Chapter VII: Roman Literature (2)

In the estimation of modern critics, the highest rank, as an historian, is assigned to Tacitus, and it would be difficult to find his rival in any age or country. He was born A.D. 57, about forty-three years after the death of Augustus. He belonged to the equestrian rank, and was a man of consular dignity. He had every facility for literary labors that leisure, wealth, friends, and social position could give, and he lived under a reign when truth could be told.

The extant works of this great writer are the "Life of Agricola," his father-in-law; his "Annales," which commence with the death of Augustus, A.D. 14, and close with the death of Nero, A.D. 68; the "Historiae," which comprise the period from the second consulate of Galba, A.D. 68, to the death of Domitian; and a treatise on the Germans.

[Sidenote: Histories of Tacitus.]

His histories describe Rome in the fullness of imperial glory, when the will of one man was the supreme law of the empire. He also wrote of events when liberty had fled, and the yoke of despotism was nearly insupportable. He describes a period of great moral degradation, nor does he hesitate to lift the veil of hypocrisy in which his generation had wrapped itself. He fearlessly exposes the cruelties and iniquities of the early emperors, and writes with judicial impartiality respecting all the great characters he describes. No ancient writer shows greater moral dignity and integrity of purpose than Tacitus. In point of artistic unity he is superior to Livy and equal to Thucydides, whom he resembles in conciseness of style. His distinguishing excellence as an historian is his sagacity and impartiality. Nothing escapes his penetrating eye; and he inflicts merited chastisement on the tyrants who reveled in the prostrated liberties of his country, while he immortalizes those few who were faithful to duty and conscience in a degenerate age. But his writings were not so popular as those of Livy. Neither princes nor people relished his intellectual independence and moral elevation. He does not satisfy Dr. Arnold, who thinks he ought to have been better versed in the history of the Jews, and who dislikes his speeches because they were fictitious.

[Sidenote: Qualities which give immortality to historians.]

Neither the Latin nor Greek historians are admired by those dry critics, who seek to give to rare antiquarian matter a disproportionate importance, and to make this matter as fixed and certain as the truths of natural science. History can never be other than an approximation to the truth, even when it relates to the events and characters of our own age. History does not give positive knowledge which cannot be disputed except in general terms. We _know_ that Caesar was ambitious, but we do not know whether he was more or less so than Pompey, nor do we know how far he was justified in his usurpation. A great history must have other merits than mere accuracy, or antiquarian research, or display of authorities and notes. It must be a work of art, and art has reference to style and language, to grouping of details and richness of illustration, to eloquence and poetry and beauty. A dry history, if ever so learned, will never be read; it will only be consulted, like a law- book, or Mosheim's "Commentaries." We wish _life_ in history, and it is for the life that the writings of Livy and Tacitus will be perpetuated. Voltaire and Schiller have no great merit as historians, in a technical sense, but the "Life of Charles XII." and the "Thirty Years' War" are still classics. Neander has written one of the most searching and recondite histories of modern times, but it is too dry, too deficient in art, to be cherished, and may pass away, like the voluminous writings of Varro, the most learned of the Romans. It is the _art_ which is immortal in a book, not the knowledge, or even the thoughts. What keeps alive the "Provincial Letters"? It is the style, the irony, the elegance. It is the exquisite delineation of character, the moral wisdom, the purity and force of language, the artistic arrangement, and the lively and interesting narratives, appealing to all minds, like the "Arabian Nights," or Froissart's "Chronicles," which give immortality to the classic authors of antiquity. We will not let them perish, because they amuse us, and inspire us. Livy doubtless was too ambitious in aspiring to write accurately the whole history of his country. He would have been wiser had he confined himself to a particular epoch, of which he was conversant, like Tacitus and Thucydides. But it is taking a narrow view of history to make all writers after the same pattern, even as it would be bigoted to make all Christians belong to the same sect. Some will be remarkable for style, others for learning, and others again for moral and philosophical wisdom. Some will be minute, and others generalizing. Some dig out a multiplicity of facts without apparent object, and others induce from those facts. Some will make essays, and others chronicles. We have need of all styles and all kinds of excellence. A great and original thinker may not have the time or opportunity or taste for a minute and searching criticism of original authorities; but he may be able to generalize previously established facts, so as to draw most valuable moral instruction. History is a boundless field of inquiry. No man can master it, in all its departments and periods. What he gains in minute details, he is apt to lose in generalization. If he attempts to embody too much learning, he may be deficient in originality; if he would say every thing, he is apt to be dry; if he elaborates too much, he loses life. Society, too, requires different kinds and styles of history,--history for students, history for ladies, histories for old men, histories for young men, histories to amuse, and histories to instruct. If all men were to write history according to Dr. Arnold's views, then we should have histories of interest only to classical scholars. A fellow of Christ Church may demand authorities, even if he never consults one of them, but a member of Congress may wish to see learning embodied in the text, and animated by genius, after the fashion of the ancient historians, who never quoted their sources of knowledge, and who were valued for the richness of thoughts and artistic beauty of style. The ages in which they flourished, attached no value to pedantic displays of labor, or evidences of learning paraded in foot-notes.

[Sidenote: Greatness of the ancient historians.]

Thus the great historians whom I have alluded to, both Greek and Latin, have few equals and no superiors, in our own times, in those things which are most to be admired. They were not pedants, but men of immense genius and learning, who blended the profoundest principles of moral wisdom with the most fascinating narratives, men universally popular among learned and unlearned, and men who were great artists in style, and masters of the language in which they wrote. We claim a superiority to them, because we are more recondite and critical; but the decline of Roman literature can be dated to times when commentaries became the fashion. We improve on commentaries. They are chiefly confined to biblical questions. _We_ write dictionaries and encyclopedias. In this respect we are superior to the ancients. Our latest fashion of histories makes them very long, and very uncertain, containing much irrelevant matter, and more remarkable for learning than for genius, or elegance of diction. Yet Macaulay, Prescott, and Motley have few equals among the ancients in interest or artistic beauty.

[Sidenote: Suetonius.]

[Sidenote: Marcellinus.]

Rome can boast of no great historian after Tacitus, who should have belonged to the Ciceronian epoch. Suetonius, born about the year A.D. 70, shortly after Nero's death, was rather a biographer than historian. Nor as a biographer does he take a high rank. His "Lives of the Caesars," like Diogenes Laertius' "Lives of the Philosophers," are rather anecdotical than historical. L. A. Florus, who flourished during the reign of Trajan, has left a series of sketches of the different wars from the days of Romulus to those of Augustus. Frontinus epitomized the large histories of Pompeius. Marcellinus wrote a history from Nerva to Valens, and is often quoted by Gibbon. But none wrote who should be adduced as examples of the triumph of genius, except Sallust, Caesar, Livy, and Tacitus.

[Sidenote: Ancient orators.]

[Sidenote: Ancient eloquence.]

There is another field of prose compositions in which the Greeks and Romans gained great distinction, and proved themselves equal to any nation of modern times, and this was that of eloquence. It is true we have not a rich collection of ancient speeches. But we have every reason to believe that both Greeks and Romans were most severely trained in the art of public speaking, and that forensic eloquence was highly prized and munificently rewarded. It commenced with democratic institutions, and flourished as long as the people were a great power in the state. It declined whenever and as soon as tyrants bore rule. Eloquence and liberty flourished together; nor can there be eloquence when there is not freedom of debate. In the fifth century before Christ--the first century of democracy--great orators arose, for without the power and the opportunity of defending himself against accusation, no man could hold an ascendent position. Socrates insisted upon the gift of oratory to a general in the army, [Footnote: Xen. _Mem._, iii. 3, 11.] as well as to a leader in political life. In Athens the courts of justice were numerous, and those who could not defend themselves were obliged to secure the services of those who were trained in the use of public speaking. Thus the lawyers arose, among whom eloquence has been more in demand, and more richly paid than in any other class, certainly of ancient times. Rhetoric became connected with dialectics, and in Greece, Sicily, and Italy, both were most extensively cultivated. Empedocles was distinguished as much for rhetoric as for philosophy. It was not, however, in the courts of law that eloquence displayed the greatest fire and passion, but in political assemblies. These could only coexist with liberty; and a democracy was more favorable than an aristocracy to a large concourse of citizens. In the Grecian republics, eloquence as an art, may be said to have been born. It was nursed and fed by political agitations; by the strife of parties. It arose from appeals to the people as a source of power; and, when the people were not cultivated, it appealed chiefly to popular passions and prejudices. When they were enlightened, it appealed to interests.

[Sidenote: Pericles.]

It was in Athens, where there existed the purest form of democratic institutions, that eloquence rose to the loftiest heights in the ancient world, so far as eloquence appeals to popular passions. Pericles, the greatest statesman of Greece, was celebrated for his eloquence, although no specimens remain to us. It was conceded by the ancient authors, that his oratory was of the highest kind, and the epithet of Olympian was given him as carrying the weapons of Zeus upon his tongue. [Footnote: Plutarch; Cic. _De Orat_., iii. 34; Quin., x. i. Section 82; Plat. _Phed_., p. 262.] His voice was sweet, and his utterance distinct and rapid. Pisistratus was also famous for his eloquence, although he was a usurper and a tyrant. Isocrates [Footnote: Born 436 B.C.] was a professed rhetorician, and endeavored to base it upon sound moral principles, and rescue it from the influence of the Sophists. He was the great teacher of the most eminent statesmen of his day. Twenty- one of his orations have come down to us, and they are excessively polished and elaborated; but they were written to be read; they were not extemporary. His language is the purest and most refined Attic dialect. Lysias [Footnote: Born B.C. 458.] was a fertile writer of orations also, and he is reputed to have produced as many as four hundred and twenty- five. Of these only thirty-five are extant. They are characterized by peculiar gracefulness and elegance, which did not interfere with strength. So able were these orations, that only two were unsuccessful. They were so pure that they were regarded as the best canon of the Attic idiom. [Footnote: Dion. _Lys_., ii. 3.]

[Sidenote: Demosthenes.]

But all the orators of Greece--and Greece was the land of orators--gave way to Demosthenes, born B.C. 385. He received a good education, and is said to have been instructed in philosophy by Plato, and in eloquence by Isocrates. But it is more probable that he privately prepared himself for his brilliant career. As soon as he attained his majority, he brought suits against the men whom his father had appointed his guardians for their waste of property, and was, after two years, successful, conducting the prosecution himself. It was not until the age of thirty that he appeared as a speaker in the public assembly on political matters, and he enjoyed universal respect, and became one of the leading statesmen of Athens, and henceforth he took an active part in every question that concerned the state. He especially distinguished himself in his speeches against Macedonian aggrandizements, and his Philippics are, perhaps, the most brilliant of his orations. But the cause which he advocated was unfortunate. The battle of Cheronea, B.C. 338, put an end to the independence of Greece, and Philip of Macedon was all-powerful. For this catastrophe Demosthenes was somewhat responsible, but his motives were pure and his patriotism lofty, and he retained the confidence of his countrymen. Accused by Aeschines, he delivered his famous Oration on the Crown. Afterwards, during the supremacy of Alexander, he was again accused, and suffered exile. Recalled from exile, on the death of Alexander, he roused himself for the deliverance of Greece, without success, and, hunted by his enemies, he took poison in the sixty-third year of his age, having vainly contended for the freedom of his country,--one of the noblest spirits of antiquity, spotless in his public career, and lofty in his private life. As an orator, he has not probably been equaled by any man of any country. By his contemporaries he was regarded as faultless as a public speaker, and when it is remembered that he struggled against physical difficulties which, in the early part of his career, would have utterly discouraged any ordinary man, we feel that he deserves the highest commendation. He never spoke without preparation, and most of his orations were severely elaborated. He never trusted to the impulse of the occasion. And all his orations exhibit him as a pure and noble patriot, and are full of the loftiest sentiments. He was a great artist, and his oratorical successes were greatly owing to the arrangement of his speeches and the application of the strongest arguments in their proper places. Added to this moral and intellectual superiority was the "magic power of his language, majestic and simple at the same time, rich yet not bombastic, strange and yet familiar, solemn without being ornamented, grave and yet pleasing, concise and yet fluent, sweet and yet impressive, which altogether carried away the minds of his hearers." [Footnote: Leonhard Schmitz.] His orations were most highly prized by the ancients, who wrote innumerable commentaries on them, but most of these criticisms are lost. Sixty, however, of these great productions of genius have come down to us, and are contained in the various collections of the Attic orators by Aldus, Stephens, Taylor, Reiske, Dukas, Bekker, Dobson, and Sauppe. Demosthenes, like other orators, first became known as the composer of speeches for litigants; but his great fame was based on the orations he pronounced in great political emergencies. His rival was Aeschines, but he was vastly inferior to Demosthenes, although bold, vigorous, and brilliant. Indeed, the opinions of mankind, for two thousand years, have been unanimous in ascribing to Demosthenes the highest position as an orator of all the men of ancient and modern times. David Hume says of him, "that, could his manner be copied, its success would be infallible over a modern audience." "It is rapid harmony exactly adjusted to the sense. It is vehement reasoning, without any appearance of art. It is disdain, anger, boldness, freedom involved in a continual stream of argument; so that, of all human productions, his orations present to us the models which approach the nearest to perfection." [Footnote: _Dissertation of Lord Brougham on the Eloquence of the Ancients._]

[Sidenote: Roman orators.]

It is probable that the Romans were behind the Athenians in all the arts of rhetoric; and yet in the days of the republic celebrated orators arose, called out by the practice of the law and political meetings. It was, in fact, in forensic eloquence that Latin prose first appears as a cultivated language; for the forum was to the Romans what libraries are to us. And the art of public speaking was very early developed. Cato, Laelius, Carbo, and the Gracchi are said to have been majestic and harmonious in speech. Their merits were eclipsed by Antonius, Crassus, Cotta, Sulpitius, and Hortensius. The last had a very brilliant career as an orator, although his orations were too florid to be read. Caesar was also distinguished for his eloquence, the characteristics of which were force and purity. Caelius was noted for lofty sentiment; Brutus for philosophical wisdom; Callidus for a delicate and harmonious style, and Calvus for sententious force.

[Sidenote: Cicero.]

But all the Roman orators yielded to Cicero, as the Greeks did to Demosthenes. These two men are always coupled together when allusion is made to eloquence. They were preeminent in the ancient world, and have never been equaled in the modern.

Cicero was not probably equal to his great Grecian rival in vehemence, in force, in fiery argument, which swept every thing away before him; and he was not probably equal to him in original genius; but he was his superior in learning, in culture, and in breadth. [Footnote: Born B.C. 106.] He distinguished himself very early as an advocate; but his first great public effort was in the prosecution of Verres for corruption. Although defended by Hortensius, and the whole influence of the Metelli and other powerful families, Cicero gained his cause,--more fortunate than Burke in his prosecution of Warren Hastings, who was also sustained by powerful interests and families. Burke also resembled Cicero in his peculiarities and in his fortunes more than any modern orator. His speech on the Manilian law, when he appeared as a political orator, greatly contributed to his popularity. I need not describe his memorable career; his successive election to all the highest offices of state, his detection of Catiline's conspiracy, his opposition to turbulent and ambitious partisans, his alienations and friendships, his brilliant career as a statesman, his misfortunes and sorrows, his exile and recall, his splendid services to the state, his greatness and his defects, his virtues and weaknesses, his triumphs and martyrdom. These are foreign to my purpose. No man of heathen antiquity is better known to us, and no man, by pure genius, ever won more glorious laurels. His life and labors are immortal. His virtues and services are embalmed in the heart of the world. Few men ever performed greater literary labors, and in most of its departments. Next to Aristotle, he was the most learned man of antiquity, but performed more varied labors than he, since he was not only great as a writer and speaker, but as a statesman, and was the most conspicuous man in Rome after Pompey and Caesar. He may not have had the moral greatness of Socrates, nor the philosophical genius of Plato, nor the overpowering eloquence of Demosthenes, but he was a master of all the wisdom of antiquity. Even civil law, the great science of the Romans, became interesting in his hands, and is divested of its dryness and technicality. He popularized history, and paid honor to all art, even to the stage. He made the Romans conversant with the philosophy of Greece, and systematized the various speculations. He may not have added to the science, but no Roman, after him, understood so well the practical bearing of all the various systems. His glory is purely intellectual, and it was by pure genius that he rose to his exalted position and influence.

But it was in forensic eloquence that he was preeminent, and in which he had but one equal in ancient times. Roman eloquence culminated in him. He composed about eighty orations, of which fifty-nine are preserved. Some were delivered from the rostrum to the people, and some in the Senate. Some were mere philippics, as savage in denunciation as those of Demosthenes. Some were laudatory; some were judicial; but all were severely logical, full of historical allusion, profound in philosophical wisdom, and pervaded with the spirit of patriotism. "He goes round and round his object, surveys it in every light, examines it in all its parts, retires and then advances, compares and contrasts it, illustrates, confirms, and enforces it, till the hearer feels ashamed of doubting a position which seems built on a foundation so strictly argumentative. And having established his case, he opens upon his opponent a discharge of raillery so delicate and good natured that it is impossible for the latter to maintain his ground against it; or, when the subject is too grave, he colors his exaggerations with all the bitterness of irony and vehemence of passion. But the appeal to the gentler emotions is reserved for the close of the oration, as in the defense of Cluentius, Caelius, Milo, and Flaccus; the most striking instances of which are the poetical bursts of feeling with which he addresses his client, Plaucius, and his picture of the desolate condition of the vestal Fonteia, should her brother be condemned. At other times his peroration contains more heroic and elevated sentiments, as in the invocation of the Alban Altars, and in his defense of Sextius, and that on liberty at the close of the third Philippic." [Footnote: Newman, _Hist. Rom. Lit._, p. 305.]

Critics have uniformly admired his style as peculiarly suited to the Latin language, which, being scanty and unmusical, requires more redundancy than the Greek. The simplicity of the Attic writers would make Latin composition bold and tame. To be perspicuous, the Latin must be full. Thus Arnold thinks that what Tacitus gained in energy he lost in elegance and perspicuity. But Cicero, dealing with a barren and unphilosophical language, enriched it with circumlocutions and metaphors, while he formed it of harsh and uncouth expressions, and thus became the greatest master of composition the world has seen. He was a great artist, making use of his scanty materials to the best effect; and since he could not attain the elegance of the Greeks, he sought to excel them in vigor. He had absolute control over the resources of his vernacular tongue, and not only unrivaled skill in composition, but tact and judgment. Thus he was generally successful, in spite of the venality and corruption of the times. The courts of justice were the scene of his earliest triumphs; nor did he speak from the rostra until he was praetor on mere political questions, as in reference to the Manilian and Agrarian laws. It is in his political discourses that he rises to the highest ranks. In his speeches against Verres, Catiline, and Antony, he kindles in his countrymen lofty feelings for the honor of his country, and abhorrence of tyranny and corruption. Indeed, he hated bloodshed, injustice, and strife, and beheld the downfall of liberty with indescribable sorrow.

Cicero held a very exalted position as a philosophical writer and critic; but we defer what we have to say on this point until we speak of the philosophy of the ancients. Upon eloquence his main efforts were, however, directed, and eloquence was the most perfect fruit of his talents. Nor can we here speak of Cicero as a man. He has his admirers and detractors. He had great faults and weaknesses as well as virtues. He was egotistical, vain, and vacillating. But he was industrious, amiable, witty, and public spirited. In his official position he was incorruptible. He was no soldier, but he had a greater than a warrior's excellence. In spite of his faults, his name is one of the brightest of the ancients. His integrity was never impeached, even in an age of unparalleled corruption, and he was pure in morals. He was free from rancor and jealousy, was true in his friendships, and indulgent to his dependents. [Footnote: Professor Ramsay, of Glasgow, has written a most admirable article on Cicero in Smith's _Dictionary_. It is very full and impartial. Cicero's own writings are the best commentary on his life. Plutarch has afforded much anecdote. Forsythe is the last work of erudition. The critics sneer at Middleton's _Life of Cicero_; but it has lasted one hundred years. It is, perhaps, too eulogistic. Drumann is said to have most completely exhausted his subject in his _Geschichte Roms_.]

Thus in oratory, as in history, the ancients can boast of most illustrious examples, never even equaled. Still, we cannot tell the comparative merits of the great classical orators of antiquity, with the more distinguished of our times. Only Mirabeau, Pitt, Fox, Burke, Brougham, Webster, and Clay, can even be compared with them. In power of moving the people, some of our modern reformers and agitators may be mentioned favorably; but their harangues are comparatively tame when read.

[Sidenote: Varro.]

In philosophy, the Greeks and Romans distinguished themselves more than even in poetry, or history, or eloquence. Their speculations pertained to the loftiest subjects which ever tasked the intellect of man. But this great department deserves a separate chapter. There were respectable writers, too, in various other departments of literature, but no very great names whose writings have descended to us. Contemporaries had an exalted opinion of Varro, who was considered the most learned of the Romans, as well as their most voluminous author. He was born ten years before Cicero, and he is highly commended by Augustine. [Footnote: Born B.C. 116; _Civ. Dei_., vi. 2.] He was entirely devoted to literature, took no interest in passing events, and lived to a good old age. St. Augustine says of him, "that he wrote so much that one wonders how he had time to read; and that he read so much, we are astonished how he found time to write." He composed four hundred and ninety books. Of these only one has descended to us entire--"De Re Rustica"--written at the age of eighty; but it is the best treatise which has come down from antiquity on ancient agriculture. We have parts of his other books, and we know of books which have entirely perished which, for their information, would be invaluable; especially his "Divine Antiquities," in sixteen books--his great work, from which St. Augustine drew his materials for his "City of God." He wrote treatises on language, on the poets, on philosophy, on geography, and various other subjects. He wrote satire and criticism. But although his writings were learned, his style was so bad that the ages have failed to preserve him. It is singular that the truly immortal books are most valued for their artistic excellences. No man, however great his genius, can afford to be dull. Style is to written composition, what delivery is to a public speaker. John Foster, one of the finest intellects of the last generation, preached to a "handful" of hearers, while "Satan" Montgomery drew ecstatic crowds. Nobody goes to hear the man of thoughts, every body to hear the man of words, being repelled or attracted by _manner_.

[Sidenote: Seneca.]

Seneca was another great writer among the Romans, but he belongs to the domain of philosophy, although it is his ethical works which have given him immortality, as may be truly said of Socrates and Epictetus, although they are usually classed among the philosophers. He was a Spaniard, and was born a few years before the Christian era, was a lawyer and a rhetorician, a teacher and minister of Nero. It was his misfortune to know one of the most detestable princes that ever scandalized humanity, and it is not to his credit to have accumulated, in four years, one of the largest fortunes in Rome, while serving such a master. But since he lived to experience his ingratitude, he is more commonly regarded as a martyr. Had he lived in the republican period, he would have been a great orator. He wrote voluminously on many subjects, and was devoted to a literary life. He rejected the superstitions of his country, and looked upon the ritualism of religion as a mere fashion; but his religion was a mere deism, and he dishonored his own virtues by a compliance with the vices of others. He saw much of life, and died at fifty-three. What is remarkable in his writings, which are clear but labored, is, that under pagan influences and imperial tyranny, he should have presented such lofty moral truth; and it is a mark of almost transcendent talent that he should, unaided by Christianity, have soared so high in the realm of ethical inquiry. Nor is it easy to find any modern author who has treated great questions in so attractive a way.

[Sidenote: Quintilian.]

Quintilian is a Latin classic, and belonged to the class of rhetoricians, and should have been mentioned among the orators, like Lysias the Greek, a teacher, however, of eloquence, rather than an orator. He was born A.D. 40, and taught the younger Pliny, also two nephews of Domitian, receiving a regular salary from the imperial treasury. His great work is a complete system of rhetoric. "_Institutiones Oratoriae_" is one of the clearest and fullest of all rhetorical manuals ever written in any language, although, as a literary production, inferior to the "_De Oratore_" of Cicero. It is very practical and sensible, and a complete compendium of every topic likely to be useful in the education of an aspirant for the honors of eloquence. In systematic arrangement, it falls short of a similar work by Aristotle; but it is celebrated for its sound judgment and keen discrimination, showing great reading and reflection. He should be viewed as a critic rather than as a rhetorician, since he entered into the merits and defects of the great masters of Greek and Roman literature. In his peculiar province he has had no superior. Like Cicero, or Demosthenes, or Plato, or Thucydides, or Tacitus, he would be a great man if he lived in our times, and could proudly challenge the modern world to produce a better teacher than he in the art of public speaking.

[Sidenote: Lucian.]

There are other writers of immense fame, who do not represent any particular class in the field of literature, which can be compared with the modern. But I can only draw attention to Lucian, a witty and voluminous Greek author, who lived in the reign of Commodus, wrote rhetorical, critical, and biographical works, and even romances which have given hints to modern authors. But his fame rests on his "Dialogues," intended to ridicule the heathen philosophy and religion, and which show him to have been one of the great masters of ancient satire and mockery. His style of dialogue--a combination of Plato and Aristophanes--is not much used by modern writers, and his peculiar kind of ridicule is reserved now for the stage. Yet he cannot be called a writer of comedy, like MoliEre. He resembles Rabelais and Swift more than any other modern writers, and has their indignant wit, indecent jokes, and pungent sarcasms. He paints, like Juvenal, the vices and follies of his time, and exposes the hypocrisy that reigns in the high places of fashion and power. His dialogues have been imitated by Fontanelle and Lord Lyttleton, but they do not possess his humor or pungency. Lucian does not grapple with great truths, but contents himself in ridiculing those who have proclaimed them; and, in his cold cynicism, depreciates human knowledge, and all the great moral teachers of mankind. He is even shallow and flippant upon Socrates. But he was well read in human nature, and superficially acquainted with all the learning of antiquity. In wit and sarcasm, he may be compared with Voltaire, and his end was the same, to demolish and pull down, without substituting any thing in its stead. His skepticism was universal, and extended to religion, to philosophy, and to every thing venerated and ancient. His purity of style was admired by Erasmus, and he has been translated into most European languages. The best English version is rendered by Dr. Franklin, London, 2 vols. 4to. In strong contrast to the "Dialogues" is the "City of God," by Saint Augustine, in which he demolishes with keener ridicule all the gods of antiquity, but substitutes instead the knowledge of the true God.

Thus the Romans, as well as Greeks, produced works in all departments of literature which will bear comparison with the masterpieces of modern times. And where would have been the literature of the early Church, or of modern nations, had not the great original writers of Athens and Rome been our schoolmasters? And when we further remember that their glorious literature was created by native genius, without the aid of Christianity, we are filled with amazement, and may almost be excused if we deify the reason of man. At least we are assured that literature as well as art may flourish under pagan influences, and that Christianity has a higher mission than the culture of the mind. Religious skepticism cannot be disarmed if we appeal to Christianity as the test of intellectual culture. The realm of reason has no fairer fields than those which are adorned by pagan art. Nor have greater triumphs of intellect been witnessed in these, our Christian times, than among that class which is the least influenced by Christian ideas. Some of the proudest trophies of genius have been won by infidels, or by men stigmatized as such. Witness Voltaire, Rousseau, Diderot, Hegel, Fichte, Gibbon, Hume, Buckle. And then how many great works are written without the inspiration or the spirit of a living Christianity! How little Bulwer, or Byron, or Dumas, or Goethe owe, apparently, to Christian teachings! Is Emerson superior to Epictetus, in an ethical point of view? Was Franklin a great philosopher, or Jefferson a great statesman, because they were surrounded by Christian examples? May there not be the greatest practical infidelity, with the most artistic beauty and native reach of thought? Milton justly ascribes the most sublime intelligence to Satan and his angels on the point of rebellion against the majesty of Heaven. A great genius may be kindled by the fires of discontent and ambition, which will quicken the intellectual faculties, even while they consume the soul, and spread their devastating influence on the homes and hopes of man.

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RERERENCES.--There are no better authorities than the classical authors themselves, and their works must be studied in order to comprehend the spirit of ancient literature. Modern historians of Roman literature are merely critics, like Drumann, Schlegel, Niebuhr, Muller, Mommsen, Mure, Arnold, Dunlap, and Thompson. Nor do I know of an exhaustive history of Roman literature in the English language. Yet nearly every great writer has occasional criticisms, entitled to respect. The Germans, in this department, have no equals. As critics and commentators they are unrivaled.