Chapter VIII: Part 8

It appears that this Mme. Paul is a housekeeper, who has been in the duke’s establishment for twenty years, and who excels beyond all others in the preparation for him of a certain ointment for an affection to which he is subject. She is indispensable to Mora. Recognising this, M. Louis made love to the old lady, married her though much younger than she, and in order not to lose his sick-nurse and her ointments, his excellency engaged the husband as _valet de chambre_. At bottom, in spite of what I said to M. Francis, for my own part I thought the proceeding quite praiseworthy and conformable to the loftiest morality, since the mayor and the priest had a finger in it. Moreover, that excellent meal, composed of delicate and very expensive foods with which I was unacquainted even by name, had strongly disposed my mind to indulgence and good-humour. But every one was not similarly inclined, for from the other side of the table I could hear the bass voice of M. Barreau, complaining:

“Why can he not mind his own business? Do I go pushing my nose into his department? To begin with, the thing concerns Bompain, not him. And then, after all, what is it that I am charged with? The butcher sends me five baskets of meat every morning. I use only two of them and sell the three others back to him. Where is the _chef_ who does not do the same? As if, instead of coming to play the spy in my basement, he would not do better to look after the great leakage up there. When I think that in three months that gang on the first floor has smoked twenty-eight thousand francs’ worth of cigars. Twenty-eight thousand francs! Ask Noel if I am not speaking the truth. And on the second floor, in the apartments of madame, that is where you should look to see a fine confusion of linen, of dresses thrown aside after being worn once, jewels by the handful, pearls that you crush on the floor as you walk. Oh, but wait a little. I shall get my own back from that same little gentleman.”

I understood that the allusion was to M. de Gery, that young secretary of the Nabob who often comes to the Territorial, where he is always occupied rummaging into the books. Very polite, certainly, but a very haughty young man, who does not know how to push himself forward. From all round the table there came nothing but a concert of maledictions on him. M. Louis himself addressed some remarks to the company upon the subject with his grand air:

“In our establishment, my dear M. Barreau, the cook quite recently had an affair, similar to yours, with the chief of his excellency’s Cabinet, who had permitted himself to make some comments upon the expenditure. The cook went up to the duke’s apartments upon the instant in his professional costume, and with his hand on the strings of his apron, said, ‘Let your excellency choose between monsieur and myself.’ The duke did not hesitate. One can find as many Cabinet leaders as one desires, while the good cooks, you can count them. There are in Paris four altogether. I include you, my dear Barreau. We dismissed the chief of our Cabinet, giving him a prefecture of the first class by way of consolation; but we kept the _chef_ of our kitchen.”

“Ah, you see,” said M. Barreau, who rejoiced to hear this story, “you see what it is to serve in the house of a _grand seigneur_. But _parvenus_ are _parvenus_--what will you have?”

“And that is all Jansoulet is,” added M. Francis, tugging at his cuffs. “A man who used to be a street porter at Marseilles.”

M. Noel took offence at this.

“Hey, down there, old Francis, you are very glad all the same to have him to pay your card-debts, the street porter of La Cannebriere. You may well be embarrassed by _parvenus_ like us who lend millions to kings, and whom _grand seigneurs_ like Mora do not blush to admit to their tables.”

“Oh, in the country,” chuckled M. Francis, with a sneer that showed his old tooth.

The other rose, quite red in the face. He was about to give way to his anger when M. Louis made a gesture with his hand to signify that he had something to say, and M. Noel sat down immediately, putting his hand to his ear like all the rest of us in order to lose nothing that fell from those august lips.

“It is true,” remarked the personage, speaking with the slightest possible movement of his mouth and continuing to take his wine in little sips, “it is true that we received the Nabob at Grandbois the other week. There even happened something very funny on the occasion. We have a quantity of mushrooms in the second park, and his excellency amuses himself sometimes by gathering them. Now at dinner was served a large dish of fungi. There were present, what’s his name--I forget, what is it?--Marigny, the Minister of the Interior, Monpavon, and your master, my dear Noel. The mushrooms went the round of the table, they looked nice, the gentlemen helped themselves freely, except M. le Duc, who cannot digest them and out of politeness feels it his duty to remark to his guests: ‘Oh, you know, it is not that I am suspicious of them. They are perfectly safe. It was I myself who gathered them.’

“‘_Sapristi!_’ said Monpavon, laughing, ‘then, my dear Auguste, allow me to be excused from tasting them.’ Marigny, less familiar, glanced at his plate out of the corner of his eye.

“‘But, yes, Monpavon, I assure you. They look extremely good, these mushrooms. I am truly sorry that I have no appetite left.’

“The duke remained very serious.

“‘Come, M. Jansoulet, I sincerely hope that you are not going to offer me this affront, you also. Mushrooms selected by myself.’

“‘Oh, Excellency, the very idea of such a thing! Why, I would eat them with my eyes closed.’

“So you see what sort of luck he had, the poor Nabob, the first time that he dined with us. Duperron, who was serving opposite him, told us all about it in the pantry. It seems there could have been nothing more comic than to see the Jansoulet stuffing himself with mushrooms, and rolling terrified eyes, while the others sat watching him curiously without touching their plates. He sweated under the effort, poor wretch. And the best of it was that he took a second portion, he actually found the courage to take a second portion. He kept drinking off glasses of wine, however, like a mason, between each mouthful. Ah, well, do you wish to hear my opinion? What he did there was very clever, and I am no longer surprised that this fat cow-herd should have become the favourite of sovereigns. He knows where to flatter them in those little pretensions which no man avows. In brief, the duke has been crazy over him since that day.”

This little story caused much laughter and scattered the clouds which had been raised by a few imprudent words. So then, since the wine had untied people’s tongues, and they knew each other better, elbows were leaned on the table and the conversation fell on masters, on the places in which each of them had served, on the amusing things he had seen in them. Ah! of how many such adventures did I not hear, how much of the interior life of those establishments did I not see pass before me. Naturally I also made my own little effect with the story of my larder at the Territorial, the times when I used to keep my stew in the empty safe, which circumstance, however, did not prevent our old cashier, a great stickler for forms, from changing the key-word of the lock every two days, as though all the treasures of the Bank of France had been inside. M. Louis appeared to find my anecdote entertaining. But the most astonishing was what the little Bois l’Hery, with his Parisian street-boy’s accent, related to us concerning the household of his employers.

Marquis and Marquise de Bois l’Hery, second floor, Boulevard Haussmann. Furniture rich as at the Tuileries, blue satin on all the walls, Chinese ornaments, pictures, curiosities, a veritable museum, indeed, overflowing even on to the stairway. The service very smart: six men-servants, chestnut livery in winter, nankeen livery in summer. These people are seen everywhere at the small Mondays, at the races, at first-nights, at embassy balls, and their name always in the newspapers with a remark upon the handsome toilettes of Madame, and Monsieur’s remarkable chic. Well! all that is nothing at all but pretence, plated goods, show, and when the marquis wants five francs nobody would lend them to him upon his possessions. The furniture is hired by the fortnight from Fitily, the upholsterer of the demi-monde. The curiosities, the pictures, belong to old Schwalbach, who sends his clients round there and makes them pay doubly dear, since people don’t bargain when they think they are dealing with a marquis, an amateur. As for the toilettes of the marquise, the milliner and the dressmaker provide her with them each season gratis, get her to wear the new fashions, a little ridiculous sometimes but which society subsequently adopts because Madame is still a very handsome woman and reputed for her elegance; she is what is called a _launcher_. Finally, the servants! Makeshifts like the rest, changed each week at the pleasure of the registry office which sends them there to do a period of probation by way of preliminary to a serious engagement. If you have neither sureties nor certificates, if you have just come out of prison or anything of that kind, Glanand, the famous agent of the Rue de la Paix, sends you off to the Boulevard Haussmann. You remain in service there for a week or two, just the time necessary to buy a good reference from the marquis, who, of course, it is understood, pays you nothing and barely boards you; for in that house the kitchen-ranges are cold most of the time, Monsieur and Madame dining out nearly every evening or going to balls, where a supper is included in the entertainment. It is positive fact that there are people in Paris who take the sideboard seriously and make the first meal of their day after midnight. The Bois l’Herys, in consequence, are well-informed with regard to the houses that provide refreshments. They will tell you that you get a very good supper at the Austrian Embassy, that the Spanish Embassy rather neglects the wines, and that it is at the Foreign Office again that you find the best _chaud-froid de volailles_. And that is the life of this curious household. Nothing that they possess is really theirs; everything is tacked on, loosely fastened with pins. A gust of wind and the whole thing blows away. But at least they are certain of losing nothing. It is this assurance which gives to the marquis that air of raillery worthy of a Father Tranquille which he has when he looks at you with both hands in his pockets, as much as to say: “Ah, well, and what then? What can they do to me?”

And the little groom, in the attitude which I have just mentioned, with his head like that of a prematurely old and vicious child, imitated his master so well that I could fancy I saw himself as he looks at our board meetings, standing in front of the governor and overwhelming him with his cynical pleasantries. All the same, one must admit that Paris is a tremendously great city, for a man to be able to live thus, through fifteen, twenty years of tricks, artifice, dust thrown in people’s eyes, without everybody finding him out, and for him still to be able to make a triumphal entry into a drawing-room in the rear of his name announced loudly and repeatedly, “Monsieur le Marquis de Bois l’Hery.”

No, look you, the things that are to be learned at a servants’ party, what a curious spectacle is presented by the fashionable world of Paris, seen thus from below, from the basements, you need to go to one before you can realize. Here, for instance, is a little fragment of conversation which, happening to find myself between M. Francis and M. Louis, I overheard about the worthy sire de Monpavon.

“You are making a mistake, Francis. You are in funds just now. You ought to take advantage of the occasion to restore that money to the Treasury.”

“What will you have?” replied M. Francis with a despondent air. “Play is devouring us.”

“Yes, I know it well. But take care. We shall not always be there. We may die, fall from power. Then you will be asked for accounts by the people down yonder. And it will be a terrible business.”

I had often heard whispered the story of a forced loan of two hundred thousand francs which the marquis was reputed to have secured from the State at the time when he was Receiver-General; but the testimony of his _valet de chambre_ was worse than all. Ah! if masters had any suspicion of how much servants know, of all the stories that are told in the servants’ hall, if they could see their names dragged among the sweepings of the house and the refuse of the kitchen, they would never again dare to say even “shut the door” or “harness the horses.” Why, for instance, take Dr. Jenkins, with the most valuable practice in Paris, ten years of life in common with a magnificent woman, who is sought after everywhere; it is in vain that he has done everything to dissimulate his position, announced his marriage in the newspapers after the English fashion, admitted to his house only foreign servants knowing hardly three words of French. In those three words, seasoned with vulgar oaths and blows of his fist on the table, his coachman Joey, who hates him, told us his whole history during supper.

“She is going to kick the bucket, his Irish wife, the real one. Remains to be seen now whether he will marry the other. Forty-five, she is, Mrs. Maranne, and not a shilling. You should see how afraid she is of being left in the lurch. Whether he marries her or whether he does not marry her--kss, kss--we shall have a good laugh.”

And the more drink he was given, the more he told us about her, speaking of his unfortunate mistress as though she were the lowest of the low. For my own part, I confess that she interested me, this false Mme. Jenkins, who goes about weeping in every corner, implores her lover as though he were the executioner, and runs the chance of being thrown overboard altogether, when all society believes her to be married, respectable, and established in life. The others only laughed over the story, the women especially. Dame! it is amusing when one is in service to see that the ladies of the upper ten have their troubles also and torments that keep them awake at night.

Our festal board at this stage presented the most lively aspect, a circle of gay faces stretched towards this Irishman whose story was adjudged to have won the prize. The fact excited envy; the rest sought and hunted through their memories for whatever they might hold in the way of old scandals, adventures of deceived husbands, of those intimate privacies which are emptied on the kitchen-table along with the scraps from the plates and the dregs from the bottles. The champagne was beginning to claim its own among the guests. Joey wanted to dance a jig on the table-cloth. The ladies, at the least word that was a little gay, threw themselves back with the piercing laughter of people who are being tickled, allowing their embroidered skirts to trail beneath the table, loaded with the remains of the food and covered with spilt grease. M. Louis had discreetly retired. Glasses were filled up before they had been emptied; one of the housekeepers dipped a handkerchief in hers, filled with water, and bathed her forehead with it, because her head was swimming, she said. It was time that the festivity should end; and, in fact, an electric bell ringing in the corridor warned us that the footman, on duty at the theatre, had come to summon the coachmen. Thereupon Monpavon proposed the health of the master of the house, thanking him for his little party. M. Noel announced that he proposed to give another at Saint-Romans, in honour of the visit of the Bey, to which most of those present would probably be invited. And I was about to rise in my turn, being sufficiently accustomed to social banquets to know that on such an occasion the oldest man present is expected to propose the health of the ladies, when the door opened abruptly, and a tall footman, bespattered with mud, a dripping umbrella in his hand, perspiring, out of breath, cried to us, without respect for the company:

“But come on then, you set of idiots! What are you sticking here for? Don’t you know it is over?”

THE FESTIVITIES IN HONOUR OF THE BEY

In the regions of the Midi, of bygone civilization, historical castles still standing are rare. Only at long intervals on the hillsides some old abbey lifts its tottering and dismembered front, perforated by holes that once were windows, whose empty spaces look now only to the sky. A monument of dust, burnt up by the sun, dating from the time of the Crusades or of the Courts of Love, without a trace of man among its stones, where even the ivy no longer clings nor the acanthus, but which the dried lavenders and the ferns embalm. In the midst of all those ruins the castle of Saint-Romans is an illustrious exception. If you have travelled in the Midi you have seen it, and you are to see it again now. It is between Valence and Montelimart, on a site just where the railway runs alongside the Rhone, at the foot of the rich slopes of Baume, Raucoule, and Mercurol, where the far-famed vineyards of l’Ermitage, spreading out for five miles in close-planted rows of vines, which seem to grow as one looks, roll down almost into the river, which is there as green and full of islands as the Rhine at Basle, but under a sun the Rhine has never known. Saint-Romans is opposite on the other side of the river; and, in spite of the brevity of the vision, the headlong rush of the train, which seems trying to throw itself madly into the Rhone at each turning, the castle is so large, so well situated on the neighbouring hill, that it seems to follow the crazy race of the train, and stamps on your mind forever the memory of its terraces, its balustrades, its Italian architecture; two low stories surmounted by a colonnaded gallery and flanked by two slate-roofed pavilions dominating the great slopes where the water of the cascades rebounds, the network of gravel walks, the perspective of long hedges, terminated by some white statue which stands out against the blue sky as on the luminous ground of a stained-glass window. Quite at the top, in the middle of the vast lawns whose green turf shines ironically under the scorching sun, a gigantic cedar uplifts its crested foliage, enveloped in black and floating shadows--an exotic silhouette, upright before this former dwelling of some Louis XIV farmer of revenue, which makes one think of a great negro carrying the sunshade of a gentleman of the court.

From Valence to Marseilles, throughout all the Valley of the Rhone, Saint-Romans of Bellaignes is famous as an enchanted palace; and, indeed, in that country burnt up by the fiery wind, this oasis of greenness and beautiful rushing water is a true fairy-land.

“When I am rich, mamma,” Jansoulet used to say, as quite a small boy, to his mother whom he adored, “I shall give you Saint-Romans of Bellaignes.” And as the life of the man seemed the fulfilment of a story from the Arabian Nights, as all his wishes came true, even the most disproportionate, as his maddest chimeras came to lie down before him, to lick his hands like familiar and obedient spaniels, he had bought Saint-Romans to offer it, newly furnished and grandiosely restored, to his mother. Although it was ten years since then, the dear old woman was not yet used to her splendid establishment. “It is the palace of Queen Jeanne that you have given me, my dear Bernard,” she wrote to her son. “I shall never live there.” She never did live there, as a matter of fact, having stayed at the steward’s house, an isolated building of modern construction, situated quite at the other end of the grounds, so as to overlook the outbuildings and the farm, the sheepfolds and the oil-mills, with their rural horizon of stacks, olive-trees and vines, extending over the plain as far as one could see. In the great castle she would have imagined herself a prisoner in one of those enchanted dwellings where sleep seizes you in the midst of your happiness and does not let you go for a hundred years. Here, at least, the peasant-woman--who had never been able to accustom herself to this colossal fortune, come too late, from too far, and like a thunder-clap--felt herself linked to reality by the coming and going of the work-people, the letting-out and taking-in of the cattle, their slow movement to the drinking pond, all that pastoral life which woke her by the familiar call of the cocks and the sharp cries of the peacocks, and brought her down the corkscrew staircase of the pavilion before dawn. She looked upon herself only as the trustee of this magnificent estate, which she was taking care of for her son, and wished to give back to him in perfect condition on the day when, rich enough and tired of living with the Turks, he would come, according to his promise, to live with her beneath the shade of Saint-Romans.

Then, too, what universal and indefatigable supervision! Through the mists of early morning the farm-servants heard her rough and husky voice: “Olivier, Peyrol, Audibert. Come on! It is four o’clock.” Then she would hasten to the immense kitchen, where the maids, heavy with sleep, were heating the porridge over the crackling, new-lit fire. They gave her a little dish of red Marseilles-ware full of boiled chestnuts--frugal breakfast of bygone times, which nothing would have induced her to change. At once she was off, hurrying with great strides, her large silver keyring at her belt, whence jingled all her keys, her plate in her hand, balanced by the distaff which she held, in working order, under her arm, for she spun all day long, and did not stop even to eat her chestnuts. On the way, a glance at the stables, still dark, where the animals were moving duly, at the stifling pens with their rows of impatient and outstretched muzzles; and the first glimmers of light creeping over the layers of stones that supported the embankment of the park, lit up the figure of the old woman, running in the dew, with the lightness of a girl, despite her seventy years--verifying exactly each morning all the wealth of the domain, anxious to make sure that the night had not taken away the statues and the vases, uprooted the hundred-year-old quincunx, dried up the springs which filtered into their resounding basins. Then the full sunlight of midday, humming and vibrating, showed still, on the sand of an alley, against the white wall of a terrace, the long figure of the old woman, elegant and straight as her spindle, picking up bits of dead wood, breaking off some uneven branch of a shrub, careless of the shock it caused her and the sweat which broke out over her skin. Towards this hour another figure was to be seen in the park also--less active, less noisy, dragging rather than walking, leaning against the walls and railings--a poor round-shouldered being, shaky and stiff, a figure from which life seemed to have gone out, never speaking, when he was tired giving a little plaintive cry towards the servant, who was always near, who helped him to sit down, to crouch upon some step, where he would stay for hours, motionless, mute, his mouth hanging, his eyes blinking, hushed by the strident monotony of the grasshopper’s cry--a blotch of humanity in the splendid horizon.

This, this was the first-born, Bernard’s brother, the darling child of his father and mother, the glorious hope of the nail-maker’s family. Slaves, like so many others in the Midi, to the superstition of the rights of primogeniture, they had made every possible sacrifice to send to Paris their fine, ambitious lad, who set out assured of success, the admiration of all the young women of the town; and Paris, after having for six years, beaten, twisted, and squeezed in its great vat the brilliant southern stripling, after having burnt him with all its vitriol, rolled him in all its mud, finished by sending him back in this state of wreckage, stupefied and paralyzed--killing his father with sorrow, and forcing his mother to sell her all, and live as a sort of char-woman in the better-class houses of her own country-side. Lucky it was that just then, when this broken piece of humanity, discharged from all the hospitals of Paris, was sent back by public charity to Bourg-Saint-Andeol, Bernard--he whom they called Cadet, as in these southern families, half Arab as they are, the eldest always takes the family name, and the last-comer that of Cadet--Bernard was at Tunis making his fortune, and sending home money regularly. But what pain it was for the poor mother to owe everything, even the life, the comfort of the sad invalid, to the robust and courageous boy whom his father and she had loved without any tenderness; who, since he was five years old, they had treated as a “hand,” because he was very strong, woolly-headed, and ugly, and even then knew better than any one in the house how to deal in old nails. Ah! how she longed to have him near her, her Cadet, to make some return to him for all the good he did, to pay at last the debt of love and motherly tenderness that she owed him!

But, you see, these princely fortunes have the burdens, the wearinesses of royal lives. This poor mother, in her dazzling surroundings, was very like a real queen: familiar with long exiles, cruel separations, and the trials which detract from greatness; one of her sons forever stupefied, the other far away, seldom writing, absorbed in his business, saying, “I will come,” and never coming. She had only seen him once in twelve years, and then in the whirl of a visit of the Bey to Saint-Romans--a rush of horses and carriages, of fireworks, and of banquets. He had gone in the suite of his monarch, having scarcely time to say good-bye to his old mother, to whom there remained of this great joy only a few pictures in the illustrated papers, showing Bernard Jansoulet arriving at the castle with Ahmed, and presenting his mother. Is it not thus that kings and queens have their family feelings exploited in the journals? There was also a cedar of Lebanon, brought from the other end of the world, a regular mountain of a tree, whose transport had been as difficult and as costly as that of Cleopatra’s needle, and whose erection as a souvenir of the royal visit by dint of men, money, and teams had shaken the very foundations. But this time, at least, knowing him to be in France for several months--perhaps for good--she hoped to have her Bernard to herself. And now he returned to her, one fine evening, enveloped in the same triumphant glory, in the same official display, surrounded by a crowd of counts, of marquises, of fine gentlemen from Paris, filling, they and their servants, the two large wagonettes she had sent to meet them at the little station of Giffas on the other side of the Rhone.

“Come, give me a kiss, my dear mother. There is nothing to be ashamed of in giving a good hug to the boy you haven’t seen all these years. Besides, all these gentlemen are our friends. This is the Marquis de Monpavon, the Marquis de Bois d’Hery. Ah! the time is past when I brought you to eat vegetable soup with us, little Cabassu and Jean-Batiste Bompain. You know M. de Gery? With my old friend Cardailhac, whom I now present, that makes the first batch. There are others to come. Prepare yourself for a fine upsetting. We entertain the Bey in four days.”

“The Bey again!” said the old woman, astounded. “I thought he was dead.”

Jansoulet and his guests could not help laughing at this comical terror, accentuated by her southern intonation.

“It is another, mamma. There is always a Bey--thank goodness. But don’t be afraid. You won’t have so much bother this time. Our friend Cardailhac has undertaken everything. We are going to have magnificent celebrations. In the meantime, quick--dinner and our rooms. Our Parisians are worn out.”

“Everything is ready, my son,” said the old lady quietly, stiff and straight under her Cambrai cap, the head-dress with its yellowing flaps, which she never left off even for great occasions. Good fortune had not changed her. She was a true peasant of the Rhone valley, independent and proud, without any of the sly humilities of Balzac’s country folk, too artless to be purse-proud. One pride alone she had--that of showing her son with what scrupulous care she had discharged her duties as guardian. Not an atom of dust, not a trace of damp on the walls. All the splendid ground-floor, the reception-rooms with their hangings of iridescent silk new out of the dust sheets, the long summer galleries cool and sonorous, paved with mosaics and furnished with a flowery lightness in the old-fashioned style, with Louis XIV sofas in cane and silk, the immense dining-room decorated with palms and flowers, the billiard-room with its rows of brilliant ivory balls, its crystal chandeliers and its suits of armour--all the length of the castle, through its tall windows, wide open to the stately terrace, lay displayed for the admiration of the visitors. The marvellous beauty of the horizon and the setting sun, its own serene and peaceful richness, were reflected in the panes of glass and in the waxed and polished wood with the same clearness as in the mirror-like ornamental lakes, the pictures of the poplars and the swans. The setting was so lovely, the whole effect so grand, that the clamorous and tasteless luxury melted away, disappeared, even to the most hypercritical eyes.

“There is something to work on,” said Cardailhac, the manager, his glass in his eye, his hat on one side, combining already his stage-effect. And the haughty air of Monpavon, whom the head-dress of the old woman receiving them on the terrace had shocked, gave way to a condescending smile. Here was something to work on, certainly, and, guided by persons of taste, their friend Jansoulet could really give his Moorish Highness an exceedingly suitable reception. All the evening they talked of nothing else. In the sumptuous dining-room, their elbows on the table, full of meat and drink, they planned and discussed. Cardailhac, who had great ideas, had already his plan complete.

“First of all, you give me _carte-blanche_, don’t you, Nabob? _Carte-blanche_, old fellow, and make that fat Hemerlingue burst with envy.”

Then the manager explained his scheme. The festivities were to be divided into days, as at Vaux, when Fouquet entertained Louis XIV. One day a play; another day Provencal games, dances, bull-fights, local bands; the third day--And already the manager’s hand sketched programmes, announcements; while Bois l’Hery slept, his hands in his pockets, his chair tilted back, his cigar sunk in the corner of his sneering mouth; and the Marquis de Monpavon, always on his best behaviour, straightened his shirt-front to keep himself awake.

De Gery had left them early. He had sought refuge beside the old mother--who had known him as a boy, him and his brothers--in the humble parlour of the brightly decorated, white-curtained house, where the Nabob’s mother tried to perpetuate her humble past with the help of a few relics saved from its wreck.

Paul chatted quietly with the fine old woman, admiring her severe and regular features, her white hair massed together like the hemp of her distaff, as she sat holding herself straight in her seat--never in her life having leaned back or sat in an arm-chair--a little green shawl folded tightly across her flat breast. He called her Francoise, and she called him M. Paul. They were old friends. And guess what they talked about? Of her grandchildren, of Bernard’s three sons, whom she did not know and so much longed to know.

“Ah, M. Paul, if you knew how I long to see them! I should have been so happy if he had brought them, my three little ones, instead of these fine gentlemen. Think, I have never seen them, only their portraits which are over there. I am a little afraid of their mother, she is quite a great lady, a Miss Afchin. But them, the children, I am sure they are not proud, and they would love their old granny. It would be like having their father a little boy again, and I would give to them what I did not give to him. You see, M. Paul, parents are not always just. They have their favourites. But God is just, he is. The ones that are most petted and spoiled at the expense of the others, you should see what he does to them for you! And the favour of the old often brings misfortune to the young!”

She sighed, looking towards the large recess from behind the curtains of which there came, at intervals, a long sobbing breath like the sleeping wail of a beaten child who has cried bitterly.

A heavy step on the staircase, a loud, sweet voice saying, very softly, “It is I; don’t move,” and Jansoulet appeared. He knew his mother’s habits, how her lamp was the last to go out, so when every one in the castle was in bed, he came to see her, to chat with her for a little, to rejoice her heart with an affection he could not show before the others. “Oh, stay, my dear Paul; we don’t mind you,” and once more a child in his mother’s presence, with loving gestures and words that were really touching, the huge man threw himself on the ground at her feet. She was very happy to have him there, so dearly near, but she was just a little shy. She looked upon him as an all-powerful being, extraordinary, raising him, in her simplicity, to the greatness of an Olympian commanding the thunder and lightning. She spoke to him, asking about his friends, his business, but not daring to put the question she had asked de Gery: “Why haven’t my grandchildren come?” But he spoke of them himself. “They are at school, mother. Whenever the holidays begin they shall be sent with Bompain. You remember Jean-Baptiste Bompain? And you shall keep them for two long months. They will come to you and make you tell them stories, and they will go to sleep with their heads on your lap--there, like that.”

And he himself, putting his heavy, woolly head on her knee, remembered the happy evenings of his childhood when he would go to sleep so, if she would let him, and his brother had not taken up all the room. He tasted for the first time since his return to France a few minutes of delicious peace away from his restless and artificial life, as he lay pressed to his old mother’s heart, in the deep silence of night and of the country which one feels hovering over him in limitless space; the only sounds the beating of that old faithful heart and the swing of the pendulum of the ancient clock in the corner. Suddenly came the same long sigh, as of a child fallen asleep sobbing. Jansoulet lifted his head and looked at his mother, and softly asked: “Is it--?” “Yes,” she said, “I make him sleep there. He might need me in the night.”

“I would like to see him, to embrace him.”

“Come, then.” She rose very gravely, took the lamp and went to the alcove, of which she softly drew the large curtain, making a sign to her son to draw near quietly.

He was sleeping. And no doubt something lived in him while he slept that was not there when he waked, for instead of the flaccid immobility in which he was congealed all day, he was now shaken by sudden starts, and on the inexpressive and death-like face there were lines of pain and the contractions of suffering life. Jansoulet, much affected, looked long at those wasted features, faded and sickly, where the beard grew with a surprising vigour. Then he bent down, put his lips to the damp brow, and feeling him move, said very gravely and respectfully, as one speaks to the head of the family, “Good-night, my brother.” Perhaps the captive soul had heard it from the depths of its dark and abject limbo. For the lips moved and a long moan answered him, a far-away wail, a despairing cry, which filled with helpless tears the glance exchanged between Francoise and her son, and tore from them both the same cry in which their sorrow met, “Pecaire,” the local word which expressed all pity and all tenderness.

The next day, from early morning, the commotion began with the arrival of the actors, an avalanche of hats and wigs and big boots, of short skirts and affected cries, of floating veils and fresh make-ups. The women were in a great majority, as Cardailhac thought that for a Bey the play was of little consequence, and that all that was needful was to have catchy tunes in pretty mouths, to show fine arms and shapely legs in the easy costume of light opera. All the well-made celebrities of his theatre were there, Amy Ferat at the head of them, a bold young woman who had already had her teeth in the gold of several crowns. There were two or three well-known men whose pale faces made the same kind of chalky and spectral spots amid the green of the trees as the plaster of the statues. All these people, enlivened by the journey, the surprise of the country, the overflowing hospitality, as well as the hope of making something out of this sojourn of Beys and Nabobs and other gilded fools, wanted only to play, to jest and sing with the vulgar boisterousness of a crew of freshly discharged Seine boatmen. But Cardailhac meant otherwise. No sooner were they unpacked, freshened up, and luncheon over than, quick, the parts, the rehearsals! There was no time to lose. They worked in the small drawing-room next the summer gallery, where the theatre was already being fitted up; and the noise of hammers, the songs from the burlesque, the shrill voices, the conductor’s fiddle, mingled with the loud trumpet-like calls of the peacocks, and rose upon the hot southern wind, which, not recognising it as only the mad rattle of its own grasshoppers, shook it all disdainfully on the trailing tip of its wings.

Seated in the centre of the terrace, as in the stage-box of his theatre, Cardailhac watched the rehearsals, gave orders to a crowd of workmen and gardeners, had trees cut down as spoiling the view, designed the triumphal arches, sent off telegrams, express messengers to mayors, to sub-prefects, to Arles--to arrange for a deputation of girls in national costume; to Barbantane, where the best dancers are; to Faraman, famous for its wild bulls and Camargue horses. And as the name of Jansoulet, joined to that of the Bey of Tunis, flared at the end of all these messages, on all sides they hastened to obey; the telegraph wires were never still, messengers wore out horses on the roads. And this little Sardanapalus of the stage called Cardailhac repeated ever, “There’s something to work on here,” happy to scatter gold at random like handfuls of seed, to have a stage of forty leagues to stir about--the whole of Provence, of which this rabid Parisian was a native and whose picturesque resources he knew to the core.

Dispossessed of her office, the old mother never appeared. She occupied herself with the farm, and her invalid. She was terrified by this crowd of visitors, these insolent servants whom it was difficult to know from the masters, these women with their impudent and elegant airs, these clean-shaven men who looked like bad priests--all these mad-caps who chased each other at night in the corridors with pillows, with wet sponges, with curtain tassels they had torn down, for weapons. Even after dinner she no longer had her son; he was obliged to stay with his guests, whose number grew each day as the _fetes_ approached; not even the resource of talking to M. Paul about her grandchildren was left, for Jansoulet, a little embarrassed by the seriousness of his friend, had sent him to spend a few days with his brothers. And the careful housekeeper, to whom they came every minute asking the keys for linen, for a room, for extra silver, thought of her piles of beautiful dishes, of the sacking of her cupboards and larders, remembered the state in which the old Bey’s visit had left the castle, devastated as by a cyclone, and said in her _patois_ as she feverishly wet the linen on her distaff: “May lightning strike them, this Bey and all the Beys!”

At last the day came, the great day which is still spoken of in all the country-side. Towards three o’clock in the afternoon, after a sumptuous luncheon at which the old mother presided, this time in a new cap, over a company composed of Parisian celebrities, prefects, deputies, all in full uniform, mayors with their sashes, priests newshaven, Jansoulet in full dress stepped out on to the terrace surrounded by his guests. He saw before him in that splendid frame of magnificent natural scenery, in the midst of flags and arches and coats of arms, a vast swarm of people, a flare of brilliant costumes in rows on the slopes, at corners of the walks; here, grouped in beds, like flowers on a lawn, the prettiest girls of Arles, whose little dark heads showed delicately from beneath their lace fichus; farther down were the dancers from Barbantane--eight tambourine players in a line, ready to begin, their hands joined, ribbons flying, hats cocked, and the red scarves round their hips; beyond them, on the succeeding terraces were the choral societies in rows, dressed in black with red caps, their standard-bearer in front, grave, important, his teeth clinched, holding high his carved staff; farther down still, on a vast circular space now arranged as an amphitheatre, were the black bulls, and the herdsmen from Camargue seated on their long-haired white horses, their high boots over their knees, at their wrists an uplifted spear; then more flags, helmets, bayonets, and decorations right down to the triumphal arch at the gates; as far as the eye could see, on the other side of the Rhone (across which the two railways had made a pontoon bridge that they might come straight from the station to Saint-Romans), whole villages were assembling from every side, crowding to the Giffas road in a cloud of dust and a confusion of cries, sitting at the hedge-sides, clinging to the elms, squeezed in carts--a living wall for the procession. Above all a great white sun which scintillated in every direction--on the copper of a tambourine, on the point of a trident, on the fringe of a banner; and in the midst the great proud Rhone carrying to the sea the moving picture of this royal feast. Before these marvels, where shone all the gold of his coffers, the Nabob had a sudden feeling of admiration and of pride.

“This is beautiful,” he said, paling; and behind him his mother murmured, “It is too beautiful for man. It is as if God were coming.” She was pale, too, but with an unutterable fear.

The sentiment of the old Catholic peasant was indeed that which was vaguely felt by all those people massed upon the roads as though for the passing of a gigantic Corpus Christi procession, and whom this visit of an Eastern prince to a child of their own country reminded of the legends of the Magi, or the advent of Gaspard the Moor, bringing to the carpenter’s son myrrh and the triple crown.

As Jansoulet was being warmly congratulated by every one, Cardailhac, who had not been seen since morning, suddenly appeared, triumphant and perspiring. “Didn’t I tell you there was something to work on! Eh? Isn’t it fine? What a scene! I bet our Parisians would pay dear to be at such a first performance as this!” And lowering his voice, on account of the mother who was quite near, “Have you seen our country girls? No? Examine them more closely--the first, the one in front, who is to present the bouquet.”

“Why, it is Amy Ferat!”

“Just so. You see, old fellow, if the Bey should throw his handkerchief amid that group of loveliness there must be some one to pick it up. They wouldn’t understand, these innocents. Oh, I have thought of everything, you will see. Everything is prepared and regulated just as on the stage. Garden side--farm side.”

Here, to give an idea of the perfect organization, the manager raised his stick. Immediately his gesture was repeated from the top to the bottom of the park, and from the choral societies, from the brass bands, from the tambourines, there burst forth the majestic strains of the popular southern song, _Grand Soleil de la Provence_. Voices and instruments rose in the sunlight, the banners filled, the dancers swayed to their first movement, while on the other side of the river a report flew like a breeze that the Bey had arrived unexpectedly by another route. The manager made another gesture, and the immense orchestra was hushed. The response was slower this time, there were little delays, a hail of words lost in the leaves; but one could not expect more from a concourse of three thousand people. Just then the carriages appeared, the state coaches which had been used on the occasion of the last Bey’s visit--two large chariots, pink and gold as at Tunis. Mme. Jansoulet had tended them almost as holy relics, and they had come out of their coverings, with their panels, their hangings and their gold fringes, as shining and new as the day they were made. Here again Cardailhac’s ingenuity had been freely exercised. He had thought horses looked too heavy for those unreal fragilities, so he had harnessed instead eight mules, with white reins, decorated with bows and pompons and bells, and caparisoned from head to foot in that marvellous Esparto work--an art Provence has borrowed from the Moors and perfected. How could the Bey not be pleased!

The Nabob, Monpavon, the prefect, and one of the generals got into the first coach; the others filled the succeeding carriages. The priests and the mayors, swelling with importance, rushed to the head of the choral societies of their villages which were to go in front, and all moved off along the road to Giffas.

The weather was magnificent, but hot and heavy, three months in advance of the season, as often happens in this impetuous country, where everything is in a hurry and comes too soon. Although there was not a cloud to be seen, the stillness of the atmosphere--the wind had fallen suddenly like a loose sail--dazzling and heated white, a silent solemnity hanging over all, foretold a storm brewing in some corner of the horizon. The immense torpor of things gradually influenced the living beings. One heard too distinctly the tinkling mule-bells, the heavy steps in the dust of the band of singers whom Cardailhac was placing at regular distances in the seething human hedge which bordered the road and was lost in the distance; a sudden call, children’s voices, and the cry of the water-seller, that necessary accompaniment of all open-air festivals in the Midi.

“Open your window, general, it is stifling,” said Monpavon, crimson, fearing for his paint, and the lowered windows exposed to the populace these high functionaries mopping their august faces, strained, agonized, by the same expression of waiting--waiting for the Bey, for the storm, waiting for something, in short.

Still another trimphal arch. It was at Giffas, its long, stony street strewn with green palms, and its sordid houses gay with flowers and bright hangings. The station was outside the village, white and square, stuck like a thimble on the roadside--true type of a little country station, lost in the midst of vineyards, never having any one in it except perhaps sometimes an old woman and her parcels waiting in a corner, come three hours before the time.

In honour of the Bey this slight building had been rigged out with flags, adorned with rugs and divans; a splendid buffet had been fitted up with sherbets, all ready for his Highness. Once there and out of the carriage the Nabob tried to dispel the feeling of uneasiness which he, too, had begun to suffer from. Prefects, generals, deputies, people in dress-coats and uniforms, were standing about on the platform in imposing groups, their faces solemn, their mouths pursed, their bodies swaying and jerking in the knowing way of public functionaries who feel people are looking at them. And you can imagine how noses were flattened against the windows to see all this hierarchical swelldom. There was Monpavon, his shirt-front bulging like a whipped egg. Cardailhac breathlessly giving his last orders, and the honest face of Jansoulet, whose sparkling eyes, set over his fat, sunburnt cheeks, looked like two gold nails in a goffering of Spanish leather. Suddenly an electric bell rang. The station-master, in a new uniform, ran down the line: “Gentlemen, the train is signalled. It will be here in eight minutes.” Every one started, and with the same instinctive movement pulled out their watches. Only six minutes more. Then in the great silence some one said: “Look over there!” To the right, on the side from which the train was to come, two great slopes, covered with vines, made a sort of funnel into which the track disappeared as though swallowed up. Just then all this hollow was as black as ink, darkened by an enormous cloud, a bar of gloom, cutting the blue of the sky perpendicularly, throwing out banks that resembled cliffs of basalt on which the light broke all white like moonshine. In the solemnity of the deserted track, over the lines of silent rails where one felt that everything was ready for the coming of the prince, it was terrifying to see this aerial crag approaching, throwing its shadow before it, to watch the play of the perspective which gave the cloud a slow, majestic movement, and the shadow the rapidity of a galloping horse. “What a storm we shall have directly!” was the thought which came to every one, but none had voice to express it, for a strident whistle sounded and the train appeared at the end of the dark funnel. A real royal train, rapid and short, and decorated with flags. The smoking, roaring engine carried a large bouquet of roses on its breastplate, like a bridesmaid at some leviathan wedding.

It came out of the funnel at full speed, but slowed down as it approached. The functionaries grouped themselves, straightened their backs, hitched their swords and eased their collars, while Jansoulet went down the track to meet the train, an obsequious smile on his lips, his back curved ready for the “Salam Alek.” The train proceeded very slowly. Jansoulet thought it had stopped, and put his hand on the door of the royal carriage, glittering with gold under the black sky. But, doubtless, the impetus had been too strong, and the train continued to advance, the Nabob walking beside it, trying to open the accursed door which was stuck fast, and making signs to the engine-driver. The engine was not answering. “Stop, stop, there!” It did not stop. Losing patience, he jumped on to the velvet-covered step, and in that fiery, impulsive manner of his which had so delighted the old Bey, he cried, his woolly head at the door, “Saint-Romans station, your Highness.”