Chapter VI (4)

FRANCIS THEAKSTONE. NOTE ON THE PRECEDING CORRESPONDENCE, ADDED BY MR. THEAKSTONE.

The inspector is not in a position to append any explanations of importance to the last of the letters. It has been discovered that Mr. Matthew Sharpin left the house in Rutherford Street five minutes after his interview outside of it with Sergeant Bulmer, his manner expressing the liveliest emotions of terror and astonishment, and his left cheek displaying a bright patch of red, which looked as if it might have been the result of what is popularly termed a smart box on the ear. He was also heard by the shopman at Rutherford Street to use a very shocking expression in reference to Mrs. Yatman, and was seen to clinch his fist vindictively as he ran round the corner of the street. Nothing more has been heard of him; and it is conjectured that he has left London with the intention of offering his valuable services to the provincial police.

On the interesting domestic subject of Mr. and Mrs. Yatman still less is known. It has, however, been positively ascertained that the medical attendant of the family was sent for in a great hurry on the day when Mr. Yatman returned from the milliner’s shop. The neighboring chemist received, soon afterward, a prescription of a soothing nature to make up for Mrs. Yatman. The day after, Mr. Yatman purchased some smelling-salts at the shop, and afterward appeared at the circulating library to ask for a novel descriptive of high life that would amuse an invalid lady. It has been inferred from these circumstances that he has not thought it desirable to carry out his threat of separating from his wife, at least in the present (presumed) condition of that lady’s sensitive nervous system.

THE SEVENTH DAY.

Fine enough for our guest to go out again. Long, feathery lines of white cloud are waving upward in the sky, a sign of coming wind.

There was a steamer telegraphed yesterday from the West Indies. When the next vessel is announced from abroad, will it be George’s ship?

I don’t know how my brothers feel to-day, but the sudden cessation of my own literary labors has left me still in bad spirits. I tried to occupy my mind by reading, but my attention wandered. I went out into the garden, but it looked dreary; the autumn flowers were few and far between—the lawn was soaked and sodden with yesterday’s rain. I wandered into Owen’s room. He had returned to his painting, but was not working, as it struck me, with his customary assiduity and his customary sense of enjoyment.

We had a long talk together about George and Jessie and the future. Owen urged me to risk speaking of my son in her presence once more, on the chance of making her betray herself on a second occasion, and I determined to take his advice. But she was in such high spirits when she came home to dinner on this Seventh Day, and seemed so incapable, for the time being, of either feeling or speaking seriously, that I thought it wiser to wait till her variable mood altered again with the next wet day.

The number drawn this evening was Eight, being the number of the story which it had cost Owen so much labor to write. He looked a little fluttered and anxious as he opened the manuscript. This was the first occasion on which his ability as a narrator was to be brought to the test, and I saw him glance nervously at Jessie’s attentive face.

“I need not trouble you with much in the way of preface,” he said. “This is the story of a very remarkable event in the life of one of my brother clergymen. He and I became acquainted through being associated with each other in the management of a Missionary Society. I saw him for the last time in London when he was about to leave his country and his friends forever, and was then informed of the circumstances which have afforded the material for this narrative.”

BROTHER OWEN’S STORY of THE PARSON’S SCRUPLE.