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Chapter VI: Part 6

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Van Aldin seemed to be turning things over in his mind. When he spoke it was without beating about the bush.

"How long have you suspected my son-in-law, M. Poirot?"

"From the very first. He had the motive and the opportunity. Every one took for granted that the man in Madame's compartment in Paris was the Comte de la Roche. I thought so, too. Then you happened to mention that you had once mistaken the Comte for your son-in-law. That told me that they were of the same height and build, and alike in colouring. It put some curious ideas in my head. The maid had only been with your daughter a short time. It was unlikely that she would know Mr. Kettering well by sight, since he had not been living in Curzon Street; also the man was careful to keep his face turned away."

"You believe he--murdered her," said Van Aldin hoarsely.

Poirot raised a hand quickly.

"No, no, I did not say that--but it is a possibility--a very strong possibility. He was in a tight corner, a very tight corner, threatened with ruin. This was the one way out."

"But why take the jewels?"

"To make the crime appear an ordinary one committed by train robbers. Otherwise suspicion might have fallen on him straight away."

"If that is so, what has he done with the rubies?"

"That remains to be seen. There are several possibilities. There is a man in Nice who may be able to help, the man I pointed out at the tennis."

He rose to his feet and Van Aldin rose also and laid his hand on the little man's shoulder. His voice when he spoke was harsh with emotion.

"Find Ruth's murderer for me," he said, "that is all I ask."

Poirot drew himself up.

"Leave it in the hands of Hercule Poirot," he said superbly; "have no fears. I will discover the truth."

He brushed a speck of fluff from his hat, smiled reassuringly at the millionaire, and left the room. Nevertheless, as he went down the stairs some of the confidence faded from his face.

"It is all very well," he murmured to himself, "but there are difficulties. Yes, there are great difficulties." As he was passing out of the hotel he came to a sudden halt. A car had drawn up in front of the door. In it was Katherine Grey, and Derek Kettering was standing beside it talking to her earnestly. A minute or two later the car drove off and Derek remained standing on the pavement looking after it. The expression on his face was an odd one. He gave a sudden impatient gesture of the shoulders, sighed deeply, and turned to find Hercule Poirot standing at his elbow. In spite of himself he started. The two men looked at each other. Poirot steadily and unwaveringly and Derek with a kind of light-hearted defiance. There was a sneer behind the easy mockery of his tone when he spoke, raising his eyebrows slightly as he did so.

"Rather a dear, isn't she?" he asked easily.

His manner was perfectly natural.

"Yes," said Poirot thoughtfully, "that describes Mademoiselle Katherine very well. It is very English, that phrase there, and Mademoiselle Katherine, she also is very English."

Derek remained perfectly still without answering.

"And yet she is _sympathique_, is it not so?"

"Yes," said Derek; "there are not many like her."

He spoke softly, almost as though to himself. Poirot nodded significantly. Then he leant towards the other and spoke in a different tone, a quiet, grave tone that was new to Derek Kettering.

"You will pardon an old man, Monsieur, if he says to you something that you may consider impertinent. There is one of your English proverbs that I would quote to you. It says that 'it is well to be off with the old love, before being on with the new.'"

Kettering turned on him angrily.

"What the devil do you mean?"

"You enrage yourself at me," said Poirot placidly. "I expected as much. As to what I mean--I mean, Monsieur, that there is a second car with a lady in it. If you turn your head you will see her."

Derek spun round. His face darkened with anger.

"Mirelle, damn her!" he muttered. "I will soon--"

Poirot arrested the movement he was about to make.

"Is it wise what you are about to do there?" he asked warningly. His eyes shone softly with a green light in them. But Derek was past noticing the warning signs. In his anger he was completely off his guard.

"I have broken with her utterly, and she knows it," cried Derek angrily.

"You have broken with her, yes, but has _she_ broken with you?"

Derek gave a sudden harsh laugh.

"She won't break with two million pounds if she can help it," he murmured brutally; "trust Mirelle for that."

Poirot raised his eyebrows.

"You have the outlook cynical," he murmured.

"Have I?" There was no mirth in his sudden wide smile. "I have lived in the world long enough, M. Poirot, to know that all women are pretty much alike." His face softened suddenly. "All save one."

He met Poirot's gaze defiantly. A look of alertness crept into his eyes, then faded again. "That one," he said, and jerked his head in the direction of Cap Martin.

"Ah!" said Poirot.

This quiescence was well calculated to provoke the impetuous temperament of the other.

"I know what you are going to say," said Derek rapidly, "the kind of life I have led, the fact that I am not worthy of her. You will say that I have no right to think even of such a thing. You will say that it is not a case of giving a dog a bad name--I know that it is not decent to be speaking like this with my wife dead only a few days, and murdered at that."

He paused for breath, and Poirot took advantage of the pause to remark in his plaintive tone:

"But, indeed, I have not said anything at all."

"But you will."

"Eh?" said Poirot.

"You will say that I have no earthly chance of marrying Katherine."

"No," said Poirot, "I would not say that. Your reputation is bad, yes, but with women--never does that deter them. If you were a man of excellent character, of strict morality who had done nothing that he should not do, and--possibly everything that he should do--_eh bien!_ then I should have grave doubts of your success. Moral worth, you understand, it is not romantic. It is appreciated, however, by widows."

Derek Kettering stared at him, then he swung round on his heel and went up to the waiting car.

Poirot looked after him with some interest. He saw the lovely vision lean out of the car and speak.

Derek Kettering did not stop. He lifted his hat and passed straight on.

"_Ça y est_," said M. Hercule Poirot, "it is time, I think, that I return _chez moi_."

He found the imperturbable George pressing trousers.

"A pleasant day, Georges, somewhat fatiguing, but not without interest," he said.

George received these remarks in his usual wooden fashion.

"Indeed, sir."

"The personality of a criminal, Georges, is an interesting matter. Many murderers are men of great personal charm."

"I always heard, sir, that Dr. Crippen was a pleasant-spoken gentleman. And yet he cut up his wife like so much mincemeat."

"Your instances are always apt, Georges."

The valet did not reply, and at that moment the telephone rang. Poirot took up the receiver.

"'Allo--'allo--yes, yes, it is Hercule Poirot who speaks."

"This is Knighton. Will you hold the line a minute, M. Poirot? Mr. Van Aldin would like to speak to you."

There was a moment's pause, then the millionaire's voice came through.

"Is that you, M. Poirot? I just wanted to tell you that Mason came to me now of her own accord. She has been thinking it over, and she says that she is almost certain that the man at Paris was Derek Kettering. There was something familiar about him at the time, she says, but at the minute she could not place it. She seems pretty certain now."

"Ah," said Poirot, "thank you, M. Van Aldin. That advances us."

He replaced the receiver, and stood for a minute or two with a very curious smile on his face. George had to speak to him twice before obtaining an answer.

"Eh?" said Poirot. "What is that that you say to me?"

"Are you lunching here, sir, or are you going out?"

"Neither," said Poirot, "I shall go to bed and take a _tisane_. The expected has happened, and when the expected happens, it always causes me emotion."

25. Defiance

As Derek Kettering passed the car, Mirelle leant out.

"Dereek--I must speak to you for a moment--"

But, lifting his hat, Derek passed straight on without stopping.

When he got back to his hotel, the concierge detached himself from his wooden pen and accosted him.

"A gentleman is waiting to see you, Monsieur."

"Who is it?" asked Derek.

"He did not give me his name, Monsieur, but he said his business with you was important, and that he would wait."

"Where is he?"

"In the little salon, Monsieur. He preferred it to the lounge he said, as being more private."

Derek nodded, and turned his steps in that direction.

The small salon was empty except for the visitor, who rose and bowed with easy foreign grace as Derek entered. As it chanced, Derek had seen the Comte de la Roche only once, but found no difficulty in recognizing that aristocratic nobleman, and he frowned angrily. Of all the consummate impertinence!

"The Comte de la Roche, is it not?" he said. "I am afraid you have wasted your time in coming here."

"I hope not," said the Comte agreeably. His white teeth glittered.

The Comte's charm of manner was usually wasted on his own sex. All men, without exception, disliked him heartily. Derek Kettering was already conscious of a distinct longing to kick the Count bodily out of the room. It was only the realization that scandal would be unfortunate just at present that restrained him. He marvelled anew that Ruth could have cared, as she certainly had, for this fellow. A bounder, and worse than a bounder. He looked with distaste at the Count's exquisitely manicured hands.

"I called," said the Comte, "on a little matter of business. It would be advisable, I think, for you to listen to me."

Again Derek felt strongly tempted to kick him out, but again he refrained. The hint of a threat was not lost upon him, but he interpreted it in his own way. There were various reasons why it would be better to hear what the Comte had to say.

He sat down and drummed impatiently with his fingers on the table.

"Well," he said sharply, "what is it?"

It was not the Comte's way to come out into the open at once.

"Allow me, Monsieur, to offer you my condolences on your recent bereavement."

"If I have any impertinence from you," said Derek quietly, "you go out by that window."

He nodded his head towards the window beside the Comte, and the latter moved uneasily.

"I will send my friends to you, Monsieur, if that is what you desire," he said haughtily.

Derek laughed.

"A duel, eh? My dear Count, I don't take you seriously enough for that. But I should take a good deal of pleasure in kicking you down the Promenade des Anglais."

The Comte was not at all anxious to take offence. He merely raised his eyebrows and murmured:

"The English are barbarians."

"Well," said Derek, "what is it you have to say to me?"

"I will be frank," said the Comte, "I will come immediately to the point. That will suit us both, will it not?"

Again he smiled in his agreeable fashion.

"Go on," said Derek curtly.

The Comte looked at the ceiling, joined the tips of his fingers together, and murmured softly:

"You have come into a lot of money, Monsieur."

"What the devil has that got to do with you?"

The Comte drew himself up.

"Monsieur, my name is tarnished! I am suspected--accused--of foul crime."

"The accusation does not come from me," said Derek coldly; "as an interested party I have not expressed any opinion."

"I am innocent," said the Comte, "I swear before heaven"--he raised his hand to heaven--"that I am innocent."

"M. Carrège is, I believe, the Juge d'Instruction in charge of the case," hinted Derek politely.

The Comte took no notice.

"Not only am I unjustly suspected of a crime that I did not commit, but I am also in serious need of money."

He coughed softly and suggestively.

Derek rose to his feet.

"I was waiting for that," he said softly; "you blackmailing brute! I will not give you a penny. My wife is dead, and no scandal that you can make can touch her now. She wrote you foolish letters, I dare say. If I were to buy them from you for a round sum at this minute, I am pretty certain that you would manage to keep one or two back; and I will tell you this, M. de la Roche, blackmailing is an ugly word both in England and in France. That is my answer to you. Good afternoon."

"One moment"--the Comte stretched out a hand as Derek was turning to leave the room. "You are mistaken, Monsieur. You are completely mistaken. I am, I hope, a 'gentleman.'" Derek laughed. "Any letters that a lady might write to me I should hold sacred." He flung back his head with a beautiful air of nobility. "The proposition that I was putting before you was of quite a different nature. I am, as I said, extremely short of money, and my conscience might impel me to go to the police with certain information."

Derek came slowly back into the room.

"What do you mean?"

The Comte's agreeable smile flashed forth once more.

"Surely it is not necessary to go into details," he purred. "Seek whom the crime benefits, they say, don't they? As I said just now, you have come into a lot of money lately."

Derek laughed.

"If that is all--" he said contemptuously.

But the Comte was shaking his head.

"But it is not all, my dear sir. I should not come to you unless I had much more precise and detailed information than that. It is not agreeable, Monsieur, to be arrested and tried for murder."

Derek came close up to him. His face expressed such furious anger that involuntarily the Comte drew back a pace or two.

"Are you threatening _me_?" the young man demanded angrily.

"You shall hear nothing more of the matter," the Comte assured him.

"Of all the colossal bluffs that I have ever struck--"

The Comte raised a white hand.

"You are wrong. It is not a bluff. To convince you I will tell you this. My information was obtained from a certain lady. It is she who holds the irrefutable proof that you committed the murder."

"She? Who?"

"Mademoiselle Mirelle."

Derek drew back as though struck.

"Mirelle," he muttered.

The Comte was quick to press what he took to be his advantage.

"A bagatelle of one hundred thousand francs," he said. "I ask no more."

"Eh?" said Derek absently.

"I was saying, Monsieur, that a bagatelle of one hundred thousand francs would satisfy my--conscience."

Derek seemed to recollect himself. He looked earnestly at the Comte.

"You would like my answer now?"

"If you please, Monsieur."

"Then here it is. You can go to the devil. See?"

Leaving the Comte too astonished to speak, Derek turned on his heel and swung out of the room.

Once out of the hotel he hailed a taxi and drove to Mirelle's hotel. On inquiring, he learned that the dancer had just come in. Derek gave the concierge his card.

"Take this up to Mademoiselle and ask if she will see me."

A very brief interval elapsed, and then Derek was bidden to follow a _chasseur_.

A wave of exotic perfume assailed Derek's nostrils as he stepped over the threshold of the dancer's apartments. The room was filled with carnations, orchids, and mimosa. Mirelle was standing by the window in a _peignoir_ of foamy lace.

She came towards him, her hands outstretched.

"Dereek--you have come to me. I knew you would."

He put aside the clinging arms and looked down on her sternly.

"Why did you send the Comte de la Roche to me?"

She looked at him in astonishment, which he took to be genuine.

"I? Send the Comte de la Roche to you? But for what?"

"Apparently--for blackmail," said Derek grimly.

Again she stared. Then suddenly she smiled and nodded her head.

"Of course. It was to be expected. It is what he would do, _ce type là_. I might have known it. No, indeed, Dereek, I did not send him."

He looked at her piercingly, as though seeking to read her mind.

"I will tell you," said Mirelle. "I am ashamed, but I will tell you. The other day, you comprehend, I was mad with rage, quite mad--" she made an eloquent gesture. "My temperament, it is not a patient one. I want to be revenged on you, and so I go to the Comte de la Roche, and I tell him to go to the police and say so and so, and so and so. But have no fear, Dereek. Not completely did I lose my head; the proof rests with me alone. The police can do nothing without my word, you understand? And now--now?"

She nestled up close to him, looking up at him with melting eyes.

He thrust her roughly away from him. She stood there, her breast heaving, her eyes narrowing to a cat-like slit.

"Be careful, Dereek, be very careful. You have come back to me, have you not?"

"I shall never come back to you," said Derek steadily.

"Ah!"

More than ever the dancer looked like a cat. Her eyelids flickered.

"So there is another woman? The one with whom you lunched that day. Eh! am I right?"

"I intend to ask that lady to marry me. You might as well know."

"That prim Englishwoman! Do you think that I will support that for one moment? Ah, no." Her beautiful lithe body quivered. "Listen, Dereek, do you remember that conversation we had in London? You said the only thing that could save you was the death of your wife. You regretted that she was so healthy. Then the idea of an accident came to your brain. And more than an accident."

"I suppose," said Derek contemptuously, "that it was this conversation that you repeated to the Comte de la Roche."

Mirelle laughed.

"Am I a fool? Could the police do anything with a vague story like that? See--I will give you a last chance. You shall give up this Englishwoman. You shall return to me. And then, _chéri_, never, never will I breathe--"

"Breathe what?"

She laughed softly. "You thought no one saw you--"

"What do you mean?"

"As I say, you thought no one saw you--but _I_ saw you, Dereek, _mon ami_; _I saw you coming out of the compartment of Madame your wife just before the train got into Lyons that night._ _And_ I know more than that. I know that when you came out of her compartment she was dead."

He stared at her. Then, like a man in a dream he turned very slowly and went out of the room, swaying slightly as he walked.

26. A Warning

"And so it is," said Poirot, "that we are the good friends and have no secrets from each other."

Katherine turned her head to look at him. There was something in his voice, some undercurrent of seriousness, which she had not heard before.

They were sitting in the gardens of Monte Carlo. Katherine had come over with her friends, and they had run into Knighton and Poirot almost immediately on arrival. Lady Tamplin had seized upon Knighton and had overwhelmed him with reminiscences, most of which Katherine had a faint suspicion were invented. They had moved away together, Lady Tamplin with her hand on the young man's arm. Knighton had thrown a couple of glances back over his shoulder, and Poirot's eyes twinkled a little as he saw them.

"Of course we are friends," said Katherine.

"From the beginning we have been sympathetic to each other," mused Poirot.

"When you told me that a 'Roman Policier' occurs in real life."

"And I was right, was I not?" he challenged her, with an emphatic forefinger. "Here we are, plunged in the middle of one. That is natural for me--it is my _métier_--but for you it is different. Yes," he added in a reflective tone, "for you it is different."

She looked sharply at him. It was as though he were warning her, pointing out to her some menace that she had not seen.

"Why do you say that I am in the middle of it? It is true that I had that conversation with Mrs. Kettering just before she died, but now--now all that is over. I am not connected with the case any more."

"Ah, Mademoiselle, Mademoiselle, can we ever say, 'I have finished with this or that'?"

Katherine turned defiantly round to face him.

"What is it?" she asked. "You are trying to tell me something--to convey it to me rather. But I am not clever at taking hints. I would much rather that you said anything you have to say straight out."

Poirot looked at her sadly. "_Ah, mais c'est Anglais ça_," he murmured, "everything in black and white, everything clear cut and well defined. But life, it is not like that, Mademoiselle. There are the things that are not yet, but which cast their shadow before."

He dabbed his brow with a very large silk pocket-handkerchief and murmured:

"Ah, but it is that I become poetical. Let us, as you say, speak only of facts. And, speaking of facts, tell me what you think of Major Knighton."

"I like him very much indeed," said Katherine warmly; "he is quite delightful."

Poirot sighed.

"What is the matter?" asked Katherine.

"You reply so heartily," said Poirot. "If you had said in an indifferent voice, 'Oh, quite nice,' _eh bien_, do you know I should have been better pleased."

Katherine did not answer. She felt slightly uncomfortable. Poirot went on dreamily:

"And yet, who knows? With _les femmes_, they have so many ways of concealing what they feel--and heartiness is perhaps as good a way as any other."

He sighed.

"I don't see--" began Katherine.

He interrupted her.

"You do not see why I am being so impertinent, Mademoiselle? I am an old man, and now and then--not very often--I come across some one whose welfare is dear to me. We are friends, Mademoiselle. You have said so yourself. And it is just this--I should like to see you happy."

Katherine stared very straight in front of her. She had a cretonne sunshade with her, and with its point she traced little designs in the gravel at her feet.

"I have asked you a question about Major Knighton, now I will ask you another. Do you like Mr. Derek Kettering?"

"I hardly know him," said Katherine.

"That is not an answer, that."

"I think it is."

He looked at her, struck by something in her tone. Then he nodded his head gravely and slowly.

"Perhaps you are right, Mademoiselle. See you, I who speak to you have seen much of the world, and I know that there are two things which are true. A good man may be ruined by his love for a bad woman--but the other way holds good also. A bad man may equally be ruined by his love for a good woman."

Katherine looked up sharply.

"When you say ruined--"

"I mean from his point of view. One must be wholehearted in crime as in everything else."

"You are trying to warn me," said Katherine in a low voice. "Against whom?"

"I cannot look into your heart, Mademoiselle; I do not think you would let me if I could. I will just say this. There are men who have a strange fascination for women."

"The Comte de la Roche," said Katherine, with a smile.

"There are others--more dangerous than the Comte de la Roche. They have qualities that appeal--recklessness, daring, audacity. You are fascinated, Mademoiselle; I see that, but I think that it is no more than that. I hope so. This man of whom I speak, the emotion he feels is genuine enough, but all the same--"

"Yes?"

He got up and stood looking down at her. Then he spoke, in a low, distinct voice:

"You could, perhaps, love a thief, Mademoiselle, _but not a murderer_."

He wheeled sharply away on that and left her sitting there.

He heard the little gasp she gave and paid no attention. He had said what he meant to say. He left her there to digest that last unmistakable phrase.

Derek Kettering, coming out of the Casino into the sunshine, saw her sitting alone on the bench and joined her.

"I have been gambling," he said, with a light laugh, "gambling unsuccessfully. I have lost everything--everything, that is, that I have with me."

Katherine looked at him with a troubled face. She was aware at once of something new in his manner, some hidden excitement that betrayed itself in a hundred different infinitesimal signs.

"I should think you were always a gambler. The spirit of gambling appeals to you."

"Every day and in every way a gambler? You are about right. Don't _you_ find something stimulating in it? To risk all on one throw--there is nothing like it."

Calm and stolid as she believed herself to be, Katherine felt a faint answering thrill.

"I want to talk to you," went on Derek, "and who knows when I may have another opportunity? There is an idea going about that I murdered my wife--no, please don't interrupt. It is absurd, of course." He paused for a minute or two, then went on, speaking more deliberately. "In dealing with the police and Local Authorities here I have had to pretend to--well--a certain decency. I prefer not to pretend with you. I meant to marry money. I was on the lookout for money when I first met Ruth Van Aldin. She had the look of a slim Madonna about her, and I--well--I made all sorts of good resolutions--and was bitterly disillusioned. My wife was in love with another man when she married me. She never cared for me in the least. Oh, I am not complaining; the thing was a perfectly respectable bargain. She wanted Leconbury and I wanted money. The trouble arose simply through Ruth's American blood. Without caring a pin for me, she would have liked me to be continually dancing attendance. Time and again she as good as told me that she had bought me and that I belonged to her. The result was that I behaved abominably to her. My father-in-law will tell you that, and he is quite right. At the time of Ruth's death, I was faced with absolute disaster." He laughed suddenly. "One _is_ faced with absolute disaster when one is up against a man like Rufus Van Aldin."

"And then?" asked Katherine in a low voice.

"And then," Derek shrugged his shoulders, "Ruth was murdered--very providentially."

He laughed, and the sound of his laugh hurt Katherine. She winced.

"Yes," said Derek, "that wasn't in very good taste. But it is quite true. Now I am going to tell you something more. From the very first moment I saw you I knew you were the only woman in the world for me. I was--afraid of you. I thought you might bring me bad luck."

"Bad luck?" said Katherine sharply.

He stared at her. "Why do you repeat it like that? What have you got in your mind?"

"I was thinking of things that people have said to me."

Derek grinned suddenly. "They will say a lot to you about me, my dear, and most of it will be true. Yes, and worse things too--things that I shall never tell you. I have been a gambler always--and I have taken some long odds. I shan't confess to you now or at any other time. The past is done with. There is one thing I do wish you to believe. I swear to you solemnly that I did not kill my wife."

He said the words earnestly enough, yet there was somehow a theatrical touch about them. He met her troubled gaze and went on:

"I know. I lied the other day. It _was_ my wife's compartment I went into."

"Ah," said Katherine.

"It's difficult to explain just why I went in, but I'll try. I did it on an impulse. You see, I was more or less spying on my wife. I kept out of sight on the train. Mirelle had told me that my wife was meeting the Comte de la Roche in Paris. Well, as far as I had seen, that was not so. I felt ashamed, and I thought suddenly that it would be a good thing to have it out with her once and for all, so I pushed open the door and went in."

He paused.

"Yes," said Katherine gently.

"Ruth was lying on the bunk asleep--her face was turned away from me--I could see only the back of her head. I could have waked her up, of course. But suddenly I felt a reaction. What, after all, was there to say that we hadn't both of us said a hundred times before? She looked so peaceful lying there. I left the compartment as quietly as I could."

"Why lie about it to the police?" asked Katherine.

"Because I'm not a complete fool. I've realized from the beginning that, from the point of view of motive, I'm the ideal murderer. If I once admitted that I had been in her compartment just before she was murdered, I'd do for myself once and for all."

"I see."

Did she see? She could not have told herself. She was feeling the magnetic attraction of Derek's personality, but there was something in her that resisted, that held back....

"Katherine--"

"I--"

"You know that I care for you. Do--do you care for me?"

"I--I don't know."

Weakness there. Either she knew or she did not know. If--if only--

She cast a look round desperately as though seeking something that would help her. A soft colour rose in her cheeks as a tall fair man with a limp came hurrying along the path towards them--Major Knighton.

There was relief and an unexpected warmth in her voice as she greeted him.

Derek stood up scowling, his face black as a thundercloud.

"Lady Tamplin having a flutter?" he said easily. "I must join her and give her the benefit of my system."

He swung round on his heel and left them together. Katherine sat down again. Her heart was beating rapidly and unevenly, but as she sat there talking commonplaces to the quiet, rather shy man beside her, her self-command came back.

Then she realized with a shock that Knighton also was laying bare his heart, much as Derek had done, but in a very different manner.

He was shy and stammering. The words came haltingly with no eloquence to back them.

"From the first moment I saw you--I--I ought not to have spoken so soon--but Mr. Van Aldin may leave here any day, and I might not have another chance. I know you can't care for me so soon--that is impossible. I dare say it is presumption anyway on my part. I have private means, but not very much--no, please don't answer now. I know what your answer would be. But in case I went away suddenly I just wanted you to know--that I care."

She was shaken--touched. His manner was so gentle and appealing.

"There's one thing more. I just wanted to say that if--if you are ever in trouble, anything that I can do--"

He took her hand in his, held it tightly for a minute, then dropped it and walked rapidly away towards the Casino without looking back.

Katherine sat perfectly still, looking after him. Derek Kettering--Richard Knighton--two men so different--so very different. There was something kind about Knighton, kind and trustworthy. As to Derek--

Then suddenly Katherine had a very curious sensation. She felt that she was no longer sitting alone on the seat in the Casino gardens, but that some one was standing beside her, and that that some one was the dead woman, Ruth Kettering. She had a further impression that Ruth wanted--badly--to tell her something. The impression was so curious, so vivid, that it could not be driven away. She felt absolutely certain that the spirit of Ruth Kettering was trying to convey something of vital importance to her. The impression faded. Katherine got up, trembling a little. What was it that Ruth Kettering had wanted so badly to say?

27. Interview with Mirelle

When Knighton left Katherine he went in search of Hercule Poirot, whom he found in the Rooms, jauntily placing the minimum stake on the even numbers. As Knighton joined him, the number thirty-three turned up, and Poirot's stake was swept away.

"Bad luck!" said Knighton; "are you going to stake again?"

Poirot shook his head.

"Not at present."

"Do you feel the fascination of gambling?" asked Knighton curiously.

"Not at roulette."

Knighton shot a swift glance at him. His own face became troubled. He spoke haltingly, with a touch of deference.

"I wonder, are you busy, M. Poirot? There is something I would like to ask you about."

"I am at your disposal. Shall we go outside? It is pleasant in the sunshine."

They strolled out together, and Knighton drew a deep breath.

"I love the Riviera," he said. "I came here first twelve years ago, during the War, when I was sent to Lady Tamplin's Hospital. It was like Paradise, coming from Flanders to this."

"It must have been," said Poirot.

"How long ago the War seems now!" mused Knighton.

They walked on in silence for some little way.

"You have something on your mind?" said Poirot.

Knighton looked at him in some surprise.

"You are quite right," he confessed. "I don't know how you knew it, though."

"It showed itself only too plainly," said Poirot drily.

"I did not know that I was so transparent."

"It is my business to observe the physiognomy," the little man explained, with dignity.

"I will tell you, M. Poirot. You have heard of this dancer woman--Mirelle?"

"She who is the _chère amie_ of M. Derek Kettering?"

"Yes, that is the one; and, knowing this, you will understand that Mr. Van Aldin is naturally prejudiced against her. She wrote to him, asking for an interview. He told me to dictate a curt refusal, which of course I did. This morning she came to the hotel and sent up her card, saying that it was urgent and vital that she should see Mr. Van Aldin at once."

"You interest me," said Poirot.

"Mr. Van Aldin was furious. He told me what message to send down to her. I ventured to disagree with him. It seemed to me both likely and probable that this woman Mirelle might give us valuable information. We know that she was on the Blue Train, and she may have seen or heard something that it might be vital for us to know. Don't you agree with me, M. Poirot?"

"I do," said Poirot drily. "M. Van Aldin, if I may say so, behaved exceedingly foolishly."

"I am glad you take that view of the matter," said the secretary. "Now I am going to tell you something, M. Poirot. So strongly did I feel the unwisdom of Mr. Van Aldin's attitude that I went down privately and had an interview with the lady."

"_Eh bien?_"

"The difficulty was that she insisted on seeing Mr. Van Aldin himself. I softened his message as much as I possibly could. In fact--to be candid--I gave it in a very different form. I said that Mr. Van Aldin was too busy to see her at present, but that she might make any communication she wished to me. That, however, she could not bring herself to do, and she left without saying anything further. But I have a strong impression, M. Poirot, that that woman knows something."

"This is serious," said Poirot quietly. "You know where she is staying?"

"Yes." Knighton mentioned the name of the hotel.

"Good," said Poirot; "we will go there immediately."

The secretary looked doubtful.

"And Mr. Van Aldin?" he queried doubtfully.

"M. Van Aldin is an obstinate man," said Poirot drily. "I do not argue with obstinate men. I act in spite of them. We will go and see the lady immediately. I will tell her that you are empowered by M. Van Aldin to act for him, and you will guard yourself well from contradicting me."

Knighton still looked slightly doubtful, but Poirot took no notice of his hesitation.

At the hotel, they were told that Mademoiselle was in, and Poirot sent up both his and Knighton's cards, with "From Mr. Van Aldin" pencilled upon them.

Word came down that Mademoiselle Mirelle would receive them.

When they were ushered into the dancer's apartments, Poirot immediately took the lead.

"Mademoiselle," he murmured, bowing very low, "we are here on behalf of M. Van Aldin."

"Ah! And why did he not come himself?"

"He is indisposed," said Poirot mendaciously; "the Riviera throat, it has him in its grip, but me, I am empowered to act for him, as is Major Knighton, his secretary. Unless, of course, Mademoiselle would prefer to wait a fortnight or so."

If there was one thing of which Poirot was tolerably certain, it was that to a temperament such as Mirelle's the mere word "wait" was anathema.

"_Eh bien_, I will speak, Messieurs," she cried. "I have been patient. I have held my hand. And for what? That I should be insulted! Yes, insulted! Ah! Does he think to treat Mirelle like that? To throw her off like an old glove. I tell you never has a man tired of me. Always it is I who tire of them."

She paced up and down the room, her slender body trembling with rage. A small table impeded her free passage and she flung it from her into a corner, where it splintered against the wall.

"That is what I will do to him," she cried, "and that!"

Picking up a glass bowl filled with lilies she flung it into the grate, where it smashed into a hundred pieces.

Knighton was looking at her with cold British disapproval. He felt embarrassed and ill at ease. Poirot, on the other hand, with twinkling eyes was thoroughly enjoying the scene.

"Ah, it is magnificent!" he cried. "It can be seen--Madame has a temperament."

"I am an artist," said Mirelle; "every artist has a temperament. I told Dereek to beware, and he would not listen." She whirled round on Poirot suddenly. "It is true, is it not, that he wants to marry that English miss?"

Poirot coughed.

"_On m'a dit_," he murmured, "that he adores her passionately."

Mirelle came towards them.

"He murdered his wife," she screamed. "There--now you have it! He told me beforehand that he meant to do it. He had got to an _impasse_--zut! he took the easiest way out."

"You say that M. Kettering murdered his wife."

"Yes, yes, yes. Have I not told you so?"

"The police," murmured Poirot, "will need proof of that--er--statement."

"I tell you I saw him come out of her compartment that night on the train."

"When?" asked Poirot sharply.

"Just before the train reached Lyons."

"You will swear to that, Mademoiselle?"

It was a different Poirot who spoke now, sharp and decisive.

"Yes."

There was a moment's silence. Mirelle was panting, and her eyes, half defiant, half frightened, went from the face of one man to the other.

"This is a serious matter, Mademoiselle," said the detective. "You realize how serious?"

"Certainly I do."

"That is well," said Poirot. "Then you understand, Mademoiselle, that no time must be lost. You will, perhaps, accompany us immediately to the office of the Examining Magistrate."

Mirelle was taken aback. She hesitated, but, as Poirot had foreseen, she had no loophole for escape.

"Very well," she muttered. "I will fetch a coat."

Left alone together, Poirot and Knighton exchanged glances.

"It is necessary to act while--how do you say it?--the iron is hot," murmured Poirot. "She is temperamental; in an hour's time, maybe, she will repent, and she will wish to draw back. We must prevent that at all costs."

Mirelle reappeared, wrapped in a sand-coloured velvet wrap trimmed with leopard skin. She looked not altogether unlike a leopardess, tawny and dangerous. Her eyes still flashed with anger and determination.

They found M. Caux and the Examining Magistrate together. A few brief introductory words from Poirot, and Mademoiselle Mirelle was courteously entreated to tell her tale. This she did in much the same words as she had done to Knighton and Poirot, though with far more soberness of manner.

"This is an extraordinary story, Mademoiselle," said M. Carrège slowly. He leant back in his chair, adjusted his pince-nez, and looked keenly and searchingly at the dancer through them.

"You wish us to believe M. Kettering actually boasted of the crime to you beforehand?"

"Yes, yes. She was too healthy, he said. If she were to die it must be an accident--he would arrange it all."

"You are aware, Mademoiselle," said M. Carrège sternly, "that you are making yourself out to be an accessory before the fact?"

"Me? But not the least in the world, Monsieur. Not for a moment did I take that statement seriously. Ah no, indeed! I know men, Monsieur; they say many wild things. It would be an odd state of affairs if one were to take all they said _au pied de la lettre_."

The Examining Magistrate raised his eyebrows.

"We are to take it, then, that you regarded M. Kettering's threats as mere idle words? May I ask, Mademoiselle, what made you throw up your engagements in London and come out to the Riviera?"

Mirelle looked at him with melting black eyes.

"I wished to be with the man I loved," she said simply. "Was it so unnatural?"

Poirot interpolated a question gently.

"Was it, then, at M. Kettering's wish that you accompanied him to Nice?"

Mirelle seemed to find a little difficulty in answering this. She hesitated perceptibly before she spoke. When she did, it was with a haughty indifference of manner.

"In such matters I please myself, Monsieur," she said.

That the answer was not an answer at all was noted by all three men. They said nothing.

"When were you first convinced that M. Kettering had murdered his wife?"

"As I tell you, Monsieur, I saw M. Kettering come out of his wife's compartment just before the train drew into Lyons. There was a look on his face--ah! at the moment I could not understand it--a look haunted and terrible. I shall never forget it."

Her voice rose shrilly, and she flung out her arms in an extravagant gesture.

"Quite so," said M. Carrège.

"Afterwards, when I found that Madame Kettering was dead when the train left Lyons, then--then I knew!"

"And still--you did not go to the police, Mademoiselle," said the Commissary mildly.

Mirelle glanced at him superbly; she was clearly enjoying herself in the rôle she was playing.

"Shall I betray my lover?" she asked. "Ah no; do not ask a woman to do that."

"Yet now--" hinted M. Caux.

"Now it is different. He has betrayed me! Shall I suffer that in silence...?"

The Examining Magistrate checked her.

"Quite so, quite so," he murmured soothingly. "And now, Mademoiselle, perhaps you will read over the statement of what you have told us, see that it is correct, and sign it."

Mirelle wasted no time on the document.

"Yes, yes," she said, "it is correct." She rose to her feet. "You require me no longer, Messieurs?"

"At present, no, Mademoiselle."

"And Dereek will be arrested?"

"At once, Mademoiselle."

Mirelle laughed cruelly and drew her fur draperies closer about her.

"He should have thought of this before he insulted me," she cried.

"There is one little matter"--Poirot coughed apologetically--"just a matter of detail."

"Yes?"

"What makes you think Madame Kettering was dead when the train left Lyons?"

Mirelle stared.

"But she _was_ dead."

"Was she?"

"Yes, of course. I--"

She came to an abrupt stop. Poirot was regarding her intently, and he saw the wary look that came into her eyes.

"I have been told so. Everybody says so."

"Oh," said Poirot, "I was not aware that the fact had been mentioned outside the Examining Magistrate's office."

Mirelle appeared somewhat discomposed.

"One hears those things," she said vaguely; "they get about. Somebody told me. I can't remember who it was."

She moved to the door. M. Caux sprang forward to open it for her, and as he did so, Poirot's voice rose gently once more.

"And the jewels? Pardon, Mademoiselle. Can you tell me anything about those?"

"The jewels? What jewels?"

"The rubies of Catherine the Great. Since you hear so much, you must have heard of them."

"I know nothing about any jewels," said Mirelle sharply.

She went out, closing the door behind her. M. Caux came back to his chair; the Examining Magistrate sighed.

"What a fury!" he said, "but _diablement chic_, I wonder if she is telling the truth? I think so."

"There is _some_ truth in her story, certainly," said Poirot. "We have confirmation of it from Miss Grey. She was looking down the corridor a short time before the train reached Lyons and she saw M. Kettering go into his wife's compartment."

"The case against him seems quite clear," said the Commissary, sighing; "it is a thousand pities," he murmured.

"How do you mean?" asked Poirot.

"It has been the ambition of my life to lay the Comte de la Roche by the heels. This time, _ma foi_, I thought we had got him. This other--it is not nearly so satisfactory."

M. Carrège rubbed his nose.

"If anything goes wrong," he observed cautiously, "it will be most awkward. M. Kettering is of the aristocracy. It will get into the newspapers. If we have made a mistake--" He shrugged his shoulders forebodingly.

"The jewels now," said the Commissary, "what do you think he has done with them?"

"He took them for a plant, of course," said M. Carrège; "they must have been a great inconvenience to him and very awkward to dispose of."

Poirot smiled.

"I have an idea of my own about the jewels. Tell me, Messieurs, what do you know of a man called the Marquis?"

The Commissary leant forward excitedly.

"The Marquis," he said, "the Marquis? Do you think he is mixed up in this affair, M. Poirot?"

"I ask you what you know of him."

The Commissary made an expressive grimace.

"Not as much as we should like to," he observed ruefully. "He works behind the scenes, you understand. He has underlings who do his dirty work for him. But he is some one high up. That we are sure of. He does not come from the criminal classes."

"A Frenchman?"

"Y--es. At least we believe so. But we are not sure. He has worked in France, in England, in America. There was a series of robberies in Switzerland last autumn which were laid at his door. By all accounts he is a _grand seigneur_, speaking French and English with equal perfection and his origin is a mystery."

Poirot nodded and rose to take his departure.

"Can you tell us nothing more, M. Poirot," urged the Commissary.

"At present, no," said Poirot, "but I may have news awaiting me at my hotel."

M. Carrège looked uncomfortable. "If the Marquis is concerned in this--" he began, and then stopped.

"It upsets our ideas," complained M. Caux.

"It does not upset mine," said Poirot. "On the contrary, I think it agrees with them very well. Au revoir, Messieurs; if news of any importance comes to me I will communicate it to you immediately."

He walked back to his hotel with a grave face. In his absence a telegram had come to him. Taking a paper-cutter from his pocket, he slit it open. It was a long telegram, and he read it over twice before slowly putting it in his pocket. Upstairs, George was awaiting his master.

"I am fatigued, Georges, much fatigued. Will you order for me a small pot of chocolate?"

The chocolate was duly ordered and brought, and George set it at the little table at his master's elbow. As he was preparing to retire, Poirot spoke:

"I believe, Georges, that you have a good knowledge of the English aristocracy?" murmured Poirot.

George smiled apologetically.

"I think that I might say that I have, sir," he replied.

"I suppose that it is your opinion, Georges, that criminals are invariably drawn from the lower orders."

"Not always, sir. There was great trouble with one of the Duke of Devize's younger sons. He left Eton under a cloud, and after that he caused great anxiety on several occasions. The police would not accept the view that it was kleptomania. A very clever young gentleman, sir, but vicious through and through, if you take my meaning. His Grace shipped him to Australia, and I hear he was convicted out there under another name. Very odd, sir, but there it is. The young gentleman, I need hardly say, was not in want financially."

Poirot nodded his head slowly.

"Love of excitement," he murmured, "and a little kink in the brain somewhere. I wonder now--"

He drew out the telegram from his pocket and read it again.

"Then there was Lady Mary Fox's daughter," continued the valet in a mood of reminiscence. "Swindled tradespeople something shocking, she did. Very worrying to the best families, if I may say so, and there are many other queer cases I could mention."

"You have a wide experience, Georges," murmured Poirot. "I often wonder having lived so exclusively with titled families that you demean yourself by coming as a valet to me. I put it down to love of excitement on your part."

"Not exactly, sir," said George. "I happened to see in _Society Snippets_ that you had been received at Buckingham Palace. That was just when I was looking for a new situation. His Majesty, so it said, had been most gracious and friendly and thought very highly of your abilities."

"Ah," said Poirot, "one always likes to know the reason for things."

He remained in thought for a few moments and then said:

"You rang up Mademoiselle Papopolous?"

"Yes, sir; she and her father will be pleased to dine with you to-night."

"Ah," said Poirot thoughtfully. He drank off his chocolate, set the cup and saucer neatly in the middle of the tray, and spoke gently, more to himself than to the valet.

"The squirrel, my good Georges, collects nuts. He stores them up in the autumn so that they may be of advantage to him later. To make a success of humanity, Georges, we must profit by the lessons of those below us in the animal kingdom. I have always done so. I have been the cat, watching at the mouse hole. I have been the good dog following up the scent, and not taking my nose from the trail. And also, my good Georges, I have been the squirrel. I have stored away the little fact here, the little fact there. I go now to my store and I take out one particular nut, a nut that I stored away--let me see, seventeen years ago. You follow me, Georges?"

"I should hardly have thought, sir," said George, "that nuts would have kept so long as that, though I know one can do wonders with preserving bottles."

Poirot looked at him and smiled.

28. Poirot Plays the Squirrel

Poirot started to keep his dinner appointment with a margin of three-quarters of an hour to spare. He had an object in this. The car took him, not straight to Monte Carlo, but to Lady Tamplin's house at Cap Martin, where he asked for Miss Grey. The ladies were dressing and Poirot was shown into a small salon to wait, and here, after a lapse of three or four minutes, Lenox Tamplin came to him.

"Katherine is not quite ready yet," she said. "Can I give her a message, or would you rather wait until she comes down?"

Poirot looked at her thoughtfully. He was a minute or two in replying, as though something of great weight hung upon his decision. Apparently the answer to such a simple question mattered.

"No," he said at last, "no, I do not think it is necessary that I should wait to see Mademoiselle Katherine. I think, perhaps, that it is better that I should not. These things are sometimes difficult."

Lenox waited politely, her eyebrows slightly raised.

"I have a piece of news," continued Poirot. "You will, perhaps, tell your friend. M. Kettering was arrested to-night for the murder of his wife."

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The mystery of the Blue TrainChapter VI: Part 6

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