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Chapter I: Introduction

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And now the readers of ARGOSY-ALLSTORY WEEKLY come once again to their old favorite, A. Merritt, who flashed like a shooting star across the pages of _All-Story Weekly_ in the issues of June 22, 1918, and from February 1, to March 22, 1919, illuminating that most classically fantastic of all stories, THE MOON POOL, which was afterward brought out in book form and accepted in England, France, and America as equal to the best imaginative work of H. G. Wells or that older master, the late Jules Verne; after which he rose to greater heights in his serial that appeared under the title of THE METAL MONSTER.

In these two works Merritt struck an entirely new note, rich in imagination, the wondrous possibilities of science, and the fine balance of human interest and narrative charm. In every chapter he struck the cosmic chords of superlative invention. Letters from all over the world asking for further work from the pen of Merritt came to this office.

He has recently been induced, or, to be perfectly frank, he has again taken up his pen of his own volition and made another contribution entitled THE FACE IN THE ABYSS, which is published in this issue in full on the pages which follow.

We know of no more kaleidoscopic imagination among living writers. Merritt possesses not only a transcendental vision but the power to put in words the scenes that unfold and come full winged shimmering with light from the cathedral of his mind.

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The face in the abyssChapter I: Introduction

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