Chapter I: Part 1

THE POETRY OF
PATHOS & DELIGHT

THE POETRY OF
PATHOS & DELIGHT
From the Works of
COVENTRY PATMORE

❦
Passages Selected by
ALICE MEYNELL

WITH A PORTRAIT AFTER J. S. SARGENT, A. R. A.

LONDON: WILLIAM HEINEMANN

MDCCCXCVI

_All rights reserved_

INTRODUCTORY NOTE

This book does not offer a selection in the usual sense. The poetry of a master is selected before it is written, and before it is conceived; and the mind that conceives it is selected. Mr. Coventry Patmore’s art and labour do but second that original distinction. Therefore it is hardly necessary to say that my intention has not been to make a collection of “best passages.” What has been intended is to collect passages in which the poet has dealt with two things—delight and sorrow, those human and intelligible passions to which all real poetry has access, but which this poetry touches so close as to be mingled with them and changed into them.

So to offer great poetry to the natural human sensibility, should be to gain for the poet’s whole work new readers. I confess that is my motive. Because of their youth, which has not allowed them to read very much, or because of accident, there may be many readers still to gain. Among them may be the fittest—not the less fit because they have been for a time under the influence of a fashion for inordinate haste, or for inordinate leisure, of appreciation. Mr. Patmore’s greatest work is neither so new as to gratify the eagerness of one fashion, nor so old as to flatter the reluctance of the other. It is a work of the beginning of the last quarter of our century. It is dated later than Mr. Swinburne’s best, for instance, but it had its place in literature before the present young love of poetry had taken life. Again, many poets are heard because a chorus of contemporaries sings with them and like them. Mr. Coventry Patmore’s voice is single in his day, and single in our literature. It makes part of no choir loud by numbers, and so it needs an attentive ear. To that attentive ear it sounds alone, as the divinest voice of our time.

There is a dignity in Mr. Patmore’s reputation (attendant on the exceeding dignity of his art) that might be offended—though it could not be injured—by officious praises. But it is not inopportune to say thus much: Readers of this book and of the entire poems may be promised a perfect respite from the tedious controversy as to matter and manner, thought and expression. They shall not be invited to attend to discussions as to the relative importance of two things that in truth have no high importance if they can be divided so as to be merely related. The dispute is an inconsiderable one; it is perfectly opportune in the criticism of all poetry below a certain perfectly definite standard of art, and there only. Above that standard, thought and form are not opposed, nor merely related; they are one. It is not difficult to make a definition of classical poetry, if classical poetry may rightly be defined as all poetry—be its thought what it may, and its form what it may—in which thought and form are one. Classical poetry of every age—and every age has had a little—is that in which there is no antithesis, in which there is more than a bond—union and fusion. The classical poem may be a mere “To Althea from Prison,” or even a mere “To Blossoms.” In the small classic the word is fused with its fancy, and in the great it is fused with its passion; and the greater the passion the greater the splendour of the fire of that fusion—the “integrity of fire.”

The more essential passages of Mr. Coventry Patmore’s much earlier work—_The Angel in the House_—are classic, and very high in that noble rank. He plays with this power of his art in the brief metre, the symmetrical stanza, and the colloquial phrase. He has here accepted the dailiest things and made them spirit and fire. There has been something said against these colloquialisms; and indeed they would not be tolerable in hands less austere and sweet. The newest Philistine, who is afraid of the reproach of Philistinism, who denies Philistinism in the name of a Philistine, and ultimately receives a Philistine’s reward, has been known to make light of some of Mr. Patmore’s couplets, which he finds too “domestic.” But such “domestic” couplets as those in “Olympus,” for instance, are a smiling defiance of Philistinism. So are the brilliant stanzas, made of life, sense, and spirit, in which the very accessories,—the spoilt accessories—of a modern English wedding are rendered grave and blithe, and the bridegroom is restored to the dignity of the sun. Mr. Patmore makes the Wedding Sermon (at the close of _The Angel in the House_) the improbable opportunity for the finest wit and thought, tenderness, mystery, and celestial knowledge. One of the things that have baffled the trivial in these early poems is probably what they have taken for triviality or artlessness in the metre as well as in the word. Locks and bars and bolts are less secure for the locking away of a poet’s privacy, than is his unintelligible candour. In his solemnity the world recognises a mystery; but by his frank play and simplicity it is sometimes baffled and misled into disregard.

The _Odes_ are greater than the earlier poems, because they have greater capacity for the quality that is in all Mr. Patmore’s work. As for their metre, it is their very poetry. They move with indescribable dignity, and with the freedom of the spirit. The wind bloweth where it listeth. With absolute art the poet sighs, or pauses, or recovers breath, in the “irregular” line, with an effect of infinite liberty and pathos. “Thou hearest the sound thereof.” One of Mr. Patmore’s worthiest contemporaries has said that the Odes are almost too mournful to be read, because they are so close to the thought: “the verse attending on the thought, and having no independent life of its own.” This appreciation is insufficient, for there is union rather than “attendance;” but it expresses hastily the effect of this most sensitive and vital line—precisely the effect, which, in another art, results from the phrases of a _Parsifal_. Take the regular stanza as answering to a symmetrical melody; you will perceive that neither stanza nor tune can be so immediately sensitive as are those sentences of music, and those lines of the ode in the hands of a master. No other metrical form could be so free and so living a communication.

What is here to be communicated is vital and mortal pathos and felicity. Even as far as the reader has capacity to perceive that passion, he is aware that it is greater than his experience, and he confesses that it was uttered out of a greater capacity than his. Compassion with that greater passion is a high and worthy manner of admiration. It may be the “terror” that Aristotle joined to “pity.” Compassion in the highest degree is the divinest form of religion. The compassion of the slighter acquaintance with sorrow for the greater, and of the smaller capacity for the vaster, is a remorse of tenderness, lowliness, and respect, the paradox of worship.

Dexterity—the lower technique—may become habitual, and the more brilliant kinds of habit are often mistaken for the actual intention of great art; but great art is never habitual. Art has a perpetually living intention. All the lines and passages here gathered together are proofs of this instancy of art. And they are chosen as instant communications of the two passions of happiness and pain, because these are the most simple. It would have been easy to represent Mr. Patmore by an anthology proving him the poet of wit, or the poet of beauty, or the poet of indignation. But the most classic subject of classic poetry is the most intelligible in kind, however enormous in degree—felicity and infelicity. Of melancholy—the black humour—none of Mr. Patmore’s work has a sign.

CONTENTS

_To the Unknown Eros_ _Page_ 1
_England_ 5
_Remnant of Honour_ 8
_Victory in Defeat_ 9
_Saint Valentine’s Day_ 12
_The Wedding Sermon_ 15
_The Paragon_ 16
_The Rose of the World_ 18
_The Lover_ 21
_Heaven and Earth_ 23
_The Letter_ 24
_The Revelation_ 27
_The Doubt_ 28
_Security_ 29
_The Spirit’s Epochs_ 30
_The Maid_ 31
_Acceptance_ 32
_Betrothed_ 33
_The Dance Page_ 34
_Entreaty_ 36
_The Revulsion_ 37
_Praises_ 40
_Marriage_ 41
_The Rosy Bosom’d Hours_ 42
_Wind and Wave_ 45
_Beata_ 47
_If I were Dead_ 48
_Deliciæ Sapientiæ de Amore_ 49
_Mignonne_ 55
_Mildred_ 57
_Rejected_ 58
_Love in Tears_ 59
_Denied_ 60
_Love’s Will be Done_ 61
_First Love Remembered_ 62
_Lost Love_ 65
_Away_ 66
_Rachel_ 72
_The Voice of One I Knew_ 73
_In the Woods_ 75
_Leah_ 77
_Her Counsel_ 78
_Sponsa Dei_ 79
_Bonds_ 82
_To the Body_ 83
_Auras of Delight_ 86
_Psyche_ 88
_Dawn_ 89
_The Edge of Bliss_ 90
_Eros_ 91
_Amelia_ 92
_After Storm_ 96
_Venus and Death_ 98
_Semele_ 99
_The Married Lover_ 100
_The Amaranth_ 102
_The Letters_ 103
_One Spring_ 109
_Ma Belle_ 111
_A Farewell_ 112
_Departure_ 114
_The Azalea_ 116
_Eurydice_ 118
_The Day after To-Morrow_ 121
_Tired Memory_ 124
_The Toys_ 128
_Winter_ 130
_L’Allegro_ 133
_A Retrospect_ 136

TO THE UNKNOWN EROS.

What rumour’d heavens are these
Which not a poet sings,
O, Unknown Eros? What this breeze
Of sudden wings
Speeding at far returns of time from interstellar space
To fan my very face,
And gone as fleet,
Through delicatest ether feathering soft their solitary beat,
With ne’er a light plume dropp’d, nor any trace
To speak of whence they came, or whither they depart?
And why this palpitating heart,
This blind and unrelated joy,
This meaningless desire,
That moves me like the Child
Who in the flushing darkness troubled lies,
Inventing lonely prophecies,
Which even to his Mother mild
He dares not tell;
To which himself is infidel;
His heart not less on fire
With dreams impossible as wildest Arab Tale,
(So thinks the boy,)
With dreams that turn him red and pale,
Yet less impossible and wild
Than those which bashful Love, in his own way and hour,
Shall duly bring to flower?
O, Unknown Eros, sire of awful bliss,
What portent and what Delphic word,
Such as in form of snake forebodes the bird,
Is this?
In me life’s even flood
What eddies thus?
What in its ruddy orbit lifts the blood,
Like a perturbed moon of Uranus,
Reaching to some great world in ungauged darkness hid;
And whence
This rapture of the sense
Which, by thy whisper bid,
Reveres with obscure rite and sacramental sign
A bond I know not of nor dimly can divine;
This subject loyalty which longs
For chains and thongs
Woven of gossamer and adamant,
To bind me to my unguess’d want,
And so to lie,
Between those quivering plumes that thro’ fine ether pant,
For hopeless, sweet eternity?
What God unhonour’d hitherto in songs,
Or which, that now
Forgettest the disguise
That Gods must wear who visit human eyes,
Art Thou?
Thou art not Amor; or, if so, yon pyre,
That waits the willing victim, flames with vestal fire;
Nor mooned Queen of maids; or, if thou’rt she,
Ah, then, from Thee
Let Bride and Bridegroom learn what kisses be!
In what veil’d hymn
Or mystic dance
Would he that were thy Priest advance
Thine earthly praise, thy glory limn?
Say, should the feet that feel thy thought
In double-center’d circuit run,
In that compulsive focus, Nought,
In this a furnace like the sun;
And might some note of thy renown
And high behest
Thus in enigma be expressed:
‘There lies the crown
Which all thy longing cures.
Refuse it, Mortal, that it may be yours!
It is a Spirit, though it seems red gold;
And such may no man, but by shunning, hold.
Refuse it, till refusing be despair;
And thou shalt feel the phantom in thy hair.’

ENGLAND

Lo, weary of the greatness of her ways,
There lies my Land, with hasty pulse and hard,
Her ancient beauty marr’d,
And, in her cold and aimless roving sight,
Horror of light;
Sole vigour left in her last lethargy,
Save when, at bidding of some dreadful breath,
The rising death
Rolls up with force;
And then the furiously gibbering corse
Shakes, panglessly convuls’d, and sightless stares,
Whilst one Physician pours in rousing wines,
One anodynes,
And one declares
That nothing ails it but the pains of growth.
My last look loth
Is taken; and I turn, with the relief
Of knowing that my life-long hope and grief
Are surely vain,
To that unshapen time to come, when She,
A dim, heroic Nation long since dead,
The foulness of her agony forgot,
Shall all benignly shed
Through ages vast
The ghostly grace of her transfigured past
Over the present, harass’d and forlorn,
Of nations yet unborn;
And this shall be the lot
Of those who, in the bird-voice and the blast
Of her omniloquent tongue,
Have truly sung
Or greatly said,
To shew as one
With those who have best done,
And be as rays,
Thro’ the still altering world, around her changeless head.
Therefore no ’plaint be mine
Of listeners none,
No hope of render’d use or proud reward,
In hasty times and hard;
But chants as of a lonely thrush’s throat.
At latest eve,
That does in each calm note
Both joy and grieve;
Notes few and strong and fine,
Gilt with sweet day’s decline,
And sad with promise of a different sun.

REMNANT OF HONOUR

Remnant of Honour, brooding in the dark
Over your bitter cark,
Staring, as Rispah stared, astonied seven days
Upon the corpses of so many sons,
Who loved her once,
Dead in the dim and lion-haunted ways,
Who could have dreamt
That times should come like these!

VICTORY IN DEFEAT

Ah, God, alas,
How soon it came to pass
The sweetness melted from thy barbed hook
Which I so simply took;
And I lay bleeding on the bitter land,
Afraid to stir against thy least command,
But losing all my pleasant life-blood, whence
Force should have been heart’s frailty to withstand.
Life is not life at all without delight,
Nor has it any might;
And better than the insentient heart and brain
Is sharpest pain;
And better for the moment seems it to rebel,
If the great Master, from his lifted seat,
Ne’er whispers to the wearied servant ‘Well!’
Yet what returns of love did I endure,
When to be pardon’d seem’d almost more sweet
Than aye to have been pure!
But day still faded to disastrous night,
And thicker darkness changed to feebler light,
Until forgiveness, without stint renew’d,
Was now no more with loving tears imbued,
Vowing no more offence.
Not less to thine Unfaithful didst thou cry,
‘Come back, poor Child; be all as ’twas before.’
But I,
‘No, no; I will not promise any more!
Yet, when I feel my hour is come to die,
And so I am secured of continence,
Then may I say, though haply then in vain,
“My only, only Love, O, take me back again!”’
Thereafter didst thou smite
So hard that, for a space,
Uplifted seem’d Heav’n’s everlasting door,
And I indeed the darling of thy grace.
But, in some dozen changes of the moon,
A bitter mockery seem’d thy bitter boon.
The broken pinion was no longer sore.
Again, indeed, I woke
Under so dread a stroke
That all the strength it left within my heart
Was just to ache and turn, and then to turn and ache,
And some weak sign of war unceasingly to make.
And here I lie,
With no one near to mark,
Thrusting Hell’s phantoms feebly in the dark,
And still at point more utterly to die.
O God, how long!
Put forth indeed thy powerful right hand,
While time is yet,
Or never shall I see the blissful land!
Thus I: then God, in pleasant speech and strong
(Which soon I shall forget):
‘The man who, though his fights be all defeats,
Still fights,
Enters at last
The heavenly Jerusalem’s rejoicing streets
With glory more, and more triumphant rites
Than always-conquering Joshua’s, when his blast
The frighted walls of Jericho down cast;
And, lo, the glad surprise
Of peace beyond surmise,
More than in common Saints, for ever in his eyes.’

SAINT VALENTINE’S DAY

Well dost thou, Love, thy solemn Feast to hold
In vestal February;
Not rather choosing out some rosy day
From the rich coronet of the coming May,
When all things meet to marry!
O, quick, prævernal Power
That signall’st punctual through the sleepy mould
The Snowdrop’s time to flower,
Fair as the rash oath of virginity
Which is first-love’s first cry;
O, Baby Spring,
That flutter’st sudden ‘neath the breast of Earth
A month before the birth;
Whence is the peaceful poignancy,
The joy contrite,
Sadder than sorrow, sweeter than delight,
That burthens now the breath of everything,
Though each one sighs as if to each alone
The cherish’d pang were known?
At dusk of dawn, on his dark spray apart,
With it the Blackbird breaks the young Day’s heart;
In evening’s hush
About it talks the heavenly-minded Thrush;
The hill with like remorse
Smiles to the Sun’s smile in his westering course;
The fisher’s drooping skiff
In yonder sheltering bay;
The choughs that call about the shining cliff;
The children, noisy in the setting ray;
Own the sweet season, each thing as it may;
Thoughts of strange kindness and forgotten peace
In me increase;
And tears arise
Within my happy, happy Mistress’ eyes,
And, lo, her lips, averted from my kiss,
Ask for Love’s bounty, ah, much more than bliss!
Is’t the sequester’d and exceeding sweet
Of dear Desire electing his defeat?
Is’t the waked Earth now to yon purpling cope
Uttering first-love’s first cry,
Vainly renouncing, with a Seraph’s sigh,
Love’s natural hope?
Fair-meaning Earth, foredoom’d to perjury!
Behold, all-amorous May,
With roses heap’d upon her laughing brows,
Avoids thee of thy vows!
Were it for thee, with her warm bosom near,
To abide the sharpness of the Seraph’s sphere?
Forget thy foolish words;
Go to her summons gay,
Thy heart with dead, wing’d Innocencies fill’d,
Ev’n as a nest with birds
After the old ones by the hawk are kill’d.
Well dost thou, Love, to celebrate
The noon of thy soft ecstasy,
Or e’er it be too late,
Or e’er the Snowdrop die!

THE WEDDING SERMON

The truths of Love are like the sea
For clearness and for mystery.
Of that sweet love which, startling, wakes
Maiden and Youth, and mostly breaks
The word of promise to the ear,
But keeps it, after many a year,
To the full spirit, how shall I speak?
My memory with age is weak,
And I for hopes do oft suspect
The things I seem to recollect.
Yet who but must remember well
’Twas this made heaven intelligible
As motive, though ’twas small the power
The heart might have, for even an hour,
To hold possession of the height
Of nameless pathos and delight!

THE PARAGON

When I behold the skies aloft
Passing the pageantry of dreams,
The cloud whose bosom, cygnet-soft,
A couch for nuptial Juno seems,
The ocean broad, the mountains bright,
The shadowy vales with feeding herds,
I from my lyre the music smite,
Nor want for justly matching words.
All forces of the sea and air,
All interests of hill and plain,
I so can sing, in seasons fair,
That who hath felt may feel again.
Elated oft by such free songs,
I think with utterance free to raise
That hymn for which the whole world longs,
A worthy hymn in woman’s praise;
A hymn bright-noted like a bird’s,
Arousing these song-sleepy times
With rhapsodies of perfect words,
Ruled by returning kiss of rhymes.
But when I look on her and hope
To tell with joy what I admire,
My thoughts lie cramp’d in narrow scope,
Or in the feeble birth expire;
No mystery of well-woven speech,
No simplest phrase of tenderest fall,
No liken’d excellence can reach
Her, the most excellent of all,
The best half of creation’s best,
Its heart to feel, its eye to see,
The crown and complex of the rest,
Its aim and its epitome.
Nay, might I utter my conceit,
’Twere after all a vulgar song,
For she’s so simply, subtly sweet,
My deepest rapture does her wrong.

THE ROSE OF THE WORLD

Lo, when the Lord made North and South,
And sun and moon ordained, He,
Forthbringing each by word of mouth
In order of its dignity,
Did man from the crude clay express
By sequence, and, all else decreed,
He form’d the woman; nor might less
Than Sabbath such a work succeed.
And still with favour singled out,
Marr’d less than man by mortal fall,
Her disposition is devout,
Her countenance angelical;
The best things that the best believe
Are in her face so kindly writ
The faithless, seeing her, conceive
Not only heaven, but hope of it;
No idle thought her instinct shrouds,
But fancy chequers settled sense,
Like alteration of the clouds
On noonday’s azure permanence;
Pure dignity, composure, ease
Declare affections nobly fix’d,
And impulse sprung from due degrees
Of sense and spirit sweetly mix’d.
Her modesty, her chiefest grace,
The cestus clasping Venus’ side,
How potent to deject the face
Of him who would affront its pride!
Wrong dares not in her presence speak,
Nor spotted thought its taint disclose
Under the protest of a cheek
Outbragging Nature’s boast the rose.
In mind and manners how discreet;
How artless in her very art;
How candid in discourse; how sweet
The concord of her lips and heart;
How simple and how circumspect;
How subtle and how fancy-free;
Though sacred to her love, how deck’d
With unexclusive courtesy;
How quick in talk to see from far
The way to vanquish or evade;
How able her persuasions are
To prove, her reasons to persuade;
How (not to call true instinct’s bent
And woman’s very nature, harm),
How amiable and innocent
Her pleasure in her power to charm;
How humbly careful to attract,
Though crown’d with all the soul desires,
Connubial aptitude exact,
Diversity that never tires.

THE LOVER

He meets, by heavenly chance express,
The destined maid; some hidden hand
Unveils to him that loveliness
Which others cannot understand.
His merits in her presence grow,
To match the promise in her eyes,
And round her happy footsteps blow
The authentic airs of Paradise.
For joy of her he cannot sleep;
Her beauty haunts him all the night;
It melts his heart, it makes him weep
For wonder, worship, and delight.
O, paradox of love, he longs,
Most humble when he most aspires,
To suffer scorn and cruel wrongs
From her he honours and desires.
Her graces make him rich, and ask
No guerdon; this imperial style
Affronts him; he disdains to bask,
The pensioner of her priceless smile.
He prays for some hard thing to do,
Some work of fame and labour immense,
To stretch the languid bulk and thew
Of love’s fresh-born magnipotence.
No smallest boon were bought too dear,
Though barter’d for his love-sick life;
Yet trusts he, with undaunted cheer,
To vanquish heaven, and call her Wife.
He notes how queens of sweetness still
Neglect their crowns, and stoop to mate;
How, self-consign’d with lavish will,
They ask but love proportionate;
How swift pursuit by small degrees,
Love’s tactic, works like miracle;
How valour, clothed in courtesies,
Brings down the haughtiest citadel;
And therefore, though he merits not
To kiss the braid upon her skirt,
His hope, discouraged ne’er a jot,
Out-soars all possible desert.

HEAVEN AND EARTH

How long shall men deny the flower
Because its roots are in the earth,
And crave with tears from God the dower
They have, and have despised as dearth,
And scorn as low their human lot,
With frantic pride, too blind to see
That standing on the head makes not
Either for ease or dignity!
But fools shall feel like fools to find
(Too late inform’d) that angels’ mirth
Is one in cause, and mode, and kind
With that which they profaned on earth.

THE LETTER

‘O, more than dear, be more than just,
‘And do not deafly shut the door!
‘I claim no right to speak; I trust
‘Mercy, not right; yet who has more?
‘For, if more love makes not more fit,
‘Of claimants here none’s more nor less,
‘Since your great worth does not permit
‘Degrees in our unworthiness.
‘Yet, if there’s aught that can be done
‘With arduous labour of long years,
‘By which you’ll say that you’ll be won,
‘O tell me, and I’ll dry my tears.
‘Ah, no; if loving cannot move,
‘How foolishly must labour fail!
‘The use of deeds is to show love;
‘If signs suffice let these avail:
‘Your name pronounced brings to my heart
‘A feeling like the violet’s breath,
‘Which does so much of heaven impart
‘It makes me amorous of death;
‘The winds that in the garden toss
‘The Guelder-roses give me pain,
‘Alarm me with the dread of loss,
‘Exhaust me with the dream of gain;
‘I’m troubled by the clouds that move;
‘Tired by the breath which I respire;
‘And ever, like a torch, my love,
‘Thus agitated, flames the higher;
‘All’s hard that has not you for goal;
‘I scarce can move my hand to write,
‘For love engages all my soul,
‘And leaves the body void of might;
‘The wings of will spread idly, as do
‘The bird’s that in a vacuum lies;
‘My breast, asleep with dreams of you,
‘Forgets to breathe, and bursts in sighs;
‘I see no rest this side the grave,
‘No rest nor hope, from you apart;
‘Your life is in the rose you gave,
‘Its perfume suffocates my heart;
‘There’s no refreshment in the breeze;
‘The heaven o’erwhelms me with its blue;
‘I faint beside the dancing seas;
‘Winds, skies, and waves are only you;
‘The thought or act which not intends
‘You service, seems a sin and shame;
‘In that one only object ends
‘Conscience, religion, honour, fame.
‘Ah, could I put off love! Could we
‘Never have met! What calm, what ease!
‘Nay, but, alas, this remedy
‘Were ten times worse than the disease!
‘For when, indifferent, I pursue
‘The world’s best pleasures for relief,
‘My heart, still sickening back to you,
‘Finds none like memory of its grief;
‘And, though ’twere very hell to hear
‘You felt such misery as I,
‘All good, save you, were far less dear
‘Than is that ill with which I die!
‘Where’er I go, wandering forlorn,
‘You are the world’s love, life, and glee:
‘Oh, wretchedness not to be borne
‘If she that’s Love should not love me!’

THE REVELATION

An idle poet, here and there,
Looks round him; but, for all the rest,
The world, unfathomably fair,
Is duller than a witling’s jest.
Love wakes men, once a lifetime each;
They lift their heavy lids, and look;
And, lo, what one sweet page can teach,
They read with joy, then shut the book.
And some give thanks, and some blaspheme,
And most forget; but, either way,
That and the Child’s unheeded dream
Is all the light of all their day.

THE DOUBT

The moods of love are like the wind,
And none knows whence or why they rise:
I ne’er before felt heart and mind
So much affected through mine eyes.
How cognate with the flatter’d air,
How form’d for earth’s familiar zone,
She moved; how feeling and how fair
For others’ pleasure and her own!
And, ah, the heaven of her face!
How, when she laugh’d I seem’d to see
The gladness of the primal grace,
And how, when grave, its dignity!
Of all she was, the least not less
Delighted the devoted eye;
No fold or fashion of her dress
Her fairness did not sanctify.
I could not else than grieve. What cause?
Was I not blest? Was she not there?
Likely my own? Ah, that it was:
How like seem’d ‘likely’ to despair!

SECURITY

But as we talk’d, my spirit quaff’d
The sparkling winds; the candid skies
At our untruthful strangeness laugh’d;
I kiss’d with mine her smiling eyes;
And sweet familiarness and awe
Prevail’d that hour on either part,
And in the eternal light I saw
That she was mine; though yet my heart
Could not conceive, nor would confess
Such contentation; and there grew
More form and more fair stateliness
Than heretofore between us two.

THE SPIRIT’S EPOCHS

Not in the crises of events,
Of compass’d hopes, or fears fulfill’d,
Or acts of gravest consequence,
Are life’s delight and depth reveal’d.
The day of days was not the day;
That went before, or was postponed;
The night Death took our lamp away
Was not the night on which we groan’d.
I drew my bride, beneath the moon,
Across my threshold; happy hour!
But, ah, the walk that afternoon
We saw the water-flags in flower!

THE MAID

She wearies with an ill unknown;
In sleep she sobs and seems to float,
A water-lily, all alone
Within a lonely castle moat
And as the full-moon, spectral, lies
Within the crescent’s gleaming arms,
The present shows her heedless eyes
A future dim with vague alarms.
She sees, and yet she scarcely sees,
For, life-in-life not yet begun,
Too many are its mysteries
For thought to fix on any one.

ACCEPTANCE

Twice rose, twice died my trembling word;
The faint and frail Cathedral chimes
Spake time in music, and we heard
The chafers rustling in the limes.
Her dress, that touch’d me where I stood,
The warmth of her confided arm,
Her bosom’s gentle neighbourhood,
Her pleasure in her power to charm;
Her look, her love, her form, her touch,
The least seem’d most by blissful turn,
Blissful but that it pleased too much,
And taught the wayward soul to yearn.
It was as if a harp with wires
Was traversed by the breath I drew;
And oh, sweet meeting of desires,
She, answering, own’d that she loved too.

BETROTHED

What fortune did my heart foretell?
What shook my spirit, as I woke,
Like the vibration of a bell
Of which I had not heard the stroke?
Was it some happy vision shut
From memory by the sun’s fresh ray?
Was it that linnet’s song; or but
A natural gratitude for day?
Or the mere joy the senses weave,
A wayward ecstasy of life?
Then I remember’d, yester-eve
I won Honoria for my Wife.

THE DANCE

But there danced she, who from the leaven
Of ill preserv’d my heart and wit
All unawares, for she was heaven,
Others at best but fit for it.
One of those lovely things she was
In whose least action there can be
Nothing so transient but it has
An air of immortality.
I mark’d her step, with peace elate,
Her brow more beautiful than morn,
Her sometime look of girlish state
Which sweetly waived its right to scorn
The giddy crowd, she grave the while,
Although, as ’twere beyond her will,
Around her mouth the baby smile,
That she was born with, linger’d still.
Her ball-dress seem’d a breathing mist,
From the fair form exhaled and shed,
Raised in the dance with arm and wrist
All warmth and light, unbraceleted.
Her motion, feeling ’twas beloved,
The pensive soul of tune express’d,
And, oh, what perfume, as she moved,
Came from the flowers in her breast!
Ah, none but I discern’d her looks,
When in the throng she pass’d me by,
For love is like a ghost, and brooks
Only the chosen seer’s eye;
And who but she could e’er divine
The halo and the happy trance,
When her bright arm reposed on mine,
In all the pauses of the dance!

ENTREATY

‘O Dearest, tell me how to prove
‘Goodwill which cannot be express’d;
‘The beneficial heart of love
‘Is labour in an idle breast.’

THE REVULSION

’Twas when the spousal time of May
Hangs all the hedge with bridal wreaths,
And air’s so sweet the bosom gay
Gives thanks for every breath it breathes;
When like to like is gladly moved,
And each thing joins in Spring’s refrain,
‘Let those love now who never loved;
‘Let those who have loved love again;’
That I, in whom the sweet time wrought,
Lay stretch’d within a lonely glade,
Abandon’d to delicious thought,
Beneath the softly twinkling shade.

And so I mused, till musing brought
A dream that shook my house of clay,
And, in my humbled heart, I thought,
To me there yet may come a day
With this the single vestige seen
Of comfort, earthly or divine,
My sorrow some time must have been
Her portion, had it not been mine.
Then I, who knew, from watching life,
That blows foreseen are slow to fall,
Rehearsed the losing of a wife,
And faced its terrors each and all.
The self-chastising fancy show’d
The coffin with its ghastly breath;
The innocent sweet face that owed
None of its innocence to death;
The lips that used to laugh; the knell
That bade the world beware of mirth;
The heartless and intolerable
Indignity of ‘earth to earth;’
At morn remembering by degrees
That she I dream’d about was dead;
Love’s still recurrent jubilees,
The days that she was born, won, wed;
The duties of my life the same,
Their meaning for the feelings gone;
Friendship impertinent, and fame
Disgusting; and, more harrowing none,
Small household troubles fall’n to me,
As, ‘What time would I dine to-day?’
And, oh, how could I bear to see
The noisy children at their play.
Besides, where all things limp and halt,
Could I go straight, should I alone
Have kept my love without default
Pitch’d at the true and heavenly tone?
The festal-day might come to mind
That miss’d the gift which more endears;
The hour which might have been more kind,
And now less fertile in vain tears;
The good of common intercourse,
For daintier pleasures then despised,
Now with what passionate remorse,
What poignancy of hunger prized!
The little wrong, now greatly rued,
Which no repentance now could right;
And love, in disbelieving mood,
Deserting his celestial height.
Withal to know, God’s love sent grief
To make me less the world’s, and more
Meek-hearted: ah, the sick relief!
Why bow’d I not my heart before?

PRAISES

I praised her, but no praise could fill
The depths of her desire to please,
Though dull to others as a Will
To them that have no legacies.
The more I praised the more she shone,
Her eyes incredulously bright,
And all her happy beauty blown
Beneath the beams of my delight.
Sweet rivalry was thus begot;
By turns, my speech, in passion’s style,
With flatteries the truth o’ershot,
And she surpass’d them with her smile.

‘Nature to you was more than kind;
‘’Twas fond perversity to dress
‘So much simplicity of mind
‘In such a pomp of loveliness!

MARRIAGE

Forth, from the glittering spirits peace
And gaiety ineffable,
Stream’d to the heart delight and ease,
As from an overflowing well;
And, orderly deriving thence
Its pleasure perfect and allow’d.
Bright with the spirit shone the sense,
As with the sun a fleecy cloud.

THE ROSY BOSOM’D HOURS

A florin to the willing Guard
Secured, for half the way,
(He lock’d us in, ah, lucky-starr’d,)
A curtain’d, front coupé.
The sparkling sun of August shone;
The wind was in the West;
Your gown and all that you had on
Was what became you best;
And we were in that seldom mood
When soul with soul agrees,
Mingling, like flood with equal flood,
In agitated ease.
Far round, each blade of harvest bare
Its little load of bread;
Each furlong of that journey fair
With separate sweetness sped.
The calm of use was coming o’er
The wonder of our wealth,
And now, maybe, ’twas not much more
Than Eden’s common health.
We paced the sunny platform, while
The train at Havant changed:
What made the people kindly smile,
Or stare with looks estranged?
Too radiant for a wife you seem’d,
Serener than a bride;
Me happiest born of men I deem’d,
And show’d perchance my pride.
I loved that girl, so gaunt and tall,
Who whispered loud, ‘Sweet Thing!’
Scanning your figure, slight yet all
Round as your own gold ring.
At Salisbury you stray’d alone
Within the shafted glooms,
Whilst I was by the Verger shown
The brasses and the tombs.
At tea we talk’d of matters deep,
Of joy that never dies;
We laugh’d, till love was mix’d with sleep
Within your great sweet eyes.
The next day, sweet with luck no less
And sense of sweetness past,
The full tide of our happiness
Rose higher than the last.
At Dawlish, ’mid the pools of brine,
You stept from rock to rock,
One hand quick tightening upon mine,
One holding up your frock.
On starfish and on weeds alone
You seem’d intent to be:
Flash’d those great gleams of hope unknown
From you, or from the sea?
Ne’er came before, ah, when again
Shall come two days like these:
Such quick delight within the brain,
Within the heart such peace?
I thought, indeed, by magic chance,
A third from Heaven to win,
But as, at dusk, we reach’d Penzance,
A drizzling rain set in.

WIND AND WAVE

The wedded light and heat,
Winnowing the witless space,
Without a let,
What are they till they beat
Against the sleepy sod, and there beget
Perchance the violet!
Is the One found,
Amongst a wilderness of as happy grace,
To make Heaven’s bound;
So that in Her
All which it hath of sensitively good
Is sought and understood
After the narrow mode the mighty Heavens prefer?
She, as a little breeze
Following still Night,
Ripples the spirit’s cold, deep seas
Into delight;
But, in a while,
The immeasurable smile
Is broke by fresher airs to flashes blent
With darkling discontent:
And all the subtle zephyr hurries gay,
And all the heaving ocean heaves one way,
T’ward the void sky-line and an unguess’d weal.
Until the vanward billows feel
The agitating shallows, and divine the goal,
And to foam roll,
And spread and stray
And traverse wildly, like delighted hands,
The fair and fleckless sands;
And so the whole
Unfathomable and immense
Triumphing tide comes at the last to reach
And burst in wind-kiss’d splendours on the deaf’ning beach,
Where forms of children in first innocence
Laugh and fling pebbles on the rainbow’d crest
Of its untired unrest.

BEATA

Of infinite Heaven the rays,
Piercing some eyelet in our cavern black,
Ended their viewless track
On thee to smite
Solely, as on a diamond stalactite,
And in mid-darkness lit a rainbow’s blaze,
Wherein the absolute Reason, Power, and Love,
That erst could move
Mainly in me but toil and weariness,
Renounced their deadening might,
Renounced their undistinguishable stress
Of withering white,
And did with gladdest hues my spirit caress,
Nothing of Heaven in thee showing infinite,
Save the delight.

IF I WERE DEAD

‘If I were dead, you’d sometimes say, Poor Child!’
The dear lips quiver’d as they spake,
And the tears brake
From eyes which, not to grieve me, brightly smiled.
Poor Child, poor Child!
I seem to hear your laugh, your talk, your song.
It is not true that Love will do no wrong.
Poor Child!
And did you think, when you so cried and smiled,
How I, in lonely nights, should lie awake,
And of those words your full avengers make?
Poor Child, poor Child!
And now, unless it be
That sweet amends thrice told are come to thee,
O God, have Thou no mercy upon me!
Poor Child!

DELICIÆ SAPIENTIÆ DE AMORE

Love, light for me
Thy ruddiest blazing torch,
That I, albeit a beggar by the Porch
Of the glad Palace of Virginity,
May gaze within, and sing the pomp I see;
For, crown’d with roses all,
’Tis there, O Love, they keep thy festival!
But first warn off the beatific spot
Those wretched who have not
Even afar beheld the shining wall,
And those who, once beholding, have forgot,
And those, most vile, who dress
The charnel spectre drear
Of utterly dishallow’d nothingness
In that refulgent fame,
And cry, Lo, here!
And name
The Lady whose smiles inflame
The sphere.
Bring, Love, anear,
And bid be not afraid
Young Lover true, and Love-foreboding Maid,
And wedded Spouse, if virginal of thought;
For I will sing of nought
Less sweet to hear
Than seems
A music in their half-remember’d dreams.
The magnet calls the steel:
Answers the iron to the magnet’s breath;
What do they feel
But death!
The clouds of summer kiss in flame and rain,
And are not found again;
But the heavens themselves eternal are with fire
Of unapproach’d desire,
By the aching heart of Love, which cannot rest,
In blissfullest pathos so indeed possess’d.
O, spousals high;
O, doctrine blest,
Unutterable in even the happiest sigh;
This know ye all
Who can recall
With what a welling of indignant tears
Love’s simpleness first hears
The meaning of his mortal covenant.
And from what pride comes down
To wear the crown
Of which ’twas very heaven to feel the want.
How envies he the ways
Of yonder hopeless star,
And so would laugh and yearn
With trembling lids eterne,
ineffably content from infinitely far
Only to gaze
On his bright Mistress’s responding rays,
That never know eclipse;
And, once in his long year,
With præternuptial ecstasy and fear,
By the delicious law of that ellipse
Wherein all citizens of ether move,
With hastening pace to come
Nearer, though never near,
His Love
And always inaccessible sweet Home;
There on his path doubly to burn,
Kiss’d by her doubled light
That whispers of its source,
The ardent secret ever clothed with Night,
Then go forth in new force
Towards a new return,
Rejoicing as a Bridegroom on his course!
This know ye all;
Therefore gaze bold,
That so in you be joyful hope increas’d,
Thorough the Palace portals, and behold
The dainty and unsating Marriage-Feast.
O, hear
Them singing clear
‘Cor meum et caro mea’ round the ‘I am,’
The Husband of the Heavens, and the Lamb
Whom they for ever follow there that kept,
Or losing, never slept
Till they reconquer’d had in mortal fight
The standard white.
O, hear
From the harps they bore from Earth, five-strung, what music springs,
While the glad Spirits chide
The wondering strings!
And how the shining sacrificial Choirs,
Offering for aye their dearest hearts’ desires,
Which to their hearts come back beatified,
Hymn, the bright aisles along,
The nuptial song,
Song ever new to us and them, that saith,
‘Hail Virgin in Virginity a Spouse!’
Heard first below
Within the little house
At Nazareth;
Heard yet in many a cell where brides of Christ
Lie hid, emparadised,
And where, although
By the hour ’tis night,
There’s light,
The Day still lingering in the lap of snow.
Gaze and be not afraid
Ye wedded few that honour, in sweet thought
And glittering will,
So freshly from the garden gather still
The lily sacrificed;
For ye, though self-suspected here for nought,
Are highly styled
With the thousands twelve times twelve of undefiled.
Gaze and be not afraid
Young Lover true and love-foreboding Maid.
The full noon of deific vision bright
Abashes nor abates
No spark minute of Nature’s keen delight.
’Tis there your Hymen waits!
There where in courts afar, all unconfused, they crowd,
As fumes the starlight soft
In gulfs of cloud,
And each to the other, well-content,
Sighs oft,
‘’Twas this we meant!’
Gaze without blame
Ye in whom living Love yet blushes for dead shame.
There of pure Virgins none
Is fairer seen,
Save One,
Than Mary Magdalene.
Gaze without doubt or fear
Ye to whom generous Love, by any name, is dear
Love makes the life to be
A fount perpetual of virginity;
For, lo, the Elect
Of generous Love, how nam’d soe’er, affect
Nothing but God,
Or mediate or direct,
Nothing but God,
The Husband of the Heavens:
And who Him love, in potence great or small,
Are, one and all,
Heirs of the Palace glad,
And inly clad
With the bridal robes of ardour virginal.

MIGNONNE

Whate’er thou dost thou’rt dear.
Uncertain troubles sanctify
That magic well-spring of the willing tear,
Thine eye.
Thy jealous fear,
With not the rustle of a rival near;
Thy careless disregard of all
My tenderest care;
Thy dumb despair
When thy keen wit my worship may construe
Into contempt of thy divinity;
They please me too!
But should it once befall
These accidental charms to disappear,
Leaving withal
Thy sometime self the same throughout the year,
So glowing, grave and shy,
Kind, talkative and dear
As now thou sitt’st to ply
The fireside tune
Of that neat engine deft at which thou sew’st
With fingers mild and foot like the new moon,
O, then what cross of any further fate
Could my content abate?
Forget, then, (but I know
Thou canst not so,)
Thy customs of some prædiluvian state.
I am no Bullfinch, fair my Butterfly,
That thou should’st try
Those zigzag courses, in the welkin clear;
Nor cruel Boy that, fledd’st thou straight
Or paused, mayhap
Might catch thee, for thy colours, with his cap.

MILDRED

Mildred’s of Earth, yet happier far
Than most men’s thoughts of Heaven are.

REJECTED

‘Perhaps she’s dancing somewhere now!’
The thoughts of light and music wake
Sharp jealousies, that grow and grow
Till silence and the darkness ache.
He sees her step, so proud and gay,
Which, ere he spake, foretold despair;
Thus did she look, on such a day,
And such the fashion of her hair;
And thus she stood, when, kneeling low,
He took the bramble from her dress,
And thus she laugh’d and talk’d, whose ‘No’
Was sweeter than another’s ‘Yes.’
He feeds on thoughts that most deject;
He impudently feigns her charms,
So reverenced in his own respect,
Dreadfully clasp’d by other arms;
And turns, and puts his brows, that ache,
Against the pillow where ’tis cold.
If only now his heart would break!
But, oh, how much a heart can hold.

LOVE IN TEARS

If fate Love’s dear ambition mar,
And load his breast with hopeless pain,
And seem to blot out sun and star,
Love, won or lost, is countless gain;
His sorrow boasts a secret bliss
Which sorrow of itself beguiles,
And Love in tears too noble is
For pity, save of Love in smiles.

DENIED

The storm-cloud, whose portentous shade
Fumes from a core of smother’d fire,
His livery is whose worshipp’d maid
Denies herself to his desire.
Ah, grief that almost crushes life,
To lie upon his lonely bed,
And fancy her another’s wife!
His brain is flame, his heart is lead.
Sinking at last, by nature’s course,
Cloak’d round with sleep from his despair,
He does but sleep to gather force
That goes to his exhausted care.
He wakes renew’d for all the smart.
His only Love, and she is wed!
His fondness comes about his heart,
As milk comes, when the babe is dead.
The wretch, whom she found fit for scorn,
His own allegiant thoughts despise;
And far into the shining morn
Lazy with misery he lies.

LOVE’S WILL BE DONE

Not loss, not death, my love shall tire.
A mystery does my heart foretell;
Nor do I press the oracle
For explanations. Leave me alone,
And let in me love’s will be done.

FIRST LOVE REMEMBERED

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev’n to the slightest gesture, grace,
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird’s shriek
Startled the light-leaved wood; on high
Wander’d the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp’d with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb’d and felt;
’Twas the sad summit of delight
To wake and weep for her at night;
She turn’d to triumph or to shame
The strife of every childish game;
The heart would come into my throat
At rosebuds; howsoe’er remote,
In opposition or consent,
Each thing, or person, or event,
Or seeming neutral howsoe’er,
All, in the live, electric air,
Awoke, took aspect, and confess’d
In her a centre of unrest,
Yea, stocks and stones within me bred
Anxieties of joy and dread.
O, bright apocalyptic sky
O’erarching childhood! Far and nigh
Mystery and obscuration none,
Yet nowhere any moon or sun!
What reason for these sighs? What hope,
Daunting with its audacious scope
The disconcerted heart, affects
These ceremonies and respects?
Why stratagems in everything?
Why, why not kiss her in the ring?
’Tis nothing strange that warriors bold,
Whose fierce, forecasting eyes behold
The city they desire to sack,
Humbly begin their proud attack
By delving ditches two miles off,
Aware how the fair place would scoff
At hasty wooing; but, O child,
Why thus approach thy playmate mild?

LOST LOVE

Fashion’d by Heaven and by art
So is she, that she makes the heart
Ache and o’erflow with tears, that grace
So lovely fair should have for place,
(Deeming itself at home the while,)
The unworthy earth! To see her smile
Amid this waste of pain and sin,
As only knowing the heaven within,
Is sweet, and does for pity stir
Passion to be her minister:
Wherefore last night I lay awake,
And said, ‘Ah, Lord, for thy love’s sake,
Give not this darling child of thine
To care less reverent than mine!’
And, as true faith was in my word,
I trust, I trust that I was heard.

AWAY

The multitude of voices blythe
Of early day, the hissing scythe
Across the dew drawn and withdrawn,
The noisy peacock on the lawn,
These, and the sun’s eye-gladding gleam,
This morning, chased the sweetest dream
That e’er shed penitential grace
On life’s forgetful commonplace;
Yet ’twas no sweeter than the spell
To which I woke to say farewell.
Noon finds me many a mile removed
From her who must not be beloved;
And us the waste sea soon shall part,
Heaving for aye, without a heart!

Beholding one like her, a man
Longs to lay down his life! How can
Aught to itself seem thus enough
When I have so much need thereof?
Blest in her place, blissful is she;
And I, departing, seem to be
Like the strange waif that comes to run
A few days flaming near the sun,
And carries back, through boundless night,
Its lessening memory of light.

Had I but her, ah, what the gain
Of owning aught but that domain!
Nay, heaven’s extent, however much,
Cannot be more than many such;
And, she being mine, should God to me
Say ‘Lo! my Child, I give to thee
All heaven besides,’ what could I then,
But, as a child, to Him complain
That whereas my dear Father gave
A little space for me to have
In His great garden, now, o’erblest,
I’ve that, indeed, but all the rest,
Which, somehow, makes it seem I’ve got
All but my only cared-for plot.
Enough was that for my weak hand
To tend, my heart to understand.
Oh, the sick fact, ’twixt her and me
There’s naught, and half a world of sea.