Chapter II: The Mythologies of the North American Indians (2)

The serpent and the bird appear sometimes separately, sometimes in strange combination, in North American mythology. The bird is always incomprehensible to the savage. Its power of flight, its appearance in the heavens where dwell the gods, and its musical song {110} combine to render it in his sight a being of mystery, possessing capabilities far above his own. From it he conceives the idea of the winged spirit or god, and he frequently regards it as a messenger from the bright regions of the sun or the sky deity. The flight and song of birds have always been carefully observed by primitive people as omens of grave import. These superstitions prevailed among the Red Race no less than among our own early ancestors. Many tribes imagined that birds were the visible spirits of the deceased. Thus the Powhatans of Virginia believed that the feathered race received the souls of their chiefs at death, and they were careful to do them no harm, accordingly. The Algonquins believed that birds caused the phenomenon of wind, that they created water-spouts, and that the clouds were the spreading and agitation of their wings. The Navaho thought that a great white swan sat at each of the four points of the compass and conjured up the blasts which came therefrom, while the Dakotas believed that in the west is the home of the Wakinyjan, 'the Flyers,' the breezes that send the storms. The thunder, too, is regarded by some Indian peoples as the flapping of the pinions of a great bird, whose tracks are seen in the lightning, "like the sparks which the buffalo scatters when he scours over a stony plain." Many of the tribes of the north-west coast hold the same belief, and imagine the lightning to be the flash of the thunder-bird's eye.

Eagle-Worship

The eagle appears to have been regarded with extreme veneration by the Red Man of the north. "Its feathers composed the war-flag of the Creeks, and its image carved in wood or its stuffed skin {111} surmounted their council lodges. None but an approved warrior dared wear it among the Cherokees, and the Dakotas allowed such an honour only to him who had first touched the corpse of the common foe."[5] The Natchez and other tribes esteemed it almost as a deity. The Zuñi of New Mexico employed four of its feathers to represent the four winds when invoking the rain-god. Indeed, it was venerated by practically every tribe in North America. The owl, too, was employed as a symbol of wisdom, and sometimes, as by the Algonquins, was represented as the attendant of the Lord of the Dead. The Creek medicine-men carried a stuffed owl-skin as the badge of their fraternity and a symbol of their wisdom, and the Cherokees placed one above the 'medicine' stone in their council lodge. The dove also appears to have been looked upon as sacred by the Hurons and Mandans.

[5] Brinton, _Myths of the New World_.

The Serpent and the Sun

Some Indian tribes adopted the serpent as a symbol of time. They reckoned by 'suns,' and as the outline of the sun, a circle, corresponds to nothing in nature so much as a serpent with its tail in its mouth, devouring itself, so to speak, this may have been the origin of the symbol. Some writers think that the serpent symbolized the Indian idea of eternity, but it is unlikely that such a recondite conception would appeal to a primitive folk.

The Lightning Serpent

Among the Indians the serpent also typified the lightning. The rapidity and sinuosity of its motions, its quick spring and sharp recoil, prove the aptness of the illustration. The brilliancy of the serpent's basilisk {112} glance and the general intelligence of its habits would speedily give it a reputation for wisdom, and therefore as the possessor of _orenda_, or magic power. These two conceptions would shortly become fused. The serpent as the type of the lightning, the symbol of the spear of the war-god, would lead to the idea that that deity also had power over the crops or summer vegetation, for it is at the time of year when lightning is most prevalent that these come to fruition. Again, the serpent would through this association with the war-god attain a significance in the eye of warriors, who would regard it as powerful war-physic. Thus, the horn of the great Prince of Serpents, which was supposed to dwell in the Great Lakes, was thought to be the most potent war-charm obtainable, and priests or medicine-men professed to have in their possession fragments of this mighty talisman.

The Algonquins believed that the lightning was an immense serpent vomited by the Manito, or creator, and said that he leaves serpentine twists and folds on the trees that he strikes. The Pawnees called the thunder "the hissing of the great snake."

In snake-charming as a proof of magical proficiency, as typifying the lightning, which, as the serpent-spear of the war-god, brings victory in battle, and in its agricultural connexion, lies most of the secret of the potency of the serpent symbol. As the emblem of the fertilizing summer showers the lightning serpent was the god of fruitfulness; but as the forerunner of floods and disastrous rains it was feared and dreaded.

Serpent-Worship

Probably more ponderous nonsense has been written about the worship of reptiles ('ophiolatry,' as the mythologists of half a century ago termed it) than {113} upon any other allied subject. But, this notwithstanding, there is no question that the serpent still holds a high place in the superstitious regard of many peoples, Asiatic and American. As we have already seen, it frequently represents the orb of day, and this is especially the case among the Zuñi and other tribes of the southern portions of North America, where sun-worship is more usual than in the less genial regions. With the Red Man also it commonly typified water. The sinuous motion of the reptile sufficiently accounts for its adoption as the symbol for this element. And it would be no difficult feat of imagination for the savage to regard the serpent as a water-god, bearing in mind as he would the resemblance between its movement and the winding course of a river. Kennebec, the name of a stream in Maine, means 'snake,' and Antietam, a creek in Maryland, has the same significance in the Iroquois dialect. Both Algonquins and Iroquois believed in the mighty serpent of the Great Lakes. The wrath of this deity was greatly to be feared, and it was thought that, unless duly placated, he vented his irascible temper upon the foolhardy adventurers who dared to approach his domain by raising a tempest or breaking the ice beneath their feet and dragging them down to his dismal fastnesses beneath.

The Rattlesnake

The rattlesnake was the serpent almost exclusively honoured by the Red Race. It is slow to attack, but venomous in the extreme, and possesses the power of the basilisk to attract within reach of its spring small birds and squirrels. "It has the same strange susceptibility to the influence of rhythmic sounds as the vipers, in which lies the secret of snake-charming. Most of the Indian magicians were familiar with this {114} singularity. They employed it with telling effect to put beyond question their intercourse with the unseen powers, and to vindicate the potency of their own guardian spirits who thus enabled them to handle with impunity the most venomous of reptiles. The well-known antipathy of these serpents to certain plants, for instance the hazel, which, bound around the ankles, is an alleged protection against their attacks, and perhaps some antidote to their poison used by the magicians, led to their frequent introduction in religious ceremonies. Such exhibitions must have made a profound impression on the spectators and redounded in a corresponding degree to the glory of the performer. 'Who is a _manito_?' asks the mystic Meda Chant of the Algonkins. 'He,' is the reply, 'he who walketh with a serpent, walking on the ground; he is a _manito_.' The intimate alliance of this symbol with the mysteries of religion, the darkest riddles of the Unknown, is reflected in their language, and also in that of their neighbours, the Dakotas, in both of which the same words _manito, wakan_, which express the supernatural in its broadest sense, are also used as terms for this species of animals! The pious founder of the Moravian Brotherhood, the Count of Zinzendorf, owed his life on one occasion to this deeply rooted superstition. He was visiting a missionary station among the Shawnees, in the Wyoming valley. Recent quarrels with the whites had unusually irritated this unruly folk, and they resolved to make him their first victim. After he had retired to his secluded hut, several of the braves crept upon him, and, cautiously lifting the corner of the lodge, peered in. The venerable man was seated before a little fire, a volume of the Scriptures on his knees, lost in the perusal of the sacred words. While they gazed, a huge rattlesnake, {115} unnoticed by him, trailed across his feet, and rolled itself into a coil in the comfortable warmth of the fire. Immediately the would-be murderers forsook their purpose and noiselessly retired, convinced that this was indeed a man of God."[6]

[6] Brinton, _Myths of the New World_, pp. 131-133.

The Sacred Origin of Smoking

Smoking is, of course, originally an American custom, and with the Indians of North America possesses a sacred origin. Says an authority upon the barbarian use of tobacco:[7]

[7] Schoolcraft, _op. cit._

"Of the sacred origin of tobacco the Indian has no doubt, although scarcely two tribes exactly agree in the details of the way in which the invaluable boon was conferred on man. In substance, however, the legend is the same with all. Ages ago, at the time when spirits considered the world yet good enough for their occasional residence, a very great and powerful spirit lay down by the side of his fire to sleep in the forest. While so lying, his arch-enemy came that way, and thought it would be a good chance for mischief; so, gently approaching the sleeper, he rolled him over toward the fire, till his head rested among the glowing embers, and his hair was set ablaze. The roaring of the fire in his ears roused the good spirit, and, leaping to his feet, he rushed in a fright through the forest, and as he did so the wind caught his singed hair as it flew off, and, carrying it away, sowed it broadcast over the earth, into which it sank and took root, and grew up tobacco.

"If anything exceeds the savage's belief in tobacco, it is that which attaches to his pipe. In life it is his dearest companion, and in death is inseparable; for {116} whatever else may be forgotten at his funeral obsequies, his pipe is laid in the grave with him to solace him on his journey to the 'happy hunting-ground.' 'The first pipe' is among the most sacred of their traditions; as well it may be, when it is sincerely believed that no other than the Great Spirit himself was the original smoker.

"Many years ago the Great Spirit called all his people together, and, standing on the precipice of the Red Pipe-stone Rock, he broke a piece from the wall, and, kneading it in his hands, made a huge pipe, which he smoked over them, and to the north, south, east, and west. He told them that this stone was red, that it was their flesh, that of it they might make their pipes of peace; but it belonged equally to all; and the war-club and the scalping-knife must not be raised on this ground. And he smoked his pipe and talked to them till the last whiff, and then his head disappeared in a cloud; and immediately the whole surface of the rock for several miles was melted and glazed. Two great ovens were opened beneath, and two women (guardian spirits of the place) entered them in a blaze of fire; and they are heard there yet, and answer to the invocation of the priests, or medicine-men, who consult them on their visits to this sacred place.

"The 'sacred place' here mentioned is the site of the world-renowned 'Pipe-stone Quarry.' From this place has the North American Indian ever obtained material for his pipe, and from no other spot. Catlin asserts that in every tribe he has visited (numbering about forty, and extending over thousands of miles of country) the pipes have all been made of this red pipe-stone. Clarke, the great American traveller, relates that in his intercourse with many tribes who as yet had had but little intercourse with the whites he {117} learned that almost every adult had made the pilgrimage to the sacred rock and drawn from thence his pipe-stone. So peculiar is this 'quarry' that Catlin has been at the pains to describe it very fully and graphically, and from his account the following is taken:

"'Our approach to it was from the east, and the ascent, for the distance of fifty miles, over a continued succession of slopes and terraces, almost imperceptibly rising one above another, that seemed to lift us to a great height. There is not a tree or bush to be seen from the highest summit of the ridge, though the eye may range east and west, almost to a boundless extent, over a surface covered with a short grass, that is green at one's feet, and about him, but changing to blue in distance, like nothing but the blue and vastness of the ocean.

"'On the very top of this mound or ridge we found the far-famed quarry or fountain of the Red Pipe, which is truly an anomaly in nature. The principal and most striking feature of this place is a perpendicular wall of close-grained, compact quartz, of twenty-five and thirty feet in elevation, running nearly north and south, with its face to the west, exhibiting a front of nearly two miles in length, when it disappears at both ends, by running under the prairie, which becomes there a little more elevated, and probably covers it for many miles, both to the north and south. The depression of the brow of the ridge at this place has been caused by the wash of a little stream, produced by several springs at the top, a little back from the wall, which has gradually carried away the superincumbent earth, and having bared the wall for the distance of two miles, is now left to glide for some distance over a perfectly level surface of quartz rock; and then to leap from the top of the wall into a deep basin below, {118} and thence seek its course to the Missouri, forming the extreme source of a noted and powerful tributary, called the "Big Sioux."

"'At the base of this wall there is a level prairie, of half a mile in width, running parallel to it, in any, and in all parts of which, the Indians procure the red stone for their pipes, by digging through the soil and several slaty layers of the red stone to the depth of four or five feet. From the very numerous marks of ancient and modern diggings or excavations, it would appear that this place has been for many centuries resorted to for the red stone; and from the great number of graves and remains of ancient fortifications in the vicinity, it would seem, as well as from their actual traditions, that the Indian tribes have long held this place in high superstitious estimation; and also that it has been the resort of different tribes, who have made their regular pilgrimages here to renew their pipes.'

"As far as may be gathered from the various and slightly conflicting accounts of Indian smoking observances, it would seem that to every tribe, or, if it be an extensive one, to every detachment of a tribe, belongs a potent instrument known as 'medicine pipe-stem.' It is nothing more than a tobacco-pipe, splendidly adorned with savage trappings, yet it is regarded as a sacred thing to be used only on the most solemn occasions, or in the transaction of such important business as among us could only be concluded by the sanction of a Cabinet Council, and affixing the royal signature."

The Gods of the Red Man

Most of the North American stocks possessed a regular pantheon of deities. Of these, having regard to their numbers, it will be impossible to speak in any {119} detail, and it will be sufficient if we confine ourselves to some account of the more outstanding figures. As in all mythologies, godhead is often attached to the conception of the bringer of culture, the sapient being who first instructs mankind in the arts of life, agriculture, and religion. American mythologies possess many such hero-gods, and it is not always easy to say whether they belong to history or mythology. Of course, the circumstances surrounding the conception of some of these beings prove that they can be nothing else than mythological, but without doubt some of them were originally mere mortal heroes.

Michabo

We discover one of the first class in Michabo, the Great Hare, the principal deity of the Algonquins. In the accounts of the older travellers we find him described as the ruler of the winds, the inventor of picture-writing, and even the creator and preserver of the world. Taking a grain of sand from the bed of the ocean, he made from it an island which he launched in the primeval waters. This island speedily grew to a great size; indeed, so extensive did it become that a young wolf which managed to find a footing on it and attempted to cross it died of old age before he completed his journey. A great 'medicine' society, called Meda, was supposed to have been founded by Michabo. Many were his inventions. Observing the spider spread its web, he devised the art of knitting nets to catch fish. He furnished the hunter with many signs and charms for use in the chase. In the autumn, ere he takes his winter sleep, he fills his great pipe and smokes, and the smoke which arises is seen in the clouds which fill the air with the haze of the Indian summer.

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Some uncertainty prevailed among the various Algonquian tribes as to where Michabo resided, some of them believing that he dwelt on an island in Lake Superior, others on an iceberg in the Arctic Ocean, and still others in the firmament, but the prevalent idea seems to have been that his home was in the east, where the sun rises on the shores of the great river Ocean that surrounds the dry land.

That a being possessing such qualities should be conceived of as taking the name and form of a timid animal like the hare is indeed curious, and there is little doubt that the original root from which the name Michabo has been formed does not signify 'hare.' In fact, the root _wab_, which is the initial syllable of the Algonquian word for 'hare,' means also 'white,' and from it are derived the words for 'east,' 'dawn,' 'light,' and 'day.' Their names proceeding from the same root, the idea of the hare and the dawn became confused, and the more tangible object became the symbol of the god. Michabo was therefore the spirit of light, and, as the dawn, the bringer of winds. As lord of light he is also wielder of the lightning. He is in constant strife, nevertheless, with his father the West Wind, and in this combat we can see the diurnal struggle between east and west, light and darkness, common to so many mythologies.

Modern Indian tales concerning Michabo make him a mere tricksy spirit, a malicious buffoon, but in these we can see his character in process of deterioration under the stress of modern conditions impinging upon Indian life. It is in the tales of the old travellers and missionaries that we find him in his true colours as a great culture-hero, Lord of the Day and bringer of light and civilization.

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The Battle of the Twin-Gods

Among the Iroquois we find a similar myth. It tells of two brothers, Ioskeha and Tawiscara, or the White One and the Dark One, twins, whose grandmother was the moon. When they grew up they quarrelled violently with one another, and finally came to blows, Ioskeha took as his weapon the horns of a stag, while Tawiscara seized a wild rose to defend himself. The latter proved but a puny weapon, and, sorely wounded, Tawiscara turned to fly. The drops of blood which fell from him became flint stones. Ioskeha later built for himself a lodge in the far east, and became the father of mankind and principal deity of the Iroquois, slaying the monsters which infested the earth, stocking the woods with game, teaching the Indians how to grow crops and make fires, and instructing them in many of the other arts of life. This myth appears to have been accepted later by the Mohawks and Tuscaroras.

Awonawilona

We have already alluded in the Zuñi creation-myth to the native deity Awonawilona. This god stands out as one of the most perfect examples of deity in its constructive aspect to be found in the mythologies of America. He seems in some measure to be identified with the sun, and from the remote allusions regarding him and the manner in which he is spoken of as an architect of the universe we gather that he was not exactly in close touch with mankind.

Ahsonnutli

Closely resembling him was Ahsonnutli, the principal deity of the Navaho Indians of New Mexico, who was {122} regarded as the creator of the heavens and earth. He was supposed to have placed twelve men at each of the cardinal points to uphold the heavens. He was believed to possess the qualities of both sexes, and is entitled the Turquoise Man-woman.

Atius Tiráwa

Atius Tiráwa was the great god of the Pawnees. He also was a creative deity, and ordered the courses of the sun, moon, and stars. As known to-day he is regarded as omnipotent and intangible; but how far this conception of him has been coloured by missionary influence it would be difficult to say. We find, however, in other Indian mythologies which we know have not been sophisticated by Christian belief many references to deities who possess such attributes, and there is no reason why we should infer that Atius Tiráwa is any other than a purely aboriginal conception.

Esaugetuh Emissee

The great life-giving god of the Creeks and other Muskhogeans was Esaugetuh Emissee, whose name signifies, 'Master of Breath.' The sound of the name represents the emission of breath from the mouth. He was the god of wind, and, like many another divinity in American mythology, his rule over that element was allied with his power over the breath of life--one of the forms of wind or air. Savage man regards the wind as the great source of breath and life. Indeed, in many tongues the words 'wind,' 'soul,' and 'breath' have a common origin. We find a like conception in the Aztec wind-god Tezcatlipoca, who was looked upon as the primary source of existence.[8]

[8] See the author's _Myths of Mexico and Peru_, in this series.

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The Coyote God

Among the people of the far west, the Californians and Chinooks, an outstanding deity is, strangely enough, the Coyote. But whereas among the Chinooks he was thought to be a benign being, the Maidu and other Californian tribes pictured him as mischievous, cunning, and destructive. Kodoyanpe, the Maidu creator, discovered the world along with Coyote, and with his aid rendered it habitable for mankind. The pair fashioned men out of small wooden images, as the gods of the Kiche of Central America are related to have done in the myth in the _Popol Vuh_. But the mannikins proved unsuitable to their purpose, and they turned them into animals. Kodoyanpe's intentions were beneficent, and as matters appeared to be going but ill, he concluded that Coyote was at the bottom of the mischief. In this he was correct, and on consideration he resolved to destroy Coyote. On the side of the disturber was a formidable array of monsters and other evil agencies. But Kodoyanpe received powerful assistance from a being called the Conqueror, who rid the universe of many monsters and wicked spirits which might have proved unfriendly to the life of man, as yet unborn. The combat raged fiercely over a protracted period, but at last the beneficent Kodoyanpe was defeated by the crafty Coyote. Kodoyanpe had buried many of the wooden mannikins whom he had at first created, and they now sprang from their places and became the Indian race.

This is, of course, a day-and-night or light-and-darkness myth. Kodoyanpe is the sun, the spirit of day, who after a diurnal struggle with the forces of darkness flies toward the west for refuge. Coyote is the spirit of night, typified by an animal of nocturnal {124} habits which slinks forth from its den as the shades of dusk fall on the land. We find a similar conception in Egyptian mythology, where Anubis, the jackal-headed, swallows his father Osiris, the brilliant god of day, as the night swallows up the sun.

Another version of the Coyote myth current in California describes how in the beginning there was only the primeval waste of waters, upon which Kodoyanpe and Coyote dropped in a canoe. Coyote willed that the surf beneath them should become sand.

"Coyote was coming. He came to Got'at. There he met a heavy surf. He was afraid that he might be drifted away, and went up to the spruce-trees. He stayed there a long time. Then he took some sand and threw it upon that surf: 'This shall be a prairie and no surf. The future generations shall walk on this prairie!' Thus Clatsop became a prairie. The surf became a prairie."[9]

[9] Boas, _Chinook Texts_.

But among other tribes as well as among the Chinooks Italapas, the Coyote, is a beneficent deity. Thus in the myths of the Shushwap and Kutenai Indians of British Columbia he figures as the creative agency, and in the folk-tales of the Ashochimi of California he appears after the deluge and plants in the earth the feathers of various birds, which according to their colour become the several Indian tribes.

Blue Jay

Another mischievous deity of the Chinooks and other western peoples is Blue Jay. He is a turbulent braggart, schemer, and mischief-maker. He is the very clown of gods, and invariably in trouble himself if he is not manufacturing it for others. He has the shape of a jay-bird, which was given him by the Supernatural {125} People because he lost to them in an archery contest. They placed a curse upon him, telling him the note he used as a bird would gain an unenviable notoriety as a bad omen. Blue Jay has an elder brother, the Robin, who is continually upbraiding him for his mischievous conduct in sententious phraseology. The story of the many tricks and pranks played by Blue Jay, not only on the long-suffering members of his tribe, but also upon the denizens of the supernatural world, must have afforded intense amusement around many an Indian camp-fire. Even the proverbial gravity of the Red Man could scarcely hold out against the comical adventures of this American Owl-glass.

Thunder-Gods

North America is rich in thunder-gods. Of these a typical example is Haokah, the god of the Sioux. The countenance of this divinity was divided into halves, one of which expressed grief and the other cheerfulness--that is, on occasion he could either weep with the rain or smile with the sun. Heat affected him as cold, and cold was to him as heat. He beat the tattoo of the thunder on his great drum, using the wind as a drum-stick. In some phases he is reminiscent of Jupiter, for he hurls the lightning to earth in the shape of thunderbolts. He wears a pair of horns, perhaps to typify his connexion with the lightning, or else with the chase, for many American thunder-gods are mighty hunters. This double conception arises from their possession of the lightning-spear, or arrow, which also gives them in some cases the character of a war-god. Strangely enough, such gods of the chase often resembled in appearance the animals they hunted. For example, Tsui 'Kalu (Slanting Eyes), a hunter-god {126} of the Cherokee Indians, seems to resemble a deer. He is of giant proportions, and dwells in a great mountain of the Blue Ridge Range, in North-western Virginia. He appears to have possessed all the game in the district as his private property. A Cherokee thunder-god is Asgaya Gigagei (Red Man). The facts that he is described as being of a red colour, thus typifying the lightning, and that the Cherokees were originally a mountain people, leave little room for doubt that he is a thunder-god, for it is around the mountain peaks that the heavy thunder-clouds gather, and the red lightning flashing from their depths looks like the moving limbs of the half-hidden deity. We also find occasionally invoked in the Cherokee religious formulæ a pair of twin deities known as the 'Little Men,' or 'Thunder-boys.' This reminds us that in Peru twins were always regarded as sacred to the lightning, since they were emblematic of the thunder-and-lightning twins, Apocatequil and Piguerao. All these thunder-gods are analogous to the Aztec Tlaloc, the Kiche Hurakan, and the Otomi Mixcoatl.[10] A well-known instance of the thunder- or hunter-god who possesses animal characteristics will occur to those who are familiar with the old English legend of Herne the Hunter, with his deer's head and antlers.

[10] See _Myths of Mexico and Peru_.

The Dakota Indians worshipped a deity whom they addressed as Waukheon (Thunder-bird). This being was engaged in constant strife with the water-god, Unktahe, who was a cunning sorcerer, and a controller of dreams and witchcraft. Their conflict probably symbolizes the atmospheric changes which accompany the different seasons.

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Idea of a Future Life

The idea of a future life was very widely disseminated among the tribes of North America. The general conception of such an existence was that it was merely a shadowy extension of terrestrial life, in which the same round of hunting and kindred pursuits was engaged in. The Indian idea of eternal bliss seems to have been an existence in the Land of the Sun, to which, however, only those famed in war were usually admitted.

That the Indians possessed a firm belief in a future state of existence is proved by their statements to the early Moravian missionaries, to whom they said: "We Indians shall not for ever die. Even the grains of corn we put under the earth grow up and become living things." The old missionary adds: "They conceive that when the soul has been awhile with God it can, if it chooses, return to earth and be born again." This idea of rebirth, however, appears to have meant that the soul would return to the bones, that these would clothe themselves with flesh, and that the man would rejoin his tribe. By what process of reasoning they arrived at such a conclusion it would be difficult to ascertain, but the almost universal practice which obtained among the Indians both of North and South America of preserving the bones of the deceased plainly indicates that they possessed some strong religious reason for this belief. Many tribes which dwelt east of the Mississippi once in every decade collected the bones of those who had died within that period, carefully cleaned them, and placed them in a tomb lined with beautiful flowers, over which they erected a mound of wood, stone, or earth. Nor, indeed, were the ancient Egyptians more considerate of the remains of their fathers.

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The Hope of Resurrection

American funerary ritual and practice throughout the northern sub-continent plainly indicates a strong and vivid belief in the resurrection of the soul after death. Among many tribes the practice prevailed of interring with the deceased such objects as he might be supposed to require in the other world. These included weapons of war and of the chase for men, and household implements and feminine finery in the case of women.

Among primitive peoples the belief is prevalent that inanimate objects possess doubles, or, as spiritualists would say, 'astral bodies,' or souls, and some Indian tribes supposed that unless such objects were broken or mutilated--that is to say, 'killed'--their doubles would not accompany the spirit of the deceased on its journey.

Indian Burial Customs

Many methods of disposing of the corpse were, and are, in use among the American Indians. The most common of these were ordinary burial in the earth or under tumuli, burial in caves, tree-burial, raising the dead on platforms, and the disposal of cremated remains in urns.

Embalming and mummification were practised to a certain extent by some of the extinct tribes of the east coast, and some of the north-west tribes, notably the Chinooks, buried their dead in canoes, which were raised on poles. The rites which accompanied burial, besides the placing of useful articles and food in the grave, generally consisted in a solemn dance, in which the bereaved relatives cut themselves and blackened their faces, after which they wailed night and morning in solitary places. It was generally regarded as unlucky to mention the name of the deceased, and, indeed, the {129} bereaved family often adopted another name to avoid such a contingency.

The Soul's Journey

Most of the tribes appear to have believed that the soul had to undertake a long journey before it reached its destination. The belief of the Chinooks in this respect is perhaps a typical one. They imagine that after death the spirit of the deceased drinks at a large hole in the ground, after which it shrinks and passes on to the country of the ghosts, where it is fed with spirit food and drink. After this act of communion with the spirit-world it may not return. They also believe that every one is possessed of two spirits, a greater and a less. During illness the lesser soul is spirited away by the denizens of Ghost-land. The Navahos possess a similar belief, and say that the soul has none of the vital force which animates the body, nor any of the faculties of the mind, but a kind of third quality, or personality, like the _ka_ of the ancient Egyptians, which may leave its owner and become lost, much to his danger and discomfort. The Hurons and Iroquois believe that after death the soul must cross a deep and swift stream, by a bridge formed by a single slender tree, upon which it has to combat the attacks of a fierce dog. The Athapascans imagine that the soul must be ferried over a great water in a stone canoe, and the Algonquins and Dakotas believe that departed spirits must cross a stream bridged by an enormous snake.

Paradise and the Supernatural People

The Red Man appears to have possessed two wholly different conceptions of supernatural life. We find in Indian myth allusions both to a 'Country of the Ghosts' and to a 'Land of the Supernatural People.' {130} The first appears to be the destination of human beings after death, but the second is apparently the dwelling-place of a spiritual race some degrees higher than mankind. Both these regions are within the reach of mortals, and seem to be mere extensions of the terrestrial sphere. Their inhabitants eat, drink, hunt, and amuse themselves in the same manner as earthly folk, and are by no means invulnerable or immortal. The instinctive dread of the supernatural which primitive man possesses is well exemplified in the myths in which he is brought into contact with the denizens of Ghost-land or the Spirit-world. These myths were undoubtedly framed for the same purpose as the old Welsh poem on the harrying of hell, or the story of the journey of the twin brothers to Xibalba in the Central American _Popol Vuh_. That is to say, the desire was felt for some assurance that man, on entering the spiritual sphere, would only be treading in the footsteps of heroic beings who had preceded him, who had vanquished the forces of death and hell and had stripped them of their terrors.

The mythologies of the North American Indians possess no place of punishment, any more than they possess any deities who are frankly malevolent toward humanity. Should a place of torment be discernible in any Indian mythology at the present day it may unhesitatingly be classed as the product of missionary sophistication. Father Brébeuf, an early French missionary, could only find that the souls of suicides and those killed in war were supposed to dwell apart from the others. "But as to the souls of scoundrels," he adds, "so far from being shut out, they are welcome guests; though for that matter, if it were not so their paradise would be a total desert, as 'Indian' and 'scoundrel' are one and the same."

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The Sacred Number Four

Over the length and breadth of the American continent a peculiar sanctity is attached by the aborigines to the four points of the compass. This arises from the circumstance that from these quarters come the winds which carry the fertilizing rains. The Red Man, a dweller in vast undulating plains where landmarks are few, recognized the necessity of such guidance in his wanderings as could alone be received from a strict adherence to the position of the four cardinal points. These he began to regard with veneration as his personal safeguards, and recognized in them the dwelling-places of powerful beings, under whose care he was. Most of his festivals and celebrations had symbolical or direct allusions to the four points of the compass. The ceremony of smoking, without which no treaty could be commenced or ratified, was usually begun by the chief of the tribe exhaling tobacco-smoke toward the four quarters of the earth. Among some tribes other points were also recognized, as, for example, one in the sky and one in the earth. All these points had their symbolical colours, and were presided over by various animal or other divinities. Thus the Apaches took black for the east, white for the south, yellow for the west, and blue for the north, the Cherokees red, white, black, and blue for the same points, and the Navahos white, blue, yellow, and black, with white and black for the lower regions and blue for the upper or ethereal world.

Indian Time and Festivals

The North American tribes have various ways of computing time. Some of them rely merely upon the changes in season and the growth of crops for guidance {132} as to when their annual festivals and seasonal celebrations should take place. Others fix their system of festivals on the changes of the moon and the habits of animals and birds. It was, however, upon the moon that most of these peoples depended for information regarding the passage of time. Most of them assigned twelve moons to the year, while others considered thirteen a more correct number. The Kiowa reckoned the year to consist of twelve and a half moons, the other half being carried over to the year following.

The Zuñi of New Mexico allude to the year as a 'passage of time,' and call the seasons the 'steps of the year.' The first six months of the Zuñi year possess names which have an agricultural or natural significance, while the last six have ritualistic names. Captain Jonathan Carver, who travelled among the Sioux at the end of the eighteenth century, says that some tribes among them reckoned their years by moons, and made them consist of twelve lunar months, observing when thirty moons had waned to add a supernumerary one, which they termed the 'lost moon.' They gave a name to each month as follows, the year beginning at the first new moon after the spring equinox: March, Worm Moon; April, Moon of Plants; May, Moon of Flowers; June, Hot Moon; July, Buck Moon; August, Sturgeon Moon; September, Corn Moon; October, Travelling Moon; November, Beaver Moon; December, Hunting Moon; January, Cold Moon; February, Snow Moon. These people had no division into weeks, but counted days by 'sleeps,' half-days by pointing to the sun at noon, and quarter-days by the rising and setting of the sun, for all of which they possessed symbolic signs. Many tribes kept records of events by means of such signs, as has already been indicated. The eastern Sioux {133} measure time by knotted leather thongs, similar to the _quipos_ of the ancient Peruvians. Other tribes have even more primitive methods. The Hupa of California tell a person's age by examining his teeth. The Maidu divide the seasons into Rain Season, Leaf Season, Dry Season, and Falling-leaf Season. The Pima of Southern Arizona record events by means of notched sticks, which no one but the persons who mark them can understand.

The chief reason for the computation of time among savage peoples is the correct observance of religious festivals. With the rude methods at their command they are not always able to hit upon the exact date on which these should occur. These festivals are often of a highly elaborate nature, and occupy many days in their celebration, the most minute attention being paid to the proper performance of the various rites connected with them. They consist for the most part of a preliminary fast, followed by symbolic dances or magical ceremonies, and concluding with a gluttonous orgy. Most of these observances possess great similarity one to another, and visible differences may be accounted for by circumstances of environment or seasonal variations.

When the white man first came into contact with the Algonquian race it was observed that they held regularly recurring festivals to celebrate the ripening of fruits and grain, and more irregular feasts to mark the return of wild-fowl and the hunting season in general. Dances were engaged in, and heroic songs chanted. Indeed, the entire observance appears to have been identical in its general features with the festival of to-day.

One of the most remarkable of these celebrations is that of the Creeks called the 'Busk,' a contraction {134} for its native name, Pushkita. Commencing with a rigorous fast which lasts three days, the entire tribe assembles on the fourth day to watch the high-priest produce a new fire by means of friction. From this flame the members of the tribe are supplied, and feasting and dancing are then engaged in for three days. Four logs are arranged in the form of a cross pointing to the four quarters of the earth, and burnt as an offering to the four winds.

The Buffalo Dance

The Mandans, a Dakota tribe, each year celebrate as their principal festival the Buffalo Dance, a feast which marks the return of the buffalo-hunting season. Eight men wearing buffalo-skins on their backs, and painted black, red, or white, imitate the actions of buffaloes. Each of them holds a rattle in his right hand and a slender rod six feet long in his left, and carries a bunch of green willow boughs on his back. The ceremony is held at the season of the year when the willow is in full leaf. The dancers take up their positions at four different points of a canoe to represent the four cardinal points of the compass. Two men dressed as grizzly bears stand beside the canoe, growling and threatening to spring upon any one who interferes with the ceremony. The bystanders throw them pieces of food, which are at once pounced upon by two other men, and carried off by them to the prairie. During the ceremony the old men of the tribe beat upon sacks, chanting prayers for the success of the buffalo-hunt. On the fourth day a man enters the camp in the guise of an evil spirit, and is driven from the vicinity with stones and curses.

The elucidation of this ceremony may perhaps be as {135} follows: From some one of the four points of the compass the buffalo must come; therefore all are requested to send goodly supplies. The men dressed as bears symbolize the wild beasts which might deflect the progress of the herds of buffalo toward the territory of the tribe, and therefore must be placated. The demon who visits the camp after the ceremony is, of course, famine.

Dance-Festivals of the Hopi

The most highly developed North American festival system is that of the Hopi or Moqui of Arizona, the observances of which are almost of a theatrical nature. All the Pueblo Indians, of whom the Hopi are a division, possess similar festivals, which recur at various seasons or under the auspices of different totem clans or secret societies. Most of these 'dances' are arranged by the Katcina clan, and take place in dance-houses known as _kivas_. These ceremonies have their origin in the universal reverence shown to the serpent in America--a reverence based on the idea that the symbol of the serpent, tail in mouth, represented the round, full sun of August. In the summer 'dances' snake-charming feats are performed, but in the Katcina ceremony serpents are never employed.

Devil-dances are by no means uncommon among the Indians. The purpose of these is to drive evil spirits from the vicinity of the tribe.

Medicine-Men

The native American priesthood, whether known as medicine-men, _shamans_, or wizards, were in most tribes a caste apart, exercising not only the priestly function, but those of physician and prophet as well. The name 'medicine-men,' therefore, is scarcely a misnomer. {136} They were skilled in the handling of occult forces such as hypnotism, and thus exercised unlimited sway over the rank and file of the tribe. But we shall first consider them in their religious aspect. In many of the Indian tribes the priesthood was a hereditary office; in others it was obtained through natural fitness or revelation in dreams. With the Cherokees, for example, the seventh son of a family was usually marked out as a suitable person for the priesthood. As a rule the religious body did not share in the general life of the tribe, from which to a great degree it isolated itself. For example, Bartram in his _Travels in the Carolinas_ describes the younger priests of the Creeks as being arrayed in white robes, and carrying on their heads or arms "a great owl-skin stuffed very ingeniously as an insignia of wisdom and divination. These bachelors are also distinguishable from the other people by their taciturnity, grave and solemn countenance, dignified step, and singing to themselves songs or hymns in a low, sweet voice as they stroll about the towns." To add to the feeling of awe which they inspired among the laymen of the tribe, the priests conversed with one another in a secret tongue. Thus the magical formulæ of some of the Algonquin priests were not in the ordinary language, but in a dialect of their own invention. The Choctaws, Cherokees, and Zuñi employed similar esoteric dialects, all of which are now known to be merely modifications of their several tribal languages, fortified with obsolete words, or else mere borrowings from the idioms of other tribes.

Medicine-Men as Healers

It was, however, as healers that the medicine-men were pre-eminent. The Indian assigns all illness or bodily {137} discomfort to supernatural agency. He cannot comprehend that indisposition may arise within his own system, but believes that it must necessarily proceed from some external source. Some supernatural being whom he has offended, the soul of an animal which he has slain, or perhaps a malevolent sorcerer, torments him. If the bodies of mankind were not afflicted in this mysterious manner their owners would endure for ever. When the Indian falls sick he betakes himself to a medicine-man, to whom he relates his symptoms, at the same time acquainting him with any circumstances which he may suspect of having brought about his condition. If he has slain a deer and omitted the usual formula of placation afterward he suspects that the spirit of the beast is actively harming him. Should he have shot a bird and have subsequently observed any of the same species near his dwelling, he will almost invariably conclude that they were bent on a mission of vengeance and have by some means injured him. The medicine-man, in the first instance, may give his patient some simple native remedy. If this treatment does not avail he will arrange to go to the sufferer's lodge for the purpose of making a more thorough examination. Having located the seat of the pain, he will blow upon it several times, and then proceed to massage it vigorously, invoking the while the aid of the natural enemy of the spirit which he suspects is tormenting the sick man. Thus if a deer's spirit be suspected he will call upon the mountain lion or the Great Dog to drive it away, but if a bird of any of the smaller varieties he will invoke the Great Eagle who dwells in the zenith to slay or devour it. Upon the supposed approach of these potent beings he will become more excited, and, vigorously slapping the patient, will chant incantations {138} in a loud and sonorous voice, which are supposed to hasten the advent of the friendly beings whom he has summoned. At last, producing by sleight of hand an image of the disturbing spirit worked in bone, he calls for a vessel of boiling water, into which he promptly plunges the supposed cause of his patient's illness. The bone figure is withdrawn from the boiling water after a space, and on being examined may be found to have one or more scores on its surface. Each of these shows that it has already slain its man, and the patient is assured that had the native Æsculapius not adopted severe measures the malign spirit would have added him to the number of its victims.

Should these methods not result in a cure, others are resorted to. The patient is regaled with the choicest food and drink, while incantations are chanted and music performed to frighten away the malign influences.

Professional Etiquette

The priestly class is not given to levying exorbitant fees upon its patients. As a rule the Indian medicine-man strongly resents any allusion to a fee. Should the payment be of a perishable nature, such as food, he usually shares it with his relatives, brother-priests, or even his patients, but should it consist of something that may be retained, such as cloth, teeth necklaces, or skins, he will carefully hoard it to afford provision for his old age. The Indian practitioner is strongly of opinion that white doctors are of little service in the cure of native illnesses. White medicine, he says, is good only for white men, and Indian medicine for the red man; in which conclusion he is probably justified.

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Journeys in Spirit-land

In many Indian myths we read how the _shamans_, singly or in companies, seek the Spirit-land, either to search for the souls of those who are ill, but not yet dead, or to seek advice from supernatural beings. These thaumaturgical practices were usually undertaken by three medicine-men acting in concert. Falling into a trance, in which their souls were supposed to become temporarily disunited from their bodies, they would follow the track of the sick man's spirit into the spirit-world. The order in which they travelled was determined by the relative strength of their guardian spirits, those with the strongest being first and last, and he who had the weakest being placed in the middle. If the sick man's track turned to the left they said he would die, but if to the right, he would recover. From the trail they could also divine whether any supernatural danger was near, and the foremost priest would utter a magic chant to avert such evils if they came from the front, while if the danger came from the rear the incantation was sung by the priest who came last. Generally their sojourn occupied one or two nights, and, having rescued the soul of the patient, they returned to place it in his body.

Not only was the _shaman_ endowed with the power of projecting his own 'astral body' into the Land of Spirits. By placing cedar-wood charms in the hands of persons who had not yet received a guardian spirit he could impart to them his clairvoyant gifts, enabling them to visit the Spirit-land and make any observations required by him.

The souls of chiefs, instead of following the usual route, went directly to the sea-shore, where only the most gifted _shamans_ could follow their trail. The sea {140} was regarded as the highway to the supernatural regions. A sick man was in the greatest peril at high water, but when the tide was low the danger was less.

The means adopted by the medicine-men to lure ghosts away from their pursuit of a soul was to create an 'astral' deer. The ghosts would turn from hunting the man's soul to follow that of the beast.

The Savage and Religion