Chapter X: Front Matter (10)

While Dick and I yarned and talked over
Old times that had gone like the sun,
The wail of the desolate plover
Came up from the swamps in the run.
And sniffing our supper, elated,
From his den the red dingo crawled out;
But skulked in the darkness, and waited,
Like a cunning but cowardly scout.
Thereafter came sleep that soon falls on
A man who has ridden all day;
And when midnight had deepened the palls on
The hills, we were snoring away.
But ere we dozed off, the wild noises
Of forest, of fen, and of stream,
Grew strange, and were one with the voices
That died with a sweet semi-dream.
And the tones of the waterfall, blended
With the song of the wind on the shore,
Became a soft psalm that ascended,
Grew far, and we heard it no more.

Euterpe

--
* A cantata, set to music by C. E. Horsley, and sung at the opening
of the Melbourne Town Hall, 1870.
--

Argument.

Hail to thee, Sound!--The power of Euterpe in all the scenes of life--
in religion; in works of charity; in soothing troubles by means of music;
in all humane and high purposes; in war; in grief; in the social circle;
the children's lullaby; the dance; the ballad; in conviviality;
when far from home; at evening--the whole ending with an allegorical chorus,
rejoicing at the building of a mighty hall erected for the recreation
of a nation destined to take no inconsiderable part in the future history
of the world.

Overture

_No. 1 Chorus_

All hail to thee, Sound! Since the time
Calliope's son took the lyre,
And lulled in the heart of their clime
The demons of darkness and fire;
Since Eurydice's lover brought tears
To the eyes of the Princes of Night,
Thou hast been, through the world's weary years,
A marvellous source of delight--
Yea, a marvellous source of delight!

In the wind, in the wave, in the fall
Of the water, each note of thine dwells;
But Euterpe hath gathered from all
The sweetest to weave into spells.
She makes a miraculous power
Of thee with her magical skill;
And gives us, for bounty or dower,
The accents that soothe us or thrill!
Yea, the accents that soothe us or thrill!

All hail to thee, Sound! Let us thank
The great Giver of light and of life
For the music divine that we've drank,
In seasons of peace and of strife,
Let us gratefully think of the balm
That falls on humanity tired,
At the tones of the song or the psalm
From lips and from fingers inspired--
Yea, from lips and from fingers inspired.

_No. 2 Quartette and Chorus_

When, in her sacred fanes
God's daughter, sweet Religion, prays,
Euterpe's holier strains
Her thoughts from earth to heaven raise.
The organ notes sublime
Put every worldly dream to flight;
They sanctify the time,
And fill the place with hallowed light.

_No. 3 Soprano Solo_

Yea, and when that meek-eyed maiden
Men call Charity, comes fain
To raise up spirits, laden
With bleak poverty and pain:
Often, in her cause enlisted,
Music softens hearts like stones;
And the fallen are assisted
Through Euterpe's wondrous tones.

_No. 4 Orchestral Intermezzo_

_No. 5 Chorus_

Beautiful is Sound devoted
To all ends humane and high;
And its sweetness never floated
Like a thing unheeded by.
Power it has on souls encrusted
With the selfishness of years;
Yea, and thousands Mammon-rusted,
Hear it, feel it, leave in tears.

_No. 6 Choral Recitative
(Men's voices only)_

When on the battlefield, and in the sight
Of tens of thousands bent to smite and slay
Their human brothers, how the soldier's heart
Must leap at sounds of martial music, fired
With all that spirit that the patriot loves
Who seeks to win, or nobly fall, for home!

_No. 7 Triumphal March_

_No. 8 Funeral Chorus_

Slowly and mournfully moves a procession,
Wearing the signs
Of sorrow, through loss, and it halts like a shadow
Of death in the pines.
Come from the fane that is filled with God's presence,
Sad sounds and deep;
Holy Euterpe, she sings of our brother,
We listen and weep.
Death, like the Angel that passed over Egypt,
Struck at us sore;
Never again shall we turn at our loved one's
Step at the door.

_No. 9 Chorus
(Soprano voices only)_

But, passing from sorrow, the spirit
Of Music, a glory, doth rove
Where it lightens the features of beauty,
And burns through the accents of love--
The passionate accents of love.

_No. 10 Lullaby Song--Contralto_

The night-shades gather, and the sea
Sends up a sound, sonorous, deep;
The plover's wail comes down the lea;
By slope and vale the vapours weep,
And dew is on the tree;
And now where homesteads be,
The children fall asleep,
Asleep.

A low-voiced wind amongst the leaves,
The sighing leaves that mourn the Spring,
Like some lone spirit, flits and grieves,
And grieves and flits on fitful wing.
But where Song is a guest,
A lulling dreamy thing,
The children fall to rest,
To rest.

_No. 11 Waltz Chorus_

When the summer moon is beaming
On the stirless waters dreaming,
And the keen grey summits gleaming,
Through a silver starry haze;
In our homes to strains entrancing
To the steps, the quickly glancing
Steps of youths and maidens dancing,
Maidens light of foot as fays.

Then the waltz, whose rhythmic paces
Make melodious happy places,
Brings a brightness to young faces,
Brings a sweetness to the eyes.
Sounds that move us like enthralling
Accents, where the runnel falling,
Sends out flute-like voices calling,
Where the sweet wild moss-bed lies.

_No. 12 Ballad--Tenor_

When twilight glides with ghostly tread
Across the western heights,
And in the east the hills are red
With sunset's fading lights;
Then music floats from cot and hall
Where social circles met,
By sweet Euterpe held in thrall--
Their daily cares forget.

What joy it is to watch the shine
That hallows beauty's face
When woman sings the strains divine,
Whose passion floods the place!
Then how the thoughts and feelings rove
At song's inspiring breath,
In homes made beautiful by love,
Or sanctified by death.

What visions come, what dreams arise,
What Edens youth will limn,
When leaning over her whose eyes
Have sweetened life for him!
For while she sings and while she plays,
And while her voice is low,
His fancy paints diviner days
Than any we can know.

_No. 13 Drinking Song
(Men's voices only)_

But, hurrah! for the table that heavily groans
With the good things that keep in the life:
When we sing and we dance, and we drink to the tones
That are masculine, thorough and blithe.

Good luck to us all! Over walnuts and wine
We hear the rare songs that we know
Are as brimful of mirth as the spring is of shine,
And as healthy and hearty, we trow.

Then our glasses we charge to the ring of the stave
That the flush to our faces doth send;
For though life is a thing that winds up with the grave,
We'll be jolly, my boys, to the end.
Hurrah! Hurrah!
Yes, jolly, my boys, to the end!

_No. 14 Recitative--Bass_

When far from friends, and home, and all the things
That bind a man to life, how dear to him
Is any old familiar sound that takes
Him back to spots where Love and Hope
In past days used to wander hand in hand
Across high-flowered meadows, and the paths
Whose borders shared the beauty of the spring,
And borrowed splendour from autumnal suns.

_No. 15 Chorus
(The voices accompanied only by the violins playing_ "Home, Sweet Home".)

Then at sea, or in wild wood,
Then ashore or afloat,
All the scenes of his childhood
Come back at a note;
At the turn of a ballad,
At the tones of a song,
Cometh Memory, pallid
And speechless so long;
And she points with her finger
To phantom-like years,
And loveth to linger
In silence, in tears.

_No. 16 Solo--Bass_

In the yellow flame of evening sounds of music come and go,
Through the noises of the river, and the drifting of the snow;
In the yellow flame of evening, at the setting of the day,
Sounds that lighten, fall, and lighten, flicker, faint, and fade away;
What they are, behold, we know not, but their honey slakes and slays
Half the want which whitens manhood in the stress of alien days.
Even as a wondrous woman, struck with love and great desire,
Hast thou been to us, EUTERPE, half of tears and half of fire;
But thy joy is swift and fitful, and a subtle sense of pain
Sighs through thy melodious breathings, takes the rapture from thy strain.
In the yellow flame of evening sounds of music come and go.
Through the noises of the river, and the drifting of the snow.

_No. 17 Recitative--Soprano_

And thus it is that Music manifold,
In fanes, in Passion's sanctuaries, or where
The social feast is held, is still the power
That bindeth heart to heart; and whether Grief,
Or Love, or Pleasure form the link, we know
'Tis still a bond that makes Humanity,
That wearied entity, a single whole,
And soothes the trouble of the heart bereaved,
And lulls the beatings in the breast that yearns,
And gives more gladness to the gladdest things.

_No. 18 Finale--Chorus_

Now a vision comes, O brothers, blended
With supremest sounds of harmony--
Comes, and shows a temple, stately, splendid,
In a radiant city by the sea.
Founders, fathers of a mighty nation,
Raised the walls, and built the royal dome,
Gleaming now from lofty, lordly station,
Like a dream of Athens, or of Rome!
And a splendour of sound,
A thunder of song,
Rolls sea-like around,
Comes sea-like along.

The ringing, and ringing, and ringing,
Of voices of choristers singing,
Inspired by a national joy,
Strike through the marvellous hall,
Fly by the aisle and the wall,
While the organ notes roam
From basement to dome--
Now low as a wail,
Now loud as a gale,
And as grand as the music that builded old Troy.

Sedan

Another battle! and the sounds have rolled
By many a gloomy gorge and wasted plain
O'er huddled hills and mountains manifold,
Like winds that run before a heavy rain
When Autumn lops the leaves and drooping grain,
And earth lies deep in brown and cloudy gold.
My brothers, lo! our grand old England stands,
With weapons gleaming in her ready hands,
Outside the tumult! Let us watch and trust
That she will never darken in the dust
And drift of wild contention, but remain
The hope and stay of many troubled lands,
Where so she waits the issue of the fight,
Aloof; but praying "God defend the Right!"

[End of Early Poems, 1859-70.]

OTHER POEMS, 1871-82

Adam Lindsay Gordon

At rest! Hard by the margin of that sea
Whose sounds are mingled with his noble verse
Now lies the shell that never more will house
The fine strong spirit of my gifted friend.
Yea, he who flashed upon us suddenly,
A shining soul with syllables of fire,
Who sang the first great songs these lands can claim
To be their own; the one who did not seem
To know what royal place awaited him
Within the Temple of the Beautiful,
Has passed away; and we who knew him sit
Aghast in darkness, dumb with that great grief
Whose stature yet we cannot comprehend;
While over yonder churchyard, hearsed with pines,
The night wind sings its immemorial hymn,
And sobs above a newly-covered grave.
The bard, the scholar, and the man who lived
That frank, that open-hearted life which keeps
The splendid fire of English chivalry
From dying out; the one who never wronged
A fellow man; the faithful friend who judged
The many, anxious to be loved of him
By what he saw, and not by what he heard,
As lesser spirits do; the brave, great soul
That never told a lie, or turned aside
To fly from danger--he, as I say, was one
Of that bright company this sin-stained world
Can ill afford to lose.

They did not know,
The hundreds who had read his sturdy verse
And revelled over ringing major notes,
The mournful meaning of the undersong
Which runs through all he wrote, and often takes
The deep autumnal, half-prophetic tone
Of forest winds in March; nor did they think
That on that healthy-hearted man there lay
The wild specific curse which seems to cling
Forever to the Poet's twofold life!

To Adam Lindsay Gordon, I who laid
Two years ago on Lionel Michael's grave
A tender leaf of my regard; yea, I
Who culled a garland from the flowers of song
To place where Harpur sleeps; I, left alone,
The sad disciple of a shining band
Now gone--to Adam Lindsay Gordon's name
I dedicate these lines; and if 'tis true
That, past the darkness of the grave, the soul
Becomes omniscient, then the bard may stoop
From his high seat to take the offering,
And read it with a sigh for human friends,
In human bonds, and grey with human griefs.

And having wove and proffered this poor wreath,
I stand to-day as lone as he who saw
At nightfall, through the glimmering moony mist,
The last of Arthur on the wailing mere,
And strained in vain to hear the going voice.

In Memory of Edward Butler

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.

The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves--
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year's nest.

Here, where this strange Demeter weeps--
This large, sad life unseen--
Where July's strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October's wings;
The shining lady of the rills
Is with forgotten things.

Now where the land's worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler's grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch--
The pain of brothers stricken low--
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face--
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns--
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler's side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August's songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

How the Melbourne Cup was Won

In the beams of a beautiful day,
Made soft by a breeze from the sea,
The horses were started away,
The fleet-footed thirty and three;
Where beauty, with shining attire,
Shed more than a noon on the land,
Like spirits of thunder and fire
They flashed by the fence and the stand.

And the mouths of pale thousands were hushed
When Somnus, a marvel of strength,
Past Bowes like a sudden wind rushed,
And led the bay colt by a length;
But a chestnut came galloping through,
And, down where the river-tide steals,
O'Brien, on brave Waterloo,
Dashed up to the big horse's heels.

But Cracknell still kept to the fore,
And first by the water bend wheeled,
When a cry from the stand, and a roar
Ran over green furlongs of field;
Far out by the back of the course--
A demon of muscle and pluck--
Flashed onward the favourite horse,
With his hoofs flaming clear of the ruck.

But the wonderful Queenslander came,
And the thundering leaders were three;
And a ring, and a roll of acclaim,
Went out, like a surge of the sea:
"An Epigram! Epigram wins!"--
"The Colt of the Derby"--"The bay!"
But back where the crescent begins
The favourite melted away.

And the marvel that came from the North,
With another, was heavily thrown;
And here at the turning flashed forth
To the front a surprising unknown;
By shed and by paddock and gate
The strange, the magnificent black,
Led Darebin a length in the straight,
With thirty and one at his back.

But the Derby colt tired at the rails,
And Ivory's marvellous bay
Passed Burton, O'Brien, and Hales,
As fleet as a flash of the day.
But Gough on the African star
Came clear in the front of his "field",
Hard followed by Morrison's Czar
And the blood unaccustomed to yield.

Yes, first from the turn to the end,
With a boy on him paler than ghost,
The horse that had hardly a friend
Shot flashing like fire by the post.
When Graham was "riding" 'twas late
For his friends to applaud on the stands,
The black, through the bend and "the straight",
Had the race of the year in his hands.

In a clamour of calls and acclaim,
He landed the money--the horse
With the beautiful African name,
That rang to the back of the course.
Hurrah for the Hercules race,
And the terror that came from his stall,
With the bright, the intelligent face,
To show the road home to them all!

Blue Mountain Pioneers

The dauntless three! For twenty days and nights
These heroes battled with the haughty heights;
For twenty spaces of the star and sun
These Romans kept their harness buckled on;
By gaping gorges, and by cliffs austere,
These fathers struggled in the great old year.
Their feet they set on strange hills scarred by fire,
Their strong arms forced a path through brake and briar;
They fought with Nature till they reached the throne
Where morning glittered on the great UNKNOWN!
There, in a time with praise and prayer supreme,
Paused Blaxland, Lawson, Wentworth, in a dream;
There, where the silver arrows of the day
Smote slope and spire, they halted on their way.
Behind them were the conquered hills--they faced
The vast green West, with glad, strange beauty graced;
And every tone of every cave and tree
Was as a voice of splendid prophecy.

Robert Parkes

--
* Son of Sir Henry Parkes.
--

High travelling winds by royal hill
Their awful anthem sing,
And songs exalted flow and fill
The caverns of the spring.

To-night across a wild wet plain
A shadow sobs and strays;
The trees are whispering in the rain
Of long departed days.

I cannot say what forest saith--
Its words are strange to me:
I only know that in its breath
Are tones that used to be.

Yea, in these deep dim solitudes
I hear a sound I know--
The voice that lived in Penrith woods
Twelve weary years ago.

And while the hymn of other years
Is on a listening land,
The Angel of the Past appears
And leads me by the hand;

And takes me over moaning wave,
And tracts of sleepless change,
To set me by a lonely grave
Within a lonely range.

The halo of the beautiful
Is round the quiet spot;
The grass is deep and green and cool,
Where sound of life is not.

Here in this lovely lap of bloom,
The grace of glen and glade,
That tender days and nights illume,
My gentle friend was laid.

I do not mark the shell that lies
Beneath the touching flowers;
I only see the radiant eyes
Of other scenes and hours.

I only turn, by grief inspired,
Like some forsaken thing,
To look upon a life retired
As hushed Bethesda's spring.

The glory of unblemished days
Is on the silent mound--
The light of years, too pure for praise;
I kneel on holy ground!

Here is the clay of one whose mind
Was fairer than the dew,
The sweetest nature of his kind
I haply ever knew.

This Christian, walking on the white
Clear paths apart from strife,
Kept far from all the heat and light
That fills his father's life.

The clamour and exceeding flame
Were never in his days:
A higher object was his aim
Than thrones of shine and praise.

Ah! like an English April psalm,
That floats by sea and strand,
He passed away into the calm
Of the Eternal Land.

The chair he filled is set aside
Upon his father's floor;
In morning hours, at eventide,
His step is heard no more.

No more his face the forest knows;
His voice is of the past;
But from his life of beauty flows
A radiance that will last.

Yea, from the hours that heard his speech
High shining mem'ries give
That fine example which will teach
Our children how to live.

Here, kneeling in the body, far
From grave of flower and dew,
My friend beyond the path of star,
I say these words to you.

Though you were as a fleeting flame
Across my road austere,
The memory of your face became
A thing for ever dear.

I never have forgotten yet
The Christian's gentle touch;
And, since the time when last we met,
You know I've suffered much.

I feel that I have given pain
By certain words and deeds,
But stricken here with Sorrow's rain,
My contrite spirit bleeds.

For your sole sake I rue the blow,
But this assurance send:
I smote, in noon, the public foe,
But not the private friend.

I know that once I wronged your sire,
But since that awful day
My soul has passed through blood and fire,
My head is very grey.

Here let me pause! From years like yours
There ever flows and thrives
The splendid blessing which endures
Beyond our little lives.

From lonely lands across the wave
Is sent to-night by me
This rose of reverence for the grave
Beside the mountain lea.

At Her Window

To-night a strong south wind in thunder sings
Across the city. Now by salt wet flats,
And ridges perished with the breath of drought,
Comes up a deep, sonorous, gulf-like voice--
Far-travelled herald of some distant storm--
That strikes with harsh gigantic wings the cliff,
Where twofold Otway meets his straitened surf,
And makes a white wrath of a league of sea.

To-night the fretted Yarra chafes its banks,
And dusks and glistens; while the city shows
A ring of windy light. From street to street
The noise of labour, linked to hurrying wheels,
Rolls off, as rolls the stately sound of wave,
When he that hears it hastens from the shore.

To-night beside a moody window sits
A wife who watches for her absent love;
Her home is in a dim suburban street,
In which the winds, like one with straitened breath,
Now fleet with whispers dry and short half-sobs,
Or pause and beat against the showery panes
Like homeless mem'ries seeking for a home.

There, where the plopping of the guttered rain
Sounds like a heavy footstep in the dark,
Where every shadow thrown by flickering light
Seems like her husband halting at the door,
I say a woman sits, and waits, and sits,
Then trims her fire, and comes to wait again.

The chapel clock strikes twelve! He has not come.
The night grows wilder, and the wind dies off
The roads, now turned to thoroughfares of storm,
Save when a solitary, stumbling foot
Breaks through the clamour. Then the watcher starts,
And trembles, with her hand upon the key,
And flutters, with the love upon her lips;
Then sighs, returns, and takes her seat once more.

Is this the old, old tale? Ah! do not ask,
My gentle reader, but across your doubts
Throw shining reasons on the happier side;
Or, if you cannot choose but doubt the man--
If you do count him in your thoughts as one
Who leaves a good wife by a lonely hearth
For more than half the night, for scenes (we'll say)
Of revelry--I pray you think of how
That wretch must suffer in his waking times
(If he be human), when he recollects
That through the long, long hours of evil feasts
With painted sin, and under glaring gas,
His brightest friend was at a window-sill
A watcher, seated in a joyless room,
And haply left without a loaf of bread.

I, having learnt from sources pure and high,
From springs of love that make the perfect wife,
Can say how much a woman will endure
For one to whom her tender heart has passed.
When fortune fails, and friends drop off, and time
Has shadows waiting in predestined ways--
When shame that grows from want of money comes,
And sets its brand upon a husband's brow,
And makes him walk an alien in the streets:
One faithful face, on which a light divine
Becomes a glory when vicissitude
Is in its darkest mood--one face, I say,
Marks not the fallings-off that others see,
Seeks not to know the thoughts that others think,
Cares not to hear the words that others say:
But, through her deep and self-sufficing love,
She only sees the bright-eyed youth that won
Her maiden heart in other, happier days,
And not the silent, gloomy-featured man
That frets and shivers by a sullen fire.

And, therefore, knowing this from you, who've shared
With me the ordeal of most trying times,
I sometimes feel a hot shame flushing up,
To think that there are those among my sex
Who are so cursed with small-souled selfishness
That they do give to noble wives like you,
For love--that first and final flower of life--
The dreadful portion of a drunkard's home.

William Bede Dalley

That love of letters which is as the light
Of deathless verse, intense, ineffable,
Hath made this scholar's nature like the white,
Pure Roman soul of whom the poets tell.

He having lived so long with lords of thought,
The grand hierophants of speech and song,
Hath from the high, august communion caught
Some portion of their inspiration strong.

The clear, bright atmosphere through which he looks
Is one by no dim, close horizon bound;
The power shed as flame from noble books
Hath made for him a larger world around.

And he, thus strengthened with the fourfold force
Which scholarship to genius gives, is one
That liberal thinkers, pausing in their course,
With fine esteem are glad to look upon.

He, with the faultless intuition born
Of splendid faculties, sees things aright,
And all his strong, immeasurable scorn
Falls like a thunder on the hypocrite.

But for the sufferer and the son of shame
On whom remorse--a great, sad burden--lies,
His kindness glistens like a morning flame,
Immense compassion shines within his eyes.

Firm to the Church by which his fathers stood,
But tolerant to every form of creed,
He longs for universal brotherhood,
And is a Christian gentleman indeed.

These in his honour. May his life be long,
And, like a summer with a brilliant close,
As full of music as a perfect song,
As radiant as a rich, unhandled rose.

To the Spirit of Music

I

The cool grass blowing in a breeze
Of April valleys sooms and sways;
On slopes that dip to quiet seas
Through far, faint drifts of yellowing haze.
I lie like one who, in a dream
Of sounds and splendid coloured things,
Seems lifted into life supreme
And has a sense of waxing wings.
For through a great arch-light which floods
And breaks and spreads and swims along
High royal-robed autumnal woods,
I hear a glorious sunset song.
But, ah, Euterpe! I that pause
And listen to the strain divine
Can never learn its words, because
I am no son of thine.

How sweet is wandering where the west
Is full of thee, what time the morn
Looks from his halls of rosy rest
Across green miles of gleaming corn!

How sweet are dreams in shady nooks,
When bees are out, and day is mute,
While down the dell there floats the brook's
Fine echo of thy marvellous lute!

And oh, how sweet is that sad tune
Of thine, within the evening breeze,
Which roams beneath the mirrored moon
On silver-sleeping summer seas!

How blest are they whom thou hast crowned,
Thy priests--the lords who understand
The deep divinity of sound,
And live their lives in Wonderland!

These stand within thy courts and see
The light exceeding round thy throne,
But I--an alien unto thee--
I faint afar off, and alone.

II

In hills where the keen Thessalonian
Made clamour with horse and with horn,
In oracular woods the Dodonian--
The mystical maiden was born.
And the high, the Olympian seven,
Ringed round with ineffable flame,
Baptized her in halos of heaven,
And gave her her beautiful name.
And Delphicus, loving her, brought her
Immutable dower of dreams,
And clothed her with glory, and taught her
The words of the winds and the streams.

She dwelt with the echoes that dwell
In far immemorial hills;
She wove of their speeches a spell--
She borrowed the songs of the rills;
And anthems of forest and fire,
And passionate psalms of the rain
Had life in the life of the lyre,
And breath in its infinite strain.

In a fair, in a floral abode,
Of purple and yellow and red,
The voice of her floated and flowed,
The light of her lingered and spread,
And ever there slipt through the bars
Of the leaves of her luminous bowers,
Syllables splendid as stars,
And faultless as moon-litten flowers.

III

Lady of a land of wonder,
Daughter of the hill supernal,
Far from frost and far from thunder
Under sons and moons eternal!
Long ago the strong Immortals
Took her hence on wheels of fire,
Caught her up and shut their portals--
Floral maid with fervent lyre.
But stray fallen notes of brightness
Yet within our world are ringing,
Floating on the winds of lightness
Glorious fragments of her singing.

Bud of light, she shines above us;
But a few of starry pinions--
Passioned souls who are her lovers--
Dwell in her divine dominions.
Few they are, but in the centric
Fanes of Beauty hold their station;
Kings of music, lords authentic,
Of the worlds of Inspiration.
These are they to whom are given
Eyes to see the singing stream-land,
Far from earth and near to heaven,
Known to gods and men as Dreamland.

Mournful humanity, stricken and worn,
Toiling for peace in undignified days,
Set in a sphere with the shadows forlorn,
Seeing sublimity dimmed by a haze--
Mournful humanity wearing the sign
Of trouble with time and unequable things,
Long alienated from spaces divine,
Sometimes remembers that once it had wings.
Chiefly it is when the song and the light
Sweeten the heart of the summering west,
Music and glory that lend to the night
Glimpses of marvellous havens of rest.

Chiefly it is when the beautiful day
Dies with a sound on its lips like a psalm--
Anthem of loveliness drifting away
Over a sea of unspeakable calm.

Then Euterpe's harmonies
In the ballad rich and rare,
Freighted with old memories,
Float upon the evening air--
Float, like shine in films of rain,
Full of past pathetic themes,
Tales of perished joy and pain,
Frail and faint as dreams in dreams.
Then to far-off homes we rove,
Homes of youth and hope and faith,
Beautiful with lights of love--
Sanctified by shrines of death.

Ah! and in that quiet hour
Soul by soul is borne away
Over tracts of leaf and flower,
Lit with a supernal day;
Over Music-world serene,
Spheres unknown to woes and wars,
Homes of wildernesses green,
Silver seas and golden shores;
Then, like spirits glorified,
Sweet to hear and bright to see,
Lords in Eden they abide
Robed with strange new majesty.

John Dunmore Lang

The song that is last of the many
Whose music is full of thy name,
Is weaker, O father! than any,
Is fainter than flickering flame.
But far in the folds of the mountains
Whose bases are hoary with sea,
By lone immemorial fountains
This singer is mourning for thee.

Because thou wert chief and a giant
With those who fought on for the right
A hero determined, defiant;
As flame was the sleep of thy might.
Like Stephen in days that are olden,
Thy lot with a rabble was cast,
But seasons came on that were golden,
And Peace was thy mother at last.

I knew of thy fierce tribulation,
Thou wert ever the same in my thought--
The father and friend of a nation
Through good and through evil report.
At Ephesus, fighting in fetters,
Paul drove the wild beasts to their pen;
So thou with the lash of thy letters
Whipped infamy back to its den.

The noise of thy battle is over,
Thy sword is hung up in its sheath;
Thy grave has been decked by its lover
With beauty of willowy wreath.
The winds sing about thee for ever,
The voices of hill and of sea;
But the cry of the conflict will never
Bring sorrow again unto thee.

On a Baby Buried by the Hawkesbury

[_Lines sent to a Young Mother._]

A grace that was lent for a very few hours,
By the bountiful Spirit above us;
She sleeps like a flower in the land of the flowers,
She went ere she knew how to love us.
Her music of Heaven was strange to this sphere,
Her voice is a silence for ever;
In the bitter, wild fall of a sorrowful year,
We buried our bird by the river.

But the gold of the grass, and the green of the vine,
And the music of wind and of water,
And the torrent of song and superlative shine,
Are close to our dear little daughter.
The months of the year are all gracious to her,
A winter breath visits her never;
She sleeps like a bird in a cradle of myrrh,
By the banks of the beautiful river.

Song of the Shingle-Splitters

In dark wild woods, where the lone owl broods
And the dingoes nightly yell--
Where the curlew's cry goes floating by,
We splitters of shingles dwell.
And all day through, from the time of the dew
To the hour when the mopoke calls,
Our mallets ring where the woodbirds sing
Sweet hymns by the waterfalls.
And all night long we are lulled by the song
Of gales in the grand old trees;
And in the brakes we can hear the lakes
And the moan of the distant seas.
For afar from heat and dust of street,
And hall and turret and dome,
In forest deep, where the torrents leap,
Is the shingle-splitter's home.

The dweller in town may lie upon down,
And own his palace and park:
We envy him not his prosperous lot,
Though we slumber on sheets of bark.
Our food is rough, but we have enough;
Our drink is better than wine:
For cool creeks flow wherever we go,
Shut in from the hot sunshine.
Though rude our roof, it is weather-proof,
And at the end of the days
We sit and smoke over yarn and joke,
By the bush-fire's sturdy blaze.
For away from din and sorrow and sin,
Where troubles but rarely come,
We jog along, like a merry song,
In the shingle-splitter's home.

What though our work be heavy, we shirk
From nothing beneath the sun;
And toil is sweet to those who can eat
And rest when the day is done.
In the Sabbath-time we hear no chime,
No sound of the Sunday bells;
But yet Heaven smiles on the forest aisles,
And God in the woodland dwells.
We listen to notes from the million throats
Of chorister birds on high,
Our psalm is the breeze in the lordly trees,
And our dome is the broad blue sky.
Oh! a brave, frank life, unsmitten by strife,
We live wherever we roam,
And our hearts are free as the great strong sea,
In the shingle-splitter's home.

On a Street

I dread that street--its haggard face
I have not seen for eight long years;
A mother's curse is on the place,
(There's blood, my reader, in her tears).
No child of man shall ever track,
Through filthy dust, the singer's feet--
A fierce old memory drags me back;
I hate its name--I dread that street.

Upon the lap of green, sweet lands,
Whose months are like your English Mays,
I try to hide in Lethe's sands
The bitter, old Bohemian days.
But sorrow speaks in singing leaf,
And trouble talketh in the tide;
The skirts of a stupendous grief
Are trailing ever at my side.

I will not say who suffered there,
'Tis best the name aloof to keep,
Because the world is very fair--
Its light should sing the dark to sleep.
But, let me whisper, in that street
A woman, faint through want of bread,
Has often pawned the quilt and sheet
And wept upon a barren bed.

How gladly would I change my theme,
Or cease the song and steal away,
But on the hill and by the stream
A ghost is with me night and day!
A dreadful darkness, full of wild,
Chaotic visions, comes to me:
I seem to hear a dying child,
Its mother's face I seem to see.

Here, surely, on this bank of bloom,
My verse with shine would ever flow;
But ah! it comes--the rented room,
With man and wife who suffered so!
From flower and leaf there is no hint--
I only see a sharp distress--
A lady in a faded print,
A careworn writer for the press.

I only hear the brutal curse
Of landlord clamouring for his pay;
And yonder is the pauper's hearse
That comes to take a child away.
Apart, and with the half-grey head
Of sudden age, again I see
The father writing by the dead
To earn the undertaker's fee.

No tear at all is asked for him--
A drunkard well deserves his life;
But voice will quiver, eyes grow dim,
For her, the patient, pure young wife,
The gentle girl of better days,
As timid as a mountain fawn,
Who used to choose untrodden ways,
And place at night her rags in pawn.

She could not face the lighted square,
Or show the street her poor, thin dress;
In one close chamber, bleak and bare,
She hid her burden of distress.
Her happy schoolmates used to drive,
On gaudy wheels, the town about;
The meat that keeps a dog alive
She often had to go without.

I tell you, this is not a tale
Conceived by me, but bitter truth;
Bohemia knows it, pinched and pale,
Beside the pyre of burnt-out youth:
These eyes of mine have often seen
The sweet girl-wife, in winters rude,
Steal out at night, through courts unclean,
To hunt about for chips of wood.

Have I no word at all for him
Who used down fetid lanes to slink,
And squat in tap-room corners grim,
And drown his thoughts in dregs of drink?
This much I'll say, that when the flame
Of reason reassumed its force,
The hell the Christian fears to name,
Was heaven to his fierce remorse.

Just think of him--beneath the ban,
And steeped in sorrow to the neck,
Without a friend--a feeble man,
In failing health--a human wreck.
With all his sense and scholarship,
How could he face his fading wife?
The devil never lifted whip
With thongs like those that scourged his life.

But He in whom the dying thief
Upon the Cross did place his trust,
Forgets the sin and feels the grief,
And lifts the sufferer from the dust.
And now, because I have a dream,
The man and woman found the light;
A glory burns upon the stream,
With gold and green the woods are bright.

But still I hate that haggard street,
Its filthy courts, its alleys wild;
In dreams of it I always meet
The phantom of a wailing child.
The name of it begets distress--
Ah, song, be silent! show no more
The lady in the perished dress,
The scholar on the tap-room floor.

Heath from the Highlands

Here, where the great hills fall away
To bays of silver sea,
I hold within my hand to-day
A wild thing, strange to me.

Behind me is the deep green dell
Where lives familiar light;
The leaves and flowers I know so well
Are gleaming in my sight.

And yonder is the mountain glen,
Where sings in trees unstirred
By breath of breeze or axe of men
The shining satin-bird.

The old weird cry of plover comes
Across the marshy ways,
And here the hermit hornet hums,
And here the wild bee strays.

No novel life or light I see,
On hill, in dale beneath:
All things around are known to me
Except this bit of heath.

This touching growth hath made me dream--
It sends my soul afar
To where the Scottish mountains gleam
Against the Northern star.

It droops--this plant--like one who grieves;
But, while my fancy glows,
There is that glory on its leaves
Which never robed the rose.

For near its wind-blown native spot
Were born, by crags uphurled,
The ringing songs of Walter Scott
That shook the whole wide world.

There haply by the sounding streams,
And where the fountains break,
He saw the darling of his dreams,
The Lady of the Lake.

And on the peaks where never leaf
Of lowland beauty grew,
Perhaps he met Clan Alpine's chief,
The rugged Roderick Dhu.

Not far, perchance, this heather throve
(Above fair banks of ferns),
From that green place of stream and grove
That knew the voice of Burns.

Against the radiant river ways
Still waves the noble wood,
Where in the old majestic days
The Scottish poet stood.

Perhaps my heather used to beam
In robes of morning frost,
By dells which saw that lovely dream--
The Mary that he lost.

I hope, indeed, the singer knew
The little spot of land
On which the mountain beauty grew
That withers in my hand.

A Highland sky my vision fills;
I feel the great, strong North--
The hard grey weather of the hills
That brings men-children forth.

The peaks of Scotland, where the din
And flame of thunders go,
Seem near me, with the masculine,
Hale sons of wind and snow.

So potent is this heather here,
That under skies of blue,
I seem to breathe the atmosphere
That William Wallace knew.

And under windy mountain wall,
Where breaks the torrent loose,
I fancy I can hear the call
Of grand old Robert Bruce.

The Austral Months

January

The first fair month! In singing Summer's sphere
She glows, the eldest daughter of the year.
All light, all warmth, all passion, breaths of myrrh,
And subtle hints of rose-lands, come with her.
She is the warm, live month of lustre--she
Makes glad the land and lulls the strong, sad sea.
The highest hope comes with her. In her face
Of pure, clear colour lives exalted grace;
Her speech is beauty, and her radiant eyes
Are eloquent with splendid prophecies.

February

The bright-haired, blue-eyed last of Summer. Lo,
Her clear song lives in all the winds that blow;
The upland torrent and the lowland rill,
The stream of valley and the spring of hill,
The pools that slumber and the brooks that run
Where dense the leaves are, green the light of sun,
Take all her grace of voice and colour. She,
With rich warm vine-blood splashed from heel to knee,
Comes radiant through the yellow woodlands. Far
And near her sweet gifts shine like star by star.
She is the true Demeter. Life of root
Glows under her in gardens flushed with fruit;
She fills the fields with strength and passion--makes
A fire of lustre on the lawn-ringed lakes;
Her beauty awes the great wild sea; the height
Of grey magnificence takes strange delight
And softens at her presence, at the dear
Sweet face whose memory beams through all the year.

March

Clear upland voices, full of wind and stream,
Greet March, the sister of the flying beam
And speedy shadow. She, with rainbow crowned,
Lives in a sphere of songs of mazy sound.
The hymn of waters and the gale's high tone,
With anthems from the thunder's mountain throne,
Are with her ever. This, behold, is she
Who draws its great cry from the strong, sad sea;
She is the month of majesty. Her force
Is power that moves along a stately course,
Within the lines of order, like no wild
And lawless strength of winter's fiercest child.
About her are the wind-whipped torrents; far
Above her gleams and flies the stormy star,
And round her, through the highlands and their rocks,
Rings loud the grand speech from the equinox.

April

The darling of Australia's Autumn--now
Down dewy dells the strong, swift torrents flow!
This is the month of singing waters--here
A tender radiance fills the Southern year;
No bitter winter sets on herb and root,
Within these gracious glades, a frosty foot;
The spears of sleet, the arrows of the hail,
Are here unknown. But down the dark green dale
Of moss and myrtle, and the herby streams,
This April wanders in a home of dreams;
Her flower-soft name makes language falter. All
Her paths are soft and cool, and runnels fall
In music round her; and the woodlands sing
For evermore, with voice of wind and wing,
Because this is the month of beauty--this
The crowning grace of all the grace that is.

May

Now sings a cool, bland wind, where falls and flows
The runnel by the grave of last year's rose;
Now, underneath the strong perennial leaves,
The first slow voice of wintering torrent grieves.
Now in a light like English August's day,
Is seen the fair, sweet, chastened face of May;
She is the daughter of the year who stands
With Autumn's last rich offerings in her hands;
Behind her gleams the ghost of April's noon,
Before her is the far, faint dawn of June;
She lingers where the dells and dewy leas
Catch stormy sayings from the great bold seas;
Her nightly raiment is the misty fold
That zones her round with moonlight-coloured gold;
And in the day she sheds, from shining wings,
A tender heat that keeps the life in things.

June

Not like that month when, in imperial space,
The high, strong sun stares at the white world's face;
Not like that haughty daughter of the year
Who moves, a splendour, in a splendid sphere;
But rather like a nymph of afternoon,
With cool, soft sunshine, comes Australian June.
She is the calm, sweet lady, from whose lips
No breath of living passion ever slips;
The wind that on her virgin forehead blows
Was born too late to speak of last year's rose;
She never saw a blossom, but her eyes
Of tender beauty see blue, gracious skies;
She loves the mosses, and her feet have been
In woodlands where the leaves are always green;
Her days pass on with sea-songs, and her nights
Shine, full of stars, on lands of frosty lights.

July

High travelling winds, filled with the strong storm's soul,
Are here, with dark, strange sayings from the Pole;
Now is the time when every great cave rings
With sharp, clear echoes caught from mountain springs;
This is the season when all torrents run
Beneath no bright, glad beauty of the sun.
Here, where the trace of last year's green is lost,
Are haughty gales, and lordships of the frost.
Far down, by fields forlorn and forelands bleak,
Are wings that fly not, birds that never speak;
But in the deep hearts of the glens, unseen,
Stand grave, mute forests of eternal green;
And here the lady, born in wind and rain,
Comes oft to moan and clap her palms with pain.
This is our wild-faced July, in whose breast
Is never faultless light or perfect rest.

August

Across the range, by every scarred black fell,
Strong Winter blows his horn of wild farewell;
And in the glens, where yet there moves no wing,
A slow, sweet voice is singing of the Spring.
Yea, where the bright, quick woodland torrents run,
A music trembles under rain and sun.
The lips that breathe it are the lips of her
At whose dear touch the wan world's pulses stir--
The nymph who sets the bow of promise high
And fills with warm life-light the bleak grey sky.
She is the fair-haired August. Ere she leaves
She brings the woodbine blossom round the eaves;
And where the bitter barbs of frost have been
She makes a beauty with her gold and green;
And, while a sea-song floats from bay and beach,
She sheds a mist of blossoms on the peach.

[For September, see p. 70.] {In this etext, search for
"September in Australia", in "Leaves from Australian Forests".--A. L.}

October

Where fountains sing and many waters meet,
October comes with blossom-trammelled feet.
She sheds green glory by the wayside rills
And clothes with grace the haughty-featured hills.
This is the queen of all the year. She brings
The pure chief beauty of our southern springs.
Fair lady of the yellow hair! Her breath
Starts flowers to life, and shames the storm to death;
Through tender nights and days of generous sun
By prospering woods her clear strong torrents run;
In far deep forests, where all life is mute,
Of leaf and bough she makes a touching lute.
Her life is lovely. Stream, and wind, and bird
Have seen her face--her marvellous voice have heard;
And, in strange tracts of wildwood, all day long,
They tell the story in surpassing song.

November

Now beats the first warm pulse of Summer--now
There shines great glory on the mountain's brow.
The face of heaven in the western sky,
When falls the sun, is filled with Deity!
And while the first light floods the lake and lea,
The morning makes a marvel of the sea;
The strong leaves sing; and in the deep green zones
Of rock-bound glens the streams have many tones;
And where the evening-coloured waters pass,
Now glides November down fair falls of grass.
She is the wonder with the golden wings,
Who lays one hand in Summer's--one in Spring's;
About her hair a sunset radiance glows;
Her mouth is sister of the dewy rose;
And all the beauty of the pure blue skies
Has lent its lustre to her soft bright eyes.

December

The month whose face is holiness! She brings
With her the glory of majestic things.
What words of light, what high resplendent phrase
Have I for all the lustre of her days?
She comes, and carries in her shining sphere
August traditions of the world's great year;
The noble tale which lifts the human race
Has made a morning of her sacred face.
Now in the emerald home of flower and wing
Clear summer streams their sweet hosannas sing;
The winds are full of anthems, and a lute
Speaks in the listening hills when night is mute
And through dim tracks where talks the royal tree
There floats a grand hymn from the mighty sea;
And where the grey, grave, pondering mountains stand
High music lives--the place is holy land!

Aboriginal Death-Song

Feet of the flying, and fierce
Tops of the sharp-headed spear,
Hard by the thickets that pierce,
Lo! they are nimble and near.

Women are we, and the wives
Strong Arrawatta hath won;
Weary because of our lives,
Sick of the face of the sun.

Koola, our love and our light,
What have they done unto you?
Man of the star-reaching sight,
Dipped in the fire and the dew.

Black-headed snakes in the grass
Struck at the fleet-footed lord--
Still is his voice at the pass,
Soundless his step at the ford.

Far by the forested glen,
Starkly he lies in the rain;
Kings of the council of men
Shout for their leader in vain.

Yea, and the fish-river clear
Never shall blacken below
Spear and the shadow of spear,
Bow and the shadow of bow.

Hunter and climber of trees,
Now doth his tomahawk rust,
(Dread of the cunning wild bees),
Hidden in hillocks of dust.