and she, with her niece, who acted as confidential secretary to her uncle at the factory, were already in a carriage swinging out of the grounds when the great body of panting messengers arrived.

During the anxious drive to Sumach Park, the girl explained that, rather earlier than usual, her uncle told her he was going to the city and would not return to the works. When she started for home she had noticed that the door to a small inner laboratory vault, in which Mr. Torreton kept his most important chemicals and papers, was open. She had closed and locked it. What connection this incident might have with the extinguishing of the light she could not imagine, yet she felt that something was wrong, as any attempt to enter the building by night would put out the beacon and give an alarm.

Followed by Mrs. Torreton and a policeman from the crowd assembled about the factory, the niece led the way through the building. Although this was four stories high, all the stairways and elevators stopped at the third floor. The private laboratories on the top floor were never entered by any one but Torreton and his niece, who went there daily, drawing themselves up by an ingenious contrivance like a dumb waiter built into the wall and concealed behind a panel in the private secretary's office. To this she now went, and under her direction the others ascended one at a time to the floor above. The laboratory was in darkness, and the electric light would not work. But as they approached the door of the vault by lantern light, strange noises were heard. Tremblingly the girl worked the combination and released the heavy door. Torreton was there and alive, and without speaking he stumbled blindly toward the light, and then fell unconscious.

Before closing the vault again, the niece looked wonderingly in. Burned matches and paper ashes attracted her attention. They lay on the floor, beneath the electric light bracket. On a shelf lay a note hastily scrawled on a Joy Drop wrapper:

"Locked in--suffocating. Secret shall die with me. Have burned the
formula. Wife has enough--she shall not be persecuted as I have
been. Good-bye."

Beneath this was written:

"A thought has come to me that may save my life: _I shall try to give
the alarm by cutting the electric wires and putting out the cupola
light_."

He had indeed given the alarm in time to save his life, but his mind became a complete blank. The Torreton Joy Drops disappeared from the market, and the light in the cupola of the deserted works has never been relighted. Finally, even the family residence was given to the city for a hospital, but it was not until after the extensive greenhouses had been dismantled and their treasures scattered that it was suggested that they might have held the secret of the famous sweetmeat. That secret, with its possibilities, lies hopelessly buried in the darkened brain of Walter Torreton.

And it is darkness alone that disturbs him now. It was observed from the beginning of the attempts to treat his remarkable case that he displayed the utmost repugnance to darkness, and grew nervous, uneasy and wild as twilight came on. He is happy only in a glare of light, and it was upon the advice of an eminent Parisian specialist that he was finally removed to the beautiful California valley, where he lives, day and night, in a flood of radiance. His mind slipped a cog, the specialist says, which may slip back again, just as a train that has jumped the track may jump back--but it is one chance in a million.

DOODLE'S DISCOVERY

John Jefferson Doodle derived a large amount of pleasure from the knowledge that he was considered a crank. In Doodle's opinion cranks were persons who, knowing the right way, refused to have things done in any other. John Jefferson demanded full value for his own money and persisted in giving the same in return for the money of others. Business back-steps, fool fakery, and lame excuses were foreign to his methods, so when he opened his restaurant success was assured. Doodle's was the most up-to-date café in the entire eating zone. The food, service and appointments were of the best, and from the opening day the future prosperity of Doodle was something that a fifth-rate prophet could foretell without running the risk of a headache.

But Doodle's Café was in the direct line of a trouble cyclone. In the washrooms connected with the establishment the proprietor supplied the finest toilet soap that money could buy, but unfortunately for the peace of mind of John Jefferson he was called upon to supply much more than legitimate demands required. Expensive soap proved a tempting bait to unprincipled patrons, and Doodle soon discovered that something like forty dollars' worth of soap was required to meet the daily demands of his six hundred patrons. Legitimate hand-washing could not possibly be responsible for this enormous outlay, so Doodle set his brain the task of devising a plan by which the thieves could be detected.

As all the world knows, various ingenious schemes have been tried with the object of protecting the soap in the washrooms of hotels and restaurants. The cakes have been chained to the wash-stands, for example, only to be cut away by well-to-do people who take things as they come. Again, hotel proprietors have put up liquid soap in fixed contrivances, but the kleptomaniacs outwitted the vigilance of the worried owners. The soap was carried away in bottles, and the unfortunate proprietors, finding it impossible to circumvent the ingenuity of the thieves, furnished common soap in large quantities as the only means of lessening their loss.

But Doodle continued to buy the finest toilet soap that was on the market, and he was determined that no thief would make him change his methods. On this account he set his wits to work and Doodle's Soap Thief Detector was the result.

The café owner was in rapture over his invention. Its ability to do all that he claimed for it was beyond question. He had it patented, fitted to the wash-stands, and then awaited results.

The Detector was a simple contrivance. It consisted of a small kodak-like arrangement concealed behind the mirror that hung above each washbowl, the eye of the camera being hidden among the electric light fixtures. The picture-taking device was connected with the soap tray in such a manner that a person lifting the soap relieved the pressure upon a button in the bottom of the tray and was by this means immediately photographed by the unseen instrument. When the soap was replaced a self-developing film was moved up in readiness to snap the next person who lifted the tablet, but if it was not replaced the photographic apparatus stopped working and the picture of the soap thief was, therefore, the last on the film.

Doodle gave orders to his staff to immediately report to him when they found a cake of soap missing from its tray, and on the first day he waited anxiously. John Jefferson had philanthropic ideas and he considered the exposure of a soap thief an act for the benefit of the community. He had not long to wait. Dinner had scarcely begun when a cake of soap was reported missing and the proprietor immediately stepped to the washroom and took the film from its place of concealment. The last snapshot was that of a well-dressed middle-aged man, and Doodle, with the long film in his hand, walked down the big dining-room in search of the original. At the very last table he found his man, and, leaning over, addressed him.

"Pardon me," he said, quietly, touching an overcoat that hung near the customer, "is this your overcoat?"

The diner nodded.

"Then," continued John Jefferson, "will you kindly take out of the pocket the cake of soap you took from the wash-stand a few moments ago?"

The accused man grew red in the face and indignant, but Doodle was persistent.

"Very well," he said, when the customer refused to comply with the request, "I will take it out myself. It belongs to me."

He inserted his hand in the pocket of the overcoat and drew forth the missing soap wrapped in one of the small hand towels also belonging to the establishment.

"As I thought," commented Doodle. "A wet piece of soap calls for a dry wrapper, and I suffer doubly. Now, sir, you had better keep quiet. I have the picture of the fellow who took the soap, and that picture is yours." He pushed the film before the eyes of the astonished diner and that person immediately grabbed his hat and coat, paid his check, and fled.

The Thief Detector did good work on its first day. Twenty-seven prominent citizens were among those detected, and the machine finished up the day's work by photographing the mayor of the city, who was accompanied by three ladies. The official blustered when Doodle made the accusation, but, like the others, was forced into a corner when confronted with the tell-tale film, and he drew a cake of soap from his pocket when the proprietor threatened to call an officer.

In ten days Doodle had recovered thirteen hundred and eleven cakes of soap, or, more correctly speaking, he had recovered several cakes thirteen hundred and eleven times from the same number of soap thieves, who were ignorant of the fact that their theft had been recorded by the unseen instrument. And in no single instance had the Detector made a mistake.

But Doodle found that the detection of soap thieves was a costly business. The thirteen hundred and eleven customers detected in the act of purloining the cakes of soap did not return, and each day made matters worse. The Detector's average decreased as the patrons fell away, but each day it scored its victims.

And Doodle was determined. He had made up his mind that he would not allow a man who paid seventy-five cents for a dinner to carry off forty cents' worth of soap, and the moment the machine registered a thief John Jefferson lost no time in making the accusation and recovering the stolen property.

On the twenty-fifth day after the installation of the invention Doodle had but ten customers to dinner, and before the meal was over John Jefferson Doodle retired to his office, and throwing himself into a chair spent some two hours in considering the situation. He then arose and acted with sudden energy. He dictated a lengthy telegram and after seeing that it was immediately dispatched, he drafted a circular and had it typewritten. Then, with a satisfied expression upon his face, he sat down and awaited events.

And he had not long to wait. Two hours after the dispatch of the wire a fat man walked into the dining-rooms and asked for the proprietor. John Jefferson inclined his head and motioned the stranger to a seat.

"I am the president of the International Toilet Soap Trust," said the newcomer eagerly, "and I came in response to your peculiar telegram. It is a trifle vague, and we want more information regarding the matter you mentioned."

John Jefferson Doodle stood up, and without speaking led the way to the washroom. With a grim smile upon his face he explained the mechanism of the Soap Thief Detector to the president of the International Toilet Soap Trust, and the fat man breathed heavily.

"There is nothing vague about this," sneered Doodle. "What I wired you is the truth. Nine out of every ten people who steal soap from hotels and restaurants never buy toilet soap. Therefore, the more thieving the more soap you will sell us, and it stands to reason that you do not wish the Thief Detector to come into general use."

"Into general use?" queried the visitor.

"Yes," snapped Doodle. "I'm going to have this circular printed, which tells the whole story in plain language. If every hotel, café, and boarding-house uses one--but, there, read it, and then I'll talk terms with you."

The president of the International Toilet Soap Trust leaned back in his chair and read the document, then he did some rapid figuring on the back of an envelope.

"What are your terms?" he asked sullenly.

"A quarter of a million for all rights," cried Doodle. "If you don't want it I guess that every member of the Hotel, Restaurant and Boarding House Union will feel glad when they get my circular. There are over two hundred thousand members, and the trifling sum of five dollars a head will yield me over a million."

The other stood silent for a moment, regarding the face of John Jefferson with his keen gray eyes.

"I couldn't do it on my own responsibility," he said at last.

"Get busy on the long-distance 'phone," suggested Doodle. "Call a special meeting of directors and explain matters, and I'll await the decision. If your people don't buy, I'll promise you that the Great Soap Thief Detector will be known from Mindanao to Baffin's Bay inside three months."

Three hours afterwards the fat man returned, and picking up a pen he wrote a check in favor of Doodle for two hundred and fifty thousand dollars, which he exchanged for a deed, conveying all rights in the Detector. He then stepped into the washroom, tore the picture machine from its hiding place, disconnected the wires leading to the soap tray, and ripped the film into a thousand pieces.

"I've seen enough of that thing," he growled angrily. "'Cleanliness is next to Godliness,' and the man who stops another man from stealing soap is running pretty near the sin line, I take it."

Then, with a final snort of disgust, he went out into the street, and the doors of Doodle's Famous Dining-rooms were closed. Doodle the Crank was happy and--rich.

KOOTCHIE

The east wind had failed to put in an appearance that evening, and the thermometer registered ninety-five under the stately elms of the Boston Common.

The family had gone away for the summer, and Buttons and the butler were out for an airing. Both were so well fed and so little exercised that they needed something to stir their blood.

Buttons was a sleek, fat pug, with a knowing eye and oily manner. They called him Buttons because the harness he wore about his forequarters was studded with shining ornaments.

His companion was likewise sleek and fat, and the amount of lofty dignity he stored under his bobtailed jacket and broadcloth trousers told everybody that he was the butler. He carried a wicked little cane with a loaded head, and seemed to own the greater part of the earth.

As the two strolled proudly through the Beacon Street Mall, fate favored Buttons and the butler. There was a cat on the Common,--a pet cat without an escort. This cat belonged to one of the wealthy families who at the tail end of winter board up their city residences and go to the country to spend the summer and save their taxes. The owners of this particular cat had speeded missionaries to the four corners of the globe to evangelize the heathen, but their pet puss they had turned into the streets of the modern Athens to seek its own salvation. With no home or visible means of support, but with true feline fortitude, the dumb creature now haunted the doorstep of the deserted mansion and grew thin. Hunger had at last driven her to the Common in the hope that she might surprise an erring sparrow, or, perchance, purloin a forgetful frog from the pond.

The instant Buttons spied her he gave chase and drove her for refuge into a small tree. Then he stood below and barked furiously, until the sympathizing butler shook the tree and gave him another chance. This time the cat barely succeeded in reaching a low perch on the iron fence, from which with terrified gaze she watched her tormentor.

"Why do you torture that cat?" angrily asked a quiet gentleman who sat on one of the shady benches holding a yellow-haired little girl on his knee.

"Oh, me and Buttons is having a little fun," answered the butler. "Buttons is death on cats."

The quiet man said nothing, but got up, helped the frightened cat to escape to a safe hiding place, and then resumed his seat.

That night puss went to bed without a supper, while her owner presided at the one hundred and eleventh seaside anniversary of the Society for the Prevention of Cruelty to Animals, and punctuated the courses of a fish dinner with rare vintages of missionary port.

The next evening the same heat hung heavily over the Beacon Street Mall, and Buttons and the butler were again taking an airing and looking for fun.

As Buttons neared the scene of his former encounter, he pricked up his ears, and sniffed the air for the scent of game. Presently his anxious eye was attracted by something his pug nose had failed to detect. On a bench near by sat the quiet gentleman whose acquaintance Buttons and the butler had made on the previous evening. The same yellow-haired little girl was seated near him, intently watching the rings of cigar smoke he puffed high into the evening air. Between the two a huge inflated paper bag was surging to and fro. It was this paper bag that had caught the eye of Buttons. It interested him. Drawing himself all up in a heap, he proceeded with cautious, measured step to satisfy his curiosity. As he slowly approached the curious object, his low, fretful growls seemed to rouse it to renewed gymnastics. This frightened Buttons and caused him to turn tail and flee. His curiosity had, however, got the better of him, and, returning to what he deemed a safe distance, he began barking furiously.

"Cat, Buttons, where's the cat?" came from the butler, who was leisurely bringing up the rear, unconscious of Buttons's find.

With renewed courage, the pug rushed towards the paper bag. He had almost reached it when the quiet gentleman gave the bag an opening twist, and, as a furry head with a pair of fiery eyes shot out, he exclaimed:

"Hi, hi, Kootchie!"

The earnestness with which Kootchie "hi, hied" became instantly apparent by the piteous howls that rose from out of the murderous clawing, snarling mass of flying fur and silver ornaments. And the speed with which Buttons's companion hastened to the rescue with his loaded cane proved that even a Boston butler can get a move on. Before he could interfere, however, the quiet gentleman took a hand in the game.

"Stand back," he demanded, in tones that showed he would brook no interference. "Buttons is death on cats. Kootchie is death on pugs. You like fun. I like fair play."

In less than twenty seconds a crowd of loungers, newsboys, nurse-girls, and pedestrians hurried to the scene. In the confusion somebody thoughtfully told a policeman to ring for the "hurry-up" wagon. But before it arrived the butler was permitted to carry home in his arms what there was left of Buttons.

"Beat it, der cop!" shouted a newsboy, as the butler picked up his limp and disfigured companion. And, as the crowd scattered, every one was amused to see a fine, gray, stumpy-tailed cat make its way to the yellow-haired little maid on the bench.

As the latter lovingly stroked her shining coat she remarked proudly, "Kootchie is my little pussy tat. Papa say, 'Kootchie, put Buttons to sleep.'"

And the policeman winked with ghoulish satisfaction when the father spoke up, "Kootchie is a nine-jointed cyclone. She's a young California wild cat a friend in Tiger Valley sent me. I'm fond of pets, you know, and as she felt a bit homesick this evening I brought her out here for an airing."

HER EYES, YOUR HONOR

"The witness is yours."

As the prosecuting attorney sat down, the spectators craned their necks and eagerly leaned forward. Every one expected a merciless cross-examination, as the reputation of the young lawyer, who had been brought two hundred miles to defend the prisoner, had preceded him. And though Delos McWhorter had thus far taken no part in the proceedings, he was the most conspicuous figure in the great trial. One person alone rivaled him,--the mysterious woman who stood at the bar, charged with murder. The hush that fell upon the packed court room as the man slowly rose to his feet resembled the awful silence with which the death sentence is awaited. As he stood silent and irresolute for a moment, the color rising to his plain, youthful face, his fingers nervously fumbling with a pencil, the spectators were conscious of a feeling of disappointment.

With almost boyish embarrassment, his eye sought that of the presiding judge; next he scanned the faces of the jury, and then, turning to the witness, in a voice at once gentle, sarcastic, and magnetic, he began:

"Mr. Slade, I will trouble you to look once more very carefully at the prisoner. Perhaps she will rise that you may see her better. You have testified that shortly before eight on the night of the murder you saw this woman enter the apartment house of which you are the janitor, and in which the body of Charlotte Ames was found. Now, I would like to have you tell the jury just what it was in the appearance of the woman you say you then saw that enables you to swear to-day that she and the prisoner are one and the same person."

The witness, fearing a trap, hesitated, and nervously eyed the lawyer.

"I would like you to tell us," calmly continued the questioner, "whether you took such particular notice of her height, her face, her complexion, her hair, her nose, and her teeth during the few moments that you say you saw her in the dimly lighted hallway, four months ago, as to enable you to swear to-day that you cannot be mistaken. Was it her size, her apparent age, perhaps, or the color of her hair, or what?"

"It was her looks," answered the witness, squirming in his seat. "It's the same woman."

"Yes, her looks; but I must trouble you to answer my question so that the jury may have the whole truth before they are asked to send any one to the gallows. Remember, Mr. Slade, you are under oath. Now tell us, what was it?"

"We object," came from the prosecuting attorney as he sprang to his feet. "We object, your honor, to this attempt to intimidate the witness."

Before the court could pass upon the objection, the witness, turning from his questioner to the court, exclaimed half defiantly:

"It was her eyes, your honor!"

"That is all," came from the lawyer for the defence, as he resumed his seat; and the spectators relaxed into a condition of restlessness that clearly showed their further disappointment.

Each of the succeeding witnesses declared without hesitation that the prisoner was the woman they had seen near the scene of the murder, either just before or shortly after the deed was discovered. As one after the other was dismissed by the defence, upon insisting under cross-examination that he could not possibly be mistaken, the faces of the government counsel beamed with satisfaction, while those of the spectators assumed the blankness of mystification. What was the strange lawyer there for? they whispered among themselves, and many turned toward the prisoner as though to ascertain whether she realized how surely her life was being sworn away. In his opening address the prosecuting attorney had said:

"On the second day of last November, a woman residing in this town, young, rich, and notorious for her gay and reckless career, was found murdered in her bed at half past eight at night. Everything about the room was in perfect order. There had been no robbery, and the instrument used was found in her breast, where it had been driven to the heart. It was a gold ornament, such as a woman wears in her hair.

"We shall not attempt to defend the character of the dead woman, but we shall ask that justice be done.

"It is true that many a woman in this town had good reason to wish the murdered woman ill. It is true that there are men in the community who might have been driven by desperate hate, desperate love, or desperate jealousy, to do the deed, but, fortunately, before cruel suspicion made any blunder of that sort the police discovered the criminal. Almost simultaneously with the rumors of the murder came the reports of a mysterious woman found leaving the city. Within twelve hours this woman, who now stands at the bar, had been identified by no less than four people, who saw her in the vicinity of the scene of the crime either before or after it was committed.

"No one knew her. She refused to give any account of herself. She appeared to be in a state of great nervous excitement. The government will show that she entered the house shortly before the murder was committed; that she left it a few minutes after the deed was done; that on the very day of the murder she had high words with the dead woman, and that the instrument with which the deed was done was such an one as the prisoner was known to possess. Gentlemen of the jury," he concluded dramatically, "Fate plays no tricks of that sort. Fate fashions no such chain of circumstantial evidence as that which establishes the guilt of this woman and upon which we ask her conviction."

These were his words, and now that the janitor had testified that he saw the prisoner enter the building, a patrolman had declared that he saw her leaving it within fifteen minutes before the crime was discovered, and the dead woman's coachman had sworn to having overheard the prisoner using threatening language to his mistress,--after this and other circumstantial evidence had gone before the jury and remained unshaken by cross-examination, the prosecution announced that the case for the government was in.

In spite of the disappointment with which the spectators regarded Lawyer McWhorter, a nervous dread of the man possessed the minds of the opposing counsel, as he rose slowly and deliberately clasped his hands behind him. He was so calm. His methods were so unfathomable that they began to feel a vague conviction that he mastered them and their methods, while to them he was a closed book.

A moment he stood silent, and, when he spoke, utter consternation fell upon the court. The words were the last they had expected.

"Your honor, the defence has no evidence to offer."

Even the court could scarce control its amazement. Inch by inch the ground upon which the prisoner stood had been carried away, until now nothing but the personal appeal of her counsel could save her life. Was this possible? Did this young stranger really possess that rare eloquence, that fatal magnetism, that sometimes blind strong men to all sense of reason and right? Did even he hope to save his client? His looks betrayed nothing. As he took his seat his face was that of a sphinx.

The attorney for the government lost no time in beginning his closing speech. "We commend the judgment of the distinguished counsel for the defence," he began, "which deterred him from attacking the overwhelming proofs we have submitted of the prisoner's guilt. We commend the keen judgment which prompts him to rely upon the famed magic of his own voice rather than to seek hope for his client in the uncertain words of unreliable witnesses. The defence, too clever to attack such proof as we have presented, will now rely upon silvery tongued oratory and superb rhetorical appeals to secure from these twelve men a verdict of acquittal. But, may it please the court," he concluded, "our learned brother mistakes the intelligence of these gentlemen of the jury, if he supposes, for one moment, that fervent appeals to their sympathies can make them forget their duty to themselves, to civilized society, and to womankind." So well satisfied, however, had the spectators become of the prisoner's guilt, and so completely did all interest now center in McWhorter's anticipated speech, that the remarks of the prosecuting attorney were listened to with indifferent attention.

Now, surely, the brilliant advocate would demonstrate his ability, even though he could not save his client.

"The woman," he began, amid oppressive silence, "who was arrested on the second day of November last, stands charged with murder. As no testimony has been offered to show that she committed murder, the defence will not waste your time or insult your common sense by unnecessary argument. You have been told with great clearness by the witnesses for the prosecution that the prisoner was seen to enter and leave a certain house at certain hours; also that on a certain day she had high words with a certain woman. But, gentlemen of the jury, under the laws of your State that doesn't constitute murder. A woman may pay a visit to an apartment house at eight o'clock at night, she may have high words with another woman in the public highway, she may even wear a gold ornament in her hair,--she may do all this without becoming a murderess. The evidence adduced is purely circumstantial. No proof whatever has been offered that the accused woman killed Charlotte Ames. In the absence of such testimony, it is your duty to yourselves, to civilized society, and to womankind, to acquit the prisoner." Before the last word was spoken he sat down.

The entire court room was again taken by surprise. While the brief speech had the ring of cleverness, it fell far short of the general expectations.

After hearing the judge's charge to the jury not one person in that vast assembly doubted the result. Few felt any sympathy for the woman, and those few were men. The members of her own sex were as a unit arrayed against her. The pride of her pale beauty antagonized them. The very women who in their hearts had wished the dead girl ill and who would have committed the crime themselves, except that they lacked the courage, had no pity for the accused. There was something in her beauty above and beyond them, and, womanlike, they hated her for it.

Not a soul left the court room as the jury filed out, for all expected a prompt verdict. In this they were not disappointed. Ten minutes later the twelve men filed solemnly back. Not an eye sought the face of the prisoner, who, like her counsel, sat entirely unmoved.

As the clerk rose the silence became deathlike. "Prisoner, look upon the jury. Jury, look upon the prisoner. Have you agreed upon a verdict?"

"We have."

"Is the prisoner at the bar guilty or not guilty of the crime charged against her?"

"Guilty."

With difficulty the demonstrations of approval that broke out in every part of the room were checked by the court officers.

Moved by that inevitable heart-stopping vision of "hanged by the neck," every spectator turned to the handsome woman in the dock.

The calmness with which she received the stares of a thousand eyes was marvelous. No one expected that she would now break her mysterious silence. When, therefore, she rose and turned her eyes towards the court the spectators sat fairly spellbound with surprise.

"May it please your honor," she began in a firm, clear voice; then, lifting one slender white hand, she pointed to the door at the back of the witness stand.

Every eye followed her gesture. A tall female figure, heavily veiled, accompanied by one of the associate counsel of the defence, stood in the doorway. The next moment she raised her veil, advanced rapidly, and took her place beside the prisoner.